Posted by psgels on 26 November 2012 with categories: Psycho Pass

I have been waiting for this kind of series for so long. Especially this episode, which just leaves the action for what it is, and instead creates tension through both art and dialogue. This episode was nothing but long dialogues between people about the current case of dismembered schoolgirls in a disturbed Maria-Sama ga Miteru setting.

This is a kind of storytelling style that I really love, but doesn’t happen often. It’s hard to balance because there is so much dialogue, making it hard to add in other stuff, but this episode balanced it out wonderfully in the way that it turned these murders in this weird kind of art, while at the same time exploring what goes through the mind of its creators, from the perspectives of different people.

On top of that, the way in which this case is loosely connected to Kogari’s reasons for becoming an enforcer is quite interesting, especially the backdrop of this series in which his friend was the victim of this deranged artist. Also for this friend to be a complete womanizer that he dfound interesting, rather than some perfect human being.
Rating: 6/8 (Awesome)

13 Responses

  1. TheUltimateReaper says:

    As far as the atmosphere I’m reminded of Death Note. The dialogue is heavy but well sought out. Unlike DN this show has action, mystery and very clear bad guys and good guys. Turning murder into art isn’t necessity new and pretty much rampant around Western storytelling. So I’m not particularly impressed. All and all, Pyscho Pass is great and maturing well. However, I just hope it doesn’t drag out too much. Good dialogue is great but might muck things up if too excessive.

  2. Nyangoro says:

    I’m really in love with this arc.

    Honestly, this is what I was looking for from the very beginning. Prior to this, I really felt like this series lacked a lot of much-needed subtlety and tried a bit too hard to give exposition.

    Here, however, they actually created an interesting villain with an interesting motive that ties into a “flaw” of the Sybil System beyond the predictable “Minority Report” problem that I feared would become the focus.

    Very, very happy about that. And I hope the conclusion to this arc and the future arcs follow this direction.

  3. Andmeuths says:

    It seems that Urobuchi’s ability with dialogue is among the best among anime writers. Well, there’s a reason why attaching his name to an anime would bring out an instant fanbase…

  4. Rena says:

    Can you recommend anything with this type of storytelling? I love this style as well, it’s unlike anything I’ve ever seen.

    • Juno says:

      Urobuchi’s other works have similar things going on in them. Not so much in Madoka, as it was something that required a different method of storytelling to make its unique points, but I’ve seen similar things in Saya no Uta (the main character/Saya) and somewhat Fate/Zero (Ryuunosuke/Caster), at least.
      Saya no Uta is just a visual novel game, and Fate/Zero was adapted into an anime and manga, but I feel like the novel was closest to this sort of storytelling, mainly because of the medium under which it was being told.

    • KaZuHiRo says:

      How about trying One Outs? I dunno, but I feel the same aura/mood coming from both series.

  5. Juno says:

    I just don’t get why people were saying this would be a rip-off of minority report…
    I mean, I can see how people could come to the conclusion without knowing any background of the author, but there’s a huge difference between the subtle issues Minority Report brought up and the kinds of things Urobuchi writes about with all of his works.

    Minority Report made subtle (but big) comments on relying on humans in a system.
    Psycho Pass is making subtle (but big) comments on our own de-humanizing by using this generally “perfect” system. It’s not the system that’s flawed. It does its job. But by doing its job, it picks away at the things we value as humans. Why would we let this kind of thing exist? Because we’re so scared of losing our humanity, we label other humans, capable of the same things we are, as “criminals” to keep our own consciousness safe. Think of it as developing a bad guy so that the audience can actually empathize with him, but backwards. The audience can empathize with the characters like them, but then those characters are dragged into things until the effects on them either change them, or how those people are perceived, so that they are labeled as bad guys.

    They’re similar ideas, but the focus of what they intend to do is completely different. You can see the SAME exact kind of concepts present in Phantom of Inferno (can’t spoil), Saya no Uta (Fuminori and his best friend), and even Fate/Zero (Kiritsugu, and in another way, Kirei). Urobuchi has talked directly about this theme, so that’s why I feel confident about his intent. Anything else he adds to this series, however, remains to be seen. It just seems like he’s exploring different ways of portraying similar ideas.

    • TheUltimateReaper says:

      I don’t even see the freaking relation. If anything this sort of sci fi were several classic premises set up in Bakuman when they were trying to come up with their first manga. Very much similar in idea and atmosphere, but a bit less extravagant. I have to disagree with most too, the only thing that impresses me about Pyscho Pass is it’s story telling style I find similar to western works.

  6. HunterWulf says:

    Damn impressive episode, the creepiness factor is as high as ever but also the true depth of the story is starting to show .. Sybil -as many have guessed- is far from the perfect system it was shown to be, but i’m sure no one expected the negatives of Sybil system removing stress from people’s life could be as extreme as eventually turning people into vegetable-like creatures.

