Posted on 30 September 2012 with categories: Monthly Summaries

The summer season was quite small, but it stood out. It had one of the best shows of the year, and it had creative premises and executions. It perhaps wasn’t the best summer season out there, but definitely worth watching. And really: there was only one show that I kept watching that really went and disappointed all the way. Apart from that, even the ones that didn’t live up to what I expected still had something interesting to redeem themselves with.

#19 (45) – Hiiro no Kakera – (4.1/10) – The biggest crime of this series is being bland. Way too bland. Have an interesting concept. Have charismatic characters. Have interesting plot twist. Have funny jokes, anything, for god’s sake! Dropped.
#18 (16) – Tari Tari – (7.5/10) – Tari Tari… you should have tried harder. I mean, it’s fine and all that you want to just be a random slice of life show, but you should have tried to use your characters a bit more. Wien remained a joke for the entire series, and the eventual pay-off: the final performance, turned out to be a lazy montage.
#17 (17) – Kyoukai Senjou no Horizon – (7.9/10) – Very over the top, but there still is something missing here. And don’t get me wrong, it’s definitely entertaining, but I just feel like this could have been much more considering the potential it had.
#16 (10) – Rinne no Lagrange – (8/10) – The problem with this month’s Rinne no Lagrange was that it was trying to be too epic. That didn’t really mix in with the other messages of the show, unfortunately and the characters kept bouncing a bit between two extremes. It had some nice moments, but I feel that it would have been better if they just focused on either of the two.
#15 (14) – Saint Seiya Omega – (8.1/10) – Yet again this show proves that you can be simple, yet effective. It all was basic action right now, but because of how consistent it has been for the past months it worked as the mid-climax for this series. I mean, I’m starting to grow a liking to the characters, which is a sign of good build-up.
#14 (13) – Sword Art Online – (8.1/10)I do want to get one thing straight: I don’t dislike this series, and it does some things fascinatingly well. But at others it’s unfortunately still a wasted potential, not to mention how it came with that bizarre plot twist involving Yui that just felt completely out of place.
#13 (9) – Jinrui wa Suitai Shimashita – (8.25/10)

I feel like it would have been better for this series if the episodes of this month were shown a bit earlier, because that’s where we finally saw some depth on Watashi. Still, because of that this ending did have its charm, ending with the beginning and all.

#12 (12) – Moyashimon – (8.25/10)

Moyashimon was very entertaining, and after its dull in the middle it did manage to recover itself. The fact remains however that it had a bit of a bad premise for an entire sequel. I mean, the side plot of the wine brewing girl was much more interesting than Haruka’s arranged marriage. It’s the rest of the cast that really managed to save this series with their chemistry.

#11 (15) – Phi Brain – (8.25/10)

Aaaand the final month of Phi Brain’s second season was also its best. Who would have guessed? The thing is that everything came together, and it actually delivered what it promised: really good character-development. Sure, it was ridiculously silly, but the build-up actually paid off. And for that I’m willing to cut it a lot of slack.

#10 (6) – Poyopoyo Kansatsu Nikki – (8.4/10)

This show still is just consistently delightful. Every week it just manages to find so many relatable situations that are also just so funny to watch. The alien episode was the best one this month.

#9 (11) – Uta Koi – (8.4/10)

The best month for Uta Koi. It had a lot of interesting stories and it ended with a really neat ending that fitted this show really well. Having an episode dedicated both to Fujiwara no Teika and the writer of Genji Monogatari was really interesting to watch.

#8 (8) – Kokoro Connect – (8.5/10)

The third arc was better than the second, and not as good as the first. With three episodes the creators definitely managed to do some interesting things, and especially the character development was top-notch with the way the arc was set up.

#7 (7) – Shirokuma Cafe – (8.5/10)

There was one episode that had me completely in stitches. It’s been months since I laughed that hard, and that is really important for this series at this point: it shows that it still has more than enough material for its second half of 26 episodes. Really , that’s my biggest fear for this series: that 52 episodes will be too much for it to handle. That episode beyond being utterly hilarious was a big confidence boost.

#6 (new) – From the New World – (8.6/10)

What an opening episode! I mean, with the very first new episode of the season, From the New World set a damn high standard to live up to, with a fantastic directing style and an intriguing setting. On top of that A-1 pulled some top-notch animators out of its hat.

#5 (4) – Hyouka – (8.6/10)

The height of Hyouka was the Juumonji arc. The past number of episodes were still really good, but didn’t show the series at its best. Nevertheless, it definitely was a fitting way to close off the series with some very character-focused episodes.

#4 (3) – Eureka Seven Ao – (8.6/10)

We’re nearly at the climax, and Eureka Seven just continues to deliver its plot twists. It does so in a very good way though. There may have been a number of plotholes, but the twists themselves were fun and were very entertaining to watch.

