Posted on 25 November 2013 with categories: Seasonal Previews

This season. It feels like a spring or autumn season is coming. Perhaps not a big one, but I’m surprised by the amount of solid titles that are coming out. There are quite a number of series I’m looking out for, plus also a few that already have the potential to become the best of the year unless the competition really ramps it up. We’re in for an interesting season, that’s the least. Unfortunately, there also are a lot of really bland series coming up. It’s a season of extremes.

Wake Up Girls

Impressions: Here is one to probably steer away from: Yutaka Yamamoto, a guy who basically is just one big troll, is going to direct a movie. It’s about seven high school girls. Who become idols in order to save a production company. Yes, he actually came up with this. It’s not an adaptation. Out of all the possible plots that he could have picked, he picked one of the most generic ones. Heck, with Fractale he actually tried to show that he had some ambition.

Bayonetta: Bloody Fate

Impressions: This is going to be Gonzo’s new project, and it’s helmed by the director of Afro Samurai and the X-Men. What this basically means is that Bayonetta will be a movie about eye candy: throwing as much visual stuff at the screen and hope that the audience won’t be bored enough to realize that the storyline is pretty rubbish. It’s also got the screenplay from the guy who wrote the X-Men anime, which only reaffirms this.

Hunter X Hunter: Last Mission

Impressions: Here is the interesting thing about this movie: it’s going to be adapted by the guy who also adapted the 1999 version. Including the OVA, the part of the franchise that managed to receive the best and most heartful adaptation so far. That is very promising, because even though this guy isn’t perfect (he also was behind the much more lackluster Greed Island Arc that just felt lazily adapted), he knows how to do it, and how to bring the best out of the characters. Here’s to hoping that he can do it again. The director will be completely different though, so who knows where that’ll end up?

Amazing Twins

Impressions: Sato Junichi and Mari Okada. A combination between these two prolific creators was bound to happen someday, and it comes in the form of this quirky-looking OVA about some girls with superpowers. It looks out of the league for both of them, as this seems to be a pure action series, but that does provide opportunities. Both of them are ridiculously talented when they get something right, now the thing will be whether they can make this happen for this set of short OVAs as well.

Majocco Shimai no Yoyo to Nene

Impressions: Here is another one to look out for. Not just because of Ufo Table, but also because they put their best director on it: Takayuki Hirao. This guy screams alternative and he has guts to go where nobody else dares to go. He directed the fifth and best of the Kara no Kyoukai Movies, and was the only one who was deranged enough to try and animate a story by Junji Ito. His storytelling skills are sometimes a bit wonky and for that he will need good source material. But it looks like a nice and ambitious family movie.

Mouretsu Pirates

Impressions: Mouretsu Pirates was a bit of a weird series that got progressively better with every single arc thanks to some very good build-up. Tatsuo Sato is a great director and he will be both writing and directing this movie, which means that he has a lot of control about its content, and that’s very promising for a movie.

Buddha 2

Impressions: Buddha 1 was amazing. A brilliant adaptation of Osamu Tezuka‘s classic. So of course I’m looking forward to the continuation! The director is going to be different for this one, though: Toshiaki Komura, someone with less experience than the first one and who is mostly known for directing Precure series and awful fighting stuff like Kinnukuman and Ring ni Kakero. I hope that he has a good team to back him up, because a story like this deserves people who handle it with care.

Tiger & Bunny The Rising

Impressions: So yeah, a lot of people probably noticed that I’m not posting movie reviews anymore. I really want to pick up movies again, however I need to find a way to actually sit down and watch long stuff again. I’m currently battling my own laziness and concentration for it, because I still need to watch the first movie before checking this one out. And the second movie too has the brilliant director of Yoshitomo Yonetani behind it, who is a master of chaos.

Kaguya Hime Monogatari

Impressions: This is one of my top movies to watch out for this winter. It’s probably going to be Isao Takahata‘s last full movie ever. And for those who don’t know him: he’s the one who co-founded Ghibli with Hayao Miyazaki. Out of all of the directors I have ever witnessed in anime, he is by far the most realistic one. Nobody has ever been able to top his feeling of characters since the late sixties when he got his first directing jobs. It causes his movies to be very slow, but I’d still like to see his talents one more time.

Mushishi

Impressions: Talk has been going on for quite a while now that there would be more Mushishi, and with this it has finally be announced: a one-hour special on January 4th. Reuniting all of the past staff that gave us one of the most memorable series out there. However, I am disappointed a bit: I had secretly hoped an entire new television series: there seems to be enough manga material left for that. However, I guess that you can’t have everything. A one-hour special is awesome enough.

Upcoming TV-Series:

Saikin, Imouto no Yousu ga Chotto Okaishiin Da Ga.

Summary: ” In the romance comedy, a girl named Mitsuki Kanzaki lives with her step-brother Yuya after her mother remarries. One day, Mitsuki is possessed by the self-proclaimed spirit of a young girl, Hiyori Kotobuki. Hiyori (in Mitsuki’s body) must fall in love with Yuya to move towards the “Gates of Heaven.”” – (Taken from ANN)
Produced by: ?
Original creator: Mari Matsuzawa

Impressions: This has to be one of the most ridiculously stupid, insulting and contrived premises to try and make incest acceptable.

First-Glance Potential: 0%

Oneechan ga Kita

Summary: “The story revolves around Tomoya Mizuhara, a 13-year-old boy who suddenly gains a big sister when his father remarries. 17-year-old Ichika is a little strange, and her affection for Tomoya is rather overwhelming, if not scary. On top of things, Ichika’s friend Ruri is the ultimate sadist. Then there is Ichika’s big-breasted quarter-Japanese friend Marina.” – (Taken from ANN)
Produced by: C2C
Director: Yoshihide Yuuzumi
Original creator: Rikou Anzai

Impressions: This will have 3-minute episodes, and it seems strangely like older-sister incest. Next.

