Posted on 13 May 2013 with categories: Aku no Hana

Aku no Hana is about the secrets that we all try to hide from each other. How a person may protect him or herself with layers. Kasuga was the most apparent example for this, but Saeki also of course has this. Whether this is as extreme as Nakamura seems to suggest in this episode is a matter of time, but she sure gave Kasuga quite a scare with it.

Now, is Kasuga a hypocrite or not in his actions? Is he running away while refusing to believe that Saeki might enjoy sex? Is that some sort of defence mechanism in order to prevent himself from going crazy, or does he genuinely believe that Saeki is as pure as a goddess? I also don’t think that Nakamura is right either: on one hand she rocks for trying to peel away the layers that Kasuga puts up. But in her mind, people are either normal, or incredible perverts. No inbetween.

Another thing I noticed in this episode: this series really likes to play with the reflections in people’s eyes. I’m not sure whether this is an artefarct of the rotoscoping or not, but it has a really interesting effect. Anime is famous for its eyes and all, but I still love the attention to detail that this series puts into the movements of the eyes of its characters.

This show may be rotoscoped and low-budget, but what I’d still love is if it were influential. I’n not asking people to take over the rotoscoping. Instead what I hope is that animators of series with bigger budgets will take cues from the nonverbal communication in this series, and let themselves be inspired by it.
Rating: 5.5/8 (Excellent)

14 Responses

  1. Airies says:

    I dont think nakamura thinks that way. I think she thinks that everyone is a pervert but she took a liking to kasuga cuz she saw him do something perverted which she wont let go until she satisfies her own perverted-ness. Idk I just dont think she thinks that way you said.

    • manlyflower says:

      BTW Psgels I’m pretty sure you mean Saeki instead of Kaori.

      But, yeah, I felt it to be more like Nakamura hates the world because of all the shit worms who don’t understand their own pervasion, and seeing Kasuga give into that pervasion fueled her own. Of course, Kasuga is that other extreme, who thinks that an individual like Saeki can be entirely pure, while Nakamura says otherwise.

      It seems like a vocalization of something along the lines of the classic battle between human beings as inherently good or inherently evil, although of course pervasion is much more complicated than that dichotomy.

  2. nodbgp says:

    I think the whole thing here is way deeper than perverseness, after all the series name is “flower of EVIL”. As I see it the perverseness is just the surface of the ocean of wickedness that permeates the core of these characters, perverseness is just the pipe they are using blow steam because they still lack self-knowledge or because they are still too afraid to accept how rotten they are, or at least I hope so, because if all this shit drama about a shit uniform don’t escalate in something really fucked up then this will become the biggest disappointment I have had with an anime in a long while.

    As for the rotoscoping, it gives so much to this series that the whole “crazy” atmosphere only exist thanks to that, and the sound direction off course. It adds so much that I if it weren’t for this I would have dropped this on the first episode, since except the said atmosphere and Nakamura there’s nothing special about this show, especially not as special as people are making it to be.

    • manlyflower says:

      You should probably wait until the next episode then. (That or the episode after the next.) I can guarantee there will be a product of the escalation, and it will be very disturbing, and coming very soon.

  3. Sp@rda says:

    I highly doubt it will be influential as this is one of the worst animations we’ve had over the past years.

    • madmind says:

      Really? The animation might look rough most of the time but thanks to rotoscoping we get a freakishly high frame rate almost constantly. Compare that to many other shows. Very often you get this: moving mouth, four to five frames of full or partial body movement to change the pose of a character, then back to a moving mouth again. Very often this results on an emphasis on poses, mostly exaggerated ones. And, of course, there’s the lovely panning shots, which have characters standing in beautiful poses but not moving at all. Oh, and there’s very often the shot of a group of characters looking at something while not moving at all, best served with your usual panning. If you’re not sure what I mean by all that, take a closer look at Hentai Ouji for example.
      I’m sure the first episode of Aku no Hana alone has used more frames than some series will use in twelve episodes.
      And yes, I too really hope that some animators will look at the animation/rotoscoping of this series and go “Oh, so this is how humans normally move? Let’s do that with a higher budget!”. The very first seconds of the first episode of the main character walking down a street is a perfect example of the vast difference in terms of movement. Here, the character is looking around and not looking straight forward so there’s a lot of eye and head movement, he blinks a lot and irregularly, there’s no animation cycle at all, and you can even “feel” which leg he moves at any given moment).

