Interestingly, Psycho Pass had the same idea for episode 12 as Robotics;Notes: develop a side-character. Overall, this always is the episode for side stories: right after the big halfway climax. Psycho Pass’ case is interesting, because of how little the character in question showed of herself before that episode. She was just there, but with this episode, Yayoi got a character.
Dead people are often glorified in these kinds of series, but here is one who actually turned out to be quite an asshole when you learn who he actually was. Or at the very least he is incredibly rash. Beyond being about Yayoi, the rest of the older cast also got some interesting details added to them.
I found it quite strange that all of the latent criminals were just lumped together like that. Yayoi for example still could think quite clearly, but she was put together with people who had very obviously lost it. Or was that meant to show how she was special? That she was one of the few people who did not go crazy from being locked up for so long, being denied her artistic expressions?
Artistic expression is one of the surprising themes of Psycho Pass, by the way. It’s almost as if there is no normal art to be found and instead it seems like this show hates artists. Or more precisely: the Sybil system hates artists. In this series, you’ve got the psychopaths, like with the murdered schoolgirls, but the other artists are labelled as liberalists and freedom fighters. I can’t believe I’m spotting similar themes as AKB0048 here…
Also, the new OP: I liked the old one better. Mostly because of the dull vocals that you hear everywhere else in rock-songs. The ED is similar: quite generic, in my opinion. Although it does have some nice visual ideas.
Rating: 5.5/8 (Excellent)