Posted on 31 August 2013 with categories: Currently Watching:

Welcome to Star Crossed Anime Blog! The site originally started out on Blogsome in 2005 by Psgels, where he gained a dedicated following that allowed him to grow the site into what it is today, and move the site into his own domain.

Since 2014, the site has expanded into a multi-author blog, with writers who carry their own interesting insight into the medium we all know and love. We reject the idea that all anime are infallible, and whether it be in our episodic reviews, Seasonal Previews, or even with non-Japanese animated films, we try our best to bring insight to the greatest and latest anime because it’s fun! Psgels is currently in hiatus owing to a particularly malicious writers block, but we wait for his return!

If you have any direct comments or concerns, direct them to K-Off, visit the Contact page! We can usually get back to you within a few hours.

Current Writers

psgels

Hey, I’m psgels. I live in the Netherlands and I’m the founder of this site. The idea of the site started back in 2005, when I was a really big fan of series’ like Mahou Shoujotai, but couldn’t find any blog that covered them. In response to that I decided to create my own blog in order to vent my opinions. It started rather silly, but eventually it grew much larger than I ever thought it would.
My taste is weird. I look for series that dare to screw conventions. The ones that are ambitious in their storytelling, and dare to go off the beaten path. Anime is an art form, and it should behave like that.

AidanAk47

An Irish Anime fan. Though well versed in Visual novels, manga and video games. If it’s got an anime adaption chances are I have seen the source. Quite fond of the works of Kinoko Nasu and Gen Urobuchi. I don’t really have a favorite genre though I am not really fond of slice of life or sports. Well, lets have fun shall we?

K-Off

How’s it going? K-Off checking in. I’m more or less the main resident technician of the site since Psgel’s hiatus, and I’m responsible for making sure that the site is running smoothly on top of any new additions. I also write the occasional game reviews, and when I’m not working on the site or writing a review, you can find me keeping up to date on my favorite manga and games.

SuperMario

Unlike most anime-fans, I did not grow up watching anime – yes, I had read some manga and had watched some anime when I were young, but I have forgotten mostly those now. Instead, my love from anime came from my passion for films (I consider myself more of film-nerd than anime lover) and my absolute appreciation for the medium of animation. Anime seems like a brainchild between those.

afgm

I’m afgm and I’m a technician on the site who writes reviews on the side.  I’m an anime idealist, and I believe in judging an anime its own merits.  Source material almost never plays a role in my opinions, and in my philosophy that is how it should be.

Other Writers:

Ninjarealist

LightningBolt

HelghastKillzone

Posted on 30 August 2013 with categories: Uchuu Kyoudai

For the past months I have been losing interest in Space Brothers, due to the huge standard that it set in the past. Sure it was still great, and had great moments, but it was not as good as what it once was. It lacked that spark. Even Sharon, while really sad, didn’t have that. A character is about to die: in essence every show is doing that (though granted, this series did it different from usual). I missed that spark: what made Space Brothers really special.

Now, these past four episodes. Nearly all of them reminded me why this series stands out. Sure, the pacing still is very slow, and the recaps at the start of the episodes have become even more annoying. But it had what I’ve missed for quite a while now: scenes that really hit me, whether they’re large or small, serious or comedic.

Episode 67 stood out not because of one moment, but how Mutta and Deniel grew closer together. The bond that developed between them in which they could just do stuff without saying things out loud, and how they both very well understand the dangers of being a fighter pilot.

Episode 68 had me laughing harder at an anime than what I’ve done in a really long while when Mr Hibbit appeared. Oh, how Hibito’s words come to bite him back!

Episode 69 again had me laughing again just as hard at Mutta’s photo that was taken. Sure they’re small things, but for some reason, that face he made really cheered me up. Also he’s an astronaut now!

Episode 70: Mutta actually got an offer to go into space that was not what he was after. It would realize his dream of becoming an actual astronaut, but he’d get nowhere near the moon. It really forced him to think about his future. Also holy crap, Vincent hasn’t been to space yet?!

It’s one thing to write a good story about astronauts. You can also get in pretty good character development. If you have that you generally have a pretty good series. What Uchuu Kyoudai did in the past was more than that. It’s the thing that is hard to describe, because a lot of it lied in the details: in both the script and the characters it went the extra mile and threw in lots of nice details and touches. Ever since the desert arc, that has been lost a bit (honestly, it started showing when Hibito was stuck on the moon). It’s all hard to describe, but I think a variation: don’t stay hanging around the same thing for too long, and if you do: spice things up. That was something that the first forty episodes of this series were just brilliant at.
Rating: 6/8 (Awesome)

Posted on 29 August 2013 with categories: Silver Spoon

These past three episodes of Silver Spoon have continued very strong, and you still can see the series’ strength in the way that it combines comedy, personal drama, and the realities of farming. And all of them are really good!

First, the comedy: some episodes focus on it more than others (the crop circle episode focused on it the most), but the jokes are awesome, and not just random: they really are intertwined with the actual plot of the episode. It was an episode in which the characters made no sense, but they were so hilarious in their quest to just view this new big truck that was supposed to come out, and I love how creative they were in creating their own obstacles, making elephants out of mosquitoes.

The character drama here is subtle, but I really like it. Occasions such as when the male lead was surprised that people were more worried over him being gone than that he didn’t do his job: that really felt a great conflict for his character, since he never really was used to the fact that people care about him. The rest of the cast as well: they’re all seriously thinking about their future, which is very nice to watch.

And then, there is the farming. I did not expect this series to show a cow giving birth. That was heavy stuff, but I have to give props to the animators here: that is not an easy scene to just show on the screen, and they did it really well, and realistically (for as far as I know; I am not a cow gynecologist at all). The same goes for how it doesn’t shy away from showing modern technology taking over farms. Perhaps it didn’t show animal abuse, but it did show how hard it is for the farmers who didn’t adapt to modern technologies, how they basically can never go on a holiday, and how children are pretty much destined to carry over the business because there is nobody else.
Rating: 5,5/8 (Excellent)

Posted on 27 August 2013 with categories: Rozen Maiden 2013

Now that I’ve caught up four episodes of this series, I’m seeing even more what an amazing story this series has. It just took Rozen Maiden, and made something completely different out of it while still staying true to the original. That’s great, rather than just doing the same thing all over again. Of course, going into a different direction from the original when done bad, becomes really, really bad. But these kinds of series: they have their own idea and they just went for it, even though it’s completely against the mainstream.

What I think caused this, is that the original fans of Rozen Maiden have grown up, and therefore the series got to be aimed at older audiences. And it really was cleverly done: the annoying characters are nearly entirely removed: Suiseiseki is just gone, Kanaria has made a few apppearances in which she had a really good role, and Hina Ichigo is practically dead. The characters got older, and the themes got much, much more geared towards mature audienes.

All of the cute girls fighting is gone now, and it has made way for the focus on being trapped. Nearly every single character in this series is trapped, in one way or the other. Old Jun is trapped in his daily life, Shinku and Suigintou are trapped in the old world, a ton of characters are trapped by that seventh doll, who in her turn is trapped with her lack of body.

As a result, a lot of this series is just characters, waiting to be set free. Some take action, others just sit there, unable to do anything, but I really like this theme, and how well this show explores it by showing so many different perspectives. And it’s expecially fascinating to see how everyone deals with it. The small comforts they find, what they use for their hope, or the things they try to escape this emptiness. And also how they relate to the other characters, who are going through the same thing they are. Very touching stuff.

Oh, and the comic relief is still there, it’s only much more subtle. It actually juxtaposes the dolls against real life quite well. My favorite joke was how Shinku and Suigintou made this big mess of Jun’s room, and how after getting told off they actually kept the place clean, despite their huge egos.
Rating: 6/8 (Awesome)

Posted on 22 August 2013 with categories: Random Posts

It took me ages to catch back up on this one. I originally intended to drop it, but then I heard strange positive words about it. Now that I’ve caught up to episode 20, I have to say: whoa. What happened?

The series originally struck me as this decent mecha show that was doomed to not stand out due to characters who were way too busy exhibiting their own quirks. For its first half, it was there, I guess: surprisingly charming, but nothing special, and then its second half came. And it was a bit weird, but it actually managed to improve in every single way. Even the animation.

Seriously, most series have gorgeous first episodes and then settle for this average animation quality afterwards. The cg battles of Majestic Prince have had some really good production values! Not to mention that the fights are all really well directed and intense.

But what really struck me was that I was completely proven wrong about the characters. Episode 19 in particular: oh my god what happened there. I mean, when the kid left on this dangerous mission saying stuff like “when I get back, I’ll tell you my crush on you”, he was obviously setting his own death flag here. But the way it happened. That actually made me teary-eyed.

The character development in this series actually turned out to be really good. It made me really think of how I originally labelled these characters too cartoonish, choosing it over Valvrave, which at the beginning seemed to have more solid characters, and yet the complete opposite turned out to be true. What Majestic Prince actually did was take these quirks and develop them. You have the guy who always wants to be a hero: he still does, but he showed much more stuff about his character, plus throughout these episodes we got to see different sides of what it means to be a hero. The ditzy girl? She’s still ditzy, but she actually got to see the upsides and downsides of being ditzy, she both got in trouble and the spotlight, sometimes thanks to this ditziness, others due to complete other reasons. That’s good storytelling! Compare that to Valvrave, which never really did anything remotely similar to these subtle characterizations and just went for shock value.

The question is: how do you recognize this as early as possible? I mean, there were hints right in the first episode that the charactrs were more than just their quirks, but they were very subtle, and could be very easily confused with a series that just had bad characters. I think that the thing with having quirky characters is that you need to balance things out: you need to know the difference between using these quirks for sympathy, and just using them to be obnoxious. Being creative helps. Having a straight man who is an actual straight man helps too: someone with an actual brain. Good chemistry will also be a hint: see if the characters work well together.

And most importantly: Are these characters one-trick ponies?

Also, did episode 20 just hint at what I thought it hinted at?

Posted on 21 August 2013 with categories: Tamayura

Something weird happened. Like, I watched these three episodes over the course of multiple days (time issues), and now that I’m sitting down and writing an entry after watching episode 07, I realize that I have no clue anymore about what episodes 05 and 06 were about. Seriously, I remember dreaming away a bit and all, and they went on a trip… thingy… but apart from that I’m blank.

Now, there are two possible reasons for this:
1) My memory is degrading really badly.
2) Nothing worth remembering happened in these two episodes.

While I fully admit that my memory isn’t perfect, it’s time to give a bit of a critical eye to this second season of Tamayura, and mostly the big picture: what exactly is the point of this sequel? At the beginning, this seemed to be about Potte starting her own club, and taking her passions further by standing out of her comfort zone. Beyond that though… what else?

