Posted on 31 December 2013 with categories: Yearly Summaries

And so, 2013 has nearly ended. It was an interesting year, in which a lot changed. The way I look at this blog has changed, and at the same time I have been making less posts. I just couldn’t keep up with 12 posts a week anymore, however I still have my passion for anime, especially the good ones.

Having said that though, 2013 is the worst year for anime since the past decade, and I’m afraid that I need to say this. The big problem lied in the amount of series that aired. Every season had its gems, however when you look beyond these gems, that’s where the problems lied: everything just looked the same, and there were lots of series that had potential, only to get bogged down by bad writing. This is the year I really realized that the way in which most anime are written is inherently flawed, with too few writers working on too many projects and people not really thinking about making anime whole conclusive stories that stay consistent. I’ve seen so many promising series this year that only ended up meh, when they could have been so much better, so it’s really a shame to see this.

As for the good stuff though, there thankfully were quite a few series that did catch my attention. Here are my highlights. Unfortunately Hajime no Ippo and White Album are not included because I’m really behind with them at this point.

Worst Series

Amnesia

There really were some stinkers this year that at first sight looked like they had potential. As much as I’d like to hand this award to Valvrave for pulling the rape-card from out of bloody nowhere, it had nothing on Amnesia. At first sight this looked to be an interesting mystery-series, however every single character save for one in the series was a total prick. The worst was the stalker one with the cage. I mean, did nobody on the production team stop to think “wait, this is completely stupid”?

Worst First Episode

Walkure Romanze

Oh god, there really was a lot of bad stuff this year, though most of the ones fell into the category of “so generic that they’re bad”. On top of that there also was the usual terrible incest, as well as the many, many shows that were simply thinly veiled fanservice. It was hard to just pick one that stood out, however I have to go with Wankure Romanze. It’s really here where the creators just gave up completely trying, treating their audience like a herd of lobotomised sheep. This episode really screamed “just whatever, I dunno. Have a horse that eats panties or something so we’ll at least get some viewership. I don’t care”.

Biggest disappointment

Yozakura Quartet – Hana no Uta

Despite being a big fan of the director and the OVA, I really don’t think that I’m going to be able to finish this series. Why? Because the story is just random fluff. Okay, I guess stuff happens aside from its horrible fourth episode and all, but when I really ask myself whether that’s interesting to watch for a full season… I have to answer no. Even though the animation is just completely fantastic… the rest just wasn’t.

Most Pleasant Surprise

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru

I was ready to immediately write this series off as the umpth light novel adaptation with a ridiculously long title and having it be nothing more than a glorified boob parade. And then the first episode aired, and it was actually the best thing that the creators could have done with such a horrible premise. The creators made this actually a really funny parody, and they kept it up for about seven episodes. I really did not expect that.

Funniest series

Yondemasuyo, Azazel-San

Oh, Azazel-san. You sure gave me quite some headaches this year. On one hand, you made me laugh harder than any other series this season, but on the other you had these completely tasteless episodes that tried way too hard to go for laughs with their shock value. Every episode we would hope that we’d strike gold, instead of literally poop. However, when you hit, you hit hard. The characters at their best are absolutely hysterical with their brand of sadistic humour and energy that very, very few series can match, and you had me nearly fall of my chair on multiple occasions.

Best Animation Studio

Production IG

This year, I was torn between Madhouse and Production IG. They really rose to high standards this year with many great series. The reason why I handed it to Production IG though, was because Madhouse has been too much into its own franchises: as amazing as Chihayafuru’s second season was, it was a sequel. Hajime no Ippo is great, however, it already has so many episodes. Hunter X Hunter too has been going on for ages: they played it way too safe. Production IG meanwhile went all out with Psycho Pass and Shingeki no Kyojin, they did something really bold with Kick Heart. Sure, they had their sequels, but they had a balance between old stuff and new stuff, which I didn’t notice that well in Madhouse’s case.

Most Promising Studio

Wit Studio

Every year I also hand out an award to a studio that’s either really new, or made a huge improvement over the past. With this year, it’s obvious that it would be Wit Studio, the subsidiary of Production IG. Next season they’re out on their own, and if Shingeki no Kyojin is any indication, then there is a lot of talent hiding amongst them, and I hope that they can follow Bee-Train’s example and become a good standalone studio in the future!

Best Action

Jojo’s Bizarre Adventure

It took the award last year, it also takes it this year. Jojo is just so wonderfully over the top and every episode was just loads of fun to watch. It really was everything that the shounen genre should be, and I can understand why it got so popular. However, it did have much more competition this year. Kill La Kill is a huge contender for next year’s award with the way that it’s going, and Shingeki no Kyojin also was really exciting to watch, from start to finish. I really had trouble with the award this year, as opposed to last year.

Best Horror

Aku no Hana

Pure psychological horror, but oh my god, this show was so effective in drawing me into its atmosphere. There was hardly any point at which I wasn’t at the edge of my seat, and that’s what I consider an amazing horror-series.

Best Background Art

Shingeki no Kyojin

This year, I want to give props to the incredible amount of polish that the creators put into the backgrounds of Attack on Titan. They really created a medieval-ish city and the amount of detail that went into it is astounding, and it looks consistently crisp. The creators obviously spent a lot of money on it, and it did pay off.

Best Animation

Yozakura Quartet – Hana no Uta

There were lots of really well animated series this season, a few too many, if you ask me personally, however Yozakura Quartet to me was the best, because of its focus on kinetic energy that was very visible in its movements. Its animation wasn’t just a bunch of money shots, the creators really cared about natural movements and interesting poses, they really wanted to create movement, and they did that better than any other series this season. It’s just a shame that the animation was the only thing noteworthy about this show.

Best-Looking Series

Kyousogiga

This award goes to the series that just looks incredibly good, regardless of animation. The artistic direction here is important, and Kyousogiga had that, and much, much more. For 10 episodes there were hardly any weak moments in the animation, and everything just looked gorgeous. Close seconds are Chihayafuru and From the New World, not to mention the trippy Jojo’s Bizarre Adventure and the gritty Aku no Hana (I don’t care: I loved how Aku no Hana looked, with its own unique and distinct style; so what if it wasn’t crisp).

Top 20 of 2013

#20: Teekyu

Wildcard: Teekyu is just something to sit behind, turn your brain off and enjoy the spectacle. Nothing special, but damn entertaining to see all of the things that the creators can throw to the screen in the span of only two minutes per episode.

