Posted on 30 September 2013 with categories: Rozen Maiden 2013

The best ending of the season? I think that was from Gatchaman Crowds, closely followed by Silver Spoon. Rozen Maiden had the potential to top both of them, but no, they had to come with that damn cliff-hanger!

And that is pretty much the only complaint I have about the final two episodes. The character development really was great, for a lot of the cast. Hina Ichigo, beautifully redeemed herself for a season of absence, Jun grew in both his versions and Suigintou… the reason she did not take Souseiseiki’s Rosa Mystica promises great things for the future.

The same goes for Jun: he always looked up to his younger self, and now it becomes apparent that younger Jun was great because he just never challenged his own weaknesses. Putting him in a coma will have a great effect on the rest of the cast, and put them into the roles that he previously occupied. Which brings me back to how this is the end of the season.

So yeah, whoever is producing this: you had better have planned a second season, instead of using this as a stupid sequel hook, putting off the decision for a sequel based upon whether or not the sales are right. Nothng has been announced yet, and that cliff-hanger could have been completely omitted and we would have had a satisfying finale. A bit of anime original aftermath for Jun, and Voila! That would have worked easily, and Tomomi Mochizuki can write that without a doubt to make it leave a good impression.

It’s not like I can hunt you down or something… but yeah. I’m watching out for that sequel…
Rating: 5.5/8 (Excellent)

Posted on with categories: Shingeki no Kyojin(Attack on Titan)

With this I see why people complained that Shingeki no Kyojin went off-track a bit, because the whole cellar has been pushed more and more to the side of things. But in the show’s favor: the characters did have a really good reason to get sidetracked like that, because both the political games and that female Titan put up quite a big wall in front of that cellar. That first needs to be broken down before they can get to it.

But did Shingeki no Kyojin drag on? To answer that question, we need to wonder what makes it worth watching. The fantastic action, excellent acting, really well thought-out scenarios and the setting which really managed to convinced that humanity is on its last edge… The pacing is slow, but I would not say that this was rushed. It always had enough to offer, and the final four episodes were no different. They presented the identity of the female titan so well. It really took me a while before it hit me what was actually going on.

It was a trade-off that the creators made here. The pacing of the manga is ridiculously fast. At a certain point I just flew through each chapter. Instead they opted to pad things, and use the length for extra atmosphere building. And that worked for nearly the entire run. Perhaps only some episodes somewhere in the middle of the series lacked a bit momentum because people were just preparing.

Now, as for the ending: it seems that the producers haven’t greenlighted a second season yet, but really: this is one of those cases where it’s just a matter of time. With the sales of both the manga and the anime, there are plenty of reasons to come out with a sequel. My biggest guess as to why it hasn’t been greenlighted yet probably has to do with financing. I don’t have solid facts, but I would be very surprised if Shingeki no Kyojin wasn’t the most expensive series of the year. With all that stellar animation and with all those action scenes, it requires a much bigger budget than usual, and getting the funding for that takes time.

These final four episodes were amazing as usual, but there was also something very freaky going on that the creators very subtly tried to sneak past: the nature of the walls. Especially the last episodes were full of hints that something was really really wrong with them. First there obviously was that huge wall of text at the eyecatch. It may seem weird, but to me, it also seems really important, and there was no way for the creators to otherwise put that tidbit in. Also, how did Annie just jump back and forth between the forest and the walls in the city? The chance of her getting caught while trying to climb the walls would have been pretty high. And then there were the final words of the episode, hinting that it’s the walls that keep humanity trapped. And what the hell was that titan doing in that wall!?

So yeah, I don’t mind to wait for the creators to get the sequel just right. Just don’t pull a Durarara, okay? (Did they ever explain why THAT series didn’t get a second season).
Rating: 6,5/8 (Amazing)

Posted on 29 September 2013 with categories: Uchoten Kazoku

The final third of Uchoten Kazoku to me… is probably its worst part. Allow me to elaborate why:

