Posted on 31 August 2012 with categories: Monthly Summaries

I’m not going to recap the manga I read this month due to a lack of screenshots that I have for them, but rest assured that I am planning a sort-of compilation post at the end of the season, including my highlights and overall impressions. In the meantime we go further with the Summer season, which really showed itself as a season of creativity. I’m watching a bit less than usual with only 17 series at the same time, but seriously, with the exception of Tari Tari, Saint Seiya and perhaps Rinne no Lagrange, all these series here stand out with their imagination and that’s a much, much higher share than usual. Especially considering how next season will be incredibly different: Fall 2012 will really be about quantity, with a lot of series that look similar to each other instead.

#17 (14) – Kyoukai Senjou no Horizon – (7.9/10) – Horizon’s selling point still is its boundless creativity, combined with bizarre politics with strange premises. That part is still rock-solid. I have a few issues with the cast though: at this point in the story they should be getting more interesting and lively with development… but I’m still not really noticing anything here, and to be honest this drags the show down a bit for me.
#16 (15) – Tari Tari – (8/10) – Tari Tari is a well done drama series. It’s nothing special, and a bit forced in the way that it jumps from character to character to show their development and story, but these stories do their job to flesh them out.
#15 (20) – Phi Brain – (8/10) – After having my suspense of disbelief broken for a few months, I’m back to enjoying Phi Brain again as it heads into its conclusion as it finally brings in some good character-development and the themes of saving the villains finally get somewhere. The sequel definitely had some balancing issues, but I’m glad that it managed to come together.
#14 (18) – Saint Seiya Omega – (8.1/10) – Whoa, this show has become much better this month! After long string sof rather boring fights, they are getting much more exciting now that the sakes are getting higher. I alos like how this show keeps track of its characters, and how it’s willing to go against “the party must stick together”-syndrome that a lot of adventure series have.
#13 (16) – Sword Art Online – (8.1/10) – Ah, Sword Art Online: brilliant setting, great acting from the main cast… but the main cast definitely needs some better writing to make them more interesting because at the moment this show screams a bit of wasted potential for focusing too much on Kirito meeting cute girls. Show some variety dammit!
#12 (10) – Moyashimon – (8.25/10)

Moyashimon had a string of episodes in which it lost its magic. The school festival arc was dull and for a while I just missed the chemistry between the characters that made me originally like the show. Thankfully this has returned again in the recent episodes, in which the characters were really enjoyable to watch again.

#11 (12) – Uta Koi – (8.25/10)

If I had one criticism for Uta Koi, then it is the animation. I get that it’s really hard to animate character-designs of this scale, and the budget for this series definitely is low, but the still frames do stand out a little too much and interfere a bit with bringing the characters to life. It’s a good thing that the stories it tells are still just wonderful. There is a ton of historical background and detail in this series, and the balance is just perfect: no character is overexposed, yet there are a few characters who get a bit of extra time to show how they changed over the years. And yes, episode 06 was awesome.

#10 (11) – Rinne no Lagrange – (8.25/10)

This show is building up to something, I can feel it. In the meantime there is random comic relief and time to flesh out the characters some more. At this point the cast of Rinne no Lagrange has definitely matured and changed. Now all that’s left is to use this.

#9 (13) – Jinrui wa Suitai Shimashita – (8.25/10)

Jinrui has improved nicely, in the way that the cast has become much more likable and the stories more interesting. This month also showed that the order of the arcs is completely random, which makes it also a challenge to puzzle together the real sequence of events. The setting with the fairies also is as strong as last month.

#8 (8) – Kokoro Connect – (8.4/10)

Kokoro Connect’s biggest flaw is that it sometimes focuses a bit too much on its drama, making it a bit one-sided. Said drama however, is really, really good and really aims to delve deep into the different characters. The characters clash wonderfully together.

#7 (6) – Shirokuma Cafe – (8.4/10)

While hilarious, this wasn’t the best month for Shirokuma Cafe. It had a few episodes which were too much about panda trolling, and the best moments weren’t as utterly hilarious as some of the earlier episodes. Still, there was enough to like, ranging from Polar Bear’s antics to the whole affair around Penko.

