Posted by psgels on 30 April 2013 with categories: Shingeki no Kyojin

Okay, so for clarity: the creators are pulling some of the later build-up chapters right to the beginning. I like that though, because even though I know the storyline, I really got startled there by the sudden appearance of that really big giant again.

Having the build-up chapters scattered through the story, or just having one big build-up arc at the beginning: there is no right way. Both have their merits. The former is more varied and has material to vary with during the heavy scenes, while the latter has a solid character base to start off with. We can only wait and see which is the best for this kind of story. Either way though, this episode did what it was supposed to do: take the characters and add to them. They had to do this with more than 10 characters, and they actually succeeded very well there. I especially like how it highlighted the paradox that the better you become, the less likely it is that you’ll fight the titans.

Also, thank god! Tetsurou Araki got some freedom again, compared to Guilty Crown in which I just couldn’t detect his influence at all. During the heavy scenes you could really see hints of Death Note and Kurozuka. I really encourage anime creators to put something of themselves into their adaptations. It makes them more unique. Especially if it adds something good.

Shingeki no Kyojin has this unique way of shading is characters during the heavy scenes (lots of shadows around the eyes). Strangely this was also played for laughs (Sasha…). It’ll be interesting whether they will keep that up or not.
Rating: 5.5/8 (Excellent)

14 Responses

  1. TheUltimateReaper says:

    Episode 1 was pretty meh but now I’m so enthralled by this promisingly epic show. The humor hits the right spots and there isn’t a whole lot to complain about. Never read the manga but the story in the anime seems to be progressing smoothly.

  2. Nic says:

    I honestly think it’s better to build those characters at the beginning. Even if some of them die, you know many of them will survive and have a big impact on the series.

    When I read the manga, the oddball format made me completely forget who was who for a while. By introducing them like this early on, it creates a lasting impression for the future episodes. So yeah, I prefer the anime so far.

  3. Hogart says:

    Wish they’d folded some of this material into the previous episode to balance things out a bit, but at least the faster they move the fewer questions I’m asking. Having more action sequences and less of Eren angsting is good enough for me to go with the flow.

  4. Souther says:

    The Guilty Crown reference is pretty funny since that was an anime original project, which means that Tetsuro Araki’s influence was objective higher than in Attack on Titan by default.

    You couldn’t detect it, for whatever reason, but then again the director’s own statements are on the record.

    Other than that…Attack on Titan is still pretty good. I do give most of the credit to the manga author though, even if Araki is making it all quite stylish to look at.

    • anona says:

      There are (many) productions where producers change or demand a lot of things that sometimes the director can’t do what he wants to do. This usually happens in big commercial productions. The producers can even influence/change/demand things in the story itself if it’s an anime original production. There is no source material after all. What I’m saying is that Guilty Crown being an anime original production doesn’t have anything to do with the freedom the director has in the production. Guilty Crown probably would’ve been a lot better if the director had a lot of influence in the story.

      The added crappiness in Guilty Crown was mainly the scriptwriter’s fault though. Look at his track record. The direction of the scenes individually, or how the scenes are shown, not what happens in the scene or the story, was also very good in my opinion.

      Oh, the staff of a production, even more so the director, will rarely say negative things in a production they’re a part of especially in interviews. That’s part of being professional. And if they do, it’s usually a significant amount of time after the project was completed.

      • Souther says:

        @anona:

        Honestly, that sounds like a whole lot of white-washing to make sure Tetsuro Araki look like he had his hands tied behind his back…when it was he who apparently wanted Guilty Crown to be his “Ghost in Shell” equivalent.

        Especially since Araki has rarely, if ever, handled any other notable original productions. The majority of his directorial experience is with adaptations of other existing stories (Death Note, High School of the Dead, Attack on Titan, Kurozuka, one arc of Aoi Bungaku etc.) that he never created, so it’s not surprising if you put him in charge of an original work the results wouldn’t be too great.

        The director isn’t just responsible for handling the individual scenes but also the overall direction of the show. You make it sound like the scriptwriter was putting a knife to the director’s neck, which is incredibly questionable. The stylistic and artistic qualities were fine, but you won’t convince me that Araki had no input on the story flow, not just episodically but as a whole.

