Posted on 31 July 2013 with categories: Rozen Maiden 2013

I love how different this series turned out to be from the original Rozen Maiden! It still has the same characters, but the atmosphere, the execution, and the themes are completely different here. That’s what a good sequel should be: avoid the tried and true and go into its own direction! It also really helps that this direction is much more mature now.

These past two episodes: they’re really well detailed! Heck, over the span of three episodes we’ve just seen one doll, and even she appeared at just the end of the third episode. In the meantime we get a full look into the life of the grown-up Jun, and into his mind. Because of this we can really see how meeting with Shinu is subtly changing him. There’s enough tension between his job, and taking care of Shinku as well, not to mention how Shinku said at the end of episode four that this can only last for seven days. The whole interplay between young and old Jun is also very good.

What’s also different: there is quite a bit of symbolism added in the narration, ranging from that kid’s story that always pops up in the middle, to various visual symbols when characters are explaining things. The question now is what will happen next: they’re obviously building up to something. Will they be able to use this build-up?
Rating: 5/8 (Great)

Posted on 30 July 2013 with categories: Tamayura

Seriously. This is one of the cutest anime that I have seen in a long, long while. I mean, over these entire two episodes, I just kept going “d’awwwwww” at just about everything the characters did. That is very rare for me: usually I hate series that aim to be cute. The big reason for that is that 90% of those characters are not characters: they’re either cardboard cut-outs, they try to play up their cuteness too much, plain stupid, contrived, and just plain underdeveloped. Tamayura has something that makes the entire cast different from that.

What Potte is trying to do: that really invoked empathy from me. Perhaps my own shyness connected with her, or perhaps it was because of how much development she already has. These two episodes really were about overcoming shyness, and they really did that well. Even beyond Potte, that one teacher was a very nice touch, about how it took him like, 20 tries to ask what he wanted. And the whole performance. It was so bad, yet so adorable!

The new character already feels right at home after four episodes, and the great thing is that she doesn’t feel forced in, but it was more than logical for her to appear. The rest of the cast, Potte’s friends, they’re close to her and all, but most of them don’t share her passion for photographing,and the ones that do are either much older or younger. Here she managed to find someone of her own age and experiences to connect with.
Rating: 5.5/8 (Excellent)

Posted on with categories: Kamisama no Inai Nichiyoubi

This series could have gone wrong so easily. Seriously, from the outside it looks like your average show with a bishie and a cute girl, but it’s just consistently interesting. What this show is really good at is playing with the motivations of its characters: everyone here has this interesting backstory. And it just keeps getting better.

What this show is very bad at is making its action scenes believable. I mean I know she got help and all at the end of that third episode, but a 12-year old should not be able to smash through a bunch of well-muscled adults so easily. Even if they are zombies. But yeah, I can’t really stay critical at that scene, because everything else really had me charmed like no other. I did not expect that turn of events, let alone that that guy died!

And then there was episode four. I mean, at first it was a bid dodgy what the creators were trying to do there with the characters traveling around and all, but they really wasted no time to further explore the setting. This episode was most likely unrelated to the plot and all (aside from perhaps the last part), but it continues to use its setting really well, with that huge city full of dead people, showing how the walking corpses try to deal with the fact that they’re not alive anymore.

But yeah, this is a great mystery-series: it makes you hungry, it brings the kinds of twists you don’t expect, and the revelations are predictable, yet they are brought in a fresh way that you still don’t see coming when they do.
Rating: 5,5/8 (Excellent)

Posted on 27 July 2013 with categories: Shingeki no Kyojin(Attack on Titan)

After the first big action-oriented arc, Shingeki no Kyojin is in its intermezzo arc: the arc that does not focus on action, but instead is aimed at exploring the background of something, in this case the titans. Arcs like these don’t have action: they can’t depend on flashy graphics or fast-paced entertainment to keep the viewer busy, so their subject material really needs to be interesting here more than ever now.

Many series before have attempted to first show enemies as ruthless monsters, only to show a bit of humanity into them. My experience told me that this is very hard to really do well. The obvious solution would be to just hint that these beings also have some sort of humanity in them. Gargantia did that for example, but that was way too quick to really come of as convincing, especially how they used it. Shingeki no Kyojin has an intersesting approach here, by using this nutcase of a character really well.