First-Glance Potential: 0%

Maken-Ki Two

Summary: “Takeru Ohyama, a young normal yet perverted minded guy, got accepted and now goes to a school that, unknown to him, was where combat and magic is used. On the first day, he meets again after three years: Haruko Amaya, his childhood friend, Inaho Kushiya, a girl who says she’s his fiance, and Kodama Himegami, a blonde who wants to kill him. Finding out that there are many girls there that just don’t like him, he is told that everyone there uses a special magic ability while using an item or weapon called a Maken. Later, he finds that no Maken is acceptable for him and doesn’t know what to do, since in this school the students get into duels that showcase their magic and combat power, of which he seemingly has none.” – (Taken from ANN)
Produced by: Xebec
Director: Hiraku Kaneko
Series Composition: Yosuke Kuroda
Original creator: Hiromitsu Takeda

Impressions: Oh god, the director of Seikon no Qwaser and Xebec have found each other. Prepare for porn!

First-Glance Potential: 0%

No-Rin

Summary: “The story centers on the students at the Tamo Agricultural High School (Tamo Nourin Koukou, shortened to No-Rin). Kousaku Hata is a student there and is something of an idol otaku. The newest transfer student happens to be the super-popular idol Yuka Kusakabe who Kousaku adores. The school also has a childhood friend with a local dialect, a bishounen with glasses, a cute animal mascot, a girl with large breasts, a female teacher prone to flight of fancy, and more.” – (Taken from ANN)
Produced by: Silver Link
Director: Shin Oonuma
Series Composition: Michiko Yokote
Original creator: Shiratori Shirow

Impressions: Oh my god, Shin Oonuma is getting lazier and lazier. I mean, when you thought that he couldn’t go lower than with that Fate/Stay night ripoff, with this show they basically just putting up a sign saying “Otaku! Buy this!” I mean, can we please move away again from the idea that “big boobs” are a character trait?

First-Glance Potential: 0%

Wake Up Girls

Summary: “Green Leaves Entertainment is a tiny production company on the verge of going out of business in Sendai, the biggest city in Japan’s northeastern Tohoku region. The agency once managed the careers of magicians, photo idols, fortune-tellers, and other entertainers, but its last remaining client finally quit. In danger of having zero talent (literally), the president Tange hatches an idea of producing an idol group. On the brash president’s orders, the dissatisfied manager Matsuda heads out to scout raw talent. Matsuda makes a fateful encounter with a certain girl…” – (Taken from ANN)
Produced by: Ordet
Director: Yutaka Yamamoto
Series Composition: Machida Touko
Original creator: Yutaka Yamamoto

Impressions: I’ve talked about this one above: Yutaka Yamamoto could have picked any premise he would have liked (he has the ego to get away with things, we know that), and he goes for a generic idol series with seven cute girls. Yay for originality!

First-Glance Potential: 0%

Nisekoi

Summary: “Nisekoi follows high school student Raku Ichijou, the son of a leader in the yakuza faction Shuei-Gumi, and Chitoge Kirisaki, the daughter of a boss in a rival gang known as Beehive. They unexpectedly meet when Chitoge hops a wall and knees Raku in the face. After she runs off, Raku realizes he has lost his pendant which was given to him by his childhood sweetheart with whom he made a secret promise. After discovering Chitoge is a new transfer student in his class, he forces her to help him look for the pendant. During the search, they begin to dislike each other.” – (Taken from ANN)
Produced by: Shaft
Director: Akiyuki Shinbo
Original creator: Naoshi Komi

Impressions: So many red flags going up here, it’s ridiculous. Right after finishing the Monogatari series Shinbo is immediately going to continue with another series. It’s a romance series, adapted from Shounen Jump, meaning that there is no way in hell that they’re going to be able to stuff the entire series into just 13 episodes, and it’ll probably drag out as hell due to the weekly format of that magazine. Also: “during their search they begin to dislike each other”… yeah right.

First-Glance Potential: 0%

Robot Girls Z

Summary: ” Robot Girls Z focuses on three high school girls: Z-chan (based on Mazinger Z), Gre-chan (based on Great Mazinger), and Grenda-san (based on Grendizer). The group forms the Robot Girls Z unit in Nerima Ward Oizumi Academy’s Photon Power District in Photon Power Town that promotes Photonic Energy as the future energy source and fight the evil Baron Ashura and her Mechanical Beasts Girls Garada-chan and Doublas-chan who seek to use Photonic Energy for their nefarious purposes.” – (Taken from ANN)
Produced by: Toei Animation
Director: Hiroshi Ikehata
Series Composition: Kzuho Hyodo

Impressions: This one seems like Toei’s lesser department doing another series, because it completely lacks any sort of creativity whatsoever. It’s just another series that turns things into cute girls, only this time it’s classic robot series. This is not how you do a homage! This is just blatant ass-kissing. You’re putting these girls at places they totally don’t belong! The director and series composition are both really meh: both people who seem lazy and not really inspired to make something good out of this one.

First-Glance Potential: 0%

Go! Go! 575

Summary: “The anime ties into Project 575, which lets anyone create songs using the traditional Japanese 5-7-5-syllable meter found in haiku and tanka poems.” – (Taken from ANN)
Produced by: SEGA

Impressions: I’m thinking: how on earth can they make this work? No staff has been announced yet, but even then: it’s two characters who read Haiku. Who on earth can make an enjoyable series that lasts an entire season out of that?

First-Glance Potential: 0%

Chuuninbyou Demo Koi ga Shitai II

Summary: “High school freshman Yuuta Togashi was once a “chuunibyou patient” i.e. an overly self-conscious middle schooler. He wants to bury this embarrassing past and begins a new life in high school—unsuccessfully. His classmate Rikka Takanashi, a “current” chuunibyou patient, has found traces of residual symptoms on him and used the fact to force Togashi “making a contract” with her.” – (Taken from ANN)
Produced by: Kyoto Animation
Director: Tatsuya Ishihara
Series Composition: Jukki Hanada
Original creator: Torako

Impressions: I’ve ranted about Kyoto Animation before, but let me quickly explain why I dropped Chuuninbyou quite early: all of their characters look the same! They always keep relying on the same archetypes and gags over and over, and even when you think that they’re going to try something different, the first episode airs and they find some way to make their characters look way too much like their previous iterations. I’m of course not denying that things can get better later on, but the question is: do I want to pain myself sitting through the same characters over and over again? Right now my answer to that is no.

