Posted on 31 December 2013 with categories: Yearly Summaries

And so, 2013 has nearly ended. It was an interesting year, in which a lot changed. The way I look at this blog has changed, and at the same time I have been making less posts. I just couldn’t keep up with 12 posts a week anymore, however I still have my passion for anime, especially the good ones.

Having said that though, 2013 is the worst year for anime since the past decade, and I’m afraid that I need to say this. The big problem lied in the amount of series that aired. Every season had its gems, however when you look beyond these gems, that’s where the problems lied: everything just looked the same, and there were lots of series that had potential, only to get bogged down by bad writing. This is the year I really realized that the way in which most anime are written is inherently flawed, with too few writers working on too many projects and people not really thinking about making anime whole conclusive stories that stay consistent. I’ve seen so many promising series this year that only ended up meh, when they could have been so much better, so it’s really a shame to see this.

As for the good stuff though, there thankfully were quite a few series that did catch my attention. Here are my highlights. Unfortunately Hajime no Ippo and White Album are not included because I’m really behind with them at this point.

Worst Series

Amnesia

There really were some stinkers this year that at first sight looked like they had potential. As much as I’d like to hand this award to Valvrave for pulling the rape-card from out of bloody nowhere, it had nothing on Amnesia. At first sight this looked to be an interesting mystery-series, however every single character save for one in the series was a total prick. The worst was the stalker one with the cage. I mean, did nobody on the production team stop to think “wait, this is completely stupid”?

Worst First Episode

Walkure Romanze

Oh god, there really was a lot of bad stuff this year, though most of the ones fell into the category of “so generic that they’re bad”. On top of that there also was the usual terrible incest, as well as the many, many shows that were simply thinly veiled fanservice. It was hard to just pick one that stood out, however I have to go with Wankure Romanze. It’s really here where the creators just gave up completely trying, treating their audience like a herd of lobotomised sheep. This episode really screamed “just whatever, I dunno. Have a horse that eats panties or something so we’ll at least get some viewership. I don’t care”.

Biggest disappointment

Yozakura Quartet – Hana no Uta

Despite being a big fan of the director and the OVA, I really don’t think that I’m going to be able to finish this series. Why? Because the story is just random fluff. Okay, I guess stuff happens aside from its horrible fourth episode and all, but when I really ask myself whether that’s interesting to watch for a full season… I have to answer no. Even though the animation is just completely fantastic… the rest just wasn’t.

Most Pleasant Surprise

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru

I was ready to immediately write this series off as the umpth light novel adaptation with a ridiculously long title and having it be nothing more than a glorified boob parade. And then the first episode aired, and it was actually the best thing that the creators could have done with such a horrible premise. The creators made this actually a really funny parody, and they kept it up for about seven episodes. I really did not expect that.

Funniest series

Yondemasuyo, Azazel-San

Oh, Azazel-san. You sure gave me quite some headaches this year. On one hand, you made me laugh harder than any other series this season, but on the other you had these completely tasteless episodes that tried way too hard to go for laughs with their shock value. Every episode we would hope that we’d strike gold, instead of literally poop. However, when you hit, you hit hard. The characters at their best are absolutely hysterical with their brand of sadistic humour and energy that very, very few series can match, and you had me nearly fall of my chair on multiple occasions.

Best Animation Studio

Production IG

This year, I was torn between Madhouse and Production IG. They really rose to high standards this year with many great series. The reason why I handed it to Production IG though, was because Madhouse has been too much into its own franchises: as amazing as Chihayafuru’s second season was, it was a sequel. Hajime no Ippo is great, however, it already has so many episodes. Hunter X Hunter too has been going on for ages: they played it way too safe. Production IG meanwhile went all out with Psycho Pass and Shingeki no Kyojin, they did something really bold with Kick Heart. Sure, they had their sequels, but they had a balance between old stuff and new stuff, which I didn’t notice that well in Madhouse’s case.

Most Promising Studio

Wit Studio

Every year I also hand out an award to a studio that’s either really new, or made a huge improvement over the past. With this year, it’s obvious that it would be Wit Studio, the subsidiary of Production IG. Next season they’re out on their own, and if Shingeki no Kyojin is any indication, then there is a lot of talent hiding amongst them, and I hope that they can follow Bee-Train’s example and become a good standalone studio in the future!

Best Action

Jojo’s Bizarre Adventure

It took the award last year, it also takes it this year. Jojo is just so wonderfully over the top and every episode was just loads of fun to watch. It really was everything that the shounen genre should be, and I can understand why it got so popular. However, it did have much more competition this year. Kill La Kill is a huge contender for next year’s award with the way that it’s going, and Shingeki no Kyojin also was really exciting to watch, from start to finish. I really had trouble with the award this year, as opposed to last year.

Best Horror

Aku no Hana

Pure psychological horror, but oh my god, this show was so effective in drawing me into its atmosphere. There was hardly any point at which I wasn’t at the edge of my seat, and that’s what I consider an amazing horror-series.

Best Background Art

Shingeki no Kyojin

This year, I want to give props to the incredible amount of polish that the creators put into the backgrounds of Attack on Titan. They really created a medieval-ish city and the amount of detail that went into it is astounding, and it looks consistently crisp. The creators obviously spent a lot of money on it, and it did pay off.

Best Animation

Yozakura Quartet – Hana no Uta

There were lots of really well animated series this season, a few too many, if you ask me personally, however Yozakura Quartet to me was the best, because of its focus on kinetic energy that was very visible in its movements. Its animation wasn’t just a bunch of money shots, the creators really cared about natural movements and interesting poses, they really wanted to create movement, and they did that better than any other series this season. It’s just a shame that the animation was the only thing noteworthy about this show.

Best-Looking Series

Kyousogiga

This award goes to the series that just looks incredibly good, regardless of animation. The artistic direction here is important, and Kyousogiga had that, and much, much more. For 10 episodes there were hardly any weak moments in the animation, and everything just looked gorgeous. Close seconds are Chihayafuru and From the New World, not to mention the trippy Jojo’s Bizarre Adventure and the gritty Aku no Hana (I don’t care: I loved how Aku no Hana looked, with its own unique and distinct style; so what if it wasn’t crisp).

Top 20 of 2013

#20: Teekyu

Wildcard: Teekyu is just something to sit behind, turn your brain off and enjoy the spectacle. Nothing special, but damn entertaining to see all of the things that the creators can throw to the screen in the span of only two minutes per episode.