We have this new selection of characters… who are there but have yet to make a lasting impression. The cast beyond Potte made no development whatsoever so far; like, has anything been added to their characters, AT ALL in this second season?

In the meantime I’m still dreaming away with that awesome soundtrack, but what were the characters doing in this episode for example? Potte entered a competition, they attended a festival, they went to Potte’s childhood friend… haven’t we seen this in some way before or am I going crazy? To me it really seems like this show is just repeating itself. Though granted, the ending wwas charming.

Why did I originally like this series? It’s because it did more than most slice of life series about a bunch of random girls: it had strucuture, and characters who felt charming and had depth. I feel like that depth and energy is missing in this sequel. Or more like, it lacks: it’s not completely absent, but not fully there either.

Comparing this to Aria The Natural, Aria’s second season: that series was rather tough to get through due to how slow it was, but it was varied, and it continued to add to its cast. And it didn’t do this just by introducing a bunch of new characters, but also slowly building further upon the main cast. When is More Aggressive going to do that?
Rating: 4/8 (Nice)

Posted on 16 August 2013 with categories: Seasonal Previews

My impression of the upcoming season? Holy crap! There are tons of different series to watch out for! Lots of big names will return, and we will get a ton of series with amazing animation. This could very easily become the best season of the year, especially in terms of TV-Series. To give an indication: there are a whopping seven series that I’m psyched for to come out. It’s rare for a season to get to that number the last couple of years.

Movies and OVAs to watch out for:
Here is a list of the upcoming OVAs and Movies that will be up for release that interest me. In this case though, I can just leave out the “OVAs”-part of this description and title, because there are none! Seriously, there is not a single interesting OVA on the schedule at this point. Only a bunch of random harem OVAs that are the umpth instalment of series that have been going on for ages.

Persona 3 The Movie #1: Spring of Birth

Impressions: AIC doing another Persona thingy, but thankfully Seiji Kishi is only the supervisor, and the director is someone else. However, the question remains whether this will be an as soulless adaptation as Persona 4. The problem I have is that the new director is the director of Bakuman, which for me also had huge pacing issues. Heck the creators know that they’re trying to push a huge game into a bunch of movies, right? They know that you need to take some creative liberties in order to make everything fit, right?

Ano hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai.

Impressions: Okay, the big question: will the Anohana movie be a recap movie, or not? And that’s the tricky thing here: you can’t say for sure. It’s an alternative retelling, showing the story from the perspective of Menma, one of the major characters. You can take such a premise everywhere, because some of the series actually DID show things from her perspective. It all depends on how lazy you get, or how ambitious you get. This can become anything inbetween a recap and a new insight into a heart-wrenching albeit annoying character.

Captain Harlock

Impressions: Yes, there will be a new CG Harlock movie. The original Harlock was all about melancholy in space, and judging by the trailer, the creators seem to be going for the same effect, albeit a bit more action-packed (the original series had action, but the pacing was very slow). The graphics look very good, but the biggest challenge will be for this series to get the characters right. Can it evade the dreaded botox-faces that plague just about every3D movie? Can it actually balance out the characters who are constantly gloomy? The director will be the guy who directed Appleseed, and that was not his strongest forte!

Code Geass – Boukoku no Akito

Impressions: Hell yeah, finally the second instalment is up, with my favorite director behind the scenes in an original story where they apparently got a lot of freedom to do what they wanted. Now, Kazuki Akane usually really gets fired off when his stories enter their second halves, but until that we still get to see his impeccable sense of action.

Gekijou-ban Mahou Shoujo Madoka Magica Shinpen: Hangyaku no Monogatari

Impressions: So after two recap movies, the third and final Madoka Magica movie will have an original story. From the beginning I have said to not do this, because the story of Madoka Magica fits perfectly into just 12 episodes. It ha a very good ending that was very conclusive. But still, the creators and Urobuchi Gen in particular still can make something borderline classic out of it with the right mindset. One of the biggest issues will be that Gen’s ego needs to win from Shinbo’s.

Patema Inverted

Impressions: Aack! I still need to watch the prequel OVA that came out for this movie a few years ago. Anyway, this is the full instalment. And yes, it’s by the guy who made Time of Eve. This is a guy who likes to take full control of his series, and he does nearly everything: the direction, the script, he wrote the original story. One to watch out for.

Upcoming TV-Series:
Here is a list of all of the upcoming TV-series. Again, minus the kiddie series because I’ve gotten really tired of saying the same thing over and over again. Excluding those series there are about 37 series coming up in total. A very healthy number.

Sekai de Ichiban Tsuyoku Naritai!

Summary: “One day, all of a sudden, a main vocalist of a popular singer group in Japan becomes a female pro wrestler.” – (Taken from ANN)
Produced by: ARMS
Director: Rion Kujo
Series Composition: Kazoho Hyodo
Original creator: ESE
Character Designer: Rin-Sin

Impressions: Here we go with ARMS and their porn shows again. Moving on.
Trailer Impressions: Har har har, it’s funny because it looks and sounds like they’re having sex.

First-Glance Potential: 0%

Diabolik Lovers

Summary: “The story centers around the six sadistic Sakamaki vampire brothers. Yui Komori is a positive-thinking girl who nevertheless is troubled by seeing spirits and experiencing poltergeist phenomena. In her second year in high school, she transfers to a new school — a night school for entertainers and celebrities — due to her father’s work. There are rumors that there are vampires among the student body, and Yui ends up living with the Sakamaki brothers.” – (Taken from ANN)
Produced by: ZEXCS
Director: Shinobu Tagashira
Series Composition: Seiko Nagatsu
Original creator: Rejet
Character Designer: Yuuko Yahiro

Impressions: … this is just Uta Prince but then with Vampires! Holy crap, Zexcs have fallen as well? Really, I don’t mind bishies and all, but would you at the very least try to look like you’re at least trying to do something new here. This show is just a carbon copy of shows that girls like, lumped together without any more thought put into it. Also, apparently this one will be directed by a character designer, so the goal really seems to be to make the bishies as pretty as possible, it seems.
Trailer Impressions: And yet, the bishies just look like every other cast of bishie out there. Also these vocalists can’t sing!

First-Glance Potential: 0%

Infinite Stratos 2

Summary: ” Infinite Stratos (IS), a weaponized exoskeleton system, has become the dominant tool of warfare and conflict. Unfortunately for the men in society, only women are able to operate Infinite Stratos…with very few exceptions. One of those exceptions is Ichika Orimura, an orphan raised by his older sister, who is herself a famous IS pilot. When his compatibility with Infinite Stratos is discovered after he accidentally touches one at the age of 15, he is given a scholarship and enrolled in a school that specializes in training IS pilots. Which means an interesting life surrounded by girls for this shy, unassuming boy.” – (Taken from ANN)
Produced by: 8-Bit
Director: Susumu Tosaka, Yasuhito Kikuchi
Original creator: Izuru Yumizuru
Character Designer: Kumi Horii
Music: Hikaru Nanase

Impressions: I remember what a giant troll the first season was. “Interesting science fiction premise? HA Screw that! Here are some harem hi-jinks!” – And yet, it sold. It sold ridiculously well, so here we have the inevitable second season. So yeah, don’t get fooled that it’s by the director of Macross Frontier or anything: this is a very blatant harem show with some mechas thrown in. It’s a shame, because Hikaru Nanase is one of my favorite soundtrack composers.

First-Glance Potential: 0%

Tesagure! Bukatsu-mono

Summary: “The anime will center around the extracurricular activities of students.” – (Taken from ANN)
Director: Koutarou Ishidate
Series Composition: Masatake Yamaguchi

Impressions: Crappy flash show about a random high school club alert. Moving on!

First-Glance Potential: 0%

Gundam Build Fighters

Summary: “The story is set in the near future when GunPla Battles, competitions that pit Gundam plastic models against each other, have become popular worldwide in the “Second GunPla Boom.” Sei Iori (pictured above), a first-year middle-school student and the only son of a model shop owner, is talented at building GunPla, but inexperienced in the GunPla Battles. He encounters a mysterious boy named Reiji who happens to be an accomplished Gundam Fighter. Together, they strive for the GunPla Battle world championships. Sei’s customized GunPla is the Build Strike Gundam (pictured above)” – (Taken from ANN)
Produced by: Sunrise
Director: Kenji Nagasaki
Series Composition: Yosuke Kuroda
Original creator: Yoshiyuki Tomino
Character Designer: Kenichi Ohnuki

Impressions: I usually omit kiddie shows because I pretty much end up saying the same thing over and over about them and they are totally irrellevant unless you’re under the age of 14, but I do want to make an exception here, because it’s sad to see that Gundam has now devolved into one as well: a series that seems solely designed to sell toys, or Gundam model kits in this case. The problem is also that this being Gundam, Sunrise put some good people on it: Kenji Nagasaki directed No.6, which was well directed aside from its ending, and Yosuke Kuroda has penned many good original stories. I have seen this pattern way too much though: it’s a kiddie show and with that in mind not even the most talented people like Dai Sato can make something remotely interesting.
Trailer Impressions: Fancy transformation sequences! Buy our toys!

First-Glance Potential: 0%

Freezing Vibration

Summary: “Set in a slightly futuristic world where Earth has been invaded and is at war with aliens from another dimension called the Nova, the story follows the adventures of a Japanese boy named Kazuya Aoi who enrolls for training at a special school for genetically modified girls called Pandoras who battle the aliens, and their male partners, called Limiters, who use a special power called “freezing” to limit their opponent’s mobility. The protagonist makes the acquaintance of an unusual older girl named Bridgette L. Satellizer who appears to be the most powerful Pandora in her class, but has not yet chosen a male partner to be her Limiter, and in spite of the warnings of all his friends, he decides to be her Limiter.” – (Taken from ANN)
Produced by: ACGT
Director: Takashi Watanabe
Series Composition: Masanao Akahoshi
Original creator: Dall-Young Lim
Character Designer / Chief Animation Director: Mayumi Watanabe

Impressions: I watched the first episodes of the first freezing. It’s basically lots of gore and fanservice, plus a bunch of stupid characters. Girls pick fights for no reason, and it was really geared to go into the harem route. There really was nothing redeeming about it aside from some neat action here and there perhaps. Moving on.
Trailer Impressions: Okay, I have to grant it: the soundtrack was nice. But what were those famous artworks doing right in the middle of those girls fighting each other?

