Posted on 30 May 2013 with categories: Spring 2013 Kaleidoscope

#1: Hunter X Hunter – 80: Once in a while Hunter X Hunter comes with an episode that just stands out. This was one of them. The first half just oozed style and really was a big change from the usual atmosphere and I found it really well done with how it was just in black and white, and how it didn’t show the guy’s face at all. The second half of the episode… let’s just say that it’s the first time in 80 whopping episodes that this series managed to shock me.

#2: Yahari Blahblah – 05: The end of this episode. That’s where I understood the appeal of this series and where it really became better than its contemporaries, rather than just a series with potential. The first parts of the episode were a bit iffy, but at the end it really became apparent that the creators spent time on it: the male lead’s loneliness is actually well.

#3: Yondemasuyu, Azazel-San – 07: This was actually quite hilarious. Yondemasuyo Azazel-san is at it’s greatest when it’s just banter. The characters have a really good chemistry together, and I especially love the creative use of facial expressions as this show tries to parody the murder mystery genre. Of course, they then proceed to ruin it in episode 8 while trying too hard on being weird and gross again. Enough with the jokes about people’s nether regions already!

WTF of the past Weeks:

Saint Seiya Omega – 56: So. We have this ninja, who has been raised in an incredibly conservative ninja village. This ninja then hears rock music, it changes his soul and now he suddenly is performing J-rock in a band of power-ranger impersonators. Okay.

Posted on 29 May 2013 with categories: Chihayafuru

And so the team tournaments finally ends, and seriously I am so impressed with all of the build-up that prepared just for this episode. Every single result for Chihaya, Taichi and Nishida in the previous matches was used in the big finale. It’s just amazing, and definitely worked as a climax.

Also, the individual tournaments. I didn’t realize this, but holy crap there is a complete busload of named and developed characters present at the tournament now. So much variety! I mean that recap was bad and all, but after that I really liked the build-up for the individual tournaments. Take all teams that made it to the semi finals: that’s already more than twenty different characters participating, with all of the bench people, Arata and the Queen and some other random characters. And all of them are great!

So yeah, Chihaya is not going to get far. This really wil be about the Queen and Arata. With the third year, Arata will be getting back to Tokyo, and I predict that that will really bring everything together for this series. If it will ever get made!
Rating: 6/8 (Awesome)

Posted on 27 May 2013 with categories: Aku no Hana

Aku no Hana, you have balls.

I’m probably going to get a lot of people making fun of my tastes again, but heck, it’s not like I suddenly started caring about that or anything. This episode was an amazing aftermath-episode. One of the best in recent years. I mean, it was just perfect for me, it hit all of the right notes.

Let’s start with by far the most controversial part of this episode: the start. Five minutes in which the characters just walked. Yeah, first of all I have not seen anything like that in anime ever. Yeah, I really admire the guts of the creators to actually do that. I loved it to bits, and not just because of its novelty value. What we saw there was an incredibly intimate moment. What we saw last episode was just all hell breaking loose. They completely wrecked the classroom. Instead of just cutting to the next morning and show the superficial reactions of Kasuga’s classmates for shock value, the creators showed the mood he and Nakamura were in on the journey back. Nothing was said, we just experienced it. I’ve never seen any other anime do this, even though it showed so many emotions nonverbally.

And then there was the rest of the episode. I mean, that was some fantastic build-up. Bit by bit, the creators moved closer to Kasuga’s fears of being found out. The responses by the students, the responses from Saeki, everything was just perfect. Seriously, no overacting whatsoever in htis episode! This was by far the episode with the most convincing acting I’ve seen the entire season.

At first I felt a bit let down by how Kasuga’s name was conveniently obscured everywhere, but Saeki more than made up for it by showing that she very well knew what was going on. I mean, that was one heck of a cliff-hanger, even for this series’ high standards.
Rating: 6,5/8 (Amazing)

Posted on with categories: Shingeki no Kyojin(Attack on Titan)

So yeah, the spring season is the worst spring season we’ve had in a decade when you look at the overall amount of series and the diversity. However, there IS definitely something interesting going on here, and that is how much praise I notice on Shingeki no Kyojin. I mean, it really stands head and shoulders above all other series that are even remotely action-oriented this season, and really: I believe that this series both gives a new spin to the action genre, and most importantly: it’s a great series to introduce people new to anime with. I feel that this is the type of series that really gives anime its good name, and shows what can be possible in this medium.

This was the episode that I had been waiting for since the start of the series. What happened in this episode really made me a fan of Shingeki no Kyojin in the manga, and I’m excited to see how right they got it! I mean blahblah, it was to be expected that Eren wasn’t dead and all, but that’s not the point. What was so amazing here is how this series developed its atmosphere. Up till the previous episode, the characters looked completely screwed. There was no hope. And then that giant started fighting back. This episode developed what that meant: if used properly, this would be the only chance for humanity to actually survive. The delivery would have been everything: the atmosphere needed to be tight, the action needed to be awesome. Otherwise these emotions would just come off as shallow, since Shingeki no Kyojin basically is about a bunch of characters, struggling for their lives against almost certain death.

The start of Shingeki no Kyojin indeed is a bit bland, mostly due to the characters only having one side when they start out. Here though, with every episode this show starts to push the boundaries of them (Jean in particular was hit hard in this episode). That’s another big part of what made this so addictive.

One detail also that stands out here: the giants don’t make any sounds, aside from that Eren-giant. It did not stand out at all in the manga, but obviously a very important detail in the anime. And really, I am glad that they didn’t try to give most of the giants a voice. It makes them all the more creepier.
Rating: 6/8 (Awesome)

Posted on 26 May 2013 with categories: Uchuu Kyoudai

Strong emotions. They are always difficult in anime, and it’s so easy to just overact these things. Yet it’s also crucial to nail them in the parts that need to be serious, otherwise you’re just going to end up looking cheesy. An added difficulty is that it’s usually just incredibly difficult to watch people lose control of their emotions.

Having said that, the creators did a pretty good job on Pico and Vince. Space Brothers is a master of subtle emotions, but here they needed to be big. Vince needed to be just completely shaken up by what happened. In this episode, you couldn’t just have pulled the usual “let’s not show our biggest emotions”, because even though he’s completely stoic, he was a child once. We needed to have seen his development.

I think that the backstory could have been done in one episode (especially with around three minutes of bloody recap for both episodes!). And don’t get me wrong, the slow pacing also had its set of big advantages. Because of that the creators could just dedicate so much time to two side-characters to make them really memorable. They especially used the silences really well to build up atmosphere. This episode may have had characters break down, it still was subtle: there were so many scenes in which nothing was said, but instead the creators just let the images do the talking.
Rating: 5.5/8 (Excellent)

Posted on 24 May 2013 with categories: Hataraku Maou-Sama

Last episode I was asked to not focus on cliches anymore, and I agree with that. Cliches on their own usually aren’t bad. If a show is goring, then it’s just boring, whether it has many cliches or not. So with that in mind, I set out to view this episode with an open mind. And then this episode played the pseudo-harem card. Well thank you for making things so easy here, Maou-sama…

But yeah, the pseudo-harem card. Rather than just having a male and a bunch of females in a cast, a show just has to have romantic hints between the male lead and every other hot female in the series. It might not outright state feelings… but the hints lack any sort of subtlety. This is a cliche, but I hate it not because it’s a cliche, but because it’s just a completely stupid and shallow plot twist on its own. The fact that so many different series use it doesn’t really help. It makes the series so much more shallow than what it needs to be. Have the females fall for some side character. Heck, show some actual romantic hints that can be taken seriously for a chance! This is Maou-sama. It’s not a shallow shounen-show that is meant to appeal to young pubescent boys. It has proven to be intelligent in the past! Why is it not that now!?

Thankfully there were points at which this episode was smart again. Small points okay, but they’re there. In particular: for once a disease is treated as annoying, rather than dramatic. Finally a character is just out cold for a few days, rather than randomly fainting followed by heavy breathing with everyone melodramatically worrying over things. Oh, and disguising the holy water as vitamin bottles. That was pretty clever too.