#19: Yahari Ore no Seishun Love Comedy wa Machigatteiru

Light novel adaptations with really long titles had previously been notorious for being bad, lazy and incredibly contrived for fanservice. This year, there were two series that broke that trend. Noucome (resting at place 21 due to its rather bad ending), and Yahari Blahblah. This series starts off with the generic ingredients, but I don’t know. Along the way something happened that set itself apart from its contemporaries. The dialogue, it was actually cleverly written. It actually takes a deep look at its characters, and creates some thought-provoking drama out of that, rather than going with the usual cheese. The characters in this series all look like completely generic stereotypes, and yet they aren’t. This series could have tried even more though, and there are some stories that are a bit lacklustre compared to the others, placing this relatively low at this list.

#18: Yondemasuyo, Azazel-San

Yondemasuyo, Azazel-San’s sequel contained both the best, and the worst episodes of the season so far. The Moloch-episodes were obviously awesome, but a few other arcs were also comedic gold. And then there was the haemorrhoid arc. What on earth were the creators thinking? It’s a series with huge ups and downs, but its own brand of incredibly vile and sadistic comedy somehow worked for me.

#17: Kamisama no Inai Nichiyoubi

Kamisama no Inai Nichiyoubi is nothing really fancy, however it did create its own fascinating setting that it rolled with for thirteen episodes,. It did have a tendency to suddenly pull twists from out of absolutely nowhere, but it barely avoided those becoming Deus ex Machina, and it consistently asks questions about life and death with its strange portrayal of the undead. It could have been much more because the series just ends after a random arc has been resolved, however, the characters all made it very worth watching.

#16: Uchuu Kyoudai

Last year, I made the prediction that for 2013, this series again would have been a great contender for the number one spot, however, something happened along the way. The series remained a wonderful look at what it means to become an astronaut, it still was fascinating. The problem however, was the pacing. Things started to take forever to get going, and every episode on top of that started with like two minutes of recap. The creators were simply coasting on the manga to carry them through, and you couldn’t see the passion of the first fifty episodes any more. The creators made the mistake of going on for way too long, lessening the experience. It’s such a pity, because this series really stood out: it had characters in their thirties for once, and the synergy between them is just amazing. However you also need to learn to not overstay your welcome.

#15: Gatchaman Crowds

Anime is a great storytelling medium, but usually they really aren’t up to date with current events. Some shows nowadays still feature the Tokyo Tower as the highest building in Tokyo, for example. Gatchaman Crowds however, is about social media. It’s very clunky, but it portrays a setting in which saving the world is crowd-sourced: through the internet everyone contributes with stuff like saving the day and protecting the earth from aliens, and from that base setting it creates its storyline. The characters aren’t the most relatable, however they serve the purpose of exploring this setting. The pacing is ridiculously fast, but in the end they pulled it off with also quite a great ending to close off with.

#14: Samurai Flamenco

Samurai Flamenco, I’ll put you at number 14 for now. This can become much higher, or much lower next year. The series started off really well with a sortof realistic view on this idiot who wanted to play a superhero. And then episode seven happened, and it was awesome, but afterwards it just kept getting more and more ridiculous, to the point where we are now just watching a completely different series. It’s really a bizarre series and at this point it really could go anywhere. I do have to give props for having the balls to actually try what it did though.

#13: Silver Spoon

Silver Spoon: a meticulously planned out look at what farming life is. It has lovable characters, it’s fun to watch, but at the same time it also doesn’t shy away from the realities of farming: that animals are killed in the process, in order to make a living. It shows both sides of the picture, and never really leaves a moment or episode wasted, and it’s filled with interesting trivia. Not to mention that it made me hungry on a regular basis.

#12: Uchoten Kazoku

Uchoten Kazoku is a look at Japanese folklore,in a modern coat. It tells about tanuki and crows, and how they can transform into stuff, and it contains all sorts of obscure cultural references surrounding their legends. It really taught me quite a few new things through its airtime, and that’s always a plus. The best thing about this series is its dialogue: cleverly written and it manages to develop the characters in a unique and engaging way. It does lose a bit of steam near the end, but it remains witty and unpredictable.

#11: Kill La Kill

Kill La Kill’s storyline is nothing special, however it manages to present itself in such a way that it doesn’t become boring. Its formulaic, but never formulaic enough to get tedious, the characters are simple, but not one-dimensional enough to get boring. It’s all carefully planned out for the action to just keep you entertained from beginning to end. Hiroyuki Imaishi is a great director, and you can see Studio Trigger having a ton of fun making the most over the top action sequences that are all still very varied and interesting to watch. Not to mention that soundtrack. That really makes the series even more exciting.

#10: Hunter X Hunter

My stance on the series remains: I did not like sitting through a year and a half of material that I had already seen. I’m sorry, but that was really tedious, even though the Greed Island was much better than the Nippon Animation version. Finally though, the Chimera Ant arc stepped into new material. At this point I’m really behind, however even though the arc took incredibly long to build up, I just reached the point at which it really started to deliver. Finally I can appreciate this series for the very intelligent shounen series that it was meant to be, and it indeed blows generic stuff like Naruto and Bleach completely out of the water.

#9: Rozen Maiden

The third season of Rozen Maiden, but really: this new instalment is completely different from the previous two TV-series. It’s written perfectly over its airtime, starting off small and ending big. The first half really mostly just takes place in one room, with most of the characters absent, being dedicated to some really personal character-development for the ones who did get the focus. It pushed all of its characters to a different direction, and definitely was a worthy addition to the Rozen Maiden franchise.

#8: Zetsuen no Tempest

Tempest’s second half perhaps was a bit less sharp than its first half, but it still was just complete gold in terms of its script, and how it played with its storyline to throw all kinds of logic-based holes and loops. This really was a great example of a world-shattering conflict being solved by logic, with force playing just the role of assistant. The characters also got through their own share of development that this series also cleverly made use of and all of that resulted into an incredibly fun watch. The biggest reason why this one ended up slightly behind the others is its slightly lackluster ending.

#7: Shingeki no Kyojin

All series from #8 are incredibly close to each other. They all were amazing to watch. The reason why Shingeki no Kyojin lost out was because of its inconclusive ending: no resolution whatsoever, leading to one heck of a cliff-hanger. Up to that point we got to witness an amazingly tense action-series that really managed to convince that yes, humanity is completely screwed. This series is incredibly good at putting humanity at the brink of destruction, and keeping the stakes just inches away from everything going to hell. This is fantastic for its atmosphere, and on top of that, it was easily the series with the best production values of the entire year: everything looked incredibly polished, and where these series usually skimp on the substance, this series had plenty of it. This is an action-series with brains.

