Posted on 30 September 2013 with categories: Rozen Maiden 2013

The best ending of the season? I think that was from Gatchaman Crowds, closely followed by Silver Spoon. Rozen Maiden had the potential to top both of them, but no, they had to come with that damn cliff-hanger!

And that is pretty much the only complaint I have about the final two episodes. The character development really was great, for a lot of the cast. Hina Ichigo, beautifully redeemed herself for a season of absence, Jun grew in both his versions and Suigintou… the reason she did not take Souseiseiki’s Rosa Mystica promises great things for the future.

The same goes for Jun: he always looked up to his younger self, and now it becomes apparent that younger Jun was great because he just never challenged his own weaknesses. Putting him in a coma will have a great effect on the rest of the cast, and put them into the roles that he previously occupied. Which brings me back to how this is the end of the season.

So yeah, whoever is producing this: you had better have planned a second season, instead of using this as a stupid sequel hook, putting off the decision for a sequel based upon whether or not the sales are right. Nothng has been announced yet, and that cliff-hanger could have been completely omitted and we would have had a satisfying finale. A bit of anime original aftermath for Jun, and Voila! That would have worked easily, and Tomomi Mochizuki can write that without a doubt to make it leave a good impression.

It’s not like I can hunt you down or something… but yeah. I’m watching out for that sequel…
Rating: 5.5/8 (Excellent)

Posted on with categories: Shingeki no Kyojin(Attack on Titan)

With this I see why people complained that Shingeki no Kyojin went off-track a bit, because the whole cellar has been pushed more and more to the side of things. But in the show’s favor: the characters did have a really good reason to get sidetracked like that, because both the political games and that female Titan put up quite a big wall in front of that cellar. That first needs to be broken down before they can get to it.

But did Shingeki no Kyojin drag on? To answer that question, we need to wonder what makes it worth watching. The fantastic action, excellent acting, really well thought-out scenarios and the setting which really managed to convinced that humanity is on its last edge… The pacing is slow, but I would not say that this was rushed. It always had enough to offer, and the final four episodes were no different. They presented the identity of the female titan so well. It really took me a while before it hit me what was actually going on.

It was a trade-off that the creators made here. The pacing of the manga is ridiculously fast. At a certain point I just flew through each chapter. Instead they opted to pad things, and use the length for extra atmosphere building. And that worked for nearly the entire run. Perhaps only some episodes somewhere in the middle of the series lacked a bit momentum because people were just preparing.

Now, as for the ending: it seems that the producers haven’t greenlighted a second season yet, but really: this is one of those cases where it’s just a matter of time. With the sales of both the manga and the anime, there are plenty of reasons to come out with a sequel. My biggest guess as to why it hasn’t been greenlighted yet probably has to do with financing. I don’t have solid facts, but I would be very surprised if Shingeki no Kyojin wasn’t the most expensive series of the year. With all that stellar animation and with all those action scenes, it requires a much bigger budget than usual, and getting the funding for that takes time.

These final four episodes were amazing as usual, but there was also something very freaky going on that the creators very subtly tried to sneak past: the nature of the walls. Especially the last episodes were full of hints that something was really really wrong with them. First there obviously was that huge wall of text at the eyecatch. It may seem weird, but to me, it also seems really important, and there was no way for the creators to otherwise put that tidbit in. Also, how did Annie just jump back and forth between the forest and the walls in the city? The chance of her getting caught while trying to climb the walls would have been pretty high. And then there were the final words of the episode, hinting that it’s the walls that keep humanity trapped. And what the hell was that titan doing in that wall!?

So yeah, I don’t mind to wait for the creators to get the sequel just right. Just don’t pull a Durarara, okay? (Did they ever explain why THAT series didn’t get a second season).
Rating: 6,5/8 (Amazing)

Posted on 29 September 2013 with categories: Uchoten Kazoku

The final third of Uchoten Kazoku to me… is probably its worst part. Allow me to elaborate why:

Basically it boils down to that the conclusion was too cliched for its own sake. And I don’t really say that for the sake of it being cliched, but rather the implications that this had on the rest of the series. Two implications really stood out:
– The frog, the second son. I really liked how he actually felt responsible for the death of his father. That was some really good drama, and I loved the episode earlier that was dedicated to his feelings about it. But no, the father was just caught by his brother who turns out to be this stereotypically evil bad guy who just justs after some woman. True, without being drunk there was a chance that the father would have seen through the trick, but nevertheless he doesn’t feel guilty anymore about his actions.
– Wat made Uchoten Kazoku great? Its dialogue and its focus on cultural values, customs and legends. The whole succession story just took too much time away from that, and unlike the first two thirds of the series it brought relatively few new things to the table. You can also see this in the character-development, which while there, could have been much more if the plot was a bit more catered to it. Benten for example: we never really got to see what goes on inside her head.

