Posted on 25 November 2013 with categories: Seasonal Previews

This season. It feels like a spring or autumn season is coming. Perhaps not a big one, but I’m surprised by the amount of solid titles that are coming out. There are quite a number of series I’m looking out for, plus also a few that already have the potential to become the best of the year unless the competition really ramps it up. We’re in for an interesting season, that’s the least. Unfortunately, there also are a lot of really bland series coming up. It’s a season of extremes.

Wake Up Girls

Impressions: Here is one to probably steer away from: Yutaka Yamamoto, a guy who basically is just one big troll, is going to direct a movie. It’s about seven high school girls. Who become idols in order to save a production company. Yes, he actually came up with this. It’s not an adaptation. Out of all the possible plots that he could have picked, he picked one of the most generic ones. Heck, with Fractale he actually tried to show that he had some ambition.

Bayonetta: Bloody Fate

Impressions: This is going to be Gonzo’s new project, and it’s helmed by the director of Afro Samurai and the X-Men. What this basically means is that Bayonetta will be a movie about eye candy: throwing as much visual stuff at the screen and hope that the audience won’t be bored enough to realize that the storyline is pretty rubbish. It’s also got the screenplay from the guy who wrote the X-Men anime, which only reaffirms this.

Hunter X Hunter: Last Mission

Impressions: Here is the interesting thing about this movie: it’s going to be adapted by the guy who also adapted the 1999 version. Including the OVA, the part of the franchise that managed to receive the best and most heartful adaptation so far. That is very promising, because even though this guy isn’t perfect (he also was behind the much more lackluster Greed Island Arc that just felt lazily adapted), he knows how to do it, and how to bring the best out of the characters. Here’s to hoping that he can do it again. The director will be completely different though, so who knows where that’ll end up?

Amazing Twins

Impressions: Sato Junichi and Mari Okada. A combination between these two prolific creators was bound to happen someday, and it comes in the form of this quirky-looking OVA about some girls with superpowers. It looks out of the league for both of them, as this seems to be a pure action series, but that does provide opportunities. Both of them are ridiculously talented when they get something right, now the thing will be whether they can make this happen for this set of short OVAs as well.

Majocco Shimai no Yoyo to Nene

Impressions: Here is another one to look out for. Not just because of Ufo Table, but also because they put their best director on it: Takayuki Hirao. This guy screams alternative and he has guts to go where nobody else dares to go. He directed the fifth and best of the Kara no Kyoukai Movies, and was the only one who was deranged enough to try and animate a story by Junji Ito. His storytelling skills are sometimes a bit wonky and for that he will need good source material. But it looks like a nice and ambitious family movie.

Mouretsu Pirates

Impressions: Mouretsu Pirates was a bit of a weird series that got progressively better with every single arc thanks to some very good build-up. Tatsuo Sato is a great director and he will be both writing and directing this movie, which means that he has a lot of control about its content, and that’s very promising for a movie.

Buddha 2

Impressions: Buddha 1 was amazing. A brilliant adaptation of Osamu Tezuka‘s classic. So of course I’m looking forward to the continuation! The director is going to be different for this one, though: Toshiaki Komura, someone with less experience than the first one and who is mostly known for directing Precure series and awful fighting stuff like Kinnukuman and Ring ni Kakero. I hope that he has a good team to back him up, because a story like this deserves people who handle it with care.

Tiger & Bunny The Rising

Impressions: So yeah, a lot of people probably noticed that I’m not posting movie reviews anymore. I really want to pick up movies again, however I need to find a way to actually sit down and watch long stuff again. I’m currently battling my own laziness and concentration for it, because I still need to watch the first movie before checking this one out. And the second movie too has the brilliant director of Yoshitomo Yonetani behind it, who is a master of chaos.

Kaguya Hime Monogatari

Impressions: This is one of my top movies to watch out for this winter. It’s probably going to be Isao Takahata‘s last full movie ever. And for those who don’t know him: he’s the one who co-founded Ghibli with Hayao Miyazaki. Out of all of the directors I have ever witnessed in anime, he is by far the most realistic one. Nobody has ever been able to top his feeling of characters since the late sixties when he got his first directing jobs. It causes his movies to be very slow, but I’d still like to see his talents one more time.

Mushishi

Impressions: Talk has been going on for quite a while now that there would be more Mushishi, and with this it has finally be announced: a one-hour special on January 4th. Reuniting all of the past staff that gave us one of the most memorable series out there. However, I am disappointed a bit: I had secretly hoped an entire new television series: there seems to be enough manga material left for that. However, I guess that you can’t have everything. A one-hour special is awesome enough.

Upcoming TV-Series:

Saikin, Imouto no Yousu ga Chotto Okaishiin Da Ga.

Summary: ” In the romance comedy, a girl named Mitsuki Kanzaki lives with her step-brother Yuya after her mother remarries. One day, Mitsuki is possessed by the self-proclaimed spirit of a young girl, Hiyori Kotobuki. Hiyori (in Mitsuki’s body) must fall in love with Yuya to move towards the “Gates of Heaven.”” – (Taken from ANN)
Produced by: ?
Original creator: Mari Matsuzawa

Impressions: This has to be one of the most ridiculously stupid, insulting and contrived premises to try and make incest acceptable.

First-Glance Potential: 0%

Oneechan ga Kita

Summary: “The story revolves around Tomoya Mizuhara, a 13-year-old boy who suddenly gains a big sister when his father remarries. 17-year-old Ichika is a little strange, and her affection for Tomoya is rather overwhelming, if not scary. On top of things, Ichika’s friend Ruri is the ultimate sadist. Then there is Ichika’s big-breasted quarter-Japanese friend Marina.” – (Taken from ANN)
Produced by: C2C
Director: Yoshihide Yuuzumi
Original creator: Rikou Anzai

Impressions: This will have 3-minute episodes, and it seems strangely like older-sister incest. Next.

First-Glance Potential: 0%

Maken-Ki Two

Summary: “Takeru Ohyama, a young normal yet perverted minded guy, got accepted and now goes to a school that, unknown to him, was where combat and magic is used. On the first day, he meets again after three years: Haruko Amaya, his childhood friend, Inaho Kushiya, a girl who says she’s his fiance, and Kodama Himegami, a blonde who wants to kill him. Finding out that there are many girls there that just don’t like him, he is told that everyone there uses a special magic ability while using an item or weapon called a Maken. Later, he finds that no Maken is acceptable for him and doesn’t know what to do, since in this school the students get into duels that showcase their magic and combat power, of which he seemingly has none.” – (Taken from ANN)
Produced by: Xebec
Director: Hiraku Kaneko
Series Composition: Yosuke Kuroda
Original creator: Hiromitsu Takeda

Impressions: Oh god, the director of Seikon no Qwaser and Xebec have found each other. Prepare for porn!

First-Glance Potential: 0%

No-Rin

Summary: “The story centers on the students at the Tamo Agricultural High School (Tamo Nourin Koukou, shortened to No-Rin). Kousaku Hata is a student there and is something of an idol otaku. The newest transfer student happens to be the super-popular idol Yuka Kusakabe who Kousaku adores. The school also has a childhood friend with a local dialect, a bishounen with glasses, a cute animal mascot, a girl with large breasts, a female teacher prone to flight of fancy, and more.” – (Taken from ANN)
Produced by: Silver Link
Director: Shin Oonuma
Series Composition: Michiko Yokote
Original creator: Shiratori Shirow

Impressions: Oh my god, Shin Oonuma is getting lazier and lazier. I mean, when you thought that he couldn’t go lower than with that Fate/Stay night ripoff, with this show they basically just putting up a sign saying “Otaku! Buy this!” I mean, can we please move away again from the idea that “big boobs” are a character trait?

First-Glance Potential: 0%

Wake Up Girls

Summary: “Green Leaves Entertainment is a tiny production company on the verge of going out of business in Sendai, the biggest city in Japan’s northeastern Tohoku region. The agency once managed the careers of magicians, photo idols, fortune-tellers, and other entertainers, but its last remaining client finally quit. In danger of having zero talent (literally), the president Tange hatches an idea of producing an idol group. On the brash president’s orders, the dissatisfied manager Matsuda heads out to scout raw talent. Matsuda makes a fateful encounter with a certain girl…” – (Taken from ANN)
Produced by: Ordet
Director: Yutaka Yamamoto
Series Composition: Machida Touko
Original creator: Yutaka Yamamoto

Impressions: I’ve talked about this one above: Yutaka Yamamoto could have picked any premise he would have liked (he has the ego to get away with things, we know that), and he goes for a generic idol series with seven cute girls. Yay for originality!