#6: Psycho Pass

Psycho Pass, intelligent science fiction from Urobuchi Gen, and the second half really delivered, whereas the series that aired alongside it, Robotics;Notes, pretty much crashed and burned. What managed to keep it afloat was that it always knew where it was going, and it kept asking poignant questions about its setting and it actually continued to push its storyline forward in creative ways. The characters came to their rights, the animation was still solid, and everything concluded really well, so I was really pleased with this series.

#5: Jojo’s Bizarre Adventure

This series became something really amazing, putting most other shounen completely to shame with how much manly action the creators managed to put on the screen. It’s definitely not for everyone, and the excessive use of colours will disturb some, however I loved just how over the top this show got. There were so many moments that were just pure gold, and the creators really knew how to capture the essence of the manga, which delivered its action with completely ridiculous poses and massive amounts of manliness, while still keeping a straight face. The training arcs were really kept to a minimum, and the fights themselves all tried to be as creative as possible, both by making great use of the environment every fight was in, and some very creative powers. This really was my weekly fix of adrenaline, done incredibly well.

#4: Chihayafuru

After Shingeki no Kyojin, the second most polished series of the year. A show about Karuta, every single match looked crisp. Every single swipe made impact. The creators still managed to keep this up for in total 52 episodes. The most amazing thing about this series however, was its character development. Most series just pick one character to develop per episode. Oh no, not this series.. Every single episode developed as many characters as it possibly could a little. This means that hard-hitting development could really come out of absolutely nowhere. It’s only a shame that we still haven’t reached the ending, and we need to wait for a potential third season for everything to be resolved. And it already was a miracle that we got a second season.

#3: Aku no Hana

Aku no Hana is unlike any other anime ever made. The animation is completely rotoscoped, leading to continuous movements, that all are jerky, and amazing characters that say “screw it!” to every single convention. The pacing is incredibly slow, but it’s deliberately so: it’s entirely made to draw its audience into its atmosphere, and some of the best moments of the series are actually when little happens and you only can watch the eerie moments happening. It’s an amazing look at the darker sides of being a teenager, and the creators did an absolutely fantastic job of capturing the paranoia inside the main character. But yeah, they did choose to do it in a style that will turn off plenty of people. But that makes it even better: a series actually had the balls to be completely different in every single way from all other anime. That deserves to be commended.

#2: Kyousogiga

Kyousogiga is just a series that did everything right for me. It’s a whimsical story, inside its complete own world with its own set of rules, heavily infused in Buddhist and Shinto themes, and it got itself some consistently incredible animation with hardly any weak points. There is always something interesting going on on the screen and the characters are more expressive than any other series this year. Its storytelling is meant to be vague: you can see lots of unsaid stuff inbetween the lines and every single episode is different. It’s incredibly fun for all ages, and the conflict and resolution are finally something different than what we’re used to, due to the lack of villains. It’s one of those series in which all of its different parts come together wonderfully in every single episode: the animation, the music, the story, the characters, the themes. Everything fits perfectly.

#1: From the New World

For 2013, it was really difficult to choose my number one pick. Numbers 1, 2 and 3 were all incredible series that I enjoyed immensely, despite the lacklustre nature of the rest of the year. The reason Shin Sekai Yori, or From the New World, is my number one pick though, is because it had one of the best endings I have ever seen. I’m not sure if it’s in my top 5 favorite endings, but definitely my in my top 10. The series already was really good, with how it portrayed its characters its incredibly mature style of storytelling, and how it just did not shy away from anything (there really was some shocking material here that nearly broke my heart). It was incredibly intelligent in how it presented itself, even though some of its characters were quite naïve, and it used its animation brilliantly to create a consistently creepy atmosphere. It’s hard to watch because it’s completely different from traditional animation, and the camera often made things difficult to make out, but to people whose alley it was up at, it rewarded with an incredible finale. 2013 may have been the worst year in terms of anime in more than a decade, however these series still showed me that there are some very passionate, inspired and special people working in the industry. And ehre is to hoping that they will show more of themselves in 2014 and the years to come. I wish all of you a very happy new year, and I’ll see you in 2014.

Posted on 30 December 2013 with categories: Anime Reviews

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there.

The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature of this little short: how it was crowd-funded and they actually got Masaaki Yuasa to direct it, Mamoru Oshii served as the consultant to make it happen, and They got a lot of talented animators involved. Because of this I love it. The creative team here attempted something really ambitious, and they actually succeeded in it.

Because of that, it’s also not surprising that Masaaki Yuasa got full creative control over the animation, and this probably is his most personal work since Mind Game. Especially with Yojou-han Shinwa Taikei you could see that it wasn’t just his work, albeit it still was really well executed, Kaiba was probably also forced into at least a normal storyline (for very good reasons by the way, because it turned out amazing), and even Kemonozume looked like some compromises had to be made. Here, the only compromise was the short length of only 12 minutes. He could really goof off as much as he wanted here, and the result is incredibly trippy. The animation is utterly gorgeous because of it.

This short made me learn a lot about Yuasa’s style, and I’m even more amazed at how well he works together with other people. This guy, when he is on his own, he can create completely unique stuff like Mind Game, but when he’s more under control he actually manages to get the best out of everyone, leading to the masterpieces that were Kaiba and Yojou-han Shinwa Taikei. He really is one of the most talented directors out there.

Kick Heart was incredibly silly, so don’t expect the same emotional intensity of is other works, but still his talents really show here and it was a great watch, and it serves as an example of how to do anime right.

Posted on with categories: Anime Reviews, Kyousogiga


Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love getting worked up a bit about what if the show did get everything right. That’s why there is no one “best series” out there.

A show that I really didn’t have anything to say against, that really seemed to cater exactly to someone with my tastes, is Kyousogiga. Seriously, to me, that show was perfect and it hit every right note.

This series is really well made: the animation is consistently good, with very few moments of weaknesses. The series looks really good, but that can be said for a lot of series this season. What the animators also did however, was that they made the faces of the characters incredibly expressive, more than any other show that aired alongside it. The variety is great, and the camera always knows how to capture them in the most genuine ways. The way in which they’re able to keep this up for more than 10 episodes shows that this was a series made with a lot of passion.