#19: Yahari Ore no Seishun Love Comedy wa Machigatteiru

Light novel adaptations with really long titles had previously been notorious for being bad, lazy and incredibly contrived for fanservice. This year, there were two series that broke that trend. Noucome (resting at place 21 due to its rather bad ending), and Yahari Blahblah. This series starts off with the generic ingredients, but I don’t know. Along the way something happened that set itself apart from its contemporaries. The dialogue, it was actually cleverly written. It actually takes a deep look at its characters, and creates some thought-provoking drama out of that, rather than going with the usual cheese. The characters in this series all look like completely generic stereotypes, and yet they aren’t. This series could have tried even more though, and there are some stories that are a bit lacklustre compared to the others, placing this relatively low at this list.

#18: Yondemasuyo, Azazel-San

Yondemasuyo, Azazel-San’s sequel contained both the best, and the worst episodes of the season so far. The Moloch-episodes were obviously awesome, but a few other arcs were also comedic gold. And then there was the haemorrhoid arc. What on earth were the creators thinking? It’s a series with huge ups and downs, but its own brand of incredibly vile and sadistic comedy somehow worked for me.

#17: Kamisama no Inai Nichiyoubi

Kamisama no Inai Nichiyoubi is nothing really fancy, however it did create its own fascinating setting that it rolled with for thirteen episodes,. It did have a tendency to suddenly pull twists from out of absolutely nowhere, but it barely avoided those becoming Deus ex Machina, and it consistently asks questions about life and death with its strange portrayal of the undead. It could have been much more because the series just ends after a random arc has been resolved, however, the characters all made it very worth watching.

#16: Uchuu Kyoudai

Last year, I made the prediction that for 2013, this series again would have been a great contender for the number one spot, however, something happened along the way. The series remained a wonderful look at what it means to become an astronaut, it still was fascinating. The problem however, was the pacing. Things started to take forever to get going, and every episode on top of that started with like two minutes of recap. The creators were simply coasting on the manga to carry them through, and you couldn’t see the passion of the first fifty episodes any more. The creators made the mistake of going on for way too long, lessening the experience. It’s such a pity, because this series really stood out: it had characters in their thirties for once, and the synergy between them is just amazing. However you also need to learn to not overstay your welcome.

#15: Gatchaman Crowds

Anime is a great storytelling medium, but usually they really aren’t up to date with current events. Some shows nowadays still feature the Tokyo Tower as the highest building in Tokyo, for example. Gatchaman Crowds however, is about social media. It’s very clunky, but it portrays a setting in which saving the world is crowd-sourced: through the internet everyone contributes with stuff like saving the day and protecting the earth from aliens, and from that base setting it creates its storyline. The characters aren’t the most relatable, however they serve the purpose of exploring this setting. The pacing is ridiculously fast, but in the end they pulled it off with also quite a great ending to close off with.

#14: Samurai Flamenco

Samurai Flamenco, I’ll put you at number 14 for now. This can become much higher, or much lower next year. The series started off really well with a sortof realistic view on this idiot who wanted to play a superhero. And then episode seven happened, and it was awesome, but afterwards it just kept getting more and more ridiculous, to the point where we are now just watching a completely different series. It’s really a bizarre series and at this point it really could go anywhere. I do have to give props for having the balls to actually try what it did though.

#13: Silver Spoon

Silver Spoon: a meticulously planned out look at what farming life is. It has lovable characters, it’s fun to watch, but at the same time it also doesn’t shy away from the realities of farming: that animals are killed in the process, in order to make a living. It shows both sides of the picture, and never really leaves a moment or episode wasted, and it’s filled with interesting trivia. Not to mention that it made me hungry on a regular basis.

#12: Uchoten Kazoku

Uchoten Kazoku is a look at Japanese folklore,in a modern coat. It tells about tanuki and crows, and how they can transform into stuff, and it contains all sorts of obscure cultural references surrounding their legends. It really taught me quite a few new things through its airtime, and that’s always a plus. The best thing about this series is its dialogue: cleverly written and it manages to develop the characters in a unique and engaging way. It does lose a bit of steam near the end, but it remains witty and unpredictable.

#11: Kill La Kill

Kill La Kill’s storyline is nothing special, however it manages to present itself in such a way that it doesn’t become boring. Its formulaic, but never formulaic enough to get tedious, the characters are simple, but not one-dimensional enough to get boring. It’s all carefully planned out for the action to just keep you entertained from beginning to end. Hiroyuki Imaishi is a great director, and you can see Studio Trigger having a ton of fun making the most over the top action sequences that are all still very varied and interesting to watch. Not to mention that soundtrack. That really makes the series even more exciting.

#10: Hunter X Hunter

My stance on the series remains: I did not like sitting through a year and a half of material that I had already seen. I’m sorry, but that was really tedious, even though the Greed Island was much better than the Nippon Animation version. Finally though, the Chimera Ant arc stepped into new material. At this point I’m really behind, however even though the arc took incredibly long to build up, I just reached the point at which it really started to deliver. Finally I can appreciate this series for the very intelligent shounen series that it was meant to be, and it indeed blows generic stuff like Naruto and Bleach completely out of the water.

#9: Rozen Maiden

The third season of Rozen Maiden, but really: this new instalment is completely different from the previous two TV-series. It’s written perfectly over its airtime, starting off small and ending big. The first half really mostly just takes place in one room, with most of the characters absent, being dedicated to some really personal character-development for the ones who did get the focus. It pushed all of its characters to a different direction, and definitely was a worthy addition to the Rozen Maiden franchise.

#8: Zetsuen no Tempest

Tempest’s second half perhaps was a bit less sharp than its first half, but it still was just complete gold in terms of its script, and how it played with its storyline to throw all kinds of logic-based holes and loops. This really was a great example of a world-shattering conflict being solved by logic, with force playing just the role of assistant. The characters also got through their own share of development that this series also cleverly made use of and all of that resulted into an incredibly fun watch. The biggest reason why this one ended up slightly behind the others is its slightly lackluster ending.

#7: Shingeki no Kyojin

All series from #8 are incredibly close to each other. They all were amazing to watch. The reason why Shingeki no Kyojin lost out was because of its inconclusive ending: no resolution whatsoever, leading to one heck of a cliff-hanger. Up to that point we got to witness an amazingly tense action-series that really managed to convince that yes, humanity is completely screwed. This series is incredibly good at putting humanity at the brink of destruction, and keeping the stakes just inches away from everything going to hell. This is fantastic for its atmosphere, and on top of that, it was easily the series with the best production values of the entire year: everything looked incredibly polished, and where these series usually skimp on the substance, this series had plenty of it. This is an action-series with brains.