First-Glance Potential: 0%

Nisekoi

Summary: “Nisekoi follows high school student Raku Ichijou, the son of a leader in the yakuza faction Shuei-Gumi, and Chitoge Kirisaki, the daughter of a boss in a rival gang known as Beehive. They unexpectedly meet when Chitoge hops a wall and knees Raku in the face. After she runs off, Raku realizes he has lost his pendant which was given to him by his childhood sweetheart with whom he made a secret promise. After discovering Chitoge is a new transfer student in his class, he forces her to help him look for the pendant. During the search, they begin to dislike each other.” – (Taken from ANN)
Produced by: Shaft
Director: Akiyuki Shinbo
Original creator: Naoshi Komi

Impressions: So many red flags going up here, it’s ridiculous. Right after finishing the Monogatari series Shinbo is immediately going to continue with another series. It’s a romance series, adapted from Shounen Jump, meaning that there is no way in hell that they’re going to be able to stuff the entire series into just 13 episodes, and it’ll probably drag out as hell due to the weekly format of that magazine. Also: “during their search they begin to dislike each other”… yeah right.

First-Glance Potential: 0%

Robot Girls Z

Summary: ” Robot Girls Z focuses on three high school girls: Z-chan (based on Mazinger Z), Gre-chan (based on Great Mazinger), and Grenda-san (based on Grendizer). The group forms the Robot Girls Z unit in Nerima Ward Oizumi Academy’s Photon Power District in Photon Power Town that promotes Photonic Energy as the future energy source and fight the evil Baron Ashura and her Mechanical Beasts Girls Garada-chan and Doublas-chan who seek to use Photonic Energy for their nefarious purposes.” – (Taken from ANN)
Produced by: Toei Animation
Director: Hiroshi Ikehata
Series Composition: Kzuho Hyodo

Impressions: This one seems like Toei’s lesser department doing another series, because it completely lacks any sort of creativity whatsoever. It’s just another series that turns things into cute girls, only this time it’s classic robot series. This is not how you do a homage! This is just blatant ass-kissing. You’re putting these girls at places they totally don’t belong! The director and series composition are both really meh: both people who seem lazy and not really inspired to make something good out of this one.

First-Glance Potential: 0%

Go! Go! 575

Summary: “The anime ties into Project 575, which lets anyone create songs using the traditional Japanese 5-7-5-syllable meter found in haiku and tanka poems.” – (Taken from ANN)
Produced by: SEGA

Impressions: I’m thinking: how on earth can they make this work? No staff has been announced yet, but even then: it’s two characters who read Haiku. Who on earth can make an enjoyable series that lasts an entire season out of that?

First-Glance Potential: 0%

Chuuninbyou Demo Koi ga Shitai II

Summary: “High school freshman Yuuta Togashi was once a “chuunibyou patient” i.e. an overly self-conscious middle schooler. He wants to bury this embarrassing past and begins a new life in high school—unsuccessfully. His classmate Rikka Takanashi, a “current” chuunibyou patient, has found traces of residual symptoms on him and used the fact to force Togashi “making a contract” with her.” – (Taken from ANN)
Produced by: Kyoto Animation
Director: Tatsuya Ishihara
Series Composition: Jukki Hanada
Original creator: Torako

Impressions: I’ve ranted about Kyoto Animation before, but let me quickly explain why I dropped Chuuninbyou quite early: all of their characters look the same! They always keep relying on the same archetypes and gags over and over, and even when you think that they’re going to try something different, the first episode airs and they find some way to make their characters look way too much like their previous iterations. I’m of course not denying that things can get better later on, but the question is: do I want to pain myself sitting through the same characters over and over again? Right now my answer to that is no.

First-Glance Potential: 0%

Magical Warfare

Summary: “In this modern magic action story, Takeshi Nanase is an ordinary high school boy who has a somewhat dark past. Due to certain circumstances, he formed a “fake” couple with his childhood friend Kurumi Isoshima, but otherwise, he lives a normal life. However, one day, he comes across a girl named Mui Aiba, in a uniform he has never seen before, collapsed on the school campus. This encounter changes Takeshi’s destiny completely. Mui tells Takeshi that she is a magician, and she apologizes, for she turned Takeshi into a magician, too. What Takeshi once knew as one world is actually two — the world where magicians live and the world where humans live.” – (Taken from ANN)
Produced by: Madhouse
Director: Yuzo Sato
Series Composition: Kazuyuki Fudeyasu
Original creator: Hisashi Suzuki

Impressions: Another boring premise with silly promo art that fails to stand out whatsoever. It’s a light novel adaptation, which raises even more red flags. The only bright point is that the staff behind this one is quite good: the director of Kaiji, Agaki and One Outs (but also Iron Man) and the series composition of Hajime no Ippo (but also Kampfer and Kamen no Maid Guy). And those negative examples are unfortunately what I’m fearing here: yes these guys have adapted some wonderful stuff. But they made that with great premises. Not bland and boring crap like this.

First-Glance Potential: 10%

Super Sonico the Animation

Summary: “Super Sonico is the mascot girl of the “Nitro Super Sonic” events held by Nitroplus. In her back story, she is already a photoshoot model, game character, and a musician, even as she studies as a college student. She is also part of a three-piece girl band named “Daiichi Uchū Sokudo” (Fastest Speed in Space) as the vocalist and guitarist.” – (Taken from ANN)
Produced by: White Fox
Director: Keiichi Kawamura
Series Composition: Yosuke Kuroda

Impressions: This one has me puzzled: so it’s a mascot of Nitro+, and it’s getting its own anime. If it’s going to be good, then it’s probably the first of its kind to actually deliver, because the potential for failure is incredibly high here. The problem is corporate: of course she’s a mascot so you can’t make her look bad or anything, she needs to be constantly appealing and you can’t do anything risky with her because it might lead to bad views about Nitro+. The creators behind it aren’t that bad or anything, but I really doubt that they can do anything with this.

First-Glance Potential: 20%

Hamatora

Summary: “The story revolves around “Minimum” or “minor miracle”— special hereditary powers discovered only in an extremely limited number of humans. Those who possess such powers are known as “Minimum Holders.” Partners Nice and Murasaki form a detective agency called “Hamatora” in Yokohama in 2014 — but their “office” is a table at Cafe Nowhere where they and their friends wait for clients. An old acquaintance of theirs, a cop named Art, hires them for a serial murder case he is investigating, and they discover that the murder victims are all “Minimum Holders.” As Minimum Holders themselves, Nice and Murasaki are drawn into this case, whether they like it or not.” – (Taken from ANN)
Produced by: ?
Director: Seiji Kishi
Series Composition: Yukinori Kitajima

Impressions: When the page loaded and I could only see a few vague hints, I could already tell immediately that this would be Seiji Kishi’s new series. It’s painfully obvious, and usually when you can recognize a director’s personal style, it’s good. With him though, I see him blatantly recycling some of the ideas he used in Daganronpa and Devil Survivor. I mean come on: over the past year he has done three series and one movie. This guy is overworked and needs to stop right now. The worst thing is that the premises of his series aren’t that bad. It’s just the execution that keeps on getting worse.

First-Glance Potential: 20%

Neppu Kairiku Bushi Road

Summary: “An asteroid collision brought with is a deadly menace known as “Shinbo.” Faced with destruction, humanity retreated to land reclaimed from the sea. The one ray of hope is a device that can fight the Shinbo called “The Mechanical Divine General.” Ame, the princess of the refugees, and Sutou, who carries the blood of the Yagyu family, must awaken its power in order to save the world.” – (Taken from ANN)
Produced by: Kinema Citrus
Director: Masayuki Sakoi
Series Composition: Norimitsu Kaihou
Original creator: Sunao Yoshida

Impressions: It’s probably a coincidence, but I love how they decided to call the deadly menace that destroys humanity Shinbo (hey, it’s not my idea!) – But yeah, the plot here is pretty generic and pretty stupid (a princess of refugees seems very much like a silly attempt to make that character more special than what she actually is). The director of Needless and Maid Guy also makes me fear about whether this show will be more than cheap entertainment.

First-Glance Potential: 20%

Mikakunin de Shinkoukei

Summary: “The comedy revolves around Kobeni Yonomori, who on her 16th birthday suddenly has a young man with little presence named Hakuya Mitsumine and his younger sister Mashiro appear in front of her. It turns out that Hakuya is her fiancé, and Mashiro is her future sister-in-law. The three (and Konbeni’s older sister Benio) start living together underneath the same roof, and hilarious happenings occur.” – (Taken from ANN)
Produced by: Dogakobo
Director: Yoshiyuki Fujiwara
Series Composition: Fumihiko Shimo
Original creator: Cherry Arai

Impressions: This one seems like the standard premise for a sitcom, and nothing more. So slice of life that depends on the antics of three characters, and possibly a lot of cuteness. I personally don’t think that it will work. Perhaps one episode will be nice, but it won’t have enough material for 13 episodes. Unless you like the 4-koma adaptation genre, I see this one as instantly forgettable.