This is a series that’s deeply rooted in Buddhist themes: not only are there many monks in the series, but also many characters from Buddhist folklore make cameos, the whole world this is based on has many winks here and there to the religion (although Shinto also has its noticeable roots here), combined with plenty of ideas of its own. This all combined leads to a very detailed and imaginative setting that is perfect for a short and whimsical series that can be enjoyed by all ages.

One complaint I’ve hear a lot is that the big conflict of the series isn’t really that big, but that’s something I actually liked a lot. To be vague for the sake of spoilers, Kyousogiga is about the inner turmoil of a family of characters with world-changing powers. The latter may seem serious, but the end resolution is much less dramatic than what you might expect. And I loved that! It’s got plenty of conflict, but for once it isn’t all gloomy. There is really no villain whatsoever, nor anyone who even remotely looks like the stereotypical evil villain who is out there to destroy the world for some superficial reason, even though this might appear to be the case at times. The entire series however is focused on the characters: them coming to terms with their identities and the ones around them. It’s one of the few series that in the end, manages to be epic while keeping the focus on the characters and their issues, without taking any cheap writing-tricks to simplify things near the end. It’s got plenty of touching moment, its just not as grand as what it was made out to be.

I was a long-time fan of this series, so obviously I’m biased. The creators actually managed to incorporate the OVAs into the series and integrated them seamlessly, so you do not need to watch anything before starting the TV-series, aside from episode 05 of the second OVA, and even that isn’t really necessary. This series makes use of vague storytelling: not everything is told or stated explicitly, but you’re also expected to think a bit for yourself and piece things together, and it does that in an intelligent way, rather than what you usually see where the creators obviously ran out of time (this series is also perfectly paced, not too slow nor too fast).

If you want to know whether this series is for you or not, ask yourself the question of what you want to watch. If the answer comes close to a series which excels at bringing animation, music, story, characters, setting, and all together flawlessly, then by all means give this a chance. If you’re looking for complexity or grandeur, or something mundane though, then there are better choices.
One-Sentence Review: Lots of love and passion
Suggestions:
Mahou Shoujotai
Strange Dawn
Ooedo Rocket

Posted on 28 December 2013 with categories: Kyousogiga

Holy crap, they actually did it. They actually finished this off perfectly! I was really afraid of this episode: I have seen so many wonderful series skimp out on the ending. And yet, with this episode, the creators managed to avoid every single pitfall that hits so many different series, leaving behind a wonderful ending.

– Focusing too much on flashy action? Nope, there was enough substance.
– Leaving behind an ending that’s too open? Nope, everything was answered adequately unless you really start nit-picking.
– Pulling silly Deus ex Machina to get out of the corners the writers got themselves into? Nope, everything just makes sense in the deliberately vague rules that this show created for itself.
– Just closing off with a straightforward and boring ending? Oh hell no, this episode pulled many surprises.
– Forgetting to push forward the characters even more? That too was averted, because so many characters got even more depth than what they already had.
– Running out of budget? This episode looked just gorgeous. After ten episodes I still could not see any cut corners.
– Being too fast? Nope, everything fit perfectly and it was still able to do everything, and things didn’t feel crammed.
– Being formulaic and predictable? Absolutely not. This really was the ending to Kyousogiga, not copied from another series or story.

I mean, this ending really was amazing. They did everything right here. I know I have been very quiet. Part of the problem is a change in my personal life, but another part is that I have felt really disappointed with the past Fall Season. It looked so promising, and yet nearly every series turned so generic or rushed, and nearly always it had to do with lazy writing. The one exception was Kyousogiga. Everything else this season just paled in comparison. Thank you Toei, for greenlighting this and making this possible.

Posted on 21 December 2013 with categories: Samurai Flamenco

I think my brains just exploded…

I knew that this series would spiral out of control. Just not in this way. In one episode, the creators YET AGAIN completely changed the genre of the entire series, along with the feel, mood, themes and everything. At this point the only similarity between episode 1 and 11 is the way in which Samurai Flamenco appears in it. Even the mood-swings of Guilty Crown and Code Geass weren’t this big!

Seriously, from out of nowhere Jouji Kaname reveals that he has been preparing to fight the invasion by aliens for over a decade and to do that he created unbeknownst to anyone an incredibly stereotypical power rangers base, complete with power rangers, basically revealing that the first seven episodes were pretty much one really big lie and that they weren’t set in modern-day Tokyo in the slightest. What follows is a really weird discussion on who should be the leader, followed by a staged death scene, and a freaking giant robot! I mean, is this really real?

I have to say: this show is unique. It’s currently trying to do something that no other show has. Whether it’ll work is an entirely different matter though, and I do believe that it’s too early for that, so for now I’ll withhold judgement on the big picture. However, I will say this: I hated Code Geass and Guilty Crown because it really felt like it they were written as the creators went along. Especially in Guilty Crown’s case. In Samurai Flamenco though, this isn’t the case. It’s got a lot of Deus ex Machina, however the creators very clearly had the intention right from the beginning to escalate things into the ridiculous proportions that we saw in this episode. It’s episode 11, and only now we’ve been introduced to everyone on the promo art. Sure, it could have been less sloppy, but right from the start it wanted to transition from the ordinary to the absurd.

Now let me stress Robotics;Notes here. A series that wasn’t as extreme as this one, but still is one that this series needs to learn from: you can have a really good build-up, but that isn’t worth anything if the second half is crap, like what happened with that series. Writers, you need to stay and don’t you dare to just get lazy next year.

Also, it’s nearly the end of the year. 2-cour Noitamina-series always have a few weeks of hiatus. I assume that the next episode will air in a few weeks, though no concrete date seems to be known yet.

Posted on 18 December 2013 with categories: Kyousogiga

The big strength of Kyousogiga has always been its characterization, and with a lot of series that have that, they make the mistake to just not focus on that for their finale. I mean, finales need to escalate. Most shows do that by turning on the epic-button. Kyousogiga did that as well, but it still kept its focus at the characters. Mostly thanks to how all of the characters with powers to actually destroy dimensions are intertwined together.

Because of this the animators could really bring an action-packed finale, while at the same time the focus remained on Koto. Revealing that she was the whole reason everything started due to how incredibly weird her family is really helped with that. She still has her flaws, she’s not just blindly running around as well. Plus, the chemistry between the characters was still awesome. I especially loved that punch near the end of the episode.