      • Ann says:

        You think japanese animators use panning because they don’t know how people actually move? Maybe in some backwater tiny studio they don’t but on overall I’m afraid you’re mistaken. You can’t spit out the amount of animated shows per season the way Japan does doing traditional animation, never mind that proper rotoscoping requires a lot of time. Aku Hana uses minimum effort and tries to pass it as “style”, not my thing visually but whatever, point is if studios started to animate traditionally they all would go bankrupt within a year if not less. Traditional animation is time consuming and therefore very expensive, especially if you consider the risk of a commercial failure.

        • manlyflower says:

          At what point is it trying to pass off it’s rotoscope animation as “style?” It literally just gives it to us, as the choice of animation. But not even that, my biggest issue with people talking about Aku no Hana as being cheap and using “minimum effort” is the amount of effort they put into background. I have almost never seen a background as incredibly drawn so consistently. Yet everyone calls the show cheap? I don’t get it. Not liking the style is one thing, but calling it cheap seems to me like people are passing quality judgments based on their own preference, which is kinda bull.

          • Ann says:

            Perhaps you don’t see it because you haven’t see it done correctly yet or didn’t noticed it was rotoscoping when it was done correctly, that is understandable but the rotoscoping in Aku no Hana is badly done and is so far up the uncanny valley it’s not even funny (this is not an opinion, it is a fact), but giving the subject in this show it sort of “fits” hence it’s making the best with what it got and _is_ passing it as “style”. Not making detailed background for this sort of animation would be really dropping the ball in this case.

  4. someloser says:

    who the fuck is kaori? are you not paying attention again?

  5. Shippoyasha says:

    Meh. I hate treating this show like it is doing amazing things with meaningful silence aspects. I have faith in the traditional anime styles

  6. leftofcenter says:

    I just know I love the ending song and end up listening to it everytime.

Leave a Reply

Shoutbox

Name:
Email:
For:  
Mail will not be published
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 03:26 AM)
    @Friend unbiased, but not necessarily logical. Those who don’t take up a side don’t understand what they’re talking about or are detached from it.
  • Friend
    (Sunday, Apr 20. 2014 03:24 AM)
    @Jalapeno as for critics, I value those who don’t really have a preference on a subject. Then theyre sure to be unbiased and logical in their criticisms.
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 03:24 AM)
    @Nyangoro for distinguishing terms, I believe “reviewer” is set for the more casual critic you’re talking about.
  • Friend
    (Sunday, Apr 20. 2014 03:20 AM)
    @Nyan yes! What Im doing is a solo project, so while I do respect other opinions, I would go with my gut feeling.
  • Nyangoro
    (Sunday, Apr 20. 2014 03:12 AM)
    Before the internet, critics filled the role of reviewer for both the medium and for the layman. Now, the layman are given equal opportunity to play the role of “critic” to those of their own sensibilities. In a sense, because the layman may not be so interested in the depth of more critical analysis, the traditional critic is rendered merely another voice among a myriad of other, less-knowledgeable voices.
  • Nyangoro
    (Sunday, Apr 20. 2014 03:10 AM)
    I rather like the idea that there’s a way to distinguish a critic from the average person with an opinion. Usually, to me, it seems to come from the person’s wealth of knowledge about the subject, leading them to better understand a piece on multiple levels. That being said, for the layman audience, a layman interpretation may be all they need.
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 03:05 AM)
    Course, reviewer is synonymous to critic nowadays, but that’s what I understand as separating a critic from the layman.
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 03:04 AM)
    I’ve been told that you can’t just be a critic by having seen a lot of the medium. You have to dig into its history and understand the work’s place in the whole of the medium. Because then you’re getting as comprehensive a view of the work itself as you could reasonably get.
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 03:03 AM)
    To distinguish a critic from the average person now who can just pawn info from the Internet, it’s someone whose views are consistent because they’re grounded in a certain foundation of knowledge and understanding. Now, those foundations can certainly change over time, so maybe consistent is the wrong word. But to put it simply, they can put reason to views rather than just echoing others. Of course, there are plenty with flimsy reasoning, but yeah.
  • Jalapeno Bagel
    (Sunday, Apr 20. 2014 03:01 AM)
    They’re exposed to information, but for a good part, the general audience might not understand what information to be looking for. They’ll certainly pick up patterns and they’ll expect to see that in quality works. But that’s also where you get that discrepancy with evaluations. Since if a set pattern could automatically pump out a high-quality work, we’d have machines do all of that.

