Posted by psgels on 9 January 2013 with categories: Magi

The creators really splurged the budget on this episode. I remember the previous prime-time series that A-1 pictures did: Ao no Exorcist. And when you compare those two series, I really have to say that Magi is a huge improvement. The action here was so much better than what Ao no Exorcist showed me: the art was messy, yet fluid. Not to mention the awesome camera angles. Yes, this show definitely made the wait during the new year time-skip worth it.

The interesting thing also is that Abhmad is completely weak and unsuited for fighting. That’s not something you see often in a fighting series like this, and it had a nice side-effect: this episode was full of action, but as soon as the focus went to Abhmad the action toned down, Alibaba became powerless and instead we got to see a much more personal conflict. I quite liked seeing him being pushed into a corner like that.

This series also has a new OP. I don’t really like the song, but I do like how much the creators managed to stuff into it. I think that that also strikes the animation of this episode: it had a ton of detail stuffed into it, both the character-designs and the backgrounds. There were a lot of shots with huge crowds, and still the creators managed to keep up a pretty good framerate.
Rating: 5.5/8 (Excellent)

6 Responses

  1. Blade says:

    Why you no like Porno Graffitti, PSGELS? I AM DISAPPOINT!

  2. TheUltimateReaper says:

    Cheers to Magi.It was definitely a good episode. I’m still bothered by how much of a wimp the male lead is, but his power looks damn cool. It’s definitely the blend of cast that makes this show worthwhile and the story which I look forward to seeing develop.

    I’ve always been a fan of messy art, while not as crisp it adds a certain flavor, and in the end it’s much better than a rigid uninspiring fight.

  3. Entrav says:

    Things will only get more intense from here. They’re doing a great job with this arc. I wonder how they will handle the rest?

  4. JM says:

    I prefer the messy moving art rather than “still frames” battle scenes. (Except for JJBA that can really make it work!) Please don’t make an original ending, just take it slow and make season 2.

  5. tanukichan says:

    I didn’t really like the new OP at first but now it’s really growing on me, like a lot!

    Oh and I just noticed that something extra was added to Alibaba’s character design in the new OP, and I think I know what it means. Great foreshadowing for a future plot point imo. :)

  6. Rihan says:

    Did anyone else see that Yunan and Scheherazade were in the last scene in the ED? Are they going to animate the whole manga?

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  • k-off
    (Saturday, Apr 30. 2016 09:29 PM)
    @Kaiser Someone who actually still likes Nicholas Cage outside of his internet memes? To me he’s one of those actors who at this point, I can’t visualize playing a role outside of himself. Similar to how I can’t see any of Steve Carrell’s movies without seeing Michael Scott.
  • k-off
    (Saturday, Apr 30. 2016 09:19 PM)
    @Bam Yup, asking for money online is flawed in almost every way from the donor’s point of view, a lot of my former art history degree friends have taken to Patreon in a last ditch effort to float their poor career choice.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 07:46 PM)
    With synecdoche it has the benefit of Hoffman’s performance and to get it you just have to “Feel it”.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 07:45 PM)
    Adaptation is one of those films with Nicholas Cage where you really wish he’d do more of, I wasn’t expecting that to go so off the rails near the end.
    Being John Malkovich, I dug the crazily creative premise.
    Anomalisa felt so human that the characters are puppets you can easily forget that.
  • Kaiser Eoghan
    (Saturday, Apr 30. 2016 07:42 PM)
    @Bam: I really want to use Urotsukidouji as my reasoning for why more messed up stuff should be adapted, namely kara no shoujo but the industry will just never be that hardcore anymore.
  • Bam
    (Saturday, Apr 30. 2016 10:44 AM)
    In a world where Urotsukidoji gets 3 series of OVAs there is nothing you want to make that is too risqué or edgy that nobody would want to pick up. I get a small startup trying to push their fist film out, but most big Kickstarters are ran by bigname talents that already have a string of hits on their resume. C’mon, just have some faith in your work, it’s just crazy to ask for money upfront.
  • Bam
    (Saturday, Apr 30. 2016 10:37 AM)
    SuperMario: I assume you mean Charlie Kaufman’s new film, in which case he already did pretty much whatever he wanted. Have you seen Synecdoche, New York and Adaptation? Now I’m a big ran of the man, but this creative control card gets a bit overplayed. The Under the Dog producers claim the same thing, but looking at their trailer it doesn’t look like anything that Japanese studios don’t already greenlight.
  • SuperMario
    (Saturday, Apr 30. 2016 09:01 AM)
    for me though, I only pay for projects that I’m certain to watch (and have to pay for it eventually), so I don’t see the point not to “helping” them out. It’s all the same for me.
  • SuperMario
    (Saturday, Apr 30. 2016 08:58 AM)
    @Bam I think the core concept is 1) with Kickstarter, many projects that otherwise never could have made is get supported here and 2) creators have more artistic control over their project. Take Amonalisa for example, big studios was very hesitate to fund the film, because of the commercial failure of his first film, but he insisted to get crowdfund and we have one of the more creative animation output last year.
  • Bam
    (Saturday, Apr 30. 2016 08:53 AM)
    A lot of the tech stuff is things you will never use twice; like a smartphone microscope attachment. they’re usually pretty shifty with it too. Yeah I’m sure it takes the price of a house to make a video series about sexism in videogames- right? And it takes almost a million dollars to make a 4 level indie game with three guys- seems legit. Must be pretty nice to basically do business with zero chance of failure.

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