Problem is, that these were mere details that could easily have been omitted without having much of an effect. My beef in particular lies with the holy water, which turned out to be just something to make a sword more powerful and completely pointless unless it goes over 9000. Beyond that… I miss the wit of the earlier episodes, and this show did not offer something else in return.
Rating: 3/8 (Disappointing)

Posted on 23 May 2013 with categories: Gargantia on the Verdurous Planet

So I understand… some of the intentions behind episode five and six. Really, the logic behind the big picture is more than apparent: we needed time to show Ledo getting accustomed to this new culture he ended up at. We needed a chance for the viewers to get a good view of the Gargantia without any drama in it, until that squid came and Ledo had to stir things up again. I like the outcome, but the way in which they got there was a bit weird.

The thing is, that these episodes just weren’t interesting to watch. The creators really could have spent their time better there, instead of going on and on about the random fanservice. They could have used that time to show some geniune and everyday interactions between the characters. Instead they went with a beach episode and silly dances. Sorry, but that just feels shallow. Especially in two consecutive episodes. The creators can write more interesting episodes.

Episode seven thankfully returned to the real business, and I really like what happened. It’s a great twist that the Hideazu have pretty much already settled down on earth, they just chose not to act for now, for whatever reason. Whether they chose to coexist and have something against fancy technology, or they’re just waiting for the right opportunity still remains a question. It’s because of this that Ledo’s actions aren’t inherently wrong; he just acted really rashly.

Convenient heart attack aside, this episode was full of people clashing with each other based on a lot of different values, whether cultural or practical. On one hand there are the Hideazu who have a status as gods, then there is Ledo’s duty, that girl’s personal preference for not wanting to see the guy in a battle, the captain’s concern for the whole population of the gargantia and then there are these economists willing to take a risk for a possible treasure that will benefit the entire Gargantia in the long run. All of them clash together. That really feels like Urobuchi Gen again.
Rating: 3,5/8 (Enjoyable for episodes 5 and 6), 5.5/8 (Excellent for episode 7)

Posted on 22 May 2013 with categories: Shingeki no Kyojin(Attack on Titan)

Yes! This would be the chapter for the anime where it had to boil down to whether the creators knew what they were doing or not. If they didn’t get this part right, then I had to question whether they knew what they were doing with this adaptation. But they nailed it! They actually made a smashing episode here.

This episode really meant to drive home that the characters are just completely screwed. Everyone gets slaughtered, the main character is death, the only way to escape only leads to even more giants. It’s hopeless. Even the ever-strong Mikasa gave up and just lead all of the survivors on a suicide mission. It all was meant to build up to that one giant who started to fight back.

The atmosphere was very different from the manga, but it worked! This entire episode just had me on the edge of my seat, and the characterization was great. That’s what lacked in the start of this series: it’s really good, but the characters are very one-sided. Here is where they lose all that and get multiple sides.

And the choices behind the music and animation: they really work. The style of the manga made it impossible to animate directly, but the movements here have their own styles and they were awesome! Especially near the end of this episode.
Rating: 6/8 (Awesome)

Posted on 21 May 2013 with categories: Aku no Hana

I just realized some of the details that they put into the rotoscoping here. The shadows and reflections that people make are also added to the animation (Saeki’s television, the floor of the school). Or take that one scene with the helicopter. How did they do that? Was it just a random helicopter that happened to pass by as they were shooting? It doesn’t make sense if they just hired a helicopter for just that one tiny scene.

And about the events of this episode: what on earth did I just watch? I mean, Kasuga actually succumbed to his inner guilt, which is something I did not expect. I really thought that he would try to hide it as much as possible, but here he actually begged Nakamura to help him confess his sins. And that does suit his character much more now that I think about it: he’s obsessed with purity, and Nakamura is the only one he can be totally honest in, even though Nakamura also has a bit of a one-sided view of him.

And that all culminated into that glorious ending. They like… completely trashed that classroom, and I can only imagine how awkward next week is going to be to watch. I really did not expect them to go that far here. I don’t even know how they wanted to do this scene justice with conventional animation anymore…
Rating: 6/8 (Awesome)

Posted on 20 May 2013 with categories: Seasonal Previews

Movies and OVAs to watch out for:
Here is an upcoming list of the movies and OVAs coming out that I deem noteworthy (I basically left out the kiddie movies, or the ones based on franchises that I don’t care about). And really: there are some big names coming up! Lots of great stuff is about to arrive here.

Ark IX

Impressions: This is a single OVA that will come out, as the promotional material of a new light novel series. It’s set in this post apocalyptic world, and the main character is a detective, so I’m smelling a good mystery series here. The problem is obviously that they’re never going to fit all that into just one episode, so let’s hope that this will just be a successful pilot.

Mirai Nikki Redial

Impressions: Mirai Nikki will be getting a new OVA. The interesting thing seems to be that it’s going to be completely anime original, penned by the manga artist. It’s meant to take place after the events of the series, and probably will be some sort of epilogue. But considering how the series ended, I see potential here.

Yozakura Quartet – Tsuki no Naku

Impressions: Hell yeah! Yozakura will not only be getting new OVAs, but sometime in the future there will also be a TV-series, with Ryo-Chimo behind the direction. Prepare for some awesome animation and fantastic direction, combined with lots of fun and interesting characters!

The Garden of Words

Impressions: The Garden of Words is Makoto Shinkai, and based on its trailer, it definitely oozes his style, while at the same time showing how he’s trying to branch out as a director. With Hoshi wo Ou Kodomo this was more towards Ghibli, but this one seems totally different. The one thing that caught my attention was that the acting was much stronger and less subtle than his early works. Let’s see what effect that has on his style.

Hal

Impressions: The premise for this movie sounds AWESOME: it’s a science fiction premise about a girl whose boyfriend dies. A robot named HAL then takes his place for her in order to ease her grief. It’s made by Wit Studio (the guys who are currently also doing Shingeki no Kyojin), and both the director and scriptwriter are rather new. However, remember that one episode of Fractale, that looked absolutely amazing and was nothing like the rest of that series? Yes, the guy behind that will direct this movie. He also worked on some stunning episodes of Kaiba and Yojou-han among others.

Ghost in the Shell Arise

Impressions: Ghost in the Shell Arise is the third installment of Ghost in the Shell with completely different staff members. And the creators are really going to have to fill some of the biggest shoes imaginable: those of Mamoru Oshii and Kenji Kamiyama, pretty much the best two directors walking around in Production IG. Tow Ubukata writing it will help a lot, because this guy has a very good sense of creativity when it comes to science fiction. The chief director is a character-designer, which will probably make for some really good visuals, and the director for the first OVA will be the director of Gilgamesh and Shikabane Hime, which means a really solid atmosphere. The ingredients are definitely there to make something awesome!

Kara no Kyoukai – Mirai Fukuin

Impressions: Since Kara no Kyoukai was such a big success, I’m not surprised that the creators are trying to animate more of it. Normally I would call this milking out a cow, but the previous OVA that was made completely sold me due to how daring it was. It did not try to copy the movies, but instead had its own direction, based on a concept that many thought would make an incredibly boring animation, and I hope that this new OVA will also again go into its own direction.

Kaze Tachinu

Impressions: Hayao Miyazaki’s latest film. Seriously, how old is this guy already? And he’s still making movies? I really admire his dedication, even though he’s not as fast as he used to be. Again, he does the direction here, the script, and it’s based on an original story written by himself. At this point, Hayao really can do anything he wants, really; he can even hire Hideaki Anno to voice the main character (yeah).

Short Peace

Impressions: I love these types of movies: the ones that consist out of multiple shorter films, all made by different creators with their own styles. Katsuhiro Otomo (yeah, the Akira guy) is overseeing everything, and this time the stories are based on some of his works, but he grabbed himself a wide variety of different talents with widely different styles.

TV-Series
Well, we’ve got ourselves a first: for the first time in more than a decade, the summer season is actually bigger in terms of quantity than its preluding spring season. I actually have more series to look forward to than what I did with the past spring season. The big downside to this season: too many sequels. Now, whether there are series that have the potential to top Aku no Hana and Shingeki no Kyojin… the potential is there, but to be honest I don’t see it as likely.