#6 (7) – Poyopoyo Kansatsu Nikki – (8.5/10)

It’s unbelievable, but I’m only liking this series more as it goes on. It’s already in its third season, and it still feels fresh despite all of the content it puts in, and the jokes that keep coming are all new and original. I hardly see anyone mention or talk about this series, but I really look forward to watch it every week.

#5 (5) – Hunter X Hunter – (8.6/10)

Oh yes! With this month, Hunter X Hunter has really set itself apart from the rest of the shounen series. The Yorkshin arc has finally fully started and it’s great to see Kurapika in the spotlight. It’s great to see people actually working on jobs and acting that way.

#4 (4) – Hyouka – (8.6/10)

This month featured the conclusion for the school festival arc, and I have to say that Hyouka surpassed itself there, making the best with its focus on mundane mysteries. The stories that followed were also really good, making great use of the character-development that has been established at this point.

#3 (3) – Eureka Seven Ao – (8.75/10)

This show is confusing, to the point where I often find myself forgetting important plot points of episodes ago, but I kindof like that about this series and how it doesn’t want to hold your hand along the way. It also still has the best action of the season and the characters still keep this one going really strong.

#2 (1) – Uchuu Kyoudai – (9.1/10)

The only fault of this show is that sometimes, it is paced a bit too slowly. But heck, with how incredible the cast of characters has become, I really don’t mind that at all. The conclusion of the third round worked incredibly well and managed to bring the entire cast together, only ending with the message that we haven’t even started yet.

#1 (2) – Natsuyuki Rendezvous – (9.1/10)

This show knows what it is. This month really showed that it makes perfect use of its length of only 11 episodes with how much focus it puts on just one plot twist. This was wonderfully acted once again, and it already had some amazing pay-off as of episode 09. Heck, at this point I’m pretty certain that this will be somewhere in my top 2 of 2012.

Posted on with categories: Natsuyuki Rendezvous

Natsuyuki Rendezvous, I applaud you! That was magnificent!

Now this is really how you do a dramatic climax. There was so much emotion in it, yet it was wonderfully restrained. The acting here was just brilliant. Everything in this episode was just leading up to that one moment in which Rokka would realize that for some reason Atsushi is back in Hazuki’s body, and they did so brilliantly.

The way they built it up also was amazing. Whilst Rokka was catching up to Atsushi (which is believable considering his mind has no affinity with being fast in any way), this episode kept showing flashbacks of the most memorable moments that the two of them shared together, which this series very nicely saved specifically for just this moment (now that I mention it: we never saw the flashback of the actual moment in which Atsushi died, right? That’s a wonderful touch right there for this series).

Beyond that I also really want to applaud the dialogue for this episode: that was some really well written stuff, miles away from the usual cliches. It felt fresh and captured the characters perfectly in how it described them. It also flowed so well with the actual animation. This episode didn’t feel like “okay, and now we have a bit of exposition”, but all the scenes flowed into each other, and did so incredibly smoothly. Dogakobo, where have you been hiding this talent for all this time?
Rating: 7/8 (Fantastic)

Posted on 30 August 2012 with categories: Moyashimon

This episode had something: chemistry. It’s the kind of chemistry that drew me into the second season of Moyashimon in the first place, and that had been unfortunately absent for a string of three or four episodes. I’m glad to see it back again.

It’s hard to describe what made this episode work, but the variety had a lot to do with it, how everyone split up in three groups that all did their own stuff, and how whimsical this all happened. There was one part romance, one part comedy and one part character-study and they went togehter really well. The animators also were quite good with their camera angles this week, which also really helped in bringing the cast alive.

I feel that this episode was really needed to keep this show from getting stale. The story from the blond girl about inheriting her family’s business: it was different from the usual things. You know, parents pushing their businesses down onto their children without much more detail. The story of her father and how her entire family is involved: I like that. Especially after watching so many episodes in which Haruka’s story was nothing really more than “girl gets forced to marry against her will”. That also got a bit more detail. It still is a bit stale compared to the wine girl, but at the very least it isn’t so damn cliched anymore.
Rating: 5/8 (Great)

Posted on 28 August 2012 with categories: Uta Koi

Sei Shonagon again, this time with the focus on her actual romance. This definitely was an episode for dialogue, because the two of them loved making quibs to each other and there were a lot of tongues in cheeks this week, along with nice historical details like how hats played such an important role in those days.