This is new: a character who is so desperate to see the titans from a different angle. She’s fully aware of what they did, yet she forces herself to bond with the titans she caught, even though there are no hints whatsoever that they’re actually taking note of her and recognizin her. It’s like herding a bunch of amnesiac tigers, only ten times worse. And this actually worked.

In one way, Eren is a great main character. I mean, there is not much to his character, but as an observer he works quite well: he’s hardly ever in control of the situation, which gives the side cast tons of different oppotunities to shine and show themselves off. You way too often have these main characters who try to hog all of the spotlights, but he stays very surprisingly away from that.

Also, that final sentence of the episode intrigued me.
Rating: 5.5/8 (Excellent)

Posted on 26 July 2013 with categories: Gatchaman Crowds

Regarding the argument that this isn’t Gatchaman: I’d like to disagree, slightly. I have not seen the original Gatchaman or anything, but I’d personally like to see this as a modern rendition of Gatchaman with a lot of creative liberties taken to it. For those who say that it shouldn’t use the name “Gatchaman”, but instead just go with its own story, let me ask you this: would this show have gotten enough sponsorship deals if that were the case? I mean, this could have easily been away from Gatchaman and all, but sometimes compromises have to be made, and to me it’s the kind of compromise that doesn’t really bother me. Plus, this series contains a TON of homages anyway.

Anyway, Gatchaman Crowds. You can really see that this comes from the director and writer of Tsuritama: a bright and colourful world, combined with characters that are this really strange combination between idiot and straight-faced. I mean that lead girl at first reminded me a lot about Haru, but she moves more and more away from him. Haru only had his powers. This girl actually accomplished stuff, and she doesn’t take things at straight value. She doesn’t just attack stuff just because people tell her to. Not to be rebellious, but because she uses her head and observes.

In this episode Gatchaman also showed its themes: it’s about social media, quite a modern topic when you compare that to other series (a lot of series could take place in the year 2000 just as easily), hence the “Crowds”-part of the title. It’s about how social media continues to make a larger and larger part of our lives and most bizarre of all, they seem to be making the equivalent of Mark Zuckerberg the ultimate villain. Okay.

Having said that, I do hope that after this, Kenji Nakamura is going to work with another writer than Toshiya Ono. I mean, Toshiya Ono is a good writer who knows his build-up, but he’s also very childish and I do feel that Kenji Nakamura is at his best when he tackles mature topics and storylines. But yeah, with the two series that really set him apart (Bake Neko and Mononoke), he really was aided by a set of excellent writers, among others Chiaki J Konaka and Tomoko Konparu, who really know how to oo original plots like no other. The part where this immaturity was the most annoying was near the end of the episode, where that one person seemed to suggest that ambulances weren’t necessary with the use of that social network. And yeah, that is looking down on real paramedics. A lot.

Also, that one scene where the people fell from the stairs. What happened there? The animation was really clunky and it was hard to make out what on earth that alien-thingy did there.
Rating: 4.5/8 (Good)

Posted on with categories: Silver Spoon

I’m back from London. It was really big, but also great. And Kero, Sachin and Smurph: you were awesome. It really was great to meet you!

And now I have the daunting task to catch up to everything again. Starting off: Silver Spoon, the latest Noitamina-series. Thank god, afte the past spring season had that Katanagatari-rerun. Next autumn there will be two new original series and a second Psycho Pass season has been announced, so the timeslot will be back in its glory again.

But first: a Moyashimon-esque series about farming. On the surface the two series really are similar: a guy joins an agricultural school, with a lot of quirky characters. The difference is how both series look at quirks. In Moyashimon, all of the quirks were played straight, and you got to love the characters because of that. In Silver Spoon, there is more lurking underneath the quirks.