Brothers Conflict

Summary: ” The original project centers around a girl who suddenly gets 11 brothers — from 32 years old down to 11 years old — when her father remarries. She joins the Asahina family under one roof at the Sunrise Residence complex.” – (Taken from ANN)
Produced by: Brains Base
Director: Jun Matsumoto
Series Composition: Natsuko Takahashi
Original creator: Atsuko Kanase
Character Designer: Kumi Ishii

Impressions: This is the male version of Sister Princess!

First-Glance Potential: 0%

High School DXD

Summary: “The story follows Issei Hyōdō, a dim-witted, lecherous second-year high school student who is killed by a girl on his first date ever. Issei is reincarnated as a devil, and from that day forward, he serves as an underling of Riasu, a high-level devil who is also the prettiest girl on Issei’s campus.” – (Taken from ANN)
Produced by: TNK
Director: Tetsuya Yanagisawa
Series Composition: Takao Yoshioka
Original creator: Ichiei Ishibumi
Character Designer: Junji Goto

Impressions: Yeah, blahblah boobs, blahblah. The first season was already just about boobs and bad humour, I see no improvement whatsoever here.
Trailer Impressions: This trailer can be summarized as follows: “Boob boobs boobs boobs boobs boobs boobs”. This show is about boobs, if I hadn’t made this clear yet.

First-Glance Potential: 0%

Ro Kyu Bu SS

Summary: “Subaru Hasegawa is a high school freshman, he joins the basketball team but soon finds out the team is inactive because the captain is being suspected as a lolicon. He miraculously is entangled with the job of being the coach of an elementary school’s basketball team. With these girls and their love for basketball Subaru can only take them so far.” – (Taken from ANN)
Produced by: Sanzigen (?)
Director: ?
Series Composition: ?
Original creator: ?
Character Designer: ?

Impressions: I found Ro Kyu Bu to be really bad and misguided, therefore I’m not at all glad that it’s gotten a second season. I watched for long enough to see what point it tried to make: pushing little girls into this competitive game in order to keep their status quo, even though they just want to randomly goof off. The thing is, that it wasn’t handled well at all. Why did the elemantary schoolers have to dress up as maids. Why was there so much fanservice. And who was crazy enough to think of this set-up in the first place? This could have had potential, but the creators just turned it into otaku-bait, which makes it all the more weird because we’re talking about kids who are not even teenagers here.

First-Glance Potential: 0%

Love Lab

Summary: “The comedy manga revolves around the girls at the elite Fujisaki Girls’ Middle School, which has tsundere (initially aloof and abrasive, but later kind-hearted), meganekko (eyeglasses-wearing girl), and other kinds of students.” – (Taken from ANN)
Produced by: Dogakobo
Director: Masahiko Outa
Series Composition: Takashi Aoshima
Original creator: Ruri Miyahara
Character Designer: Chiaki Nakajima

Impressions: I really dislike how the premise introduces the characters in this series. It just labels them as stereotypes right from the start. It’s as if they’re not going to even bother with any kind of characterization or something. But then again, it’s a 4koma so I’m not sure how much we can expect from this. It does have the team of Mitsudomoe behind it, so let’s hope that they can add some humour to this. They have it, although Yuruyuri showed that they don’t always show this.
Trailer Impressions: Really, really generic.

First-Glance Potential: 0%

Futari wa Milky Holmes

Summary: “A bunch of detective mahou shoujo along with their male guardian solve crimes.” – (Taken from )
Produced by: JC Staff
Director: Hiroshi Nishikiori
Series Composition: Hideki Shirane
Character Designer: Mariko Fujita

Impressions: No! No! No! No! Here is the thing with Milky Holmes: the first two seasons were awesome. Why? It was a parody. The creators realized what a hopeless premise they had and just tore it apart with a ton of random nonsense and craziness. It was glorious. However, afterwards, for some bizarre reason, the Alternative OVAs appeared, in which they actually played the concept straight. It was bad. Really bad. Very generic mahou shoujo fare. The first two series also completely removed the male main character, and these two ovas also showed why: this guy is completely generic and pointless! This is a classic example of a corporate milking taking over a good franchise.

First-Glance Potential: 0%

Fate/Kaleid Liner Prisma Ilya

Summary: “This spinoff re-imagines the Fate/stay night character Illyasviel von Einzbern in an alternate universe as a magical girl” – (Taken from ANN)
Produced by: Silver Link
Chief Director: Takashi Sakamoto
Director: Shin Oonuma
Series Composition: Keni Inoue
Original Creator: Type-Moon
Character Designer: Nozomi Ushijima

Impressions: This really feels like a blatant cash-in on the Fate/Stay Night fandom.Just stuff the girls there into mahou shoujo outfits and you have a series. I really have no faith in the creators here, because it’s typical Silver Link with really bad humour, and many of their staple people involved.
Trailer Impressions: So yeah… they go to school… and I’m still not impressed.

First-Glance Potential: 0%

Senki Zesshou Symphogear G

Summary: “Two years ago, a pair of idols, Tsubasa Kazanari and Kanade Amō, collectively known as ZweiWing, fought against an alien race known as Noise using armor known as Symphogear. To protect a girl named Hibiki Tachibana, who got severely wounded by the Noise, Kanade sacrificed herself. Two years later, as Tsubasa has fought the Noise alone, Hibiki ends up gaining the same power as Kanade.” – (Taken from ANN)
Produced by: Satelight
Director: Katsumi Ono
Series Composition: Akifumi Kaneko
Original creator: Noriyasu Agematsu, Akifumi Kaneko
Character Designer: Satoru Fujimoto

Impressions: How on earth did this thing get a second season? I have no clue what Satelight saw in the disaster that was the first Symphogear, but ah well. A big plus is that this series actually has a competent director. They switched in the director of Hataraki man and Yugioh 5D’s here. Let’s hope that it will be at least… bearable with this…
Trailer Impressions:

First-Glance Potential: 10%

Monogatari Second Season

Summary: “Although there are still traces of the brief period he became a vampire, third-year high school student Koyomi Araragi is human again. He happens upon others with their own supernatural problems and finds that he can empathize. Koyomi becomes involved in their lives, seeking to help them and occasionally asking for advice from Meme Oshino, the homeless man who helped him become human again.” – (Taken from ANN)
Produced by: Shaft
Director: Akiyuki Shinbou
Series Composition: Fuyashi Tou
Original creator: NisiOisin
Character Designer: Akio Watanabe

Impressions: The monogatari series has its moments. Unfortunately, I have gotten tired of it. I do not want to watch these moment if it means having to force myself sitting through hours of talking about nothing, or Shaft just repeating themselves yet again. Wake me up when they try to do something new again…
Trailer Impressions: The trailer is small and all, and there was no actual animation, but it did reinforce my opinion: with all the lines I could have sworn that I heard them before. This trailer said nothing about what would be new or different.

First-Glance Potential: 10%

Kitakubu Katsudou Kiroku

Summary: “”Kitakubu” (literally, “go-home club”) is Japanese slang for kids who go home instead of joining clubs, sports, or other afterschool activities. In one high school, there is a real “Kitakubu” of girls who do whatever they like. The president is a free spirit named Sakura, while Botan is the combative heir to a school of ancient martial arts. Claire happens to be the daughter of the head of the powerful Kokonoe conglomerate. Natsuki joins the club at the invitation of another freshman, Karin, but she is unprepared for the hijinks there.” – (Taken from SNN)
Produced by: Nomad
Director: Hikaru Sato
Series Composition: Go Zappa
Original creator: Kuroha
Character Designer: Takahiro Sasaki

Impressions: Oh goodies, another series about a club of high schoolers doing nothing. I can see that they really flexed their creative muscles for this one. Go Zappa is a bad writer to start with, so it’s going to depend on Nomad and Hikaru Sato and the original source material to make up for that. I mean, it’s definitely possible and all. But by these guys?

