Posted on 31 July 2013 with categories: Rozen Maiden 2013

I love how different this series turned out to be from the original Rozen Maiden! It still has the same characters, but the atmosphere, the execution, and the themes are completely different here. That’s what a good sequel should be: avoid the tried and true and go into its own direction! It also really helps that this direction is much more mature now.

These past two episodes: they’re really well detailed! Heck, over the span of three episodes we’ve just seen one doll, and even she appeared at just the end of the third episode. In the meantime we get a full look into the life of the grown-up Jun, and into his mind. Because of this we can really see how meeting with Shinu is subtly changing him. There’s enough tension between his job, and taking care of Shinku as well, not to mention how Shinku said at the end of episode four that this can only last for seven days. The whole interplay between young and old Jun is also very good.

What’s also different: there is quite a bit of symbolism added in the narration, ranging from that kid’s story that always pops up in the middle, to various visual symbols when characters are explaining things. The question now is what will happen next: they’re obviously building up to something. Will they be able to use this build-up?
Rating: 5/8 (Great)

Posted on 30 July 2013 with categories: Tamayura

Seriously. This is one of the cutest anime that I have seen in a long, long while. I mean, over these entire two episodes, I just kept going “d’awwwwww” at just about everything the characters did. That is very rare for me: usually I hate series that aim to be cute. The big reason for that is that 90% of those characters are not characters: they’re either cardboard cut-outs, they try to play up their cuteness too much, plain stupid, contrived, and just plain underdeveloped. Tamayura has something that makes the entire cast different from that.

What Potte is trying to do: that really invoked empathy from me. Perhaps my own shyness connected with her, or perhaps it was because of how much development she already has. These two episodes really were about overcoming shyness, and they really did that well. Even beyond Potte, that one teacher was a very nice touch, about how it took him like, 20 tries to ask what he wanted. And the whole performance. It was so bad, yet so adorable!

The new character already feels right at home after four episodes, and the great thing is that she doesn’t feel forced in, but it was more than logical for her to appear. The rest of the cast, Potte’s friends, they’re close to her and all, but most of them don’t share her passion for photographing,and the ones that do are either much older or younger. Here she managed to find someone of her own age and experiences to connect with.
Rating: 5.5/8 (Excellent)

Posted on with categories: Kamisama no Inai Nichiyoubi

This series could have gone wrong so easily. Seriously, from the outside it looks like your average show with a bishie and a cute girl, but it’s just consistently interesting. What this show is really good at is playing with the motivations of its characters: everyone here has this interesting backstory. And it just keeps getting better.

What this show is very bad at is making its action scenes believable. I mean I know she got help and all at the end of that third episode, but a 12-year old should not be able to smash through a bunch of well-muscled adults so easily. Even if they are zombies. But yeah, I can’t really stay critical at that scene, because everything else really had me charmed like no other. I did not expect that turn of events, let alone that that guy died!

And then there was episode four. I mean, at first it was a bid dodgy what the creators were trying to do there with the characters traveling around and all, but they really wasted no time to further explore the setting. This episode was most likely unrelated to the plot and all (aside from perhaps the last part), but it continues to use its setting really well, with that huge city full of dead people, showing how the walking corpses try to deal with the fact that they’re not alive anymore.

But yeah, this is a great mystery-series: it makes you hungry, it brings the kinds of twists you don’t expect, and the revelations are predictable, yet they are brought in a fresh way that you still don’t see coming when they do.
Rating: 5,5/8 (Excellent)

Posted on 27 July 2013 with categories: Shingeki no Kyojin(Attack on Titan)

After the first big action-oriented arc, Shingeki no Kyojin is in its intermezzo arc: the arc that does not focus on action, but instead is aimed at exploring the background of something, in this case the titans. Arcs like these don’t have action: they can’t depend on flashy graphics or fast-paced entertainment to keep the viewer busy, so their subject material really needs to be interesting here more than ever now.