First-Glance Potential: 20%

Unbreakable Machine Doll

Summary: “It is the early 20th century, and Raishin Akabane is a student puppeteer from Japan, who has come to the Walpurgis Royal Academy of Machine Arts in England to study the emerging field of Machinart: a combination of magic and technology with military applications. He is accompanied by a girl named Yaya, who is actually his Automaton: a living machine doll powered by magical circuits specialized in hand-to-hand combat. In the Academy, there is a combat tournament exclusive to the Top 100 students and their automata, to decide who shall be bestowed with the title of “Wiseman”, the greatest puppeteer.” – (Taken from ANN)
Produced by: Lerche
Director: Kinji Yoshimoto
Series Composition: Yuuko Kakihara
Original creator: Reiji Kaitou
Character Designer: Atsuko Watanabe

Impressions: I hate how some series literally force the setting of a school onto their stories, even if this doesn’t make any sense. Why are students competing for a title named “Greatest Puppeteer”? What happened to the people who graduated that school then? Are they all dead? Beyond that, we have the director of Queen’s Blade and a bunch of hentai series, together with the one who adapted Persona 4. This one may look pretty, but that’s all there is to it, it seems.
Trailer Impressions: Okay, it’s very flashy at the very least, but beyond that…

First-Glance Potential: 20%

Ore no Nounai Sentakushi ga, Gakuen Love Come o Zenryoku de Jama Shiteiru

Summary: “The story centers around Kanade Amakusa, a boy cursed with the mental power of “absolute multiple-choice” — a multiple-choice quiz will suddenly appear in his mind, and the choice he makes will become his reality. For example, he would have to choose between going nude from the waist up or the waist down in school. While in school, he is given another choice: 1) A beautiful girl will fall before him or 2) he will fall from the rooftop in female clothes. He chooses option 1, and a blonde girl named Chocolat falls before him.” – (Taken from ANN)
Produced by: Diomedea
Director: Takayuki Inagaki
Series Composition: Hiroko Kanasugi
Original creator: Takeru Kasukabe
Character Designer / Chief Animation Direction: Hiroyuki Saida

Impressions: You know what the thing is? In the right hands this premise can become comedic gold. But no, a cute girl has to fall on his lap, yadda yadda, boobs. I mean, you just need to look at the promo art to know instantly where the mind of this series lies, and the director of Rosario to Vampire doesn’t make things better.
Trailer Impressions: Oh my god! Everything about this trailer is annoying!

First-Glance Potential: 20%

Outbreak Company

Summary: “Outbreak Company’s story centers around Shinichi Kano, a “thoroughbred class” otaku with a light novelist father and an erotic game artist mother. The NEET (not in education, employment, or training) high school dropout has no special talents except for his vast knowledge, opinions, and insight on moe. Despite this, the Japanese government assigns Shinichi as a “moe” evangelist to the Holy Eldant Empire, a parallel world with an entrance through a thick forest of trees in the Mount Fuji area. In this fantasy world where dragons soar the skies, Shinichi forms a deep friendship with the half-elf maid girl Myuseru and the beautiful young empress Petoraru. Even as he deals with the threats of war between different factions, he worries that he himself is an invader (shinryakusha) to this wondrous land.” – (Taken from ANN)
Produced by: Feel
Director: Kei Oikawa
Series Composition: Naruhisa Arakawa
Original creator: Ichiro Sakaki
Character Designer: Takashi Mamezuka

Impressions: This is one of those stories that just seems to drown completely into its own meta. A cute idea that I fear is never really going to work because it tries to be way too tongue-in-cheek. There is giving a wink to your audience, and then there is just blatant ass-kissing. I also don’t expect much of the staff. They’re pretty standard, and Naruhisa Arakawa has a lot of experience… doing pretty mediocre adaptations.

First-Glance Potential: 25%

Valvrave the Liberator 2

Summary: “Thanks to the development of the Dyson Sphere, The majority of the human populace lives in space. The Dorssia Military Federation, and the Atlantic Rim United States exist as major Military countries, while JOIR is a neutral principality, the story follows Haruto Tokishima as a normal boy going through high school in T.C (True Calendar) year 71. This all changes when Haruto meets the humanoid weapon Valvrave.” – (Taken from ANN)
Produced by: Sunrise
Director: Kou Matsuo
Series Composition: Ichiro Okouchi
Character Designer: Tatsuya Suzuki

Impressions: Oh god, there is more. There is an entire season more of this. I’m not going to watch it. It started off entertaining enough, but as soon as it started taking itself seriously the fun quickly died, and then it only got worse. This is a series that aims to shock its audience, while not caring about anything such as a plot or anything.

First-Glance Potential: 30%

Meganebu!

Summary: “Akira Sōma, the 17-year old club president and founder of the eyeglasses club. He categorizes all of humanity into three groups: “glasses,” “those who don’t wear glasses,” and “the ladies.” He scolds those who wears contacts, going around and calling them “weaklings!!” There are many times when he, the passionate boy that he is, would argue with his fellow club-mates about glasses. His favorite kind of glasses are ones with square frames, and both of his eyes have 0.03 vision (in the Japanese eyeglasses prescription notation).” – (Taken from ANN)
Produced by: Studio Deen
Director: Soubi Yamamoto
Series Composition: Deko Akao

Impressions: They actually made a show about glasses. I mean, this is just bizarre. I only included one of the characters’ descriptions in the synopsis, but they are all equally cheesy. In fact, this was so cheesy that it became hilarious. Oh, this show will be bad, but at least it’s going to be bad in a way that we haven’t seen before.

First-Glance Potential: 30%

Log Horizon

Summary: “The story begins when 30,000 Japanese gamers are trapped in the fantasy online game world Elder Tale. What was once a “sword-and-sorcery world” is now the “real world.” The main lead Shiroe attempts to survive with his old friend Naotsugu and the beautiful assassin Akatsuki.” – (Taken from ANN)
Produced by: Satelight
Director: Shinji Ishihara
Series Composition: Toshizo Nemoto
Music: Yasuharu Takanashi
Original creator: Mamare Touno

Impressions: I had to do a double-take when I read the premise. Why am I reading the premise of Sword Art Online here? It’s also originally written by Maoyuu’s original author. I didn’t like Maoyuu, but I’m not sure whether that was because of the story itself, or because of how it was just handled poorly. Anyway, Shinji Ishihara directed Fairy Tail and Tokyo Majin Gakuen Kenpuchou, which mostly stand out with their action. Toshizo Nemoto also worked on Tokyo Majin Gakuen, although he also did Dog & Scissors and Inu X Boku. All adaptations that had their pacing issues. Thankfully Yasuharu Takanashi is an excellent composer. This seems to be an ambitious project for Satelight and they’re already set on 26 episodes, so this will probably a show with high production values, and a bad storyline. So yeah, pretty much Sword Art Online II.

First-Glance Potential: 40%

Walkure Romanze

Summary: “The visual novel centers around Takahiro Mizuno, a student training to be a begleiter (knight’s assistant) at an academy where aspiring knights joust. He himself had come to this academy to train as a knight, after becoming the unrivaled junior champion in his own home country. However, an injury in a tournament’s finals forced him to withdraw. Instead, he decides to be a begleiter to one of the academy’s maiden knights and help her win.” – (Taken from ANN)
Produced by: 8-Bit
Director: Yusuke Yamamoto
Series Composition: Kazuyuki Fudeyasu
Character Designer: Keiichirou Katsura

Impressions: It’s such a shame to see actually talented creators being assigned to… series like this. I mean you can’t get anything out of a premise like this unless you really try. The thing is though, that Kazuyuki Fudeyasu and Yusuke Yamamoto: they both actually managed to make very entertaining series about series with hopeless premises: Milky Holmes and B Gata H Kei respecively. With this series, they need that experience more than ever.
Trailer Impressions: Had some silly shots, but overall this seems still too dull.

First-Glance Potential: 40%

Kuroko no Baske 2

Summary: “Tetsuya Kuroko is a former member from the legendary middle school basketball team known as “The Generation of Miracles”. Upon meeting Taiga Kagami he decides upon becoming his shadow to help him become Japan’s greatest basketball player.” – (Taken from ANN)
Produced by: Production IG
Director: Shunsuke Tada
Series Composition: Noboru Takagi
Original creator: Kuroko no Baske
Character Designer: Yoko Kikuchi

Impressions: Kuroko’s basketball is a seires that I didn’t continue watching. Why? I guess it was because it’s a shounen jump adaptation: these things tend to go on for ages, and unless they’re really god right away I’m not really motivated to spend time on them. The first two episodes that I saw were okay, and had some nice basketball matches, but I saw little in terms of variety to keep up with it for longer. And yeah, with this it’ll probably have 52 episodes. That’s too much for me to give it a second chance.

First-Glance Potential: 60%

Non Non Biyori

Summary: “The slice-of-life comedy is set in a countryside school with only five students total. The nearest bookstore is 20 minutes away by bicycle, a certain “Ju_p” magazine comes out on Wednesdays instead of Mondays, and the video rental store is 10 stations away. Fifth-grade schoolgirl Hotaru Ichijō transfers from Tokyo to this school and readjusts to the slow life in the country. Her fellow schoolmates are first-year middle schoolgirl Natsumi, second-year middle schoolgirl Komari, first-grade schoolgirl Renge, and Komari’s big brother Suguru in the third year of middle school.” – (Taken from ANN)
Produced by: Silver Link
Director: Shinya Kawamo
Series Composition: Reiko Yoshida
Original creator: Atto
Character Designer / Chief Animation Director: Mai Otsuka

Impressions: Basically, life in the countryside as seen from a bunch of fifth-graders. It’s Silver Link, but it does have the director of Kokoro Connect (that guy from Bee-Train who moved over), so who knows? It’ll be charming, but will it be charming enough to be worth watching?
Trailer Impressions: At the very least this does not feel as obnoxious as Silver Link series usually do. Very mellow, but that’s fine. It’s not trying too hard to be funny like most other shows of this genre are.

First-Glance Potential: 60%

Neppu Kairiku Bushi Road

Summary: “Neppu Kairiku Bushi Road will be part of Bushiroad’s new Five Qross “hybrid trading card game” that combines paper cards with online gaming, via QR codes printed on the back of the cards. Each card will have a unique serial code as a countermeasure against overseas counterfeits. The first batch of Five Qross cards will feature two other anime — Fantasista Doll and IS (Infinite Stratos) — besides Neppu Kairiku Bushi Road.” – (Taken from ANN)
Produced by: Kinema Citrus
Director: Masayuki Sakoi
Screenplay: Norimitsu Kaihou
Original creator: Sunao Yoshida
Character Designer: Mai Toda

Impressions: This is a weird one. It’s basically a commercial for a random company out there, in the same way that Infinite Stratos and Fantasista Doll were, however those two series looked like sell-outs. this one… it looks different. It’s this strange project that has been announced like ten years ago at this point, and only now got picked up again, which also intrigues me. But yeah, at the end of the day it does have the director of Needless and Kamen no Maid Guy. These are two series that weren’t necessarily sell-outs, but were full of dumb action and fanservice humour.

