Posted on 25 November 2013 with categories: Seasonal Previews

This season. It feels like a spring or autumn season is coming. Perhaps not a big one, but I’m surprised by the amount of solid titles that are coming out. There are quite a number of series I’m looking out for, plus also a few that already have the potential to become the best of the year unless the competition really ramps it up. We’re in for an interesting season, that’s the least. Unfortunately, there also are a lot of really bland series coming up. It’s a season of extremes.

Wake Up Girls

Impressions: Here is one to probably steer away from: Yutaka Yamamoto, a guy who basically is just one big troll, is going to direct a movie. It’s about seven high school girls. Who become idols in order to save a production company. Yes, he actually came up with this. It’s not an adaptation. Out of all the possible plots that he could have picked, he picked one of the most generic ones. Heck, with Fractale he actually tried to show that he had some ambition.

Bayonetta: Bloody Fate

Impressions: This is going to be Gonzo’s new project, and it’s helmed by the director of Afro Samurai and the X-Men. What this basically means is that Bayonetta will be a movie about eye candy: throwing as much visual stuff at the screen and hope that the audience won’t be bored enough to realize that the storyline is pretty rubbish. It’s also got the screenplay from the guy who wrote the X-Men anime, which only reaffirms this.

Hunter X Hunter: Last Mission

Impressions: Here is the interesting thing about this movie: it’s going to be adapted by the guy who also adapted the 1999 version. Including the OVA, the part of the franchise that managed to receive the best and most heartful adaptation so far. That is very promising, because even though this guy isn’t perfect (he also was behind the much more lackluster Greed Island Arc that just felt lazily adapted), he knows how to do it, and how to bring the best out of the characters. Here’s to hoping that he can do it again. The director will be completely different though, so who knows where that’ll end up?

Amazing Twins

Impressions: Sato Junichi and Mari Okada. A combination between these two prolific creators was bound to happen someday, and it comes in the form of this quirky-looking OVA about some girls with superpowers. It looks out of the league for both of them, as this seems to be a pure action series, but that does provide opportunities. Both of them are ridiculously talented when they get something right, now the thing will be whether they can make this happen for this set of short OVAs as well.

Majocco Shimai no Yoyo to Nene

Impressions: Here is another one to look out for. Not just because of Ufo Table, but also because they put their best director on it: Takayuki Hirao. This guy screams alternative and he has guts to go where nobody else dares to go. He directed the fifth and best of the Kara no Kyoukai Movies, and was the only one who was deranged enough to try and animate a story by Junji Ito. His storytelling skills are sometimes a bit wonky and for that he will need good source material. But it looks like a nice and ambitious family movie.

Mouretsu Pirates

Impressions: Mouretsu Pirates was a bit of a weird series that got progressively better with every single arc thanks to some very good build-up. Tatsuo Sato is a great director and he will be both writing and directing this movie, which means that he has a lot of control about its content, and that’s very promising for a movie.

Buddha 2

Impressions: Buddha 1 was amazing. A brilliant adaptation of Osamu Tezuka‘s classic. So of course I’m looking forward to the continuation! The director is going to be different for this one, though: Toshiaki Komura, someone with less experience than the first one and who is mostly known for directing Precure series and awful fighting stuff like Kinnukuman and Ring ni Kakero. I hope that he has a good team to back him up, because a story like this deserves people who handle it with care.

Tiger & Bunny The Rising

Impressions: So yeah, a lot of people probably noticed that I’m not posting movie reviews anymore. I really want to pick up movies again, however I need to find a way to actually sit down and watch long stuff again. I’m currently battling my own laziness and concentration for it, because I still need to watch the first movie before checking this one out. And the second movie too has the brilliant director of Yoshitomo Yonetani behind it, who is a master of chaos.

Kaguya Hime Monogatari

Impressions: This is one of my top movies to watch out for this winter. It’s probably going to be Isao Takahata‘s last full movie ever. And for those who don’t know him: he’s the one who co-founded Ghibli with Hayao Miyazaki. Out of all of the directors I have ever witnessed in anime, he is by far the most realistic one. Nobody has ever been able to top his feeling of characters since the late sixties when he got his first directing jobs. It causes his movies to be very slow, but I’d still like to see his talents one more time.

Mushishi

Impressions: Talk has been going on for quite a while now that there would be more Mushishi, and with this it has finally be announced: a one-hour special on January 4th. Reuniting all of the past staff that gave us one of the most memorable series out there. However, I am disappointed a bit: I had secretly hoped an entire new television series: there seems to be enough manga material left for that. However, I guess that you can’t have everything. A one-hour special is awesome enough.

Upcoming TV-Series:

Saikin, Imouto no Yousu ga Chotto Okaishiin Da Ga.

Summary: ” In the romance comedy, a girl named Mitsuki Kanzaki lives with her step-brother Yuya after her mother remarries. One day, Mitsuki is possessed by the self-proclaimed spirit of a young girl, Hiyori Kotobuki. Hiyori (in Mitsuki’s body) must fall in love with Yuya to move towards the “Gates of Heaven.”” – (Taken from ANN)
Produced by: ?
Original creator: Mari Matsuzawa

Impressions: This has to be one of the most ridiculously stupid, insulting and contrived premises to try and make incest acceptable.

First-Glance Potential: 0%

Oneechan ga Kita

Summary: “The story revolves around Tomoya Mizuhara, a 13-year-old boy who suddenly gains a big sister when his father remarries. 17-year-old Ichika is a little strange, and her affection for Tomoya is rather overwhelming, if not scary. On top of things, Ichika’s friend Ruri is the ultimate sadist. Then there is Ichika’s big-breasted quarter-Japanese friend Marina.” – (Taken from ANN)
Produced by: C2C
Director: Yoshihide Yuuzumi
Original creator: Rikou Anzai

Impressions: This will have 3-minute episodes, and it seems strangely like older-sister incest. Next.

First-Glance Potential: 0%

Maken-Ki Two

Summary: “Takeru Ohyama, a young normal yet perverted minded guy, got accepted and now goes to a school that, unknown to him, was where combat and magic is used. On the first day, he meets again after three years: Haruko Amaya, his childhood friend, Inaho Kushiya, a girl who says she’s his fiance, and Kodama Himegami, a blonde who wants to kill him. Finding out that there are many girls there that just don’t like him, he is told that everyone there uses a special magic ability while using an item or weapon called a Maken. Later, he finds that no Maken is acceptable for him and doesn’t know what to do, since in this school the students get into duels that showcase their magic and combat power, of which he seemingly has none.” – (Taken from ANN)
Produced by: Xebec
Director: Hiraku Kaneko
Series Composition: Yosuke Kuroda
Original creator: Hiromitsu Takeda

Impressions: Oh god, the director of Seikon no Qwaser and Xebec have found each other. Prepare for porn!

First-Glance Potential: 0%

No-Rin

Summary: “The story centers on the students at the Tamo Agricultural High School (Tamo Nourin Koukou, shortened to No-Rin). Kousaku Hata is a student there and is something of an idol otaku. The newest transfer student happens to be the super-popular idol Yuka Kusakabe who Kousaku adores. The school also has a childhood friend with a local dialect, a bishounen with glasses, a cute animal mascot, a girl with large breasts, a female teacher prone to flight of fancy, and more.” – (Taken from ANN)
Produced by: Silver Link
Director: Shin Oonuma
Series Composition: Michiko Yokote
Original creator: Shiratori Shirow

Impressions: Oh my god, Shin Oonuma is getting lazier and lazier. I mean, when you thought that he couldn’t go lower than with that Fate/Stay night ripoff, with this show they basically just putting up a sign saying “Otaku! Buy this!” I mean, can we please move away again from the idea that “big boobs” are a character trait?

First-Glance Potential: 0%

Wake Up Girls

Summary: “Green Leaves Entertainment is a tiny production company on the verge of going out of business in Sendai, the biggest city in Japan’s northeastern Tohoku region. The agency once managed the careers of magicians, photo idols, fortune-tellers, and other entertainers, but its last remaining client finally quit. In danger of having zero talent (literally), the president Tange hatches an idea of producing an idol group. On the brash president’s orders, the dissatisfied manager Matsuda heads out to scout raw talent. Matsuda makes a fateful encounter with a certain girl…” – (Taken from ANN)
Produced by: Ordet
Director: Yutaka Yamamoto
Series Composition: Machida Touko
Original creator: Yutaka Yamamoto

Impressions: I’ve talked about this one above: Yutaka Yamamoto could have picked any premise he would have liked (he has the ego to get away with things, we know that), and he goes for a generic idol series with seven cute girls. Yay for originality!