A difference between this episode was that it wasn’t necessarily about the constraining environment in which people lived back then, but instead it showed a different side of how things went on for the nobles and poets of those days. Sei Shonagon is a woman who has enough influence over people to make a difference.

Overall, Uta Koi has painted this nice picture of who the authors of the 100 poems were. It doesn’t stray too long on one of them, but it also picks a few of them to give a bit more attention than the others. Whether it’s the most exciting show though… that is unfortunately not the case. The fact remains that the acting still is quite wooden (although this episode wasn’t the worst example of that).
Rating: 4.5/8 (Good)

Posted on 27 August 2012 with categories: Hyouka

Once again a really nice standalone episode for Hyouka, so close to the end. I have to say: I’m really enjoying these episodes more compared to the individual episodes of the first half of the series. It’s not just because we now know the characters and that this show is now able to use this in its storytelling (most notably the interplay between Oreki and Chitanda), but the mysteries themselves also have gotten more interesting. I relaly liked the idea of piecing a story together from a random strange announcement over the school intercom.

This was just two people sitting in a room, trying to piece together something that happened, and I like episodes like this, especially considering how much detail the writers managed to put into it and how everything just started with one simple sentence: Oreki picked apart every single detail of it in order to get to his conclusion. Satoshi and Ibara were completely absent, so this was just about Oreki and Chitanda.

Now, I wouldn’t actually mind if the show ended on random episodes like these, or even a short arc of three episodes. In fact, it’s great for the variety in this series to play with the set-up like this, especially after the long school festival arc. Having a series in which the arcs are all the same length does get a bit boring, but here they are able to switch things up, and especially this episode was significantly different from the others. That’s great! Yay for variety!
Rating: 5.5/8 (Excellent)

Posted on with categories: Rinne no Lagrange

This show is building up to something. This episode however, decided to ignore that for some good old-fashioned character-building. It wasn’t even a calm before the storm, but rather an episodic story that was meant to push the characters a bit further before the climax starts.

So yeah, the student council wants to take away the club room for the jersey club. To avoid that Madoka needs to find an extra member. They find one, but at the end of the episode that member already quit and the clubroom issues stopped being a problem. The new character is also completely insignificant to the story, so the real point of this episode was everything in between.

Aside from fleshing out, what I think was the most important here was the meaning of the Jersey club to Madoka and Youko (who by the way has a way too small part in this second season): how the club was formed, and how they look at it today. It’s a neat piece of character development for both of them.

As for the main storyline, the only thing that was revealed was that that one guy who has been suspicious for the entire series has something to do with it and has been alive for 20000 years now. I’m still not seeing how it’s going to relate back to the themes of the rest of this series though, but this episode was not bothered by that. And in the meantime, the new girl was annoying but had her charms when she revealed her intentions, and it was fun to see Madoka fly off.
Rating: 5/8 (Great)

Posted on with categories: Jinrui wa Suitai Shimashita

You know, this was actually very adorable. In this episode Watashi gets sent to some random island along with a truck full of fairies in order to “cultivate” it. A few episodes ago it was outlined that the more fairies there were, the more luck you have. This episode showed that you can also overdo it a bit.

The result is an entire civilization being built consisting out of all sorts of monuments, only to collapse again due to a lack of resources. The whole process was quite interesting; again lots of sweets were involved, but I also liked how the fairies basically invented their own foods on a whim. The different buildings and clothing were quite imaginative.

Also, the episode order of this is completely random: this episode showed Assistant again, and acted as if he had been there for ages. Ideally speaking, I’d have liked it if the creators emphasized this random order a bit more. I mean, at this point there are only two stories that really made use of this: the story about her getting her hair cut, and the story of meeting Assistant. Other than that, I noticed that things that happen in one episode are never mentioned in the other again. Whether it prevents the series from coming together or not… I can’t say that yet at this point.

Also, why is grandfather always messing with a gun during the introductions?
Rating: 5/8 (Great)

Posted on with categories: Sword Art Online

So, the main storyline has begun. But does that also mean that this show has gotten better? Well, slightly.

I had my problems with this episode, but what I liked about it was that it further developed the relationship between Kirito and Asuna. It’s actually good that they spend a bit of quality time together, and this was done better than with the other girls Kirito met so far, on top of just being good build-up.