Basically it boils down to that the conclusion was too cliched for its own sake. And I don’t really say that for the sake of it being cliched, but rather the implications that this had on the rest of the series. Two implications really stood out:
– The frog, the second son. I really liked how he actually felt responsible for the death of his father. That was some really good drama, and I loved the episode earlier that was dedicated to his feelings about it. But no, the father was just caught by his brother who turns out to be this stereotypically evil bad guy who just justs after some woman. True, without being drunk there was a chance that the father would have seen through the trick, but nevertheless he doesn’t feel guilty anymore about his actions.
– Wat made Uchoten Kazoku great? Its dialogue and its focus on cultural values, customs and legends. The whole succession story just took too much time away from that, and unlike the first two thirds of the series it brought relatively few new things to the table. You can also see this in the character-development, which while there, could have been much more if the plot was a bit more catered to it. Benten for example: we never really got to see what goes on inside her head.

Does that make these four episodes bad? Nah, just not as good as what they could have been. These episodes still were fun to watch, and at least it did try to stay somewhat true to itself by never forgetting that the simple minds of the characters who on one point can be entirely serious, and then can be goofing off or really stupid again. The chaos in the final episode was a neat anti-climax, and the whole frying tram rocked. Uchoten Kazoku was definitely unique and really refreshing as an anime.

Yojou-han, Uchoten Kazoku. This writer needs to have more of his stories adapted to anime!
Rating: 5/8 (Great)

Posted on 28 September 2013 with categories: Kamisama no Inai Nichiyoubi

God?! Screw God! We’ve got a timeloop story that we need to wrap up!

But granted, that ending was really quite good. It again made use of this show’s weird talent make random characters sympathetic from out of absolutely nowhere by suddenly blaming the source of the timeloop to be the classmates of Alice (yes, Alice, don’t ask me why he has a girl’s name) and Dee.

Perhaps basing your story on a misunderstanding isn’t the strongest, but for what it did, the series wrapped that subplot up really nicely. It wasn’t about the misunderstanding anyway. The main issue of the arc was escapism: fearing change, people stayed in the timelooped world because it was safe. You could really see that with Scar and Yuri: the environment felt so safe and trusted to them.

What made this ending was the point at which it was time to move on for everyone. The time to head back into the real world again after 14 years. Alice ‘surviving’ was a bit of a cop-out, but yeah: that’s a bit the premise of this series: he’s still dead, he just lives as a ghost and Ai ust doesn’t bury him.

And there the series just ends. I would have preferred some sort of epilogue, but at this point I think that the ending here is that eveyrone just keeps living until they die, and then keep wandering around until all of the gravekeepers have buried everyone. Quite a bleak ending there if you look at it that way.
Rating: 5/8 (Great)

Posted on with categories: Gatchaman Crowds

Oh, what a wonderfully glorious mess this was! Kenji Nakamura once again proves that he really knows how to create an ending with impact. And don’t get me wrong: things in these four episodes… did not make any sense when you start thinking logically about them. But as a thought experiment they were amazing. And ridiculously fun as well.

I mean who cares if in the real world you’d never get a prime minister yelling to all of the negative twitter reactions that he gets while making a speech: Gatchaman celebrates the internet unlike any other series has done so before, while also acknowledging the incredible mess that it can turn out to be. It uses these “Crowds” as a took to ask the question of how society would look like if everyone had the power to become a hero. The urge that we all probably have once in a while.

Kenji Nakamura: for god’s sake have your next series be a 2-cour one. Your series are always incredibly original, but with Gatchaman Crowds I feel like you could have done so much more .And with such a length there would have been much more time to explore such a great setting and allow for even more episodes dedicated to interesting ideas, or with creative set-ups.

Heck, episode eleven was half a recap, and yet it worked incredibly well because of how it was set up. At the start of this series I noted that the success of this series entirely depended on the female lead: regardless of the quality of the rest of the series, her annoyance would contribute greatly to whether or not this would become an enjoyable watch. And they actually did it, and that recap examplified it. At the start you’d indeed wonder if the creators didn’t go too far with glorifying her, but that was the entire point of the series: they wanted to turn society completely upside down with these last four episodes. In the end, the Gatchaman just came blatantly out of hiding, and a huge power was given to every single person.