Two episodes left, so let’s see whether the creators can keep this up until the ending. I’m especially curious for the actual finale, because there have been plenty of good series that somehow had uninspired ending. This series is the perfect opportunity to to do something differnt though. Lots of thought has already been put into these episodes, so I really hope that the creators also have something really inspired in store for the actual climax.

Posted on 14 December 2013 with categories: Kill La Kill

So finally, we’ve got the first big hint at what the second half of this series will be about. In this case, it’s in the form of a bunch of characters who just showed up from out of nowhere. Okay, that can work. It’s typical that everything about them screams fashion, and this indeed is a show in which clothing plays a very important symbolical role. The way in which that girl claied to just be Ryuko’s father’s killer is probably some sort of lie (otherwise I have no idea how they’re going to explain the killer’s silhouette that Ryuko saw), but i’s a good start for a solid second half that will indeed move things beyond the school and let things escalate.

It’s also good that they didn’t go the formulaic route and they just skipped the last fight against the student council, however these two episodes did have a bit of an unfortunate effect on the four of them, in the way that at this point it stopped taking them seriously. They’re in danger of becoming like Krillin from Dragonball Z: characters who are just there for comic relief and can’t keep up with the incredible rate at which the main character powers up. That’s the downside of not killing off your enemies: you’ve already put a lot of development into them, so itd be a shame to not use that later on.

Still, this was a really fun episode. I think it helps to have this battle split up in two episodes with other stuff around it, rather than just dedicate one episode to it. It helps keeping things fresh and also prevents formula.

Probably not going to do ratings again, because they became pointless at this point. They were useful when I blogged like, 12 series at the same time, but now they’re just redundant. They only had one purpose left, which is something I do want to stress: the amount of criticism I have for a series does not equate how much I disliked it. It’s a very common misconception I see, but some series just aim really high, resulting in lots of flaws, while the worst series are the ones so unremarkable that there’s hardly anything to say about them.

Posted on 13 December 2013 with categories: Samurai Flamenco

Usually I blame writers lately. This time however, the writing was fine. I see what this episode was trying to do, and it had me at the edge of my seat. Perhaps a bit fast-paced, but I see what the writers were trying to do. This really could have been an amazing episode. But god, the delivery.

Okay. Whoever is in charge of the suspense of disbelief: for the love of god, try a little harder here. You already have a series in which this is very important, and this episode in particular depended on it with all of the gore. You could have really helped that with some actual good animation, but what stood out for me the most is how characters kept teleporting all over the place in this episode. Characters take huge leaps from one place to the other without any build-up whatsoever, leading to a lot of Deus ex Machina. I can understand timeskips and all, but there is a limit. Not to mention that showing characters actually travelling from A to B adds a lot to immersion. You need to worry about that, as much as you’d like to focus on your characters!

I read somewhere once that Manglobe is the kind of studio that doesn’t have many in-house people: for all of their projects they look around the industry for the right people. They’re basically outsourcing a lot, or at least they were around the time of Ergo Proxy and Michiko to Hatchin, and back then they were really good at it. This episode though. It just screamed outsourcing problems. Otherwise it just would not have looked so rushed, especially for such an important episode in the plot. I mean, something really went wrong in the production schedule.

Anyway, about the plot: this was where the series went even more out of control, by showing elements that were even more obviously supernatural, yet at the same time they’re all human: King Torture is just a man who managed to get ahold of strange powers that allowed him to create all those monsters. He too basically is just another person obsessed with superheroes and fiction, but he spiraled into the other side of the spectrum.

For the rest of the cast, I really liked how they used the build-up: people started to realize how they underestimated what it really means to be a superhero. That it’s not just about kicking ass and looking good. They started to look beyond the glory.

But damn, you’d better make up for this episode with the second half. There’s still plenty of potential left and all, but this execution isn’t the kind that a story like this deserves!

However, someone singing really badly? Hell yeah! Finally. I mean, who is expected to sing well after such a trauma?
Rating: 4.5/8 (Good)

Posted on with categories: Anime Reviews

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you!

So to elaborate: the harem genre is one of the worst genres in anime, and it has been so for about a decade now. The worst part is the sheer amount of series that have been made of it. They give anime a bad name and the vast majority of them just completely sucks. Over the years of course, enough attempts at parodies have appeared.

The problem with these parodies was that they weren’t really parodies. They’re just harem shows with their tongue in their cheek. When you have this mentality though, you only make things worse: you’re not funny, and the tongue in the cheek is just an excuse to put in even less effort into your writing because any flaws can be overlooked this way. A lot of parodies make this mistake and just adhere to the things they’re trying to make fun of, and with the harem genre this resulted into one giant mess. The only successful series so far probably was Ben-To, but that was just a really well executed series first and foremost.

Noucome though, goes all the way. This series finally aims to highlight the stupidity in the harem genre, and it finally aims to really make everything about it look ridiculous to show what so many series nowadays are getting away with. It finally takes the usual tropes like the quiet girl, the ditzy girl, the energetic girl, the student council, and with some great jokes and its premise shows how bad these things are. The protagonist is wonderful in fully acknowledging what a horrible person he is while this show keeps finding ways for him to enact generic harem scenes, and take them to the ridiculous. For that effort alone, I applaud this series. Because it has a lot of flaws, unfortunately.

Like most series, this series does lack an editor. The writers have great ideas, but other ideas are just plain bad. For example, everything about the main female lead (the one who falls from the sky) just doesn’t work: where all other characters are meant to highlight the flaws of their stereotypes, she’s just the generic dog-like girl with no brains and a huge appetite that we’ve seen millions of times before. She gets old really fast.

Second, it’s unfortunate to see that the writers can’t keep up their wit for the entire run of the series. With only 10 episodes, this is delightfully short (a comedy really does not need to be long!), but even then the second half has a few bad episodes, and especially the last arc is a pool episode that, while still containing some good jokes, is also full of pointless repeated boob-jokes that don’t go anywhere and an incredibly rushed and hacked ending that doesn’t really resolve anything. It’s a really clear example of the creators not knowing whether there is going to be a sequel, and therefore they try to include a bit of both, resulting in a really big mess of a final episode. It’s a shame, because there really is comedic gold in good endings, yet the amount of comedies that actually go for this can be counted on two hands. Another problem this series has is that everyone and his dog conveniently gets anmnesia when the writers need it the most. It’s passable when done once, but the writers just keep relying on it.