First-Glance Potential: 20%

The World God Only Knows: Goddesses Arc

Summary: “Dating sim master Keima Katsuragi wants nothing more than to immerse himself in the 2D world, chasing digital girlfriends. But when the so-called “Capturing God” answers a mysterious email from an unknown sender, Keima finds himself chasing down real-life ladies in an attempt to help the peppy demon Elsie de Lute Irma capture “lost souls” escaped from the depths of hell. Now, lest the explosive collar around his neck detonate, Keima must convince various girls to fall in love with him in order to scare out the souls hiding in their hearts.” – (Taken from ANN)
Produced by: Manglobe
Director: Shigehito Takayanagi
Series Composition: Hideyuki Kurata
Original creator: Tamiki Wakaki
Character Designer: Akio Watanabe

Impressions: I was hoping that in the meantime, the staff has changed or something, in order to give people with a better sense of pacing a shot at this series, But unfortunately not. This series definitely holds potential, but these guys just managed to suck all energy from it. All sense of good characterization was just lost with shallow romance and some really annoying main characters, and I don’t think that that can be fixed, even if the story gets better.

First-Glance Potential: 20%

Servant x Service

Summary: “The slice-of-life comedy manga centers on the employees of a government ward office in a city in Hokkaido. The story follows the daily lives of the health and welfare division members.” – (Taken from ANN)
Produced by: A-1 Pictures
Director: Yasutaka Yamamoto
Series Composition: Kento Shimoyama
Original creator: Karino Takatsu
Character Designer: Terumi Nishii

Impressions: The thing with this series is that from the outside, it looks very interesting. But that’s mostly due to Terumi Nishii, the character designer, being really good. The characters here look realistic and down to earth and overall very pleasant to watch (this is the guy who designed the characters for Penguin Drum, by the way). Because when I looked a bit closer, it looked like a series that totally was not my type: random jokes about people doing nothing. Both the director, original writer or series composition guy give me a lot of faith that this will be interesting to watch either, unfortunately.
Trailer Impressions: A bit of a taste of the humour that we’re going to get, and I found it to be so boring and dull!

First-Glance Potential: 20%

Kin-Iro Mosaic

Summary: “The story begins with Shinobu Oumiya, a 15-year-old, seemingly “pure Japanese” girl who actually did a homestay in Great Britain. Even after coming back to Japan, she still misses her time overseas. One day, an air mail letter arrives from Alice, the girl in Shinobu’s host family in Great Britain. The letter reads, “Shinobu, I’m coming to Japan!” The “Japanese/British girls’ mixed comedy” follows the lives of Shinobu, Alice, and other girls from both Japan and Great Britain.” – (Taken from ANN)
Produced by: Studio Gokumi
Director: Tensho
Series Composition: Yuniko Ayana
Original creator: Yui Hara
Character Designer: Kazuyuki Ueda

Impressions: These girls are fifteen! Holy crap! Seriously though, when was the last time I watched a 4Koma that I actually liked? This seems to go back to Geijutsuka Art Design Class or something. The creators can still make something out of it if they use the clash in cultures right though, so it’s not entirely hopeless here.
Trailer Impressions: Why does the English girl have to be blond?

First-Glance Potential: 40%

Gen’ei o Kakeru Taiyou

Summary: “A story of girls who solve mysterious matters that occur in this world, using the mystical tarot cards that hold the power to read destinies.” – (Taken from ANN)
Produced by: AIC
Director: Keizou Kusakawa
Series Composition: Michiko Itou
Original creator: Haruyasu Akagi, Hidenori Tanaka
Character Designer: Shinpei Tomooka

Impressions: Michiko Itou and Keizou Kusakawa have done quite a few series, but the last time they did something together was with Ro Kyu Bu, a series about a bunch of girls in a basketball team with a lot of fanservice. Genei looks the same only with better production values and fairies. And I mean, I see potential behind this series if the “mysterious matters” that these girls solve are actually interesting. But I don’t think that these people can do that and will focus more on shallow stories with fanservice instead.
Trailer Impressions: Shallow, but at least it will look very pretty.

First-Glance Potential: 40%

Kingdom 2

Summary: ” In the Warring States Period of ancient China (475-221 BCE), Shin and Hyou are war-orphans in the kingdom of Qin. They dream of one day proving themselves on the battlefield. One day, however, Hyou is taken to the palace by a minister. Winding up on the losing side of a power-struggle, Hyou manages to return to the village, barely alive. Shin then meets a boy who closely resembles Hyou, Ei Sei. For now he is the king of Qin; later he will become the emperor Shi Huangdi.” – (Taken from ANN)
Produced by: Studio Pierrot
Director: Akira Iwagana
Series Composition: Naruhisa Arakawa
Original creator: Yasuhisa Hara
Character Designer: Itsuko Takeda, Kumiko Tokunaga

Impressions: I remember the first Kingdom. It had the potential as a good warfare series, but all I could see was the really bad animation and the incredible overacting. Together, this just did no look right and any good story would have been way too annoying to follow with that. I have heard that it got better as it went along though, and at least a staff change seems to indicate that the second season will only get better.
Trailer Impressions: No CG, which surprised me. I mean, the animation still looks really cheap, but it’s not as bad anymore.

First-Glance Potential: 40%

Hyperdimension Neptunia

Summary: “This story anthropomorphizes the game console wars as female role-playing game characters.” – (Taken from ANN)
Produced by: David Production
Director: Masahiro Mukai
Series Composition: Shogo Yasukawa
Original creator: Tsunako
Character Designer: Hitomi Takeuchi

Impressions: As much of a fan I am of David Production, this definitely is the worst promotional art they’ve ever done. Having said that though… they’re really going to animate a series about the console wars? I have no idea what I’m supposed to imagine by that to be honest, especially with David Production. They also put on two rookies on the helm: both the director and the series composition guy have never done a full series before. This can really go anywhere.
Trailer Impressions: Aagh, that was really generic! Also hire someone who can actually sing!

First-Glance Potential: 40%

Fantasista Doll

Summary: “In this science-fiction story, Uzume is an ordinary second-year middle school student who comes into possession of five “dolls” who fight and power up with special cards.” – (Taken from ANN)
Produced by: Hoods Entertainment
Director: Hisashi Saito
Original creator: Goro Taniguchi
Character Designer: Hiromi Kato

Impressions: I can only say “smörgåsbord” when I look at the different staff members here. We have the porn production company of Hoods, adapting a story from the director of Code Geass (and Planetes and Infinite Ryvius), with music from the composer of Heartcatch Precure, Jigoku Shoujo and Shiki, among many others, there is the director of Sora no Otoshimono and the character designer of Kobato and Needless. Usually I can say something about the direction of a series based on cast-members, but here this has me just baffled. The only thing I can say at this point is that the promo art looks really generic.
Trailer Impressions: Generic music and transformation sequences. The story had better be really good to make up for that…

First-Glance Potential: 50%

Watashi ga Motenai no wa Dou Kangaete mo Omaera ga Warui!

Summary: ” Kuroki Tomoko is an lonely “ordinary girl” who has the dream of becoming popular. for her misfortunes she’s branded deranged and lonely and spends most of her time playing games and watching shows. She then enters high school and that triggers her interest in popularity, She tries to achieve her goals in any way she can, but it doesn’t always end the way it should.” – (Taken from ANN)
Produced by: ?
Director: ?
Series Composition: ?
Original creator: Nico Tanigawa
Character Designer: ?

Impressions: Watashi blahblah (seriously, I’m not going to even try and remember how to spell these names unless they prove themselves) will be another one of those high school adaptations, but at this point we hardly know anything about it. Who will adapt it? Who will direct it? That still has to be announced. Does it hold potential? That entirely depends on whether its jokes will work or not. It won’t have anything else besides that.

