Posted on 31 March 2013 with categories: Anime Reviews

If I said that a really good comedy for the past year was a show about a Penguin and a Panda walking into a bar, would you believe me?

Polar Bear Cafe is an interesting beast here. Series that combine slice of life with comedy are nothing new, but this series does it in a way that has not been done often before. For one, its characters stand apart in their simplicity,and how they try to stay away from often used cliches. One, by being a bunch of talking animals, and two, by focusing not on teenagers, but on the working class adults.

Most humour in anime is energetic. Polar Bear Cafe though, is all about deadpan. If you enjoy that kind of humour, then you should give this show a chance, because on one hand, it contains really every day conversations between its characters, and on the other hand it is really creative in how it delivers its jokes. It constantly pokes fun at itself and its silly concept and contains more running jokes than you can shake a stick at. The self-referential humour is what I liked best about this series: it spends so much time carefully creating its setting, yet at the same it’s also constantly breaking it down and poking fun at it.

50 episodes is long, but I have to say: during the best episodes I really fell off my chair laughing. For me, they were the Penko episode, and the Bar MC episode. Beyond that this series also made me laugh numerous times, but there were unfortunately also plenty of episodes that failed to raise a laugh, or that were just plain dull. Like I said, 50 episodes is long.

It’s a bit of a dilemma for this series. Ideally its length would be at 39 episodes, but the long length does lead to some really good character building. At the end of the series, you really feel like you know these characters. The “people” you see hanging around in bars, cafes that you sometimes talk to and hang out with. The ones who are constantly trolling each other, who don’t try to get others to like them, yet get their charms from that.
One-Sentence Review: Random slice of life combined with deadpan comedy: that’s what makes this show work although it is too long with 50 episodes; plus Polar Bear is a great character.
Suggestions:
– Excel Saga
Poyopoyo Kansatsu Nikki
Soredemo Machi wa Mawatteiru

Posted on with categories: Jojo's Bizarre Adventure

Okay, so I thought that this was the final episode so I was ready to go all out. And then at the end of this episode there was this “To be continued”-message. Yeah, I was confused. But boy, am I glad, because it means that there will be one more episode of Jojo. They managed to squeeze one more into the airing schedule. David Production also did this with the Armed Librarians. And seriously, these guys have with this earned a spot amongst my favorite production companies out there. The way they handled this adaptation was just fantastic.

I loved the final battle against Cars, because it was more than “let’s just send a huge beam towards the angry monster until it dies”. No, instead Joseph managed to hijack a plane and turned this into a cat and mouse chase. Future action series should really take this episode as an example for their penultimate episodes, because this: the fight had so many interesting things in it. I also loved the small details again, like the meat eating squirrel.

And Stroheim. God, I love this guy. He’s completely one-dimensional, but his theme song ever since he became the terminator is just awesome, and he always appears at just the right moments, doing the craziest things surpassing even Joseph in this. Last episode was already glorious when he apparead with his squad of lamp-weilding guys, but in this episode… to think that he had been hiding in the plane for hours, waiting for the right moment to arrive.

All of the main villain of this series so far have had their dying moment: an episode dedicated to their final trump when they’re near death: Dio had his head, AC-DC was reduced to a brain, and Wham also had his episode dedicated to his final moments. They really seem to be doing the same to Cars as well, but knowing this series, they probaly are intending this one to be special. And it will be between Cars, Joseph and Stroheim on a burning volcano. Oh my god, so much manliness.
Rating: 6/8 (Awesome)

Posted on 30 March 2013 with categories: Anime Reviews

Kyoani. I really respect… your animators. They are able to put in so much detail into their drawings and movements and your anime have much more dynamic movement in them than the competition. Now, would you start making interesting series again? Pretty please?

At this point I’ve already written off Shaft: these guys will just repeat their style over and over unless a really good writer like Urobuchi Gen or something makes them do otherwise. Tamako Market however was for me the final chance I’d give for Kyoani’s slice of life series: if I didn’t like this one, I’d just stop bothering with them. So yeah, at this time I have lost my patience for the as well: I’m not going to give them any more chances. If something like Hyouka appears again, it’ll be obvious that it’s different and interesting right from the start.