Many series before have attempted to first show enemies as ruthless monsters, only to show a bit of humanity into them. My experience told me that this is very hard to really do well. The obvious solution would be to just hint that these beings also have some sort of humanity in them. Gargantia did that for example, but that was way too quick to really come of as convincing, especially how they used it. Shingeki no Kyojin has an intersesting approach here, by using this nutcase of a character really well.

This is new: a character who is so desperate to see the titans from a different angle. She’s fully aware of what they did, yet she forces herself to bond with the titans she caught, even though there are no hints whatsoever that they’re actually taking note of her and recognizin her. It’s like herding a bunch of amnesiac tigers, only ten times worse. And this actually worked.

In one way, Eren is a great main character. I mean, there is not much to his character, but as an observer he works quite well: he’s hardly ever in control of the situation, which gives the side cast tons of different oppotunities to shine and show themselves off. You way too often have these main characters who try to hog all of the spotlights, but he stays very surprisingly away from that.

Also, that final sentence of the episode intrigued me.
Rating: 5.5/8 (Excellent)

Posted on 26 July 2013 with categories: Gatchaman Crowds

Regarding the argument that this isn’t Gatchaman: I’d like to disagree, slightly. I have not seen the original Gatchaman or anything, but I’d personally like to see this as a modern rendition of Gatchaman with a lot of creative liberties taken to it. For those who say that it shouldn’t use the name “Gatchaman”, but instead just go with its own story, let me ask you this: would this show have gotten enough sponsorship deals if that were the case? I mean, this could have easily been away from Gatchaman and all, but sometimes compromises have to be made, and to me it’s the kind of compromise that doesn’t really bother me. Plus, this series contains a TON of homages anyway.

Anyway, Gatchaman Crowds. You can really see that this comes from the director and writer of Tsuritama: a bright and colourful world, combined with characters that are this really strange combination between idiot and straight-faced. I mean that lead girl at first reminded me a lot about Haru, but she moves more and more away from him. Haru only had his powers. This girl actually accomplished stuff, and she doesn’t take things at straight value. She doesn’t just attack stuff just because people tell her to. Not to be rebellious, but because she uses her head and observes.

In this episode Gatchaman also showed its themes: it’s about social media, quite a modern topic when you compare that to other series (a lot of series could take place in the year 2000 just as easily), hence the “Crowds”-part of the title. It’s about how social media continues to make a larger and larger part of our lives and most bizarre of all, they seem to be making the equivalent of Mark Zuckerberg the ultimate villain. Okay.

Having said that, I do hope that after this, Kenji Nakamura is going to work with another writer than Toshiya Ono. I mean, Toshiya Ono is a good writer who knows his build-up, but he’s also very childish and I do feel that Kenji Nakamura is at his best when he tackles mature topics and storylines. But yeah, with the two series that really set him apart (Bake Neko and Mononoke), he really was aided by a set of excellent writers, among others Chiaki J Konaka and Tomoko Konparu, who really know how to oo original plots like no other. The part where this immaturity was the most annoying was near the end of the episode, where that one person seemed to suggest that ambulances weren’t necessary with the use of that social network. And yeah, that is looking down on real paramedics. A lot.

Also, that one scene where the people fell from the stairs. What happened there? The animation was really clunky and it was hard to make out what on earth that alien-thingy did there.
Rating: 4.5/8 (Good)

Posted on with categories: Silver Spoon

I’m back from London. It was really big, but also great. And Kero, Sachin and Smurph: you were awesome. It really was great to meet you!

And now I have the daunting task to catch up to everything again. Starting off: Silver Spoon, the latest Noitamina-series. Thank god, afte the past spring season had that Katanagatari-rerun. Next autumn there will be two new original series and a second Psycho Pass season has been announced, so the timeslot will be back in its glory again.

But first: a Moyashimon-esque series about farming. On the surface the two series really are similar: a guy joins an agricultural school, with a lot of quirky characters. The difference is how both series look at quirks. In Moyashimon, all of the quirks were played straight, and you got to love the characters because of that. In Silver Spoon, there is more lurking underneath the quirks.