First-Glance Potential: 0%

Nisekoi

Summary: “Nisekoi follows high school student Raku Ichijou, the son of a leader in the yakuza faction Shuei-Gumi, and Chitoge Kirisaki, the daughter of a boss in a rival gang known as Beehive. They unexpectedly meet when Chitoge hops a wall and knees Raku in the face. After she runs off, Raku realizes he has lost his pendant which was given to him by his childhood sweetheart with whom he made a secret promise. After discovering Chitoge is a new transfer student in his class, he forces her to help him look for the pendant. During the search, they begin to dislike each other.” – (Taken from ANN)
Produced by: Shaft
Director: Akiyuki Shinbo
Original creator: Naoshi Komi

Impressions: So many red flags going up here, it’s ridiculous. Right after finishing the Monogatari series Shinbo is immediately going to continue with another series. It’s a romance series, adapted from Shounen Jump, meaning that there is no way in hell that they’re going to be able to stuff the entire series into just 13 episodes, and it’ll probably drag out as hell due to the weekly format of that magazine. Also: “during their search they begin to dislike each other”… yeah right.

First-Glance Potential: 0%

Robot Girls Z

Summary: ” Robot Girls Z focuses on three high school girls: Z-chan (based on Mazinger Z), Gre-chan (based on Great Mazinger), and Grenda-san (based on Grendizer). The group forms the Robot Girls Z unit in Nerima Ward Oizumi Academy’s Photon Power District in Photon Power Town that promotes Photonic Energy as the future energy source and fight the evil Baron Ashura and her Mechanical Beasts Girls Garada-chan and Doublas-chan who seek to use Photonic Energy for their nefarious purposes.” – (Taken from ANN)
Produced by: Toei Animation
Director: Hiroshi Ikehata
Series Composition: Kzuho Hyodo

Impressions: This one seems like Toei’s lesser department doing another series, because it completely lacks any sort of creativity whatsoever. It’s just another series that turns things into cute girls, only this time it’s classic robot series. This is not how you do a homage! This is just blatant ass-kissing. You’re putting these girls at places they totally don’t belong! The director and series composition are both really meh: both people who seem lazy and not really inspired to make something good out of this one.

First-Glance Potential: 0%

Go! Go! 575

Summary: “The anime ties into Project 575, which lets anyone create songs using the traditional Japanese 5-7-5-syllable meter found in haiku and tanka poems.” – (Taken from ANN)
Produced by: SEGA

Impressions: I’m thinking: how on earth can they make this work? No staff has been announced yet, but even then: it’s two characters who read Haiku. Who on earth can make an enjoyable series that lasts an entire season out of that?

First-Glance Potential: 0%

Chuuninbyou Demo Koi ga Shitai II

Summary: “High school freshman Yuuta Togashi was once a “chuunibyou patient” i.e. an overly self-conscious middle schooler. He wants to bury this embarrassing past and begins a new life in high school—unsuccessfully. His classmate Rikka Takanashi, a “current” chuunibyou patient, has found traces of residual symptoms on him and used the fact to force Togashi “making a contract” with her.” – (Taken from ANN)
Produced by: Kyoto Animation
Director: Tatsuya Ishihara
Series Composition: Jukki Hanada
Original creator: Torako

Impressions: I’ve ranted about Kyoto Animation before, but let me quickly explain why I dropped Chuuninbyou quite early: all of their characters look the same! They always keep relying on the same archetypes and gags over and over, and even when you think that they’re going to try something different, the first episode airs and they find some way to make their characters look way too much like their previous iterations. I’m of course not denying that things can get better later on, but the question is: do I want to pain myself sitting through the same characters over and over again? Right now my answer to that is no.

First-Glance Potential: 0%

Magical Warfare

Summary: “In this modern magic action story, Takeshi Nanase is an ordinary high school boy who has a somewhat dark past. Due to certain circumstances, he formed a “fake” couple with his childhood friend Kurumi Isoshima, but otherwise, he lives a normal life. However, one day, he comes across a girl named Mui Aiba, in a uniform he has never seen before, collapsed on the school campus. This encounter changes Takeshi’s destiny completely. Mui tells Takeshi that she is a magician, and she apologizes, for she turned Takeshi into a magician, too. What Takeshi once knew as one world is actually two — the world where magicians live and the world where humans live.” – (Taken from ANN)
Produced by: Madhouse
Director: Yuzo Sato
Series Composition: Kazuyuki Fudeyasu
Original creator: Hisashi Suzuki

Impressions: Another boring premise with silly promo art that fails to stand out whatsoever. It’s a light novel adaptation, which raises even more red flags. The only bright point is that the staff behind this one is quite good: the director of Kaiji, Agaki and One Outs (but also Iron Man) and the series composition of Hajime no Ippo (but also Kampfer and Kamen no Maid Guy). And those negative examples are unfortunately what I’m fearing here: yes these guys have adapted some wonderful stuff. But they made that with great premises. Not bland and boring crap like this.

First-Glance Potential: 10%

Super Sonico the Animation

Summary: “Super Sonico is the mascot girl of the “Nitro Super Sonic” events held by Nitroplus. In her back story, she is already a photoshoot model, game character, and a musician, even as she studies as a college student. She is also part of a three-piece girl band named “Daiichi Uchū Sokudo” (Fastest Speed in Space) as the vocalist and guitarist.” – (Taken from ANN)
Produced by: White Fox
Director: Keiichi Kawamura
Series Composition: Yosuke Kuroda

Impressions: This one has me puzzled: so it’s a mascot of Nitro+, and it’s getting its own anime. If it’s going to be good, then it’s probably the first of its kind to actually deliver, because the potential for failure is incredibly high here. The problem is corporate: of course she’s a mascot so you can’t make her look bad or anything, she needs to be constantly appealing and you can’t do anything risky with her because it might lead to bad views about Nitro+. The creators behind it aren’t that bad or anything, but I really doubt that they can do anything with this.

First-Glance Potential: 20%

Hamatora

Summary: “The story revolves around “Minimum” or “minor miracle”— special hereditary powers discovered only in an extremely limited number of humans. Those who possess such powers are known as “Minimum Holders.” Partners Nice and Murasaki form a detective agency called “Hamatora” in Yokohama in 2014 — but their “office” is a table at Cafe Nowhere where they and their friends wait for clients. An old acquaintance of theirs, a cop named Art, hires them for a serial murder case he is investigating, and they discover that the murder victims are all “Minimum Holders.” As Minimum Holders themselves, Nice and Murasaki are drawn into this case, whether they like it or not.” – (Taken from ANN)
Produced by: ?
Director: Seiji Kishi
Series Composition: Yukinori Kitajima

Impressions: When the page loaded and I could only see a few vague hints, I could already tell immediately that this would be Seiji Kishi’s new series. It’s painfully obvious, and usually when you can recognize a director’s personal style, it’s good. With him though, I see him blatantly recycling some of the ideas he used in Daganronpa and Devil Survivor. I mean come on: over the past year he has done three series and one movie. This guy is overworked and needs to stop right now. The worst thing is that the premises of his series aren’t that bad. It’s just the execution that keeps on getting worse.

First-Glance Potential: 20%

Neppu Kairiku Bushi Road

Summary: “An asteroid collision brought with is a deadly menace known as “Shinbo.” Faced with destruction, humanity retreated to land reclaimed from the sea. The one ray of hope is a device that can fight the Shinbo called “The Mechanical Divine General.” Ame, the princess of the refugees, and Sutou, who carries the blood of the Yagyu family, must awaken its power in order to save the world.” – (Taken from ANN)
Produced by: Kinema Citrus
Director: Masayuki Sakoi
Series Composition: Norimitsu Kaihou
Original creator: Sunao Yoshida

Impressions: It’s probably a coincidence, but I love how they decided to call the deadly menace that destroys humanity Shinbo (hey, it’s not my idea!) – But yeah, the plot here is pretty generic and pretty stupid (a princess of refugees seems very much like a silly attempt to make that character more special than what she actually is). The director of Needless and Maid Guy also makes me fear about whether this show will be more than cheap entertainment.

First-Glance Potential: 20%

Mikakunin de Shinkoukei

Summary: “The comedy revolves around Kobeni Yonomori, who on her 16th birthday suddenly has a young man with little presence named Hakuya Mitsumine and his younger sister Mashiro appear in front of her. It turns out that Hakuya is her fiancé, and Mashiro is her future sister-in-law. The three (and Konbeni’s older sister Benio) start living together underneath the same roof, and hilarious happenings occur.” – (Taken from ANN)
Produced by: Dogakobo
Director: Yoshiyuki Fujiwara
Series Composition: Fumihiko Shimo
Original creator: Cherry Arai

Impressions: This one seems like the standard premise for a sitcom, and nothing more. So slice of life that depends on the antics of three characters, and possibly a lot of cuteness. I personally don’t think that it will work. Perhaps one episode will be nice, but it won’t have enough material for 13 episodes. Unless you like the 4-koma adaptation genre, I see this one as instantly forgettable.