What I also really liked: do you know what lately has been one of the most commonly used motivations for villains beyond just “being evil”? It’s the villain who wants to evolve the world (and in the process doesn’t really care about making a few sacrifices in the process). It’s common because it’s not entirely evil, but it has started to become a bit lazy, and usually I find that these guys are often unfairly demonized or that the sacrifices that they make are just used as plot devices to make them the bad guys. Gatchaman Crowds has turned that trope completely upside down: this time everyone is just evolving society, with Rui and Hajime at the frontline. The bad guy’s aim is just to have fun and create chaos. Perhaps not the most complex of all, but he’s the perfect embodiment of the internet troll, and I think that that served as the inspiration for this guy.

Overall: messy series, but a great watch. Looking forward to Kenji Nakamura’s next work.
Rating: 6/8 (Awesome)

Posted on 27 September 2013 with categories: Anime Reviews, Tamayura


I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series.

Right at the start of Tamayura’s second season, I asked one question: why did this series, of all shows, get a second seaso? What can it add to the OVA and the first series? The big problem with this show is that now that it’s ended, I still haven’t gotten an answer to that question. Yeah.

So what does this second season end up doing? Well, in terms of characters… Potte starts a photography club. You’d think that that would train her leadership skills, but in the end only one girl ends up joining it. That one girl gets the most character-development out of the entire series, but it’s surprisingly similar to the development that Potte went through in the first season. The best part was probably the attention to Potte’s dead father. Again most of it was already done in the first season, but there was one particular episode that brought something new to the table.

And as for the side-characters… oh dear god. They were definitely the worst part of this sequel, because all of them have been reduced to simple stereotypes. In the first season they were diverse character. Here however, they eitehr are neutral, or force their quirk way too much, with hardly anything else. This series seems to think that once you have developed your characters, you can just leave them as they are and they’ll keep magically working. Quite a misguided idea!

As for the stuff that the characters do in this season… it’s okay. It’s still a good show to relax with and all, but everything they do is again so surprisingly similar to the first season: they go on random trips with Character A, they go to visit Character B;s house, they drop by Character C. Everything just strikes me as if the creators had no idea what to really do with this series once it started, and then just settled with some vague idea that just kept the status quo.

Tamayura was supposed to be the spiritual successor to Aria. Aria’s second season took its characters and developed them to actual characters. Tamayura’s second season likes to repeat itself. Perhaps those with more patience than me will appreciate it for what it is, but I’m quite a bit disappointed.

Oh and if you want to know why the second season has such a weird subtitle: ‘More Aggressive’ is just a bad translation to which the creators got the contextual meaning completely wrong. Sortof like that guy who got a Chinese tattoo on his arm.
One-Sentence Review: It’s not really necessary to watch this: it doesn’t really add anything to Tamayura, nor its characters.
Suggestions:
Aria
Kaze no Shoujo Emily
Maria-Sama ga Miteru

Posted on 26 September 2013 with categories: Uchuu Kyoudai

The past four episodes: character-development. It’s slow and steady, but definitely there, and in all kinds of forms. Mutta changed and finally realized his strengths, gaining lots of confidence from it, and also becoming mature enough to forgive his former employer that he gave the Zidane, Sharon’s condition subtly gets worse, the chief of Nasa gets some unexpected background (also I love that small scene of a young Deneil Young). And whoa, Hibito actually left with a big post-traumatic stress disorder after what happened on the moon.

I like that recently, the series has at least remembered to be varied: a few months ago I remember complaining that the arcs take too long, and that the series got too monotone. This arc again solves this by focusing on many things at the same time, so that we’re not just stuck with just one scenario. It’s still nowhere near the levels of the first 40 episodes, but I can’t deny that these events really pushed the characters further.

This reminds me of the reason why I don’t consider the Legend of Galactic Heroes to be the best anime ever. Sure, it’s amazing. Among the smartest anime out there. However, like Space Brothers, it was just so incredibly long. At times it really felt like a chore to try and sit through it, and it sometimes spent a bit too much of its time meticulously developing its cast and storyline, at the expense of pacing. The same has happened with Space Brothers: technically it’s doing everything right, but I want to see that amazement again of Mutta hearing that he gets to become an astronaut. The meticulous team building in an environment you could trust nobody thanks to the red cards. The longer a series goes on, the more chance it has of becoming stale in one way or the other. I’d like to view this with a bit of a broader perspective, using other, really long series and how they coped with their length. Generalizations will follow:

– Monster actually did this perfectly. The key was that it was built up meticulously: as it went on every single episode continued to deliver thanks to the build-up of the early episodes.
– Gintama also could not keep up for me after 100 episodes. The reason for that was that it ran out of jokes and started trying too hard. The other side of the extreme.
– Touch also had points where it got really stale, but what saved it was that it kept you on your toes. Although it only barely got away with this.
– Maison Ikkoku is another odd one. Helped by immense character-development and a ridiculously strong climax. It also didn’t play all of its cards immediately.
– Hajime no Ippo is a strange one: it also suffered from getting stale a bit, due to the entire series being about boxing, not the most varied topic. And yet the second season came and improved upon it by being much more over the top and doing this really well.
– Hikaru no Go had some amazingly strong episodes, but it too suffered from being stale despite how it just kept being intelligent. Again, the way in which every episode was about Go had something to do with that.
– Kodomo no Omocha is also a weird one, because its worst arc was in the middle of the series, and it picked itself back up afterwards
– Jigoku Shoujo was helped by that it was about three distinct parts that all had a clear beginning and ending and purpose.
– Hunter X Hunter is only now getting really good because we’ve finally gotten to the actual point that everyone has been waiting for ever since they first announced the new series.

I can see the following patterns from these series:
– Monotony can make things get stale, but not always.
– It’s not enough to only be ridiculously knowledgeable about your subject material. It’s just a very important and welcome ingredient. like having a steak dinner be so much better if it’s the meat from one of those Kobe cows or something.
– The best solution is: meticulous planning. Knowing exactly what you’re building up for, and knowing exactly what you want to do with it. That can excuse a lot.

How to relate this to Space Brothers: what I feel like it’s missing is planning. Up to the arc in which Mutta became an astronaut, the creators felt like they were in full control. Right now it feels like they’re just adapting the manga chapters as they come along with a steady pace, without really giving the extra mile.

so yeah, another reason why it’s wrong to adapt manga that are still currently ongoing. If you don’t know where the plot is going, then you’re going to be limited in one way or the other. I get that it makes sense from a commercial standpoint, but there are more things that do that that are just not right.
Rating: 4,5/8 (Good)

Posted on 25 September 2013 with categories: Anime Reviews, Silver Spoon


When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up forever: last season saw a rerun, and this time there only is one new anime, with the name of Silver Spoon. But it’s worth the watch!

The series you can compare this to the most easily is probably Moyashimon. Both series are about agricultural college with an oddball entering. Where Moyashimon focused on plants and germs, Silver Spoon focuses mostly on actual farming, and farm animals. The big differences come in the way the series are laid out: Moyashimon is random, silly, and overall rather shallow, compared to Silver Spoon being very meticulously constructed, and deep. And don’t get me wrong, it can get silly at times, but even that is very well plotted out. Compare it to how precise the comedy in Full Metal Alchemist always was.

Watch this show for the depth though: this series takes a look at the less pleasant sides of farming. And it does so with such grace! It doesn’t shy away from showing the fact that the animals in this series are destined for the slaughterhouse. It managed to create these very sympathetic characters who all have different roles and views on it, and they’re all affected by each other’s actions: some people accept it like it’s normal, others really need to take more time. The main character in this series is actually a really good one, because he challenges that view in nearly all of the characters. Of his age, in any case.

Beyond that it’s just an all around fun series to watch that goes into a lot of detail in some of the other aspects of working on a farm. There’s a second season coming up, but you can just as easily view this series standalone. There are a few episodes that perhaps break a it of the flow, or go on for a bit too long with the drama, but overall it’s a series that’s well worth the watch.
One-Sentence Review: This show is about farming, and it shows this in depth.
Suggestions:
Moyashimon
Nodame Cantabile

Posted on 24 September 2013 with categories: Silver Spoon

Silver Spoon: you definitely have earned the right of the saddest death of a pig in any anime ever. The final four episodes of the first season put the focus back from the part time job, to the little piglet we saw in the first number of episodes. For me this was by far the most profound part of the series.