Nevertheless, Noucome first looked to be a series with the worst premise you could imagine. It turned out to be the biggest surprise of the year for me, and especially the first half was pretty much the best way in which such a bad-sounding storyline could ever have been animated. Can we now kill the harem genre. Please?
One-Sentence Review: The first harem parody that actually is a parody. Terrible ending though.
Suggestions:
Ben-To
Touka Gettan (Also not really a parody, but another great example of how to spice up the harem genre)
Aquarion Evol

Posted on 12 December 2013 with categories: Samurai Flamenco

My reaction to this episode: okay, they are starting to stretch that annoying manager who keeps calling. I’ve seen enough anime to know where this is going: he keeps bothering her and she suddenly develops feelings for him and they become a couple and HOLY CRAP WHAT HAVE THEY DONE TO HIM!

This really is a deconstruction of the Superhero genre, or should I say Supervillain-genre, because the premise of this series is: what if earth was attacked by stereotypical supervillains”? They just identify the most visible superhero at the time to be their main adversary. But the way in which this series does its things is particularly clever, and really plays with your expectations.

The generic goons were used quite interestingly. This series acknowledges that these monsters are just a dime a dozen, and that they’re easily beaten, luring us into a false sense of security that everything will be easy. And even the random monsters that explode have a tail left behind, in the form of the dust that their explosion covered.

And then it comes with these huge mood-whiplashes that are actually really effective. The question is whether this show will keep that up for the entirety of the airtime. Shock value needs to be balanced and can only get you so far.
Rating: 6/8 (Excellent)