#3 (5) – Hunter X Hunter – (8.75/10)

Yes! We’re nearly at the best part of Hunter X Hunter. The past month was already amazing, but I am so pumped for what’s coming. The only blemish is that the exposition is really boring to sit through, because I already watched the series and all. Because of that there was one dull episode this month, but at the very least Gon and Killua redeemed themselves really well with the episode that followed that.

#2 (1) – Natsuyuki Rendezvous – (9.25/10)

What an ending! It all went perfect, and after all the build up, Natsuyuki Rendezvous closed off with a perfect ending that flowed like water. Every character got some extra depth, it was still wonderfully produced, and it left a wonderful taste behind. Without a doubt the best show of the Summer Season.

#1 (2) – Uchuu Kyoudai – (9.25/10)

The characters in Uchuu Kyoudai already were amazing. And here this month came and made them even better. I mean holy crap, the episodes in this month were just stunning in how much charm every character had, and on top of that the newly introduced characters were also all incredibly interesting to watch.

Posted on with categories: Eureka Seven Ao

As I said in my Kokoro Connect review: I don’t include dvd specials in my reviews, simply because it takes too long to wait for them. With Eureka Seven’s final two episodes scheduled in November though, I can wait. My memory will still be fresh. And with such a cliff-hanger, I really want to include those final two episodes, because they are promising to be awesome. YES! Renton finally made his appearance!

Beyond that, this episode also offered a lot of answers, which is quite good. Naru and Ao also finally got a chance to talk again, and overall this was very fitting as the episode before the big climax, especially considering how it has been building up to give a major role to Renton and Eureka in the final two episodes.

Finally, I want to comment a bit on why I ended up really liking this series, even though I also dislike other series that also pulled questionable plot twists. First of all I want to get things clear: there is no formula in rating anime. With these things, not explaining everything or pulling plotholes, it’s not like there is one rule that says if there are plotholes, it’s bad. Instead, I care all about the context in which it happens: does it have things to make up for it? For example, I pay much more attention to the things I don’t like in Sword Art Online because I dislike that it wastes its potential with its setting. With Eureka Seven Ao however, I am for one a very satisfied Eureka Seven fan, so it can pull off a bit more, and it all just works together. The plot twists that it keeps pulling are all true to its themes and allow it to get the best out of its characters and have them show themselves off.

As for the characters, I honestly don’t mind them, and actually quite like their charms. This episode for example had some good comedy, their chemistry is good and it was all well built up in the first half. It’s not like in Guilty Crown where the characters just changed their personalities for no other reason than raise drama. This is a line that may seem small on first sight, but it makes such a world of difference. Or at least it does to me.
Rating: 5.5/8 (Excellent)

Posted on with categories: Hunter X Hunter

Oh hell yeah. We’re nearly at the best part of Hunter X Hunter, and they look like they can actually pull it off. I’m going to pick this one up again. Whether I’ll keep blogging it for the remainder of the series entirely depends on how they end up handling the Greed Island arc, but the yorkshin arc is so awesome that it deserves to be blogged here.

With this I also want to wrap up the previous arcs a bit. The thing is, that we’re right now one year in. The animation for Hunter X Hunter has improved in the meantime: the animators are taking more and more risks beyond just shading Hisoka a lot, the soundtrack has gotten better as well, and the lesser voice acting is just something that has to be accepted. It’s not that the voice acting in this series was bad, in the 1999 series it was just that good.

However, I still believe that the 2011 series left a lot to be desired in the Hunter Exam arc. Unfortunately, back when I blogged it I kept dancing around the core issue with it. The core issue is something that bothers me with a lot of other shounen series: being boring in your first arc. You see, in the 1999 series, the creators actually added all those fillers, but those fillers were great in adding details to the characters, fleshing them out and making them fun to watch. because of that it was a really enjoyable standalone arc, even if the Yorkshin would not have been made.

The 2011 series on the other hand skipped all of these details, it saved its best tracks of the soundtrack for later, it waited with its really good animation until after the arc was finished, it didn’t bother looking much into the side characters at all. It was all bland, and instead what stood out about it apparently was the hints it provided for the future arcs. Those hints indeed were nice and all, but they don’t add anything to the Hunter Exam arc itself. And that’s for an arc that lasted 30 episodes. I mean, Full Metal Alchemist took half that time, and that just barely worked out. This lack of detail really made me worried for the future arcs of Hunter X Hunter, but thankfully these were ungrounded: they really managed to get the Yorkshin arc right!

This also is a major episode in the way that Gon and Killua finally have stopped being boring. Finally they also are done with all of that build-up (which is quite boring to watch if you already watched that before), but in this episode they really got to put their skills to the test, and it was an incredibly tense test at that. Here, it really shows how dangerous the spider troupe is, and how the two leads are only just children. They were completely hopeless and captured way too early, but I loved how well they avoided not getting killed instantly.

