Posted by psgels on 30 July 2013 with categories: Kamisama no Inai Nichiyoubi

This series could have gone wrong so easily. Seriously, from the outside it looks like your average show with a bishie and a cute girl, but it’s just consistently interesting. What this show is really good at is playing with the motivations of its characters: everyone here has this interesting backstory. And it just keeps getting better.

What this show is very bad at is making its action scenes believable. I mean I know she got help and all at the end of that third episode, but a 12-year old should not be able to smash through a bunch of well-muscled adults so easily. Even if they are zombies. But yeah, I can’t really stay critical at that scene, because everything else really had me charmed like no other. I did not expect that turn of events, let alone that that guy died!

And then there was episode four. I mean, at first it was a bid dodgy what the creators were trying to do there with the characters traveling around and all, but they really wasted no time to further explore the setting. This episode was most likely unrelated to the plot and all (aside from perhaps the last part), but it continues to use its setting really well, with that huge city full of dead people, showing how the walking corpses try to deal with the fact that they’re not alive anymore.

But yeah, this is a great mystery-series: it makes you hungry, it brings the kinds of twists you don’t expect, and the revelations are predictable, yet they are brought in a fresh way that you still don’t see coming when they do.
Rating: 5,5/8 (Excellent)

6 Responses

  1. boa_sting says:

    Supposedly the source material was intended as a one-shot and had the first volume end where episode 3 does. Or something like that. I’m glad that the show hasn’t seemed to have lost its imagination after playing so many of its cards already.

    I’m not sure how much is the pacing and how much is just the writing, but a lot of the events and scenarios just don’t seem to add up: Dmitriyevich suddenly being an ally, taking out the goons, whoops-there’s-a-dude-in-the-back-seat, etc. But the atmosphere, ideas, and such are definitely better than having same-old, same-old.

  2. Cytl says:

    “What this show is very bad at is making its action scenes believable. I mean I know she got help and all at the end of that third episode, but a 12-year old should not be able to smash through a bunch of well-muscled adults so easily.”

    Aren’t we forgetting that Ai is a half-gravekeeper and, as seen with Scar, they possess inhuman abilities? We even can see that weird energy flowing more intensely right before she starts to fight.

  3. Maria Antonietta Idotta says:

    This story reminds me of Letter Bee. It has the same suggestive background…I really like it.

  4. Arno says:

    Another show with anti-Christian context, fascination for death and tormenting of children’s feelings.

    Many teenagers will love it, and rave on the web about how it is the greatest anime of all times, and how those who don’t like it don’t even deserve to have an opinion.

    • Hogart says:

      Seriously? You might as well call it anti-atheist as well. It’s fine to have an opinion, but try not to shoehorn a fantasy into your worldview just to take offense at it. That’s something a teenager would do.

    • drebner says:

      Someone is having their own little tanty meltdown on the interwebs.

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  • Bam
    (Monday, May 25. 2015 05:54 AM)
    The episode was alright and felt dense as I watched it, but in hindsight only really moved the plot forward incrementally. Lancer not untying Tohsaka as soon as he killed Kirei and then not killing Shinji when he clearly had the chance left a bad taste in my mouth. That and Shirou’s heavy plot armor at this point is becoming reminiscent of another famous anime dual-wielder. Not a compliment.
  • Bam
    (Monday, May 25. 2015 05:46 AM)
    UBW 20 felt like another rendition of Eva 26 (Take care of yourself), complete with character analysis, battle with one’s Jungian Shadow, and loosely Buddhist ideas of self-actualization. It even featured the repetitive monologue shots that fade to black (with “I saw Hell” instead of Rei’s “Sky. Red, red sky”). It never went as far as Eva with “which way is up?” type of Soliloquy, but that’s probably a good thing.
  • Emma
    (Sunday, May 24. 2015 05:48 AM)
    Ashura was an excellent example of how to through anime illicit and emotional response in an honest, non-melodramatic way.
  • Emma
    (Sunday, May 24. 2015 05:46 AM)
    @Bam: I’d be more than happy to take a look at some of those shorts anytime.
  • Bam
    (Sunday, May 24. 2015 05:44 AM)
    @Emma: there’s a lot of European animators that got active in the last 10 years or so that are really reinvigorating their animation scene, and every now and then I get introduced to some fabulous shorts.
  • Bam
    (Sunday, May 24. 2015 05:40 AM)
    @Emma: no I don’t really mind gory ‘for the fuck of it’ violence, I even like it in some grindhouse type of works, but I just don’t think it’s always effective as a shock factor. Live-action is the most sympathetic for obvious reasons, but there are animated works that do elicit a deep response. Probably because of circumstances but also the details of the in-between animation, which can induce certain feelings of disgust.
  • Emma
    (Sunday, May 24. 2015 05:39 AM)
    *here and there
  • Emma
    (Sunday, May 24. 2015 05:35 AM)
    @Bam: I really wish there was more arthouse anime now to give some kind of a balance to everything thats out these days.
  • Emma
    (Sunday, May 24. 2015 05:33 AM)
    Now I like my exploitation every so often, but yes Bam I really do wish that adult and mature storytelling could be better associated with truly, more pure mature themes.
  • Emma
    (Sunday, May 24. 2015 05:25 AM)
    I get choked up over Bergmans cries and whisper and Autumn sonata, I look back on a work by Key and Jun Maeda and wonder, think of how silly it looks to me now.

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