It definitely does help that there was a lot of development between the main character and the pig. I mean, it really had impact when the date for its trip to the slaughterhouse got closer and closer, and he just kept on growing.The creators played well with that, and it’s definitely done better than with Moyashimon: the series feels much more cohesive and with a purpose. The central themes of this series? Brilliant!

If I had to pick a least favorite part of this series, then I’d say that it’s the part that took place in the holidays. It feels detached from the rest of the series, it abandoned half the cast, which broke the flow of the series a bit. In Moyashimon it would have fitted, but not here where the series is so well constructed otherwise. Anyway, looking forward to the second season!
Rating: 6/8 (Awesome)

Posted on 19 September 2013 with categories: Rozen Maiden 2013

Rozen Maiden, I applaud you. This series definitely has the best plot of the Summer Season series. In these three moments, this series really displayed that it was building up to something.

It’s great to see series that actually pay off. There are too many series that seem to be building up to stuff, only to not really do anything and go for a standard climax that just boils down to “defeat that bad guy” while doing drama things. Things like those are boring, and most often just pointless. Yeah, I guess that it’s all about the satisfaction of seeing an all-powerful being break down and all. But we’ve all been there. You need to spice things up.

I usually try to stay away from using other shows as examples, but ah. Screw it. I’m going to list some series that did this wrong (in my humble opinion, of course!). Slight spoilers may follow, but I’ll try to be as vague as possible.

K is a good example of a show that started off with promise, but didn’t do anything with it. And yeah, I know that it has a sequel coming, but that is no argument: I’ve said before that I don’t want to sit through an entire season if it’s just going to be build-up. It had all this build-up about these kinds… yet all of it didn’t really amount to anything: it was all very predictable, the characters took the most predictable turns in order to try and prevent things from going stale… not once did I feel like the creators were being really creative in where the plot was going.

Another area where this series could have gone wrong is in devolving into plain bad storytelling and devolving into plain stupidity. For that Tamako Market is a good example: you build up this nice and interesting family, who live in this interesting neighbourhood, only to completely derail the plot with that stupid prince subplot that never really went anywhere. And in the end, none of the build-up was really used.

Here, however. The first half of the series focused on the world of Jun who didn’t wind the key. It withheld a lot of characters. It put the entire cast of the show on a bus, save for Shinku and Suigintou, and focused on the intimate development between a very small set of characters. In these three episodes the characters went back to the other dimension, and it was glorious. Instead of one group of characters completely dominating the other, everything was balanced! Every character got his or her chance to shine and make impact!

A great example: in the second season of the original Rozen Maiden, Suigintou also made way for a different villain. However, here, her role as an anti-hero is SO MUCH BETTER. I love how she pretty much acknowledged that the reason why she held onto Suiseiseiki’s Rosa Mystica is pointless, and that she’s all doing it for “Father”. She’s neither good nor evil, she just has a huge price and doesn’t care about anything other than herself, and the creators haven’t overdone this by making her derail into either good or evil so far: she stayed true to herself, yet she also developed slightly, in the way that she stopped letting her pride get in the way of things that really don’t matter.

Also, Jun. I love what the creators did with him. For a while it was a bit weird how he created this new body for Kirakishou and all, but his development really put everything into place. The entire series is about people being trapped, trying to get out. In the past three episodes, a lot of characters actually succeeded in that. Jun did so by finally making decisions for himself. Going after his own feelings, rather than going with the flow. And the thing is: episode nine emphasized that his strongest bond is NOT necessarily with Shinku, the main doll of the series. Instead, Souseiseki is the doll HE made for himself. Not a replica or anything, it’s something he put together, outside of Shinku’s knowledge. The end of episode 11 remained vague about the outcome with the much hinted collapse of Shinku that could go either way here.

These episodes had so many things intertwine with each other, Really well done!
Rating: 6/8 (Awesome)

CHANGE USERNAME
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
Niello
@Kaiser, That's unexpected.
Kaiser-Eoghan
I enjoyed how outright surreal Arakawa was.
Kaiser-Eoghan
@Amagi: It bothers me that they're stuffing multiple tales into single episodes.
Kaiser-Eoghan
Ah, excel saga, I wonder what I would think of it now, its been years.
Kaiser-Eoghan
@Amagi: I actually respect Aidan's coverage of it.
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Featured Posts

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