CHANGE USERNAME
SuperWooper
EPIC post, anon!
Anonymous1825128
Of course, as ardent fans of anime, the writers of this site would not deign to agree or even entertain the idea that their passion is no longer the same artisanal endeavor it once was.
AidanAK47
@Anon, Oh. Actually surprised I forgot about that. Yeah, when it comes to something being described as edgy I think Goblin Slayer fits that definition perfectly.
AidanAK47
@Lenlo, You can still throw down your take if you want.
Anonymous1824209
AidanAK47 - Or the women shields.
Lenlo
You know, sometimes I dont regret forgetting about this chatbox. Missing the "anime is dying" conversation? One of those times
AidanAK47
Oh, Goblin Slayer is getting an anime adaption. I was rather lukewarm on it but I wonder how the anime is going to handle the rather unsavoury aspects. Like the rape. Lots and lots of rape.
AidanAK47
I remember the last guy said he would make a chart and I thought it was a brillent idea as at least something useful could come out of this old dead horse. Then his chart turned out to be a useless jpeg with series thrown to the left or right.
AidanAK47
It does stir up conversation but it's really just the same conversation repeated. I remember stating the exact same points Nayrael and Bokusen are saying around a year ago when this last came up.
AidanAK47
@Anon, Indeed Ratings are subjective but it would at least be a general mainstream consensus of the quality of anime over the years. Not final but at least it's better evidence than one persons general assumption. And other factors are impossible to quaitify.
Nayrael
A good parody of the "Anime back then and now - what happened? meme (if the links are not blocked here): https://i.imgur.com/JZqxz6f.jpg
Nayrael
Not to mention that back in the olden days you didn't see every Anime that aired. Official translators and fansubbers selected the best stuff, which resulted in you seeing the best shows and never even knowing about the shit-tier shows.
Bokusen
I think that people who say "anime is dying" are just getting too nostalgic. It's easy to remember the hit series from earlier seasons. It's less easy to remember all the forgettable generic series that you dropped after 1 episode, and so anime tends to "seem better" back then because of people's tendency towards selective memory.
Anonymous1820731
Why are there more bad anime? Because there are more anime being made. That means the good ones are buried under the lots of bad ones. But saying "anime is dying" from that is like saying "music is dead because I don't like Britney Spears." Why does this conversation always come up, its obvious conversation bait.
Anonymous1820589
@Aidan: You are the first to obsess over the fact that reviews are subjective. And since they're subjective, looking at anime 'ratings' over time does nothing to gauge the measure of effort and artistic talent that goes into making anime.
Kaiser-Eoghan
Which I got my answer by the way.
SuperWooper
>average review scores
What do those have to do with whether anime is "dying" or not? You'd need to look at the money.
Kaiser-Eoghan
Want to add that I agree with both you and Aidan, only brought up those two topics back there because I wanted to know what shows now will be popular in the future.
SuperMario
I'm on the side of Aidan regarding to this. For me it's not neccessary means the anime industry has become "better" or "worse", it's just that it takes new shape and trends and based on the number of anime produced, the industry isn't going down soon
AidanAK47
Am I really going to draft up a chart gathering average review scores of the past 25 years just t shut up this talk of anime dying?
But even if I did that won't toss aside this nonsense.
Kaiser-Eoghan
I know this is complete guesswork.
AidanAK47
Plus the industry is dying? Bloody hell, we got major companies FUNDING anime. Streaming services and more anime coming out that ever before. You can argue that this new anime is weaker but honestly it's just misguided. It takes time but great shows are still coming out. Just like back then.
Kaiser-Eoghan
Well thats kind of what I meant, what, when passage of time comes into it are going to end up being classic based on that, speculatively speaking.
Kaiser-Eoghan
Thats probably a much better way of phrasing it, inheriting mantles. I'm going to say that promised neverland is presently along with Titan a BIG modern shounen.
AidanAK47
Anyway my point is that the shows of the past, the so called classics, are just as flawed as the shows of today. It is only through the passage of time that they become classics. When Stein;Gate finished airing, I seen no one call it a classic. Same goes for Madoka and Fate/Zero. Now, you have people putting up the pedestals.
AidanAK47
Though if anything has inherited the Shounen mantle, it's likely Boku no hero.
AidanAK47
There is no big three Shounen and that's honestly for the best. Because in generally the declining aspect of Naruto and Bleach was mainly due to the pressure on the mangaka to put out chapters on a weekly basis. In fact it's pretty much the primary factor in Bleachs decline.
AidanAK47
Bebop is great but even it is hit and miss by nature. Doubt many remember much about the casino episode and the Alien spoof episode is likely not anyone's favorite. Eva is massively flawed but no one wants to admit it due to the massive amount of praise it receives and influence it has on the industry.
Kaiser-Eoghan
But what is the new big three shounen?
AidanAK47
If we go further back to DBZ, that has tons of issues with filler, dragging out episodes, animation shortcuts, and even complaints of it doing the same thing over and over again with it's story. No to mention the underutilised cast and the everlasting act up putting Goku on a greater pedestal.
AidanAK47
But let us dissect this viewpoint of yours. You claim the Shouen-jump canon as a great, guessing that refers to the shounen big three. But aside from One piece, the other two are emmensily flawed. Naruto is 50% filler and Bleach drops seriously in quality after soul society.
AidanAK47
Also Fate series is trash? That definitely seems aimed at me. What first series are you referring to? Fate/Zero, Fate/Stay Night 2006? Fate/UTW? The same thing over and over again? Sure each series has a holy grail war, but none of them every turned out the same. I am more than willing to admit that the spinoff series outside of the main canon are lesser. Calling them trash however is hyperbole.
AidanAK47
@Anon, Not this crap again. The old "Anime isn't as good as it used to be", how many times have I heard that over the years, and each and every time it proves more untrue.
Kaiser-Eoghan
One point I'm trying to get at is, I don't get throwing the word bad taste around when I know I was probably in the same position as that other fan years ago.
Kaiser-Eoghan
Another thing, for shows we talk up and obviously I've been just as guilty of this, how many of these am I going to be able to recite off by heart years down the line?
Kaiser-Eoghan
I don't like Madoka but thats a good example of a modern classic that'll keep in peoples minds, people still care.
Kaiser-Eoghan
*its a
Kaiser-Eoghan
@Anon: The reason I want to see a new show become a modern classic is because I'm tired of this "fleeting masterpiece" way of thinking, where I a show is super popular during the season and gets talked up as if it'll stick in the mind years on, then weeks later it disappears from memory.
Anonymous1819907
And anime watchers tend to be attracted to series that are just plain boring. The Fate franchise is case and point. The same thing over and over again. It really is a disgrace, to be honest--in my opinion. The first series was great, and I look forward to the movie. But everything in between is trash. But they still get the views, since people are sheep.
Anonymous1819907
The shonen-jump canon, shows like bebop and eva were huge in their time. The industry is just not the same--it's really dying. There isn't the same desire to blow shows up like there used to be. Shonen jump is still at it, but those shows are rarely worth watching, even if they're popular
Anonymous1819907
its a good anime, but it doesn't have the same staying power since it was not an entire industry
Kaiser-Eoghan
Sorry for the long post, I want to get people talking again here.
Kaiser-Eoghan
I would love for this to happen with, say, made in Abyss, that becoming a show that we remember decades from now and still talk about.
Kaiser-Eoghan
Something else I want to bring up, what shows do you all REALLY believe will still be talked about in the future . Bebop and Eva still come up regularly to this day, what new shows do you think will become big classics.
Kaiser-Eoghan
To base taste on things you watched ages ago doesn't really work.
Kaiser-Eoghan
I bring that up because I remember a comment somewhere I read that said, the people who trashed guilty crown, forget geass was 10 years ago and if guilty crown had came out back then instead of geass they would have embraced it instead at the time.
Kaiser-Eoghan
On the bad taste thing, I could easily say Mahouka or sword art are terrible, but back when I watched and loved code geass people where probably bashing it as overhyped shit in the same way people like to do with sword art/mahouka now.
Kaiser-Eoghan
I sure years ago I would have been all over violet evergarden.
Kaiser-Eoghan
For example most anime/manga melodrama has lost its effect on me, I hate Clannad and Kanon now and I won't watch the new code geass season because I want to crop it and death note both up to a teenage error and mistake.
Kaiser-Eoghan
And in some cases it only takes five or so years.
Kaiser-Eoghan
If not that, it’s the show no one gave a shit about that you loved or it’s a recent gem.