Tamako Market did have the best first episode of the new season. It showed a lot of different characters, ranging from high school girls, high school boys, shop owners, adults, families, an eccentric bird, young kids. It seemed so much more than the usual series that are just about a group of random high school girls.

In the end though, this potential never really got used. The shop owners never have any identity for themselves: they are all just lumped together into a collection of random stereotypes. The high school girls aside from Tamako also hardly have any personality aside from one trait. The talking bird got annoying right at the moment he gained weight. The high school boy’s only role in the series turned out to be having a crush on the lead female.

The family is the only part of the first episode that actually got any depth. The few moments the family was at the central focus, this series was at its best. The first half of the series spends most of its time on cultural references. That too was pretty interesting. In the second half though, the series gets overtaken by this really stupid marriage plot that really doesn’t go anywhere. It’s completely mindless, doesn’t really do anything, it’s not charming at all and was really annoying to get through to be honest.

So yeah, with this I’m done with Kyoani. Their series just aren’t for me. Wake me up when they start making something different.
One-Sentence Review: Really good and detailed animation for a slice of life series that doesn’t really go anywhere.
Suggestions:
Aria the Animation
Hyakko
Rumiko Takahashi’s Rumic Theater

Posted on with categories: Anime Reviews

Some seasons of anime are better than others, but the past winter season has hit a really low point. If you ignore the sequels, then it has been the worst season I ever blogged. Out of the series that did catch my attention enough, Kotoura-san turned out to be best. Not perhaps because it was the most consistent, but because it was the only show that really managed to stand out in a way. Yeah, it’s nothing special, but at least it’s something.

It’s especially the first and the last episode in this series that made sure of that. Perhaps they’re overdramatic at times, but the first episode plays really well with its mood-swings, making for a nice introduction, and the last episode wraps everything up nicely with a lot of character-development, making for a nice conclusion. Kotoura-san’s characters are by no means good or sophisticated; they’re all really simple teenagers without much depth. Still, they are genuine. That gave them a charm that I missed in all other non-sequels this season.

The series does have some big problems, though. You know the saying “it’s not about the destination, but about the journey”? Well that totally does not apply for Kotoura-san. I mentioned above that for Kotoura-san, it’s start and end are great. Inbetween though… it clearly had difficulties in filling everything in. This results in a pool episode, a beach episode, and a silly crime story that all feel really forced. The creators had some nice ideas for the characters, but they didn’t know what to do with them. Because of that the journey in this series can be really tedious because there really is not much interesting stuff going on. It also does not help that the antics of the bunch of perverts in this series gets annoying really fast. Still, it’s fun. It charmed and entertained me more than the other series this season.
One-Sentence Review: Kotoura-san is about mind-readers: it’s honest and genuine and that gives it a charm that makes it worth watching, despite the fact that it doesn’t know how to use half of its airtime…
Suggestions:
B Gata H Kei
Hitohira
Mahou Tsukai Tai

Posted on 29 March 2013 with categories: Anime Reviews, Zetsuen no Tempest



Spiral was a series that was all about mind games. The characters had to battle people who used puzzles and mind games. Zetsuen no Tempest is the next logical step from its original author: a world-shaking plot that can decide the fate of the entire world, but somehow it managed to find a way to make it entirely dependent on the logic of a bunch of teenagers. It was glorious!

This may sound weird, but really: the characters in Zetsuen no Tempest really are excellent. All of them are fresh and witty, and they play off each other really well. I mean, it’s nothing new that series put a lot of consequences on teenaged emotions, but it has never been done with a cast that works so well together, not to mention with a cast that tries so hard to put logic into the plot as well. The two lead males in particular look like your average male hero at first, yet they turn out to be completely different.

I have sometimes called this “mindfuck, the anime”. This series really loves its surprises in its plot. And while it’s not the first series to attempt some mind-screws, it did manage to pull them off in a unique way. The key here was how it played with its own logic. On one hand, it took itself entirely seriously, on the other it deliberately just ignored it and just went wild with emotions. This dual battle is a really big theme in this series. Logic versus emotions, Genesis versus Exodus, Magic versus Technology, Tempest versus Hamlet (this will all make sense when you see the series). My one complaint though is that it takes a while to get going, and the ending is not what it could have been. The goodness in this series really is in the middle.