First-Glance Potential: 50%

Makai Ouji: Devils and Realist

Summary: ” After his uncle’s business fails, William Twining, an intelligent young noble, finds himself in a dire financial situation. With no funds for his school tuition, he searches his house until he comes upon the basement. There, he accidentally summons Dantalion, who recognizes William as a descendant of Solomon, and the Elector—the individual that will choose a substitute ruler for when the Emperor of Hell, Lucifer, rests. From that moment on, William’s life is irrevocably interwoven with the supernatural world as other demonic candidates for substitute king vie for his nomination and Heaven attempts to retrieve his soul.” – (Taken from ANN)
Produced by: Dogakobo
Director: Chiaki Kon
Series Composition: Michiko Yokote
Original creator: Madoka Takadono
Character Designer: Kikuko Sadakata

Impressions: You know what the thing is about this series? It is probably going to be really good if the creators manage to avoid it boiling down to just shounen ai. Seriously, I like the creativity it has, it’s got the potential for lots of intrigue. But all I can see is a manga creator who also did the manga for Utaprince, Chiaki Kon who is still stuck in Junjo Romantica and Michiko Yokote who is doing way too many series this season. Prove me wrong here!

First-Glance Potential: 50%

Kimi no Iru Machi

Summary: “Kirishima Haruto is your average Hiroshima Prefecture countryside Japanese student that is about to start his 3 year High school life. But before that happens a girl from Tokyo, Eba Yuzuki, whose father is the friend of Haruto’s father, shows up at his house to live with him and his family so she can attend the same high school. Haruto isn’t happy of the situation; a stranger that happens to be a girl of his same age, not his relative, living in the same house like him will cause complications. Truth is Haruto has another girl in mind, Kanzaki Nanami, whom Haruto has hidden romantic feelings for since middle school. And so starts his complicated life.” – (Taken from ANN)
Produced by: Gonzo
Director: Shigeyasu Yamauchi
Series Composition: Reiko Yoshida
Original creator: Kouji Seo
Character Designer: Terumi Niishi

Impressions: I found the OVA for Kimi no Iru Machi to be terrible. It was a really generic romance with zero personality, so when I realized that there was a TV-series coming out for it, i really was not looking forward to it. Then I found out that it would be produced by Gonzo. Then I found out that it was going to be directed by Shigeyasu Yamauchi, and adapted by Reiko Yoshida. That duo has got a ton of experience, and they can actually really make a risk-taking studio like Gonzo shine again. The big question is whether they will also be able to do that with a source material that is as bad as Kimi no Iru Machi. I mean, of all the stories they could have picked. Why this one?!
Trailer Impressions: This does not look good…

First-Glance Potential: 60%

Hakkenden: Eight Dogs of the East Second SEason

Summary: ” Five years ago, almost every villager of Ootsuka died due to a tragic plague. But mysteriously enough, three survivors: a girl and two boys, emerged. Now living in a church, the three live in isolation, hidden from those who may seek to find them. Shino, one of the survivors, has control over the power of Murasame, the blade of life. But when the imperial church seeks to take the Murasame for themselves, their peaceful life becomes a thing of the past…” – (Taken from ANN)
Produced by: Studio Deen
Director: ?
Series Composition: ?
Original creator: Miyuki Abe
Character Designer: Hiromi Kato

Impressions: If there is any series that I regret a bit in dropping the past year, it’s probably this one. I didn’t know that it would have a second season, and the only reason I dropped it was because I didn’t think it would get good enough after four episodes to further spend my time on. So yeah, it’s a series with a pretty good story and set of characters.

First-Glance Potential: 70%

Genshinken Second Season

Summary: “College freshman and ACG lover Kanji Sasahara settled down his extracurricular activity in Genshiken (The Society for the Study of Modern Visual Culture) in order to become a true and thorough otaku. Meanwhile, Saki Kasukabe, the girlfriend of another freshman Genshiken member (also a bishōnen), Makoto Kohsaka, was dragged into Genshiken’s otaku-ish activities reluctantly, yet her resentful attitude towards otakus is changing without her notice.” – (Taken from ANN)
Produced by: Production IG
Director: Tsutomu Mizushima
Series Composition: Michiko Yokote
Original creator: Shimoku Kio
Character Designer:
unichiro Taniguchi

Impressions: The only thing I ever watched about Genshinken is the first half of its first episode (before starting this blog, actually, so that was loooong ago), but I did not like it. I didn’t really associate with the “otaku”-culture, and still don’t. But hey, it’s like eight years later, the staff has completely changed aside from Michiko Yokote and I like just about everyone involved in this production. So yeah, it’s definitely got potential.

First-Glance Potential: 70%

Stella Women’s Academy, High School Division Class C3

Summary: “Yura Yamato has just arrived at the high school division of Stella Girl’s Academy, and Sonora Kashima invites Yura to join a club called “C3.” Sonora is the third-year student who became the new head of this club for survival games. The other members include two second-year students (part-Japanese Karira Hatsuse and G36K-wielding Honoka Mutsu) and two other new students (Rento Kirishima whose family runs a Japanese sweets shop and the really short Yachiyo Hinata).” – (Taken from ANN)
Produced by: Gainax
Director: Masayoshi Kawajiri
Original creator: Ikoma
Character Designer: Manami Umeshita

Impressions: First of all, this show has awesome promo art. I like the use of colours and there definitely is emotion in it, as opposed to the really clean art you always see for these promotional images. The director is an entirely new guy, so let’s see what Gainax can do here to make up for Medaka Box which turned out to be rather generic. I mean, this has the potential to be really dull, but the way it’s presented hints at a very good chemistry between the characters.

First-Glance Potential: 70%

Teekyu 2

Summary: “Piyo’s original manga centers around a girls’ tennis team. (The title is a wordplay on a Japanese term for tennis, teikyū.) However, the four high school girls on the team hardly play any actual tennis.” – (Taken from ANN)
Produced by: Mappa
Director: Shin Itagaki
Series Composition: Shin Itagaki
Original creator: Roots
Character Designer: Shin Itagaki

Impressions: Mappa, as much as I like Teekyu’s randomness: your next serious project had better be something really awesome here.

First-Glance Potential: 75%

Uchouten Kazoku

Summary: “The comedy drama of Uchouten Kazoku is set in Kyoto, where tanuki (shape-shifting raccoon-dogs), tengu (long-nosed goblins of Japanese folklore), and humans intermingle. The story follows the Shimogamo family of tanuki who live in the Tadasu no Mori forest of Shimogamo Shrine.” – (Taken from )
Produced by: P.A. Works
Director: Masayuki Yoshihara
Series Composition: Shoutarou Suga
Original creator: Tomohiko Morimi
Character Designer: Kousuke Kawazura

Impressions: Very nice promo material as well, and I’m looking forward to this comedy from PA Works, provided that they handled the comedy right. Shoutarou Suga and Masayuki Yoshihara perhaps aren’t the best for that, but I don’t know the source material for that to say for sure.
Trailer Impressions: This one said absolutely nothing.

First-Glance Potential: 75%

Free!

Summary: It’s about swimming
Produced by: Kyoani
Director: Hiroko Utsumi
Series Composition: Masahiro Yokotani
Original creator: Kouji Ouji (if this isn’t a pseudonym then I don’t know anymore…)
Character Designer: Futoshi Nishiya

Impressions: I love what a brilliant troll move this is. I have been begging Kyoani for doing something different beyond cute girls. So here Kyoani comes with a show about a bunch of guys who look like swtimming catalog models. Regardless of whether it will actually be fun, I approve of this move. The guy from Hataraku Maou-Sama is also doing the series composition here…
Trailer Impressions: What can I say really?

First-Glance Potential: 75%

Blood Lad

Summary: “Blood Lad follows Staz, a vampire that is obsessed with the human world, and Fuyumi, a human girl that was killed and turned into a ghost after wandering into the demon world. Staz promises to help Fuyumi regain her humanity by bringing her back to life, as it means that he would be able to visit the human world” – (Taken from ANN)
Produced by: Brains Base
Director: Shigeyuki Miya
Series Composition: Takeshi Konuta
Original creator: Yuki Kodama
Character Designer: Kenji Fujisaki

Impressions: Hell yeah, another director of Aoi Bungaku is returning. It’s the guy who adapted Kokoro, and who later did half of Supernatural. This will be his next series, together with the guys at Brains Base. And he got himself quite an interesting premise. It’s the kind of premise that can be great with the right execution, and terrible with the wrong one. The big problem will be the series composition. This will probably be a long manga, and Takeshi Konuta has already screwed up once with that kind of problem with Library Wars.
Trailer Impressions: Sounds catchy, provided they don’t put the action above everything else.

