Posted by psgels on 22 October 2013 with categories: Yozakura Quartet

Having superpowered characters who are really hard to kill does take away a bit of the tension, but it fits strangely wellin the light-hearted tone of these past episodes. This episode was about the background of some of the characters here, and the nature of the setting of this series. The villain only made an appareance like, once or something?

But yeah, this was solid build-up, because we now have a good grasp on who the main character is like, having bascially the responsibilit of sending demons to this unknown dimension that might not even exist, basically potentially killing them: that’s great conflict, and this episode cleverly showed us how he chose to deal with this by holding out on this until the last moment, and first showing all of the different sides to the issue.

Also, there was that scene with the car that came out of bloody nowhere. That really grabbed my attention for a bit due to how raw the action was. This show is really light, with these sudden dark spots inbetween, and it mixes really well. However, the creators do need to be building up for something: this light hearted stuff is fine and all, but only for build-up. Stuff needs to actually get darker after a while. If only because that will show more opportunities for the animators to work their magic.
Rating: 5/8 (Great)

8 Responses

  1. Mint says:

    Hime is the main character, not Akina. :p

  2. Arno says:

    I was not enthralled by the tough bromance here.

    I’m starting to wonder what this anime is about.

  3. Fatrobo says:

    That scene with the car gave me a definite mood whiplash. Having never been exposed to Yozakura Quartet before, I was definitely a bit disoriented until we settled into the part b section with Akina. The results of a car scene like that are not typically shown. I do think we’re establishing the relationship between the primary trio and their primary support characters before we move on to the greater intrigues. Indeed the relationship between the brother and sister seem essential to understanding the dynamic of demons in this world.

  4. TheUltimateReaper says:

    This show is fucking great, I’m not sure I can say much else. The car part was pretty intense, though personally, I’d love that kind of power and strength.

    Serious or not, I’m enjoying the hell out of this anime.

  5. Keith says:

    I dunno. As someone who has never been exposed to Yozakura Quartet before, I can’t help but feel that the characters are really underdeveloped. How much can we say we really know about them at this point? They’re juggling too many characters around and as a result, we don’t really get to know any of them. Even with the focus given to Akina and Kyousuke, i don’t feel like I learned much about them.

    And that car scene? It makes the setting feel like it has no consequences. Why should I care that Touka crushed these kids to near death when they are 100% fine 30 seconds later. With all the blood you’d think that she killed them and then next scene they’re fine.

    That said, I’m still willing to stick it out a few more episodes, but I’m quickly losing interesting. Plus the fanservice is really poorly done.

  6. Arno says:

    The kids have just been reset. Which equals to non story-telling.

    The villain is a joke. Bouncing fishes come on…

    This is just a collection of cool animation sequences, cheap food jokes and cheap fanservice.

    It shifts from very light to very dark, from childish to hentai. There is no story and no character depth.

    • Avalon says:

      Yea, base the main villain off episode 1 when he was playing around. That is perfectly logical. Also, if we were further into the series then your last line might actually be true, but at this point stop saying things that may also be entirely false.

  7. Kenjeran says:

    Actually, the car scene happened because the fox villain is messing around with it. It is hinted by the nurse at the end of episode.

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  • Bam
    (Friday, Sep 4. 2015 09:28 AM)
    if Eva is so predictable then speculate for me what’s gonna happen in the last rebuild film, and please don’t spare the details:
  • Bam
    (Friday, Sep 4. 2015 09:27 AM)
    And predictable? Who expected the show to end with a mindfuck stream of consciousness episode that only hints at the action off screen and ends with a standing ovation on a stage?
  • Bam
    (Friday, Sep 4. 2015 08:42 AM)
    Evangelion had a plethora of issues. The budget was slim, last minute plot revisions made development a hell. The director Anno became clinically depressed and disinfatuated with the entirety of the industry, and the result was a refreshing unpredictable and glorious mess that moved millions of people.
  • Bam
    (Friday, Sep 4. 2015 08:35 AM)
    @jerkocaust: Eva was mad significant when it aired and remain relevant to this day. You can dislike Eva as much as you want, that doesn’t reduce its place in history or the legacy it left behind. The style influenced the industry and that is a fact way above either of our opinion.
  • Kevin
    (Friday, Sep 4. 2015 08:11 AM)
    Why do you losers keep talking like your opinions matter. Like you all think you’re professional critics or something?
  • jerkocaust
    (Friday, Sep 4. 2015 06:21 AM)
    and its not sure if it wants to be a mecha shonen with the shouty action, tsubdere, kuudere, while it pulls stupid wannabe seinen shit. So you have a story that acts like a 12 year old trying to buy alcohol with an obviously fake ID
  • jerkocaust
    (Friday, Sep 4. 2015 06:13 AM)
    What, when was eva relevant again? Both versions had bad static characters and a story that sounded like a 7th grader wrote it. Predictable at every turn and it thinks its sophisticated enough to half ass some religious symbolisms like it’s some deep story lr something lol what a joke
  • Bam
    (Friday, Sep 4. 2015 05:32 AM)
    [WARNING] incoming Eva rant inbound.
  • Bam
    (Friday, Sep 4. 2015 05:31 AM)
    @Kaiser: welcome to the light.
  • Kaiser Eoghan
    (Friday, Sep 4. 2015 01:58 AM)
    Yes you heard it here, Kaiser admitted to this. Fully watching the films I thought they were alright. And I even liked the direction the third film went and consider it the best thing to happen to the franchise. The plot felt more accessible and easier to follow. It feels more tight and compressed and benefits from animation upgrade. I still think Mari is pretty worthless though and as much as I still hate Asuka and Shinji, their more tolerable here.

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