    Kogami again shows more of his fighting skills and “assets” (and Tsunemori was happy to oblige), i’m really impressed but Kogami’s acceptance of his failure and focusing on what’s important (solving the case that got his friend and enforcer killed), he is indeed a very interesting character, and his superb physical strength will surely come in handy when faced with people who don’t trigger Dominators (i doubt Shogo has a high psycho-pass), and if i remember correctly he showed of some excellent fighting skills in the 1st episode prologue scene when he fought that masked soldier (i think that was a flash-forward to events that will happen in the future .. since he technically haven’t met Shogo in the flesh till now).

    Then we have the crazy Rikako, to say she creeps the hell out of me is an understatement .. WTH seriously is wrong with her, i can understand what her father was doing even if i’m not really into that type of art .. i do find a guilty pleasure in viewing it, a sort of catharsis (which i think what her father was aiming for), but his daughter really is 100 times far more creepy than her father’s drawings .. i can’t even begin to imagine what goes into her mind when she does what she does (to her school mates of all people) .. phew .. somehow i’m glad i can’t imagine that.

    Expanding upon Rikako’s work it reminds me of the movie House of Wax (which had extremely disturbing unsettling scenes (rather than just using jump scares like most other horror movies) this movie really gets under your skin, the whole idea of being waxed alive and turned into living art is as disturbing as much as what Rikako is doing here in PP, i wonder i this whole “waxing people alive” thing was based on a true criminal like the Texas chainsaw massacre, that would up the creepiness factor of the movie ten folds.

    Also, for people who would like to see someone like Rikako’s father in real-life .. someone who is very talented but crosses the line with his art in terms of how disturbing it is … try Hiroaki Samura who made the “Blade of the Immortal” manga, his art books (like “Brute Love”) can be very VERY disturbing on so many levels, but becasue of his drawing talent, impressive style and the catharsis effect of the shock factor his drawings cause it can also be a guilty pleasure .. a very guilt one that is .. sometimes i wonder what the heck was he thinking while drawing this .. then again .. i surely don’t want to know (he is a perfect example of the disconnect between the actual artist and the image his works portrays .. if you see him or hear about him is a pretty normal person with very excellent drawing skills .. look at his disturbing art .. and you get all sorts of ideas about his sanity and imagine he would be some sort of homicidal criminal or lunatic XD).

    The conversation between Shogo and that old guy with eyes-wide-open (for some reason he creeps me out, i think he is either blind or not-human at all .. hint hint .. see the holograph covered robot in the Kogami fight), the way Shogo explained why he is doing what he is doing is very interesting and useful in making him a deep and engrossing villain not just some random evil guy no.99 … i totally agree with his message (showing the people how the Sybil system isn’t as perfect as it was made to be) but i’m totally against his brutal murderous methods, there are other ways to create shock factor and “shake the society” other than giving your resources over to homicidal maniacs like Rikako.

  7. Houlgrave says:

    From what I understand, Urobuchi is heavily influenced in some respects by guys like H.P. Lovecraft and Clark Ashton Smith as far as a lot of his themes and ideas are concerned. He probably reads his own fair shake of noir, thrillers, etc. too.

    I’d bet anyone here a million bucks that he’s a huge fan of Kentaro Miura (the man behind Berserk) as well.

  8. Entrav says:

    Loving the dialogue and the more profound ideas that this show throws at you. The beginning with Rikako can already be talked about for a long time.

  9. MagnAvaloN says:

    Things have been starting to piece themselves together; just like what I was hoping, the cases encountered before were actually tied with a single red string, connecting them with an actually bigger threat. The flow of the conversation also makes the entire show not boring, despite the huge amount of talk involved. I believe Urobuchi Gen will once more exceed my expectation, so I guess I’ll sit back and wait for what will happen next.

  10. Arno says:

    I didn’t like this one as much as the other episodes.

    First the gloomy part was just a continuation of the previous episode, not a revelation or surprise.

    Then I would have preferred the top criminal to manipulate the “lesser” criminals separately. Letting them meet and talk to each other is a bit of a weak strategy imho.

    Then I hope the father theme will lead to something. I would have preferred the girls to be a weirdo on her own. Not a daddy’s girl.

    Also I assume that by the way the detective’s friend was murdered, the culprit was the father ? Manipulated too ? Why not spend the resources on another “lesser” criminal with a different and interesting type of killing ?

    And last, by the rate girls are disappearing from that school, it’s a wonder that the survivors have not all run away by now, and the artsy girl is not discovered.

    A complete lab with tons of chemicals, completely unknown in the basement of a school ? Mmmhh yeah, maybe. Need to fire the janitors probably…

Leave a Reply

CHANGE USERNAME
Amagi
I would have prefered it if the magical beings were weird looking instead of all of them being beautiful sameface humans. Also the special role of Chise and how everyone gets alured by her give me strong otome vibes and I am really not a fan of this gerne
Amagi
@Lenlo/KT same here. It's just that AMB can't come even close to Inu, Shuumatsu or Houseki. I am no a fan of the pacing and the rest is basically just fantasy.
Kaiser-Eoghan
Was worried there for a moment thinking sangatsu no lion was ending next week, turns out season 2 is 22 episodes afterall.
Lenlo
Yeah KT, watching the two together has not come out favorably for AMB for me.
Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
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