#6: Psycho Pass

Psycho Pass, intelligent science fiction from Urobuchi Gen, and the second half really delivered, whereas the series that aired alongside it, Robotics;Notes, pretty much crashed and burned. What managed to keep it afloat was that it always knew where it was going, and it kept asking poignant questions about its setting and it actually continued to push its storyline forward in creative ways. The characters came to their rights, the animation was still solid, and everything concluded really well, so I was really pleased with this series.

#5: Jojo’s Bizarre Adventure

This series became something really amazing, putting most other shounen completely to shame with how much manly action the creators managed to put on the screen. It’s definitely not for everyone, and the excessive use of colours will disturb some, however I loved just how over the top this show got. There were so many moments that were just pure gold, and the creators really knew how to capture the essence of the manga, which delivered its action with completely ridiculous poses and massive amounts of manliness, while still keeping a straight face. The training arcs were really kept to a minimum, and the fights themselves all tried to be as creative as possible, both by making great use of the environment every fight was in, and some very creative powers. This really was my weekly fix of adrenaline, done incredibly well.

#4: Chihayafuru

After Shingeki no Kyojin, the second most polished series of the year. A show about Karuta, every single match looked crisp. Every single swipe made impact. The creators still managed to keep this up for in total 52 episodes. The most amazing thing about this series however, was its character development. Most series just pick one character to develop per episode. Oh no, not this series.. Every single episode developed as many characters as it possibly could a little. This means that hard-hitting development could really come out of absolutely nowhere. It’s only a shame that we still haven’t reached the ending, and we need to wait for a potential third season for everything to be resolved. And it already was a miracle that we got a second season.

#3: Aku no Hana

Aku no Hana is unlike any other anime ever made. The animation is completely rotoscoped, leading to continuous movements, that all are jerky, and amazing characters that say “screw it!” to every single convention. The pacing is incredibly slow, but it’s deliberately so: it’s entirely made to draw its audience into its atmosphere, and some of the best moments of the series are actually when little happens and you only can watch the eerie moments happening. It’s an amazing look at the darker sides of being a teenager, and the creators did an absolutely fantastic job of capturing the paranoia inside the main character. But yeah, they did choose to do it in a style that will turn off plenty of people. But that makes it even better: a series actually had the balls to be completely different in every single way from all other anime. That deserves to be commended.

#2: Kyousogiga

Kyousogiga is just a series that did everything right for me. It’s a whimsical story, inside its complete own world with its own set of rules, heavily infused in Buddhist and Shinto themes, and it got itself some consistently incredible animation with hardly any weak points. There is always something interesting going on on the screen and the characters are more expressive than any other series this year. Its storytelling is meant to be vague: you can see lots of unsaid stuff inbetween the lines and every single episode is different. It’s incredibly fun for all ages, and the conflict and resolution are finally something different than what we’re used to, due to the lack of villains. It’s one of those series in which all of its different parts come together wonderfully in every single episode: the animation, the music, the story, the characters, the themes. Everything fits perfectly.

#1: From the New World

For 2013, it was really difficult to choose my number one pick. Numbers 1, 2 and 3 were all incredible series that I enjoyed immensely, despite the lacklustre nature of the rest of the year. The reason Shin Sekai Yori, or From the New World, is my number one pick though, is because it had one of the best endings I have ever seen. I’m not sure if it’s in my top 5 favorite endings, but definitely my in my top 10. The series already was really good, with how it portrayed its characters its incredibly mature style of storytelling, and how it just did not shy away from anything (there really was some shocking material here that nearly broke my heart). It was incredibly intelligent in how it presented itself, even though some of its characters were quite naïve, and it used its animation brilliantly to create a consistently creepy atmosphere. It’s hard to watch because it’s completely different from traditional animation, and the camera often made things difficult to make out, but to people whose alley it was up at, it rewarded with an incredible finale. 2013 may have been the worst year in terms of anime in more than a decade, however these series still showed me that there are some very passionate, inspired and special people working in the industry. And ehre is to hoping that they will show more of themselves in 2014 and the years to come. I wish all of you a very happy new year, and I’ll see you in 2014.

Posted on 30 December 2013 with categories: Anime Reviews

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there.

The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature of this little short: how it was crowd-funded and they actually got Masaaki Yuasa to direct it, Mamoru Oshii served as the consultant to make it happen, and They got a lot of talented animators involved. Because of this I love it. The creative team here attempted something really ambitious, and they actually succeeded in it.

Because of that, it’s also not surprising that Masaaki Yuasa got full creative control over the animation, and this probably is his most personal work since Mind Game. Especially with Yojou-han Shinwa Taikei you could see that it wasn’t just his work, albeit it still was really well executed, Kaiba was probably also forced into at least a normal storyline (for very good reasons by the way, because it turned out amazing), and even Kemonozume looked like some compromises had to be made. Here, the only compromise was the short length of only 12 minutes. He could really goof off as much as he wanted here, and the result is incredibly trippy. The animation is utterly gorgeous because of it.

This short made me learn a lot about Yuasa’s style, and I’m even more amazed at how well he works together with other people. This guy, when he is on his own, he can create completely unique stuff like Mind Game, but when he’s more under control he actually manages to get the best out of everyone, leading to the masterpieces that were Kaiba and Yojou-han Shinwa Taikei. He really is one of the most talented directors out there.

Kick Heart was incredibly silly, so don’t expect the same emotional intensity of is other works, but still his talents really show here and it was a great watch, and it serves as an example of how to do anime right.

Posted on with categories: Anime Reviews, Kyousogiga


Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love getting worked up a bit about what if the show did get everything right. That’s why there is no one “best series” out there.

A show that I really didn’t have anything to say against, that really seemed to cater exactly to someone with my tastes, is Kyousogiga. Seriously, to me, that show was perfect and it hit every right note.

This series is really well made: the animation is consistently good, with very few moments of weaknesses. The series looks really good, but that can be said for a lot of series this season. What the animators also did however, was that they made the faces of the characters incredibly expressive, more than any other show that aired alongside it. The variety is great, and the camera always knows how to capture them in the most genuine ways. The way in which they’re able to keep this up for more than 10 episodes shows that this was a series made with a lot of passion.

This is a series that’s deeply rooted in Buddhist themes: not only are there many monks in the series, but also many characters from Buddhist folklore make cameos, the whole world this is based on has many winks here and there to the religion (although Shinto also has its noticeable roots here), combined with plenty of ideas of its own. This all combined leads to a very detailed and imaginative setting that is perfect for a short and whimsical series that can be enjoyed by all ages.

