Posted by psgels on 31 July 2012 with categories: Monthly Summaries

So, this season had a really tough job to live up to the previous season, that was just filled with really good series. It’s definitely much smaller, but on the flip-side it did deliver with a bunch of very interesting series. In particular the dramas are better than ever, but there are also quite a few series that overflow with creativity. I consider this a succeeded season at this point.

Manga Recap:
So, this month I finally started to get into manga. Unconsciously, this mostly turned into an exploration of various one-shots, one-shot compilation, or short manga. Most of what I’ve been able to read are just introductions, and there was some nice stuff amongst them, but there were three things that really managed to catch my attention with their excellent introductions, and carried them further with excellent storytelling.

#3: Hotel
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Hotel by Boichi. This is a mature Osamu Tezuka-esque take on science fiction and the apocalypse, all paired with the most crisp art I’ve encountered this month. Its first chapter shows an interesting portrayal of the apocalypse, but what really blew away was the Tuna story. That really was unique and unlike any other science fiction story I’ve read.

#2: Hito Hitori Futari
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Hotel really only let me down on one area: its characterization. This all felt a bit flat. Hito Hitori Futari however, packed a ton of charm in its two characters. This really was drawn with emotion, and together with the down to earth dialogue, it really managed to bring its cast to life. It’s also got a beautiful art style.

#1: A Million Pound Love
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This is an anthology by the same author of Himitsu the Revelation, and you can definitely see this. This is truly excellent mystery with brilliant character-development put in very short stories. Like Himitsu, she knows exactly how much to reveal at each page to keep you interested.