First-Glance Potential: 20%

Nobunagun

Summary: “Shio Ogura is a Japanese high school student, who is visiting Taiwan on a school trip when she is suddenly attacked by monsters. Agents known as “E-Gene Holders” from the government agency DOGOO also arrive, who wield weapons infused with the spirits of historical figures. Shio is revealed to also be an E-Gene Holder when the soul of Oda Nobunaga awakens after she tries to rescue a friend.” – (Taken from ANN)
Produced by: Bridge
Director: Nobuhiro Kondo
Series Composition: Hiroshi Yamaguchi
Original creator: Masato Hisa

Impressions: When I first saw the promo material, my reaction was that it was a really artsy project that probably would rely a lot on being cool. Then I read the premise and this show lost all of the hope that I had for it. The plot of this show is one that I hope will die out very soon, because it really is a dead horse at this point. And as for the staff behind it… Nobuhiro Kondo previously directed Kekkou Kamen and Keroro Gunsou… two series that I haven’t seen before, but I doubt whether that kind of experience can really make something good out of this series. Hiroshi Yamaguchi though… this guy is a good writer when he wants to be. He really needs to try though, in order to make something workable out of a bad premise like this.

First-Glance Potential: 20%

Sakura Trick

Summary: “The story revolves around Haruka and Yuu, two girls who go to a high school that is slated to be shut down in three years. To share “something special” between them, they share a kiss, and their relationship deepens from that moment onward.” – (Taken from ANN)
Produced by: Studio Deen
Director: Kenichi Ishikura
Original creator: Tachi

Impressions: Kenichi Ishikura is an episode director who previously worked at Shaft, and then went on to direct the umpth Da Capo series (which was really forgettable). But yeah, we have a lesbian romance series, which unfortunately still remains a series about a bunch of high school girls who all look the same, stuffed together. I like yuri, but I like it because of how good the stories of yuri-series on average tend to be. But I’m not sure whether just the addition of romance will be enough to lift this bland premise up from mediocrity.

First-Glance Potential: 30%

Inari, Konkon, Koi Iroha

Summary: “The story revolves around Inari Fushimi, a shy, not-so-bright middle school girl living in Kyoto’s Fushimi ward. She has a crush on her classmate Tanbabashi, but cannot express her feelings. One day, as thanks for helping a fox pup, the deity Ukanomitamanokami grants her the ability to change her form.” – (Taken from ANN)
Produced by: Production IMS
Director: Toru Takahashi
Series Composition: Machida Touko
Original creator: Morohe Yoshida

Impressions: I’m on the fence about this one. The thing is that it’s a romance series that has the potential when done the right way. It also seems to want to take itself seriously. And it does have the director of Otona Joshi no Anime Time I. However it is a manga adaptation, and Machida Touko isn’t really good at adapting things. With that, I really fear that this will end up as a generic romance show that ends inconclusively and doesn’t go anywhere.

First-Glance Potential: 40%

Wizard Barristers: Benmashi Cecil

Summary: “The show takes place in Tokyo in 2018, where normal humans and those who can use magic coexist. As a result, there are laws against using magic, and a “magic courtroom” exists to preside over lawsuits regarding magic use. In these cases, “Benmashi” or wizard barristers defend those who use magic. The anime follows Cecil, the youngest Benmashi in history, and her associates as they defend clients in these cases.” – (Taken from ANN)
Produced by: Arms
Director: Yasuomi Umetsu
Series Composition: Yasuomi Umetsu
Original creator: Yasuomi Umetsu

Impressions: Okay, and the biggest WTF of the season in terms of staff is going to this series. Yasuomi Umetsu, the guy who is currently doing a pretty bad job with Galilei Donna, is going to follow it up IMMEDIATELY with a new series. Animated by Arms of all things, the single worst major production company out there. I… have no idea what he’s doing. He’s again going to write it from scratch and direct it at the same time. What puzzles me is how he got away with it, and why on earth he’s not doing a better job if he’s got so much ambition. I mean, this is not something you do normally in order to get a paycheck: he really needs to have wanted to do this in order to suddenly come out of nowhere with two completely original series. Why did Galilei Donna have such bad writing then? And if it’s apparently so easy to just get yourself an original series, why aren’t more people doing it?

First-Glance Potential: 40%

Witch Craft Works

Summary: “Honoka Takamiya is perfectly content with living his quiet life as an average high school junior. The only disruptions to his mundane daily routine all seem to stem from unexpected encounters with his school’s super-popular student idol, Ayaka Kagari, the talented, phlegmatic, and gorgeous daughter of the school board chairman. To his dismay, Takamiya’s classroom seat turns out to be right next to Kagari-san, thus he suffers jostling, harassment, and even a beating from her inescapable crowd of jealous fans. As if this isn’t bad enough, Takamiya’s world–as well as a portion of his school–suddenly collapses around him, and he is twice lured into bizarre and fantastic deathtraps. Astonished at his own survival, Takamiya learns that his rescue is thanks to the cool head–and fire power–of a witch… named Ayaka Kagari. From then on, Honoka quickly discovers, with Ayaka’s devoted help, that neither his school, nor the people he thought he knew, nor even he himself are in any way normal.” – (Taken from )
Produced by: JC Staff
Director: Tsutomu Mizushima
Series Composition: Tsutomu Mizushima
Original creator: Ryuu Mizunagi

Impressions: Tsutomu Mizushima’s biggest problem is that he’s overworked: he doesn’t take his time for his series, despite being a really good director. Thankfully there has been some time since Yondemasuyo, Azazel-san, but I wonder whether it is enough. I mean, he needs to be really sharp again in order to make this premise consistently funny for an entire season, because it’s a school magic series. A very overcrowded genre, especially when it’s about this helpless male being escorted and protected by a cool and powerful female. What can they do to make this fresh? For one, the chemistry between the main couple NEEDS to be good. If it’s even remotely bland, then this show has no chance to remain interesting.

First-Glance Potential: 50%

Sekai Seifuku ~ Bouryaku no Zvezda

Summary: “?”
Produced by: A-1 Pictures
Director: Tensai Okamura
Series Composition: Tensai Okamura, Meteo Hoshizora

Impressions: Tensai Okamura is coming with a new original series, combined with A-1. That sounds great, doesn’t it? Well, the thing with him is that he’s a hit or miss director, but when he hits, he really hits hard with stuff like Darker than Black and Stink Bomb, but he has also written series that… didn’t really go anywhere. I really want to like this one… but just look at the promo art. Obviously there is THAT outfit, but I have another issue with it: EVERYONE is trying to make some quirky facial expression. That to me, is a sign of trying too hard. Adding too much of one spice while not caring about the rest.

First-Glance Potential: 70%

Noragami

Summary: “At the boundary between this realm and another, there live eight million gods, dead spirits who serve the gods, and other assorted spirits who help and meddle in the affairs of humans. A sweet middle school girl named Hiyori Iki has been enduring bullying from her classmates, and she goes to the restroom by herself to cry. Scrawled on the bathroom wall is a phone number and the message, “I solve your troubles.” After Hiyori calls the number, she encounters a homeless, unemployed figure who proclaims himself a “god.” Crude, unpredictable, and worthless, he does not answer people’s prayers and no one acknowledges him. However, he has one sole power, the ability to cut all who pass between this world and the next.” – (Taken from )
Produced by: Bones
Director: Kotaro Tamura
Series Composition: Deko Akao
Original creator: Adachitoka

Impressions: This one looks like it might actually be quite interesting to watch if it’s handled well. Of course, it is an adaptation, and to me this sounds like a story that will have a hard time fitting into its time-frame. Deko Akao is quite a flawed writer. However, the director seems to be a young talent who has been running around Bones, and with this he’s getting his first chance to direct a full series. The website for this really screams that budget has been put into it. So yeah Deko Akao, don’t be lazy this time: give this story the attention it deserves. Use your head and think.

First-Glance Potential: 70%

Toaru Hikuushi e no Koiuta

Summary: “The story of love and aerial combat follows a former prince who lost everything to a revolution, and a girl who became the symbol for the revolution. The orphaned prince, now renamed Karueru, embarks on a one-way journey to discover the ends of the heavens. Aboard the levitating island of Isura, he meets a girl named Claire. This is a tale of a prince who lost everything leaves for a journey with no guarantee of returning to his hometown safely. With hatred and revenge in his mind, he met several people that taught him about friendship…and love.” – (Taken from ANN)
Produced by: TMS Entertainment
Director: Toshimasa Suzuki
Series Composition: Shinichi Inotsume
Original creator: Koroku Inumara

Impressions: Remember Toaru Hikuushi e no Tsuioku about a fighter pilot who has to escort a princess? Well, the author wrote more novels, and this time we’re getting a TV-series about it. I’m fine with that: planes and fighter pilots are a pretty interesting topic to make a series about, and with this we have a bit more time to delve into the characters and the setting than just one movie. The director of Heroic Age and Rinne no Lagrange seems solid, as long as he won’t have to write his own story, but he knows his characterization at least. Shinichi Inotsune has adapted a variety of series, including good ones like Ristorante Paradiso. This has potential to work out.