Silver Spoon toys with your assumptions. In that way, you could see that this comes from the same writer as Full Metal Alchemist: one moment it’s serious, and the other it’s silly. And it uses the serious moments to build up for its jokes, only to bring the characters back to reality again by showing the harsh realities of farming that a lot of people like to pretend aren’t there.`I mean, the thing with the vererinarians being able to kill animals? Powerful stuff. The combination between comedy and drama was probably done best with the piglets.

I wouldn’t immediately see that Silver Spoon is better than Moyashimon at this point. The big danger for this series is that it will start getting too melodramatic, which is something that Moyashimon managed to avoid on the whole. The main character’s background… it feels a bit too angsty for my tastes. It’s there where there was no comedy whatsoever, which felt a bit out of place.

Another thing that this show does quite well is the balance of the cast. There are a lot of characters here, but they’re all quite different and colourful, especially when you look at the main side characters. Though granted, some of the minor side characters are walking cardboard cut-outs.
Rating: 5.5/8 (Excellent)

Posted on 17 July 2013 with categories: Random Posts

Hey everyone, the next few days I will be gone on a holiday to England, including London where I’ve managed to make an appointment to meet up with a few readers and Salisbury, where I’m going to try and get into Stonehenge, although that turned out to be quite annoying to take care of if you don’t have a credit card….

Anyway, I’ll be back later. Take care, everyone.

Posted on with categories: Uchoten Kazoku

Yeah, what can I say? Uchoten Kazoku stands with head and shoulders at the top of non-sequels this season. It could have easily been the second Noitamina-series this season. For those who don’t know: this was originally written by the guy who wrote Yojou-han Shinwa Taikei, and with this it really is clear: this guy is a really good writer. This has by far the best script of the entire season: it’s just way more eloquent than every single other series.

And then there is PA Works that managed to breathe this to life really well. These episodes are all scripted out really well, starting with random dialogue, a bit of conflict here and there, and then ending with a very powerful climax. What also surprises me: these two episodes were very different: first the drama was about that old tengu. The second was about the family of the main character, and what kind of impact the father had on it. Powerful stuff.

This show knows its build-up very well: there’s just so much in each episode, but everything somehow adds up to each other. Every character gets a chance to talk about his or her feelings and gts the chance to be fleshed out really well thanks to that excellent dialogue, with the result that there are already a ton of likable characters within just two episodes. I really liked the frog in this episode, the mother was really charming, and even the two tanuki from that other family were different from the usual brats: they were brats, but the way in which they transformed, plus their place in their own family made them also interesting to watch.

A lot of characters here are Tanuki, and a lot of the characters really have this animal side to them. The only one who doesn’t is the main character, or rather he is very much different from the rest of the cast. You can see he’s a tanuki with how he treats his own transformation powers, but aside from that I miss that animal side of his.
Rating: 5,5/8 (Excellent)

Posted on 16 July 2013 with categories: Kamisama no Inai Nichiyoubi

Okay, at this point I’m pretty sure which series I’m going to blog this season. But first a few short comments about the ones I’m not going to blog:
– Free is well made for a bishie series but I don’t trust the creators to actually use the characters well enough.
– Gifuu Doudou hilariously camp, but ultimately a one-trick pony
– Inu to Hasami is badly produced
– Servant X Service is great, but I already know that I don’t have inspiration to write full entries about it.
– Dagan Ronpa… I’m going to decide whether to blog that one after episode 3 where I can see how the creators handle the detective part, because I don’t trust that yet (this also depends on how fast I can catch up to Uchuu Kyoudai…).
– Fantasista Doll is oddly interesting, but I don’t have enough inspiration to write about its bland parts.
– Stella is just entertainment, not really the right show to blog every week.
– Blood Lad is fun, but I miss substance which will make it a bit hard to write about.
– Gen’Ei is too bland and tries too hard.
– Watamote seems like too much of a one-trick pony, which is not good to write about every week.
– Kimi no Iru Machi is together with Dagan Ronpa the one that I’m the most doubtful about. Both have the potential to become really good, or really, really bad. Do I want to watch enough to find out about that?