One complaint I’ve hear a lot is that the big conflict of the series isn’t really that big, but that’s something I actually liked a lot. To be vague for the sake of spoilers, Kyousogiga is about the inner turmoil of a family of characters with world-changing powers. The latter may seem serious, but the end resolution is much less dramatic than what you might expect. And I loved that! It’s got plenty of conflict, but for once it isn’t all gloomy. There is really no villain whatsoever, nor anyone who even remotely looks like the stereotypical evil villain who is out there to destroy the world for some superficial reason, even though this might appear to be the case at times. The entire series however is focused on the characters: them coming to terms with their identities and the ones around them. It’s one of the few series that in the end, manages to be epic while keeping the focus on the characters and their issues, without taking any cheap writing-tricks to simplify things near the end. It’s got plenty of touching moment, its just not as grand as what it was made out to be.

I was a long-time fan of this series, so obviously I’m biased. The creators actually managed to incorporate the OVAs into the series and integrated them seamlessly, so you do not need to watch anything before starting the TV-series, aside from episode 05 of the second OVA, and even that isn’t really necessary. This series makes use of vague storytelling: not everything is told or stated explicitly, but you’re also expected to think a bit for yourself and piece things together, and it does that in an intelligent way, rather than what you usually see where the creators obviously ran out of time (this series is also perfectly paced, not too slow nor too fast).

If you want to know whether this series is for you or not, ask yourself the question of what you want to watch. If the answer comes close to a series which excels at bringing animation, music, story, characters, setting, and all together flawlessly, then by all means give this a chance. If you’re looking for complexity or grandeur, or something mundane though, then there are better choices.
One-Sentence Review: Lots of love and passion
Suggestions:
Mahou Shoujotai
Strange Dawn
Ooedo Rocket

Posted on 28 December 2013 with categories: Kyousogiga

Holy crap, they actually did it. They actually finished this off perfectly! I was really afraid of this episode: I have seen so many wonderful series skimp out on the ending. And yet, with this episode, the creators managed to avoid every single pitfall that hits so many different series, leaving behind a wonderful ending.

– Focusing too much on flashy action? Nope, there was enough substance.
– Leaving behind an ending that’s too open? Nope, everything was answered adequately unless you really start nit-picking.
– Pulling silly Deus ex Machina to get out of the corners the writers got themselves into? Nope, everything just makes sense in the deliberately vague rules that this show created for itself.
– Just closing off with a straightforward and boring ending? Oh hell no, this episode pulled many surprises.
– Forgetting to push forward the characters even more? That too was averted, because so many characters got even more depth than what they already had.
– Running out of budget? This episode looked just gorgeous. After ten episodes I still could not see any cut corners.
– Being too fast? Nope, everything fit perfectly and it was still able to do everything, and things didn’t feel crammed.
– Being formulaic and predictable? Absolutely not. This really was the ending to Kyousogiga, not copied from another series or story.

I mean, this ending really was amazing. They did everything right here. I know I have been very quiet. Part of the problem is a change in my personal life, but another part is that I have felt really disappointed with the past Fall Season. It looked so promising, and yet nearly every series turned so generic or rushed, and nearly always it had to do with lazy writing. The one exception was Kyousogiga. Everything else this season just paled in comparison. Thank you Toei, for greenlighting this and making this possible.

Posted on 21 December 2013 with categories: Samurai Flamenco

I think my brains just exploded…

I knew that this series would spiral out of control. Just not in this way. In one episode, the creators YET AGAIN completely changed the genre of the entire series, along with the feel, mood, themes and everything. At this point the only similarity between episode 1 and 11 is the way in which Samurai Flamenco appears in it. Even the mood-swings of Guilty Crown and Code Geass weren’t this big!

Seriously, from out of nowhere Jouji Kaname reveals that he has been preparing to fight the invasion by aliens for over a decade and to do that he created unbeknownst to anyone an incredibly stereotypical power rangers base, complete with power rangers, basically revealing that the first seven episodes were pretty much one really big lie and that they weren’t set in modern-day Tokyo in the slightest. What follows is a really weird discussion on who should be the leader, followed by a staged death scene, and a freaking giant robot! I mean, is this really real?

I have to say: this show is unique. It’s currently trying to do something that no other show has. Whether it’ll work is an entirely different matter though, and I do believe that it’s too early for that, so for now I’ll withhold judgement on the big picture. However, I will say this: I hated Code Geass and Guilty Crown because it really felt like it they were written as the creators went along. Especially in Guilty Crown’s case. In Samurai Flamenco though, this isn’t the case. It’s got a lot of Deus ex Machina, however the creators very clearly had the intention right from the beginning to escalate things into the ridiculous proportions that we saw in this episode. It’s episode 11, and only now we’ve been introduced to everyone on the promo art. Sure, it could have been less sloppy, but right from the start it wanted to transition from the ordinary to the absurd.

Now let me stress Robotics;Notes here. A series that wasn’t as extreme as this one, but still is one that this series needs to learn from: you can have a really good build-up, but that isn’t worth anything if the second half is crap, like what happened with that series. Writers, you need to stay and don’t you dare to just get lazy next year.

Also, it’s nearly the end of the year. 2-cour Noitamina-series always have a few weeks of hiatus. I assume that the next episode will air in a few weeks, though no concrete date seems to be known yet.

Posted on 18 December 2013 with categories: Kyousogiga

The big strength of Kyousogiga has always been its characterization, and with a lot of series that have that, they make the mistake to just not focus on that for their finale. I mean, finales need to escalate. Most shows do that by turning on the epic-button. Kyousogiga did that as well, but it still kept its focus at the characters. Mostly thanks to how all of the characters with powers to actually destroy dimensions are intertwined together.

Because of this the animators could really bring an action-packed finale, while at the same time the focus remained on Koto. Revealing that she was the whole reason everything started due to how incredibly weird her family is really helped with that. She still has her flaws, she’s not just blindly running around as well. Plus, the chemistry between the characters was still awesome. I especially loved that punch near the end of the episode.

Two episodes left, so let’s see whether the creators can keep this up until the ending. I’m especially curious for the actual finale, because there have been plenty of good series that somehow had uninspired ending. This series is the perfect opportunity to to do something differnt though. Lots of thought has already been put into these episodes, so I really hope that the creators also have something really inspired in store for the actual climax.