Also it also helps that this series has an incredibly epic soundtrack. No, seriously. The animation may be normal, but the soundtrack is just amazing. Right from the start, it just bombards you with complex and classically inspired tracks that just keep coming.
One-Sentence Review: If you’re looking for a good mind-screw with a godly soundtrack and fun characters, then this is a series to check out!
Suggestions:
Death Note
Un-Go
Armed Librarians – The Book of Bantorra

Posted on with categories: Zetsuen no Tempest

From the New World and Psycho Pass had endings that really impressed me. The downside to that is that they did raise the bar on endings quite a bit now. You can’t just defeat the evil monster and do nothing beyond that. You have to do something special now as well. I guess that that’s why I was underwhelmed by the first half of this episode, because that was exactly that. Not to mention: this series prides itself inits logic. A fight scene ending doesn’t have the same impact compared to if they would have based it on logic.

The second half of this episode was much more satisfying as an epilogue, though. This really showed everyone being able to move on, and quite a few characters have changed their ways or beliefs thanks to what happened in the series. Aika also showed again that she was a really compelling character to watch. She was a character who was dead at the start of the series, and yet her impact is all over it. She definitely was my favorite character here.

Tempest was great. It’s a shame that there is not going to be a bones series next season, because they are always interesting, even when they’re weaker. But really, their last weak series was Heroman for me. I eagerly await their next work.
Rating: 4.5/8 (Good)

Posted on with categories: Anime Reviews, Sakurasou no Pet na Kanojo



Teenaged romance shows are a dime a dozen, so it has to take something special for a series to catch my interest. For that, the past Autumn Season was a source of gold. Kamisama Hajimemashita was awesome, Sukitte Ii na Yo was a surprise hit, and Sakurasou also seemed like the series to bring new life in the shounen romance genre. It kinda did, but if you want to stay with that impression, then don’t watch the second half.

Sakurasou really managed to set itself apart with its execution. From the outside it looked like an average romantic comedy, but when you started watching it became clear to me how good the chemistry between the characters was. The banter had a lot of comedic gold in it, and it was full of energy. Scenes were well set-up, and there were a number of really sharp characters in this series, whose lines pierced through all pretense. That made this series a roller-coaster of emotions that was actually really well balanced.

The level of writing really was good there, and consistently so. I can only recall one bad episode, which randomly introduced incest for no reason whatsoever). You’d expect this level of writing to get better as the series goes on and gets more chance to build up, but somewhere along the way it just loses its spark. Especially the final third just misses the energy and wit that made this series so addictive at the start.

The early parts of this series are about hard work versus talent, and working hard towards your dreams, and coming of age. The show ends with a love triangle and a silly subplot about a bunch of dorms being closed down. It totally lacks any kind of impact, and the series ends with a melodramatic ending that is too scared to really resolve anything. The only good parts about the final third is where the creators focus on the themes that made the first half so good, but there are unfortunately too few moments to really salvage the series.

It’s a shame, really. I really endorse series evolving and changing. Doing the same thing over and over gets boring. But if you want to change your attention, you have to make sure that you have something interesting and logical to follow up with. Sakurasou didn’t and just got bogged down in its genre conventions that unfortunately spoiled what could have been such a good shounen romance.
One-Sentence Review: If you are interested in Sakurasou, my tip is to watch until episode 16, and let your imagination fill in the climax, because if you do you’ll get a really rewarding and witty romance series, instead of having to sit through the downer climax that follows…
Suggestions:
Kaze no Shoujo Emily
True Tears
Yumekui Merry

Posted on with categories: Sakurasou no Pet na Kanojo

Okay, I’m going to combine these three episodes into one entry in order to wrap up Sakurasou. My impression of them is that Mari Okada overshot herself a bit here. Her strength has always been in the way she used melodrama, but the actual climax of this series… yeah.

So the idea of the final three episodes was simple: episode 22 resolved the romantic subplots, episode 23 handled the subplot about Sakurasou about to close and episode 24 was then the epilogue. The best was episode 22. Sure, it was incredibly predictable and had it coming for the entire series, but it was charming enough. I enjoyed that. Been there, done that, but charming.