Right now, the spider troupe is also getting fleshed out really well. Seriously, these guys are pretty much my favorite evil organization in any shounen ever, and this is because of how well they combine with each other. There is no clear structure, like “you must beat my subordinate’s subordinate’s subordinate before you can fight me!”, but instead it’s a chaotic group that works really well in unison. Everyone has his or her own role, and even the ones with barely any airtime like Pakunoda and that guy in bandages have this prescence, like they matter. They really showed that at the end of this episode.

Also, that animation! Take those walking scenes and look at how smooth that animation was. That’s quite rare to do, and the sign that effort is being put in where to put the emphasis right.
Rating: 5.5/8 (Excellent)

Posted on with categories: Anime Reviews

So, I did not like Code Geass. The first season just shattered my suspense of disbelief and even throughout the second season it just wasn’t able to restore this, making it a chore to watch. So when another sequel was announced, I was mostly indifferent to it. And then it got announced that it would be directed by Kazuki Akane, my favorite director ever. Yeah, my opinion changed.

What I love about this guy is that he understands action like no other, and he manages to combine this astonishingly well with his storytelling. His stories are always awesome to watch, he knows how to flesh out settings really well. It’s just the total picture of everything that comes together so wonderfully in his series.

Now, Bokuko no Akito consists out of four movies, so this first movie was just a lot of build-up, so whether the characters and plot will work is still a bit hard to say at this point. I will however say that as a build-up movie this was really solid and it did everything that it was supposed to.

It still takes place in the setting of Code Geass, but on a completely different location. It’s still about a bit of an anti-hero, it still is about the military and it still is about the discrimination of Japanese people, but it removed all those ridiculous elements that the Code Geass TV-series had. There is also no school whatsoever, which also helps. The discrimination issues are also done much better than in the TV-series: the movie added some depth to these issues. In Europe, they’re turned into immigrants and these issues are fleshed out with a slight bit of subtlety that the TV-series completely lacked. All of this together really helped in making me take this series seriously again, something that at the end of the second season, I never would have expected.

And then there is the action: and it really is really well done. The animation is very crisp and clean. The CG stands out, but it’s really well used with intense movements that are all over the place, and are filled with energy. All action scenes just have this sense of power behind them, typical of Kazuki Akane’s action scenes, and they can only get better over the next bunch of movies. The action scenes are also quite grounded for an action series: the creators put thought in their use of explosives and used different ones depending on the situation, and they studied the human anatomy so that when someone is disarmed, it actually looks painful.

Most of my issues were with the characters. The main cast is fleshed out well, they’re likable and interesting, but there is this mindset in this series that I don’t like: the “young people rock adults suck”-mindset. Nearly everyone in this series over 25 years old is incompetent and badly portrayed. This show looks down on them and does not provide an adequate enough reason for it. I hope that this will get fixed somehow in the later movies, but I’m afraid that that will be quite hard to do.

Storytelling: 8/10 – Build-up, but solid build-up.
Characters: 7.5/10 – Some badly portrayed minor characters, but the main cast is solid for the next movies to use.
Production-Values: 8.5/10 – Excellent animation for the fight scenes. It’s a build-up movie, so it’s definitely saving the eye candy for later, but there is a lot for the eyes to admire.
Setting: 8.5/10 – They took the Code Geass setting and removed the ridiculous aspects. The result is quite interesting and it’s good to see this show take itself seriously this way.
Posted on with categories: Anime Reviews



Here is my policy on reviewing series that still have important DVD specials coming up: I do not include those DVD specials in these reviews. The reason for this is quite simple: I guess most of you know that my blogging style is very spontaneously: I write down whatever comes to my mind. Most of those DVD specials take months to arrive, some even half a year. At that point my memory of the series in question just isn’t sharp enough to write an accurate review. Kokoro Connect is a special series: it has four episodes scheduled on DVDs that tell its final arc, a procedure that I very much encourage, but this review does not take those into account, other than ignoring the unfinished ending. I’ll talk about it later when everything has finished.

Especially because Kokoro Connect created some very interesting memories during the past season. I mean, every season I watch a ton of bad romantic comedies when every series starts, to the point where I’ve become a bit too biased on some of the clichés and early warning signs. The victim of this was Kokoro Connect, which started off with half an episode of school girls whining and delivering bad sex jokes (just like so many other shows out there do). I completely wrote off this series, and then it turned out to be this genuine and insightful drama. Talk about a surprise here.

So yeah, give this show a chance if you want drama that takes a very deep and close look at its characters. The thing with Kokoro Connect is that it consists out of three arcs, each of them throwing the cast into a situation completely beyond their control, and designed so that they are forced some of their deepest issues. The first arc for example has the cast switch bodies. This brings out tons of interesting issues, both with it shedding a serious look on what it would be like to spend time as a different gender and delving into the characters and their problems.

