Posted by psgels on 29 October 2013 with categories: Gingitsune

This episode of Gingitsune brought a new character, combined with a really annoying chibi-fox who pretty much acts like a cocky little kid despite being eighty years old. It was a really dramatic episode, with a lot of hammy voice actors. And yet somehow this episode managed to bring a few tears to my eyes. I have no idea how they did that…

Seriously, amidst all of the elaborate series this season, Gingitsune really shines in its simplicity. What was this series about? A bunch of kids who ran away from home. And yet, they pretty much did things right here. The guy in any case is a compelling character here: he defied expectatios several times throughout this episode, and he also didn’t waste any time to shed light on some of his backstory.

Gingitsune seems to focus on the saying “there’s more than meets the eye”. Not every character has that (the female lead in particular pretty much wears her heart on her sleeve), but there have been plenty of characters who hide large parts of who they are, either consciously or unconsciously.

With this episode, Gingitsune also took a big step away from Natsume Yuujinchou. What I mean by that is that the youkai in Natsume Yuujinchou have short childhoods, despite having a very slow concept of time. In Gingitsune meanwhile we have this kid of eighty years old running around. And yeah, it’s true that Natsume Yuujinchou is much more refined and polished than this series. But yet I just can’t help but empathize with these characters as well,much more strongly than I anticipated.
Rating: 5.5/8 (Excellent)

4 Responses

  1. kazid says:

    I dont know your tastes pgels and i am sure much are like you and you have your rigth reasons to like this series. For me episode 1-5 have a definitive conclusion so much booooooored as hell dropped.

  2. Kuroichi says:

    Simplicity should not have to be boring. See Kill la Kill for example: simple, stupid but a ton of fun.

    This show has its cute side, but unfortunately happens to be _extremely_ boring. I kind of sympathize with Gin – if I was in a show as boring as this, I’d probably want to sleep all the time too. 4 episodes in, and I’m still not sure how they are going to make a connected story out of this, or if it will be a bunch of mini-stories with no overarching plot. As of now, it feels like the former.

    I’ll probably watch 1 or 2 more episodes, but it really doesn’t look like it will go anywhere.

  3. Tuuli says:

    I like this series. It’s characters seem to be much more than meets the eye. And even though this isn’t an action packed anime it really takes some themes and shines with them. Can’t wait to know more about the characters.
    I want to know how Gin became a temple deity when he seemed to be a normal fox before. ^__^

  4. Starss says:

    Can’t get over how much of a doormat the main character is. Considerate to a fault. The high school girl life is a bit tedious to sit through as well.

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  • Bam
    (Saturday, Jan 31. 2015 11:14 PM)
    Synecdoche is incredibly rich in detail, and keen return viewers can find a lot of things they missed the first time thru. Kaufman didn’t have a single teacup in a shot that didn’t mean something. Pacing is a bit of an issue, but if you notice the passage of time you can see that was deliberate as well. The movie could’ve been livelier, but for a movie about death and decay that would’ve been a bit of a sell-out.
  • Bam
    (Saturday, Jan 31. 2015 11:01 PM)
    @Emma: Birdman and Synecdoche have a lot of thematic elements in common, and given that Synecdoche was released in 08 makes me realize that Alejandro González borrowed quite a bit from it; although in the end they are different enough to justify Birdman’s existence. Where Synecdiche was a better written movie, I feel that Birdman was the better directed one.
  • Emma
    (Saturday, Jan 31. 2015 04:15 PM)
    And I’d go as far to say this beats out birdman for me by miles.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    The film is a solid mood piece thanks to the in tone cinematography, a great performance from Hoffman that along with his characters drama makes for an emotionally investing film. And before it gets TOO sad theres all those bits of dark humour fitted in there that work out pretty well. This is probably my favourite work by Kaufman currently.
  • Emma
    (Saturday, Jan 31. 2015 04:14 PM)
    Well Bam, I had a go of synecdoche there. A bit of a slow burner, near the end slightly drawn out, however that last stretch was forgiven by that bonkers ending.
  • Emma
    (Saturday, Jan 31. 2015 01:23 PM)
    The voice of the main character got kind of annoying though, the dub wasn’t all that good either.
  • Emma
    (Saturday, Jan 31. 2015 01:22 PM)
    This was based on/was a homage to a series by the Gigantor creator and having grown up with gigantors 90s reboot this felt like a nice throwback, plot is fairly simple but used effectively. It’s a shame that it feels like there was more to tell but at seven episodes I suppose it avoids outstaying its welcome.
  • Emma
    (Saturday, Jan 31. 2015 01:20 PM)
    Decided to marathon Giant Robo, I think this was mentioned by someone on here before. I guess it was fairly entertaining, great action direction, looked good for its time, you don’t notice the hour long episodes go by, adequate characters, nice retro artstyle also, not sure if I got excited over this as big O and Mazinger however but still fun enough nonetheless.
  • Emma
    (Saturday, Jan 31. 2015 07:10 AM)
    Seeing Hoffman in before the devil knows your dead and his character being dependent on drugs, that was another thing that hit me a bit knowing the circumstances of his death. Watching most wanted man I could also see that he was wearing out physically.
  • Bam
    (Saturday, Jan 31. 2015 07:00 AM)
    This is not Anno bitching about otakus jacking off to his characters and turning around and selling Rei panties, this isn’t the idiots at Shaft throwing around meaningless camera angles and the oh-so-symbolic teeth brushing scenes, this is a human being looking you in the eye with fear and telling you that he’s dying; morbid, honest, moving and remarkable.

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