First-Glance Potential: 0%

Magical Warfare

Summary: “In this modern magic action story, Takeshi Nanase is an ordinary high school boy who has a somewhat dark past. Due to certain circumstances, he formed a “fake” couple with his childhood friend Kurumi Isoshima, but otherwise, he lives a normal life. However, one day, he comes across a girl named Mui Aiba, in a uniform he has never seen before, collapsed on the school campus. This encounter changes Takeshi’s destiny completely. Mui tells Takeshi that she is a magician, and she apologizes, for she turned Takeshi into a magician, too. What Takeshi once knew as one world is actually two — the world where magicians live and the world where humans live.” – (Taken from ANN)
Produced by: Madhouse
Director: Yuzo Sato
Series Composition: Kazuyuki Fudeyasu
Original creator: Hisashi Suzuki

Impressions: Another boring premise with silly promo art that fails to stand out whatsoever. It’s a light novel adaptation, which raises even more red flags. The only bright point is that the staff behind this one is quite good: the director of Kaiji, Agaki and One Outs (but also Iron Man) and the series composition of Hajime no Ippo (but also Kampfer and Kamen no Maid Guy). And those negative examples are unfortunately what I’m fearing here: yes these guys have adapted some wonderful stuff. But they made that with great premises. Not bland and boring crap like this.

First-Glance Potential: 10%

Super Sonico the Animation

Summary: “Super Sonico is the mascot girl of the “Nitro Super Sonic” events held by Nitroplus. In her back story, she is already a photoshoot model, game character, and a musician, even as she studies as a college student. She is also part of a three-piece girl band named “Daiichi Uchū Sokudo” (Fastest Speed in Space) as the vocalist and guitarist.” – (Taken from ANN)
Produced by: White Fox
Director: Keiichi Kawamura
Series Composition: Yosuke Kuroda

Impressions: This one has me puzzled: so it’s a mascot of Nitro+, and it’s getting its own anime. If it’s going to be good, then it’s probably the first of its kind to actually deliver, because the potential for failure is incredibly high here. The problem is corporate: of course she’s a mascot so you can’t make her look bad or anything, she needs to be constantly appealing and you can’t do anything risky with her because it might lead to bad views about Nitro+. The creators behind it aren’t that bad or anything, but I really doubt that they can do anything with this.

First-Glance Potential: 20%

Hamatora

Summary: “The story revolves around “Minimum” or “minor miracle”— special hereditary powers discovered only in an extremely limited number of humans. Those who possess such powers are known as “Minimum Holders.” Partners Nice and Murasaki form a detective agency called “Hamatora” in Yokohama in 2014 — but their “office” is a table at Cafe Nowhere where they and their friends wait for clients. An old acquaintance of theirs, a cop named Art, hires them for a serial murder case he is investigating, and they discover that the murder victims are all “Minimum Holders.” As Minimum Holders themselves, Nice and Murasaki are drawn into this case, whether they like it or not.” – (Taken from ANN)
Produced by: ?
Director: Seiji Kishi
Series Composition: Yukinori Kitajima

Impressions: When the page loaded and I could only see a few vague hints, I could already tell immediately that this would be Seiji Kishi’s new series. It’s painfully obvious, and usually when you can recognize a director’s personal style, it’s good. With him though, I see him blatantly recycling some of the ideas he used in Daganronpa and Devil Survivor. I mean come on: over the past year he has done three series and one movie. This guy is overworked and needs to stop right now. The worst thing is that the premises of his series aren’t that bad. It’s just the execution that keeps on getting worse.

First-Glance Potential: 20%

Neppu Kairiku Bushi Road

Summary: “An asteroid collision brought with is a deadly menace known as “Shinbo.” Faced with destruction, humanity retreated to land reclaimed from the sea. The one ray of hope is a device that can fight the Shinbo called “The Mechanical Divine General.” Ame, the princess of the refugees, and Sutou, who carries the blood of the Yagyu family, must awaken its power in order to save the world.” – (Taken from ANN)
Produced by: Kinema Citrus
Director: Masayuki Sakoi
Series Composition: Norimitsu Kaihou
Original creator: Sunao Yoshida

Impressions: It’s probably a coincidence, but I love how they decided to call the deadly menace that destroys humanity Shinbo (hey, it’s not my idea!) – But yeah, the plot here is pretty generic and pretty stupid (a princess of refugees seems very much like a silly attempt to make that character more special than what she actually is). The director of Needless and Maid Guy also makes me fear about whether this show will be more than cheap entertainment.

First-Glance Potential: 20%

Mikakunin de Shinkoukei

Summary: “The comedy revolves around Kobeni Yonomori, who on her 16th birthday suddenly has a young man with little presence named Hakuya Mitsumine and his younger sister Mashiro appear in front of her. It turns out that Hakuya is her fiancé, and Mashiro is her future sister-in-law. The three (and Konbeni’s older sister Benio) start living together underneath the same roof, and hilarious happenings occur.” – (Taken from ANN)
Produced by: Dogakobo
Director: Yoshiyuki Fujiwara
Series Composition: Fumihiko Shimo
Original creator: Cherry Arai

Impressions: This one seems like the standard premise for a sitcom, and nothing more. So slice of life that depends on the antics of three characters, and possibly a lot of cuteness. I personally don’t think that it will work. Perhaps one episode will be nice, but it won’t have enough material for 13 episodes. Unless you like the 4-koma adaptation genre, I see this one as instantly forgettable.

First-Glance Potential: 20%

Nobunagun

Summary: “Shio Ogura is a Japanese high school student, who is visiting Taiwan on a school trip when she is suddenly attacked by monsters. Agents known as “E-Gene Holders” from the government agency DOGOO also arrive, who wield weapons infused with the spirits of historical figures. Shio is revealed to also be an E-Gene Holder when the soul of Oda Nobunaga awakens after she tries to rescue a friend.” – (Taken from ANN)
Produced by: Bridge
Director: Nobuhiro Kondo
Series Composition: Hiroshi Yamaguchi
Original creator: Masato Hisa

Impressions: When I first saw the promo material, my reaction was that it was a really artsy project that probably would rely a lot on being cool. Then I read the premise and this show lost all of the hope that I had for it. The plot of this show is one that I hope will die out very soon, because it really is a dead horse at this point. And as for the staff behind it… Nobuhiro Kondo previously directed Kekkou Kamen and Keroro Gunsou… two series that I haven’t seen before, but I doubt whether that kind of experience can really make something good out of this series. Hiroshi Yamaguchi though… this guy is a good writer when he wants to be. He really needs to try though, in order to make something workable out of a bad premise like this.