First-Glance Potential: 20%

Nobunagun

Summary: “Shio Ogura is a Japanese high school student, who is visiting Taiwan on a school trip when she is suddenly attacked by monsters. Agents known as “E-Gene Holders” from the government agency DOGOO also arrive, who wield weapons infused with the spirits of historical figures. Shio is revealed to also be an E-Gene Holder when the soul of Oda Nobunaga awakens after she tries to rescue a friend.” – (Taken from ANN)
Produced by: Bridge
Director: Nobuhiro Kondo
Series Composition: Hiroshi Yamaguchi
Original creator: Masato Hisa

Impressions: When I first saw the promo material, my reaction was that it was a really artsy project that probably would rely a lot on being cool. Then I read the premise and this show lost all of the hope that I had for it. The plot of this show is one that I hope will die out very soon, because it really is a dead horse at this point. And as for the staff behind it… Nobuhiro Kondo previously directed Kekkou Kamen and Keroro Gunsou… two series that I haven’t seen before, but I doubt whether that kind of experience can really make something good out of this series. Hiroshi Yamaguchi though… this guy is a good writer when he wants to be. He really needs to try though, in order to make something workable out of a bad premise like this.

First-Glance Potential: 20%

Sakura Trick

Summary: “The story revolves around Haruka and Yuu, two girls who go to a high school that is slated to be shut down in three years. To share “something special” between them, they share a kiss, and their relationship deepens from that moment onward.” – (Taken from ANN)
Produced by: Studio Deen
Director: Kenichi Ishikura
Original creator: Tachi

Impressions: Kenichi Ishikura is an episode director who previously worked at Shaft, and then went on to direct the umpth Da Capo series (which was really forgettable). But yeah, we have a lesbian romance series, which unfortunately still remains a series about a bunch of high school girls who all look the same, stuffed together. I like yuri, but I like it because of how good the stories of yuri-series on average tend to be. But I’m not sure whether just the addition of romance will be enough to lift this bland premise up from mediocrity.

First-Glance Potential: 30%

Inari, Konkon, Koi Iroha

Summary: “The story revolves around Inari Fushimi, a shy, not-so-bright middle school girl living in Kyoto’s Fushimi ward. She has a crush on her classmate Tanbabashi, but cannot express her feelings. One day, as thanks for helping a fox pup, the deity Ukanomitamanokami grants her the ability to change her form.” – (Taken from ANN)
Produced by: Production IMS
Director: Toru Takahashi
Series Composition: Machida Touko
Original creator: Morohe Yoshida

Impressions: I’m on the fence about this one. The thing is that it’s a romance series that has the potential when done the right way. It also seems to want to take itself seriously. And it does have the director of Otona Joshi no Anime Time I. However it is a manga adaptation, and Machida Touko isn’t really good at adapting things. With that, I really fear that this will end up as a generic romance show that ends inconclusively and doesn’t go anywhere.

First-Glance Potential: 40%

Wizard Barristers: Benmashi Cecil

Summary: “The show takes place in Tokyo in 2018, where normal humans and those who can use magic coexist. As a result, there are laws against using magic, and a “magic courtroom” exists to preside over lawsuits regarding magic use. In these cases, “Benmashi” or wizard barristers defend those who use magic. The anime follows Cecil, the youngest Benmashi in history, and her associates as they defend clients in these cases.” – (Taken from ANN)
Produced by: Arms
Director: Yasuomi Umetsu
Series Composition: Yasuomi Umetsu
Original creator: Yasuomi Umetsu

Impressions: Okay, and the biggest WTF of the season in terms of staff is going to this series. Yasuomi Umetsu, the guy who is currently doing a pretty bad job with Galilei Donna, is going to follow it up IMMEDIATELY with a new series. Animated by Arms of all things, the single worst major production company out there. I… have no idea what he’s doing. He’s again going to write it from scratch and direct it at the same time. What puzzles me is how he got away with it, and why on earth he’s not doing a better job if he’s got so much ambition. I mean, this is not something you do normally in order to get a paycheck: he really needs to have wanted to do this in order to suddenly come out of nowhere with two completely original series. Why did Galilei Donna have such bad writing then? And if it’s apparently so easy to just get yourself an original series, why aren’t more people doing it?

First-Glance Potential: 40%

Witch Craft Works

Summary: “Honoka Takamiya is perfectly content with living his quiet life as an average high school junior. The only disruptions to his mundane daily routine all seem to stem from unexpected encounters with his school’s super-popular student idol, Ayaka Kagari, the talented, phlegmatic, and gorgeous daughter of the school board chairman. To his dismay, Takamiya’s classroom seat turns out to be right next to Kagari-san, thus he suffers jostling, harassment, and even a beating from her inescapable crowd of jealous fans. As if this isn’t bad enough, Takamiya’s world–as well as a portion of his school–suddenly collapses around him, and he is twice lured into bizarre and fantastic deathtraps. Astonished at his own survival, Takamiya learns that his rescue is thanks to the cool head–and fire power–of a witch… named Ayaka Kagari. From then on, Honoka quickly discovers, with Ayaka’s devoted help, that neither his school, nor the people he thought he knew, nor even he himself are in any way normal.” – (Taken from )
Produced by: JC Staff
Director: Tsutomu Mizushima
Series Composition: Tsutomu Mizushima
Original creator: Ryuu Mizunagi

Impressions: Tsutomu Mizushima’s biggest problem is that he’s overworked: he doesn’t take his time for his series, despite being a really good director. Thankfully there has been some time since Yondemasuyo, Azazel-san, but I wonder whether it is enough. I mean, he needs to be really sharp again in order to make this premise consistently funny for an entire season, because it’s a school magic series. A very overcrowded genre, especially when it’s about this helpless male being escorted and protected by a cool and powerful female. What can they do to make this fresh? For one, the chemistry between the main couple NEEDS to be good. If it’s even remotely bland, then this show has no chance to remain interesting.

First-Glance Potential: 50%

Sekai Seifuku ~ Bouryaku no Zvezda

Summary: “?”
Produced by: A-1 Pictures
Director: Tensai Okamura
Series Composition: Tensai Okamura, Meteo Hoshizora

Impressions: Tensai Okamura is coming with a new original series, combined with A-1. That sounds great, doesn’t it? Well, the thing with him is that he’s a hit or miss director, but when he hits, he really hits hard with stuff like Darker than Black and Stink Bomb, but he has also written series that… didn’t really go anywhere. I really want to like this one… but just look at the promo art. Obviously there is THAT outfit, but I have another issue with it: EVERYONE is trying to make some quirky facial expression. That to me, is a sign of trying too hard. Adding too much of one spice while not caring about the rest.

First-Glance Potential: 70%

Noragami

Summary: “At the boundary between this realm and another, there live eight million gods, dead spirits who serve the gods, and other assorted spirits who help and meddle in the affairs of humans. A sweet middle school girl named Hiyori Iki has been enduring bullying from her classmates, and she goes to the restroom by herself to cry. Scrawled on the bathroom wall is a phone number and the message, “I solve your troubles.” After Hiyori calls the number, she encounters a homeless, unemployed figure who proclaims himself a “god.” Crude, unpredictable, and worthless, he does not answer people’s prayers and no one acknowledges him. However, he has one sole power, the ability to cut all who pass between this world and the next.” – (Taken from )
Produced by: Bones
Director: Kotaro Tamura
Series Composition: Deko Akao
Original creator: Adachitoka

Impressions: This one looks like it might actually be quite interesting to watch if it’s handled well. Of course, it is an adaptation, and to me this sounds like a story that will have a hard time fitting into its time-frame. Deko Akao is quite a flawed writer. However, the director seems to be a young talent who has been running around Bones, and with this he’s getting his first chance to direct a full series. The website for this really screams that budget has been put into it. So yeah Deko Akao, don’t be lazy this time: give this story the attention it deserves. Use your head and think.

First-Glance Potential: 70%

Toaru Hikuushi e no Koiuta

Summary: “The story of love and aerial combat follows a former prince who lost everything to a revolution, and a girl who became the symbol for the revolution. The orphaned prince, now renamed Karueru, embarks on a one-way journey to discover the ends of the heavens. Aboard the levitating island of Isura, he meets a girl named Claire. This is a tale of a prince who lost everything leaves for a journey with no guarantee of returning to his hometown safely. With hatred and revenge in his mind, he met several people that taught him about friendship…and love.” – (Taken from ANN)
Produced by: TMS Entertainment
Director: Toshimasa Suzuki
Series Composition: Shinichi Inotsume
Original creator: Koroku Inumara

Impressions: Remember Toaru Hikuushi e no Tsuioku about a fighter pilot who has to escort a princess? Well, the author wrote more novels, and this time we’re getting a TV-series about it. I’m fine with that: planes and fighter pilots are a pretty interesting topic to make a series about, and with this we have a bit more time to delve into the characters and the setting than just one movie. The director of Heroic Age and Rinne no Lagrange seems solid, as long as he won’t have to write his own story, but he knows his characterization at least. Shinichi Inotsune has adapted a variety of series, including good ones like Ristorante Paradiso. This has potential to work out.

