Posted on 30 April 2013 with categories: Shingeki no Kyojin(Attack on Titan)

Okay, so for clarity: the creators are pulling some of the later build-up chapters right to the beginning. I like that though, because even though I know the storyline, I really got startled there by the sudden appearance of that really big giant again.

Having the build-up chapters scattered through the story, or just having one big build-up arc at the beginning: there is no right way. Both have their merits. The former is more varied and has material to vary with during the heavy scenes, while the latter has a solid character base to start off with. We can only wait and see which is the best for this kind of story. Either way though, this episode did what it was supposed to do: take the characters and add to them. They had to do this with more than 10 characters, and they actually succeeded very well there. I especially like how it highlighted the paradox that the better you become, the less likely it is that you’ll fight the titans.

Also, thank god! Tetsurou Araki got some freedom again, compared to Guilty Crown in which I just couldn’t detect his influence at all. During the heavy scenes you could really see hints of Death Note and Kurozuka. I really encourage anime creators to put something of themselves into their adaptations. It makes them more unique. Especially if it adds something good.

Shingeki no Kyojin has this unique way of shading is characters during the heavy scenes (lots of shadows around the eyes). Strangely this was also played for laughs (Sasha…). It’ll be interesting whether they will keep that up or not.
Rating: 5.5/8 (Excellent)

Posted on 29 April 2013 with categories: Aku no Hana

This series is just completely amazing. Seriously, in terms of teenaged dramas… this was one of the best we’ve gotten in a long, long while. Nakamura is just an amazing character. She really showed that with this episode.

She’s not a simple pervert who is weird. She is actively trying to tear down all of the walls that Kasuga has built around himself, trying to get into the perverted mind that he has, trying to find out what drove him into stealing the gym clothes. I love how she was fascinated by that and how she just keeps Kasuga on a leash, and just keeps invading his personal space that he’s trying to defend so vividly.

And on the other hand there is Kasuga, who is seeing that as a hint that she likes him, and in the meantime just continues to be completely unable to resist her. And I’m probably repeating this, but this animation is cheap and all, but the characters are incredibly expressive because of it! It also offers all kinds of inspiration for conventional animation, because the way the characters move, the way they hold each other. They just feel so believable!

One argument against the rotoscoping that I’ve heard a bunch of times mentioned is the following: “why don’t they just make a live action series out of it?” I don’t think that a live action Aku no Hana would be the same, to be honest. First of all, this series still uses still frames which would be really awkward in live-action, whereas in animated form it makes use of them incredibly well by contrasting between lots of movement, and no movement at all.

I’m not sure how many of you remember that one episode of His and Her Circumstances, which suddenly out of nowhere switched its regular animation over to moving cardboard cut-outs. Literally! I haven’t seen many reactions of how others received that sudden decision, but I loved it. I think that those unconventional animation techniques can really add something to the characters when done well (that’s the key point there, because it can indeed be done really badly or without any sort of expression; those CG dance eds are a good example of an idea that just doesn’t work for me).
Rating: 6/8 (Awesome)

Posted on 28 April 2013 with categories: Spring 2013 Kaleidoscope

#1: Hunter X Hunter – 76: Well, finally. It has taken a year and a half, but we’ve finally gotten to the actual new material of Hunter X Hunter with the Chimera Ant arc. I was fully set to start dedicating an entire entry to it again, but as I started typing, I realized something: I’m not really invested in this show. I’m not motivated to dedicate an entire entry to this series. I’m not sure what the main reason was. Perhaps it’s how annoying blogging the first episodes turned out to be, or how annoying it has been to wait so long for this point to come. My guess though, it’s the characters. Overall, the 1999 series at its height was much more engaging than what this series was at its height. This lack of character investment is something that’s quite important to me: oftentimes I was able to enjoy series with really shoddy plots due to really good or interesting characters, though the reverse (good plot with uninteresting characters) are rarer. Instead, I have the kaleidoscope, because I can’t deny that the plot here is really good. Episode 76 tells about the prologue of the series, which was originally meant to be shown at the start of the series. I preferred the latter (I like foreshadowing), but really: this works too as a flashback. Character building yay! Although that ant queen looks rather silly. And Madhouse still couldn’t get any good singers for their EDs?