First-Glance Potential: 60%

Arpeggio of Blue Steel

Summary: ” The sci-fi story takes place in the future where humanity has been pushed to near extinction by the mysterious against the mysterious and unknown, “Fleet of Fog.” The heroes commandeer one of the Fleet’s submarines and begin to fight back.” – (Taken from ANN)
Produced by: Sanzigen
Director: Seiji Kishi
Series Composition: Makoto Uezu
Original creator: Ark Performance

Impressions: It’s a bit of a shame that Seiji Kishi is doing this series, but at the very least this isn’t another game adaptation. The thing is that the characters here seem colourful, and fun, the science fiction story is clichéd, but it sounds like it has potential. I just don’t know whether I want to trust Seiji Kishi with this.. There are so many better directors.
Trailer Impressions: This contained quite a bit of animation, but ultimately all that it did was show a bunch of characters or things unleashing their flashy powers. that should not be the meat of the story!

First-Glance Potential: 65%

Gingitsune

Summary: “After her mother passed away, Saeki Makoto was granted the ability to see an agent of the gods named Gintaro. Being the only person who can see the sprit, Saeki helps people around the community with their problems with help from Gintaro.” – (Taken from ANN)
Produced by: Diomedea
Director: Shin Misawa
Series Composition: Hiroshi Yamaguchi
Original creator: Saoyri Ochiai
Character Designer: Naomi Ide, Mayuko Matsumoto

Impressions: What I miss here is ambition. Really, this show seems fine, but I detect very little reasons to keep watching it if all the lead girl is going to do is help a bunch of people. It’s going to need to be very genuine in order to set itself apart from the series that are already there as well. It does help that it has some good staff behind it though. Shin Misawa has like two decades of experience, and the same goes for Hiroshi Yamaguchi (although their series do range from good to bad across the entire spectrum). I can’t comment much on the original mangaka because she only seems to have done one thing before.

First-Glance Potential: 70%

Phi Brain 3

Summary: “Daimon Kaito solves puzzles like a boss.”
Produced by: Sunrise
Director: Hirotaka Endo
Series Composition: Mayori Sekijima

Impressions: Here you have it. The series that I never thought would get a second season. Let alone a third! And technically, it doesn’t need one: all season all have a beginning and end. I’m still not sure who in their right mind green-lighted all of this, but the thing remains that it had some really good characters, even though it did waste A LOT of time through its airtime. I also really hope that Sato Junichi is going to return as the director again, which helped a lot with the first two seasons, but I can’t yet see his name among the staff. In any case though, the promo art is full of fabulous characters again, so let’s hope that this time things will get a bit more varied.

First-Glance Potential: 70%

Tokyo Ravens

Summary: “The school supernatural fantasy centers around Harutora, a boy from a branch of the Tsuchimikado family of onmyoudou occult practitioners. However, he lacks the ability to see spirit energy, so he is now just an ordinary high school student. Natsume, a girl who was Harutora’s childhood friend and the next head of the Tsuchimikado family, reunites with Harutora and changes his future.” – (Taken from ANN)
Produced by: 8-Bit
Director: Takaomi Kanasaki
Series Composition: Hideyuki Kurata
Original creator: Kouhei Azano
Character Designer: Atsuko Watanabe

Impressions: The impression that I get from this series is that it seems decent, though juvenile. The whole premise is one that we’ve seen over and over again, the promo art is badly drawn, and don’t get me started about how this is a SCHOOL supernatural fantasy series. What also doesn’t get my hopes up is that the director of Kore wa Zombie Desu Ka is involved here, though granted that had its moments. It’s also going to depend on whether the original source material is good or not.
Trailer Impressions: Okay, this wasn’t actually half-bad. I like the music a lot, the direction works out quite well. It’s still very juvenile though. That will probably be a big problem.

First-Glance Potential: 70%

Magi: The Kingdom of Magic

Summary: “In a fantastic middle-age world where slavery is very common, there are mysterious tall towers named “Dungeon” which mysteriously appeared out of nowhere fourteen years before the story line. Someone who conquers a Dungeon becomes very powerful and wealthy. Our hero Ali Baba is a teenager who works for merchants to support himself. He dreams for conquering a lot of Dungeons and becoming a very rich person. One day, he comes across with a strange young boy named Aladdin who carries a mystical flute with supernatural powers in it. Ali Baba and Aladdin agree to travel their first Dungeon together.” – (Taken from ANN)
Produced by: A-1 Pictures
Director: Koji Masunari
Series Composition: Hiroyuki Yoshino
Original creator: Shinobu Outaka
Character Designer / Animation Direction: Toshifumi Akai

Impressions: Ah, the second season of Magi. It’s a show that I wanted to finish, but in the end couldn’t. Getting busier is one of the reasons, but it also just wasn’t interesting enough to warrant to continue. The characters were compelling, but it lacked genuine tension and at times it seemed to be trying too hard to be dark and edgy. So yeah, I’m not going to watch this one, but props to those who kept on with it.
Trailer Impressions: Nice eye-candy, as expected.

First-Glance Potential: 75%

Ace of Diamond

Summary: “The story follows Eijun Sawamura, a pitcher who joins an elite school with a brilliant catcher named Kazuya Miyuki. Together with the rest of the team, they strive for Japan’s storied Koushien championships through hard work and determination.” – (Taken from ANN)
Produced by: Madhouse, Production IG
Director: Mitsuyuki Masuhara
Series Composition: Takeshi Konuta
Original creator: Yuuji Terajima

Impressions: Here we have a series with… a unique staff listing. We have Madhouse and Production IG collaborating (when was the last time that that happened, aside from those movies that consist out of tiny different shorts), about a bunch of kids who play baseball and being directed by the director of Polar Bear Cafe. Well, if that one baseball episode of Polar Bear Cafe was an indication then at least the baseball scenes will get well animated, but it remains a weird match-up. My big worry is Takeshi Konuta, who previously adapted Library War, which really was not an example of how to do an adaptation right. Furthermore, baseball series have a really high standard, after Touch, Cross Game, One Outs and Ookiku Furikabutte. You can’t just make a baseball series about hard work and guts and hope that that’s all you need to do.

First-Glance Potential: 75%

Strike the Blood

Summary: “The school action fantasy story of Strike the Blood revolves around Kojō Akatsuki, a boy deemed the world’s most powerful vampire (once thought to only exist in legend and lore), and Yukina Hirameki, a girl entrusted with watching over the vampire and if needed, hunting him down.” – (Taken from ANN)
Produced by: Silver Link
Chief Director: Takao Sano
Director: Hideyo Yamamoto
Series Composition: Hiroyuki Yoshino
Original creator: Gakuto Mikumo
Character Designer: Keiichi Sano

Impressions: Silver Link doesn’t exactly have the best track record with me, but who knows/ They did make Kokoro Connect. What strikes me most here is that it’s simple, and just focused on the interplay between the two main characters. They just have to get those two characters right and they’ll at least have an enjoyable series. Big problem here is Hiroyuki Yoshino who is trying to make a soap opera out of everything whenever he gets the chance, though luckily this is a light novel adaptation, rather than an original story. The guy who wrote them also wrote Asura Crying, which despite the bad direction did originally have some potential. Both directors have both done little in terms of directing an entire series, aside from two series that were doomed to fail, so let’s see if they’re a bit more motivated with a series with a bit more potential.

First-Glance Potential: 75%

BlazBlue Alter Memory

Summary: “” – (Taken from )
Produced by: Hoods Entertainment
Director: Hideki Tachibana
Series Composition: Deko Akao
Character Designer / Chief Animation Director: Tomoyuki Shitaya

Impressions: Well, finally a game adaptation in which Seiji Kishi isn’t involved. In fact, the assistant director will be Seiji Misuzhima, who directed the first Full Metal Alchemist, Un-Go, and Natsuiro Kiseki, among others. This show is going to need it, because Hiteki Tachibana is a TERRIBLE director. He completely butchered Dragon Crisis and Higurashi’s Kira OVA. His big problem is that his series focus on the complete wrong things. Deko Akao is decent at adapting, so here she too needs to do her best to make up for this guy.
Trailer Impressions: Eye candy, action-packed. Seems interesting enough.

First-Glance Potential: 75%

White Album 2

Summary: “The story centers around a college junior named Haruki Kitaharaand his relationships with Setsuna Ogiso and Kazuki Touma in the light music club.” – (Taken from ANN)
Produced by: Satelight
Chief Director: Seiya Numata
Director: Masaomi Ando
Series Composition: Fumiaki Maruto
Original creator: Takeshi Nakamura
Character Designer / Chief Animation Director: Satoru Fujimoto

Impressions: What made the first White Album so good? It’s because from out of nowhere, it took the concept of a harem and did something completely in its own style, disregarding any sort of conventions. It was annoying, but it was unique and in the end it really came together. The second White Album looks a lot more generic, but perhaps Satelight has a trick up their sleeve. Especially since they never do series like this. Fumiaki Maruto… this guy probably is someone who doesn’t write for anime who they managed to reel in with their connections, so that sounds promising. What’s really weird about this though? It’s the directional debut of Seiya Numata. That just makes no sense whatsoever. For those of you who don’t know him: he is one of the most awesome animators out there. His work is always completely crazy: full of energy, realistic movements, over the top motions. It’s crazy. For an example: he was the main animation director for Shion no Ou and the second season of Milky Holmes. I have no clue what he’s doing here on such a serious drama…
Trailer Impressions: And the thing is, the animation isn’t even that good…

First-Glance Potential: 75%

Hajime no Ippo Rising

Summary: ” Ippo, a timid highschooler, is one day saved from being beaten up by Takamura, a boxer. Enthralled by Takamura’s skills Ippo begins to learn boxing, soon finding love for the sport and a drive to challenge the boxing world.” – (Taken from ANN)

Impressions: Nothing has been revealed yet of who will adapt the third season, which does have me on a bit of an edge. This is because the first and second seasons were incredibly good adaptations. Everything went right there: the music, the animation, the pacing. It all just fit, and both in really different ways. The manga is good and all, but with these kinds of sport series you also really need the animation to bring everything alive. The promo art that has been released so far however, doesn’t look that way. The character-designs look mellow, and they lack the punch that the first seasons had. Especially this thing here. But yeah: if this does work, then we’re in for an incredibly intense and engaging series.