Does that make these four episodes bad? Nah, just not as good as what they could have been. These episodes still were fun to watch, and at least it did try to stay somewhat true to itself by never forgetting that the simple minds of the characters who on one point can be entirely serious, and then can be goofing off or really stupid again. The chaos in the final episode was a neat anti-climax, and the whole frying tram rocked. Uchoten Kazoku was definitely unique and really refreshing as an anime.

Yojou-han, Uchoten Kazoku. This writer needs to have more of his stories adapted to anime!
Rating: 5/8 (Great)

Posted on 28 September 2013 with categories: Kamisama no Inai Nichiyoubi

God?! Screw God! We’ve got a timeloop story that we need to wrap up!

But granted, that ending was really quite good. It again made use of this show’s weird talent make random characters sympathetic from out of absolutely nowhere by suddenly blaming the source of the timeloop to be the classmates of Alice (yes, Alice, don’t ask me why he has a girl’s name) and Dee.

Perhaps basing your story on a misunderstanding isn’t the strongest, but for what it did, the series wrapped that subplot up really nicely. It wasn’t about the misunderstanding anyway. The main issue of the arc was escapism: fearing change, people stayed in the timelooped world because it was safe. You could really see that with Scar and Yuri: the environment felt so safe and trusted to them.

What made this ending was the point at which it was time to move on for everyone. The time to head back into the real world again after 14 years. Alice ‘surviving’ was a bit of a cop-out, but yeah: that’s a bit the premise of this series: he’s still dead, he just lives as a ghost and Ai ust doesn’t bury him.

And there the series just ends. I would have preferred some sort of epilogue, but at this point I think that the ending here is that eveyrone just keeps living until they die, and then keep wandering around until all of the gravekeepers have buried everyone. Quite a bleak ending there if you look at it that way.
Rating: 5/8 (Great)

Posted on with categories: Gatchaman Crowds

Oh, what a wonderfully glorious mess this was! Kenji Nakamura once again proves that he really knows how to create an ending with impact. And don’t get me wrong: things in these four episodes… did not make any sense when you start thinking logically about them. But as a thought experiment they were amazing. And ridiculously fun as well.

I mean who cares if in the real world you’d never get a prime minister yelling to all of the negative twitter reactions that he gets while making a speech: Gatchaman celebrates the internet unlike any other series has done so before, while also acknowledging the incredible mess that it can turn out to be. It uses these “Crowds” as a took to ask the question of how society would look like if everyone had the power to become a hero. The urge that we all probably have once in a while.

Kenji Nakamura: for god’s sake have your next series be a 2-cour one. Your series are always incredibly original, but with Gatchaman Crowds I feel like you could have done so much more .And with such a length there would have been much more time to explore such a great setting and allow for even more episodes dedicated to interesting ideas, or with creative set-ups.

Heck, episode eleven was half a recap, and yet it worked incredibly well because of how it was set up. At the start of this series I noted that the success of this series entirely depended on the female lead: regardless of the quality of the rest of the series, her annoyance would contribute greatly to whether or not this would become an enjoyable watch. And they actually did it, and that recap examplified it. At the start you’d indeed wonder if the creators didn’t go too far with glorifying her, but that was the entire point of the series: they wanted to turn society completely upside down with these last four episodes. In the end, the Gatchaman just came blatantly out of hiding, and a huge power was given to every single person.

What I also really liked: do you know what lately has been one of the most commonly used motivations for villains beyond just “being evil”? It’s the villain who wants to evolve the world (and in the process doesn’t really care about making a few sacrifices in the process). It’s common because it’s not entirely evil, but it has started to become a bit lazy, and usually I find that these guys are often unfairly demonized or that the sacrifices that they make are just used as plot devices to make them the bad guys. Gatchaman Crowds has turned that trope completely upside down: this time everyone is just evolving society, with Rui and Hajime at the frontline. The bad guy’s aim is just to have fun and create chaos. Perhaps not the most complex of all, but he’s the perfect embodiment of the internet troll, and I think that that served as the inspiration for this guy.