#33 (new) – Kono Naka ni Hitori, Imouto ga Iru – (1,75/10) – Add some gender-swapped historical figures, and then this series would have been everything that is wrong with modern anime. I mean, Dakara Ecchi was bad, but this is one level beyond that: completely shameless and stupid without any hint of inspiration or effort.
#32 (new) – Hagare Yuusha no Estetica – (2,5/10) – This show was incredibly stupid and sexist, I just can’t remember why anymore.
#31 (new) – Dakara Boku wa H ga Dekinai – (2,9/10) – Why don’t these guys just make straight-up porn?
#30 (new) – Chitose Get You – (3,25/10) – This series was just cheap and poorly delivered. And I can understand lacking budget and all: but there is no excuse fo the completely uninspired writing and jokes.
#29 (new) – Oda Nobuna no Yabou – (3,5/10) – It’s one thing to gender-swap famous historical figures. But really: why does it always have to be with the same people? First there was the romance of the three kingdoms, now this.
#28 (new) – Campione – (4,5/10) – It looked like for a minute this series had potential to become an entertaining action series. But no, it had to focus on harem clichés instead. This show got quickly dropped once I found that out.
#27 (new) – La Storia Della Arcana Famiglia – (5,5/10) – Look, I used to be a huge fan of shoujo series. When good, they can deliver some of the most heartfelt stories out there. But it’s the series like Arcana Famiglia that make it really hard to remain a fan by reducing most of the cast to mere stereotypes who keep repeating one single gimmick. Chiaki Kon, you in particular should know better.
#26 (24) – Yuruyuri – (6/10) – Yuruyuri was very funny when it started with that gimmick of a first episode. When that ended though, it completely bored me. It’s still girls talking and making bad lesbian jokes. If that’s what you like, then by all means give this one a chance. I just tuned out immediately.
#25 (35) – Dog Days – (6/10) – I was hoping that Dog Days’ would improve on the formula of its predecessor. What I wasn’t prepared for however, was the end of that second episode. Just.. why? Why on earth would you want to do something like that in a series like this?
#24 (new) – Joshiraku – (6,5/10) – Joshiraku was too static: it entirely was about characters sitting in a room discussing wordplay. It got to the point where they weren’t characters anymore, but rather that this became an essay about wordplay from the author.
#23 (new) – Ebiten – (6,6/10) – Well, this one wasn’t the worst of this season, it had some nice jokes and all. But ultimately it’s just random fluff that has way too little potential. Also, those eyes!
#22 (27) – Hakuouki – (6,9/10) – I have to grant it to Hakuouki that out of all of the bishie-series to appear during the past few years, it has been the best. It at least tried something different from the usual cliches. But it just doesn’t seem to really try to stand out. It’s just there. I gave several seasons a try now, but never did I really encounter something that caught my attention.
#21 (new) – Binbou-Gami ga! – (7,4/10) – Comedy is incredibly subjective, but I do recommend watching the first episode of this series: that one was very well-balanced and quite funny. As for what happened afterwards, though: it just wasn’t funny enough for me, and the random references for the sake of references, stereotypical characters and lots and lots of yelling just didn’t do it for me.
#20 (24) – Phi Brain – (7,5/10) – I can live with Phi Brain being stupid, but what is a bit harder to accept is how this series has been systematically ignoring any good potential character-development. This month thankfully wasn’t as bad as the previous one, and there even was a very good episode with the Ana Gram episode, but can someone answer me why the single most pathetic villain of the first season was brought back?
#19 (new) – Tanken Drilland – (7,5/10) – Tanken Drilland has the makings of a really good kids show, but it really needs to try harder for that. It’s really quite charming, and the two leads work too good together, but the third main character is a bit too stupid. Yes, I know this is aimed at kids, but that is no excuse. What happened to the days of the World Masterpiece Theater in which kids series really took their audiences and their characters seriously?
#18 (22) – Saint Seiya Omega – (7,6/10) – Saint Seiya has been dabbling on like usual. Some episodes are a bit of a waste of time, while others are a bit more interesting, but it never really stood out, nor did it ever get annoying enough for me to drop it. Whether I’d recommend this show to others to marathon though… that’d be a different story. It’s good enough to watch weekly, but for now it doesn’t really have enough staying power to be worth it to marathon.
#17 (new) – Total Eclipse – (7,75/10) – Total Eclipse is a strange beast. I actually like that it took its first two episodes specifically to show the background of one of the main characters, but afterwards things went a bit wonky with strange nationalism and stereotypes, along with a lot of yelling and random fanservice. Seeing this, I can imagine that the director was about to break down, but the writing staff also is to blame for some of the strange design decisions.
#16 (new) – Sword Art Online – (7,9/10) – For me,the gist of Sword Art Online is: really interesting setting, gorgeous visuals, rather boring characters. At this point in the story, none of the characters really stand out yet: there were moments in the first episode in which they did, but in the episodes afterwards this series has been very gloomy and particularly bad in portraying its side-characters, on top of being surprisingly formulaic (Hello, girl of the week!).
#15 (new) – Tari Tari – (8/10) – Tari Tari is a charming slice of life series, that has yet to really stand out. The closest it has gotten is with episode two, but afterwards it really made clear that that was just a one-off issue. The blond lead girl in particular tends to get on my nerves, and is a bit too simplistic and clichéd. They still could make this work though, because there definitely is potential here.
#14 (14) – Kyoukai Senjou no Horizon – (8,1/10) – Kyoukai Senjou no Horizon makes no sense whatsoever. But the ideas it has really make up for it. It’s completely crazy this way, and that’s what I really appreciate from it. Now if only the characters themselves would get a bit better: in particular the male lead is trying too hard to be comic relief. And no, I don’t care if this is explained in the plot. This is Horizon, they can just pull something out of their asses to turn this down.
#13 (new) – Jinrui wa Suitai Shimashita – (8,1/10) – Jinrui wa Suitai Shimashita has one thing that makes it stand out, and it does that really well: its setting. There is so much interesting stuff going on in this series, and it’s all just so inspired. Beyond that though, it doesn’t really have anything that stands out: the graphics look pretty… and that’s it. The characters are… there I guess, but that’s all So yeah, it’s a one trick pony, but that trick it does is damn great.
#12 (new) – Uta Koi – (8,25/10)

Thank you, whoever made this show possible. This series shows that anime can still make series that have no commercial potential at all, and instead are there to teach their audience new things and show their own interpretations of a unique part of Japan’s history. The acting is a bit simplistic, but heck: the content, soundtrack and pacing make up for that.

#11 (13) – Moyashimon – (8,25/10)

Bizarrely enough, the central character of the past month changed to a germophobe. Because of this, the germs have turned into narrators. A bold move, and do the creators have enough to make up for that? I’d say yes: the lectures in this series are very interesting, and the characters all have a very good chemistry together.

#10 (9) – Rinne no Lagrange – (8,25/10)
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Rinne no Lagrange continues its strong formula of mechas and charming characters. With this, we’re heading into the real mysteries in this series, and the themes of reaching out to the enemy still remain, although the main villain of Ran’s brother could do with a bit of character-development at this point.

