Posted by psgels on 23 February 2013 with categories: AKB0048

In an attempt to catch up I’m going to combine two episodes in one for this one. But really: the only reason why I’m slow with this is my schedule. This really was a major episode for the characters. And not just one of them, but a whole bunch.

For a long while I kept wondering why Nagisa was the main character. This episode she got her chance, and she showed that it would be for her stupidity. She’s the only one stupid enough to suddenly make such a giant declaration when everyone is trying to be perfect. An incident that is bound to be able to get some publicity since the rules of AKB can be so strict sometimes. And yet she tries so hard. Cutting off one’s hair is a gret symbol for character-development.

And then there is Mimori, and I now see what the creators were trying to do with her. She grew from a walking boob joke to someone really interesting to follow in the way that she continues to grow, but in the end sacrificed too much, taking her body into neglect.

Kanata and Shiori meanwhile finally had a little moment together again in order to develop their relationship, and in particular the problem that Kanata still has not become a successor. Then there is the talk of the new Center Nova, who Hikari and Shiori are working towards becoming. It’s still build-up at this point, but the characters do a great job of showing why it’s so important for them.

And I think that is the strength of this second season. Like I expected, the focus is less on criticizing the idol business (it’s still there, though), but more on the characters. And so far, it has really succeeded in bringing out the emotions of all of the new characters. The huge case makes sure that it can keep switching between all of them and their stories. And it’s doing a pretty good job of developing them all. It’s the thing with series with a huge cast: you can’t have characters that are as well developed as with series with a small cast. The trick is the big picture: give everyone attention, and make the cast come alive. Highlight a few characters as the main characters, but don’t excessively focus on them at the expense of others. AKB does that pretty well.
Rating: 5.5/8 (Excellent)

One Response

  1. Knuckle says:

    Sorry, but I’m really kind of confused here. Did you write this as you were watching the individual episodes? Because it seems rather disjointed saying things about events that happened in 19, but then seems to lack the insight of having seen episode 20 other than the few pieces that seem to be about the events in 20.

    Otherwise I’ve gotta agree completely with your last paragraph, they really make the cast come alive pretty well, and with a main cast so large actually give everyone a decent amount of attention. I didn’t expect seemingly side characters like Mimori to develop so much, and I’m really happy to see it happen.

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  • Emma
    (Tuesday, Feb 24. 2015 07:21 AM)
    All thats left now is macross 7.
  • Emma
    (Tuesday, Feb 24. 2015 07:20 AM)
    However this one begged to go on for more than just five episodes, come on now and it had the franchises penchant for weak villains. It doesn’t get me as emotional as do you remember love does, the characters of Macross plus were more likeable. Still its a step above Macross II and I at least had fun with it on an action level.
  • Emma
    (Tuesday, Feb 24. 2015 07:17 AM)
    Thats Macross zero completed then, it was great to see the background arc/plot for this franchise, the pace is tight and the action is arguably the most immersive, well done of the Macross universe along with Frontier.
  • Bam
    (Tuesday, Feb 24. 2015 04:33 AM)
    While Tatami Galaxy and Ping Pong were definitely sharp I felt that Kemonozume and Kaiba were more inventive.
  • Emma
    (Tuesday, Feb 24. 2015 04:30 AM)
    Aye,it was the visual style of the film being so different from the norm that drew me in. Still out of Yuaasa’s stuff I found myself more taken with tatami galaxy.
  • Bam
    (Tuesday, Feb 24. 2015 04:22 AM)
    I think creatively the anime industry has plateaued a bit by now, where we see more derivative stuff and there has a formed an almost universal “anime style” which hinders non-traditional voyeurism.
  • Bam
    (Tuesday, Feb 24. 2015 04:18 AM)
    I love the tonal whiplash that the story goes thru and the then-impressive-and-new visuals. Both 4°C and Hifana take queues from the Kansai art and the underground graffiti styles that prospered in Japan after the 70’s. Parallel to the postmodern movement in the Western world, the new wave was more expressive than fine and you see its heavy influence on the manga and anime industry.
  • Emma
    (Tuesday, Feb 24. 2015 04:14 AM)
    @Bam: It is at the last stretch on the film where it is at its strongest visually in my opinion.
  • Emma
    (Tuesday, Feb 24. 2015 04:10 AM)
    @Bam: For only 100 minutes it did a decent enough job on its protaganist in any case.
  • Bam
    (Tuesday, Feb 24. 2015 04:02 AM)
    Mindgame is amazing. It is as unorthodox as they come but not really pretentious. It’s pretty humble and does have an actual message and proper story arc, so it’s definitely not just random for random’s sake. The industry needs more Yuasa.

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