Overall: messy series, but a great watch. Looking forward to Kenji Nakamura’s next work.
Rating: 6/8 (Awesome)

Posted on 27 September 2013 with categories: Anime Reviews, Tamayura


I’m not going to dedicate a post for my impression for the final three episodes of this series. It was just too boring to write much about. I guess that that gives a pretty accurate indication of what I think about this series.

Right at the start of Tamayura’s second season, I asked one question: why did this series, of all shows, get a second seaso? What can it add to the OVA and the first series? The big problem with this show is that now that it’s ended, I still haven’t gotten an answer to that question. Yeah.

So what does this second season end up doing? Well, in terms of characters… Potte starts a photography club. You’d think that that would train her leadership skills, but in the end only one girl ends up joining it. That one girl gets the most character-development out of the entire series, but it’s surprisingly similar to the development that Potte went through in the first season. The best part was probably the attention to Potte’s dead father. Again most of it was already done in the first season, but there was one particular episode that brought something new to the table.

And as for the side-characters… oh dear god. They were definitely the worst part of this sequel, because all of them have been reduced to simple stereotypes. In the first season they were diverse character. Here however, they eitehr are neutral, or force their quirk way too much, with hardly anything else. This series seems to think that once you have developed your characters, you can just leave them as they are and they’ll keep magically working. Quite a misguided idea!

As for the stuff that the characters do in this season… it’s okay. It’s still a good show to relax with and all, but everything they do is again so surprisingly similar to the first season: they go on random trips with Character A, they go to visit Character B;s house, they drop by Character C. Everything just strikes me as if the creators had no idea what to really do with this series once it started, and then just settled with some vague idea that just kept the status quo.

Tamayura was supposed to be the spiritual successor to Aria. Aria’s second season took its characters and developed them to actual characters. Tamayura’s second season likes to repeat itself. Perhaps those with more patience than me will appreciate it for what it is, but I’m quite a bit disappointed.

Oh and if you want to know why the second season has such a weird subtitle: ‘More Aggressive’ is just a bad translation to which the creators got the contextual meaning completely wrong. Sortof like that guy who got a Chinese tattoo on his arm.
One-Sentence Review: It’s not really necessary to watch this: it doesn’t really add anything to Tamayura, nor its characters.
Suggestions:
Aria
Kaze no Shoujo Emily
Maria-Sama ga Miteru

Posted on 26 September 2013 with categories: Uchuu Kyoudai

The past four episodes: character-development. It’s slow and steady, but definitely there, and in all kinds of forms. Mutta changed and finally realized his strengths, gaining lots of confidence from it, and also becoming mature enough to forgive his former employer that he gave the Zidane, Sharon’s condition subtly gets worse, the chief of Nasa gets some unexpected background (also I love that small scene of a young Deneil Young). And whoa, Hibito actually left with a big post-traumatic stress disorder after what happened on the moon.

I like that recently, the series has at least remembered to be varied: a few months ago I remember complaining that the arcs take too long, and that the series got too monotone. This arc again solves this by focusing on many things at the same time, so that we’re not just stuck with just one scenario. It’s still nowhere near the levels of the first 40 episodes, but I can’t deny that these events really pushed the characters further.

This reminds me of the reason why I don’t consider the Legend of Galactic Heroes to be the best anime ever. Sure, it’s amazing. Among the smartest anime out there. However, like Space Brothers, it was just so incredibly long. At times it really felt like a chore to try and sit through it, and it sometimes spent a bit too much of its time meticulously developing its cast and storyline, at the expense of pacing. The same has happened with Space Brothers: technically it’s doing everything right, but I want to see that amazement again of Mutta hearing that he gets to become an astronaut. The meticulous team building in an environment you could trust nobody thanks to the red cards. The longer a series goes on, the more chance it has of becoming stale in one way or the other. I’d like to view this with a bit of a broader perspective, using other, really long series and how they coped with their length. Generalizations will follow:

– Monster actually did this perfectly. The key was that it was built up meticulously: as it went on every single episode continued to deliver thanks to the build-up of the early episodes.
– Gintama also could not keep up for me after 100 episodes. The reason for that was that it ran out of jokes and started trying too hard. The other side of the extreme.
– Touch also had points where it got really stale, but what saved it was that it kept you on your toes. Although it only barely got away with this.
– Maison Ikkoku is another odd one. Helped by immense character-development and a ridiculously strong climax. It also didn’t play all of its cards immediately.
– Hajime no Ippo is a strange one: it also suffered from getting stale a bit, due to the entire series being about boxing, not the most varied topic. And yet the second season came and improved upon it by being much more over the top and doing this really well.
– Hikaru no Go had some amazingly strong episodes, but it too suffered from being stale despite how it just kept being intelligent. Again, the way in which every episode was about Go had something to do with that.
– Kodomo no Omocha is also a weird one, because its worst arc was in the middle of the series, and it picked itself back up afterwards
– Jigoku Shoujo was helped by that it was about three distinct parts that all had a clear beginning and ending and purpose.
– Hunter X Hunter is only now getting really good because we’ve finally gotten to the actual point that everyone has been waiting for ever since they first announced the new series.