First-Glance Potential: 80%

Nobunaga the Fool

Summary: “The Western Planet and the Eastern Planet. Once upon a time, the two sides were bound by the “Dragon Pulse” spanning the heavens. The civilization that once had prospered has now turned to a tale of dreams, as the inextinguishable flames of war tear the realm asunder. The two planets remain engulfed in endless battles. The return of the super technology known as “sacred treasures” could revolutionize the world order, but no one knows of them but one person — a “heretical girl.” A girl from the Western Planet, Jeanne Kaguya d’Arc, saw heavenly visions of the birth of a “Star Messiah” who will save the world. She embarks on a journey to the Eastern Planet with Leonardo da Vinci, “the one who observes the world.” They come across the heretic of the Eastern Planet and “the greatest fool of the day,” Oda Nobunaga.” – (Taken from ANN)
Produced by: Satelight
Director: Eiichi Sato
Series Composition: Shoji Kawamori
Original creator: Shoji Kawamori

Impressions: Nobunaga… oh god not another one, please let this guy rest for onc.. HOLY CRAP THAT LOOKS AWESOME. I mean, this show. This is what he needed, because it dares to do something new with the guy. This is the kind of premise that is so ridiculously stupid that it might actually work, and Shoji Kawamori, who is strangely writing a series for once, rather than sitting at the position of chief director, is one of the people crazy enough to actually make it work. His ego will make sure that no idea is too crazy. And combined with that we have the director of Kiss Dum, which will make this an entire trainwreck. But it will be glorious!

First-Glance Potential: 80%

Houzuki no Reitetsu

Summary: “Houzuki is the aide to the great king of Hell, King Enma. Calm and super-sadistic, Houzuki tries to resolve the various problems in Hell, including a rampaging Momotarou and his companions. However, he also likes spending his free time on his hobbies, such as fawning over cute animals and raising “Goldfish Flowers.”” – (Taken from ANN)
Produced by: Studio Wit
Director: Hiro Kaburaki
Series Composition: Midori Gotou
Original creator: Natsumi Eguchi

Impressions: Wit Studio seems to be split off from Production IG, and it looks like they took a lot of talent with them, and they actually came with quite an interesting premise to animate again, this time without Production IG at their side. It’s a premise that dares to be different. It’s an adaptation, but it’s the kind of adaptation that I can see would fit within an anime timeslot. It’s got a solid director who knows how to shoot stuff, and the writer wrote for a chunk of good series that Production IG did back in the days, so these people can pull it off. Now all that’s left is to hope that the manga this is based on is good.

First-Glance Potential: 85%

Silver Spoon Second Season

Summary: “Yuugo Hachiken decided to escape from the stressful school and home environment in the city by enrolling at Ouezo Agricultural High School. Unlike his peers who’ll eventually embark upon an agricultural career, he decides to study there only because he believes it’ll be less competitive academically. Unfamiliar with his new surroundings, he tries his best to adapt to the agricultural world he had never thought of living in.” – (Taken from ANN)
Produced by: A-1 Production
Original creator: Hiromu Arakawa

Impressions: Noitamina next season will rock, with the second halves of both Samurai Flamenco and Silver Spoon. Silver Spoon is a series that takes a very honest, yet also silly and endearing, look at farming, and the first episode was very effective at that. Like full metal alchemist, everything was calculated and let’s hope that the second season will be as enjoyable.

First-Glance Potential: 85%

Pupa

Summary: ” The “life-and-death sibling” story follows Utsutsu and Yume Hasegawa, a boy and his little sister who find themselves all alone. One day, Yume sees a mysterious red butterfly and her body undergoes a strange metamorphosis—into a creature that eats humans. Utsutsu struggles to find a way to restore his sister.” – (Taken from )
Produced by: Studio Deen
Director: Tomomi Mochizuki
Original creator: Sayaka Mogi

Impressions: Okay, so it got delayed one season. That still doesn’t change that I’m looking forward what is promising to be the first good show with incest in a long, long while. Tomomi Mochizuki is one of the best directors that Deen could have gotten, and it’s great to see him in the director’s chair again, and if that means a few delays in order to get things just right, then I’m willing to wait. I’m really looking forward to how disturbing they can make this one.

First-Glance Potential: 100%

Space Dandy

Summary: ” The story follows Dandy, an alien hunter who is “a dandy guy in the space”, in search for aliens with his robot assistant QT and a cat alien named Meow.” – (Taken from ANN)
Produced by: Bones
Chief Director: Shinichiro Watanabe
Director: Shingo Natsume
Script: Dai Sato, Keiko Nobumoto

Impressions: Space Dandy isn’t just awesome because it’s helmed by Shinichiro Watanabe. No, it also reunites parts of the Cowboy Bebop writing staff: Dai Sato and Keiko Nobumoto. The three brains behind one of the most solidly executed and celebrated anime ever are finally coming together again to make something new, and let’s see what 15 years of extra experience has brought to them. This will be their big chance to come with something big again. They’ve got 26 episodes, they’ve got the talents of the animators of Bones behind them. The character-designer behind Cowboy Bebop, and I can already see a ton of different musical artists who will be behind the soundtrack. This will be big.

First-Glance Potential: 100%
Posted on 24 November 2013 with categories: Random Posts

Hey everyone, I participated in Deadlight’s podcast again. This time about crappy Fall series that we initially liked, Studio Gonzo and their new film, a video game adaptation, Bayonetta. Listen here!

Posted on with categories: Kyousogiga

Toei, I applaud you. This episode was once again amazing. Seriously, I’m really quite astounded: Kyousogiga is one of the very few series that gets just about everything right. Kill La Kill and Samurai Flamenco: I can both name issues I have with them. Kyousogiga: none whatsoever. You could say that some things make no sense, and here the first half of this episode comes and fills in some big gaps in the monk’s backstory so that it makes complete sense. With this, the plot has this amazing balance of explaining things, and leaving things up for interpretation.

The direction was also fantastic here. It even goes beyond Kill la Kill at this point, first with its use of facial expressions that get the most out of the non-verbal communication between the characters, and second because of how in the second half, it actually blended in the two fights that were going on masterfully, often showing them in the same screen but having one in the foreground, and another in the back. That’s something I have yet to see in anime.

Then, this episode did make use of repetition, but it did so in the good way: when you notice the repetition, things all make sense in terms of the monk’s backstory. The entire series has basically been doing that. The same goes for the music, I guess. There really aren’t that many tracks in Kyousogiga’s soundtrack. But they are all wonderful, and they are also used at the perfect times!

Last week was a recap, but I’d say for that: who cares? If that is this series’ solution for having only ten episodes, I’d say let it do that! It’s the first series in years that I’ve seen that actually tried to have a different number of episodes than 13/12, 25/26, the occasional Noitamina-length of 11 and 22 episodes or an infinite amount of episodes. It’s exactly as long as it needs to be, give or take 20 minutes or something.

I’m always keeping an eye out for new masterful directors to start showing themselves. And with Rie Matsumoto, Toei Animation has struck gold, but she’s also working with a wonderful team of animators. But yeah, so far anything she has touched became gold. Now we can only hope that she will keep this passion of hers, and keep landing jobs as a director. If she can, then she can make it really big. I mean, this show is the textbook example of what I look for in a great anime.
Rating: 7/8 (Fantastic)

Posted on 23 November 2013 with categories: Samurai Flamenco

Samurai Flamenco: you are awesome! This episode was glorious on all levels! If you haven’t seen the episode yet: close this browser at once and get to it! This is one episode you do not want to be spoiled on!

I had seen pretty much everyone freaking out about this particular episode, so when I sat down to watch it, I already had the mindset of “well this twist has to be pretty damn major here”. It was. At first I thought that it was about Masayoshi finding out that his parents had been mugged instead of died from an illness like what he thought. That already was amazing to watch, due to how it was revealed.

I especially liked how Masayoshi was in conflict about himself: his parents died when he was two years old. It’s normal for him to not feel bothered by tracking down those criminals (finally lhe’s doing something normal!). It conflicted with his desire to be a hero, though his version of being a hero focused on the part of protecting justice, not the parts of heroes that focused on tragic backstories and personal revenge. Also: small touches like the title of this series coming from Masayoshi’s grandmother who used to be a flamenco dancer. I love how these series explain their own titles and have them make total sense.