First-Glance Potential: 80%

Little Busters – Refrain

Summary: “” – (Taken from )
Produced by: JC Staff
Director: Yoshiki Yamakawa
Series Composition: Michiru Shimada
Original creator: Jun Maeda
Character Designer: Haruko Iizuka

Impressions: Well, Little Busters, go ahead. I managed to sit through the sometimes cringe-worthy first half. Go ahead and hit me with your best stuff. The refrain part that is supposed to be the amazing part of this story. The director and series composition have not changed, so you’ll have to do with them. Go ahead and just show me whether the plotholes, melodrama and bad voice acting were worth it!
Trailer Impressions: From this trailer I get the impression that the creators are really trying. This wasn’t such a thing that was hastily cobbled up. Some effort went into this. That’s the first good sign.

First-Glance Potential: 80%

Yowamushi Pedal

Summary: “The story centers around Sakamichi Onoda, a high school otaku who loves figures from anime and games so much that he would ride his commuter bicycle to and from Tokyo’s Akihabara shopping district in a 90-kilometer (about 60-mile) round trip over steep slopes. Onoda ends up joining the competitive sport of bicycle racing.” – (Taken from ANN)
Produced by: TMS Entertainment
Director: Osamu Nabeshima
Series Composition: Reiko Yoshida
Original creator: Wataru Watanabe
Character Designer: Takeshi Yoshida

Impressions: Ah, a manga adaptation about cycling. What makes this one special is that it’s by the director of Zetman, and the character designs (and therefore also probably the chief animation direction) will be done by the guy who directed the animation for Ookiku Furikabutte. I have no idea what that adds together, but I really want to see how the cycling scenes will end up looking now, because these people are in theory able to make stunning cycling sequences: Osamu Nabeshima’s energy on one hand and Takeshi Yoshida’s attention to detail and realism on the other hand.
Trailer Impressions: Not the best animation… but it looks fun.

First-Glance Potential: 80%

Golden Time

Summary: “The school romantic comedy of Golden Time revolves around Banri Tada, a college student who lost all of his memories upon graduating his high school. The story follows Banri, Kouko Kaga, a girl whose seemingly perfect looks belies her hidden regrets, Kouko’s significant other Mitsuo Yanagisawa, and other students at Banri’s college in Tokyo, including NANA Hayashida, Chinami Oka, Nijigen-kun, and NANA-senpai” – (Taken from ANN)
Produced by: JC Staff
Director: Chiaki Kon
Series Composition: Fumihiko Shimo
Original creator: Yuyuko Takemiya
Character Designer: Jin Aketagawa

Impressions: Finally! Chiaki Kon is doing something other than bishie-series. Really, as one of the most (if not THE most) prolific female directors, you shouldn’t keep doing the same thing over and over but instead set an example for all other aspiring female directors out there. And with this, she actually has a really good premise. When was the last time a story starts out when the main character already has a significant other? Oh, and this has the character designer of Revolutionary Girl Utena, which is also awesome. Really, this can become quite an interesting college series when done right.
Trailer Impressions: This was charming; I can see this work as a romantic comedy, but I’m not sure whether it’ll become something special.

First-Glance Potential: 80%

Coppelion

Summary: “The story is set in 2036, after radioactive contamination from a nuclear accident has put Tokyo under a blockade. Three high school girls have been sent to this dead city. Thanks to genetic engineering, the three girls have been impervious to radioactivity since birth. They form a special forces unit, codenamed “Coppelion,” in the 3rd Division of Japan’s Ground Self-Defense Force.” – (Taken from ANN)
Produced by: ?
Original creator: Tomonori Inoue

Impressions: They have yet to announce anything about the staff behind this series, but holy crap does it look good! This one gets my award for the best promo art of the season. Just look at those details. There is also a lot that they can do with this premise if they go the right way. I’m excited for this one.
Trailer Impressions: Stunning scenery, but the animation also is just amazing here. Wait, this is obviously being produced by Gohands.

First-Glance Potential: 85%

Nagi no Asukara

Summary: “???” – (Taken from ANN)
Produced by: PA Works
Director: Toshiya Shinohara
Series Composition: Mari Okada
Character Designer / Animation Director: Yuriko Ishii

Impressions: Yuriko Ishii really didn’t seem to try hard on these character designs, because they really look like something generic, just with a lot of extra polish (literally: look at these characters shine!) She wasn’t this bad when she adapted the characters for Persona – Trinity Soul or even Another. But yeah, who cares? Mari Okada is back with a new series, and her stories at the very least are always interesting to watch. Also, she is assisted by the director of Bantorra. This will be their third series together, after Bantorra and Kuroshitsuji, so I really hope to be able to see the same energy and creativity in the storyline.
Trailer Impressions: Holy crap, the backgrounds look gorgeous! Such a shame of those character-designs. But this hints at quite an interesting character drama.

First-Glance Potential: 85%

Kyoukai no Kanata

Summary: “The dark fantasy follows a high school sophomore named Akihito Kanbara. Although the boy appears human, he is half youmu and invulnerable to wounds because he can heal quickly. One day, Akihito meets freshman Mirai Kuriyama when it seems she is about to jump from the school rooftop. Mirai is isolated because of her ability to manipulate blood, which is unique even among members of the spirit world. Disturbing events begin to unfold after Akihito saves Mirai.” – (Taken from ANN)
Produced by: Kyoto Animation
Director: Taichi Ishidate
Series Composition: Jukki Hanada
Original creator: Nagomu Torii
Character Designer: Miku Kadowaki
Music: Hikaru Nanase

Impressions: Could it be? Is Kyoani trying something different, and it’s not just a fluke? Finally! Finally they do something different from a random high school slice of life series. It’s based on a light novel so they can’t do anything lazy with it, and Jukki Hanada is fairly skilled in adapting stuff. The director will be on his first full directing job, but he’s got enough experience working on other Kyoani projects, going back as far as Air and Munto. Also, Hikaru Nanase, one of my favorite composers, will do the soundtrack!
Trailer Impressions: HOLY CRAP THAT ANIMATION!

First-Glance Potential: 90%

Yozakura Quartet ~Hana no Uta~

Summary: “” – (Taken from )
Produced by: Tatsunoko Productions
Director / Character Designs / Chief Animation Director: Ryo-timo
Series Composition: Manabu Ishikawa
Original creator: Suzuhito Yasuda

Impressions: Remember those awesomely animated Yozakura Quarted OVAs? Well, they’re going to make a series out of that. Still with the ridiculous talents of Ryo-timo, who also directed the animation for Birdy the Mighty Decode, and many other beautiful-looking episodes (think Noein, Bokura no, Panty and Stocking with Garterbelt). This is the Yozakura Quarted what it should have been! (Yes, you don’t need to have watched the first series).
Trailer Impressions: This is mostly a recap of the OVA, but at the end there are some new scenes. You can see that the budget is a bit lower (obviously), but it’s still full of creativity and eye candy.

First-Glance Potential: 90%

Kill La Kill

Summary: “The story centers around two fiercely fighting schoolgirls, Ryūko Matoi and Satsuki Kiryūin . On a campus ruled by force, a transfer student wielding a Basami sword brings about upheaval.” – (Taken from ANN)
Produced by: Studio Trigger
Director: Hiroyuki Imaishi
Series Composition: Kazuki Nakashima
Character Designer / Chief Animation Director: Sushio

Impressions: The first TV-series produced by Studio Trigger, the studio that Hiroyuki Imaishi founded after leaving Gainax, and this time he’s reuined with Gurren Lagann and Ooedo Rocket writer Kazuki Nakashima. While I’m not the biggest fan of Gurren Lagann, there is no denying how much talent there was put into that show, and I love seeing what these guys can do now. Especially after Panty and Stocking, there can only be creativity here. Also, it will be 2 cours long. Now let’s also hope that the story is good.
Trailer Impressions: A few images, but they already look quite amazing.

First-Glance Potential: 90%

Samurai Flamenco

Summary: “To those ‘adults’ who don’t want to become adults…” and “Hero will never give up, never hide, never be defeated, never accept evil.” – (Taken from ANN)
Produced by: Manglobe
Director: Takehiro Omori
Series Composition: Hideyuki Kurata
Character Designer: Yoshimitsu Yamashita

Impressions: Could it be? Is Manglobe finally going to make good stuff again? Well, the indication is certainly there with a 2-cour Noitamina series helmed by Takehiro Omori, who is an incredibly solid and versatile director. And this time they seem to go for the nostalgia of old-school superheroes. The action director and designs are also done by the guy who did the animation direction on all four Natsume Yuujinchou series. So yeah, this is definitely one to watch out for. The only archilles heel here is Hideyuki Kurata. This guy is a really good writer: he wrote Read or Die, Now and Then, Here and There and Kamichu, but the past few years he really ended up cranking out some bad shows. But on the other hand, let’s see what he can do with a really good director again.
Trailer Impressions: Aah, classic retro cheese with a lot of detail and touches.

First-Glance Potential: 90%

Galilei Donna – Storia di tre sorelle a caccia di un mistero

Summary: The story is about “three moons” — three of Italian astronomer Galileo’s female descendants who are on international wanted lists. – (Taken from ANN)
Produced by: A-1 Pictures
Director: Yasuomi Umetsu
Original creator: Yasuomi Umetsu
Character Designer: Shingo Adachi

Impressions: Finally Noitamina is back in full force this season, with two original series. A-1’s contribution is a series that air for just one season, and it’s directed and written by a guy who is… interesting. He’s been in the business for a very long time, and yet his work ranges from really talented, to borderline porn. Yet he intrigues me, because he’s not among the crappy directors who just shove boobs everywhere: his serious work is actually really good. Just take a look at one of them. Or one of the more mellow examples. Note how good the animation is. You don’t just get that with a lot of budget, that really took talent. Oh, and he also directed one of the best and most unique shorts of Robot Carnival, so he definitely can do short stories incredibly well. But what about long series? His only other long work so far, Mezzo, didn’t really get the best reviews even though I never really watched anything of it.
Trailer Impressions: This consisted out of a bunch of stills, but really: the soundtrack that accompanied it was really, really good.

First-Glance Potential: 90%

Kyousogiga

Summary: “” – (Taken from )
Produced by: Toei Animation
Director: Rie Matsumoto
Series Composition: Rie Matsumoto
Character Designer: Yuki Hayashi

Impressions: Yes yes! I have been asking for this one for so long, and they actually made it! It’s only 10 episodes, but that’s perfect. Kyousogiga is poetry: it doesn’t need to last long. Just longer than… two OVAs. The OVAs were so charming, and really genuine while being full of some really creative animation techniques. It’s basically the show in which the talented Toei animators could try out new stuff and experiment. Rie Matsumoto really was a discovery: her directional style is incredibly warm and that is what made me originally a fan of Kyoutogiga.