First-Glance Potential: 20%

Sakura Trick

Summary: “The story revolves around Haruka and Yuu, two girls who go to a high school that is slated to be shut down in three years. To share “something special” between them, they share a kiss, and their relationship deepens from that moment onward.” – (Taken from ANN)
Produced by: Studio Deen
Director: Kenichi Ishikura
Original creator: Tachi

Impressions: Kenichi Ishikura is an episode director who previously worked at Shaft, and then went on to direct the umpth Da Capo series (which was really forgettable). But yeah, we have a lesbian romance series, which unfortunately still remains a series about a bunch of high school girls who all look the same, stuffed together. I like yuri, but I like it because of how good the stories of yuri-series on average tend to be. But I’m not sure whether just the addition of romance will be enough to lift this bland premise up from mediocrity.

First-Glance Potential: 30%

Inari, Konkon, Koi Iroha

Summary: “The story revolves around Inari Fushimi, a shy, not-so-bright middle school girl living in Kyoto’s Fushimi ward. She has a crush on her classmate Tanbabashi, but cannot express her feelings. One day, as thanks for helping a fox pup, the deity Ukanomitamanokami grants her the ability to change her form.” – (Taken from ANN)
Produced by: Production IMS
Director: Toru Takahashi
Series Composition: Machida Touko
Original creator: Morohe Yoshida

Impressions: I’m on the fence about this one. The thing is that it’s a romance series that has the potential when done the right way. It also seems to want to take itself seriously. And it does have the director of Otona Joshi no Anime Time I. However it is a manga adaptation, and Machida Touko isn’t really good at adapting things. With that, I really fear that this will end up as a generic romance show that ends inconclusively and doesn’t go anywhere.

First-Glance Potential: 40%

Wizard Barristers: Benmashi Cecil

Summary: “The show takes place in Tokyo in 2018, where normal humans and those who can use magic coexist. As a result, there are laws against using magic, and a “magic courtroom” exists to preside over lawsuits regarding magic use. In these cases, “Benmashi” or wizard barristers defend those who use magic. The anime follows Cecil, the youngest Benmashi in history, and her associates as they defend clients in these cases.” – (Taken from ANN)
Produced by: Arms
Director: Yasuomi Umetsu
Series Composition: Yasuomi Umetsu
Original creator: Yasuomi Umetsu

Impressions: Okay, and the biggest WTF of the season in terms of staff is going to this series. Yasuomi Umetsu, the guy who is currently doing a pretty bad job with Galilei Donna, is going to follow it up IMMEDIATELY with a new series. Animated by Arms of all things, the single worst major production company out there. I… have no idea what he’s doing. He’s again going to write it from scratch and direct it at the same time. What puzzles me is how he got away with it, and why on earth he’s not doing a better job if he’s got so much ambition. I mean, this is not something you do normally in order to get a paycheck: he really needs to have wanted to do this in order to suddenly come out of nowhere with two completely original series. Why did Galilei Donna have such bad writing then? And if it’s apparently so easy to just get yourself an original series, why aren’t more people doing it?

First-Glance Potential: 40%

Witch Craft Works

Summary: “Honoka Takamiya is perfectly content with living his quiet life as an average high school junior. The only disruptions to his mundane daily routine all seem to stem from unexpected encounters with his school’s super-popular student idol, Ayaka Kagari, the talented, phlegmatic, and gorgeous daughter of the school board chairman. To his dismay, Takamiya’s classroom seat turns out to be right next to Kagari-san, thus he suffers jostling, harassment, and even a beating from her inescapable crowd of jealous fans. As if this isn’t bad enough, Takamiya’s world–as well as a portion of his school–suddenly collapses around him, and he is twice lured into bizarre and fantastic deathtraps. Astonished at his own survival, Takamiya learns that his rescue is thanks to the cool head–and fire power–of a witch… named Ayaka Kagari. From then on, Honoka quickly discovers, with Ayaka’s devoted help, that neither his school, nor the people he thought he knew, nor even he himself are in any way normal.” – (Taken from )
Produced by: JC Staff
Director: Tsutomu Mizushima
Series Composition: Tsutomu Mizushima
Original creator: Ryuu Mizunagi

Impressions: Tsutomu Mizushima’s biggest problem is that he’s overworked: he doesn’t take his time for his series, despite being a really good director. Thankfully there has been some time since Yondemasuyo, Azazel-san, but I wonder whether it is enough. I mean, he needs to be really sharp again in order to make this premise consistently funny for an entire season, because it’s a school magic series. A very overcrowded genre, especially when it’s about this helpless male being escorted and protected by a cool and powerful female. What can they do to make this fresh? For one, the chemistry between the main couple NEEDS to be good. If it’s even remotely bland, then this show has no chance to remain interesting.

First-Glance Potential: 50%

Sekai Seifuku ~ Bouryaku no Zvezda

Summary: “?”
Produced by: A-1 Pictures
Director: Tensai Okamura
Series Composition: Tensai Okamura, Meteo Hoshizora

Impressions: Tensai Okamura is coming with a new original series, combined with A-1. That sounds great, doesn’t it? Well, the thing with him is that he’s a hit or miss director, but when he hits, he really hits hard with stuff like Darker than Black and Stink Bomb, but he has also written series that… didn’t really go anywhere. I really want to like this one… but just look at the promo art. Obviously there is THAT outfit, but I have another issue with it: EVERYONE is trying to make some quirky facial expression. That to me, is a sign of trying too hard. Adding too much of one spice while not caring about the rest.