Posted on 14 December 2013 with categories: Kill La Kill

So finally, we’ve got the first big hint at what the second half of this series will be about. In this case, it’s in the form of a bunch of characters who just showed up from out of nowhere. Okay, that can work. It’s typical that everything about them screams fashion, and this indeed is a show in which clothing plays a very important symbolical role. The way in which that girl claied to just be Ryuko’s father’s killer is probably some sort of lie (otherwise I have no idea how they’re going to explain the killer’s silhouette that Ryuko saw), but i’s a good start for a solid second half that will indeed move things beyond the school and let things escalate.

It’s also good that they didn’t go the formulaic route and they just skipped the last fight against the student council, however these two episodes did have a bit of an unfortunate effect on the four of them, in the way that at this point it stopped taking them seriously. They’re in danger of becoming like Krillin from Dragonball Z: characters who are just there for comic relief and can’t keep up with the incredible rate at which the main character powers up. That’s the downside of not killing off your enemies: you’ve already put a lot of development into them, so itd be a shame to not use that later on.

Still, this was a really fun episode. I think it helps to have this battle split up in two episodes with other stuff around it, rather than just dedicate one episode to it. It helps keeping things fresh and also prevents formula.

Probably not going to do ratings again, because they became pointless at this point. They were useful when I blogged like, 12 series at the same time, but now they’re just redundant. They only had one purpose left, which is something I do want to stress: the amount of criticism I have for a series does not equate how much I disliked it. It’s a very common misconception I see, but some series just aim really high, resulting in lots of flaws, while the worst series are the ones so unremarkable that there’s hardly anything to say about them.

Posted on 13 December 2013 with categories: Samurai Flamenco

Usually I blame writers lately. This time however, the writing was fine. I see what this episode was trying to do, and it had me at the edge of my seat. Perhaps a bit fast-paced, but I see what the writers were trying to do. This really could have been an amazing episode. But god, the delivery.

Okay. Whoever is in charge of the suspense of disbelief: for the love of god, try a little harder here. You already have a series in which this is very important, and this episode in particular depended on it with all of the gore. You could have really helped that with some actual good animation, but what stood out for me the most is how characters kept teleporting all over the place in this episode. Characters take huge leaps from one place to the other without any build-up whatsoever, leading to a lot of Deus ex Machina. I can understand timeskips and all, but there is a limit. Not to mention that showing characters actually travelling from A to B adds a lot to immersion. You need to worry about that, as much as you’d like to focus on your characters!

I read somewhere once that Manglobe is the kind of studio that doesn’t have many in-house people: for all of their projects they look around the industry for the right people. They’re basically outsourcing a lot, or at least they were around the time of Ergo Proxy and Michiko to Hatchin, and back then they were really good at it. This episode though. It just screamed outsourcing problems. Otherwise it just would not have looked so rushed, especially for such an important episode in the plot. I mean, something really went wrong in the production schedule.

Anyway, about the plot: this was where the series went even more out of control, by showing elements that were even more obviously supernatural, yet at the same time they’re all human: King Torture is just a man who managed to get ahold of strange powers that allowed him to create all those monsters. He too basically is just another person obsessed with superheroes and fiction, but he spiraled into the other side of the spectrum.

For the rest of the cast, I really liked how they used the build-up: people started to realize how they underestimated what it really means to be a superhero. That it’s not just about kicking ass and looking good. They started to look beyond the glory.

But damn, you’d better make up for this episode with the second half. There’s still plenty of potential left and all, but this execution isn’t the kind that a story like this deserves!

However, someone singing really badly? Hell yeah! Finally. I mean, who is expected to sing well after such a trauma?
Rating: 4.5/8 (Good)

Posted on with categories: Anime Reviews

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you!

So to elaborate: the harem genre is one of the worst genres in anime, and it has been so for about a decade now. The worst part is the sheer amount of series that have been made of it. They give anime a bad name and the vast majority of them just completely sucks. Over the years of course, enough attempts at parodies have appeared.

The problem with these parodies was that they weren’t really parodies. They’re just harem shows with their tongue in their cheek. When you have this mentality though, you only make things worse: you’re not funny, and the tongue in the cheek is just an excuse to put in even less effort into your writing because any flaws can be overlooked this way. A lot of parodies make this mistake and just adhere to the things they’re trying to make fun of, and with the harem genre this resulted into one giant mess. The only successful series so far probably was Ben-To, but that was just a really well executed series first and foremost.

Noucome though, goes all the way. This series finally aims to highlight the stupidity in the harem genre, and it finally aims to really make everything about it look ridiculous to show what so many series nowadays are getting away with. It finally takes the usual tropes like the quiet girl, the ditzy girl, the energetic girl, the student council, and with some great jokes and its premise shows how bad these things are. The protagonist is wonderful in fully acknowledging what a horrible person he is while this show keeps finding ways for him to enact generic harem scenes, and take them to the ridiculous. For that effort alone, I applaud this series. Because it has a lot of flaws, unfortunately.

Like most series, this series does lack an editor. The writers have great ideas, but other ideas are just plain bad. For example, everything about the main female lead (the one who falls from the sky) just doesn’t work: where all other characters are meant to highlight the flaws of their stereotypes, she’s just the generic dog-like girl with no brains and a huge appetite that we’ve seen millions of times before. She gets old really fast.

Second, it’s unfortunate to see that the writers can’t keep up their wit for the entire run of the series. With only 10 episodes, this is delightfully short (a comedy really does not need to be long!), but even then the second half has a few bad episodes, and especially the last arc is a pool episode that, while still containing some good jokes, is also full of pointless repeated boob-jokes that don’t go anywhere and an incredibly rushed and hacked ending that doesn’t really resolve anything. It’s a really clear example of the creators not knowing whether there is going to be a sequel, and therefore they try to include a bit of both, resulting in a really big mess of a final episode. It’s a shame, because there really is comedic gold in good endings, yet the amount of comedies that actually go for this can be counted on two hands. Another problem this series has is that everyone and his dog conveniently gets anmnesia when the writers need it the most. It’s passable when done once, but the writers just keep relying on it.

Nevertheless, Noucome first looked to be a series with the worst premise you could imagine. It turned out to be the biggest surprise of the year for me, and especially the first half was pretty much the best way in which such a bad-sounding storyline could ever have been animated. Can we now kill the harem genre. Please?
One-Sentence Review: The first harem parody that actually is a parody. Terrible ending though.
Suggestions:
Ben-To
Touka Gettan (Also not really a parody, but another great example of how to spice up the harem genre)
Aquarion Evol

Posted on 12 December 2013 with categories: Samurai Flamenco

My reaction to this episode: okay, they are starting to stretch that annoying manager who keeps calling. I’ve seen enough anime to know where this is going: he keeps bothering her and she suddenly develops feelings for him and they become a couple and HOLY CRAP WHAT HAVE THEY DONE TO HIM!