#2: Majestic Prince – 04: This one surprised me, a lot. With a few exceptions, the characters are starting to move away from their stereotypes, and also: it’s still quite self-aware. Especially episode 4 was actually quite genuine for that blond woman as it showed her role in the story along with her background and her worries. I did not expect that.

#3: Saint Seiya Omega – 54: I’m still not quite sure what to think of the new series, especially the villains are really boring and all look alike. Yet, this episode still grabbed me with Yuna’s doubts about her strengths (also that was surprisingly blunt of Koga to say… “Why aren’t you fighting?!”).

WTFs of the week:

Yahari blahblah – 03: Half the cast of this show is a tsundere!

Valvrave the Liberator – 02: Oh my god, this show is really aiming to be a huge trainwreck. I mean, the plot is exciting and all with the whole personality switching, but dear god, the characters! “L-EEEEELF!!!!!”

Yondemasuyo, Azazel-San! – 03: Moloch is awesome. It’s not just his character. He’s this catalyst that makes every single other character awesome. Now that he’s gone this show has gone to bleeding ass jokes. I wish I were kidding. What the hell did I just watch there?

Danchi Tomou – 03: Even considering he’s young… there is a bit of a screw loose on Tomou. He seriously acted like half his age in this episode!

Posted on 26 April 2013 with categories: Chihayafuru

I just realized this at the end of the episode… but the opposing team on the finals consists out of a bunch of nut-cases.

I think this keeps true to one of the themes of this series: geniuses are eccentric in one way or the other (even Arata with how seriously he takes his punishment). I’m not sure whether this has a deeper meaning beyond just being really entertaining, but I love it. At first they seem like this very serious team to come over, only to get completely hilarious once the actual match starts.

The creators also really know how to torture Kanade here, by having like, the best announcer in existance voice the finals. If there is anything that this second season has been brilliant at, it’s its build-up. The final match was hinted at many times before, the creators keep referring back to Arata and the Queen, which will just happen much, much later. And it does interesting thing with them: it really plays with its characters and finds creative ways for hinting like that. The comedy really works when it needs to and that really helps.

The cliff-hanger was awesome, but I am a bit worried that at this point in the series, we’re still stuck in the team matches. I mean, this is nice and all but the team matches are not what really matters here in this series. That goes to the individual matches, in which we can see all these characters participate yet again. There are so many awesome matches and re-matches about to happen that I worry that they’re not going to be able to fit all of that in what? eight remaining episodes?
Rating: 5.5/8 (Excellent)

Posted on 25 April 2013 with categories: Gargantia on the Verdurous Planet

This show… it feels like a bit of a combination between Ghibli and Last Exile. But things like the pirates (especially that pirate queen), the atmosphere, the sense of adventure. You can really see that this show takes a lot of cues from them, while at the same time using Leda to create its own identity.

This episode built up some very good suspense of disbelief with how it dealt about the deaths of those pirates last episode. It really put emphasis that that would have some very dire consequences, and that they’re basically at war with the pirates now. The rest of this episode took care of that quickly, but still it serves as a good build-up here. I doubt that that was the last that we’ve seen of them.

The thing right now is that that one robot is pretty much a godmode-button. Normally in storytelling this completely takes away all tension. And this will also go for this season, unless the creators do something with it. That brings us back to Urobuchi Gen, who obviously took that into account. The question now is: what will he do with it? Will he now focus on problems that can’t be solved with brute strength? Will he remain all-powerful, but will this turn into an exploration of the complications that this brings with it? Or will it pull in more people of Led’s kind, throwing the people of the Gargantia in the middle of a conflict that’s way above their heads?
Rating: 5.5/8 (Excellent)

Posted on 24 April 2013 with categories: Hataraku Maou-Sama

Hataraku Maou-sama’s third episode was clever: on one hand it was cliched, but on the other hand most of it was saved because you knew that something was going on, and hinted at previously. That turned a simple date into something intriguing. And at the end of the episode we still don’t know whatever the hell that was.