First-Glance Potential: 70%

Noragami

Summary: “At the boundary between this realm and another, there live eight million gods, dead spirits who serve the gods, and other assorted spirits who help and meddle in the affairs of humans. A sweet middle school girl named Hiyori Iki has been enduring bullying from her classmates, and she goes to the restroom by herself to cry. Scrawled on the bathroom wall is a phone number and the message, “I solve your troubles.” After Hiyori calls the number, she encounters a homeless, unemployed figure who proclaims himself a “god.” Crude, unpredictable, and worthless, he does not answer people’s prayers and no one acknowledges him. However, he has one sole power, the ability to cut all who pass between this world and the next.” – (Taken from )
Produced by: Bones
Director: Kotaro Tamura
Series Composition: Deko Akao
Original creator: Adachitoka

Impressions: This one looks like it might actually be quite interesting to watch if it’s handled well. Of course, it is an adaptation, and to me this sounds like a story that will have a hard time fitting into its time-frame. Deko Akao is quite a flawed writer. However, the director seems to be a young talent who has been running around Bones, and with this he’s getting his first chance to direct a full series. The website for this really screams that budget has been put into it. So yeah Deko Akao, don’t be lazy this time: give this story the attention it deserves. Use your head and think.

First-Glance Potential: 70%

Toaru Hikuushi e no Koiuta

Summary: “The story of love and aerial combat follows a former prince who lost everything to a revolution, and a girl who became the symbol for the revolution. The orphaned prince, now renamed Karueru, embarks on a one-way journey to discover the ends of the heavens. Aboard the levitating island of Isura, he meets a girl named Claire. This is a tale of a prince who lost everything leaves for a journey with no guarantee of returning to his hometown safely. With hatred and revenge in his mind, he met several people that taught him about friendship…and love.” – (Taken from ANN)
Produced by: TMS Entertainment
Director: Toshimasa Suzuki
Series Composition: Shinichi Inotsume
Original creator: Koroku Inumara

Impressions: Remember Toaru Hikuushi e no Tsuioku about a fighter pilot who has to escort a princess? Well, the author wrote more novels, and this time we’re getting a TV-series about it. I’m fine with that: planes and fighter pilots are a pretty interesting topic to make a series about, and with this we have a bit more time to delve into the characters and the setting than just one movie. The director of Heroic Age and Rinne no Lagrange seems solid, as long as he won’t have to write his own story, but he knows his characterization at least. Shinichi Inotsune has adapted a variety of series, including good ones like Ristorante Paradiso. This has potential to work out.

First-Glance Potential: 80%

Nobunaga the Fool

Summary: “The Western Planet and the Eastern Planet. Once upon a time, the two sides were bound by the “Dragon Pulse” spanning the heavens. The civilization that once had prospered has now turned to a tale of dreams, as the inextinguishable flames of war tear the realm asunder. The two planets remain engulfed in endless battles. The return of the super technology known as “sacred treasures” could revolutionize the world order, but no one knows of them but one person — a “heretical girl.” A girl from the Western Planet, Jeanne Kaguya d’Arc, saw heavenly visions of the birth of a “Star Messiah” who will save the world. She embarks on a journey to the Eastern Planet with Leonardo da Vinci, “the one who observes the world.” They come across the heretic of the Eastern Planet and “the greatest fool of the day,” Oda Nobunaga.” – (Taken from ANN)
Produced by: Satelight
Director: Eiichi Sato
Series Composition: Shoji Kawamori
Original creator: Shoji Kawamori

Impressions: Nobunaga… oh god not another one, please let this guy rest for onc.. HOLY CRAP THAT LOOKS AWESOME. I mean, this show. This is what he needed, because it dares to do something new with the guy. This is the kind of premise that is so ridiculously stupid that it might actually work, and Shoji Kawamori, who is strangely writing a series for once, rather than sitting at the position of chief director, is one of the people crazy enough to actually make it work. His ego will make sure that no idea is too crazy. And combined with that we have the director of Kiss Dum, which will make this an entire trainwreck. But it will be glorious!

First-Glance Potential: 80%

Houzuki no Reitetsu

Summary: “Houzuki is the aide to the great king of Hell, King Enma. Calm and super-sadistic, Houzuki tries to resolve the various problems in Hell, including a rampaging Momotarou and his companions. However, he also likes spending his free time on his hobbies, such as fawning over cute animals and raising “Goldfish Flowers.”” – (Taken from ANN)
Produced by: Studio Wit
Director: Hiro Kaburaki
Series Composition: Midori Gotou
Original creator: Natsumi Eguchi

Impressions: Wit Studio seems to be split off from Production IG, and it looks like they took a lot of talent with them, and they actually came with quite an interesting premise to animate again, this time without Production IG at their side. It’s a premise that dares to be different. It’s an adaptation, but it’s the kind of adaptation that I can see would fit within an anime timeslot. It’s got a solid director who knows how to shoot stuff, and the writer wrote for a chunk of good series that Production IG did back in the days, so these people can pull it off. Now all that’s left is to hope that the manga this is based on is good.

First-Glance Potential: 85%

Silver Spoon Second Season

Summary: “Yuugo Hachiken decided to escape from the stressful school and home environment in the city by enrolling at Ouezo Agricultural High School. Unlike his peers who’ll eventually embark upon an agricultural career, he decides to study there only because he believes it’ll be less competitive academically. Unfamiliar with his new surroundings, he tries his best to adapt to the agricultural world he had never thought of living in.” – (Taken from ANN)
Produced by: A-1 Production
Original creator: Hiromu Arakawa

Impressions: Noitamina next season will rock, with the second halves of both Samurai Flamenco and Silver Spoon. Silver Spoon is a series that takes a very honest, yet also silly and endearing, look at farming, and the first episode was very effective at that. Like full metal alchemist, everything was calculated and let’s hope that the second season will be as enjoyable.