First-Glance Potential: 80%

Danganronpa The Animation

Summary: “The story follows a group of high school students, each with a different exceptional talent, who are locked inside a school and told that the only way to escape is to kill another student without getting caught. After a murder, the remaining students must hold a trial with their lives on the line to find out who the killer is.” – (Taken from ANN)
Produced by: Lerche
Director: Seiji Kishi
Series Composition: Makoto Uezu
Character Designer: Kazuaki Morita

Impressions: I like the concept, I like the promo art. This feels like Btooom that requires more thought and careful planning. This is the kind of action series that I’m looking out for, that don’t just revolve arond random action. The only problem is that Seiji Kishi is a bit of a double-edged sword: as a director he can be really good or really bad, depending on his mood.
Trailer Impressions: Good music, stylish, strange character-designs. This can work out pretty well.

First-Glance Potential: 80%

Inu to Hasami wa Tsukaiyou

Summary: “The absurd mystery comedy centers around Kazuhito Harumi, a high school boy who is obsessed with reading books. One day, he is killed in the middle of a robbery — and resurrected as a dachshund dog. Unable to read in his new form, the hapless Kazuhito now belongs to Kirihime Natsuno, a sadistic novelist who uses scissors on Kazuhito to abuse him.” – (Taken from ANN)
Produced by: Gonzo
Director: Yukio Takahashi
Series Composition: Toshizo Nemoto
Original creator: Shunsuke Sarai
Character Designer: Youko Satou

Impressions: Well, it’s taken a while, but for me, this is the first sign of Gonzo’s recovery ever since they went nearly bankrupt back in 2009 and got majorly reduced in size. With that, I mean that this is their first series since that point that doesn’t hope to cash in on previous successes (Last Exile), or just completely terrible (Leviathan). They are starting to train new directors to fill the old gap as well: this is Yukio Takahashi’s first full directing job, and this is a guy who has proven himself well as an episode director on series as Red Garden, Shangri-La and a unit director of Yukikaze and the second Macross Frontier Movie. Of course the humour can be completely terrible, but at least the premise here holds potential and it looks like they’re actually trying to be a bit creative again.
Trailer Impressions: Perhaps it has some acting issues, but it’s the only trailer this season that actually made me laugh. That’s a good sign.

First-Glance Potential: 80%

Tamayura – More Aggressive

Summary: ” For her first year of high school, Fu Sawatari moves to Takehara, a scenic old town near Hiroshima, on the Inland Sea. Her father, who has passed away, grew up in Takehara. She loves taking photographs with her father’s old film camera, a Rollei 35S. The story follows her and the friends who gather around her as she comes to love her new home.” – (Taken from ANN)
Produced by: TYO Animations
Director: Sato Junichi
Series Composition: Sato Junichi
Original creator: Sato Junichi
Character Designer: Haruko Iizuka

Impressions: Tamayura is a strong contender for the award for the strangest title of the season. I have seen the Tamayura OVA and Hitotose. What on earth do the creators mean by “more agressive”? This is a slice of life series, not an action title…. Either way though: it’s Sato Junichi, who is just terrific at creating slice of life. The characters area already really charming. Now it’s a matter of building further upon that like what he did with Aria.

First-Glance Potential: 85%

Kamisama no Inai Nichiyoubi

Summary: “After God abandoned the world, people stopped dying, and people stobbed giving birth. One young gravekeeper, a girl named Ai, meets a boy who slaughters her whole village.” – (Taken from ANN)
Produced by: Madhouse
Director: Yuuji Kumazawa
Series Composition: Tomoko Konparu
Original creator: Kumihito Irie
Character Designer: Shinichi Miyamae

Impressions: I LOVE the premise behind the world of this series. Talk about potential here. Tomoko Konparu as the main writer and adapter will definitely be able to bring justice to it, like what she did with Ashita no Nadja, Uta Koi, Les Miserables, Nodame Cantabile and Nana. Yuuji Kumazawa’s only directing job may have been Oda Nobuna no Yabou, but I give him the benefit of the doubt for now. It’s not like he could have made anything good with a premise like that anyway.
Trailer Impressions: Good music, it looks very nice. The backgrounds are also very creative.

First-Glance Potential: 90%

Gatchaman Crowds

Summary: “The story is set in Japan in the early summer of 2015. 180,000 people live in Tachikawa City, the “second metropolis” of the Tokyo area. Among them are “Gatchaman” — warriors who fight in special reinforced suits powered by “NOTE,” the manifestation of special spiritual powers in living beings. A council has scouted a group of individuals with latent powers to protect Earth from alien criminals. In recent years, the council has assigned Gatchaman warriors to deal with the mysterious entity known as “MESS.”” – (Taken from ANN)
Produced by: Tatsunoko Productions
Director: Kenji Nakamura
Series Composition: Toshiya Ono
Character Designer: Yuuichi Takahashi

Impressions: Yes, Kenji Nakamura is back! The guy behind Mononoke, Ayakashi, Tsuritama and Kuchuu Buranko will next do a remake of a classic series. The fun thing about those kinds of series is that they always are really creative, and with Kenji Nakamura added to that, it’s bound to be lots of fun. Toshiya Ono who helped write Tsuratama will also be back.

First-Glance Potential: 90%

Silver Spoon

Summary: “Yugo Hachiken is an ace with studying, and wants to be away from his family,and believes he can do he could go to any school with no problems, so trading regular high school for Agriculture school, he begins a new journey. Upon arriving at the school and starting classes he is quickly proven wrong, and must uncover the truth about farming, and Agriculture, and how to keep up with his news friends, who are already used to the farming world.” – (Taken from ANN)
Produced by: A-1 Pictures
Director: Tomihiko Ito
Series Composition: Taku Kishimoto
Original creator: Hiromu Arakawa
Character Designer: Jun Nakai

Impressions: It’s finally time for Silver Spoon, the next series from Full Metal Alchemists’s Hiromu Arakawa. And it also couldn’t be any more different in subject matter. Adapting it is a very good team at A-1 Pictures helmed by Tomohiko Ito (the guy behind Occult Academy) and Taku Kishimoto, who previously adapted Usagi Drop. Tehse guys know how to deal with characterization. Yeah!
Trailer Impressions: Ska? Awesome!

First-Glance Potential: 90%

Rozen Maiden New Series

Summary: “Due to a deep trauma at school Sakurada Jun has refused to return. He spends his time in his room, surfing the web and ordering anything that takes his fancy, only to return the items just before payment is due. One day, he finds a web site that tells him to put his order in a drawer of his desk. He does so thinking it to be a joke, only to find that the letter disappears and a strange package arrives soon afterwards. It contains an exquisite doll, that, when wound, comes to life. She treats him as a servant of little worth, but over time helps him come to grips with his fears and in the life-or-death fights that soon follow her arrival.” – (Taken from ANN)
Produced by: Studio Deen
Director: Mamoru Hatekayama
Series Composition: Tomomi Mochizuki
Original creator: Peach Pit
Character Designer: Kyuta Sakai

Impressions: The reason why Rozen Maiden is the series I’m looking forward to the most isn’t simply because I’m a big Rozen Maiden fan, even though that really helps: the concept is awesome, and especially the first season was just perfect. In particular there went a lot of thought into the characters. But no. The reason why this stands above the others is due to Tomomi Mochizuki doing the series composition (along with the script and the sound direction (!)). As a writer to adapt your stories, this guy is pretty much the best guy you can get, bar none. He’s a king of realism, and his sense of characterization is fantastic. But it’s not just that: his adaptations are awesome. It’s not like he aims to be perfectly faithful, but rather he knows what works best for each story, and he takes risks. Oh dear god, he takes risks. Touka Gettan airing backwards? That’s his influence. The awesome conclusions for Kimagure Orange Road and Fancy Lala? He wrote and adapted that. Add that to the character-designer of Steins;Gate and the music from Utena and Asatte no Houkou. Yeah. I’m looking forward to this.
Trailer Impressions: Both new and old material together.