The first arc is particularly good at this, mostly because of its incredibly sharp dialogue that cuts right to the chase. This sharpness is unfortunately lost on the later arcs, but these still are really good and chock full of character development. The weak link is the second arc in the middle, which just ends up too forced. It’s nothing but the characters yelling at each other, and the creators make too little use of it. It also breaks up the pacing a bit after how good the first arc was: you’d expect something of the same quality, but the end result just doesn’t match up.

What also made this such a surprise is the studio behind it: Silver Link. My opinion of this before this show started was as a collection of bad Shaft-wannabes. That definitely changed with this series: they stopped trying to adhere to their Shaft roots and instead try to go with their own style (albeit slightly inspired by K-On). The animation ends up surprisingly good. Perhaps not Hyouka-levels, but the attention to detail still is quite impressive. The voice acting also is quite good, and unlike any of Silver Link’s previous hammy series. They really did something different here, and while it suffered fierce competition this season in the drama department (Natsuyuki Rendezvous, Hyouka), it held its own and delivered a high school drama that actually managed to stand apart from the rest.

Storytelling: 8.5/10 – The dialogue at worst is pretty forced. At best however it’s incredibly sharp and insightful.
Characters: 8.5/10 – Excellent cast of characters, with issues that play off each other really well and lead to quite some interesting drama.
Production-Values: 8.5/10 – Good animation, though it does still look a tad generic.
Setting: 8/10 – Um yeah. Perhaps this gets explained in the final arc but things just… happen. It’s done believably, but this is one example of a setting that exists just for its characters to develop. Nothing wrong with that, but it also doesn’t get extra points for that.

Suggestions:
Natsuyuki Rendezvous
Asatte no Houkou
Hourou Musuko

Posted on 28 September 2012 with categories: Summer 2012 Kaleidoscope

Ah screw it, I’ve got so much to catch up to when I get back that I’m just going to combine all episodes that air in the last two weeks of the season into one post. A wrap-up will follow once I finish everything.

#1: Phi Brain – 50: Well, colour me surprised. That was actually really good. Seriously, this was a terrific conclusion that wraps everything up and delivered a really heart-warming conclusion for Freecell. The art was also much better than usual with the cell shaded detail. Congrats Phi Brain, you redeemed yourself there. – 6/8 (Awesome)

#2: Polar Bear Cafe – 26: So this was the episode to close off the first half of Polar Bear Cafe. Since episode 25 dealt with the past of Polar Bear and Grizzly, I was wondering how the creators would follow up with that in orderbring a good end to the past half year. Well, they did so with the best episode since the Penko episode. The second half of the episode in Grizzly’s Cafe had me completely in stitches. This show can really be brilliant when it wants to; I haven’t laughed this hard in months. – 6/8 (Awesome)

#3: Hunter X Hunter – 47: For this episode for the first time in quite a while I checked back on the same episodes in the 1999 series. I shouldn’t do that anymore. The differences again stood out way too much, and unfortunately, the thing is that the voice acting and animation still is better. I also now know why: the 2011 series has a lot of voice actors who keep doing one hammy voice over and over again, while this was more restrained and balanced in the 1999 series: the actors knew when to be subtle and when to raise their voice. Those differences unfortunately undermine the actual story and the fact that what happened in this episode was really awesome. – 5.5/8 (Excellent)

#4: Kokoro Connect – 12: And with this, the third arc already is better than the second one. It’s much more than jsut people yell at each other, and two members of the cast definitely showed some depth to their characters, and were able to overcome some of their weaknesses. Very well delivered, also making this show one of those series in which romance is something that can change. – 5.5/8 (Excellent)

#5: Phi Brain – 49: Finally! One episode before the end we finally get to see the meaning of Nonoha pulling her hair down; it’s about time! And really: this was an excellent episode with its focus on conflicting emotions and Freecell’s character. I’m very glad that he ended up the final villain here, because this would not have worked with that other guy still around. – 5.5/8 (Excellent)

#6: Saint Seiya Omega – 25: Whoa, I thought that this was going to be the climax. Instead this series makes three characters come to terms with their past. A pleasant surprise indeed, especially considering the charms with which it did it. The acting has really improved over the course of the series here and I’m beginning to like the cast more and more. That’s a sign of good character development, although I’d wish that this show cut some of its early episodes to make them not such a pain to sit through… – 5.5/8 (Excellent)

#7: Polar Bear Cafe – 25: We’re near the halfway point of the series (I found out about that very recently), and it shows. This episode shows a lot of new things about the cast. The first half was about the interests of the different characters, most notably Penguin and his painting hobbies (which were quite hilarious), the second pulled the adorable card by showing Polar Bear and Grizzly when they were young. – 5.5/8 (Excellent)