This really is a deconstruction of the Superhero genre, or should I say Supervillain-genre, because the premise of this series is: what if earth was attacked by stereotypical supervillains”? They just identify the most visible superhero at the time to be their main adversary. But the way in which this series does its things is particularly clever, and really plays with your expectations.

The generic goons were used quite interestingly. This series acknowledges that these monsters are just a dime a dozen, and that they’re easily beaten, luring us into a false sense of security that everything will be easy. And even the random monsters that explode have a tail left behind, in the form of the dust that their explosion covered.

And then it comes with these huge mood-whiplashes that are actually really effective. The question is whether this show will keep that up for the entirety of the airtime. Shock value needs to be balanced and can only get you so far.
Rating: 6/8 (Excellent)

CHANGE USERNAME
Amagi
The only exceptions are series that had a bigger cast to begin with and exactly know what to do with them and give every single character specific, human traits. Kaze ga Tsuyoku or Bokura no are examples for that.
Amagi
Sad but not surprising that the Slime isekai is turning into another generic shitfest after a rather strong start. It should have been about Slime and the Dragon alone and those other isekaied humans later as well as world building I honestly can't care about the additions to the team at all. But it only proofs to me that series will always get worse the more characters are joining the team.
Kaiser-Eoghan
It does prompt me to read the manga.
Kaiser-Eoghan
Furryguy story got too many episodes. I surprisingly enjoyed the time travel one.
Kaiser-Eoghan
Hmmm, Phoneix, the 2004 series is the definition of a mixed bag, the first story gets gritty and bleak in a way that I liked but its the scifi stories I connect with best, the first one for its premise/set up and the second because the last part kind of hit me and seeing Rock, another Tezuka character cameoing in it was kinda cool.
Kaiser-Eoghan
Pluto will be something that'll definately hold up for me and i can see myself actually appreciating it more when I watch the eventual adaptation.
Kaiser-Eoghan
I guess I'm reading Adolf then after watching the phoenix anime.
Kaiser-Eoghan
I'm thinking more along the lines of wanting a full kare kano adaptation.
Kaiser-Eoghan
@Anon: And I'm not sure if my tastes would be the same now.
Anonymous3115199
Hope it gets a decent episode count that does it justice. Can't imagine it being another rushed 1 episode per volume adaptation.
Kaiser-Eoghan
@Anon: But I'm not sure if I'll catch the remake.I've already read the manga twice years ago and seen the original anime twice aswell.
Anonymous3115199
Fruits Basket. Now that's a name I've not heard in a long time. And it's a getting a remake next year that covers the whole manga.
Kaiser-Eoghan
I am old enough to remember watching 2 episodes of mysterious cities of Gold and one of battle of the planets aswell as the 90s gigantor.
Kaiser-Eoghan
I happy to see studios finally going back to adapt stuff that deserves adapting.
Kaiser-Eoghan
I have also read angel no oka. Still haven't read Adolf or dororo.
Amagi
I can't wait for the Pluto anime (that was announced like a year ago?).
Kaiser-Eoghan
I won't spoil it, but MW had one cheeky ending that I loved.
Amagi
Well it pretty much is a ripoff of Kimba, I once thought people were joking until acrually googled it. Simba was even meant to be called Kimba at first IIRC.
Kaiser-Eoghan
A manga adaptation of mein kampf exists.
Kaiser-Eoghan
I used to joking argue with people when I was younger online about Disney ripping off Kimba.
Kaiser-Eoghan
I've seen all the black Jack stuff, metropolis, I also read Book of human insects, Ayako, apollos song, MW, princess knight and some of ode to kirihito .
Amagi
I wish someone would animate Adolf one day. Or a proper adaption of Buddha.
Kaiser-Eoghan
I bring this up because somebody mentioned Phoenix when talking about Spirit circle.
Kaiser-Eoghan
I must confess to my eternal shame I have never seen Osamu Tezuka's phoenix apart from that one episode with the guy hallucinating that the robot girl was human.
Kaiser-Eoghan
@Lenlo: Ah, to be more specific I meant in general.
Lenlo
Im with ya. If your talking about my comment on Ash's breakdown, im not saying I would have prefered to see it. I just think it did its job of disturbing the viewer well.
Kaiser-Eoghan
@Lenlo: I would rather the characters speak explicitly of certain things in banana fish, sometimes seeing everything isn't neccesary.
Kaiser-Eoghan
Perhaps we should race Yagate and Irozuku, see who's faster.
Kaiser-Eoghan
@Niello: I've had it on hold for about 3 episodes , I'm waiting to see if it does anything before continuing, pretty show tho'.
Niello
It already passed the half way point but nothing happens in irozuku...nothing.
Amagi
Yeah I jsut read it in the thread. I love grandpa.
Kaiser-Eoghan
Seems like a big moment in Chi no Wadachi.
Kaiser-Eoghan
Someone is uploading translated pages of the new beastars chapter on 4chan.
Kaiser-Eoghan
I am behind on some shows, I'm not uptodate with Irozuku or Yagate.
Kaiser-Eoghan
More specifically, I would like a whole side story about old dude and lizard dude before they met Goblin slayer. Also later part of this episode was stressful, such as Priestess bit. I also like that this show isn't afraid to have its MC get their ass kicked.
Kaiser-Eoghan
There was an anime called ristorante paradiso where all the dudes were old.
Amagi
That reminds me that there actually exists an otome'ish pub VN in which every guy is older than 40. Well I have to admit it's at least setting itself apart from the dozens of male j-rock/pop bishounen harem guys VNs out there. Same with that Pigeon otome VN (yes it's actual pigeons).
Kaiser-Eoghan
Goodness, we could have a reverse harem anime called Amagi-san and the 7 battling ojisans =P
Kaiser-Eoghan
@Amagi: I wish the geezer in Goblin slayer would have more to do.
Kaiser-Eoghan
Interesting how I hate certain genres, but when they're put through an exploitation lens I end up liking the genre, probably because it shits all over said genres while cutting out the boring parts.
Amagi
Yeah, same here. I also like it when stories are more mixed regarding age, general look, gender and such which is especially a problem in anime where you usually get 10 characters of the same gender, age and body type. Bonus if it's an idol show and they even have samefaces.
Kaiser-Eoghan
Of course these adult characters can exist outside of a fantasy and also be more relatable to me now, which is also a good thing, in a more serious story.
Kaiser-Eoghan
Alot of this has to do with getting older and being aware of that fact, knowing theres a 30/40 something able to do stuff I can't.
Kaiser-Eoghan
I would welcome an age of pensioner-ploitation films.
Amagi
I always enjoyed movies with old guys for example. Not only that, but I usually like it. For various reasons like the stories they have to tell, the nearing death (for very old ones) or a midlife crisis but welp, these movies were common 40 years ago, now it's teens and young adults since these are the demographies that are most likely willing to pay for the cinema or to buy merch.
Amagi
Yeah same here. Modern hollywood movies are way more mainstream than old ones and try to be the lowest common denominator with the most common tropes and stereotypical characters so unless you have more or less the most common taste and way of thinking for whatever reason you won't enjoy it and only get even more bored with every new movie that just feels like the 1000 movies before that.
Kaiser-Eoghan
Wheras I'd delight in anything left field or out of the box, because I love being constantly buzzed or surprised or seeing something do something uncompromising or weird.
Kaiser-Eoghan
*sense of
Kaiser-Eoghan
But I understand that people feel belittled when they watch something they can't make traditional sense or or morally work out .
Kaiser-Eoghan
But I've accepted that the stuff I really really like is going to be alien to a majority. I'd watch a lurid ova or b movie over any popular shounen or most post 80s hollywood films.
Kaiser-Eoghan
There would have been a time where I'd thought I was doing it wrong or that people would just think me some kind of hipster or contrarian for not liking popular/mainstream stuff/what everyone in the same room/site likes.
Amagi
Same with movies. I guess in the end it's always about being able to relate. If there is a strange character only certain people can relate to they'll enjoy it while everyone else falls asleep and vice versa with more typical characters. Hell I have seen a ton of non-stop action movies that literally put me to sleep because there was nothing for me to root for nor any great twists to expect.
Amagi
It's strange but whenever people hate a series for being too boring it turns out to be a series I like which is weird because I consider 80% of all existing series boring, including many series most people actually consider exciting and/or enjoyable as hell.
Kaiser-Eoghan
I remember there was a devil may cry anime, the guy subbing it didn't do a very good job but it was an okay extended advert for the game.
Lenlo
The man has also said that if someone would get him the rights to Berserk, he would do that to.
Animosh