I can see the following patterns from these series:
– Monotony can make things get stale, but not always.
– It’s not enough to only be ridiculously knowledgeable about your subject material. It’s just a very important and welcome ingredient. like having a steak dinner be so much better if it’s the meat from one of those Kobe cows or something.
– The best solution is: meticulous planning. Knowing exactly what you’re building up for, and knowing exactly what you want to do with it. That can excuse a lot.

How to relate this to Space Brothers: what I feel like it’s missing is planning. Up to the arc in which Mutta became an astronaut, the creators felt like they were in full control. Right now it feels like they’re just adapting the manga chapters as they come along with a steady pace, without really giving the extra mile.

so yeah, another reason why it’s wrong to adapt manga that are still currently ongoing. If you don’t know where the plot is going, then you’re going to be limited in one way or the other. I get that it makes sense from a commercial standpoint, but there are more things that do that that are just not right.
Rating: 4,5/8 (Good)

Posted on 25 September 2013 with categories: Anime Reviews, Silver Spoon


When Noitamina started airing two series per season, it was amazing. It’s a timeslot that on average tends to be aimed at a much older audience than usual, and having two series with the same mentality definitely helped to bring more diversity to anime overall. Unfortunately it’s a schedule that could not be kept up forever: last season saw a rerun, and this time there only is one new anime, with the name of Silver Spoon. But it’s worth the watch!

The series you can compare this to the most easily is probably Moyashimon. Both series are about agricultural college with an oddball entering. Where Moyashimon focused on plants and germs, Silver Spoon focuses mostly on actual farming, and farm animals. The big differences come in the way the series are laid out: Moyashimon is random, silly, and overall rather shallow, compared to Silver Spoon being very meticulously constructed, and deep. And don’t get me wrong, it can get silly at times, but even that is very well plotted out. Compare it to how precise the comedy in Full Metal Alchemist always was.

Watch this show for the depth though: this series takes a look at the less pleasant sides of farming. And it does so with such grace! It doesn’t shy away from showing the fact that the animals in this series are destined for the slaughterhouse. It managed to create these very sympathetic characters who all have different roles and views on it, and they’re all affected by each other’s actions: some people accept it like it’s normal, others really need to take more time. The main character in this series is actually a really good one, because he challenges that view in nearly all of the characters. Of his age, in any case.

Beyond that it’s just an all around fun series to watch that goes into a lot of detail in some of the other aspects of working on a farm. There’s a second season coming up, but you can just as easily view this series standalone. There are a few episodes that perhaps break a it of the flow, or go on for a bit too long with the drama, but overall it’s a series that’s well worth the watch.
One-Sentence Review: This show is about farming, and it shows this in depth.
Suggestions:
Moyashimon
Nodame Cantabile

Posted on 24 September 2013 with categories: Silver Spoon

Silver Spoon: you definitely have earned the right of the saddest death of a pig in any anime ever. The final four episodes of the first season put the focus back from the part time job, to the little piglet we saw in the first number of episodes. For me this was by far the most profound part of the series.

It definitely does help that there was a lot of development between the main character and the pig. I mean, it really had impact when the date for its trip to the slaughterhouse got closer and closer, and he just kept on growing.The creators played well with that, and it’s definitely done better than with Moyashimon: the series feels much more cohesive and with a purpose. The central themes of this series? Brilliant!

If I had to pick a least favorite part of this series, then I’d say that it’s the part that took place in the holidays. It feels detached from the rest of the series, it abandoned half the cast, which broke the flow of the series a bit. In Moyashimon it would have fitted, but not here where the series is so well constructed otherwise. Anyway, looking forward to the second season!
Rating: 6/8 (Awesome)

Posted on 19 September 2013 with categories: Rozen Maiden 2013

Rozen Maiden, I applaud you. This series definitely has the best plot of the Summer Season series. In these three moments, this series really displayed that it was building up to something.