First-Glance Potential: 80%

Nobunaga the Fool

Summary: “The Western Planet and the Eastern Planet. Once upon a time, the two sides were bound by the “Dragon Pulse” spanning the heavens. The civilization that once had prospered has now turned to a tale of dreams, as the inextinguishable flames of war tear the realm asunder. The two planets remain engulfed in endless battles. The return of the super technology known as “sacred treasures” could revolutionize the world order, but no one knows of them but one person — a “heretical girl.” A girl from the Western Planet, Jeanne Kaguya d’Arc, saw heavenly visions of the birth of a “Star Messiah” who will save the world. She embarks on a journey to the Eastern Planet with Leonardo da Vinci, “the one who observes the world.” They come across the heretic of the Eastern Planet and “the greatest fool of the day,” Oda Nobunaga.” – (Taken from ANN)
Produced by: Satelight
Director: Eiichi Sato
Series Composition: Shoji Kawamori
Original creator: Shoji Kawamori

Impressions: Nobunaga… oh god not another one, please let this guy rest for onc.. HOLY CRAP THAT LOOKS AWESOME. I mean, this show. This is what he needed, because it dares to do something new with the guy. This is the kind of premise that is so ridiculously stupid that it might actually work, and Shoji Kawamori, who is strangely writing a series for once, rather than sitting at the position of chief director, is one of the people crazy enough to actually make it work. His ego will make sure that no idea is too crazy. And combined with that we have the director of Kiss Dum, which will make this an entire trainwreck. But it will be glorious!

First-Glance Potential: 80%

Houzuki no Reitetsu

Summary: “Houzuki is the aide to the great king of Hell, King Enma. Calm and super-sadistic, Houzuki tries to resolve the various problems in Hell, including a rampaging Momotarou and his companions. However, he also likes spending his free time on his hobbies, such as fawning over cute animals and raising “Goldfish Flowers.”” – (Taken from ANN)
Produced by: Studio Wit
Director: Hiro Kaburaki
Series Composition: Midori Gotou
Original creator: Natsumi Eguchi

Impressions: Wit Studio seems to be split off from Production IG, and it looks like they took a lot of talent with them, and they actually came with quite an interesting premise to animate again, this time without Production IG at their side. It’s a premise that dares to be different. It’s an adaptation, but it’s the kind of adaptation that I can see would fit within an anime timeslot. It’s got a solid director who knows how to shoot stuff, and the writer wrote for a chunk of good series that Production IG did back in the days, so these people can pull it off. Now all that’s left is to hope that the manga this is based on is good.

First-Glance Potential: 85%

Silver Spoon Second Season

Summary: “Yuugo Hachiken decided to escape from the stressful school and home environment in the city by enrolling at Ouezo Agricultural High School. Unlike his peers who’ll eventually embark upon an agricultural career, he decides to study there only because he believes it’ll be less competitive academically. Unfamiliar with his new surroundings, he tries his best to adapt to the agricultural world he had never thought of living in.” – (Taken from ANN)
Produced by: A-1 Production
Original creator: Hiromu Arakawa

Impressions: Noitamina next season will rock, with the second halves of both Samurai Flamenco and Silver Spoon. Silver Spoon is a series that takes a very honest, yet also silly and endearing, look at farming, and the first episode was very effective at that. Like full metal alchemist, everything was calculated and let’s hope that the second season will be as enjoyable.

First-Glance Potential: 85%

Pupa

Summary: ” The “life-and-death sibling” story follows Utsutsu and Yume Hasegawa, a boy and his little sister who find themselves all alone. One day, Yume sees a mysterious red butterfly and her body undergoes a strange metamorphosis—into a creature that eats humans. Utsutsu struggles to find a way to restore his sister.” – (Taken from )
Produced by: Studio Deen
Director: Tomomi Mochizuki
Original creator: Sayaka Mogi

Impressions: Okay, so it got delayed one season. That still doesn’t change that I’m looking forward what is promising to be the first good show with incest in a long, long while. Tomomi Mochizuki is one of the best directors that Deen could have gotten, and it’s great to see him in the director’s chair again, and if that means a few delays in order to get things just right, then I’m willing to wait. I’m really looking forward to how disturbing they can make this one.

First-Glance Potential: 100%

Space Dandy

Summary: ” The story follows Dandy, an alien hunter who is “a dandy guy in the space”, in search for aliens with his robot assistant QT and a cat alien named Meow.” – (Taken from ANN)
Produced by: Bones
Chief Director: Shinichiro Watanabe
Director: Shingo Natsume
Script: Dai Sato, Keiko Nobumoto

Impressions: Space Dandy isn’t just awesome because it’s helmed by Shinichiro Watanabe. No, it also reunites parts of the Cowboy Bebop writing staff: Dai Sato and Keiko Nobumoto. The three brains behind one of the most solidly executed and celebrated anime ever are finally coming together again to make something new, and let’s see what 15 years of extra experience has brought to them. This will be their big chance to come with something big again. They’ve got 26 episodes, they’ve got the talents of the animators of Bones behind them. The character-designer behind Cowboy Bebop, and I can already see a ton of different musical artists who will be behind the soundtrack. This will be big.

First-Glance Potential: 100%
Posted on 24 November 2013 with categories: Random Posts

Hey everyone, I participated in Deadlight’s podcast again. This time about crappy Fall series that we initially liked, Studio Gonzo and their new film, a video game adaptation, Bayonetta. Listen here!

Posted on with categories: Kyousogiga

Toei, I applaud you. This episode was once again amazing. Seriously, I’m really quite astounded: Kyousogiga is one of the very few series that gets just about everything right. Kill La Kill and Samurai Flamenco: I can both name issues I have with them. Kyousogiga: none whatsoever. You could say that some things make no sense, and here the first half of this episode comes and fills in some big gaps in the monk’s backstory so that it makes complete sense. With this, the plot has this amazing balance of explaining things, and leaving things up for interpretation.

The direction was also fantastic here. It even goes beyond Kill la Kill at this point, first with its use of facial expressions that get the most out of the non-verbal communication between the characters, and second because of how in the second half, it actually blended in the two fights that were going on masterfully, often showing them in the same screen but having one in the foreground, and another in the back. That’s something I have yet to see in anime.

Then, this episode did make use of repetition, but it did so in the good way: when you notice the repetition, things all make sense in terms of the monk’s backstory. The entire series has basically been doing that. The same goes for the music, I guess. There really aren’t that many tracks in Kyousogiga’s soundtrack. But they are all wonderful, and they are also used at the perfect times!

Last week was a recap, but I’d say for that: who cares? If that is this series’ solution for having only ten episodes, I’d say let it do that! It’s the first series in years that I’ve seen that actually tried to have a different number of episodes than 13/12, 25/26, the occasional Noitamina-length of 11 and 22 episodes or an infinite amount of episodes. It’s exactly as long as it needs to be, give or take 20 minutes or something.

I’m always keeping an eye out for new masterful directors to start showing themselves. And with Rie Matsumoto, Toei Animation has struck gold, but she’s also working with a wonderful team of animators. But yeah, so far anything she has touched became gold. Now we can only hope that she will keep this passion of hers, and keep landing jobs as a director. If she can, then she can make it really big. I mean, this show is the textbook example of what I look for in a great anime.
Rating: 7/8 (Fantastic)

Posted on 23 November 2013 with categories: Samurai Flamenco

Samurai Flamenco: you are awesome! This episode was glorious on all levels! If you haven’t seen the episode yet: close this browser at once and get to it! This is one episode you do not want to be spoiled on!

I had seen pretty much everyone freaking out about this particular episode, so when I sat down to watch it, I already had the mindset of “well this twist has to be pretty damn major here”. It was. At first I thought that it was about Masayoshi finding out that his parents had been mugged instead of died from an illness like what he thought. That already was amazing to watch, due to how it was revealed.

I especially liked how Masayoshi was in conflict about himself: his parents died when he was two years old. It’s normal for him to not feel bothered by tracking down those criminals (finally lhe’s doing something normal!). It conflicted with his desire to be a hero, though his version of being a hero focused on the part of protecting justice, not the parts of heroes that focused on tragic backstories and personal revenge. Also: small touches like the title of this series coming from Masayoshi’s grandmother who used to be a flamenco dancer. I love how these series explain their own titles and have them make total sense.