First-Glance Potential: 85%

Pupa

Summary: ” The “life-and-death sibling” story follows Utsutsu and Yume Hasegawa, a boy and his little sister who find themselves all alone. One day, Yume sees a mysterious red butterfly and her body undergoes a strange metamorphosis—into a creature that eats humans. Utsutsu struggles to find a way to restore his sister.” – (Taken from )
Produced by: Studio Deen
Director: Tomomi Mochizuki
Original creator: Sayaka Mogi

Impressions: Okay, so it got delayed one season. That still doesn’t change that I’m looking forward what is promising to be the first good show with incest in a long, long while. Tomomi Mochizuki is one of the best directors that Deen could have gotten, and it’s great to see him in the director’s chair again, and if that means a few delays in order to get things just right, then I’m willing to wait. I’m really looking forward to how disturbing they can make this one.

First-Glance Potential: 100%

Space Dandy

Summary: ” The story follows Dandy, an alien hunter who is “a dandy guy in the space”, in search for aliens with his robot assistant QT and a cat alien named Meow.” – (Taken from ANN)
Produced by: Bones
Chief Director: Shinichiro Watanabe
Director: Shingo Natsume
Script: Dai Sato, Keiko Nobumoto

Impressions: Space Dandy isn’t just awesome because it’s helmed by Shinichiro Watanabe. No, it also reunites parts of the Cowboy Bebop writing staff: Dai Sato and Keiko Nobumoto. The three brains behind one of the most solidly executed and celebrated anime ever are finally coming together again to make something new, and let’s see what 15 years of extra experience has brought to them. This will be their big chance to come with something big again. They’ve got 26 episodes, they’ve got the talents of the animators of Bones behind them. The character-designer behind Cowboy Bebop, and I can already see a ton of different musical artists who will be behind the soundtrack. This will be big.

First-Glance Potential: 100%
Posted on 24 November 2013 with categories: Random Posts

Hey everyone, I participated in Deadlight’s podcast again. This time about crappy Fall series that we initially liked, Studio Gonzo and their new film, a video game adaptation, Bayonetta. Listen here!

Posted on with categories: Kyousogiga

Toei, I applaud you. This episode was once again amazing. Seriously, I’m really quite astounded: Kyousogiga is one of the very few series that gets just about everything right. Kill La Kill and Samurai Flamenco: I can both name issues I have with them. Kyousogiga: none whatsoever. You could say that some things make no sense, and here the first half of this episode comes and fills in some big gaps in the monk’s backstory so that it makes complete sense. With this, the plot has this amazing balance of explaining things, and leaving things up for interpretation.

The direction was also fantastic here. It even goes beyond Kill la Kill at this point, first with its use of facial expressions that get the most out of the non-verbal communication between the characters, and second because of how in the second half, it actually blended in the two fights that were going on masterfully, often showing them in the same screen but having one in the foreground, and another in the back. That’s something I have yet to see in anime.

Then, this episode did make use of repetition, but it did so in the good way: when you notice the repetition, things all make sense in terms of the monk’s backstory. The entire series has basically been doing that. The same goes for the music, I guess. There really aren’t that many tracks in Kyousogiga’s soundtrack. But they are all wonderful, and they are also used at the perfect times!

Last week was a recap, but I’d say for that: who cares? If that is this series’ solution for having only ten episodes, I’d say let it do that! It’s the first series in years that I’ve seen that actually tried to have a different number of episodes than 13/12, 25/26, the occasional Noitamina-length of 11 and 22 episodes or an infinite amount of episodes. It’s exactly as long as it needs to be, give or take 20 minutes or something.

I’m always keeping an eye out for new masterful directors to start showing themselves. And with Rie Matsumoto, Toei Animation has struck gold, but she’s also working with a wonderful team of animators. But yeah, so far anything she has touched became gold. Now we can only hope that she will keep this passion of hers, and keep landing jobs as a director. If she can, then she can make it really big. I mean, this show is the textbook example of what I look for in a great anime.
Rating: 7/8 (Fantastic)

Posted on 23 November 2013 with categories: Samurai Flamenco

Samurai Flamenco: you are awesome! This episode was glorious on all levels! If you haven’t seen the episode yet: close this browser at once and get to it! This is one episode you do not want to be spoiled on!

I had seen pretty much everyone freaking out about this particular episode, so when I sat down to watch it, I already had the mindset of “well this twist has to be pretty damn major here”. It was. At first I thought that it was about Masayoshi finding out that his parents had been mugged instead of died from an illness like what he thought. That already was amazing to watch, due to how it was revealed.

I especially liked how Masayoshi was in conflict about himself: his parents died when he was two years old. It’s normal for him to not feel bothered by tracking down those criminals (finally lhe’s doing something normal!). It conflicted with his desire to be a hero, though his version of being a hero focused on the part of protecting justice, not the parts of heroes that focused on tragic backstories and personal revenge. Also: small touches like the title of this series coming from Masayoshi’s grandmother who used to be a flamenco dancer. I love how these series explain their own titles and have them make total sense.

But yeah. The twist. I applaud this series for doing this. For being completely realistic without any supernatural powers whatsoever aside perhaps from a few far-fetched ideas for gadgets. And then going completely berserk with this episode when THAT happened. It worked so well: everything that happened there was of such a completely different scale than what we’ve been used to. It’s a brilliant twist that just would not have worked without all that build-up. That was a wonderful example of how you escalate a story!
Rating: 7/8 (Fantastic)

Posted on with categories: Kill La Kill

So Kill la Kill? This episode really shows that it’s written by someone who DOES know what he’s doing. The balance is all there, and despite the simple plot, he knows how to use it. This episode for example needed to be a bit of an intermezzo inbetween the major fights in order to build up the atmosphere and tension. The big problem with these kinds of episodes though is that they’re boring and don’t really do anything. So the solution of this series? Just show a bit of character background. And with that you’ve got a perfectly fine building-up episode that was really fun to watch.

And the homages! The wonderful homages. This episode really managed to pay a wonderful tribute to school series like Utena, while at the same time doing them with a huge tongue in their cheek. Everything is taken completely over the top as usual, but the characters are also aware of this. The high school student being 20 years was a really nice addition: tons of high school characters in anime look way too old for their ages. This one actually has a reason for it. Another nice detail was the car, which at the end of the episode was completely wrecked. A big reference to Utena’s car symbolism that was everywhere, yet in Utena, cars fell apart at times. We never see them all dented up like here. This is a great example of taking ideas and cues from other series: sure, parts here have been done before, but this series uses them in its completely own way. This distinguishes the masterpieces from the ripoffs. It’s of course too early to tell whether Kill la Kill will become a masterpiece and it’s got a long way to go for that, but you get what I mean.