#8: Kokoro Connect – 11: So the third arc has started, and it has been revealed what the characters are going to have to suffer through next. And I have to say that this fits much more than the second arc. The second arc was too direct, and in the end it was hard to really use it well without descending into melodrama. Here however, the way in which everyone gets turned into kids has a much more indirect lead to drama. It brings up some great things about the past of the cast and it also forces the cast to look at what they were, and how they changed. That’s good, now keep it up! – 5/8 (Great)

#9: Kyoukai Senjou no Horizon – 24: The big climax in which the creators just go and throw as much action involving weird powers as possible. It was basically just one whole episode of fighting. It was quite entertaining, albeit that with this the meaning of the individual fights was lost a bit. Still, I have to admit that I enjoyed the baseball team and the chaos during the busiest part of the episode when a ton of different characters were involved. Also: Aoi’s contribution to the episode: threatening to actually do something. There’s your main character. – 4.5/8 (Good)

#10: Phi Brain – 48: L33t h4x0rz episode that made no bloody sense, but was fun. Background was solid, nice plot twists. Looks to be a fun ending, but how on earth did this get a third season? – 4.5/8 (Good)

#11: Saint Seiya Omega – 24: So after all the build-up of needing to find someone who masters the thunder element in order to break the final ruin… someone who has that conveniently shows up right at the exact moment. I mean come on, you could at least have shown the cast search a bit before running into her. It’s not like this show is hard-pressed for time or anything. After that though, some pretty good character development on Eden and Aria made up for this. – 4.5/8 (Good)

#11: Kyoukai Senjou no Horizon – 23: A very, very sentimental episode that was supposed to be the climax for two of the big romances in the series. It was nice I guess, but it could have been more. Overall, I’m not too impressed with how Horizon decided to handle its huge cast. It doesn’t come together quite as well and none of them really has much depth or stands out anymore, and that is quite a shame considering the wide variety in characters. – 4/8 (Nice)

#12: Hunter X Hunter – 48: Back to Gon and Killua again, a fairly dull episode, though it did have interesting information about appraising items… that I already watched before once. I remember again how these things also tended to break up the mood in the 1999 series. – 3.5/8 (Enjoyable)

#13: Tari Tari – 12: One thing that could have improved the past episodes is by having people other than the main characters motivated to keep the school festival going. Like what was stated before: a lot of clubs have passionate people who like what they’re doing. This sudden twist that they’re all too scared or unmotivated to do something… it doesn’t really work and feels rather forced. The stereotypically evil corporate businessman behind the whole plan didn’t really make things better. – 3.5/8 (Enjoyable)

#14: Tari Tari – 13: So it had it coming that the big climax of Tari Tari would be a musical singing number, and with this, we’ve finally gotten to the ending. Unfortunately though, the creators really rushed through that song there. Instead of taking its time and delivering something heartfelt, they turned into a montage! That’s now that I signed up for. It turned this whole ending into a rather cheesy climax, and the epilogue that showed how they all moved on was just too little to make up for that. Tari Tari definitely had potential, but unfortunately it didn’t really realize this. Have more guts dammit. – 3.5/8 (Enjoyable)

Posted on 27 September 2012 with categories: Manga Experiment

So, after years and years of people asking, I finally started to read some manga at the start of this summer season. I had the time for it, since it was quite a small season, and it seemed like a good moment to finally check up on the medium and explore my tastes. Thirteen weeks later, and I have to say that the experiment succeeded, and I’ve gotten warmed up to reading manga, and I’ve encountered quite a few gems that I’m really glad to have discovered.

So in this experiment, I found that I was most inclined to short manga that were easy to pick up and didn’t take ages to get somewhere. I most noticed this with the shoujo and josei genre, although there were also a number of gems in the seinen genre. It’s the type of stories that combine showing strong emotions with an intriguing and creative storyline that really did it for me.

Some pet peeves that I also found out is that I just cannot enjoy it when a character starts singing. It just feels awkward, and I can’t hear them at all. It may seem weird, but having watched anime for so long I’m just so used to things moving and there being music and audio to back it up that it just feels weird.

Another thing that rather annoyed me was something that a number of shoujo stories were rather guilty of: vague dialogues. It’s this attempt to be poetic by omitting entire sentences. this all makes the story very hard to follow and hard to reach in an attempt to be a bit poetic.Seinen stories on the other hand tended to suffer from being too dull: yeah they were nicely laid out and all, but the lack of emotions or poorly portrayed feelings didn’t catch my interest either.