Silver Spoon toys with your assumptions. In that way, you could see that this comes from the same writer as Full Metal Alchemist: one moment it’s serious, and the other it’s silly. And it uses the serious moments to build up for its jokes, only to bring the characters back to reality again by showing the harsh realities of farming that a lot of people like to pretend aren’t there.`I mean, the thing with the vererinarians being able to kill animals? Powerful stuff. The combination between comedy and drama was probably done best with the piglets.

I wouldn’t immediately see that Silver Spoon is better than Moyashimon at this point. The big danger for this series is that it will start getting too melodramatic, which is something that Moyashimon managed to avoid on the whole. The main character’s background… it feels a bit too angsty for my tastes. It’s there where there was no comedy whatsoever, which felt a bit out of place.

Another thing that this show does quite well is the balance of the cast. There are a lot of characters here, but they’re all quite different and colourful, especially when you look at the main side characters. Though granted, some of the minor side characters are walking cardboard cut-outs.
Rating: 5.5/8 (Excellent)

Posted on 17 July 2013 with categories: Random Posts

Hey everyone, the next few days I will be gone on a holiday to England, including London where I’ve managed to make an appointment to meet up with a few readers and Salisbury, where I’m going to try and get into Stonehenge, although that turned out to be quite annoying to take care of if you don’t have a credit card….

Anyway, I’ll be back later. Take care, everyone.

Posted on with categories: Uchoten Kazoku

Yeah, what can I say? Uchoten Kazoku stands with head and shoulders at the top of non-sequels this season. It could have easily been the second Noitamina-series this season. For those who don’t know: this was originally written by the guy who wrote Yojou-han Shinwa Taikei, and with this it really is clear: this guy is a really good writer. This has by far the best script of the entire season: it’s just way more eloquent than every single other series.

And then there is PA Works that managed to breathe this to life really well. These episodes are all scripted out really well, starting with random dialogue, a bit of conflict here and there, and then ending with a very powerful climax. What also surprises me: these two episodes were very different: first the drama was about that old tengu. The second was about the family of the main character, and what kind of impact the father had on it. Powerful stuff.

This show knows its build-up very well: there’s just so much in each episode, but everything somehow adds up to each other. Every character gets a chance to talk about his or her feelings and gts the chance to be fleshed out really well thanks to that excellent dialogue, with the result that there are already a ton of likable characters within just two episodes. I really liked the frog in this episode, the mother was really charming, and even the two tanuki from that other family were different from the usual brats: they were brats, but the way in which they transformed, plus their place in their own family made them also interesting to watch.

A lot of characters here are Tanuki, and a lot of the characters really have this animal side to them. The only one who doesn’t is the main character, or rather he is very much different from the rest of the cast. You can see he’s a tanuki with how he treats his own transformation powers, but aside from that I miss that animal side of his.
Rating: 5,5/8 (Excellent)

Posted on 16 July 2013 with categories: Kamisama no Inai Nichiyoubi

Okay, at this point I’m pretty sure which series I’m going to blog this season. But first a few short comments about the ones I’m not going to blog:
– Free is well made for a bishie series but I don’t trust the creators to actually use the characters well enough.
– Gifuu Doudou hilariously camp, but ultimately a one-trick pony
– Inu to Hasami is badly produced
– Servant X Service is great, but I already know that I don’t have inspiration to write full entries about it.
– Dagan Ronpa… I’m going to decide whether to blog that one after episode 3 where I can see how the creators handle the detective part, because I don’t trust that yet (this also depends on how fast I can catch up to Uchuu Kyoudai…).
– Fantasista Doll is oddly interesting, but I don’t have enough inspiration to write about its bland parts.
– Stella is just entertainment, not really the right show to blog every week.
– Blood Lad is fun, but I miss substance which will make it a bit hard to write about.
– Gen’Ei is too bland and tries too hard.
– Watamote seems like too much of a one-trick pony, which is not good to write about every week.
– Kimi no Iru Machi is together with Dagan Ronpa the one that I’m the most doubtful about. Both have the potential to become really good, or really, really bad. Do I want to watch enough to find out about that?

In the meantime, this is the third Kamisama-series that I’ve blogged, and the fifth Kamisama-series that I’m going to watch, after Kamisama Dolls, Hajimemashita, Kazoku and no Memo-Chou. And that’s a good way to describe this series: a mix between stuff that has been done before, together with new and fresh stuff.