Episode 23… dear god, what a bawl-fest. I mean, I can enjoy a good cry and all, but that was just too much. It’s in character for Misaki to just hijack something as important as the graduation ceremony. It’s not in character for everyone and his dog to be so emotionally attached to that speech. I mean, that was just total melodrama.

In the past, Mari Okada’s endings have always stood to me as endings that managed to deliver high emotions really well. They were overdramatic, but they were well built up, were believable, and had some variation: they weren’t a bawl-fest from start to finish and had quiet, funny or other moments that broke up the mood. That was like, “Whine whine whine Sakurasou is awesome, whine whine whine I love you all”. There is such a thing as too much love here…

Episode 24, I liked it at the beginning. Until it revealed its true colours as an ending that couldn’t pull through with the decisions it made. The sister didn’t enter the school? Hah! She actually lied to Sorata about her student number. Jin and Misaki go away in order to live their own lives? Hah, they just marry and conveniently start to live next to Sakurasou. What was all of the build-up for? What was all the growth for? I really dislike those kinds of half-assed endings.

So yeah, if I knew what I know today, I would have blogged Kamisama Hajimemashita and Sukitte Ii na Yo for the past autumn season’s Romance shows. But unfortunately, this was something that I just could never have seen coming. Sakurasou lured me in with its 24 episodes, plus its really strong start. It just did not make good use of its second half at all.
Rating: 3/8 (Mediocre)

Posted on 28 March 2013 with categories: Jojo's Bizarre Adventure

And here are the penultimate episodes of Jojo. And seriously, I loved the fights here. The creators really went to the extreme, while keeping true to their philosophy of putting huge over the top powers on one hand, and really delicate things on the other. One one hand you have Stroheim yelling like crazy, while weilding what is basically a giant lamp as a weapon. And the duel with Cars was also really good in how it used Lisalisa in such a painful position as a hostage.

Surpringly, the least interesting part of these two episodes was where Speedwagon started to explain what happened to Joseph’s parents. It’s not that it didn’t have any good points (I liked how one of the smarter minions of Dio worked his way up as an aviation commander in the Royal Air Force), but come on. You’re about to punch Cars to death. Don’t break up the momentum with that. Thankfully the actual finale promises to be epic.

My only gripe: Lisalisa didn’t really get a chance to stand in the spotlights, did she? I mean all other major characters got their chance to show off, but she has the bad luck to be immediately just brought to an inch of her life. Give her some credit, man. If she’s a ripple master, let her show this off!
Rating: 5.5/8 (Excellent)

Posted on 27 March 2013 with categories: Zetsuen no Tempest

And these are the penultimate episodes for Zetsuen no Tempest, with its finale about to air tomorrow. They weren’t about a mindfuck, but instead about a complete role reversal from what you’d expect: Hanemura gets to play the hero, while everyone else plays backup. It might seem insignificant, but I find this really refreshing to see: it isn’t trying to force its main characters into the spotlights. Instead it’s offering everyone his chance for this.

And I really like Hanemura by the way, for a character who got introduced in the second half of this series. He is a very good example of a wimpy looking character done right. First of all because amongst the cast, he was often the only one stupid enough to state the obvious. Plus, his little outburst in episode 22 was pretty damn cool for him. I really loved the irony there: this series prides itself with its focus on logic. And here Hanemura just coms and kicks some emotions back into the characters.

What also was really refreshing was the way episode 23 ended: when they were all rounding up those crewmembers on the boats, I was really wondering why everyone just complied like sheep. I mean, I know that they put bombs on the ships and all, but the way in which everyone just complied neatly felt a bit like they were all just plot devices. To think that nobody was crazy enough to try something… And they did. It’s not the first time Yoshino has been shot to near-death, but this is slightly different than before, with all of the build-up of “we’re not going to care about you or anything”.

Now, as for the actual ending… Zetsuen no Tempest really was an awesome series, but I do not think that it will have the strongest ending out of the “Big Four” of the Autumn Season (Psycho Pass, Tempest, Jojo, From the New World). Out of all of the penultimate episodes, I’d say that this one has the least hints that it’s going to become something special. But who knows? It might surprise us again. I’d love it if it did that.
Rating: 5.5/8 (Excellent)

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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