Overall I am not completely sold on manga, and this blog won’t suddenly get renamed to Star Crossed Manga Blog, but I am going to keep up with the manga that caught my attention and read a bit here and there, because there are definitely awesome stories to be told there. I’m just a multimedia person who likes both visual animation, sound, music, storytelling and everything to come together. On the other hand though, the manga medium is so much easier to tell creative and unconventional storylines, and it’s also harder to screw up because there are fewer people involved in everything.

And finally, I’d like to rank the manga that caught my attention the most over the past season, based on how much I liked them. Perhaps there’s a good recommendation out there. Anyway, I’ve said this before, but next season will be huge, so I’m going to blog 12 series at once. Looking forward to it!

#9: Coelacanth

This is a very short mystery series with a lot of romance. It’s very shoujo, but at the same time it does have well written dialogue and it has quite a few interesting ideas, like a very cynical imaginary sheep that keeps bothering the lead female. The mystery unfolds slowly , but in the end it’s not really worth it in the end. The dialogue is very vague at times, making it hard to follow and because of that the build-up cannot really deliver what it wants to.

#8: With the Light – The Raising of an Autistic Child

With the Light tells the story of raising an autistic child, through a lot of different stages in the kid’s life. The perspective is really from the mother and the challenges she faces, and how to get her child accepted by the people around her. It takes so much work, and his manga’s strength is showing how she deals with them and conquers all this throughout the years (volume 1 already spans like five years). It’s a struggle, but it also shows that the payoff really is quite wonderful.

#7: The Music of Marie

What the Music of Marie did was quite interesting: from scratch, it created this really imaginative world and setting with its own customs, culture, habits, people, religion and folklore. The role of technology in this series is quite unique to watch, and its storyline is very deeply rooted in its own culture. The least interesting part is probably the romance, but the way in which it’s used allows for a lot of details to be able to fleshed out across the setting. The art is also a bit remarkable here: the characters themselves look quite plain and strangely drawn, but the different props, artifacts and backgrounds really are gorgeous and particularly imaginative.

#6: Wish

Wish is a short manga by Clamp, totalling four volumes and takes place in the same world as Kobato. The way it stands out, is how incredibly adorable it is, yet it’s also more than just that. The cast is very diverse and the slice of life is really well-balanced with the storytelling, leading to actually a very good cast emerging from this. The twist at the end is also really well-built up and really charming to watch, although there are a few too many gimmick characters around as well. It also has that singing bug that I mentioned above here.

#5: Shingeki no Kyojin

Shingeki no Kyojin. Oh boy. This one is a real shocker, and while it takes a few chapters to get going, it is just so consistently intense that it just had me in this intense state all throughout reading it. The way in which it portrays the despair of the characters during its fight scenes is much tenser than I could have imagined. The giant art is also something that you need to see for yourself. And then there are the plot twists. These things really make you think afterwards what the hell just happened.

#4: Hito Hitori Futari

Hito Hitori Futari was the first manga to catch my eye in this experiment, and it kept this all the way. It really drew me in where I found myself absorbed in continuing it for as long as possible, more than the other manga on this list in which I always found myself checking how many pages were still left. This is this really unique story about a guardian spirit being tasked to overlook the actual prime minister. Its mood is both really warm, and really cold at the same time, and I really like the way in which the author achieved this. On one hand the characters really sympathize with each other and the main couple fully accepts each other as they grow close together, and yet on the other hand there is so much darkness in this series and there are so many evil spirits present. The art is also just incredible. The facial expressions in particular are just gorgeously drawn.

#3: Hotel

For Hotel, this guy who names himself Boichi sat down with the intent to draw some standalone stories. At worst, these stories were gorgeous art experiments. At best however, holy crap what the hell did I just read. The tuna chapter was just delightful satire with an unbelievable amount of creativity put into it, on top of being very clever, while the pregnant girl story was just a complete mindfuck that was glorious in every single way. It’s all based on these really interesting thought experiments that do what you expect, only to go light-years further than that.

#2: A Lollipop or a Bullet

A Lollipop or a bullet was the kind of story that I hoped to find when starting this experiments. I managed to only find the first eight chapters of the story, but I was completely amazed at what it did there. In just eight chapters it created an amazing main character. Her inner monologues go deep, both into her own character as the character of the other main character. It’s also incredibly subtle: it nearly always just slightly hints at the really sad and pitiful things that happened, but never directly addresses them. The creators really made me sympathize with the cast and if you’re looking for something genuine, then by all means give this gem a chance. I also have a shout-out to the scanlators who brought this amazing series available for English audiences. Good luck with translating the final chapters, and I’ll definitely check them out as soon as possible.