But yeah. The twist. I applaud this series for doing this. For being completely realistic without any supernatural powers whatsoever aside perhaps from a few far-fetched ideas for gadgets. And then going completely berserk with this episode when THAT happened. It worked so well: everything that happened there was of such a completely different scale than what we’ve been used to. It’s a brilliant twist that just would not have worked without all that build-up. That was a wonderful example of how you escalate a story!
Rating: 7/8 (Fantastic)

Posted on with categories: Kill La Kill

So Kill la Kill? This episode really shows that it’s written by someone who DOES know what he’s doing. The balance is all there, and despite the simple plot, he knows how to use it. This episode for example needed to be a bit of an intermezzo inbetween the major fights in order to build up the atmosphere and tension. The big problem with these kinds of episodes though is that they’re boring and don’t really do anything. So the solution of this series? Just show a bit of character background. And with that you’ve got a perfectly fine building-up episode that was really fun to watch.

And the homages! The wonderful homages. This episode really managed to pay a wonderful tribute to school series like Utena, while at the same time doing them with a huge tongue in their cheek. Everything is taken completely over the top as usual, but the characters are also aware of this. The high school student being 20 years was a really nice addition: tons of high school characters in anime look way too old for their ages. This one actually has a reason for it. Another nice detail was the car, which at the end of the episode was completely wrecked. A big reference to Utena’s car symbolism that was everywhere, yet in Utena, cars fell apart at times. We never see them all dented up like here. This is a great example of taking ideas and cues from other series: sure, parts here have been done before, but this series uses them in its completely own way. This distinguishes the masterpieces from the ripoffs. It’s of course too early to tell whether Kill la Kill will become a masterpiece and it’s got a long way to go for that, but you get what I mean.

Ryuko’s past also didn’t add much extra, however it was also very much appreciated because we did get a glimpse of how she grew up, and why she ended up as the character she did. She clearly explained why she’s doing what she’s doing. This series really brings back the flaws that a lot of older series had, and fixes them. It’s combining the power of old series together with the power of new series. It’s full of these neat little details that make me quite excited to follow this.
Rating: 6/8 (Awesome)

Posted on 22 November 2013 with categories: Nagi no Asukara

Well, so I thought that I’d check out what Nagi no Asukara was up to lately, so I set down to watch this. And boy, it actually took a long while for me to actually start the thing. Today I finally managed to finish the latest three episodes because otherwise I’d never be able to move on, but it did make me ask a question: why am I still watching this?

It’s episode seven, so at this point we have a pretty good idea of the nature of this show. For the past few weeks I really started looking at anime in a different way, and I asked the above question for a lot of other series. Is it really worth it to watch so many series that contain such lazy writing that contains so many glaring flaws, just for a few things they do well? The key again is balance. Does Nagi no Asukara have that? I’m afraid not.

The thing with drama is: you take a few ingredients, juggle them together and let them culminate into a powerful climax, with some mid-climaxees inbetween. What Nagi no Asukara does is having way too many of these ingredients, overcomplicating the dish. Every episode it finds some contrived reason to create as much drama as possible, ranging from a love polygon that’s triggered way too easily to people behaving like arrogant pricks who can’t use their head for one second. A bit of this is fine and all, but this just kept on coming with the drama, there was hardly any variation to what went on. It’s all just teenaged drama.

Especially now that Hikaru has developed, things should have been more bearable, since he isn’t annoying anymore and he actually tries to take care of his loved ones, and he actually can shut up at once, but… meh. It’s all just so gloomy. Episode seven with those fishermen for example. That came out of nowhere, but these guys acted just as bigoted as he did a few episodes ago. These three episodes consistently bored me because they had nothing going on here. Only episode seven had something noteworthy when Hikaru and his sister actually left their home. That was something different, but getting less and less sure whether it’s worth it.

I think Mari Okada overshot herself with this series. In this series, and with Sakurasou too by the way, she focuses too much on one-sided drama that is in most cases really quite stupid. Compare that to three series of her that did work: Hana-Saku Iroha, True Tears and Ano Hana. Hana-Saku Iroha knew how to spice things up. It might have been a bit boring around this point, but at least it used this time to show what everyday life is for the cast, so it could use that for some very effective climaxes. The sm-episode came out of nowhere, but it took guts and stood out. True Tears also had lots of drama, but it was calculated: slow paced and it knew exactly what to do to remain interesting, again with great characterization. Ano Hana also had tons of drama at a fast pace, but it also delivered many twists that really got the best out of the characters. The cast was well balanced and every character was different, and the drama kept moving forward. It had strange twists, but these twists went together with the characters. It didn’t throw in stuff for the sake of throwing in stuff like what Nagi no Asukara is doing.

The animation in anime is consistently improving: people are really innovating there to create graphics that are really gorgeous, and you see this more and more. That’s good. Now transfer that mentality over to the writing departments. Force them to think logically about what they’re doing. We need more people like Gen Urobuchi, who are celebrated for their writing talents. There doesn’t seem to be any glamour to the writing business and to be honest, the whole scene seems quite a bit closed off. Because of this you have one group of writers who gets picked over and over to write and adapt these series, and there hardly seems any incentive to attract new talent or cultivate it. That really needs to change, because as I see it, it’s the biggest thing holding anime in general back right now.
Rating: 3/8 (Mediocre)

Posted on 16 November 2013 with categories: Kill La Kill

Okay, so I guess everyone is waiting for what that infamous episode 8 is going to do. Anyone who has seen Gurren Lagann knows what I’m talking about. However, I think that the twist isn’t the most important, and only a means to an end. I’m one of the people who wasn’t a big fan of that “twist” (not that the twist wasn’t good, but it didn’t improve things in the long run to me).

But yeah, this episode: I have no idea why but it worked. Again on paper it sucks: poor people taste the life of high standards and learn to appreciate being poor with drama, and at the end of the episode they revert again like nothing happened. If there ever was a whiplash episode, it’d be this one.

And yet, I liked this. Perhaps it was a combination between the premise being so ridiculous that it worked (which fits perfectly with the rest of this series of taking just about everything over the top), along with the actual context of this episode: the entire school is going to change and be rebuilt. I’m actually pretty excited for what they’re planning to turn it into. And at the same time they ended up giving a very good solution for the fears that everyone had been having of this series devolving into a formulaic monster of the week.

Knowing Hiroyuki Imaishi, there are two things that he’s probably going to turn up to eleven: the school and the clothing. On one hand this school will either drill into heaven, or will become the visual embodyment of hell times the power of infinity, and in terms of clothing everyone will end up either running around naked or with some of the most ridiculous costumes imaginable. I’m currently putting my money on 1 and 2 respectively.

Oh yeah, and am I the only one who thinks that the setting here is a big wink to Revolutionary Girl Utena?
Rating: 5.5/8 (Excellent)

Posted on 14 November 2013 with categories: Samurai Flamenco

Samurai Flamenco is a series that very cleverly keeps escalating. And this episode was a good example of this: the reward on Samurai Flamenco’s identity got bigger, he got more famous, the force used against him becomes more lethal, his gadgets get upgraded, people gang up on him more, more other superheroes enter the picture with the arrival of the other two flamenco girls. The only thing that doesn’t escalate is goto’s relationship with his girlfriend, which seems to have gone back to normal after their difficult time earlier. That’s an interesting development: a stable relationship. or at least one that looks like it so far.

At this point in the series it’s a bit too early whether this approach really works in the long run. For that we need a bit more time to see what it’s building up for. This episode’s main purpose was escalating and building up, even though a lot seemed to happen into it. Masayoshi in any case continues to stay true to himself with how he doesn’t doubt anyone on purpose, but the question is how long he can keep this up.
Rating: 5/8 (Great)

Posted on with categories: Yozakura Quartet

You can really see that Yozakura Quartet is based on a manga that is quite old already: when people think of a high spot in the center of Tokyo, the thing that immediately comes to their mind is Tokyo Tower. Not the Tokyo Skytree. This also is a bit of an example of creators adhering a little too much to their source material. What difference would it have made to the story to update to the new highest building in Tokyo? And yet it would have added quite a bit to the immersion as a nice detail.

Also, you don’t need to foreshadow everything. If your character is like “Ha! I took your course of action into account and therefore I took the necessary precautions for it!”, then that’s awesome. When an old couple suddenly reveals that they’ve been holding onto this really incredible power for years that’s given to her just as she’s going to be beaten, then you really have to build that up well. You can’t just show a bunch of shots of that couple here and there. It indeed signifies that they were planning on something, but not that they were going to pull something so convenient for the plot out of their asses.