Having said that though, this episode was a bit of a step back in the comedy. It’s not that it was bad, it just wasn’t as good (the first two episode had some very witty writing). Still, I laughed. Emilia’s stalking and not being subtle about it whatsoever was probably the funniest.

The most notable part of this episode was the ending, though. On one hand it’s good, on the other hand questionable. I really like how there is change: Maou doesn’t just have none of his powers for the biggest part of the series: this changes. That’s very good. What I don’t understand is that he suddenly really got out of characters. Emilia also found it strange and all, but I still want some explanation on how some evil demon overlord has suddenly gotten so passionate about saving people. And don’t give me that harem crap.
Rating: 5/8 (Great)

Posted on 23 April 2013 with categories: Shingeki no Kyojin(Attack on Titan)

I already know what’s going to happen for the first couple of episodes in this series, but this episode was a bit of an exception, in which the creators went into far more detail during the training arc. I guess that in that way, I still prefer anime over manga. It’s probably something really personal, but in animated form, I can get a better feel of who the characters are, making them easier to relate to. Eren really benefitted from that in particular.

On the other hand, the creators did spent an entire episode training, which is not the most interesting practice to watch. This episode was really interesting for the character building. It made characters stand out without using cliches, and showed a good combination of characters who were just there to live the easy life, to do something exciting, or determined to exterminate the titans. The cast is large, but everyone has his own identity. We’re going to have to wait a bit longer to find out whether the creators nailed the big strength of this series though.

This is the balance between build-up and delivery that you need to strike right. I think that that will be a very big challenge for this series: getting the pacing right to fit the story into 25 episodes. With this episode they chose for a solid base on the characters, at the expense of taking a bit of a step back. Now let’s see whether the animators can make the wait pay off!
Rating: 4.5/8 (Good)

Posted on 21 April 2013 with categories: Aku no Hana

This series. It’s the best horror anime that I have seen in a long while. It’s really been long since I watched something that made me feel so uncomfortable, in such a good way. I love how this show just completely breaks down teenaged anxieties and fears and how it just makes them spiral out of control.

What’s more: every episode has just gotten more and more intense so far. Episode one was a slow build-up, episode two saw things escalate, and with this… things have gotten completely crazy, but it’s also done in such a realistic and believable way, while at the same time what happened was just completely messed up.

You can just see the fears and guilt build up inside of Kasuga: he doesn’t want to be seen as a pervert, or strange, or evil. And with that he just keeps wiggling himself into more and more of a corner. And that lead to just a brilliant climax that I think a lot of teenagers or ex-teenagers can relate to.

What happened in the first half of the episode was probably a bit less relatable, but still I love the camera work there (and I can only imagine how difficult that scene must have been to do right without rotoscoping on a tigh budget!), plus how crazy Nakamura turned out to be now that she finally found someone she can use with similar interests as her. I really like how she just forces herself completely into her comfort zone.
Rating: 6.5/8 (Amazing)

Posted on 19 April 2013 with categories: Spring 2013 Kaleidoscope

So, some feedback on my previous entry: it seems that people were actually expecting something else when I said that I’d do a kaleidoscope this season, and that is more of an entry with short impressions on a lot of different series.

I can get behind that. I also like to highlight a lot of different series. The problem is going to be to keep up with all of it. Ever since I got a life I can’t just consistently keep up with everything every single week, so be sure to expect some delays.

These entries won’t be complete, but every thursday, I’ll try to give a rundown of my favorite episodes of the series that I’m not blogging, along with disappointments or other noteworthy episodes that I happen to watch. Enjoy.

Top 3:

#1: Yondemasuyo, Azazel-San Z – 02: very rarely is a comedy sequel better than its predecessor. And yet, Azazel-san here had its best episode yet. With this I include all the OVAs and TV-series together. With the first episode I already said that Moloch is by far the best character of the series, but he really surpassed himself with this episode; it was just brilliant. The creators had so many hilarious ideas with how they made him pretend to be a stuffed animal and they built up their humour perfectly. Heck, this was the funniest thing I’ve seen all year.