#1: A Million-Pound Love

I am a huge fan of Himitsu ~ The Revelation and this is a collection of short stories from the same author. And really: they’ve got the same brilliance behind it. I mean, these were written by an incredibly talented writer. In Himitsu, what amazed me was how well it bit by bit revealed what was going on. That same style is present here. Bit by bit it develops its plot and it develops its characters like, majorly. It toys around with time and how characters can change in the span of a few years, and it just keeps building plot twist upon plot twist, yet making sure that everything fits once everything ends. On top of that, the art also rocks in how well it’s able to portray the emotions of the characters. I was really swept along with their emotions that just kept going from one scene to the other. There are times in which the twists themselves get a bit far-fetched (there is a lot of science fiction with creative liberties in this manga), but still: this is really is top-notch storytelling.

Posted on with categories: Manga Experiment

Coelacanth – Ch.06-08: This concludes the Coelacanth manga (yes, it’s quite a short mystery story). The culprit is revealed and everything comes to a climax quite nicely. I like how subtle the climax was and the way in which the author did the romance, but it also suffered from that vague dialogue that has been bothering me in a lot of other shoujo manga. Because of that this just jumps from one place to the other without much flow and becomes hard to read and follow.

Hito Hitori Futari – Ch.16-19: The prime minister is such an interesting character: he has this strange glow of ambition around him that the art manages to portray wonderfully. Chapter 19 also was a big surprise in how it brought Rihon back to her old life, leading to a very emotional scene. The art still is top-notch here by the way.

The Music of Marie Ch.07-08: This is where everything really starts going crazy after all of the build-up and world building of the previous chapters, and I must say that with the amount of meaning that was put into chapter 8, it definitely delivered a very intriguing cliff-hanger. It used all of the build-up quite well and took off using it as a jump-start, making great use of the two lead characters.

Shingeki no Kyojin – Ch.09-10: Oh my god, I nearly forgot how intense this series is to read, and this episode went even further. Perhaps the twists it delivered weren’t the most shocking, but the state of mind of the main character, and the despair and utter confusion he was in were incredibly well portrayed. I mean heck, waking up after all THAT. I’d be confused as heck too. Mikasa also rocked.

Posted on 26 September 2012 with categories: Anime Reviews, Phi Brain



So, Phi Brain. A show that baffled me for the past year more than any other series, and it did so in many ways. It was the source of many frustrations, but also many surprises. When the first season started it seemed like just an ordinary shounen series with very good characters. Then a second season got announced and things started. The thing is that the first season was very conclusive and didn’t really leave many plot threats behind. On top of that, it was all about Kaito and his history, and it really had this storyline that used its main cast at its best. So how on earth were they going to top that?

Well indeed, the second season didn’t turn out to be as good as the first, but it did so for complete different reasons than what I imagined. The creators actually came up with a new set of very good villains here. The charm of the first season, it surprisingly good characterization: it stayed here. There was cheese, Oh GOD, there was cheese, but it used this cheese really well to create memorable villains and actually ended up very heart-warming with a very good chemistry between all of the different members of the cast. The themes were great and it ended with a satisfying climax that really exceeded my expectations. So what went wrong?

Well, the balance is all over the place. The thing is that the stories of the first and second season are about equal in size, but the way in which they spend their time is very different. The first season had random stories: a first half of completely unrelated stories to flesh out the cast. In the second season however, every episode is important to the plot in a direct way. The problem however is that this show doesn’t have the material to fill 25 episodes. The result? Well, four episodes of solving the exact same puzzle over and over again. In a series that prides itself with its creative puzzles, that indeed is as fun as it sounds.

On top of that, the way in which this series manages its cast in this season is really bizarre and questionable. It all works out in the end, but oh boy, it has a lot of hurdles. Most importantly, the central focus of the plot is brainwashing. The entire cast of villains is brainwashed into acting weird and illogical. You do not want to know how long it takes for this to get properly fleshed out and some actual depth, because this series has spent nearly its entire airtime to get to that point. At the start the characters come off as shallow stupid and illogical bastards.

And then there is the great cast of characters of the first season, who honestly have trouble figuring out what to do in the sequel here. In one way it’s good, because the characters who did not have a focus in the first season can now really shine here (with the best example being Ana Gram), but it also is a bit of a shame to see once strong characters wander around slightly aimlessly and looking for things to do. Gammon especially suffered here, but also Nonoha is pretty bad. She keeps wanting to do something, and yet the creators hardly ever let her, despite hinting at how she still is important. Only near the end does that start to matter, and in the meantime she is just there for the token female to cook dinner.

Beyond that, the usual issues with Phi Brain still stand: when you think about it, it just makes no bloody sense. Especially the way in which this series seems to think that you can hack anything and do some mumbo jumbo in order to gather data are really bad if you start thinking about it even once. This show just has a story to tell and doesn’t care how illogical it gets, and yet it does this better than the likes of Horizon, because the story it does end up telling becomes pretty damn good when it wants to and is actually focused. I mean you can say a lot about Phi Brain, but it has a damn good cast of characters.