#9 (15) – AKB0048 – (8,4/10)

This month, AKB really won me over completely. The second season announcement, on top of the characters getting even more charming really did the trick for me. The finale was incredibly cheesy, but it worked due to the excellent direction and musical numbers. Definitely looking forward to that continuation.

#8 (25) – Kokoro Connect – (8,4/10)

This was by far the surprise of the season, after that first episode that left me woefully unimpressed. From out of nowhere, this series suddenly started delivering with excellent dialogue and voice acting, and the characters suddenly revealed complex issues that they all discussed with each other in great detail. This is one case in which my first impressions have been totally wrong.

#7 (18) – Poyopoyo Kansatsu Nikki – (8,5/10)

I love this show. It’s all just so down to earth. This month was entirely dedicated to Summer, and what followed were a TON of short sketches about the different characters living their daily lives while it’s too hot to really do anything. Seriously, the episodes are only 2 minutes long, and the creators still manage to stuff in enough content as if it was five times that length.

#6 (11) – Shirokuma Cafe – (8,5/10)

This show surpassed itself this month with a number of classic scenes. It’s still incredibly corny, but because of how true it is to itself it really doesn’t matter, and this actually becomes a selling point. Some of the characters, especially Penguin and Polar Bear, were just priceless.

#5 (10) – Hunter X Hunter – (8,6/10)

Yes! Yes! Yes! Finally Hunter X Hunter has arrived at the point that I’ve been looking forward to ever since it got announced (nearly a freaking year!): the Yorkshin arc. This is where the original series really went: “Shounen conventions?” Who cares about these bloody shounen conventions! I’ve got a story to tell!”, and it would be wonderful if this new season would also be able to achieve this. The early signs are all good: sure, the acting is a tad more over the top, but they can really make this work. They really nailed the introductions of the key characters in their own way.

#4 (9) – Hyouka – (8,6/10)

The school festival arc is really big. For how many episodes has it been going on now? 4? Because of that though, it really as been able to put in an attention to detail for the small things, That was great build-up.

#3 (4) – Eureka Seven Ao – (8,75/10)

To those who were planning to check out Eureka Seven Ao without having seen the original Eureka Seven: don’t. You really need to have seen the first Eureka Seven in order to be able to enjoy this to the fullest, that definitely became clear this month. And how! This month just delivered twist after twist after twist, and it all works together. The big ones in particular were just amazing, and this series doesn’t even show signs that it played all of its trumps already.

#2 (new) – Natsuyuki Rendezvous – (9,25/10)

This show is just amazing in every single way. It’s been a long while since in a season there was just one show that immediately blew away all other series that debuted that season so massively. Its voice acting is just fantastic, the characters and their chemistry is just amazing, the soundtrack rocks, the animation is incredibly detailed, the story doesn’t beat around the bush. It really is refreshing to see such a mature romance, in which the main female character actually is in her thirties: these characters are even rarer than male leads of that age.

#1 (1) – Uchuu Kyoudai – (9,25/10)

The thing with Uchuu Kyoudai is that the only criticism I might have for it is that its pacing is a tad slow: it really takes a while to get from A to B. But dammit, it brilliantly makes use of this, by using this time in order to flesh out its cast to the fullest. Mutta has become a classic character at this point, but the rest of the cast members are also awesome at this point. Everyone just feels so real and down to earth, and on top of that they all pack a ton of charm in their own way.

15 Responses

  1. Will says:

    Everyone’s dead in Hotel, of course the characterisation is going to be flat.

    • psgels psgels says:

      I also checked out the second and third chapter. Also, I consider the robots as characters as well. Who cares if they’re not humans?

  2. Alec says:

    Your first impression if Kokoro Connect got me scared at first. It took me almost 2 weeks to watch the first episode.

    To me surprise, I really didn’t find it to be bad at all… it was just normal — But you seem to hate normal stuff, though…so yeah —
    However, I saw potential in this anime : If the anime, combined with the interesting premise, tries to take itself seriously, I know it was going to be great. So yeah, I was never really surprised at the anime turning out to be awesome.

  3. bladeblur says:

    I honestly though Eureka will take it due to it being the only show this month with the 4-star rating.

    • psgels psgels says:

      Now that you mention it, I may have rated it a bit too low, but at the same time I do want to stress that the first Eureka Seven still is better at this point.

  4. Troyen says:

    Who says you never use all of the numbers on your rating scale?

