Posted on 28 September 2013 with categories: Gatchaman Crowds

Oh, what a wonderfully glorious mess this was! Kenji Nakamura once again proves that he really knows how to create an ending with impact. And don’t get me wrong: things in these four episodes… did not make any sense when you start thinking logically about them. But as a thought experiment they were amazing. And ridiculously fun as well.

I mean who cares if in the real world you’d never get a prime minister yelling to all of the negative twitter reactions that he gets while making a speech: Gatchaman celebrates the internet unlike any other series has done so before, while also acknowledging the incredible mess that it can turn out to be. It uses these “Crowds” as a took to ask the question of how society would look like if everyone had the power to become a hero. The urge that we all probably have once in a while.

Kenji Nakamura: for god’s sake have your next series be a 2-cour one. Your series are always incredibly original, but with Gatchaman Crowds I feel like you could have done so much more .And with such a length there would have been much more time to explore such a great setting and allow for even more episodes dedicated to interesting ideas, or with creative set-ups.

Heck, episode eleven was half a recap, and yet it worked incredibly well because of how it was set up. At the start of this series I noted that the success of this series entirely depended on the female lead: regardless of the quality of the rest of the series, her annoyance would contribute greatly to whether or not this would become an enjoyable watch. And they actually did it, and that recap examplified it. At the start you’d indeed wonder if the creators didn’t go too far with glorifying her, but that was the entire point of the series: they wanted to turn society completely upside down with these last four episodes. In the end, the Gatchaman just came blatantly out of hiding, and a huge power was given to every single person.

What I also really liked: do you know what lately has been one of the most commonly used motivations for villains beyond just “being evil”? It’s the villain who wants to evolve the world (and in the process doesn’t really care about making a few sacrifices in the process). It’s common because it’s not entirely evil, but it has started to become a bit lazy, and usually I find that these guys are often unfairly demonized or that the sacrifices that they make are just used as plot devices to make them the bad guys. Gatchaman Crowds has turned that trope completely upside down: this time everyone is just evolving society, with Rui and Hajime at the frontline. The bad guy’s aim is just to have fun and create chaos. Perhaps not the most complex of all, but he’s the perfect embodiment of the internet troll, and I think that that served as the inspiration for this guy.

Overall: messy series, but a great watch. Looking forward to Kenji Nakamura’s next work.
Rating: 6/8 (Awesome)

4 Responses

  1. gedata says:

    Hmm…you put the same set of screen shots twice in this post, that’s odd.

    Anyway I’ve got two things to add here. One thing is that it kinda bugs me how everyone kinda forgets poor ole OD, just seemed like the writers didn’t have time for him once he was dead.

    Another thing, given the fact that this series encountered a few budget hick-ups, yeah this wouldn’t work with 2 cours too well

  2. chaoslimits says:

    This show was terrible and fun at the same time. I never seemed like they had an overarching idea of what they wanted to do…

  3. kero says:

    the ending, what happened, did hajime eat berg-katze? or WAS HAJIME BERG KATZE ALL ALONG?!!

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  • kero
    (Monday, Apr 21. 2014 04:03 PM)
    one week friends makes me think kimi to boku, minus the annoying cats
  • Raggers
    (Monday, Apr 21. 2014 12:33 PM)
    Oh, and just to say:
    There’s only one thing better than an awesome show, and that’s an awesome show with equally awesome OP and EDs to frame each episode.
  • Raggers
    (Monday, Apr 21. 2014 12:19 PM)
    @Nyangoro: wow, never thought of it like that but that is right on the money.
    Is Isshuukan Friends reminding people of Natsuyuki Rendezvous? The colour pallete, music and style of storytelling make them feel very similar.
  • Juno
    (Monday, Apr 21. 2014 08:28 AM)
    I just decided to watch through all the Kagerou Project videos again. I’ve yet to get to the anime. Has anyone here watched the first two episodes? What did they think so far?
  • Nyangoro
    (Monday, Apr 21. 2014 08:25 AM)
    Isshuukan Friends 3: I love Shogo so fucking much. He really balances out the cast.
  • ninjarealist
    (Monday, Apr 21. 2014 07:23 AM)
    about both artists*
  • ninjarealist
    (Monday, Apr 21. 2014 07:23 AM)
    I guess for one I just don’t find the subject matter that interesting. Most of their stuff centers around white males doing typically white male things without much in the way of sub-text or social commentary that I really find engaging. I could say that about artists. I respect them for their craft but I don’t enjoy their work.
  • ninjarealist
    (Monday, Apr 21. 2014 07:21 AM)
    I’m just not a fan of Chuck Palahniuk’s writing. I can’t quite put my finger on it but it’s just not for me. Fincher is a pretty good director but I mostly feel the same way about his movies.
  • Deadlight
    (Monday, Apr 21. 2014 06:20 AM)
    Night y’all
  • Deadlight
    (Monday, Apr 21. 2014 06:20 AM)
    @Emma: Thanks for sharing, haha. Yeah, best if you see the Fargo series first. Who knows, you might find some of the liberties they took to be engaging. Anyway, I’m really dozing off here. Worked too hard all day and barely got any sleep XD

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