Storytelling: 7/10 – You call that balance?! Riddled with issues, way too long (we’re at 50 episodes now and a third season has been announced!), yet surprisingly focused and well built up.
Characters: 8.5/10 – The saving grace for this series. Very good and heart-warming all around. A bit too heavy on the cheese though.
Production-Values: 8/10 – Definitely not Sunrise’s dream team here, though it has its moments at the beginning and end where it looks really pretty.
Setting: 8.5/10 – I have to give points for this series: it took a setting that seemed impossible to make believable: people fight using puzzles and brainwash each other in order to evolve human kind. And it pulled it off. Sure it took a lot of trouble, but it did.

Suggestions:
The Law of Ueki
Spiral
Suteki Tantei Labyrinth

Posted on with categories: Anime Reviews, Uta Koi



Anime is a commercial medium. It has to be catered in a way in order to attact sales, so concessions have to be made with the premises that get adapted. With that in mind, there sometimes just appear series that make me really glad that they got made, while avoiding all this. Uta Koi is one of these. It’s based on a manga that wasn’t even officially published at the beginning. It’s about freaking poets in the 10th century. No marketeer in their right mind would usually pick this up immediately, and yet the anime of Uta Koi has been made, showing that yes: we can still get things that aren’t catered in any way.

And really, Uta Koi is such a fascinating series. Very rarely we see series that also end up strengthening other completely unrelated series. This show attempts to show the mindset of famous poets as they wrote the various works that were used to compile the famous collection of 100 poems. Yes, the same poems that were used in Chihayafuru. This series gives such a wonderful background to all of the poems that appear in that series, adding even more depth to them. One episode in this series is also dedicated to the author of Genji Monogatari. It’s such a wonderful opportunity to see something about the people behind the stories for once, making this show without a doubt the most unique series of the entire year.

Now, as for the actual execution, there is also something interesting going on, plus a number of things that take a bit of time getting used to. Most notably the animation is quite bare-bones: the character-designs here are very intricate and detailed, but the downside of this is that they’re very hard to animate, and the budget for this series is not big at all. This leads to great drawings that move around really akwkwardly, and that sometimes don’t move at all. On the flipside, this series is wonderful in the audio department. Voice acting is top notch and the huge cast of characters are all very well delivered. The music also is really good and fits the romantic setting perfectly.

Now, Uta Koi is a collection of stories: every episode tells a different one, sometimes even two, so this show does not have much time to dedicate to each of its characters. Some of the characters end up forgettable this way, and it does have a tendency to get a bit cheesy in its worst stories, but there are also more than enough characters that make an impact. It’s not a series that thrives on hard-hitting storytelling, because the animation simply is not good enough for that, and a lot of the stories are strangely focused on forbidden relationships. It’s biggest strength is definitely how well it provides background.

But it’s nevertheless an excellent view to how life was in the upper classes in those days. Being a woman basically sucked, and this series has many stories dedicated to that, but also focuses on how these women found their inner strengths. Court politics also are very much present in here, not to mention that one episode in which it deliberately takes the piss out of everything it stands for. If you’re looking for something with historical depth and don’t mind a lot of awkwardness, then this is a fine choice.

Storytelling: 8.5/10 – Episodic, but very well laid out, moving though time across various poets.
Characters: 8/10 – Huge cast, so there are a number of forgettable characters, but also a bunch of great ones.
Production-Values: 8/10 – The animation is having a lot of trouble and looks awkward. The music and voice acting are brilliant though.
Setting: 9/10 – An utterly wonderful look at poetics of 1000 years ago and the people behind famous poems and stories.

Suggestions:
Chihayafuru
Genji Monogatari Sennenki
Aoi Bungaku

CHANGE USERNAME
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
Kaiser-Eoghan
@Amagi: I don't care much for the male character that leads some of the episodes in this new adaptation.
@Niello: Its a non-mainstream shoujo that isn't set in a school, moves at a quick enough pace and has some nice background art/chara design, I grew up on shoujo fantasy manga also so theres that.
Amagi
I mean there are parts I like. I enjoyed the first episode, and the part about the country of liars. But many other things annoy me and the last episode was the worst. I also feel like the edgy bomb loli and slapstick Kino don't fit to the rest of the show somehow. Maybe I forgot everything, but the "old" Kino felt like a better character to me somehow, this one is more faithful to the LNs though
Amagi
@Kaiser: I honestly gave up on Kino and I think it's only partly the fault of the new series. I am just so tired of how stupid most of the episodic-characters are unless their are friends of Kino, how everyone gets bent being irredeemable evil for plot's sake and how everything Kino and her friends do gets justified. Maybe I am just too old or boring for this fairy tail like moral bending.
SuperMario
Still have Night is Short review to write... i will get there. I will get there
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