Well, you still deserve credit for suggesting the series, because otherwise I wouldn't have even known it existed. :) But yeah, I like that people here are so open-minded. Anime is great and all, but there's plenty to discover outside of it (though to be fair, I'm lagging behind with many of them: following anime seasonally is great for discussion, but it can eat up a lot of time).
SuperMario
@Animosh: don't mention it. I'm glad you enjoy it. I don't take credits in this case since I myself haven't watched it yet. I love it how this community is willing to try other medium and not exclusively anime
Animosh
Really surprised this isn't more well known. Not that there's been much competition, but it's easily the best (western) cartoon I've seen this year.
Animosh
@SuperMario: thanks again for recommending Lastman! I just finished it, and it was a lot of fun. It doesn't have much depth, but it was incredibly entertaining: it just keeps throwing these bizarrely over the top action set-pieces at you without pausing, it oozes style, and its soundtrack is killer (it reminded me a bit of Hotline Miami). And it can be pretty damn funny too. It even ends strongly.
SuperMario
"I swear if I see some nonsense like her not being able to stay “Professional” due to having a boyfriend then I will have to strangle something" --> is that why you had screenshot of kitties up there?
SuperMario
@Kaiser: little sister has a strong chance to be a protag in the last arc. I'm genuinely surprised that Futaba is the main girl in this arc thou
Kaiser-Eoghan
I want to see the little sister looking scared in bunnygirl agrain.
Kaiser-Eoghan
Yay! Sing and eiji are doing something and Ash's freakout while melodramtic and ridiculous was still bleak, learn a bit more about Blanca which is good. Didn't like the goofy bit with yut-lung.
Kaiser-Eoghan
@Mario: Not intellectually non-intellectual enough for me.
Kaiser-Eoghan
Bunny-girl has redeemed itself. Also my favourite part of this weeks episode was 7 or 8 minutes before the end .
SuperMario
I mean, just reading that title alone I might check out what this movie is about. lol
SuperMario
Well, I come across an unusual film title today. A Japanese film called "When I Get Home, My Wife Always Pretends to be Dead"
Kaiser-Eoghan
The Lafalle arc (as thematically I probably engaged the most here)and the final arc both elevated this series for me, even though I did enjoy the bit with Vann early on.
I’ve heard people don’t like the ending it hit with me.
Really solid.
Kaiser-Eoghan
Dramatically this even kind of clicked for me and the antagonist surprised me as did twintails girl and bestghosts eventual roles, comedy isn’t exactly funny but I did laugh at points.
Kaiser-Eoghan
Apparently I got third time lucky with Mizukami, because I found this a very fresh take on the re-incarnation genre while actually DOING something worthwhile with it, his pacing/story telling style definitely feels a better fit to me in a short manga like this.
Kaiser-Eoghan
After a degree of indifference to planet with and only liking Biscuit hammers last arc, I ended up approaching Spirit circle expecting to not really have any opinion on it.
Kaiser-Eoghan
@Mario: Just my kind of weird.
Anonymous3093267
sword eyes
SuperMario
Here's another experimental animated short for you, Kaiser, Tango (1981) https://www.youtube.com/watch?v=lo8O8lYDzIU
SuperMario
@Animosh: yeah the second part was released in VOD earlier this year and I watched it. Prefer the 1st one much better
Vonter
I don't know why, but I thought you were talking about Tomorrowland. That Disney movie that bombed and everyone seemed very lukewarm about. I suppose because I don't know exactly what was the problem with it, didn't see much discussion about it.
Animosh
@SuperMario: I think I've seen World of Tomorrow, but not 100% sure. There's apparently a second part out though, and I definitely haven't seen that!
Animosh
And Umfeld (https://vimeo.com/umfeld) is also worth mentioning. It kind of consists of shorts, it's technically animated (at least in part: it mixes real footage and CGI I think?), and it's definitely weird. It's a very polarizing work though. I love it, but it wouldn't surprise me if most people here hate it.
Animosh
Some other things that came to mind: Tim Burton's "Vincent" (it's stop-motion, but whatever), Loom (https://vimeo.com/24069938) and E-Baby (https://vimeo.com/25435555). And the stop-motion shorts by Lee Hardcastle are pretty fun, if you're in the mood for some needlessly disgusting horror.
Kaiser-Eoghan
@Mario: I enjoyed embrace of the serpent which has the same director as Birds of passage so I'll keep an eye out for it.
SuperMario
@Kaiser: I'm going to see Roma and Birds of Passage this weekend. Really excited for both
Kaiser-Eoghan
As for the she-ra thing well, as I've gotten older I probably have avoided kids stuff more.
Kaiser-Eoghan
I don't want to see tokenism being seen as acceptance when it isn't, it feels that people are putting forth the idea that something is only being/can be accepted because its being portrayed in a tokenistic way.
Kaiser-Eoghan
Its fine, obviously to have strong female characters, Ripley in Alien, Sarah Conner in Terminator, awesome....Rey in star wars....no.
Kaiser-Eoghan
I think too often shows and films, American ones today, are tokenistic or clicheed with inserting issues, merely just throwing them in or tacking them on for the sake of ticking boxes rather than any earnesty or doing anything.
Anonymous3086853
@SuperMario - I do. Yet at the same time it was a bit outside of my comfort zone, watching something like this considering that (let's be honest) msot shows are men oriented. Even the ones with great female characters. This one despite having tomboyish girls is mainly about these girls with male characters having supporting roles. I suppose that's were the uneasiness lies in my case.
Kaiser-Eoghan
@Mario: Just got done watching both earlier, his dark humour jives well with me and I liked the concept.
SuperMario
@Kaiser @Animosh: if you haven't seen World of Tomorrow plsssss check it out. I can't recommend it highly enough
SuperMario
@Vonter: Maybe it's a good things that shows for general audiences like this have queer context. Don't you think?
Anonymous3086853
Also because I'm a bit immature, this show is kinda gay. There's a lot of ship baiting moments, one same sex couple in the last episode and rainbows, pastel colors, emasculated male characters and some female crossdressing.
Anonymous3086853
The weakest aspect is that several secondary characters get lost in the shuffle. Kinda like Big Hero 6 in which the team had personalities but just didn't had the time to develop in any meaningful way. Still both the main cast and villains were good and like I say the protagonist and antagonist had strong arcs for a first season.
Anonymous3086853
So I now finished watching She Ra, and it got even better as it was building towards the season's end. Thes strongest aspect is the rivalry between Adora and Catra, the chemistry is very strong, kinda like Optimus and Megatron or Xavier and Magneto. In which both parts seem equally capable and to have mind games with the other.
Kaiser-Eoghan
Oh hey cool, rain town is done by the Penguin hhighway anime movie guy.
Kaiser-Eoghan
It looks like I haven't seen Don Hertzfedlts World of tomorrow films.
Kaiser-Eoghan
Also Prince Achmed and How Wang-Fo Was Saved.
Kaiser-Eoghan
Ah. yes, thanks animosh, I had a look at Rain town there, I like the style it was done in, it achieves the emotions its trying to convey well without needing dialogue, piano score actually helps rather than hinders.
Kaiser-Eoghan
Glassy ocean, that was another short I watched lately.
Kaiser-Eoghan
Oh inka isha is country doctor.
Kaiser-Eoghan
I know Mario has seen this style on animation, but anyone else see any oil on glass animation?
Kaiser-Eoghan
I actually prefer robot carnival to genius party but liked both.
Kaiser-Eoghan
Zepo, The Pride of Strathmoor were recent animated shorts I watched.
Kaiser-Eoghan
Recently I watched two shorts, death and the mother and pleasures of war.
Kaiser-Eoghan
I'd say any eastern european short films would be worth anyones time.
Kaiser-Eoghan
I'm not familiar with rain town or Inaka Isha .
Amagi
Kaiser: Have you seen Inaka Isha from Kafka?
Animosh
In the meanwhile, though, I'd also be very interested in recommendations! The shorts I mentioned are among my favorite animated works, so if you know anything similar, please let me know. :)
Animosh
For western animation I really like the Don Hertzfeldt shorts. And there was this short called "Rain Town" that was really impressively animated. I'm sure there were others, but my long-term memory is pretty lousy. If something else comes to mind I'll let you know.
Animosh
I'm pretty sure you're already going to be familiar with all of my favorites, but here you go: Morimoto's shorts are all fantastic (Dimension Bomb, Beyond, Noiseman Sound Insect, etc), and two others that come to mind are Cat Soup and Kigeki (or Comedy) by Nakazawa. There are also some great collections out there (like the Genius Party ones), but again, you've probably seen those already.
Kaiser-Eoghan
If anyone has any suggestions for weird short animations, I'm looking for excuses to watch some more and I'm in the mood for them.
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
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Thunderbolt Fantasy 2 – 08 [The Song That Dooms Evil]