In the meantime, this is the third Kamisama-series that I’ve blogged, and the fifth Kamisama-series that I’m going to watch, after Kamisama Dolls, Hajimemashita, Kazoku and no Memo-Chou. And that’s a good way to describe this series: a mix between stuff that has been done before, together with new and fresh stuff.

Let me get back on Gen’Ei wo Kakeru Taiyou in particular, because it does bear some similarities with Kamisama no Inai Nichiyoubi, in the way that it puts a little girl and forces these very dramatic things upon her. In this show it works, in Gen’Ei, it doesn’t. Why is that, even though both are pretty dramatic and use their protagonist being young as shock factor.

When I looked beyond, I realized the difference is that in comparison, Gen’Ei is bland. On one hand you have a young girl who grew up in the middle of zombies and has taken the task upon herself to become a respectable undertaker. On the other you have a high school girl who finds a bunch of girls who fight for her and that pretty much all look the same. Kamisama no Inai Nichiyoubi spices up its story: it comes up with creative twists and sides to both the setting and the characters, and that actually makes it very interesting, whereas Gen’Ei to mee seems to rely just too much on its shock factor without making the rest likable. Shock factor is supposed to be used as a condiment, not the main course.

I often go on about series repeating themselves too much, but there is also such a thing as “stealing well”. And to me, that goes to this series. The idea of there not being children? Been done before. Old guy (32!?!) travelling together with young girl? Been done before. Zombies? Been there, done that. However the way in which this show uses these themes is new, and it doesn’t feel like it copied these things out of laziness, but rather because it was a good way to get to the ideas it wanted to explore. I mean the concept of God just saying “screw it” and refusing to kill people. That’s pretty damn interesting!

This show does have flaws so far. The biggest so far is that a lot of the characters seem just devices to tell the story; their acting still feels wooden and they are used A LOT for exposition. That needs to improve, this series needs a bit more of “show, don’t tell”. The big challenge for this series will be to correctly explore its themes throughout its limited airtime. Create interesting stories around this setting, instead of just randomly filling up time.
Rating: 4,5/8 (Good)

Posted on 14 July 2013 with categories: Rozen Maiden 2013

Rozen Maiden’s new series is weird. Really weird. The first episode was this vague recap that wasn’t a recap. And now the second episode pretty much contained the best transition into an alternative retelling that I’ve ever seen. Seriously, as a Rozen Maiden fan, this just blew me away.

I just expected something that started similar with the original Rozen Maiden story that then diverged a different way. I totally did not expect this episode to show what would have happened if Jun didn’t order Shinku’s suitase. They skipped like eight years or something! He’s an adult now! We just got to see how he grew up!

I love this, he actually managed to escape being a hikkikomori, and now he’s in this state in which he needs to deal with the fact that he basically threw a very important part of his life away. You can really see that on one hand, he’s bright, but on the other hand he just stopped learning for so long. I love how he struggles in his life like that, showing some of the conseuqneces of his actions in the first seasons that didn’t involve the dolls. The biting reality of that one manager also really help. Yeah, he’s a jerk, but damn that guy raised some good points.

The thing is also: I totally have no clue whatsoever what to expect from this series. In every other series, I can at least suspect the directio they’re going in. Here, I’m blank and my best guess is that they need to get rid of that seventh doll. But beyond that, I have no bloody clue. This episode really surprised me many times here!
Rating: 6/8 (Awesome)

CHANGE USERNAME
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
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Featured Posts

Juuni Taisen – 11 [To Treat a Man to Beef From His Own Cow]

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Inuyashiki – 9 [Shihjuku People]

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When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

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Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

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