Ryuko’s past also didn’t add much extra, however it was also very much appreciated because we did get a glimpse of how she grew up, and why she ended up as the character she did. She clearly explained why she’s doing what she’s doing. This series really brings back the flaws that a lot of older series had, and fixes them. It’s combining the power of old series together with the power of new series. It’s full of these neat little details that make me quite excited to follow this.
Rating: 6/8 (Awesome)

Posted on 22 November 2013 with categories: Nagi no Asukara

Well, so I thought that I’d check out what Nagi no Asukara was up to lately, so I set down to watch this. And boy, it actually took a long while for me to actually start the thing. Today I finally managed to finish the latest three episodes because otherwise I’d never be able to move on, but it did make me ask a question: why am I still watching this?

It’s episode seven, so at this point we have a pretty good idea of the nature of this show. For the past few weeks I really started looking at anime in a different way, and I asked the above question for a lot of other series. Is it really worth it to watch so many series that contain such lazy writing that contains so many glaring flaws, just for a few things they do well? The key again is balance. Does Nagi no Asukara have that? I’m afraid not.

The thing with drama is: you take a few ingredients, juggle them together and let them culminate into a powerful climax, with some mid-climaxees inbetween. What Nagi no Asukara does is having way too many of these ingredients, overcomplicating the dish. Every episode it finds some contrived reason to create as much drama as possible, ranging from a love polygon that’s triggered way too easily to people behaving like arrogant pricks who can’t use their head for one second. A bit of this is fine and all, but this just kept on coming with the drama, there was hardly any variation to what went on. It’s all just teenaged drama.

Especially now that Hikaru has developed, things should have been more bearable, since he isn’t annoying anymore and he actually tries to take care of his loved ones, and he actually can shut up at once, but… meh. It’s all just so gloomy. Episode seven with those fishermen for example. That came out of nowhere, but these guys acted just as bigoted as he did a few episodes ago. These three episodes consistently bored me because they had nothing going on here. Only episode seven had something noteworthy when Hikaru and his sister actually left their home. That was something different, but getting less and less sure whether it’s worth it.

I think Mari Okada overshot herself with this series. In this series, and with Sakurasou too by the way, she focuses too much on one-sided drama that is in most cases really quite stupid. Compare that to three series of her that did work: Hana-Saku Iroha, True Tears and Ano Hana. Hana-Saku Iroha knew how to spice things up. It might have been a bit boring around this point, but at least it used this time to show what everyday life is for the cast, so it could use that for some very effective climaxes. The sm-episode came out of nowhere, but it took guts and stood out. True Tears also had lots of drama, but it was calculated: slow paced and it knew exactly what to do to remain interesting, again with great characterization. Ano Hana also had tons of drama at a fast pace, but it also delivered many twists that really got the best out of the characters. The cast was well balanced and every character was different, and the drama kept moving forward. It had strange twists, but these twists went together with the characters. It didn’t throw in stuff for the sake of throwing in stuff like what Nagi no Asukara is doing.

The animation in anime is consistently improving: people are really innovating there to create graphics that are really gorgeous, and you see this more and more. That’s good. Now transfer that mentality over to the writing departments. Force them to think logically about what they’re doing. We need more people like Gen Urobuchi, who are celebrated for their writing talents. There doesn’t seem to be any glamour to the writing business and to be honest, the whole scene seems quite a bit closed off. Because of this you have one group of writers who gets picked over and over to write and adapt these series, and there hardly seems any incentive to attract new talent or cultivate it. That really needs to change, because as I see it, it’s the biggest thing holding anime in general back right now.
Rating: 3/8 (Mediocre)

Posted on 16 November 2013 with categories: Kill La Kill

Okay, so I guess everyone is waiting for what that infamous episode 8 is going to do. Anyone who has seen Gurren Lagann knows what I’m talking about. However, I think that the twist isn’t the most important, and only a means to an end. I’m one of the people who wasn’t a big fan of that “twist” (not that the twist wasn’t good, but it didn’t improve things in the long run to me).

But yeah, this episode: I have no idea why but it worked. Again on paper it sucks: poor people taste the life of high standards and learn to appreciate being poor with drama, and at the end of the episode they revert again like nothing happened. If there ever was a whiplash episode, it’d be this one.

And yet, I liked this. Perhaps it was a combination between the premise being so ridiculous that it worked (which fits perfectly with the rest of this series of taking just about everything over the top), along with the actual context of this episode: the entire school is going to change and be rebuilt. I’m actually pretty excited for what they’re planning to turn it into. And at the same time they ended up giving a very good solution for the fears that everyone had been having of this series devolving into a formulaic monster of the week.

Knowing Hiroyuki Imaishi, there are two things that he’s probably going to turn up to eleven: the school and the clothing. On one hand this school will either drill into heaven, or will become the visual embodyment of hell times the power of infinity, and in terms of clothing everyone will end up either running around naked or with some of the most ridiculous costumes imaginable. I’m currently putting my money on 1 and 2 respectively.

Oh yeah, and am I the only one who thinks that the setting here is a big wink to Revolutionary Girl Utena?
Rating: 5.5/8 (Excellent)

Posted on 14 November 2013 with categories: Samurai Flamenco

Samurai Flamenco is a series that very cleverly keeps escalating. And this episode was a good example of this: the reward on Samurai Flamenco’s identity got bigger, he got more famous, the force used against him becomes more lethal, his gadgets get upgraded, people gang up on him more, more other superheroes enter the picture with the arrival of the other two flamenco girls. The only thing that doesn’t escalate is goto’s relationship with his girlfriend, which seems to have gone back to normal after their difficult time earlier. That’s an interesting development: a stable relationship. or at least one that looks like it so far.