Let me get back on Gen’Ei wo Kakeru Taiyou in particular, because it does bear some similarities with Kamisama no Inai Nichiyoubi, in the way that it puts a little girl and forces these very dramatic things upon her. In this show it works, in Gen’Ei, it doesn’t. Why is that, even though both are pretty dramatic and use their protagonist being young as shock factor.

When I looked beyond, I realized the difference is that in comparison, Gen’Ei is bland. On one hand you have a young girl who grew up in the middle of zombies and has taken the task upon herself to become a respectable undertaker. On the other you have a high school girl who finds a bunch of girls who fight for her and that pretty much all look the same. Kamisama no Inai Nichiyoubi spices up its story: it comes up with creative twists and sides to both the setting and the characters, and that actually makes it very interesting, whereas Gen’Ei to mee seems to rely just too much on its shock factor without making the rest likable. Shock factor is supposed to be used as a condiment, not the main course.

I often go on about series repeating themselves too much, but there is also such a thing as “stealing well”. And to me, that goes to this series. The idea of there not being children? Been done before. Old guy (32!?!) travelling together with young girl? Been done before. Zombies? Been there, done that. However the way in which this show uses these themes is new, and it doesn’t feel like it copied these things out of laziness, but rather because it was a good way to get to the ideas it wanted to explore. I mean the concept of God just saying “screw it” and refusing to kill people. That’s pretty damn interesting!

This show does have flaws so far. The biggest so far is that a lot of the characters seem just devices to tell the story; their acting still feels wooden and they are used A LOT for exposition. That needs to improve, this series needs a bit more of “show, don’t tell”. The big challenge for this series will be to correctly explore its themes throughout its limited airtime. Create interesting stories around this setting, instead of just randomly filling up time.
Rating: 4,5/8 (Good)

Posted on 14 July 2013 with categories: Rozen Maiden 2013

Rozen Maiden’s new series is weird. Really weird. The first episode was this vague recap that wasn’t a recap. And now the second episode pretty much contained the best transition into an alternative retelling that I’ve ever seen. Seriously, as a Rozen Maiden fan, this just blew me away.

I just expected something that started similar with the original Rozen Maiden story that then diverged a different way. I totally did not expect this episode to show what would have happened if Jun didn’t order Shinku’s suitase. They skipped like eight years or something! He’s an adult now! We just got to see how he grew up!

I love this, he actually managed to escape being a hikkikomori, and now he’s in this state in which he needs to deal with the fact that he basically threw a very important part of his life away. You can really see that on one hand, he’s bright, but on the other hand he just stopped learning for so long. I love how he struggles in his life like that, showing some of the conseuqneces of his actions in the first seasons that didn’t involve the dolls. The biting reality of that one manager also really help. Yeah, he’s a jerk, but damn that guy raised some good points.

The thing is also: I totally have no clue whatsoever what to expect from this series. In every other series, I can at least suspect the directio they’re going in. Here, I’m blank and my best guess is that they need to get rid of that seventh doll. But beyond that, I have no bloody clue. This episode really surprised me many times here!
Rating: 6/8 (Awesome)

CHANGE USERNAME
Animosh
It consistently looks good, and unlike so many other adaptations, the staff is taking their time instead of rushing through the source material. In the latest episode they even added stuff to flesh out a certain character, and most source readers seem to consider it an improvement!
Animosh
@Amagi: I'm actually pretty impressed with the slime anime. Sure, the story is nothing special, but I didn't expect it to be. As an adaptation, though, it has far exceeded my expectations: I expected a cheap ad for the LN/manga, but the staff is clearly putting a lot of love into this.
panda
Weirdly enough, I liked the character additions to Bleach even though I know that besides the initial two arcs and the Hueco Mundo arc they weren't as interesting.
>weren't as interesting
Okay it was a disaster but still.
panda
I kind of feel the same way about series adding shit tons of characters to the series. Especially when we know that they're not even going to show up as much later in the series. I had this problem with Fairy tail and a lot of other shounen manga.
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
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