Now, this is nit-picking, so let me get to the point: I’ve been thinking a lot about what makes a series great, and I’m pretty sure that the answer is balance: a harmony between every single part. And that’s not there for this series. On one hand you can see lots of attention spent on the animation, but not a lot on the script. The characters all have tragic backstories, but there’s not much variety in it. Everyone’s sortof vaguely bothered by “being a demon is annoying”, and lots of characters blend together because of weak characterization. The OVA was short, dynamic and to the point and therefore didn’t have that problem.

But I think a better comparison is with the second season of Birdy the Mighty Decode (not the first, because it didn’t have the incredible animation). Both series have a true master behind the action scenes, however Birdy uses this as a means, while Yozakura Quartet makes it an end. With Birdy the Mighty, you can mention a ton of other reasons to make it worth watching: the character-development, the incredibly dark turns, the way it brought its setting alive, the chemistry and much more. Yozakura quartet… eh… I mean the OVA is awesome due to the characters and the chemistry of the characters, but the TV-series doesn’t have that as much.

Sure, stuff happened in these two episodes, but I’m not really impressed to be honest. There was fighting… and more fighting, but I found the context of it to be rather weak. And it’s not like the conflict is too simple: Kill la Kill has that too. The difference, I think is that that series knows what it wants. It’s also deliberately paced, and knows where to add symbolism where it needs to. The episodes flow right and they know when to show action and when to show building up, instead of showing flashbacks right in the middle of a huge fight, or finding some weird excuse to have a pause in the middle of action (gee, it’s a good thing those monsters don’t attack us while we’re talking, being sentimental, and not keeping our eyes on them). I know, a lot of this is nitpicking, and alone these issues wouldn’t be a problem, but it’s the big picture I’m trying to sketch here.

Another interesting comparison with this series would be to White Album 2. Why? Because both series feature a director who previously was one of the best animation directors for TV-series out there. The big difference is that White Album specifically does not focus on its animation, but more on making the different parts work together. I haven’t completely caught up, but it seems to do a better job. Let me put it this way: if I had to pick one element of these two series that stands out the most, then it’s the animation of Yozakura Quartet. However in terms of the big picture, White Album has it beaten at this point.
Rating: 3,5/8 (Enjoyable)

Posted on 12 November 2013 with categories: Autumn 2013 Kaleidoscope

I’m not blogging this series, but this episode was too interesting to pass up. I’m quite behind on a lot of series, so unfortunately it might take a while before I’m caught up with everything again, so I’m just going to continue the Kaleidoscope in whichever way is the most handy.

Noucome is definitely my guilty pleasure of the season. There is a lot wrong with it. For starters: remove the dog girl and this series would already be lots and lots better. Every major character in this series is a clever play on stereotypes, but she’s just there for dumb moron-jokes and fanservice that we’ve seen way too many times before. This series also has some moments at which it’s just random for the sake of being random. That also could have been toned down.

But yeah, this episode in particular had some pretty sharp parodies. It was actually a breath of fresh air to finally have a series address the stupidity of some overused cliches and bad plot devices that plague the romance and harem scene. I mean, I’ve said before that a good parody is one that really pokes fun at its subject material, instead of just copying things.

The Shaft and the Sister parodies worked surprisingly well. This probably is the first time that I’ve seen a Shaft parody work so well, pointing out how silly it is to just watch a bunch of dialogue while the camera focuses on random details in the background that make no sense. Very clever. And on the other side of the coin, it was so satisfying to finally have someone call out on the bloody sister-cliche! I cringed when the sister first appeared, but the entire character is a very successful parody who just calls everyone her sibling. The best part was that one member of the student council who finally showed a bit of a realistic reaction of having younger siblings as a teenager.

Beyond that, there actually is a romance series that distinguishes between liking someone and loving someone. Yukihira meanwhile continues to take the piss out of the typical character who has a crush on the male lead by getting into his way in quite some creative ways.

Overall this was a very inspired episode. It’s not perfect obviously, for example that Maria-Sama ga Miteru bit was just a random reference that had no purpose of being there, and the rich posh girl with huge boobs was just another rich posh girl with huge boobs, but for a comedy to be consistently funny for five episodes, with such a questionable subject material. I consider that quite a job well done.
Rating: 5.5/8 (Excellent)