At this point in the series it’s a bit too early whether this approach really works in the long run. For that we need a bit more time to see what it’s building up for. This episode’s main purpose was escalating and building up, even though a lot seemed to happen into it. Masayoshi in any case continues to stay true to himself with how he doesn’t doubt anyone on purpose, but the question is how long he can keep this up.
Rating: 5/8 (Great)

Posted on with categories: Yozakura Quartet

You can really see that Yozakura Quartet is based on a manga that is quite old already: when people think of a high spot in the center of Tokyo, the thing that immediately comes to their mind is Tokyo Tower. Not the Tokyo Skytree. This also is a bit of an example of creators adhering a little too much to their source material. What difference would it have made to the story to update to the new highest building in Tokyo? And yet it would have added quite a bit to the immersion as a nice detail.

Also, you don’t need to foreshadow everything. If your character is like “Ha! I took your course of action into account and therefore I took the necessary precautions for it!”, then that’s awesome. When an old couple suddenly reveals that they’ve been holding onto this really incredible power for years that’s given to her just as she’s going to be beaten, then you really have to build that up well. You can’t just show a bunch of shots of that couple here and there. It indeed signifies that they were planning on something, but not that they were going to pull something so convenient for the plot out of their asses.

Now, this is nit-picking, so let me get to the point: I’ve been thinking a lot about what makes a series great, and I’m pretty sure that the answer is balance: a harmony between every single part. And that’s not there for this series. On one hand you can see lots of attention spent on the animation, but not a lot on the script. The characters all have tragic backstories, but there’s not much variety in it. Everyone’s sortof vaguely bothered by “being a demon is annoying”, and lots of characters blend together because of weak characterization. The OVA was short, dynamic and to the point and therefore didn’t have that problem.

But I think a better comparison is with the second season of Birdy the Mighty Decode (not the first, because it didn’t have the incredible animation). Both series have a true master behind the action scenes, however Birdy uses this as a means, while Yozakura Quartet makes it an end. With Birdy the Mighty, you can mention a ton of other reasons to make it worth watching: the character-development, the incredibly dark turns, the way it brought its setting alive, the chemistry and much more. Yozakura quartet… eh… I mean the OVA is awesome due to the characters and the chemistry of the characters, but the TV-series doesn’t have that as much.

Sure, stuff happened in these two episodes, but I’m not really impressed to be honest. There was fighting… and more fighting, but I found the context of it to be rather weak. And it’s not like the conflict is too simple: Kill la Kill has that too. The difference, I think is that that series knows what it wants. It’s also deliberately paced, and knows where to add symbolism where it needs to. The episodes flow right and they know when to show action and when to show building up, instead of showing flashbacks right in the middle of a huge fight, or finding some weird excuse to have a pause in the middle of action (gee, it’s a good thing those monsters don’t attack us while we’re talking, being sentimental, and not keeping our eyes on them). I know, a lot of this is nitpicking, and alone these issues wouldn’t be a problem, but it’s the big picture I’m trying to sketch here.

Another interesting comparison with this series would be to White Album 2. Why? Because both series feature a director who previously was one of the best animation directors for TV-series out there. The big difference is that White Album specifically does not focus on its animation, but more on making the different parts work together. I haven’t completely caught up, but it seems to do a better job. Let me put it this way: if I had to pick one element of these two series that stands out the most, then it’s the animation of Yozakura Quartet. However in terms of the big picture, White Album has it beaten at this point.
Rating: 3,5/8 (Enjoyable)

Posted on 12 November 2013 with categories: Autumn 2013 Kaleidoscope

I’m not blogging this series, but this episode was too interesting to pass up. I’m quite behind on a lot of series, so unfortunately it might take a while before I’m caught up with everything again, so I’m just going to continue the Kaleidoscope in whichever way is the most handy.

Noucome is definitely my guilty pleasure of the season. There is a lot wrong with it. For starters: remove the dog girl and this series would already be lots and lots better. Every major character in this series is a clever play on stereotypes, but she’s just there for dumb moron-jokes and fanservice that we’ve seen way too many times before. This series also has some moments at which it’s just random for the sake of being random. That also could have been toned down.

But yeah, this episode in particular had some pretty sharp parodies. It was actually a breath of fresh air to finally have a series address the stupidity of some overused cliches and bad plot devices that plague the romance and harem scene. I mean, I’ve said before that a good parody is one that really pokes fun at its subject material, instead of just copying things.

The Shaft and the Sister parodies worked surprisingly well. This probably is the first time that I’ve seen a Shaft parody work so well, pointing out how silly it is to just watch a bunch of dialogue while the camera focuses on random details in the background that make no sense. Very clever. And on the other side of the coin, it was so satisfying to finally have someone call out on the bloody sister-cliche! I cringed when the sister first appeared, but the entire character is a very successful parody who just calls everyone her sibling. The best part was that one member of the student council who finally showed a bit of a realistic reaction of having younger siblings as a teenager.

Beyond that, there actually is a romance series that distinguishes between liking someone and loving someone. Yukihira meanwhile continues to take the piss out of the typical character who has a crush on the male lead by getting into his way in quite some creative ways.

Overall this was a very inspired episode. It’s not perfect obviously, for example that Maria-Sama ga Miteru bit was just a random reference that had no purpose of being there, and the rich posh girl with huge boobs was just another rich posh girl with huge boobs, but for a comedy to be consistently funny for five episodes, with such a questionable subject material. I consider that quite a job well done.
Rating: 5.5/8 (Excellent)

CHANGE USERNAME
Animosh
It consistently looks good, and unlike so many other adaptations, the staff is taking their time instead of rushing through the source material. In the latest episode they even added stuff to flesh out a certain character, and most source readers seem to consider it an improvement!
Animosh
@Amagi: I'm actually pretty impressed with the slime anime. Sure, the story is nothing special, but I didn't expect it to be. As an adaptation, though, it has far exceeded my expectations: I expected a cheap ad for the LN/manga, but the staff is clearly putting a lot of love into this.
panda
Weirdly enough, I liked the character additions to Bleach even though I know that besides the initial two arcs and the Hueco Mundo arc they weren't as interesting.
>weren't as interesting
Okay it was a disaster but still.
panda
I kind of feel the same way about series adding shit tons of characters to the series. Especially when we know that they're not even going to show up as much later in the series. I had this problem with Fairy tail and a lot of other shounen manga.
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
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