But yeah. The twist. I applaud this series for doing this. For being completely realistic without any supernatural powers whatsoever aside perhaps from a few far-fetched ideas for gadgets. And then going completely berserk with this episode when THAT happened. It worked so well: everything that happened there was of such a completely different scale than what we’ve been used to. It’s a brilliant twist that just would not have worked without all that build-up. That was a wonderful example of how you escalate a story!
Rating: 7/8 (Fantastic)

Posted on with categories: Kill La Kill

So Kill la Kill? This episode really shows that it’s written by someone who DOES know what he’s doing. The balance is all there, and despite the simple plot, he knows how to use it. This episode for example needed to be a bit of an intermezzo inbetween the major fights in order to build up the atmosphere and tension. The big problem with these kinds of episodes though is that they’re boring and don’t really do anything. So the solution of this series? Just show a bit of character background. And with that you’ve got a perfectly fine building-up episode that was really fun to watch.

And the homages! The wonderful homages. This episode really managed to pay a wonderful tribute to school series like Utena, while at the same time doing them with a huge tongue in their cheek. Everything is taken completely over the top as usual, but the characters are also aware of this. The high school student being 20 years was a really nice addition: tons of high school characters in anime look way too old for their ages. This one actually has a reason for it. Another nice detail was the car, which at the end of the episode was completely wrecked. A big reference to Utena’s car symbolism that was everywhere, yet in Utena, cars fell apart at times. We never see them all dented up like here. This is a great example of taking ideas and cues from other series: sure, parts here have been done before, but this series uses them in its completely own way. This distinguishes the masterpieces from the ripoffs. It’s of course too early to tell whether Kill la Kill will become a masterpiece and it’s got a long way to go for that, but you get what I mean.

Ryuko’s past also didn’t add much extra, however it was also very much appreciated because we did get a glimpse of how she grew up, and why she ended up as the character she did. She clearly explained why she’s doing what she’s doing. This series really brings back the flaws that a lot of older series had, and fixes them. It’s combining the power of old series together with the power of new series. It’s full of these neat little details that make me quite excited to follow this.
Rating: 6/8 (Awesome)

Posted on 22 November 2013 with categories: Nagi no Asukara

Well, so I thought that I’d check out what Nagi no Asukara was up to lately, so I set down to watch this. And boy, it actually took a long while for me to actually start the thing. Today I finally managed to finish the latest three episodes because otherwise I’d never be able to move on, but it did make me ask a question: why am I still watching this?

It’s episode seven, so at this point we have a pretty good idea of the nature of this show. For the past few weeks I really started looking at anime in a different way, and I asked the above question for a lot of other series. Is it really worth it to watch so many series that contain such lazy writing that contains so many glaring flaws, just for a few things they do well? The key again is balance. Does Nagi no Asukara have that? I’m afraid not.

The thing with drama is: you take a few ingredients, juggle them together and let them culminate into a powerful climax, with some mid-climaxees inbetween. What Nagi no Asukara does is having way too many of these ingredients, overcomplicating the dish. Every episode it finds some contrived reason to create as much drama as possible, ranging from a love polygon that’s triggered way too easily to people behaving like arrogant pricks who can’t use their head for one second. A bit of this is fine and all, but this just kept on coming with the drama, there was hardly any variation to what went on. It’s all just teenaged drama.

Especially now that Hikaru has developed, things should have been more bearable, since he isn’t annoying anymore and he actually tries to take care of his loved ones, and he actually can shut up at once, but… meh. It’s all just so gloomy. Episode seven with those fishermen for example. That came out of nowhere, but these guys acted just as bigoted as he did a few episodes ago. These three episodes consistently bored me because they had nothing going on here. Only episode seven had something noteworthy when Hikaru and his sister actually left their home. That was something different, but getting less and less sure whether it’s worth it.

I think Mari Okada overshot herself with this series. In this series, and with Sakurasou too by the way, she focuses too much on one-sided drama that is in most cases really quite stupid. Compare that to three series of her that did work: Hana-Saku Iroha, True Tears and Ano Hana. Hana-Saku Iroha knew how to spice things up. It might have been a bit boring around this point, but at least it used this time to show what everyday life is for the cast, so it could use that for some very effective climaxes. The sm-episode came out of nowhere, but it took guts and stood out. True Tears also had lots of drama, but it was calculated: slow paced and it knew exactly what to do to remain interesting, again with great characterization. Ano Hana also had tons of drama at a fast pace, but it also delivered many twists that really got the best out of the characters. The cast was well balanced and every character was different, and the drama kept moving forward. It had strange twists, but these twists went together with the characters. It didn’t throw in stuff for the sake of throwing in stuff like what Nagi no Asukara is doing.

The animation in anime is consistently improving: people are really innovating there to create graphics that are really gorgeous, and you see this more and more. That’s good. Now transfer that mentality over to the writing departments. Force them to think logically about what they’re doing. We need more people like Gen Urobuchi, who are celebrated for their writing talents. There doesn’t seem to be any glamour to the writing business and to be honest, the whole scene seems quite a bit closed off. Because of this you have one group of writers who gets picked over and over to write and adapt these series, and there hardly seems any incentive to attract new talent or cultivate it. That really needs to change, because as I see it, it’s the biggest thing holding anime in general back right now.
Rating: 3/8 (Mediocre)

Posted on 16 November 2013 with categories: Kill La Kill

Okay, so I guess everyone is waiting for what that infamous episode 8 is going to do. Anyone who has seen Gurren Lagann knows what I’m talking about. However, I think that the twist isn’t the most important, and only a means to an end. I’m one of the people who wasn’t a big fan of that “twist” (not that the twist wasn’t good, but it didn’t improve things in the long run to me).

But yeah, this episode: I have no idea why but it worked. Again on paper it sucks: poor people taste the life of high standards and learn to appreciate being poor with drama, and at the end of the episode they revert again like nothing happened. If there ever was a whiplash episode, it’d be this one.

And yet, I liked this. Perhaps it was a combination between the premise being so ridiculous that it worked (which fits perfectly with the rest of this series of taking just about everything over the top), along with the actual context of this episode: the entire school is going to change and be rebuilt. I’m actually pretty excited for what they’re planning to turn it into. And at the same time they ended up giving a very good solution for the fears that everyone had been having of this series devolving into a formulaic monster of the week.

Knowing Hiroyuki Imaishi, there are two things that he’s probably going to turn up to eleven: the school and the clothing. On one hand this school will either drill into heaven, or will become the visual embodyment of hell times the power of infinity, and in terms of clothing everyone will end up either running around naked or with some of the most ridiculous costumes imaginable. I’m currently putting my money on 1 and 2 respectively.

Oh yeah, and am I the only one who thinks that the setting here is a big wink to Revolutionary Girl Utena?
Rating: 5.5/8 (Excellent)

Posted on 14 November 2013 with categories: Samurai Flamenco

Samurai Flamenco is a series that very cleverly keeps escalating. And this episode was a good example of this: the reward on Samurai Flamenco’s identity got bigger, he got more famous, the force used against him becomes more lethal, his gadgets get upgraded, people gang up on him more, more other superheroes enter the picture with the arrival of the other two flamenco girls. The only thing that doesn’t escalate is goto’s relationship with his girlfriend, which seems to have gone back to normal after their difficult time earlier. That’s an interesting development: a stable relationship. or at least one that looks like it so far.

At this point in the series it’s a bit too early whether this approach really works in the long run. For that we need a bit more time to see what it’s building up for. This episode’s main purpose was escalating and building up, even though a lot seemed to happen into it. Masayoshi in any case continues to stay true to himself with how he doesn’t doubt anyone on purpose, but the question is how long he can keep this up.
Rating: 5/8 (Great)

Posted on with categories: Yozakura Quartet

You can really see that Yozakura Quartet is based on a manga that is quite old already: when people think of a high spot in the center of Tokyo, the thing that immediately comes to their mind is Tokyo Tower. Not the Tokyo Skytree. This also is a bit of an example of creators adhering a little too much to their source material. What difference would it have made to the story to update to the new highest building in Tokyo? And yet it would have added quite a bit to the immersion as a nice detail.

Also, you don’t need to foreshadow everything. If your character is like “Ha! I took your course of action into account and therefore I took the necessary precautions for it!”, then that’s awesome. When an old couple suddenly reveals that they’ve been holding onto this really incredible power for years that’s given to her just as she’s going to be beaten, then you really have to build that up well. You can’t just show a bunch of shots of that couple here and there. It indeed signifies that they were planning on something, but not that they were going to pull something so convenient for the plot out of their asses.