CHANGE USERNAME
Anonymous870083
mm okay thanks!
AidanAK47
@Anon1, Think you might just have to go with a torrent. It's pretty hard to find direct download anime these days.
Anonymous870541
the latest episode of rakugo just made my heart sank. i didn't think it would get better than it already is. i thank god that i didn't read ahead
Anonymous870083
does anyone know where I can download the remastered version of the Utena series? without torrent?
SuperMario
the same very thought here Lenlo. What I considered the weakest part turned out to be so layered. Sorry for ever doubting you, Rakugo.
Lenlo
And that smirk at the end, beautiful
Lenlo
The weakest plot point of S1 has just become the best part ever.
Lenlo
OOH MAN. I was not ready. The entire first season was all a setup. I cant. What. HOW DOES IT GET BETTER
Lenlo
Cant wait to watch Rakugo tonight, just got home and im lookin forward to it,.
AidanAK47
I think before grabbing the protest signs it might be worth considering if the thing you are demanding be uncensored is even worth it. Oh yeah, now you can see genitalia in crap sex scenes that were crow bared into the plot. No more need to use your imagination.
AidanAK47
Some protest because they want there porn. That I suppose I can understand even if I think they would be better off buying some nukige. But then there are those who demand it just for the sake of standing against censorship. They don't give a crap about the game or the fact we are getting the exact same thing the japanese got. What? Censorship of sexual organs? DOWN WITH CENSORSHIP!
AidanAK47
There are people actively proclaiming they won't buy the game, because they can't see dicks. That is not hyperbole. This is literally exactly whats happening here. And they just act so goddamn self righteous about it. Porn is not the goddamn point of these games. Shouldn't even be in them in the first place.
AidanAK47
So another Sekai Kickstarter is up for a trilogy of Visual novels called A Clockwork Ley-Line. Chipped in my bit as I am going to be buying this regardless but like goddamn clockwork you get the idiots yelling for Mosaic removal. No matter how I try to rationalize it, this just sounds stupid.
Kaiser Eoghan
Just whenever I think Rakugo may be dragging its feet it comes out a gives me three big strong moments in this weeks episode, you will know them when you come to them.
K-Off
Dubbing in more subdued performances work fine. It just becomes unbearable when it involves shouty dialogue, which idescribes most of the Japanese games I play.
Kaiser Eoghan
@Aidan: I think at the time it allowed Bagel (where did he go?) to find some exploit/gap in the sites security too.
SuperMario
I mean the spoiler code in the comment section. ^^. Like I don't mind if readers give (potential) spoilers but I don't want to ruin the fun of other readers as well
AidanAK47
After all it wasn't a intended feature of the old shoutbox. We were pretty much hacking the thing.
Kaiser Eoghan
I seem to remember all those old html codes stopped working on the old shoutbox too at one point.
Kaiser Eoghan
There was also originally an ability to animate text too of the shoutbox and have gifs appear in the message box but not as links.
AidanAK47
I remember some HTML code worked with the old shoutbox but nope. But I suppose you could change the colour of text to white...though that would effect everything you write.
SuperMario
Btw, do we have spoiler tag here Aidan?
SuperMario
@anon861679: Agreed. They have big ambitions, but they seems unsure on what to do next. I mean engaging your readers to give their thoughts is good, but if it is a mean for you to get inspiration to write essay about isn't that great. Well, give them say 6 months until they can settle down (they just launched this site for 3,4 months only)
Kaiser Eoghan
Despite being fine with anime in English, I've almost always felt that voice acting in videogames isn't as good.
Anonymous861679
Hey mario, that anime feminist blog was well, kind of awful. While they're well intentioned, it felt like they were pushing tumblr stuff onto chan stuff and that always ends up in a smoking mess.
SuperMario
Okay I'm going to erase my memories right now
SuperMario
I swear I'll stay off reddit for good. Have been spoiled by the development of ACCA by one of their "theory". As soon as I realized it's freaking spoiler I stopped but what done is done. Ahhhhhhhhhh
K-Off
Christ Fire Emblem Heroes is pretty addicting, micro transactions are not necessary at all. Though it irks me that I can't get Japanese voices. Dubs just make me cringe every time.
SuperMario
@ckspike: Hand Shakers, the very quality that makes you brain cells die while watching it. Well, I actually think the music is one of the best part of the show, now that you mention it like that...well...*slap my forehead*
ckspike
... my roommate just told me the background music when I'm watching Hand Shakers sounds like a bad porno... Now I can't unhear it. Fuck!
Lenlo
I havnt kept up with Academia, for some reason it just didnt catch me as well as the movie first did.
AidanAK47
You know what's funny? I thought little Witch Academia would be the hardest one to blog. Yet halfway into the current season and it's the one I write the most about.
Lenlo
I actually dont read many blogs. Mostly just this place and the occasional pop on reddit
Anonymous859067
I'd like to present to one of my favorite blogs, A work I just created: Greed Island! https://play.google.com/store/apps/details?id=com.tc2r.greedisland
AidanAK47
I go to Reddit anime myself but I don't really like the upvote system. Basically the majority rule opinions get put to the top which more often than not are jokes.
HelghastKillzone
I listen to podcasts on youtube and others places as well as going on Reddit Anime to hear a thousand people yammering away.
Kaiser Eoghan
I irregularly follow the episode reviews on ANN and sometimes read standing on my neck. I fell out of the habit of following random curiousity.
SuperMario
Anime Feminist (animefeminist.com), while sounds ambitious on paper, hasn't been too hot unfortunately. I know they aim to be "big" so they're still figuring out how to do it best. Well, good luck for them!
SuperMario
Oh, I know I've mentioned this site before but you guys should read it (blog.sakugabooru.com), this site is one of the only few blogs that I actively subscribed to read their post. They have some insights to the anime industry that is very informative and inspiring
SuperMario
I also think that this chatbox here plays a great role to keep a fair amount of readers for the site, as many sometimes just come here to give their two cents on certain anime.
SuperMario
I just checked out rabujoi blof for the first time, (https://rabujoi.wordpress.com) and I think they're in pretty good shape. Content-wise are solid (as far as I read), and they update their post pretty regularly (comparing their amount of posts last month (80) to ours (28), ouch)
SuperMario
Just really wonder, what are other anime sites that you guys follow beside this? Well, ANN and RandomC are a given, but I found myself haven't bothered to read ANN's episodic reviews lately (mostly due to time constraint)
AidanAK47
Don't tell me this is gonna be a regular thing.
Lenlo
There we go
Lenlo
Oh god JSON objects. I thought that nightmare was over
SuperMario
Mine is working probably as well. Thanks a bunch K-Off and glad to hear back from you.
K-Off
No problem.
K-Off
I really need to figure out how to get those damn tooltips working again on the sidebar thumbnails. It'd be useful to have the descriptions popup.
AidanAK47
Cleared my cache and it looks to be fixed. Thanks as always K-Off. I would be completely screwed without you around.
K-Off
Alright I think that did it. Let me know if it pops up again. If you still see it, clear your browser cache and let me know if its still there.
AidanAK47
Messages still get sent. You just might have to reload the page. We are working on getting it fixed.
Vonter
AidanAK47 I can't get into Fate since like with Nanoha there's a lot of stuff with those names in it. Zero was the most straightforward, yet the buildup was very dragout but the payoffs where very worthy.
HelghastKillzone
testing message.
AidanAK47
This is what I get for updating the bloody plugin.....
AidanAK47
He finished it and was telling me what he thought of Saber defeating Gilgamesh. Minute he said that I was like "OH GOD..." He watched the Deen 2006 adaption. Sadly it loos like he's not going to bother watching UBW TV despite me showing him part of the berserker fight. With Fate/Extra, Fate/Grand Order, Fate/Apocrypha, Fate/Oath under the snow and all the rest this problem will happen again.
AidanAK47
You know I wish the Fate series did a better job naming it's series. I was introducing a newbie so I gave him Fate/Zero first. He loved it so I specifically told him to watch the UBW TV Series and don't mistake it for the movie. He then went and watched the movie. I told him to watch the TV series regardless and brought up the MAL page to show him which one.
Kaiser Eoghan
Ah, there's definately no harm in doing further reading on more arthouse stuff before reviewing it/watching/after watching, it extends our understanding and is pretty much required.
Kaiser Eoghan
@Aidan: Go for it, you might sell me on reading it.
Kaiser Eoghan
Yeah, I generally only write reviews every now and then, and they tend to be kept simple and to 200-300 words. My writing ability only really works when I write in stream of consciousness.
Anonymous855550
Zestiria is such a feast for the eyes... The colors and backgrounds are so vivid and magnificent. Story has improved on the game's weaknesses too!
Lenlo
Given enough time, im sure I could write something, but as I writer I tend towards quick, decisive statements of what I think and why. Engineer, so technical documents are like the only thing I know how to write.
Topgavin
@Supermario ah, I'd say I'm the opposite in that I sometimes don't know why I like something so much, and when I read a review about it I can relate my own experiences and put it in my own words pretty well. Can thank Highschool eco for that
SuperMario
But to tell you guys the truth, I never think that I'm cut out as a reviewer (even now), because I'm a type of viewer who more perceive (I know why I like/ don't like stuffs) than express (just can't never explain stuffs well)
SuperMario
@Topgavin: it's depending on what grabbing you really; as I always find shows with heavy symbolisms like Penguindrum or Flip Flappers the easiest to dig deeper. But those are always my kind of show to begin with
Topgavin
I'd find it really hard to write something about a show without reading about it first; watching it one time by myself I usually only notice the big things. Stuff like Flip Flappers I had no clue what half the episode's hidden meanings were, can't imagine reviewing a show like NGE or penguindrum.
SuperMario
that's exactly how I write my reviews anyways
Lenlo
I cant imagine writing a review, id just repeat myself with different words but the same intended meaning over and over again
AidanAK47
Wonder if I should write a review of this. Might be hard without giving too much away.
AidanAK47
(Finishes Sweetest monster Visual novel)
.....well....fuck.
(Buys all authors visual novels on steam.)
Lenlo
Sadly, I doubt Nioh will get a PC port. Sony is pretty stingy on their exclusives, like Bloodborne. But I am so very happy with Nioh. I love technical combat like this
Kaiser Eoghan
I suppose this means I'm looking into this rpg maker game thing now isn't it? Might aswell.
Kaiser Eoghan
I remember the word animerican used to describe things like avatar last airbender. Filthy word =P
Anonymous853606
God no. Jiro Taniguchi died.
AidanAK47
@Lenlo, I have been hearing very good things about Nioh. Really hoping it gets a PC port.
@Topgavin, No real surprises there.
Topgavin
I'm sure most of you have heard, but looks like New Game is getting a season 2 out of all things. Apparently they had good sales, and I can certainly see why. CGDCT with yuri undertones and clean animation is hard to get wrong, let alone not sell.
Lenlo
Just started with Nioh, and oh my goodness do I love it.
Anonymous852887
anyone play resident evil 7? its so good.
AidanAK47
Thought that's because the term American Anime just feels wrong to me on all levels.
AidanAK47