First-Glance Potential: 95%

Pupa

Summary: “The “life-and-death sibling” story follows Utsutsu and Yume Hasegawa, a boy and his little sister who find themselves all alone. One day, Yume sees a mysterious red butterfly and her body undergoes a strange metamorphosis — into a creature that eats humans. Utsutsu struggles to find a way to restore his sister.” – (Taken from ANN)
Produced by: Studio Deen
Director: Tomomi Mochizuki
Original creator: Sayaka Mogi

Impressions: This one looks amazing, but what’s more important: it’s going to be helmed by an amazing director: Tomomi Mochizuki. He’s currently already active as the one who adapts the current Rozen Maiden series, but he really shines as a director, with an impeccable visual style and an amazing feel for his characters. This will be by far be the darkest series that he’s ever done, but with Zettai Shounen and Sarai-ya Goyou he showed that he can make an incredible atmosphere.

First-Glance Potential: 95%
Posted on 14 August 2013 with categories: Random Anime Recommendations

Hey, i’m back with another list of recommendations. This one is just in written form because I don’t feel like getting everything edited properly. This will still be a list of random recommendations from the nearly 1000-series long list of the anime I have seen, and I’ll still write about the different series out of the top of my head (doesn’t really give the same improvised feeling, but whatever). With this, I hope to introduce a few of you to some series you didn’t know about.


Seikai no Senki II
Seikai no Senki is the third installment of the Seikai trilogy. You need to watch them in order, however all searons are significantly different from each other. Seikai no Senki is the third installment, and the focus is on politics. What sets this one apart is how intelligent it is, and it uses that incredibly well to use these politics to create a very exciting story. And this is in combination with characters who are really, really articulate about their thoughts (this is based on a light novel, and it shows!). The first Seikai seasons were perhaps a bit dry (though still really good as well), but this one knows to excalate perfectly.


Kuchuu Buranko
Kuchuu Buranko is this unique little series about psychology. Right when you see it for the first time, this starts out with its wacky colour scheme and over the top quirky style. Yes, this was done by Kenji Nakamura, the same guy who did Tsuritama and Gatchaman Crowds. It has this formula that you nowadays never see anymore: every episode we see a person with some kind of over the top psychological problem, and the main character of the series is a psychologist, tasked with solving these problems. At first this series seems very shallow, but as it goes on we see a very interesting overall picture develop, and in the end it turned into a series that actually changed my perceptions about the practice of psychology. Its a fun show to watch, however do note that it never shies away from trying to annoy you; however if it didn’t do that you’d miss one of the big points that this show is trying to make.


Shangri-la
Now here is an interesting one. This is basically the series that nearly bankrupted Gonzo. Of course things were already going bad for them, but what they did was they bet their entire future on this series selling well. And it became a massive flop. And it’s a shame, because personally, I really liked it, although it is a series with huge ups and huge downs. The animation varies between absolutely gorgeous and off-model. The story jumps from one place to the other and it has quite a few holes. But I loved how ambitious it was. The creators came up with this really strance concept of carbon trading, and all sorts of neat and interesting ideas. The characters are also a bit of a mixed bag, but there really is a lot of charm to them. A lot of people hated this series though, Do NOT watch this if you like to objecitvely analyze your series!


Romeo X Juliet
Ah, more Gonzo. This one didn’t work, though. This is their re-imagination of the classic Shakespeare story, and in true Gonzo fashion they just created their entire own story and made thankful use of creative liberties. It really could have worked, but unfortunately the story gets really bogged down in the middle by really a LOT of emo and angsting. At a certain point the story comes to a halt and never realy picks up again and it just remains boring for the rest of the airtime. A really big shame.


Jungle wa Itsumo, Hale Nochi Guu
Here is the thing with this series: if you love black humour, then by all means: do not miss this series. The humour in this seires is pitch-black; it tries to make the life of the main character, Hale, as miserable as possible. It’s a journey to crack his mind. And in the process this series produces some absolutely delightful comedy. I watched this before starting this blog, so I don’t have a review of it on this site, but I have never seen a series that does abusive comedy with the same flair as this show. Because while most other series that are so dark, they lack one thing: they don’t feel genuine. And this series does. The downside is that this is quite a long comedy, and it’s not always funny. There will be plenty of annoying scenes amidst the hilarity. And how many other series take place in the junble? Oh, and it’s also got one of those instantly recognizable openings.


Chaos;Head
Chaos;Head is from the same series as Steins;Gate and Robotics;Notes, but apart from that it has absolutely nothing to do with them. It’s a story about paranoia and not knowing who you can trust while the fate of the world is at stake. Apparently the series really butchered the original source material it was based on, but meh. For someone who was unfamiliar to it, it was nice enough. It’s incredibly sloppy, I’ll give it that, and it’s also quite low-budget, but it has interesting ideas and interesting plot twists overall, but it’s also nothing special either. A nice watch if you’re in the mood for something paranoia-ish.


.Hack//Liminality
Tihs is one that my memory is very vague on, but what I remember is that I watched this after becoming a fan of .Hack//Sign. I was excited to see that there was more of the series with .Hack//Dusk and Liminality. While Dusk turned out to suck, Liminality had me intrigued, as it tells the background story of some of the concepts that were used in .Hack//Sign. I was young, and a lot of the dialogue went over my head, but thinking back, it definitely made an impression to me and it still stands as my second-favorite .hack//-installment after Sign.


Himitsu The Revelation
Those of you who followed my blog back in 2008 know that I was a REALLY big fan of this series. This series is based on the works of a mangaka who who has mastered the art of mystery. Her stories are the product of brilliance, and that also really shines through in the anime version. As a murder mystery, it knows exactly how much it should reveal. Every clue adds a tiny bit to the puzzle.The storie are all incredibly varied, and some of them can become really disturbing, but they are all chockful of creativity. Not to mention, the premise was amazing: after death, your memories can be downloaded and viewed, and they use that for murder victims in order to solve who killed them. Also, awesome soundtrack is awesome!


Bokura ga Ita
Here is an interesting shoujo series. I remember really liking it when I watched it. It supposedly had these really realistic characters and this very doned-down atmosphere for a shoujo series. The thing is though, that when I think back at it, I hardly remember anything that really captured me. Of course it was a long time ago and all, but I can only recall lots of angst (and I mean LOTS), along with nothing much happening for 26 episodes. So yeah, it’s probably very good if you like serious shoujo series, though I’m not sure anymore exactly why it was.


Yami to Boushi to Hon no Tabibito
Hentai game adaptations that are actually good are really rare. Especially back in the days in which this series was released (2003). Most really are dull harems with no effort put into them whatsoever. What set this series apart though, was its sense of adventure. It’s about this traveler who goes back and forth between a bunch of creative worlds and has a bunc of creative adventures. It’s not great or anything, there are a bunch of really juvenile and annoying characters here, but when compared to the same old stuff that you usually get with these kinds of series. And I also remember that it had a really good ending: the destination was worth the journey.

Posted on with categories: Kamisama no Inai Nichiyoubi

It took me a while to realize and all, but Kamisama no Inai Nichiyoubi actually has a very good soundtrack. Its dreamlike tunes are just the perfect touch that this series needs on top of what it already does right: its thought-provoking themes and charming characters.

This series really does its random stories right: it makes them count, rather than make them just boring filler. In these two episodes, it explored its themes even further, now that the characters are in the city of the dead. At this point the creators have twisted the meaning of “death” so much, that people are seeing it in a completely different way. Especially now that living is so harsh, there are more and more people who willingly choose it, now that it’s not final anymore. Sure, you’re a zombie and all, but actually knowing that you’ll be fully conscious after you die makes a pretty big difference here. It’s different from reincarnation, though: this series really stresses that if you die, you don’t get a second chance at living. You really become a zombie aside from the fact that you don’t need brains or don’t lose your mind.

It uses all of this to be very heart-warming. What’s really weird about this series is how Ai collects her travel companions. Every single time, it’s like out of nowhere: oh hey, we’re travelling together now, without any prior hints whatsoever. The last part is what gets me the most: not even a bit of foreshadowing? It’s also a bit weird that they just “handed” that baby over to this random gravekeeper who didn’t really do anything throughout the entire arc. Still, three characters who vaguely met each other: I can actually see them just end up travelling together in this kind of world. For comfort, at the very least.

I think that loneliness is a big underlying theme in this series. It’s never mentioned fully, but this series is full of characters who are alone: they are fundamentally different from the people around them, living people stuck among the dead, or dead people stuck among the living (nt to mention those gravekeepers who are neither of those). Then there is the way in which no children can be born anymore, destroying the wishes for people to have children. This episode showed the way out for a lot of people: a place in which everyone can just blend in and get rid of loneliness.

When you watch this without paying attention, it will feel like a bad show. But seriously, when I start thinking about it I really realize how solid this storyline is put together!
Rating: 5.5/8 (Excellent)

Posted on 13 August 2013 with categories: Random Posts

Hey everyone, we’re back with another podcast. This time it’s about a director (Seiji Kishi), a writer (Mari Okada) and an animation studio (Bones). It’s about an hour length in total, and in it are Deadlights, Juno, Slashe (Nihon Review) and Mr. Flawfinder (Standing On My Neck). Enjoy, for those of you who are interested.