However, the one who is responsible for translating the novel storyline into the anime storyline needs to pay more attention to detail. I feel like this episode left out some key parts in understanding the characters and a few things in this episode didn’t make any sense because some key parts have never been shown. They’re small bits of details, but take for example the point at which Kirito enters Asuna’s house and is impressed with how expensive this is.

Now, I’m actually very interested in the story behind this, because it doesn’t really make sense from the perspective of an MMORPG: Kirito solos bosses and is constantly improving himself. Any loot or money he takes is something he gets to keep for himself. And knowing MMORPGs and boss drops, he can probably get quite a bit of money by just selling all of the rare high-level stuff he finds that is inaccessible to the people of lower level. Asuna and her guild meanwhile may kill more monsters together, but I do doubt whether they kill more monsters per person than what Kirito does. So how do they make money? Escorts? Taking on paid jobs from lower level members?

I also have a few complaints about how Kirito’s relationship with Asuna was handled. The scene with that one night was just cheap. It already started off clichéd with that random boob-grab, but even then: he just randomly starts acting possessive, without giving us the chance to see why he does this, especially considering how this guy is probably amongst the oldest people in the game, they just blow it off as stress, but to me this just feels like another one of those “punk”-scenes. You know, the scene where the cute girl is attacked by punks and has to be saved by the lead character for a bit of drama? I feel that the creators are actually doing a pretty good job on the acting for Kirito and Asuna, but this guy was really badly portrayed.

On a side-note: I just realized something: next season, A-1 Pictures will be likely working on six different shows at the same time: Fairy Tail, SAO, Uchuu Kyoudai, Gyrozetter, Magi and From the new World. That’ll be interesting to see if they can handle it.
Rating: 4.5/8 (Good)

Posted on 26 August 2012 with categories: Eureka Seven Ao

So, this series definitely has this tendency to come with back-stories right from out of nowhere. This episode treated us to the identity of the father of Truth. On top of the nature of the world that the series takes place in: we’re dealing with a parallel universe. Basically this show is what would happen if earth would be invaded by the Scab Coral: it would still thrive, but not as much as we do now. So wait, are the villains in this series trying to move the plot into the current earth?

What’s interesting is how Goldilocks isn’t dead, but instead they never got enlisted. And you know what? I wonder what happened to Bruno in this timeline then: is he still working for Generation Blue, but in a different division or something? Will we actually see him again? What’s also interesting is how Ao nearly loses himself near the end of this episode, leading to quite an interesting cliff-hanger where people actually realize that he is too dangerous with that dimension-altering gun of his. Is that really going to be it, though, or did this episode fail to mention something?

And then there are the characters in this episode who just started to act weird. Elena Peoples… didn’t she try to shoot down the Nirvash a bunch of episodes ago? This episode she apparently decided to try a completely different tactic, but what she has in mind still is a complete mystery. The trio of Gazelle, Pippo and Juno also were different from usual. Juno was in his element when he started explaining things, so that one is logical, but what about Gazelle being so blunt? And has Pippo always been this stupid? The most notable change however was Georg, who sometimes got taken over by a new voice. That one definitely is a plot point that the next episodes will touch upon.
Rating: 5.5/8 (Excellent)

Posted on 23 August 2012 with categories: Natsuyuki Rendezvous

When it was revealed that Atsushi could move objects, I did find myself thinking “now what?” Well, the creators answered that question brilliantly, and at this point it has become clear that the main plot of this show is all about that body takeover, and the conclusion of this series will very likely also be the point where this will get resolved, and no sooner. This episode was meant to build up for that, and what brilliant build-up it was!

Clearly something happened between Atsushi and Rokka that involves mountains. The first half focused on this from Rokka’s perspective as she tried to puzzle what on earth was going on, and what I really loved was how well her acting was when she called up Hazuki. Talk about restraint! It said so much with so little dialogue!

The second half of the episode then moved over to Hazuki as he realized that there was a slight danger that he didn’t anticipate to the body swapping: not being able to return, with as the highlight that part that had the best track of the soundtrack of this series (the one with the bass-like guitar and piano: a simple yet wonderful combination).
Rating: 5.5/8 (Excellent)

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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