@Anon, they do not. They are cartoons.
Anonymous852775
DO people call D.C. Comics animated movies American anime?
AidanAK47
@Anon, I am certainly interested in seeing the next episode. Those minisodes were pretty good too. One thing I thought the writting faltered on though was the comedy. It really was a little too slapstick considering how serious the drama was.
SuperMario
@Lenlo: ah remind me the time I went to Texas (Corpus Christy) before X-mas time and I was wearing short pants and thongs (nice!!!), then went all the way up to Niagara Falls and I was almost freezing there.
Lenlo
See, I love winter, but its almost non-existent in Texas
Anonymous852268
@Aidan: I agree. I loved To the Moon. It's so good seeing emotional drama that isn't centered around high-school kids. Seeing the ups and downs of a whole long life of a person gives everything that happens way more impact.
Kaiser Eoghan
@Mario: An Australian friend put it as "A sunbaked rock in summer, a giant zoo, that actively tries to kill its population"
SuperMario
Not that I'm enjoying the winter either. Why autumn always go so fast?
SuperMario
Believe me but summer here is way too much. When it's too hot and dry it starts bushfiring really badly. And it's too hot that even a big fan straight in front of you don't do you any good
Kaiser Eoghan
What is this mysterious creature known as summer you refer to? =P My country is grey as a black and white film =P
SuperMario
I'm wondering how freezing you guys have to endure right now, but the place I came today in Aussie just reached 50 degree celsius this noon. So hot I felt myself burning
Lenlo
I think the part I liked the most, was just how satisfying those mud splatter sounds were. I dont know why, but its in my head
HelghastKillzone
Youjo Senki 6 subs came out at 11pm PST.
Lenlo
Atleast Rakugo didnt get held up. Still amazing as ever
AidanAK47
Well I spent my time waiting for it to come out by playing and finishing To the Moon. Got to say, it takes some real skill to make a game in RPGmaker that can make you really feel something. But maybe I am just a sucker for this kind of story.
SuperMario
Hey, I would be very frustrating if Hand shakers got delayed. But I agree this delay is caused by Being X. And Scum's Wish, haizzz, this is the show we love to get pissed at. Haha
Anonymous850298
I blame Being X.
AidanAK47
Sigh, Youjo Senki 6 is delayed. Why is it always the best shows that get delayed? If an episode of hand Shakers was delayed no one would give a crap but nope. Gotta be the show you want to watch right away.
AidanAK47
@Anon, in both anime and manga I never liked that character much.
Anonymous849783
Meh, dropped Masamune-kun. Seriously why do they always have to shove in these one dimensional characters with a crush out of f* nowhere. It never made any of these shows more interesting, it's always the opposite.
Vonter
@Kaiser Eoghan - I find it weird having the teacher being so unashamedly evil. In a way I like that, but at the same time I can't relate to the notion of people like that existing IRL.
Kaiser Eoghan
As I continue to watch scums wish, it becomes an anger inducing as much as it is engrossing experience.
AidanAK47
Or the UBW movie over the TV series. You just don't do that.
AidanAK47
That's like recommending someone to watch NGE death and rebirth instead of the TV series.
Kaiser Eoghan
Meh, I just got fed up with the padding in the tv version.
AidanAK47
Jojo has the kind of entertainment that clicks with you or doesn't so I understand if you didn't get into it. Though to give it a fair chance I would recommend trying the first episodes of Battle Tendency. It starts at episode 10 of the first season, you can jump to it. If that doesn't catch you then Jojos really isn't for you.
AidanAK47
Don't listen to Kaiser. The OVA is bad.
Kaiser Eoghan
....found out where a friend had been off to lately, making a movie and he ended up actually making and finishing and I got first dibs. Had a hard time commenting on it as I know the guy personally.
Kaiser Eoghan
@Mario: Totally with you on the academy thing.
@Lenlo: If you ever try jojo again and get onto part three go for the ova instead as it trims down an overly bloated arc.
Lenlo
For JoJos, I couldnt get through the first season. It just didnt hook me
Lenlo
What I dont understand is how anything other than Mob Psycho won best animation, cause my god.
Lenlo
I think Erased lost not because of the libido, but because Yuri was "gay" and "progressive" and most important of all, recent. Yuri had just finished airing so it was stuck in everyones heads. Of course it was going to win everything
AidanAK47
Erased truly deserved to win that category and it only lost because people voted with their libido instead of their head.
AidanAK47
If there's one thing that really makes me angry about these awards it's Yuri on Ice winning most heartwarming moment for "The Kiss". Because A) It wasn't a fucking kiss and B) Even if it was that isn't heartwarming. Oh I am sure something is getting warm but it sure as hell isn't your heart.
AidanAK47
Likely the main reason Kira didn't win main villain because Jojo has grown to a episode count which makes people hesitant to pick it up. Not to mention many would lose interest by Stardust crusaders midpoint.
AidanAK47
When it comes to judging quality you have to leave it to the people who have experienced enough of the medium to truly be able to critical judge it. Pretty darn sure most who voted didn't even bother watching everything worthwhile each season and just gravitated towards whatever they were exposed to.
AidanAK47
Lets not forget someone voting multiple times and bot voting. Because yes, people really do that. As you two pointed out, a public vote was never truly going to be a accurate gauge of quality. For you are not only opening the vote to anime lovers but also newbies and those who simply haven't refined their tastes yet.
SuperMario
so they either abstained their votes (which actually was reasonable); voted for something popular or even voted based on what their kids liked the most (which was flat out unforgivable).
SuperMario
This from my own frustration mostly when it comes to awards like this. But I've been following the Academy Awards for way too long now and every now and then you heard something that really disheartened about their voting process. Like for example many of the Academy members admitted that they don't care to watch anything animated because... it's kiddy stuff
SuperMario
TL;DR: my point is I have mixed feeling about the whole Crunchyroll awards. One more thing that I noticed about the nomination is that the pool was dominated by shows from the first half of last year.
Lenlo
I dont think public voting is the way to go is the thing. Popularity contests are horrible. With popularity contests moe is going to be near the top every time, while shows like Rakugo never really have a chance. And I think there is little doubt that Rakugo was one of the best shows last season
SuperMario
@Lenlo: there is an issue with the first thou, because reviewers like us don't actually represent the whole public opinions. So it's all come down to the very reason they create an award in a 1st place (your second point). But with voting we can't really reason why the winners win the trophy, right?
Lenlo
The problem with awards like that is for them to mean anything they need 2 things. 1) A board of voters who are actual reviewers who have watched a large portion of what was on shelf that season. 2) Reasons for why each thing won its award. An award without reasons means nothing
SuperMario
Other issue about voting for these awards is that the nominating body and the voting body aren't always the same. Usually the voting body is broader and more generic in taste, so I'm not at all surprised when shows like Rakugo couldn't win. Too art-house for their liking. Well, at least it got nominated which for me is good enough.
SuperMario
That's the thing. When it comes to awards, they are more 'popularity' contest than actual quality, since people tend to vote for the safer choice (the one that are both popular and mildly critical success), YOI fits the bill here.
Lenlo
Those awards were not the best and little more then a popularity contest imo.
SuperMario
Actually with that line-up I had no problems with YOI taking the top spot
SuperMario
I actually forgot about the Crunchyroll Anime Awards so I came to check the winner. Guess which show won AOTY huh? Alright, at least it wasn't Kabaneri or Jokers Game
Kaiser Eoghan
But the best one was Mask of Phantasm.
Kaiser Eoghan
@Aidan: And return of the joker also.
Kaiser Eoghan
It has aged admittedly very poorly, but I always got a great kick out of that old 1994 spiderman cartoon.
Kaiser Eoghan
@Mario: I think its fair to use the term K-anime or C-anime for the Korean and Chinese influenced stuff, or maybe just anime would be just as appropriate. If some Argentinian guy can write/draw a manga for a Japanese manga magazine (big comic superior thats the magazines name) and have it actually be called a manga, it should be the same for China/Korea.
Lenlo
Mhmm. Marvel had the movies, but DC had the animated series
AidanAK47
Man, I loved the villains of Batman Beyond. Inque and Shriek had such interesting powers. The DC animated shows tended to be the one that didn't treat you like a kid while watching.
Lenlo
Well, they released a trailer for Samurai Jack S5, so its coming. Batman Beyond I also enjoyed
AidanAK47
Ah Samurai Jack. Wonder how that Adult swim revival is going? Batman the Animated Series as well didn't need Batman to crack off jokes every minute to be great.
Lenlo
Agreed. Samurai Jack was one of my favorite cartoons for that very reason. It ran the gamut of genres, each episode being something different.
Also I used Nichijou cause it was the first to come to my mind as a "Kids Show", though Love-Ru works as well
AidanAK47
One thing I think Cartoons could do to move away from the stigma of being for kids is having more genres than Comedy and Action adventure. Or at least stop putting comedy in everything.
AidanAK47
@Anon, Every fanbase has it's fanatics. There are idiots everywhere.
@Lenlo, I thought this might come up though I was expecting more of "placing Berserk and To Love-Ru in the same category" thing. Honestly I don't have a rebuttal for that. What is an isn't anime is really a matter of what anime is to you.
Lenlo
Now Aidan, you say putting Berserk and Scoopy doo in the same category is wrong, but what about Berserk and say.. Nichijou? A similar problem comes up and I think thats more to do with Berserk being a pretty major outlier (And I love it for being so. Have all the original Dark Horse volumes on my shelf)
Lenlo
Really though, reading Reddit arguments about it is so much fun.
Lenlo
I do think that recently, a number of shows have been trying to move cartoon, and animation in general in the west, away from meaning "For Kids".
Lenlo
Im not sure sure about that Anon, look at the Steven Universe and MLP fanbases.
Anonymous840067
Aidan, that isn't true... Anime has a 'special' name because it's fan base is a lot more fanatical than the cartoon fan base.
AidanAK47
Though I think the whole "Its not for kids" is the main push. Looking at my anime collection the majority is rated 15 with a few 12s. It's like the way you have Young Adult and mature, Comic books and graphic novels, or Visual novels and Eroge. They are essentially the same thing but appeal to different audiences.
AidanAK47
Though I think what really pushes this argument is that the term anime at least has a badge of honor. You don't see people demanding a show to be called a cartoon.
AidanAK47
Honestly the term anime is just a distinction to separate it from the more kiddy stuff. The term cartoon in the western world is too ingrained with the likes of Hanna Barbera or loony toons. No matter how you put it, putting Scooby Doo and Berserk in the same category is just wrong.
SuperMario
Then would you consider Korean, Chinese anime-influenced shows as anime? (I would) and those anime that aimed for Western audience (like Animatrix) as anime? (I would too)
SuperMario
But then we have something like Thunderbolt Fantasy lasy year which if I go for this defination (style) then it isn't anime at all, yet I would categorize it as anime
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