http://deadlightanime.blogspot.nl/2013/08/seasonal-anime-podcast-episode-3.html

CHANGE USERNAME
KTravlos
I have to say Akko is developing nicely as a character in LWA. Also Magane in Re:Creators reminds me of Hannibal as palyed by Mads Mikkelsen. There is that same est for life married to sociopath that is a bit charming :) Mamika's character is also just cool. Beyond that AofT and Bahamut both delivered competent episodes, with Bahamut a good mix between comedy and tragedy.
K-Off
@Aidan Assault on Arkham was fantastic. Between that and Under the Red Hood, a classic.
SuperMario
@Kaiser: I have a lot to say in this week's Eccentric Family. Review will come up later tonight when I get back home from work.
AidanAK47
Seen Assault on Arkham or what it should be called, The animated Suicide Squad movie. Thinking of checking out Dark.
Kaiser-Eoghan
@Aidan: Have you seen assault on Arkham or the justice league dark film?
Kaiser-Eoghan
@Aidan: It isn't so much because its Talia x Batman, moreso that it feels odd shipping Batman with anyone.
Kaiser-Eoghan
While kind of amusing, initially I wasn't too into Uchouten this week, the hot spring part got me groaning, but then someway through dramatically it really picked up.
Kaiser-Eoghan
From reading comics a few years back, I still feel that they adapt better to animation.
Kaiser-Eoghan
@Vonter: And I say this as someone who was able to defend Alien 3 and Ressurection.
Kaiser-Eoghan
Covenent felt like an Infantilized version of Alien.
Kaiser-Eoghan
I wouldn't call either John Wick film or free fire amazing or anything but they had great fight scenes that were actually visually coherent , of course they weren't given a proper release.
Kaiser-Eoghan
I'm not watching/paying for anymore of these reboots/remakes/shakey cam pg rated action films anymore. I'll stick with my balls to the wall Hong-Kong/Chinese ones.
Kaiser-Eoghan
@Vonter: It also had really uneven pacing aswell.
Kaiser-Eoghan
@Vonter: ....The dialogue is so embarassing, they don't do enough with this backstory, they just keep teasing, none of the new characters have the same charisma , the editting in the action scenes shakes all overtheplace.
Kaiser-Eoghan
@Vonter: I gave Covenent a fair chance, I thought it would be an exception to the reboot thing. I'll admit theres the sets, the atmosphere, Fassbenders performance , the idea to expand on the franchises mythos is cool but....
Kaiser-Eoghan
It really really hurts as a film fan, trying to find older, genuinely quality foreign films , finding that no-one is seeding them and theres no proper/in print dvd release anymore. Then finding some awful shakey cam modern American superhero film with billions of seeds and a bluray release.
AidanAK47
@K-Off, I don't know. Todd was more the imperfect son always aiming for batmans approval. Damian is more an assasin wondering why the hell he can't just kill his enemies. I hear that Comic Damian works better than Animated Damian. I do think that if given a personality he could work but as he is currently you are right that he's essentially a mishmash of past robins.
Vonter
I watched Alien Covenant and I don't know if it improves by being more dumb and less pretentious or if it os the final nail in the Alien franchise coffin. Not since the StarWats prequels there has been a retcon that changes your view of the original movies.
Kaiser-Eoghan
I can recall enjoying a certain Jason Todd centered story called Batman:death in the family.
K-Off
Well, even when Damian does completely cross the line and become a villain, he's not even that interesting, i.e Injustice. Yup, Jason Todd already covered everything, but better.
AidanAK47
Problem is that he's an edge lord cocky piece of shit that just doesn't have enough likeable traits for this to be compelling. What really pushed him over the edge was mocking Nightwing over his parents deaths. That shit is not on.
AidanAK47
@K-Off, I like the contrast that Batman refuses to cross the line and kill but Damian has crossed that line. As well as his potentail to become a villain. Tim and Dick didn't really have that though Jason sort of did. Damian's arc is more about teaching him the morality of a hero.
K-Off
@Aidan I'm not sure I like Damian's concept to begin with. The Bat-son dilemma's inherently addressed by the Robins for all intents and purposes. Damian just goes through the same motion, only difference being he's biologically related.
K-Off
Yup. Wonderwoman either doesn't need to have a love interest, or it needs to be with Steve Trevor, the two have a solid backstory that the movies unnecessarily removed.
AidanAK47
@Kaiser, I don't mind the Taila X batman pairing. Makes more sense than Batman and Batgirl. But if there's one pairing pushed in the new movies that I just find wrong is the Superman X wonder woman. I just don't get that one.
AidanAK47
@K-Off, I like the concept of Damian as a character. But it's executed so badly.
Anonymous1105941
Teen titans needs one more season to wrap up all the loose ends. Such as what happens to Slade, and Blackfires revenge. The creators clearly wanted to explore those plot lines but got cut short.
K-Off
Teen Titans hasn't aged very well, but one thing I still do like about it is how contained and local the setting and cast were for the first half of that show. When godly superpowers are involved, that appeals to me. Much of the same reason why I like Logan and Raimi's Spiderman so much.
Kaiser-Eoghan
Very rarely watched teen titans when I was younger, I was vaguely interested in slade, stopped watching around when Terra appeared. I actively avoided comics where Damien appeared, never liked that Talia x Batman pairing much, I can only imagine how much worse it is to listen to Damien than read him.
K-Off
@Aidan, I like some aspects of those movies, but I'm not a big fan of the new continuity and art style in general...and yeah it doesn't help that Damian is irredeemably unlikable.
AidanAK47
@K-Off, There is also the DC animated Teen Titans movies like Teen Titans vs Justice Leage and Teen titans the Judus contract. Though it's not the same as the the TV series and Damian is such a dick.
K-Off
@Anon I don't think Teen Titans needs another season. The last season wasn't that good, but the movie ended the series on a high note and Young Justice pretty much rebooted everything, at least in terms of replacing people's want for a more mature DC cartoon about the Titans.
K-Off
Yeah it's become more of a hassel (for myself and my friends) to set aside time to go to a theater.
SuperMario
I guess in the end it all comes down to how easily it reaches the viewers. Give us a hard time and we don't give a damn to check the new movie/show out
SuperMario
... otherwise have to wait for a year, even more before it reaches Australia. But many companies will raise in the wake of Netflix and that will be where problems arise
SuperMario
This trend isn't happening within the anime industry, but it's happening in the movie world as well. In the past 2 years, Netflix starts to exclusively distribute many films, meaning that they won't have theatrical release, but straight to Video on Demand which caused quite a stir in the industry. Personally, I actually don't have much problem with it as now I will get a chance to see a film that
SuperMario
Dive!! , a series that will air next season on noitaminA slot will stream exclusively on Amazon Prime Video. Not that I'm eagerly looking forward to Dive, but that news again makes me frustrated. No one will watch it and then all the hypes it might have will die down eventually.
Anonymous1105394
Considering I didn't even expect a season 5 it's more than I could've evr wanted. Now if only if only Teen Titans could get the same chance.
Lenlo
Oh yeah, it turned out well. Didnt mean to say it didnt.
AidanAK47
@Lenlo, Considering that the ratio of great to alright episodes is 8 to 2 I say that it turned out pretty well.
Lenlo
I have to say, the Samurai Jack season started stronger than it ended imo
AidanAK47
So this is how Samurai Jack ends. 16 years in the making. Honestly considering how much needed to get wrapped up I knew the ending would be a bit flawed. Really think Gen should have givin it one more episode to flesh out the ending and then it wouldn't feel so rushed. Overall despite it's flaws, it's a decent ending. Not prefect by any means but it will do the job.
Kaiser-Eoghan
Lol theres a surprise, seriously, Black Lagoons manga is updating again.
KTravlos
worst recap ever for me? Gangsta. That was a stupid recap episode. Really like a Public Announcement. Useless, stupid, and ruining atmosphere. Utter stupidity. There I got it our of me :p
Kaiser-Eoghan
@Masky: Unfortunately too far behind in the sequel manga to catch up, I did take a look at THAT in the latest chapter though.
Masky
Huh, for some reason thought Tokyo Ghoul was under shonen when its seinen. Welp now that makes more sense, I was thinking story about cannibalism would be kinda absurd for shonen.
Spike
They serve no purpose except to fill airtime when production gets fucked up. They have 2 bad choices - run a recap or run an unfinished episode. Recap is generally the less dogshit choice. I've seen a few anime that ran the episodes with unfinished animations and still frames.... the backlash was about 100x what a recap is.
SuperMario
I'm about to say that to you as well Kaiser, maybe watch the recap and then continue on. The only thing I kind of take from the recap episode is the editting: how they chop off the fat of 6 episodes to still give you important developments. But as a way to catch up/ to reintroduce the series, it's freaking useless
Anonymous1104087
I don't think anyone should start from the recap episode. Unless there was a long hiatus, a recap in between episodes is unnecessary for new viewers and old
Lenlo
I mean, aside from whatever happens with Mugaro.
Lenlo
Next episode seems early, out of 24 episodes, for Nina to learn the Prince is Chris, yet that seems to be what the confrontation is leading towards, and then she freaks out and he learns shes the dragon. Becomes the conflict for the rest of the season?
Lenlo
Seems I was right, Azazel didnt predict that Nina might not be so easily riled up as she once was. To bad so sad Azazel, she has someone she loves now.
Kaiser-Eoghan
How useful are these recap episodes anyway/actually? Hypothetically lets say I was feeling lazy and decided to watch tsuki ga kirei starting from the recap episode.
Kaiser-Eoghan
[link src="https://www.anirena.com/?s=blame