Now, this is nit-picking, so let me get to the point: I’ve been thinking a lot about what makes a series great, and I’m pretty sure that the answer is balance: a harmony between every single part. And that’s not there for this series. On one hand you can see lots of attention spent on the animation, but not a lot on the script. The characters all have tragic backstories, but there’s not much variety in it. Everyone’s sortof vaguely bothered by “being a demon is annoying”, and lots of characters blend together because of weak characterization. The OVA was short, dynamic and to the point and therefore didn’t have that problem.

But I think a better comparison is with the second season of Birdy the Mighty Decode (not the first, because it didn’t have the incredible animation). Both series have a true master behind the action scenes, however Birdy uses this as a means, while Yozakura Quartet makes it an end. With Birdy the Mighty, you can mention a ton of other reasons to make it worth watching: the character-development, the incredibly dark turns, the way it brought its setting alive, the chemistry and much more. Yozakura quartet… eh… I mean the OVA is awesome due to the characters and the chemistry of the characters, but the TV-series doesn’t have that as much.

Sure, stuff happened in these two episodes, but I’m not really impressed to be honest. There was fighting… and more fighting, but I found the context of it to be rather weak. And it’s not like the conflict is too simple: Kill la Kill has that too. The difference, I think is that that series knows what it wants. It’s also deliberately paced, and knows where to add symbolism where it needs to. The episodes flow right and they know when to show action and when to show building up, instead of showing flashbacks right in the middle of a huge fight, or finding some weird excuse to have a pause in the middle of action (gee, it’s a good thing those monsters don’t attack us while we’re talking, being sentimental, and not keeping our eyes on them). I know, a lot of this is nitpicking, and alone these issues wouldn’t be a problem, but it’s the big picture I’m trying to sketch here.

Another interesting comparison with this series would be to White Album 2. Why? Because both series feature a director who previously was one of the best animation directors for TV-series out there. The big difference is that White Album specifically does not focus on its animation, but more on making the different parts work together. I haven’t completely caught up, but it seems to do a better job. Let me put it this way: if I had to pick one element of these two series that stands out the most, then it’s the animation of Yozakura Quartet. However in terms of the big picture, White Album has it beaten at this point.
Rating: 3,5/8 (Enjoyable)

Posted on 12 November 2013 with categories: Autumn 2013 Kaleidoscope

I’m not blogging this series, but this episode was too interesting to pass up. I’m quite behind on a lot of series, so unfortunately it might take a while before I’m caught up with everything again, so I’m just going to continue the Kaleidoscope in whichever way is the most handy.

Noucome is definitely my guilty pleasure of the season. There is a lot wrong with it. For starters: remove the dog girl and this series would already be lots and lots better. Every major character in this series is a clever play on stereotypes, but she’s just there for dumb moron-jokes and fanservice that we’ve seen way too many times before. This series also has some moments at which it’s just random for the sake of being random. That also could have been toned down.

But yeah, this episode in particular had some pretty sharp parodies. It was actually a breath of fresh air to finally have a series address the stupidity of some overused cliches and bad plot devices that plague the romance and harem scene. I mean, I’ve said before that a good parody is one that really pokes fun at its subject material, instead of just copying things.

The Shaft and the Sister parodies worked surprisingly well. This probably is the first time that I’ve seen a Shaft parody work so well, pointing out how silly it is to just watch a bunch of dialogue while the camera focuses on random details in the background that make no sense. Very clever. And on the other side of the coin, it was so satisfying to finally have someone call out on the bloody sister-cliche! I cringed when the sister first appeared, but the entire character is a very successful parody who just calls everyone her sibling. The best part was that one member of the student council who finally showed a bit of a realistic reaction of having younger siblings as a teenager.

Beyond that, there actually is a romance series that distinguishes between liking someone and loving someone. Yukihira meanwhile continues to take the piss out of the typical character who has a crush on the male lead by getting into his way in quite some creative ways.

Overall this was a very inspired episode. It’s not perfect obviously, for example that Maria-Sama ga Miteru bit was just a random reference that had no purpose of being there, and the rich posh girl with huge boobs was just another rich posh girl with huge boobs, but for a comedy to be consistently funny for five episodes, with such a questionable subject material. I consider that quite a job well done.
Rating: 5.5/8 (Excellent)

CHANGE USERNAME
Kaiser-Eoghan
*poorly forcing
Kaiser-Eoghan
@Amagi: And that is one of the biggest advantages the show has for me, after being annoyed by so many shows ending up with tonal shifts and forcing cute designs into something more serious it is nice to see that girls last tour avoids that problem.
Amagi
My texts are always too long..
Amagi
It isn't enough to just say "look there is a dark subplot somewhere or a backdrop dystopia and we will get to it whenever it seems convenient". Last Tour is the opposite, it is moe, but the girls are part and product of the world they live in, + the cute and serious parts don't feel like two different series being glued together.
Amagi
Girl's Last Tour is the good type of moe show for me. There are many that have or pretend to have some serious undertone, be it some dystopian setting or politics or whatever. But the difference between the good and the bad shows is that the former are actually connected with their serious part in everything they think or do while the bad shows only use the other topic as cheap way to alure fans.
SuperMario
@Bokusen: I'm not sugarcoating it, but Houseki tends to be the title that split the audience. Give it a try at least. If you can tolerant the first three episodes, chances that you will enjoy the rest
Kaiser-Eoghan
@Travlos: Now if only someone will translate the side story manga aswell.
KTravlos
Happiness! New chapters of Gunka no Baltazar!
Bokusen
@SuperMario Thanks! I'll give Houseki no Kuni a try then. A lot of the series I thought would be good are disappointing me, so I might be following a low number of series this season & it'd be cool if Houseki turns out to be something I like enough to watch this season.^-^
SuperMario
@Kaiser: right. The sole reason I described it as "cinematic" was just to lure you into watching it, so mission accomplished! Mind you, Girls' Last Tour is still a moe show at heart (look at their round faces and those big eyes. They're killing me)
Kaiser-Eoghan
But in all seriousness, I had had it initially written off as a crap moe show.
Kaiser-Eoghan
@Mario: You're ministry of anime propaganda tactics mentioning how cinematic it is got me to pick it up =P And you know how much of an aesthetics guy I am =P
SuperMario
I'm glad that many of you enjoying Girls' Last Tour. It's a nice little gem that I think works best when you going to it without any expectation
SuperMario
I swear this season has a lot of good anime to offer. I'm jaded
Amagi
I always considered backgrounds as pretty important. Most anime only use them as backdrops because they have to be there somehow and it's really a different thing than Girls' Last Journey for example. Also I will like everything that has exploration and world building.
Kaiser-Eoghan
And achieves taking the viewer into its world, thankfully without relying on tons of expositional dialogue.
Kaiser-Eoghan
Girls last tour, somewhat succeeds in pulling me in by using its landscape that dwarfs the characters, to create its atmosphere, I wouldn't call it all that unfunny either. Though premise could risk going stale.
AidanAK47
@Amagi, HA! Yeah I would like to believe but I am thinking that's not the case. Besides next season is looking pretty barren so far.
Amagi
Eden would be great. But speaking of it, a lot of good manga get adapted recently. Maybe they finally understood that generic isekai, harem and school stuff isn't as popular as they thought it would be.
Kaiser-Eoghan
Maybe one day I can hope for a Freesia or Eden Endless world adaptation.
Kaiser-Eoghan
Jesus christ....I never thought it would happen, Banana fish is being adapted, I didn't think they could adapt a shoujo like that in todays market.
KTravlos
I also watched Inuyashiki and Girl's Last Tour. Inuyashiki looks great. Man do I hate that young guy. Reading what he did and seeing it was a totally different experience. Cannot wait for the next episode.