  5. mike says:

    Uchuu Kyoudai might become the best of the year :P
    and Jinrui wa Suitai Shimashita is best of the season for me.

  6. Lazy says:

    I still think you gave up too early on Nobuna. The excellent production values and execution are still there at episode 4.

    • Anca says:

      Agree, it’s like Madhouse looked at the old beaten horse of historical figures as cute girls and then said: hahaha look at how bad these series are I bet we can do it hundred times better.

      Well, not that it’s an excellent series – it’s not – but it’s a decent historical drama.

    • dm00 says:

      Agreed. It’s one of my favorite series. Maybe I’m lucky in that I didn’t watch any of the bad ones from before to have my expectations ruined by preconceived notions.

      Maybe I should take another look at Kokoro Connect — I did let my preconceived notions take the lead, there.

  7. Nobody says:

    How come you didn’t blog anything about Koi to Senkyo to Chocolate? Not even a First Impression about how good or terrible it is?

    • psgels psgels says:

      Ah, I knew I forgot something! Basically that entry was eaten by wordpress when I tried to publish it, and I didn’t feel like trying to rewrite that. I completely forgot that when I compiled this list.

      Basically the gist of it is that I found it cliched and boring.

  8. Zac says:

    What I found really compelling about Koroko Connect is that it treats its charters as real and complex people that makes them deeper than their respective stereotypes. In that context the first episode played brilliantly in establishing the expectation of “These are your typical anime stereotypes” and then continuing on to blow those out of the water as we are introduced to those histories.

    Koroko addresses the aspects of the character’s lives that is so often glossed over in Anime generally. Women’s sexuality is expressed as a real thing for women and is hinted at in a way that I haven’t seen done in an anime before, where women are there to please the male characters of the show and have no personal stake in their own sexuality. Furthermore, issues with trauma are handled not all at once, but over a gradual progression and is sensitive to the fact that we are meeting the characters in the middle of their lives. Their coping didn’t magically begin when we meet them, and it isn’t magically fixed in one episode, but continues as a progression and narrative thread throughout the episodes we have so far.

    In a way it feels like the movie The Breakfast Club with a Supernatural bent.

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  • Bam
    (Saturday, Jul 2. 2016 05:29 AM)
    Although it looks like Liden Films is working with a decent budget, the 3d models weren’t really that impressive. They’re actually pretty lucky to have Studio Millepensee on board as well; since their still frames and 2D in-betweens were actually really good.
  • Bam
    (Saturday, Jul 2. 2016 05:13 AM)
    The song from Gut’s nightmare sequence in the wagon was good tho. That might be the Harasawa insert track.
  • Bam
    (Saturday, Jul 2. 2016 05:11 AM)
    @Aidan: I already favorited their page. That’s incredibly. It’s like Kotaku hired a bunch of bronies to write reviews.
  • AidanAK47
    (Saturday, Jul 2. 2016 05:05 AM)
    @Bam, don’t think it’s a parody. After all it’s the same site that posted this comedy gem of an article.
    http://kotaku.com/sword-art-online-is-the-smartest-anime-i-ve-seen-in-yea-5947171
  • Bam
    (Saturday, Jul 2. 2016 04:59 AM)
    I really do hope that I’m wrong about all of this.
  • Bam
    (Saturday, Jul 2. 2016 04:57 AM)
    I’m starting to question Miura, and wondering how much of the genius of it was the 97 series director Naohito Takahashi, I mean I did watch the series before reading the manga. His choices are starting to make sense: leaving Puck out, ending the show right at the eclipse. He knew Miura will never finish it, and that is the high point of the whole story.
  • Bam
    (Saturday, Jul 2. 2016 04:52 AM)
    @Aidan: this article has to be a parody. I refuse to believe otherwise.
    The original’s pilot was disjointed and messy, but it kept the dark atmosphere and the somber tone. It still captured your attention and got you to watch the second episode, which was the real hook. This upbeatness … it’s just wrong.
  • Kaiser Eoghan
    (Saturday, Jul 2. 2016 04:51 AM)
    @Bam: Ah, I’m am slightly high at the moment and it makes me giddy/shit post.
  • Bam
    (Saturday, Jul 2. 2016 04:48 AM)
    @Kaiser: might be a “bab” but I am far from innocent.
  • Kaiser Eoghan
    (Saturday, Jul 2. 2016 04:46 AM)
    And hearing the characters voiced in Japanese, it reminds me just how the dub for Berserk sat much better for me.

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