Posted by psgels on 23 September 2012 with categories: Uta Koi

They may have been one of the best episodes of Uta Koi yet. In any case the emotional impact it had on me was one of the highest. It’s one of the more whimsical stories of the season (yet again of a love unfulfilled), and it also has this energy that was very addictive, and emotions kept changing from one to the other.

Also, what I really liked is how this episode basically told the same story twice: once from the perspective of the guy, and then from the perspective of the girl. The guy’s story was focused on how he met her, and his struggles to restore his family name that eventually failed, while the girl’s story was that of a young empress falling in love and being unable to do anything to get together due to society. Once again with Uta Koi establishing that there was no such thing as freedom back then.

On a side-note: this episode had a few cameos from Sei Shonagon. Slowly, we’re moving further down history, and that’s the red thread connecting all of the episodes together here. Apart from episode six perhaps.
Rating: 6/8 (Awesome)

5 Responses

  1. rufe says:

    You know, we watched this family rise up and then fall down again…It’s a little tragic.

    • Fluffily says:

      It was quite sad hearing Michimasa talked about happier times. As for watching the family rise and fall, I don’t feel that emotionally invested since we never got to see much of Michinaga’s actual plotting.

      • rufe says:

        Ok…but we also watched Teishi struggle to protect the family after his death. I believe Teishi was the daughter of Fujiwara no Michitaka.

  2. Fluffily says:

    Wait wait she was not an empress, but a princess who was the high priestess of a shrine in Ise. To put it in colloquial terms, that is quite a prestigious thing (or so it seems). They never mentioned her joining the current Emperor’s harem.

    It might have been a good episode, if not for my brain being unable to comprehend how she looked less than 10 before she left, and came back 3 years later looking like she’s 17. Or that the guy, who seemed like he was 30, having trysts with a girl who was such a young kid not too long ago (technically wikipedia says she was 15 when she came back while Michimasa was 24, which some people of our current society would still disapprove of).

    Gripes aside, it was a bittersweet episode again, which also nicely contrasts with his grandfather’s happy-ending story. I thought it was a pity we didn’t see more of Murasaki Shikibu, but at least we will finally see Teika’s story.

  3. kero says:

    This episode was just tragic, I kept waiting for a silver lining, but of course that does not happen.

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  • Kaiser Eoghan
    (Saturday, Feb 6. 2016 08:38 AM)
    Jesus I never expected that doing a myanimelist/letterboxd account thing would be so hard. I’ve seen a scarily higher amount than I thought, its insanely hard to remember everything to add.
  • Bam
    (Saturday, Feb 6. 2016 06:17 AM)
    It seems then that the future of the franchise’s anime adaptations rests a bit on Schwarzesmarken’s success, which looking at the buzz doesn’t seem favourable at all. I doubt it can regain the lost audiences.
  • Bam
    (Saturday, Feb 6. 2016 06:14 AM)
    That would suggest that the author(s) had the foresight of including seemingly useless stuff that will come into play later. That’d be impressive if they did, as these kinda series are make-it-as-you-go.
  • AidanAK47
    (Saturday, Feb 6. 2016 01:59 AM)
    It’s difficult to put into words but essentially while the first game isn’t good, it does work as a tool for introducing and endearing you to the characters. Then Unlimited sets down the rules of the new world. And finally alternative proceeds to kick your ass into next Tuesday.
    That’s sort of why I don’t think it would have the same effect if it was an anime. VNs allow you to get a more personal connection with the characters.
  • AidanAK47
    (Saturday, Feb 6. 2016 01:55 AM)
    It’s not quite the same. It’s more like there are things in extra which seem insignificant but turn out to play an important role later. It wouldn’t really work the same if you did it in reverse order. Character history is a bit different too as each game is essentially an alternate universe. The character histories in extra are different from those in alternative.
  • Bam
    (Friday, Feb 5. 2016 11:38 PM)
    And also remember how Darker Than Black had a big jump between the main series and Gemini of the Meteor. They later made a 4 episode OVA that covered the gap, and although you knew the outcome it was still entertaining; or at least more than the Gemini one. There’s merit to non-linear chronology and storytelling, but it is usually very hard to pull. The audience is intrigued by secrets that can later be uncovered, although in anime the pay-off is not always substantial.
  • Bam
    (Friday, Feb 5. 2016 11:32 PM)
    I don’t know, the audience usually only needs very limited information to figure out dynamics and histories between the characters.
  • AidanAK47
    (Friday, Feb 5. 2016 11:27 PM)
    A 13 episode series would work for the second title unlimited. But Alternative is a pretty long visual novel. You need at least two cours to give it justice. Making extra an OVA could work but you do need it for alternative. But it’s not an optional part of the trilogy. It needs to be read first, so that events later have a greater impact. Personally I am not even sure Muv Luv can even work in another medium.
  • Bam
    (Friday, Feb 5. 2016 11:12 PM)
    That might compress things, but I think a good screen-writer can fit pretty much any VN in 12-14 episodes (covering just the main route).
  • Bam
    (Friday, Feb 5. 2016 11:07 PM)
    @Aidan: then the best solution would’ve been to make a two cour season covering the 2nd and the 3rd book. Have the cours air two anime seasons apart, and in the middle have an offshoot short OVA that covers the 1st book, but has a more harem comedy feel to it. Think Full Metal Panic and Fumuffu.

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