Posted by psgels on 10 June 2013 with categories: Aku no Hana

This show. This show seriously continues to amaze me. Last week’s episode ended with Nakamura and Kasuga ran off. This entire episode dealt with that aftermath. The pacing was incredibly slow. That leads to either lots of dragging on, or a really personal episode.

For me, it’s the latter. Holy crap, the characters got their chance to really act out their emotions here. Finally, both Kasuga and Saeki were completely honest with their feelings, and they actually dared to speak their minds. And with this, it has become clear that they haven’t done so throughout the entire series. I can’t believe how many series have done this wrong, and yet here is a series that gets it right!

The problem with indecisive characters is pacing. The feeling of “Just get on with it already!” when characters take forever to confess to each other, it’s just not interesting to watch. Aku no Hana is different, though. First of all, it really sets itself apart by insisting that it’s not another one of those “will they won’t they”-series: that’s far from the point of this series. It’s about teenagers feeling empty in society, it’s about the layers that people put up in front of each other. The love triangle is just a plot device to explore that, rather than the other way around. That’s how I usually like my romance: as a side-dish with substance, rather than a full on main course that overpowers everything.

Also in romance, things have to be brought believably in these kinds of things. Last week I wondered why Saeki fell for Kasuga, and well, the reason turns out to be one that gets very often abused in romance series: coincidence. She fell for him when he asked her out, because she’s young and nobody has done that before. And she fell for him HARD. I actually buy that, probably due to how good the acting has been (try to pull that with a cardboard cut-out character and I will be raging).

And holy crap, that climax. That climax was amazing, the awkward silence in which everyone agreed to part ways, the knowledge that everyone pretty much disappointed everyone, and yet all three of them were unable to leave due to the police showing up. The police was absolutely wonderful as a wake up call for everyone to realize what just happened, and let things sink in. Thank you for ending the episode not on the cliff-hanger of Saeki’s acceptance that things weren’t going to work out, but dragging things out a liiiittle bit longer. Seriously the atmosphere in this show is just brilliant.
Rating: 6/8 (Awesome)

11 Responses

  1. RABUJOI says:

    We feel this was the best episode since the seventh (when the classroom was trashed), and we rated it accordingly.

    With all the work this show has done about walls people put up within themselves, there are also actual physical barriers that irk both Kasuga and Nakamura, which play a big role here in dashing their dreams of leaving the town behind.

    Going “beyond the hill” is a lovely, romantic notion of starting anew with an adventure…but actually biking up and over a mountain in heavy rain with Nakamura in tow, before Saeki or the cops catch up? Easier said than done!

  2. Spike says:

    Still the ugliest show in the past 6 seasons.

  3. Oroboros says:

    I disagree with the assertion that it was mere coincidence.

    Saeki thought Kasuga was unique, i.e., intelligent beyond his peers, and being loved by a unique person made her feel unique as well.

    Nakamura hoped Kasgua was a true deviant, and by being with a deviant she could accept her own deviancy.

    Hence the disappointment of both with Kasuga’s confessions of mediocrity. In turn they, too, were disappointed with their own mediocrity. :(

  4. headachebaby says:

    Another great episode. Wow…talk about the dialogues and Kasuga’s confession. He’s ordinary but wants to be different, which makes him different by such thoughts.

    Both girls are pretty disappointed in Kasuga and what he cannot be for them. Or is it that he is scare to go either route and it’s safer to be ordinary.

    Yes, I would like to be rotoscoped ^_^.

  5. Sobakus says:

    I think the style is Ok. That I don’t like is this “overly depressed” feeling 1st episode gave me, without explaining why it’s so depressed… Should I continue watching it? Psgels describes every episode the way I’m starting to think that everyone must watch it. Like it’s the most important anime in a long while…

    Does this series has anything, ecxept depression?

  6. leftofcenter says:

    I look forward to watching it, but not, because I know it is going to end soon (as all things do). The music gets me, the animation gets me (everything does not have to be perfect people!), and the story line is unpredictable…

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  • CapRooney
    (Saturday, Dec 20. 2014 06:33 PM)
    Also the wasted potential of Ginoza’s character, from a detached investigator who saw the Enforcers merely as tools for administering justice, to someone whose screen time was less than Akane’s Kogami hallucinations, when his downfall to Enforcer rank could have been a lot more interesting, and maybe become a character like Masaoka.
  • CapRooney
    (Saturday, Dec 20. 2014 06:26 PM)
    I even went and rewatched her arc in the first season to see if there were some hints that could conduct her to turn out like this, and no, seems like this Mika was just created straight out of thin air.
  • CapRooney
    (Saturday, Dec 20. 2014 06:24 PM)
    Oh man, did Ubukata even watch Psycho Pass 1? Because there’s no other explanation on how Mika’s character came out to be. Looks like they needed a haughty character to “oppose” Akane and decided that she was the right one for the job.
  • AidanAK47
    (Saturday, Dec 20. 2014 03:02 PM)
    @Bam, but the dubstep is still out of place.
  • Bam
    (Saturday, Dec 20. 2014 12:52 PM)
    I haven’t read the manga so I judge it on its own, and it’s been good. The animation is good when it needs to be and the quality disparity is interwoven pretty seamlessly. The Yakuza office fight scene was particularly intriguing.
  • Bam
    (Saturday, Dec 20. 2014 12:48 PM)
    So far there hasn’t been any persistently annoying characters and aside from the whole alien parasite thing you don’t need great suspension of disbelief, as characters and events follow the story’s own internal logic pretty closely.
  • Bam
    (Saturday, Dec 20. 2014 12:45 PM)
    Caught up with Parasyte, and can say so far so good. Minor plot issues and sound engineering problems in general aside it has kept a good proper pace. Characters get their point across and conflicts are resolved without dragging on forever. Shinichi’s developments generally improved his character, plus people say that this fit and confident version is closer to the manga anyways.
  • Emma
    (Saturday, Dec 20. 2014 08:02 AM)
    Problems lie in pandering , the whole thing coming up largely paper thin and weak script and screenplay dragging it down to a poor pace and flat dialogue that render the film although only just over 90 minutes feel like 140 minutes. But this is by far the worst thing he’s ever worked on as far as I see it. There is some moments of comic relief but its not exactly all that amusing.
  • Emma
    (Saturday, Dec 20. 2014 08:02 AM)
    Well that’s me just finished Expelled from paradise. I will give credit where credit is due, though I do not care for the 3D CGI art and animation style when used in some anime in this film the full CG was much better done than usual even if it still looks noticeable, ugly to me.
    The action scenes when they happen are at least decently watchable enough, it’s a serviceable setup.
  • Emma
    (Saturday, Dec 20. 2014 08:02 AM)
    I believe there is a three hour star driver compilation film and wasn’t there going to be a follow up film?

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