First-Glance Potential: 100%
CHANGE USERNAME
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
SuperMario
@lenlo: in a sense you have to suffer it all alone. No worries thou as I intend to binge watch it when this season's over
Spike
Kado team crumbled under the pressure. Recap this week.
Lenlo
@SuperMario, im happy I dont have to compete with anyone to cover Berserk :P Got it all to myself to whine about, though its been ever so slowly improving.
Anonymous1100725
Ranka is ranka in any verse.
Anonymous1100725
Bahmut no spoilers. Ranka Lee. She just doesn't get it so everyone dies. As she stands around wondering.
SuperMario
In fact, Okja will play in the Sydney film festival next month, but seeing that it will stream in Netflix at the end of June I think it's best to wait until then
SuperMario
@Kaiser: great, I'm super hyped to watch Okja. Always enjoy Boon's movies. The critic's reviews from Cannes on Okja should come up soon I believe.
SuperMario
@Kaiser: I watched Lain many times over as well but I'm sure that I didn't pick up everything. That show required multiple-viewing anyways.
Kaiser-Eoghan
@Mario: Good news, netflix will stream Okja at the end of this June.
Kaiser-Eoghan
@Mario: Its not often that I rewatch things, but years ago I've seen Lain at least three times, its also one of those few anime series where I felt to look up deeper analysis into it. It had a tremendous atmosphere and was ahead of its time.
SuperMario
@Kaiser: watching Ghost Hound made me want to revisit Serial Experiment Lain and give my episodic thoughts on that. Not gonna happen soon as I have my hand full right now but I swear I'll get to that one day.
Kaiser-Eoghan
@Mario: I actually am planning to rewatch ghost hound soon, so I'll give you my new thoughts on it then.
Kaiser-Eoghan
I always avoided Altair mostly based on it being a shounen action series. Kakeguruis premise involves gambling games, which I don't find interesting.
KTravlos
Kakegurui is on my list. I thought it would be crap (terrible setting etc), but the manga won me over. Princess Principal will be given a chance, so will Shoukouko no Altair.and perhaps Reflection. We shall see. Also Twilight Axis Gundam, as I love the manga team.
AidanAK47
@Anon, Recap episodes exist because of production troubles. Sometimes shit happens when you make an anime.
You are being a bit overally argressive but I do agree with the statement that Ntr is pathetic power fantasy. It really is.
Anonymous1099236
Ntr is a pathetic power fantasy for pathetic people
Anonymous1099236
Why the hell do recap episodes exist. Do they think we're that autistic
SuperMario
I honestly don't even what NTR is so I had to look it up. Interesting
SuperMario
Just a quick remaider that Tsuki ga Kirei has a recap episode this week. And yep, after watching this week's Sakura Quest I think I'm gonna stick with it
SuperMario
Flipping through the list, I'm also pretty know what I'm interested in, most of them are original anime, which is a plus
SuperMario
@Aidan: I'm still amazed that us never have to fight over covering shows, except for that one time with Flip Flappers. Always thought that crappy tastes are the same
Kaiser-Eoghan
*Those two comments were refering to NTR trap
Kaiser-Eoghan
I would really genuinely like to see some of these smut manga actually functionally use fanservice and romantic sex scenes rather than just cheap titilattion
Kaiser-Eoghan
@Aidan: Poorly done ragey drama with bad comedy bits , I've reached a point with it where I no longer want my time wasted by it.
AidanAK47
@Mario, I admit to having passing interest in Princess Principal but not enough to fight you over it.
And Tsurezure Children is actually really really good. Really fluffy love stories with great comedy.
SuperMario
haha, even me who love slice-of-life won't fall for Tsurezure Children
SuperMario
@Aidan: Princess Principal
SuperMario
@Kaiser: The character designs on Centaur kind of weirds me out though
AidanAK47
@Kaiser, Ugh...that one. Imagine a discount scums wish and you get the general idea.
AidanAK47
Mate if you are talking about Fate then let me say there is no way in hell I am not covering that.
Kaiser-Eoghan
NTR as the title of an anime? How shameless.
AidanAK47
@Mario,....Tsurezure Children?
Kaiser-Eoghan
I was surprised by centaur no nanami's manga. Actually cares about its setting and genuinely charming characters.
SuperMario
@Aidan: and this time there is 1 show we might both want to cover ^^
AidanAK47
I will have to start writing up that preview for this. I think it's pretty obvious what I am looking forward the most to watching.
AidanAK47
Links generally work with text if you place them at the end of it. Like so:
http://anichart.net/Summer-2017
Kaiser-Eoghan
[link src="http://anichart.net/Summer-2017
I....I"] might at least try the Vatican kiseki one and centaur no nanami...
AidanAK47
@Anon, Don't believe Clickbait. This is all based on a quote from the author thanking the animation studio and hoping for an opportunity to work with them in the future. What this confirms is that there is no plans for a season 3...yet. Could very well happen in the future. What this confirms is that it ain't happening any time soon.
Puran
Natsume is killing it this season.
Anonymous1094513
RIP Konosuba. Season 3 confirmed to not happen https://www.youtube.com/watch?v=7PvOmsKjcJU.
Lenlo
Im not sure what they are even saying.
Anonymous1092432
lmao Anon 250 got rekt
AidanAK47
Normally I would delete openly offensive posts but seeing as these don't make enough sense to be offensive I will give them a free pass.
AidanAK47
No idea who this Adnan guy is but if he watches gay porn then so what?
Anonymous1092250
adnan watches gay porn
Anonymous1092250
people who watch one piece are just watching gay porn
Anonymous1092250
one piece of shit
SuperMario
Hey, do you guys know about wanna cry ransomware? how's the heck that I just aware of its existence today? Scary@@
Lenlo
Haha will do, but im not gonna compete outside a local, maybe regional level, not anymore. I mostly want to get back into my old shape after 2 years of letting it lapse.
SuperMario
Oh, congrats. Used to play sport in competitive level myself (tennis), but now I feel like an old big fat geezer now haha. Keep me updated on your Fencing as it might motivate me to join sooner ^^
Lenlo
Dont even have to work out to do Fencing, you can just go for fun once a week. Im just trying to get back into competitive shape now that I have my degree
SuperMario
I'm not really big on workin out though; my housemate just keeps asking to join gyming but I always back out, haha. Although I'm okay with running and I'm doing yoga like 4 times a week
Lenlo
Cool. And definitely, give Fencing a try, find your local gym.
SuperMario
When you feel sore it just means it's working, so all good haha. I'm still pretty much interested in try Fencing one day btw. About Uchouten, it's about a bunch of tanuki in human shape wander around and having fun (I'm not serious btw). I think the forst episode of the first season can tell you exactly the tone of the show, so you can watch that episode to see if it's your thing
Lenlo
I both love and hate the post-workout aches. Its what I get for trying to get back into Fencing shape.