Girls Last Tour is really something special. In a good way.
KTravlos
Altair's episode showed all the issues and all the good things of the show. The pace is too quick, and yet they managed to build Urado and its denizens up quick fast in it. But again, this is a show that needs the LGOH treatment.
Amagi
The manga also always uses "he/him" but I am not sure if the original had this too (like "kare" or similar words) since you can talk for a long time in Japanese without ever using pronouns.
Kaiser-Eoghan
Ah, yes I noticed Phos uses Boku in this episode which is the male way of saying I.
Kaiser-Eoghan
@Mario: Man, Zvyagintsev really, really knows how to deliver truly emotional gut punching moments and endings that are like cutting at open wounds.
Kaiser-Eoghan
@Mario: Houseki has fallen into place for me with those scenes with Dia and the snail thing and I've fully embraced the show, happy to see it just continue to do its thing.
Kaiser-Eoghan
@Mario: While Marios are girls best friend DIAmonds ahhhhre for evvvvvvahhh *Shirley Basey voice*
Masky
*bride
Masky
I can say though that if people fear the "Bastard Boyfiend" angle, its not that really. Its more of really weird apprenticeship relationship. Ainsworth is inhuman character in many ways
Masky
Oh hey, Mahoutsukai no Yome is on covered list. Nice, it is weird manga to read through since I'm kind of creeped out by the bribe thing, but its barely mentioned at all.
Anonymous1497942
After finishing Made in Abyss it stuck out, some animation shortcuts in this week's Mahoutsukai. Holding on frames a bit too long, mainly having the music giving the emotion. To be fair, it was also a slow part in the manga.
Kaiser-Eoghan
If I recall correctly, the words "wandering Jew" were used at one point in the manga in relation to the villain.
Lenlo
Mahoutsukai was very pretty this week, but there were some troubling things popping up in there.
SuperMario
@Aidan: They are trying to bring Phos back from a snail. Man, Houseki sure is... quirky
AidanAK47
@Mario, I would take a guess and say they are fighting evil by moonlight.
SuperMario
Okay, heading to Houseki now... let's see our gems doing this week
SuperMario
@Bokusen: (not because I'm blogging it but) watch it. it's a polarized one but it at least offers something original. I still haven't watched the third one though.
Anonymous1497873
The new Mahoutsukai no Yome episode was so beautiful. TwT
Bokusen
BTW, is Houseki no Kuni worth watching? I was turned off by the animation, but I've read some good reviews on it.
Bokusen
Darn, last message didn't show up for me but now it does. Sorry about that.
Bokusen
Tanya the Evil and Uchouten Kazoku 2 were the gems this year for me so far, but Abyss was definitely the best thing I watched last season.
Bokusen
Tanya the Evil & Uchouten Kazoku 2 were the gems this year for me so far, though Abyss was definitely the best thing I watched last season.
Amagi
Doesn't mean that there weren't other good series but I distinguish between good and somethin special I will instantly remember even months or years later.
Amagi
How can you not like at least one of the current series, this season is pretty good. MiA was probably my only real great thing in the last season though.
AidanAK47
@Anon, Aren't you forgetting Acca, Rakugo, Little Witch Academia and Tanya the Evil?
Anonymous1497006
Made in Abyss seems like it's the only gem this year for me tbh
AidanAK47
Whoa, I never even knew we had a PM feature.
SuperMario
@Kaiser: I've received it. Thanks Kaiser. I've never noticed the PM feature either
Kaiser-Eoghan
@Mario: I sent you a private message.
SuperMario
oh boy. Just received Mind Game Bluray Region free today. I ordered/funded it through Kickstarter a year ago and eventually forgot about it. Was a nice surprise to see it in the mail today
silver
I enjoyed this week's Kino. Leave only footprints indeed.
Kaiser-Eoghan
On the other hand I noticed some slight censoring in juuni taisen episode 3 I think.
Kaiser-Eoghan
I was also surprised with the lack of censorship during Inuyashiki's second episode.
Kaiser-Eoghan
First episode of inuyashiki covered the whole of volume 1.
Kaiser-Eoghan
*but almost never
Kaiser-Eoghan
@Mario: In general, Death of Stalin is an amusing film throughout, but never laugh out loud hilarious, Simon Beale is hilarious in it as Beria.
Kaiser-Eoghan
@Amagi: Gonzo did that mecha 7 samurai thing we must never speak of. However schmaltzly/sentimental Ikiru is, however it slumps slightly in the middle and final arc , it was still a genuinely moving film.
Kaiser-Eoghan
*than it is
Kaiser-Eoghan
To elaborate, I expected to dislike inuyashiki based on not enjoying Gantz, my reaction to the second episode was the same as Amagi's . The first episode was heavy handed a bit as Aidan mentioned, but its harder to watch that scene with the older guy get bullied/tormented that it is to watch highschool kids getting picked on by cliche anime thugs.
AidanAK47
Also why Hillary Clinton? I mean i know Trump is supposed to have a cameo in the manga but why her?
AidanAK47
@Vyse, Lets not jinx it. Plenty of series have shown great potential in their second episodes only to flop later. We can sing praises if it keeps this quality to the conclusion.
VyseLegendaire
Inuyashiki main villain should be Hillary Clinton
VyseLegendaire
Inuyashiki is suddenly like the best thing of the decade.
Amagi
I wish there were more old MC series out there. Liked that about Real Drive too. Maybe someone will have mercy and adapt Kurosawa one day. Not exactly old but at least a series about a guy with midlife crisis.
Amagi
I thought the happenings of the second Inuyashiki episode would have been too egdy but they actually gave the last few scenes a very good impact and the episode showed pretty well how sociopathes think (that whole gap between emotions for real people VS manga/fiction characters and events)
KTravlos
yup, I have no problem with Lenlo's review. Execution is what matters with me.
Kaiser-Eoghan
@Lenlo: You managed to sell me on a show that I didn't think I'd have bothered with.
silver
You did fine. It's a risk associated with reading post-viewing episodic discussions. Pretty much everyone knows that if you don't want to be spoiled don't even get online.
Lenlo
I tried to leave explicit spoilers about what happened outside the (more...) tag, but its a risk of readin a review I suppose.
silver
Hah, sorry about spoiling it. That's the problem with major shocks like that; they're most effective if you're not expecting them. Still, the show has deft execution of its executions, and that makes the experience worse than I could imagine.
Lenlo
Well im glad it convinced you. Tried something different with writing this week
KTravlos
man I should not had read the review. Now I will go and watch Inuyashiki. I had missed it.
silver
@Lenlo: It caught me off guard, too. Definitely working to earn that 'psychological' genre tag.
Lenlo
Well... Inuyashiki surprised me today. It went far darker than I was expecting. Thanks Gants author
Kaiser-Eoghan
@Mario: Such an odd art style, have you ever seen these? These are the film covers the Polish get:
Kaiser-Eoghan
*that was the most interesting character
Kaiser-Eoghan
@Mario: Z's ending was very very well played and it was Jean Tringnents was interesting, largely for that he was a right winger working with the left wingers.
Kaiser-Eoghan
And of course the British version of house of cards.
Kaiser-Eoghan
I wonder if he's seen Yes Minister and The New Statesman, also political comedies and for those of us who lived in the 80s seeing Thatcherites getting slagged off was great.
Kaiser-Eoghan
@Mario: I do think thick of it works better though as the humour serves a thirty minute episode more comfortably. Stalin's fairly short though so I don't think the joke will run out.
SuperMario
@Kaiser: the Death of stalin is the title I'm looking for as well. Will screen here in few weeks. I almost reccomend In the Loop and the Thick of It (haven't watched the latter though) for Travlos since they're a political satire, which I think he'll enjoy
Kaiser-Eoghan
@Amagi: Hope you already booked that heavens feel screening, cause its sold out.
Kaiser-Eoghan
I've heard that the anime's character development in Juuni taisen expands on the books, which only give them short lines for their backgrounds.
Kaiser-Eoghan
Ah, so perhaps in Juuni taisen they'll spin that so the Rat guy uses the ox guy to his advantage in some different way.
Kaiser-Eoghan
@Mario: There is a special atmosphere watching anime on a big screen.
Kaiser-Eoghan
@Mario: I might be seeing death of Stalin tomorrow or Saturday. The thick of it was hilarious and this has the same director as that.
SuperMario
Both Z and All the President's Men are coassic movie. Hold my attention from start to finish. Z, in particular, wowed me that I literally had my mouth wide open
SuperMario
Off tangent, watching Fireworks in the cinema the other day made me realize how I miss watching movies on the big screen. I might try to go to the cinema once a week again. Been missed out all the good movies lately.
SuperMario
In the Great Race story, Rat used a very underhanded tactic to win the race (it jumps into the Ox to pass the great river and then jump off to the finish line. This Rat guy's speciality is Killing All so there is a high chance that he survives till the end
SuperMario
@Kaiser: I have no doubt that we will have more amazing character arcs for Juuni Taisen.
Kaiser-Eoghan
But that could prove to be too predictable.
Kaiser-Eoghan
I wonder if the Rat guy is going to be the wild card in all this, after all in the old story, wasn't it the Rat who won that zodiac race thing?
Kaiser-Eoghan
Juuni Taisen is killing off its most interesting characters.... =< I wanted the bird girl to stay around a bit longer.
Kaiser-Eoghan
I'd love to see more Lem or Stugastky style/brand of scifi, I need to rewatch stalker again.
Kaiser-Eoghan
@Amagi: Going back to the cyberpunk thing, I don't want just any ol' thing getting made, I want to see something scifi related thats ACTUALLY clever and has long and DIFFICULT dialogue .
Kaiser-Eoghan
@Travlos: While not a political series Chaos;head is a good example of being annoyed at the conspiracy thing, what drives me up the wall about that show and its sequel is how every every time I think about going back to it I realize that its only interesting on a surface level and is utter hokkum.
KTravlos
@Kaiser. Yup, perhaps because I work in political science, they tend to anger me. So I avoid them. Borgen is a good political series.