It’s great to see series that actually pay off. There are too many series that seem to be building up to stuff, only to not really do anything and go for a standard climax that just boils down to “defeat that bad guy” while doing drama things. Things like those are boring, and most often just pointless. Yeah, I guess that it’s all about the satisfaction of seeing an all-powerful being break down and all. But we’ve all been there. You need to spice things up.

I usually try to stay away from using other shows as examples, but ah. Screw it. I’m going to list some series that did this wrong (in my humble opinion, of course!). Slight spoilers may follow, but I’ll try to be as vague as possible.

K is a good example of a show that started off with promise, but didn’t do anything with it. And yeah, I know that it has a sequel coming, but that is no argument: I’ve said before that I don’t want to sit through an entire season if it’s just going to be build-up. It had all this build-up about these kinds… yet all of it didn’t really amount to anything: it was all very predictable, the characters took the most predictable turns in order to try and prevent things from going stale… not once did I feel like the creators were being really creative in where the plot was going.

Another area where this series could have gone wrong is in devolving into plain bad storytelling and devolving into plain stupidity. For that Tamako Market is a good example: you build up this nice and interesting family, who live in this interesting neighbourhood, only to completely derail the plot with that stupid prince subplot that never really went anywhere. And in the end, none of the build-up was really used.

Here, however. The first half of the series focused on the world of Jun who didn’t wind the key. It withheld a lot of characters. It put the entire cast of the show on a bus, save for Shinku and Suigintou, and focused on the intimate development between a very small set of characters. In these three episodes the characters went back to the other dimension, and it was glorious. Instead of one group of characters completely dominating the other, everything was balanced! Every character got his or her chance to shine and make impact!

A great example: in the second season of the original Rozen Maiden, Suigintou also made way for a different villain. However, here, her role as an anti-hero is SO MUCH BETTER. I love how she pretty much acknowledged that the reason why she held onto Suiseiseiki’s Rosa Mystica is pointless, and that she’s all doing it for “Father”. She’s neither good nor evil, she just has a huge price and doesn’t care about anything other than herself, and the creators haven’t overdone this by making her derail into either good or evil so far: she stayed true to herself, yet she also developed slightly, in the way that she stopped letting her pride get in the way of things that really don’t matter.

Also, Jun. I love what the creators did with him. For a while it was a bit weird how he created this new body for Kirakishou and all, but his development really put everything into place. The entire series is about people being trapped, trying to get out. In the past three episodes, a lot of characters actually succeeded in that. Jun did so by finally making decisions for himself. Going after his own feelings, rather than going with the flow. And the thing is: episode nine emphasized that his strongest bond is NOT necessarily with Shinku, the main doll of the series. Instead, Souseiseki is the doll HE made for himself. Not a replica or anything, it’s something he put together, outside of Shinku’s knowledge. The end of episode 11 remained vague about the outcome with the much hinted collapse of Shinku that could go either way here.

These episodes had so many things intertwine with each other, Really well done!
Rating: 6/8 (Awesome)

CHANGE USERNAME
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
Lenlo
Scums Wish, 4 episodes in, has been the perfect little dose of depression I crave from each anime season.
Lenlo
I have to say, its a pretty fun break from super srs anime discussion sometimes
Anonymous1014938
There's so much sass in this chatbox sometimes I can't even. :.D
AidanAK47
Also please note that if data gathering results do not support your hypothesis that there will be no refunds
AidanAK47
I will have you know my data gathering services are quite expensive and I don't operate until paid.
Anonymous1014125
Aidan is providing the data for us.
Lenlo
You do know that for the scientific method, you make a hypothesis and then you run experiments to produce data to prove or disprove said hypothesis. It cant just sit in limbo and then you go "I was right". You have to provide data at some point. At this point, you have yet to provide any data to support what you say.
Sir Robin
You seem to have never heard of the scientific method then Aidan. You don't need proof before you formulate an hypothesis. Fortunately this most recent development of you being wrong supports it.
AidanAK47
I am sure Sir Robin would be delighted to hear this but I think I was wrong in my assessment of SukaSuka(Shūmatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?) That insert song at the begining of the episode was masterful and a number of things have changed my mind about it. It may be more interesting than I first expected. First novel was still pretty boring though.
AidanAK47
Should have another impressions post up today. As for what I am covering that's Little Witch Academia, Attack on Titan and Sekaisuru Kado.
AidanAK47
At least we never have to fight tooth and nail to cover something as what we want to cover never clashes.
SuperMario
Which mean 2 PA Works, 2 original shows and 3 slice-of-life shows. Well done Mario for being predictable and consistently boring as ever
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