        • anona says:

          Well, I’m just trying to say that Araki wasn’t the biggest reason to Guilty Crown’s failure, but point taken. I still believe the producers and the writer were also largely at fault though, maybe even more than Araki.

          As for my thoughts on the scriptwriter, it’s just that there are common problems in almost everything he wrote that I’ve watched, including Guilty Crown. The scriptwriter’s hiring also probably was largely the producers’ decision, unless Araki really is that bad that he thinks that writer is very good and pushed for that writer’s hiring. On the other hand, I really liked the job Araki did in all his adaptations, even though I didn’t like some of them (HsOTD, Deathnote) that much.

          I know that, that’s why I specified that it’s just the direction of the individual scenes that was good, because the overall direction wasn’t (which I think must at least be partially blamed to the producers wanting some things included/changed in the story). So maybe he really isn’t that good when he isn’t given source material to adapt. If Guilty Crown was just inferior to his other works, I would believe that it can be mainly his fault. But I think he’s so skilled that I doubt he can make something on Guilty Crown’s level of quality if he’s given a good amount of freedom. I think his arc on Aoi Bungaku’s the biggest testament to his skill. That project’s like a showcase of directors using modern classics. And his and Nakamura’s arcs were my favorites from a direction standpoint.

  5. tmntboy says:

    The giant reappears in chapter 3, they are not rushing things i think

  6. Vonter says:

    Did that giant just teleported at the end. I can understand they were slacking off, but no one saw the 50 mt. smoke producing behemoth? Maybe they’ll answer that after, but for now it’s eyebrow raising.

  7. Nic says:

    I like how they chose to put the character build up in the beginning. I agree with Nic (HEH! seems like we have the same usrname?!) I love the manga, but I felt how the chapters are placed is a bit confusing – the constant back and forth and breaking up of the story line, you kind of forget where you are sometimes. So I think it was good that they decided to adapt it for TV in this way.

    *********POSSIBLE SPOILER**********
    *********POSSIBLE SPOILER**********

    I can’t wait till they get to all the giant fighting, esp. the parts when Eren learns how to really kick some giant butt. (lol@giant butt) ahem. Won’t say anymore.

  8. VyseLegendaire says:

    I started reading to the manga in order to continue the plot, the cliffhanger was too much for me…

    So far I think the adaptation is remarkably accurate, in fact I think they did an excellent job fitting it into a dramatic music/animation style that fits perfectly.

    As others said, its some character development/exposition was moved up into the front in order to introduce the characters, but to be honest – this was needed. IN the manga, they kind of airdrop all these characters on you in a sudden fashion and the only way to remember them is to keep referencing the two pages they are mentioned in, pretty foolish choice on the author’s part imo.

