Rozen Maiden, I applaud you. This series definitely has the best plot of the Summer Season series. In these three moments, this series really displayed that it was building up to something.
It’s great to see series that actually pay off. There are too many series that seem to be building up to stuff, only to not really do anything and go for a standard climax that just boils down to “defeat that bad guy” while doing drama things. Things like those are boring, and most often just pointless. Yeah, I guess that it’s all about the satisfaction of seeing an all-powerful being break down and all. But we’ve all been there. You need to spice things up.
I usually try to stay away from using other shows as examples, but ah. Screw it. I’m going to list some series that did this wrong (in my humble opinion, of course!). Slight spoilers may follow, but I’ll try to be as vague as possible.
K is a good example of a show that started off with promise, but didn’t do anything with it. And yeah, I know that it has a sequel coming, but that is no argument: I’ve said before that I don’t want to sit through an entire season if it’s just going to be build-up. It had all this build-up about these kinds… yet all of it didn’t really amount to anything: it was all very predictable, the characters took the most predictable turns in order to try and prevent things from going stale… not once did I feel like the creators were being really creative in where the plot was going.
Another area where this series could have gone wrong is in devolving into plain bad storytelling and devolving into plain stupidity. For that Tamako Market is a good example: you build up this nice and interesting family, who live in this interesting neighbourhood, only to completely derail the plot with that stupid prince subplot that never really went anywhere. And in the end, none of the build-up was really used.
Here, however. The first half of the series focused on the world of Jun who didn’t wind the key. It withheld a lot of characters. It put the entire cast of the show on a bus, save for Shinku and Suigintou, and focused on the intimate development between a very small set of characters. In these three episodes the characters went back to the other dimension, and it was glorious. Instead of one group of characters completely dominating the other, everything was balanced! Every character got his or her chance to shine and make impact!
A great example: in the second season of the original Rozen Maiden, Suigintou also made way for a different villain. However, here, her role as an anti-hero is SO MUCH BETTER. I love how she pretty much acknowledged that the reason why she held onto Suiseiseiki’s Rosa Mystica is pointless, and that she’s all doing it for “Father”. She’s neither good nor evil, she just has a huge price and doesn’t care about anything other than herself, and the creators haven’t overdone this by making her derail into either good or evil so far: she stayed true to herself, yet she also developed slightly, in the way that she stopped letting her pride get in the way of things that really don’t matter.
Also, Jun. I love what the creators did with him. For a while it was a bit weird how he created this new body for Kirakishou and all, but his development really put everything into place. The entire series is about people being trapped, trying to get out. In the past three episodes, a lot of characters actually succeeded in that. Jun did so by finally making decisions for himself. Going after his own feelings, rather than going with the flow. And the thing is: episode nine emphasized that his strongest bond is NOT necessarily with Shinku, the main doll of the series. Instead, Souseiseki is the doll HE made for himself. Not a replica or anything, it’s something he put together, outside of Shinku’s knowledge. The end of episode 11 remained vague about the outcome with the much hinted collapse of Shinku that could go either way here.
These episodes had so many things intertwine with each other, Really well done!
Rating: 6/8 (Awesome)