Whats Uchouten about?
SuperMario
My love is blind, Kaiser. When I love a show I tend to go overboard with it ^^
Kaiser-Eoghan
I’d forgotten how fun these characters are, although some of the novelty, charm, humour has worn off, it is still there and I’m beginning to re-remember while watching.
I do hope though that they’ll do more with Kaisei and Bonten however.
Kaiser-Eoghan
Annnnd thank you Mario again for your reviews tempting me to watch a show.
I was hesitant sitting down to watch season 2 of Uchouten Kazoku because it had been so long since I saw the original.
I caught up, Nidaime and Tenyama got my attention most, standout scenes were the shogi match and the second half of episode inside the painting, the bits between Yaichiro and that girl.
Kaiser-Eoghan
Honestly I could never do the sleeping on the back thing, thats largely because I heard that it increases the risk of sleep paralysis/apnea.
SuperMario
WHY PROTECTING THEM THEN?
SuperMario
You know that human is the only mammal/race that sleep on their back?
KTravlos
hahaha
Lenlo
Is his wall being built with Mexicans? Are they inside the wall, AoT style?
Kaiser-Eoghan
MAKE TITAN GREAT AGAIN =<
Yes that is true aim of Donald Trump's wall, he's actually in the know, trying to keep out Titans.
AidanAK47
WE SHALL KILL ALL OF THE ANONS.
....Wheres my 3D gear?
KTravlos
they all are anonymous and thus enemies of the human race :p
AidanAK47
@KTravlos, Just to clarify but the guy who wrote " idk wtf " and the guy writing the paragraphs are clearly two different people.
KTravlos
I also dislike anonimity on the net. If you are not in danger of being killed or purged because of your name, you should offer it. It is the right thing to do.
KTravlos
done by a lesser director. Simply put and to end it on my part: Exaggeration is the core of art. You can exaggerate the mundane , but exaggeration it still is.
KTravlos
They focus on it and make it the centerpiece. All motion picture does this, and anime does this very well in my humble opinion. There are things that are "easier" to do in live action. But make no mistake, it all comes down to the director and his team. Despite the fact that Monster is very grounded , some of its most evocative scenes would not work if done live action. Or would had not worked if
KTravlos
Look I was sharp because I do not like the whole idk etf culture thing. Should tell you my age.

What I meant with my words can be made more accessible with this analogy. Do you find yourself moved by paintings? Photos? None of this give the immediacy of the whole picture a moving image gives. And yet we are moved by them. This is because they take a element of reality and exaggerate it....
Anonymous1091057
Anyways, I should stop lol. I just ranted like less than 24 hours ago. Gotta go to uni soon anyways
Anonymous1091057
Whoops, I meant to say, ... or even stuff like Baccano could work in western live action.
Anonymous1091057
Also, I feel like shows that have some western context already infused in them, like most sports shows (i.e. Kuroko no Basket for example), or even stuff like Baccano, but once again it'd be hard to pull of the craziness and coolness of the shows, because a lot of it comes from the shows animation and style.
Anonymous1091057
But also, those shows might just be too weird for western live action.
Anonymous1091057
I don't see shows like One Piece or JJBA for example working in western live action well, at least for a long time till the CGI becomes much, much better so to not to completely destroy our suspension of disbelief.
Anonymous1091057
Those sort of works have a cross-potential for working both in anime and western live action. Then I feel slowly you can start littering in some of the more sci-fi esque ones like Steins;gate, or supernatural horror ones like Death Note.
Anonymous1091057
That's why I feel like the best hope for adapting anime into live action movies and TV shows (TV probably would be better for adapting anime tho), is to start with the more grounded, like Monster or even something like LoGH which has a sci-fi element but still maintains a sort of realism.
Anonymous1091057
There are good western movies and TV shows that are strange, but not bizarre; weird, but not the same kind of say JJBA.
Anonymous1091057
I feel like this difference between the 2 mediums makes it hard to adapt anime into live action, particularly western movies. Most anime are closer to the extreme of creative and zany than the extreme of grounded which movies are better at pulling off.
Anonymous1091057
Or another example is Steins;gate. No other medium could have a plot about bananas, time machines, cell phones, world war 3, and make it work pretty well everything said and done.
Anonymous1091057
Or how in the world could JoJo's Bizarre Adventure ever work out, with its complete craziness, except in anime. I know they're making a movie from the first arc of DiU, but they inevitably have to strip away some of the weirdness that makes the series great.
Anonymous1091057
But then on the other hand, I'm not the biggest fan of modern western superhero shows, particularly because I feel like it's better suited to anime. I'll take One Piece, FMA, or Hunter x Hunter (just to name a few) over 90% of superhero movies today.
Anonymous1091057
*movies aren't a great example of this as a whole, there's a scene from the last Hobbit movie which kinda shows how live action captures the tiny tics and "boringness" https://www.youtube.com/watch?v=ZIaJb6RY0TQ
Anonymous1091057
Or like, just the way a character breathes; while the movies aren
Anonymous1091057
I feel live action is better able to capture the minute, "boring", or slow parts of life. For example you don't see too many slow shots in the animated medium (maybe movies being an exception), but they're common in live action (not as much in modern movies, but still).
Anonymous1091057
I agree its a matter of personal preference, and I didn't mean to imply that I thought anime was inferior to TV or vice-versa, but just that they offer different types of experiences. I feel anime excels at the imaginative, crazy, and bizarre, while live action succeeds at the grounded, mundane, and "boringness" of living.
KTravlos
I do not care if you do not know what I am talking about. There we are.
Anonymous1091060
@travlos idk wtf you're talking about
Kaiser-Eoghan
I'm open to realistic stories and sad ones also but above all I'm more interested in imagination.
Kaiser-Eoghan
@Aidan: Given that Bam isn't here, can I rely on you to review Blame! this weekend? Its out on netflix on Saturday.
KTravlos
Animation has the ability to distill emotions to there core. It is why some would say it exaggerates (And there are shows that do so), but what it really does is provide the "core" of emotions. Live action can do this, but requires great actors, or good buildup.
AidanAK47
Oh god the typos in that rant. For some reason my spellcheck has ceased to work on this thing.
AidanAK47
For a cliff notes, TV and Anime are not inferior to one another. Both have plus's and minus's to them and how invested one gets depends on personal preference
AidanAK47
@Anon2, Not even close to my point.
Anonymous1090816
Animation is more realistic 'cuz its fully imaginary. Ya dig?
AidanAK47
Honestly when it comes to me, the closer a show resembles reality, the less interest I have in it. Hence why I am not watching Tsuki ga Kirei this season.
AidanAK47
When you get down to it this is pretty much a matter of personal perference. There are those who cannot connect with animation as strongly because it's animated. Likewise there are those that connect stronger because it's animated. One cannot nessaily be deemed better than the other. both have their pros and cons.
AidanAK47
Animation I feel allows for more room to bend the rules. A story like dragonball is utterly ridiclous in live action but it works within art. There are emotional high points in anime which would just fall completly flat in a live action adaption. It's not really fair to deem those things as inferior because it's not realistic. It can hit those high notes because it isn't realistic.
AidanAK47
One thing you mention is the unnatural exgrattion of emotion or experences and I do argee with that. There is a layer of artificiality to anime interactions. However this exists in TV shows as well. One thing that always bugged me about TV shows that I have seen is the dialogue. i always felt that people don't talk natural in these shows, all there lines are focused on being snappy and memorable.
AidanAK47
There is also a level of ambigity within "Nauce" as it can be interpted as many thing by the watcher. For one it could be just people looking too much into what is essentailly "Stare blankly". It's funny you mention Naoki as he does this exact same thing. Character says something, other character stare intently. Actually the diagolue in his stories is similer to that of tv drama's as well.
AidanAK47
While animated emotion can be considered more simplistic than that of live action, i would consider this a strength rather than a weakness. Anime characters can express emotion more clearly than that of live action actors. The naunce of a anime character is easy to notice because they can get the exact reaction needed for a scene. Meanwhile to do the same in live action takes one hell of an actor
AidanAK47
@Anon, On this shoutbox you an rant away and let me start by saying that i disargee. I will admit that there are certain things that live action Tv shows can do that Anime simply cannot but I disargee with the notion that animation cannot connect to the human experence. If anything I would argue that anime can even exceed it.
Kaiser
I will say this though about live action films is that i find that its easier to create a more successful atmosphere through them, making you forget your watching fiction.
Kaiser
Urasawa can be uneven, his work can jump between maddeningly slow and nail biting suspense sometimes in the same series.
Kaiser
I stuck with breaking bad , The bborgias and eventually hannibal all the way through. Always sunny is still funny .
Kaiser
Walking dead is a good example of a western equivalent to anime padding, it was poorly adapted and he first season covered barely any issues.
Kaiser
I've seen my share of american tv drama/comedy, alot of it is fun for a while but some of them end up outstaying their welcome because they go on too long. Dexter, orange is the new black, vikings and especially supernatural have got too long.
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