1 · 2 · 3 · 4 · 5 · »

Featured Posts

Clipboard07

Ping Pong – 02

Yes, I know that more people here were involved in making this series beyond Masaaki Yuasa. It’s written by the creator of Tekkon Kinkreet, Taiyo Mashimoto. That guy is awesome. And the combination between those two makes this series even better. Because here’s the thing: anime is significantly different from manga or light novels. Beyond […]

Clipboard02

Jojo’s Bizarre Adventure – Stardust Crusaders – 02

We can never quite get rid of magic fights at a school, now can we, Jojo. Ah well, I forgive it this time, just due to how hilarious it looks seeing these ridiculously bulky men walk around pretending to be high school students. It’s just so over the top, and yet Jojo sets itself apart […]

Clipboard01

Mushishi Season 2 – 02

Oh yes. This is it. This is what storytelling should be about: telling real stories about real people, all with their own problems that need to be overcome. And this show does that time and time again in just one episode. I still can’t believe how authentic this series is. The thing is, when I […]

Clipboard02

Mushishi – Tokubetsu-hen

Mushishi holds a really special place in my heart. Back in November 2005, when I started up this blog, Mushishi was one of the first shows I picked up to cover weekly. At first I didn’t think much behind it: it just looked interesting and I wanted to cover it, but as it went on […]

Seasonal Anime Podcast – First Impressions – 2013 Fall Anime Season

Hey everyone, I participated in a podcast again, together with Deadlights (Deadlight’s Anime Blog) Flawfinder (Standing on my Neck) and Slashe (Behind the Nihon Review) with two new members, Landon (Mecha Guignol) and Tom (Nigorimasen) Today we talked about the past Fall season. You can find the link here, enjoy: http://deadlightanime.blogspot.nl/2013/10/seasonal-anime-podcast-first_12.html

Clipboard07

Jojo’s Bizarre Adventure Review – 89/100

There are a lot of ways to adapt something. Shounen battle series tend to very quickly fall into a very dull variation of that: really slow pacing that goes on forever with long boring drawn out battles that all look like each other. David Production looked at them, and just said “we can do better!” […]

Clipboard06

Jojo’s Bizarre Adventure – 26

Oh Jojo. What an ending. I did not expect what would happen here at all. Perhaps the ending was not as impressive as with Psycho Pass or From the New World, but still this is every way in which a shounen series should end. You hear that, other shounen series? Watch this for how endings […]

Clipboard05

Jojo’s Bizarre Adventure – 25

Okay, so I thought that this was the final episode so I was ready to go all out. And then at the end of this episode there was this “To be continued”-message. Yeah, I was confused. But boy, am I glad, because it means that there will be one more episode of Jojo. They managed […]

Clipboard06

Jojo’s Bizarre Adventure – 23 & 24

And here are the penultimate episodes of Jojo. And seriously, I loved the fights here. The creators really went to the extreme, while keeping true to their philosophy of putting huge over the top powers on one hand, and really delicate things on the other. One one hand you have Stroheim yelling like crazy, while […]

Latest Reviews

Clipboard03

Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

Clipboard01

Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

Clipboard04

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]

Clipboard01

Pokemon: The Origin Review – 75/100

Normally I try to avoid spoilers with these reviews, but screw it, it’s Pokemon. Pokemon The Origin is a bomb of nostalgia. If you haven’t played Pokemon Red, Blue or Green, then you will not enjoy this one slight bit. This really is made as pure undilluted fanservice for the fans of the first games. […]

Clipboard08

Tamayura – More Aggressive Review – 75/100

I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series. Right at the start of Tamayura’s second season, I asked one question: […]

Clipboard04

Silver Spoon Review – 86/100

When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up […]

Clipboard07

Yondemasuyo, Azazel-San Z Review – 82,5/100

Reviewing a comedy sequel usually is quite simple: in most cases it just drops the bomb and runs out of inspiration, and in rare cases it actually manages to stay hilarious. The tricky thing with these kinds of series is that you need to remain funny, and you need to have the inspiration for that. […]

Clipboard05

Gargantia on the Verdurous Planet Review – 81/100

Gargantia on the Verdurous Planet tells the storyline of a planet that is completely submerged, with only giant ships residing on the surface, while one of those ships gets visited by this guy and his AI-mecha from this very technologically advanced civilization. Yes, this show is about world building. What this show managed to do […]

Clipboard01

Yahari Ore no Seishun no Love Come wa Machigatteiru Review – 82,5/100

I like surprises, like when a series comes that just turns out to be good against my expectations. Yahari Blahblah from the outside had all the signs to turn into yet another one of those high school comedies: snarky male lead, pointlessly long title that fails at being witty, various other cliched side-characters. And they […]