http://anilinkz.io/blame-movie"]
Lenlo
So long as there are consequences for how hes acting, then I am ok with it. I just dont want him to turn into some MC hero when hes acting like this.
AidanAK47
And in Re:Creators Sota is still being a goddamn pussy. Now that the exposition has gone down I am really starting to hate this kid.
SuperMario
It's the presentation that they differ. Ghost Hound focuses more on the atmosphere, so those details I mentioned before work for their benefits; whereas Sagrada Reset focus on plots (and confusing themes) so those stick out like sore thumb.
SuperMario
4 episodes into Ghost Hound so far. This show also reminds me a bit of Sagrada Reset this season- the way they both emotional distant, complex plots; keep viewers away at arm's length, and feature characters that have robotic facial expressions. Yet I enjoyed Ghost Hound so far and couldn't engage in Sagrada Reset at all.
SuperMario
@Spike: I was like... "tsuki ga kirei has a recap episode, so let's move on to Kado"... another recap. Tsuki ga kirei I'm not too worry as it confirmed that it'll have 12 episodes, but I'm not confident on Kado
SuperMario
@lenlo: in a sense you have to suffer it all alone. No worries thou as I intend to binge watch it when this season's over
Spike
Kado team crumbled under the pressure. Recap this week.
Lenlo
@SuperMario, im happy I dont have to compete with anyone to cover Berserk :P Got it all to myself to whine about, though its been ever so slowly improving.
Anonymous1100725
Ranka is ranka in any verse.
Anonymous1100725
Bahmut no spoilers. Ranka Lee. She just doesn't get it so everyone dies. As she stands around wondering.
SuperMario
In fact, Okja will play in the Sydney film festival next month, but seeing that it will stream in Netflix at the end of June I think it's best to wait until then
SuperMario
@Kaiser: great, I'm super hyped to watch Okja. Always enjoy Boon's movies. The critic's reviews from Cannes on Okja should come up soon I believe.
SuperMario
@Kaiser: I watched Lain many times over as well but I'm sure that I didn't pick up everything. That show required multiple-viewing anyways.
Kaiser-Eoghan
@Mario: Good news, netflix will stream Okja at the end of this June.
Kaiser-Eoghan
@Mario: Its not often that I rewatch things, but years ago I've seen Lain at least three times, its also one of those few anime series where I felt to look up deeper analysis into it. It had a tremendous atmosphere and was ahead of its time.
SuperMario
@Kaiser: watching Ghost Hound made me want to revisit Serial Experiment Lain and give my episodic thoughts on that. Not gonna happen soon as I have my hand full right now but I swear I'll get to that one day.
Kaiser-Eoghan
@Mario: I actually am planning to rewatch ghost hound soon, so I'll give you my new thoughts on it then.
Kaiser-Eoghan
I always avoided Altair mostly based on it being a shounen action series. Kakeguruis premise involves gambling games, which I don't find interesting.
KTravlos
Kakegurui is on my list. I thought it would be crap (terrible setting etc), but the manga won me over. Princess Principal will be given a chance, so will Shoukouko no Altair.and perhaps Reflection. We shall see. Also Twilight Axis Gundam, as I love the manga team.
AidanAK47
@Anon, Recap episodes exist because of production troubles. Sometimes shit happens when you make an anime.
You are being a bit overally argressive but I do agree with the statement that Ntr is pathetic power fantasy. It really is.
Anonymous1099236
Ntr is a pathetic power fantasy for pathetic people
Anonymous1099236
Why the hell do recap episodes exist. Do they think we're that autistic
SuperMario
I honestly don't even what NTR is so I had to look it up. Interesting
SuperMario
Just a quick remaider that Tsuki ga Kirei has a recap episode this week. And yep, after watching this week's Sakura Quest I think I'm gonna stick with it
SuperMario
Flipping through the list, I'm also pretty know what I'm interested in, most of them are original anime, which is a plus
SuperMario
@Aidan: I'm still amazed that us never have to fight over covering shows, except for that one time with Flip Flappers. Always thought that crappy tastes are the same
Kaiser-Eoghan
*Those two comments were refering to NTR trap
Kaiser-Eoghan
I would really genuinely like to see some of these smut manga actually functionally use fanservice and romantic sex scenes rather than just cheap titilattion
Kaiser-Eoghan
@Aidan: Poorly done ragey drama with bad comedy bits , I've reached a point with it where I no longer want my time wasted by it.
AidanAK47
@Mario, I admit to having passing interest in Princess Principal but not enough to fight you over it.
And Tsurezure Children is actually really really good. Really fluffy love stories with great comedy.
SuperMario
haha, even me who love slice-of-life won't fall for Tsurezure Children
SuperMario
@Aidan: Princess Principal
SuperMario
@Kaiser: The character designs on Centaur kind of weirds me out though
AidanAK47
@Kaiser, Ugh...that one. Imagine a discount scums wish and you get the general idea.
AidanAK47
Mate if you are talking about Fate then let me say there is no way in hell I am not covering that.
Kaiser-Eoghan
NTR as the title of an anime? How shameless.
AidanAK47
@Mario,....Tsurezure Children?
Kaiser-Eoghan
I was surprised by centaur no nanami's manga. Actually cares about its setting and genuinely charming characters.
SuperMario
@Aidan: and this time there is 1 show we might both want to cover ^^
AidanAK47
I will have to start writing up that preview for this. I think it's pretty obvious what I am looking forward the most to watching.
AidanAK47
Links generally work with text if you place them at the end of it. Like so:
http://anichart.net/Summer-2017
Kaiser-Eoghan
[link src="http://anichart.net/Summer-2017
I....I"] might at least try the Vatican kiseki one and centaur no nanami...
AidanAK47
@Anon, Don't believe Clickbait. This is all based on a quote from the author thanking the animation studio and hoping for an opportunity to work with them in the future. What this confirms is that there is no plans for a season 3...yet. Could very well happen in the future. What this confirms is that it ain't happening any time soon.
Puran
Natsume is killing it this season.
Anonymous1094513
RIP Konosuba. Season 3 confirmed to not happen https://www.youtube.com/watch?v=7PvOmsKjcJU.
Lenlo
Im not sure what they are even saying.
Anonymous1092432
lmao Anon 250 got rekt
AidanAK47
Normally I would delete openly offensive posts but seeing as these don't make enough sense to be offensive I will give them a free pass.
AidanAK47
No idea who this Adnan guy is but if he watches gay porn then so what?
Anonymous1092250
adnan watches gay porn
Anonymous1092250
people who watch one piece are just watching gay porn
Anonymous1092250
one piece of shit
SuperMario
Hey, do you guys know about wanna cry ransomware? how's the heck that I just aware of its existence today? Scary@@
Lenlo
Haha will do, but im not gonna compete outside a local, maybe regional level, not anymore. I mostly want to get back into my old shape after 2 years of letting it lapse.
SuperMario
Oh, congrats. Used to play sport in competitive level myself (tennis), but now I feel like an old big fat geezer now haha. Keep me updated on your Fencing as it might motivate me to join sooner ^^
Lenlo
Dont even have to work out to do Fencing, you can just go for fun once a week. Im just trying to get back into competitive shape now that I have my degree
SuperMario
I'm not really big on workin out though; my housemate just keeps asking to join gyming but I always back out, haha. Although I'm okay with running and I'm doing yoga like 4 times a week
Lenlo
Cool. And definitely, give Fencing a try, find your local gym.
SuperMario
When you feel sore it just means it's working, so all good haha. I'm still pretty much interested in try Fencing one day btw. About Uchouten, it's about a bunch of tanuki in human shape wander around and having fun (I'm not serious btw). I think the forst episode of the first season can tell you exactly the tone of the show, so you can watch that episode to see if it's your thing
Lenlo
I both love and hate the post-workout aches. Its what I get for trying to get back into Fencing shape.

Whats Uchouten about?
SuperMario
My love is blind, Kaiser. When I love a show I tend to go overboard with it ^^
Kaiser-Eoghan
I’d forgotten how fun these characters are, although some of the novelty, charm, humour has worn off, it is still there and I’m beginning to re-remember while watching.
I do hope though that they’ll do more with Kaisei and Bonten however.
Kaiser-Eoghan
Annnnd thank you Mario again for your reviews tempting me to watch a show.
I was hesitant sitting down to watch season 2 of Uchouten Kazoku because it had been so long since I saw the original.
I caught up, Nidaime and Tenyama got my attention most, standout scenes were the shogi match and the second half of episode inside the painting, the bits between Yaichiro and that girl.
Kaiser-Eoghan
Honestly I could never do the sleeping on the back thing, thats largely because I heard that it increases the risk of sleep paralysis/apnea.
SuperMario
WHY PROTECTING THEM THEN?
SuperMario
You know that human is the only mammal/race that sleep on their back?
KTravlos
hahaha
Lenlo
Is his wall being built with Mexicans? Are they inside the wall, AoT style?
Kaiser-Eoghan
MAKE TITAN GREAT AGAIN =<
Yes that is true aim of Donald Trump's wall, he's actually in the know, trying to keep out Titans.
AidanAK47
WE SHALL KILL ALL OF THE ANONS.
....Wheres my 3D gear?
KTravlos
they all are anonymous and thus enemies of the human race :p
AidanAK47
@KTravlos, Just to clarify but the guy who wrote " idk wtf " and the guy writing the paragraphs are clearly two different people.
KTravlos
I also dislike anonimity on the net. If you are not in danger of being killed or purged because of your name, you should offer it. It is the right thing to do.
KTravlos
done by a lesser director. Simply put and to end it on my part: Exaggeration is the core of art. You can exaggerate the mundane , but exaggeration it still is.
KTravlos
They focus on it and make it the centerpiece. All motion picture does this, and anime does this very well in my humble opinion. There are things that are "easier" to do in live action. But make no mistake, it all comes down to the director and his team. Despite the fact that Monster is very grounded , some of its most evocative scenes would not work if done live action. Or would had not worked if
KTravlos
Look I was sharp because I do not like the whole idk etf culture thing. Should tell you my age.

What I meant with my words can be made more accessible with this analogy. Do you find yourself moved by paintings? Photos? None of this give the immediacy of the whole picture a moving image gives. And yet we are moved by them. This is because they take a element of reality and exaggerate it....
Anonymous1091057
Anyways, I should stop lol. I just ranted like less than 24 hours ago. Gotta go to uni soon anyways
Anonymous1091057
Whoops, I meant to say, ... or even stuff like Baccano could work in western live action.
Anonymous1091057
Also, I feel like shows that have some western context already infused in them, like most sports shows (i.e. Kuroko no Basket for example), or even stuff like Baccano, but once again it'd be hard to pull of the craziness and coolness of the shows, because a lot of it comes from the shows animation and style.
Anonymous1091057
But also, those shows might just be too weird for western live action.
Anonymous1091057
I don't see shows like One Piece or JJBA for example working in western live action well, at least for a long time till the CGI becomes much, much better so to not to completely destroy our suspension of disbelief.
Anonymous1091057
Those sort of works have a cross-potential for working both in anime and western live action. Then I feel slowly you can start littering in some of the more sci-fi esque ones like Steins;gate, or supernatural horror ones like Death Note.
Anonymous1091057
That's why I feel like the best hope for adapting anime into live action movies and TV shows (TV probably would be better for adapting anime tho), is to start with the more grounded, like Monster or even something like LoGH which has a sci-fi element but still maintains a sort of realism.
Anonymous1091057
There are good western movies and TV shows that are strange, but not bizarre; weird, but not the same kind of say JJBA.
Anonymous1091057
I feel like this difference between the 2 mediums makes it hard to adapt anime into live action, particularly western movies. Most anime are closer to the extreme of creative and zany than the extreme of grounded which movies are better at pulling off.
Anonymous1091057
Or another example is Steins;gate. No other medium could have a plot about bananas, time machines, cell phones, world war 3, and make it work pretty well everything said and done.
Anonymous1091057
Or how in the world could JoJo's Bizarre Adventure ever work out, with its complete craziness, except in anime. I know they're making a movie from the first arc of DiU, but they inevitably have to strip away some of the weirdness that makes the series great.
Anonymous1091057
But then on the other hand, I'm not the biggest fan of modern western superhero shows, particularly because I feel like it's better suited to anime. I'll take One Piece, FMA, or Hunter x Hunter (just to name a few) over 90% of superhero movies today.
Anonymous1091057
*movies aren't a great example of this as a whole, there's a scene from the last Hobbit movie which kinda shows how live action captures the tiny tics and "boringness" https://www.youtube.com/watch?v=ZIaJb6RY0TQ
Anonymous1091057
Or like, just the way a character breathes; while the movies aren
Anonymous1091057
I feel live action is better able to capture the minute, "boring", or slow parts of life. For example you don't see too many slow shots in the animated medium (maybe movies being an exception), but they're common in live action (not as much in modern movies, but still).
Anonymous1091057
I agree its a matter of personal preference, and I didn't mean to imply that I thought anime was inferior to TV or vice-versa, but just that they offer different types of experiences. I feel anime excels at the imaginative, crazy, and bizarre, while live action succeeds at the grounded, mundane, and "boringness" of living.
KTravlos
I do not care if you do not know what I am talking about. There we are.
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