In general. It still startles how much of a better character anime Tsutomu was comapred to manga Tsutomu in Bridy the Mighty. But I forgive the manga as I get more Gomez!
AidanAK47
@Amagi/Kaiser, thought as much. Strike it off the list then. And God Tsubasa was a cluster fuck by the end.
Kaiser-Eoghan
Eh simul-dub of Juuni taisen is out, I might aswell keep up with that instead.
Kaiser-Eoghan
Y'know I had this weird relationship with dragonball in general. When I was younger I never actively seeked out the show, but on a rare occasion I would watch random episodes whenever I was channel hopping and nothing else was on.
Kaiser-Eoghan
@Amagi: Clamp shared universe was a mistake.
Kaiser-Eoghan
I really really wish that that tone breaking style of comedy stops being a thing.
Kaiser-Eoghan
It doesn't happen often, but there ARE shows we all have that snap trigger us when they get mentioned.
Kaiser-Eoghan
I feel my disdain of re:zero is because I hate Akame ga kill and Higurashi so much and it prevents me because of bias from enjoying it.
Kaiser-Eoghan
@Aidan: In addition to what i posted about Pandora, you will hate the comedy.
Kaiser-Eoghan
@Mario: I will rewatch it, the first one is one of those things that improved on repeat viewings.
@Travlos: Conspiracy theories are one of those things I find myself taking interest in, then almost immediately consider immensely stupid and a waste of time.
Amagi
Aidan: If you didn't like the first parts of Pandora you won't like the rest either. Most people that loved it did this because of the characters and setting, the story isn't really getting better and I kinda disliked what they did near the end. It was overcomplicated and everyone had like three different personalities, plot twists and so on. Not nearly as bad as Tsubasa Chronicle though
AidanAK47
@Bokusenou, believe me when I say you are not few. There are plenty who Dislike Re:Zero. I can understand it and I sort of get where your coming from regarding the characters. (Though Saber sucks) There is just something about the series that I just adore.
KTravlos
@Kaiser. I have not watched most of them. But I have watched Z and All the President's Men. Both are great films. The issue with me is that while I like political thrillers I despite conspiracy theories. Far too many pol. thrillers dive into con.theory stuff. So I must be discriminating.
SuperMario
Okay, I'm off to watch Blade Runner 2049 now. Hopefully it can be as good as the original
Vonter
In contrast World's End Harem, surprisingly looks to be trying. It has one story trying to play straight, the scenario of being the last man in a world mainly habited by woman. And has had this framing of self worth, temptation and doubt I like. No work of art, but surprising for this type of manga.
Vonter
In regards to manga, I'll need to look for something good, being losing time with ecchi stuff. Which I can tell Okamoto should just make hentai, seeing as his latest work, doesn't even try to be anymore than pandering trash (at least older work, had a notion of a story).
Kaiser-Eoghan
@Travlos: Did all the presidents men and Parallax view by Pakula appeal to you?
Kaiser-Eoghan
@Travlos: Actually as your are a Greek....have you watched Z, missing, State of siege or the confession? None of them are actually in Greek but they were political thrillers directed by Costa Gravas.
Anonymous1490677
KT here: Well I am a sucker for political thrillers and "grand" politics, so the direction it took is quite fun for me. Even if it does indicate a Tomino ending.
Kaiser-Eoghan
For me Titan peaked at volume 8 and I never bothered continuing on much further.
Kaiser-Eoghan
@Aidan: I remember a commenters on here a good while ago that mentioned the ending didn't satisfy or come together well and made the investment not worth it.
Kaiser-Eoghan
@Aidan: Honestly it was only near the halfway point I vested any interest in pandora hearts, the first 4 volumes left me wondering if I'd drop it, then near the last few volumes I simply fell out of reading it.
Bokusenou
I feel like I'm one of the few people who don't understand why Re: Zero is so popular...the only characters I half liked were Puck & Crusch (the latter because she reminded me of Saber from the Fate series, minus the unnecessary perma-blush marks) My anime club screened the series and I really should have skipped those meetings...
Lenlo
Mmm Inuyashiki episode 2 tomorrow. Time to see where it goes
AidanAK47
@Anon, That reminds me. Anime limited better announce the date of the Re:Zero Blu-ray release at that panel of theirs at MCM London Comic Con. They are the only ones known to have licensed it and they have a partnership with Funimation. Even if we don't get a second season I have to get the first on Blu-ray.
Anonymous1490189
Emilia re:zero
AidanAK47
Finally Got that review up. Been sitting in my to do list for a while.
SuperMario
I remeber in Dragon ball, they state that Son Goku takes 6 years of training to become a Super Saiyan. His oldest son takes 3 years and then the youngest one... only takes 3 months of training with his mother. So yeah...
AidanAK47
While we are talking about manga, I was looking into getting some manga boxsets and I saw one for pandora hearts. However I started reading it and 15 chapters in I just can't get into it. I hear a lot of praise for it but is it really worth continuing?
AidanAK47
@Amagi, yep. Like Naruto with the nine tailed beasts and Sharingan. At first they were cool and then everyone and their mother had Sharingan or a tailed Beast.
Though If I had a problem with SNK its that I just find the thing to be poorly written overall. It has creative idea's, but the characters and dialogue is really weak in my eyes.
Amagi
You know that SuperSaiyan syndrome. At first it was special and mysterious, but once the second one gets to have the power they tend to pop up everywhere. Same with Claymore and basically almost every shounen ever.
Amagi
I overall like the SNK manga but I have to agree I really have a problem with this shounen trope of some speciality one character has that suddently turn out to be the speciality of many.
Lenlo
It turned from a horror/thriller to a sort of... shounen mystery thing for me. I wasnt a fan once EVERYONE became titans.
AidanAK47
@Lenlo, I dropped off at that point, picked it up again and read it up to date. Now I am falling out again. True be told I haven't really got into it since the beginning chapters and I am not a fan of the direction it took. If you don't like it now I say future chapters won't really change your mind.
Lenlo
Does Attack on Titan get better? I was reading it up until Season 2 came out and then just fell off the wagon.
KTravlos
oh what a cliffhanger in the Shingeki no Koyjin manga! I am happy where this is going!
Kaiser-Eoghan
I agree that the way the series addresses emotion has some interest to it.
Kaiser-Eoghan
The later chapters I read had some action in them.
Kaiser-Eoghan
Had a read of the children of the wales manga, I am glad to see a shoujo that isn't based on an otome or school life series , additionally I like it on an aesthetic level, I can see it going somewhere but the fast-forward pace makes it hakes it harder to connect with.
Kaiser-Eoghan
@Amagi: Blame! was recently adapted and thats cyberpunk, even if it didn't follow the manga.
Amagi
@Kaiser: Agree. Cyber- and steampunk are two of the few settings I really dig. Especially because I think that there are a lot of potential plots and twists for cyberpunk/VR settings anime haven't used yet. AR is great too, the only series about that is Dennou Coil and it was made ~10 years ago. Maybe the SAO movie but it was just a movie.
Amagi
@Aidan: Same here lol. I remember the toilet thingy but not the woman's backstory. That being said, I enjoyed the series as whole, though some parts were too K-ONish for my taste.
Kaiser-Eoghan
The idea of would agorophobia maintain itself and they'd stay inside or would the fear of being raped/tortured/killed and bypass the agorophobia ?
Kaiser-Eoghan
Random tangent, but I would find it fascinating to see a hikkikomori subject to a home invasion.
Kaiser-Eoghan
Although honestly, I would prefer a cyberpunk wave of anime series to get popular again.
silver
I too am starting to really enjoy the 'adventure anime' genre. The medium of animation is uniquely suited to fantastical worldbuilding.
AidanAK47
@Mario, Was that the one where the girl is desperately trying not to piss herself? Also why can I remember that and not this blonde woman's backstory?
SuperMario
@Kaiser: yep, agreed. It's at its best when it can use the settings to flesh out the characters. The episode after that one, one the other hand, was Sora no woto's dullest episode - where the main girl spends the whole episode waiting for a freaking phone call.
Kaiser-Eoghan
@Mario: The Blonde woman's backstory in the middle of sora no oto, that was the best episode of it.
SuperMario
@Amagi: for reccomendation, if you don't mind another cute girls in a post-apocalyptic world show, you can try Sora no Woto (Sound of the sky). I love that show to bits
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