#2: Hunter X Hunter – 75: Finally. After waiting for more than a year and a half. Throughout 75 episodes. We are finally about to get to the new material. Finally I won’t have to bitch anymore about the series just being a glorified recap. Anyway, the Greed Island arc was done better in Madhouse’s version compared to what Nippon Animation did to it (better pacing, better action, better acting, things flowed much better), but it remains for a large part a training arc that is just boring to watch. This final episode though was really good, as it showed some of the people behind the Greed Island Game. Just one thing: didn’t Hunter x Hunter have its own alphabet? What are they doing then toying with latin letters over and over here? And then the text on the cards for Greed Island is in Japanese… how do languages work there anyway?

#3: Danchi Tomou – 02: Oh come on, people. It’s been a week and still no subs? What is this? 2008? Anyway, Tomou is good. It’s slice of life without much happening, but the characters are quite endearing so far, and it’s about actually interesting situations. I actually quite liked how everyone just got out and had dinner outside on a whim. It’s full of these small relatable things, but sometimes it does go on for a bit too long (the smelly hands thing got awkward quite fast, and it just went on and on!)

Notes about Aiura: sorry, but being the fan of Ryousuke Nakamura I have to talk about this. The second episode still was funny, the voice acting was still very good, but there are some stereotypes. Well hidden stereotypes, but you can see that this was based on a mediocre manga.

Disappointments:

Karneval – 02: I’m not going to watch the second episode of everything, only the series that I thought had potential. Out of those, Karneval disappointed me the most. Listen, there is a difference between stupidity, and acting like you’re outright lobotomized. The male lead acts like a completely whiny kid with no grasp of who he is. The rest of the cast tries way too hard with their acting. If I dropped the Hakkenden, I also have to drop this one, because the Hakkenden was much, much more solid.

Devil Survivor – 02: You know what really surprised me? How boring this show is. I mean, even Persona had some fun elements when it started, but this… the characters are completely bland and I’ve already forgotten what half of this thing was about. The animators try, but I see no motivation whatsoever from the scriptwriters or directors.

Posted on 18 April 2013 with categories: Chihayafuru

Holy crap! When Nishida lashed out to Tsutomu last episode, I did not expect that it was about to build up to something as amazing as here right now. I mean, the outcome of this episode was predictable, but the way in which it happened totally wasn’t!

Most of the episode was about Chihaya and her growth. Chihaya lost to Megumu, but it’s clear that she has become better, while at the same time that she has a long way to go (the way how her nails were clenched into the palm of her hands the whole time). And then when she lost, Tsutomu really came out of nowhere to really steal the show. This show already had the luck of the draw decide against the team’s favor, so with this it is a really good way to balance out. Because of this you really don’t know what to expect when things come down to it. Either way it was Tsutomu’s crowning moment of awesome there.

Then there is Kanade. What really surprised me here was that there were two matches of which we hardly got to see anything: Kanade’s and Taichi’s. What really intrigues me was why Kanade finished before Taichi, which really made me think that we haven’t really seen much about how she actually improved. All we know is that she suddenly has gotten really good, with multiple wins in a row despite being dead tired. Still, was Taichi just against a better player? It seemed like the best two seemed to be against Chihaya and Nishida. I mean, Taichi is pretty much an A-Class player at this point, as soon as he manages to win that damned tournament, so what exactly worked against him there?

This episode was also full of hints about special cards: the cards that contain the names of everyone. Chhaya lost hers to Megumu, Megumu lost hers to Chihaya. And I noticed the creators also dropping the names for the cards for Arata and Shinobu. Yay for building up!

One thing never improved though: the photographing guys never really stopped being annoying.
Rating: 6,5/8 (Amazing)

CHANGE USERNAME
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
Kaiser-Eoghan
@Niello: Yes that edgy villain kid in COTWs was annoying though.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

To the surprise of no one, Rat wins the race by breaking in the right place at the right time with the right weapon. This is by no mean a coincidence, because later on we learn about Rat’s real power: “Hundred Paths of Nezumi-chan”, in which he can see 100 various outcomes and thus picking […]

Mahoutsukai no Yome – 10 [We Live and Learn]

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Dies Irae – 09[A Mother’s Sins]

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Girls’ Last Tour – 10 [Train – Wavelength – Capture]

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Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

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Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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