Thunderbolt mixes things up nicely this week. This week, the overpowered Princess has a fair shot of killing off our Shang Bu Huan, but predictably leaves him so that he can suffer. As often the case, when you’re too powerful you tend to act arrogantly, and… stupid. Thunderbolt is one good set piece piling up […]

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Banana Fish – 19 [Ice Palace]

Another week, another episode of Banana Fish, this time with 100% more depression! This week Ash starts to break, Yut gets what he wants and Eiji steps up to the plate. Lets jump in! So in general, this week was weird for me pacing wise. Certain sections felt slow while others passed at a blistering […]

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Planetes – 9 & 10 [Regrets/A Sky of Stardust] – Throwback Thursday

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Thunderbolt Fantasy 2 – 06-07 [A Poisoner’s Pride/ Bewitching Whispers]

My apologies that I missed a post last week, it’s not due to the lack of interest of Thunderbolt given the show is as exciting as ever, but more about my hectic life. These past two episodes have many game-changing events, and many Gui Niao’s wittiest lines and expressions to boost. The moment the Vapewiz […]

Kaze ga Tsuyoku Fuiteiru – 7 [Bear Your Fangs at the Summit]

Welcome one and all! This week in Kaze Fui we meet the final boss, Kurahara gets a reality check and our team runs their first track meet! Lets jump in! To start off, I have to say I loved the feel of Kaze Fui this week. Vague, I know, but hear me out. Kaze Fui […]

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Welcome fellow book lovers, to another dip into Honda-San! This week was a bit dull as we learn about the difficulties of stocking, but the second half manages to pick it back up. Lets jump in! So overall this week of Honda-San was pretty disappointing for me. Like usual it had some good gags in […]

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