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Emma
    (Friday, Oct 31. 2014 02:25 PM)
    @Realist: Stereotyping is intrinsic to human beings in too many ways, so much so that even when a “safe”, “attractive”, “normal” looking person is caught out they still become surprised at the revelation, even if they admit that stereotyping is wrong.
  • Emma
    (Friday, Oct 31. 2014 02:14 PM)
    I think I’ve got a good handle on Yamaguchi Mikoto as an author now, I also read the first volume of Mayonaka and as I thought, it began deceptively and that maybe there wouldn’t be too much to it, but turns into something surprising, far more interesting.
  • AidanAK47
    (Friday, Oct 31. 2014 01:38 PM)
    @Trass, I can sort of understand that. Though as you likely noticed, psgels isn’t as active as he used to be. So rather than let this blog die a slow death it would be better to see something done with it. We ain’t prefect but well people improve over time.
  • Trass
    (Friday, Oct 31. 2014 12:47 PM)
    I came back here after a long while and saw how the blog is active again. I was really excited but then found out it’s not psgels who are writing the posts anymore… I’m happy but really sad at the same time ;w;
  • Bam
    (Friday, Oct 31. 2014 08:31 AM)
    *this time
  • Bam
    (Friday, Oct 31. 2014 08:28 AM)
    @K-off: it wasn’t the most visually impressive episode anyways, so it’s alright is time.
  • k-off
    (Friday, Oct 31. 2014 08:19 AM)
    @Bam I know you’re going to point it out, so yes, I know the screenshots aren’t very good…But it was very difficult for me to find a decent clip that wasn’t a spoiler in this episode.
  • ninjarealist
    (Friday, Oct 31. 2014 06:42 AM)
    I’m shocked by the news that Jian Ghomeshi has been an evil rapist this entire time. I listened to his show for so long and he always seemed like such a teddy bear. Just shows that you can’t judge a book by its cover.
  • Bam
    (Friday, Oct 31. 2014 03:06 AM)
    Then Tougane looks down in a displeased manner and says: “two brainwave scanners would never work, what we need is to put a rubber ducky under the floormat and then if an intruder gets in they will step on it, alarming the cat. We then proceed to dissect the cat to check its body for any signs of stress hormone secretion which will show if someone was indeed there or not”. He then looks away with content and light up a cigarette.
  • Bam
    (Friday, Oct 31. 2014 02:57 AM)
    Also the dominator is dominately stupid. After all that happened you don’t arm your men with some non-lethal back-up weapon or something? I get that they were trying to take the law out of human hands to avoid abuse, but in that case what is the point of human agency in the police? Have some droids patrol the streets with dominators then.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Shingeki no Bahamut: Genesis- 04

By now, I have a general idea of where this story is going. Our characters finally face the main villains of the story and starting next episode, I reckon that we’ll get some real story progression because frankly, the past few episodes did almost nothing to get me to care much for the characters, no matter […]

Nanatsu no Taizai Episode 1-4

Sorry for not giving this a first impression but I felt that to do so at this point would be redundant. So Nanatsu no Taizai, or Seven Deadly Sins if you prefer. An anime that certainly does nothing new. Every ounce of which filled with standard shounen battle manga tropes. Yes this anime does nothing […]

Gugure! Kokkuri-San- 04

By now, I have a general idea of how the writers are going to go forward with this show. This show continues to jump the gun without setting up a clear voice for itself while pulling off some genuinely fun comedy, creating this weird combination that is somewhat off-putting yet fairly enticing. However, this episode […]

Grisaia no Kajitsu – 04

That’s it. I give up. I concede. I throw in the towel. I surrender. This is just a travesty, an unsalvageable mess. I have given this more patience than it deserves and it has rewarded me with tedium. The editing is schizophrenic and distracting. The dialogue and events passing by too fast for emotional impact. […]

Your Lie in April – 02 & 03

Your Lie in April has emerged as a bit of a nice surprise in this young season. The fairly popular noitaminA programming block has been pretty hit-and-miss of late, with some very good shows here and there but a much higher rate of complete duds compared to the block’s past. For this reason I approached […]

Fate/Stay Night Unlimited Bladeworks – 03

Well what can I say besides, I told you so. But even though I knew what was coming this is still remarkable. Not only is this episode excellent but it may in fact have topped it’s source material. It is at times like these that it is difficult to be both a Fate fan and […]

Akatsuki no Yona – 03

Hak and Yona flee Soo-Won’s men, but Yona’s mental and physical condition continue to deteriorate. Yona and Hak are both haunted by memories from the past. This was easily the best episode in the series so far. Whereas the first two episodes primarily took place in the present or the future, this episode is mostly spent in […]

Grisaia no Kajitsu – 03

This isn’t looking good. Let me explain, Grisaia has a somewhat nakige visual novel approach. Meaning that it has a comedic relatively plotless first half, followed by a tragic heroine backstory related story arc. Notable examples of this is any Key visual novel anime adaption you can think of. So for the first half we […]

Shingeki no Bahamut: Genesis- 03

Okay, so this episode didn’t focus on Leone and Amira’s adventure. Instead, it focuses on building Kaisar’s character and it does so a bit awkwardly. This episode takes Kaisar and puts him into an overly bombastic situation in order to tell us about Kaisar’s past family problems, but it was so out of tone from […]

Latest Reviews

Clipboard06

Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

Clipboard04

Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Clipboard07

Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

Clipboard05

Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]