Kaiser-Eoghan
And it hit me, the stuff you often end up loving, becoming a measure of your true taste, in my case at least are the re-discoveries, the show you HATED or didn’t get the first time round, maybe you watched it again soon after or years later, but then it does something for you that tops anything you watched in your early days.
Kaiser-Eoghan
Then I remember theres a huge amount of big shounens I never cared for and popular writers that I never liked or if I did found somewhat overated.
Kaiser-Eoghan
Given that I’m in my thirties and have been watching anime, reading manga since I was 11, that’s led to a very very large re-watch list, something things I will NEVER get the time to go back to re-assess , for all I know they could actually be terrible series. Then there’s when I DO go back on shows and let’s face it most DON’T hold up (of course its good when they do hold up).
Kaiser-Eoghan
This has been on my back/mind for a bit now, to where I’m actually somewhat confused by this “tastes” thing in relation to myself.
AidanAK47
@Anon, Out of nowhere comment don't you think? Besides it ain't that I have perfect taste. It's just that my taste is the only one that matters.
Anonymous1819624
@Aidan you don't need to keep pretending you have perfect taste in anime. we are all aware your taste is often questionable, as all of ours are at times.
Kaiser-Eoghan
Its kind of a pity because there were moments where I saw potential in it and thought maybe this would be some kind of exception.
Kaiser-Eoghan
But to more calmly review this, I do think its possible to present topics like this, though in a more accessible way, I think even someone more versed in this would be bothered by this presentation, in addition to this manga never flowing properly, the dialogue just feels it was ripped directly from an article or book.
Kaiser-Eoghan
I suppose in all fairness, its right to say I never studied any of these subjects in much detail that it brings up and never did anything sciencey for more than two years at school so I was probably doomed from the start.
Kaiser-Eoghan
I know the expected response to what I said there is "why do you read/continue to read things you know you won't like" but if I don't come out of my comfort zone theres no chance of me being surprised.
AidanAK47
Hehe..well Kaiser, I don't remember saying it was good. I just said it was an insane ride. I found its concept interesting but the presentation was just terrible.
Kaiser-Eoghan
Sorry for ranting but this makes my blood absolutely seethe and boil.
Kaiser-Eoghan
I got to the last two chapters and just stopped caring, the info dumping, the multiple lives thing, especially the my own father/mother thing and magical girl part....fuck...
Kaiser-Eoghan
And yes I'm talking about Qualia....this...was....abject...punishing headwrecking agony to read.
Kaiser-Eoghan
Okay fuck it, just fuck it, I refuse, absolutely refuse to touch anything involving many worlds interpretation, time travel, shared memory,multiple runthroughs/loops ever again under any any circumstances, this is the worst form of storytelling I can possibly sit through from my perspective , I cannot finish this its impossible.
Kaiser-Eoghan
I've given away/sold/thrown out anime/manga before, including figures and posters while keeping others , can't remember off hand, but it was to free space.
Kaiser-Eoghan
@Mario: Together we make....tiger and dragon....Toradora =O
Kaiser-Eoghan
@Mario: To be clearer, any interesting series/films they threw out?
Kaiser-Eoghan
@Mario: Anything else interesting they threw out?
Kaiser-Eoghan
@Mario: I'm year of the tiger, Aidan is year of the dragon.
SuperMario
And today is the Lunar New Year, happy new year guys! It's a year of the Dog so for those who is born in the year of the Dog... my condolenses since it is supposed to be your bad luck year
SuperMario
I think they move away so they just throw all their dvds there. There were other live action movies and series in there
Kaiser-Eoghan
@Mario: Strange that if he truly didn't want it that he never decided to just sell it.
SuperMario
@Aidan: I tested it and all of the DVDs are playable. The package includes the whole show and the movie. Not a scratch either
Kaiser-Eoghan
pppftt, not leaving it in the trash and instead going out and getting the blurays instead =P
Lenlo
Ha, shouldnt be surprised you read it to
AidanAK47
Everytime I read a newly translated Re:Zero chapter I just hunger for a new anime season. The latest chapter would be fantastic animated
AidanAK47
@Mario, Maybe the discs got scratched and the don't work anymore? Otherwise this is blasphemy if the highest degree.
SuperMario
Don't know how should I feel about that :))
SuperMario
Can you believe it? Someone in my apartment just threw away the Cowboy Bebop boxset. Normally I don't pick up someone's trash but it's a crime NOT TO in this case. %$^&&
Kaiser-Eoghan
I will hearby read Murasakiro Qualia!
Kaiser-Eoghan
@Mario: Very good voice casting decision with hourou musuko, the voice actor for the protaganist was an actual 14 year old and sounds kind of androgynous anyway.
SuperMario
@Kaiser: it comes as no surprise for me if the mangaka of Housou Musuko is a lesbian, since the show has a honest feeling if someone who actually experience those issues
Kaiser-Eoghan
So that probably came after or something.
Kaiser-Eoghan
None of those episodes 30 involved this ant-arc Aidan mentioned as I recall.
Bokusen
0_o What the heck...It must take a long while to get good then.
Kaiser-Eoghan
All I was told by a hunter x hunter fan on here was after I said I'd watched 30 episodes was "I wonder if the next arc will change your mind"
Bokusen
Does Hunter x Hunter really take 40 eps to get good? I've been thinking of watching it since I really liked YYH & it's the same mangaka. I got hooked on YYH by episode 7, but if HxH takes 40 eps to hook me I might get tired of it before then.
Kaiser-Eoghan
And in some cases it can represent an temporary escape from the self.
Kaiser-Eoghan
As an odd, maybe interesting relevant point, in some cases, well I think most a non-mtf , both a physical and psychological male, if they wear female clothing, the body reacts as if its like contact with a woman.
Kaiser-Eoghan
@Anon: Or for a very old manga on that theme: http://mangakakalot.com/chapter/claudine/chapter_0
Kaiser-Eoghan
The anime worked suprisingly well despite the decision to start in the middle.
Kaiser-Eoghan
As much as I absoslutely love hourou musuko I do need to raise some flaws with the manga, the ending is rushed and underveloped and it is true the characters are too precocious.
Anonymous1811397
Is very slow, and I did reach a point of feeling nothing was happening. I did like the anime pacing things faster. Also like with the anime Aoi Hana it did have a poignant line. In Aoi Hana was the response to the tomboy that wanted to reengage with the MC, and in Hourou Musuko was coming out with his girlfriend.
Anonymous1811397
@SuperMario - Yep, it's maybe the most innocent yet mature take on transgender themes I've seen on a manga. I like it also tackles both genders, since we see women can wear more masculine clothing and be fine with it, but a man doing it is still weird, and unfitting. Also I think it's also the first time I've seen someone going to a catholic church to pray in a japanese setting. However, the manga
Kaiser-Eoghan
Although I was reading Qualia as it was being translated then fell behind, something that needs to be read in one go probably.
Kaiser-Eoghan
*musuko
Kaiser-Eoghan
@Mario: I believe the author of hourou mysuko is a lesbian.
Kaiser-Eoghan
@Aidan: I believe that was discussed on here some years back between myself, you and wicked and how the manga could alienate readers with the sciencey dialogue.
AidanAK47
So I read a manga called Murasakiiro no Qualia. And boy, that was one insane ride.
SuperMario
it addresses such a touchy theme with so much grace
SuperMario
boy, just one episode into Housou Musuko and I already fall head over heels for it. Only one issue is the character designs are kinda similar, which took me quite a bit to follow the cast
SuperWooper
Hey, anon. ;)
Kaiser-Eoghan
I feel there's too much pressure on people to watch the "YOU HAVE TO WATCH" because its popular anime.
Kaiser-Eoghan
Just comparing level Es art to hunter x hunter shows how he isn't playing at his A-game with Hunters artwork.
SuperMario
I hated John Wick 2. The plot is just an excuse for too much dull action
SuperMario
Holy cow
SuperMario
If I follow Hunter x hunter one episode a day quota for everyday, I'll finish it in... 5 months
AidanAK47
Oh found Fate/Strange Fake Translated. Got my reading materail for the week.
AidanAK47
His drawing can get rather lazy as well. The chimera ant arc manga artwork really looks like he isn't even trying.
Kaiser-Eoghan
Apparently the hunter x hunter writer takes alot of breaks/hiatus' from working on the manga. You'd be waiting a while after catching up.
AidanAK47
Like it was building for a greater confrontation but the author got bored and decided to cut the arc short.
AidanAK47
@Anon, It may take a bigger investment than that for it to truly grab you. Truth be told I don't hold the series as highly as others do. I just found it fine while I thought the chimera ant arc was the best the show had to offer but was still a bit disappointing. Honestly every arc basically felt like it ended anticlimactically.
Kaiser-Eoghan
Teppu and shamo should be adapted .
Kaiser-Eoghan
So you're telling me that when that cgi city fell to ruin we see NO-ONE die? lol
Kaiser-Eoghan
The problem with PG 13 action is the lack of consequence.
Kaiser-Eoghan
@Anon: I actually preferred it, expanded somewhat on the first, better action when it happens and looked more polished.
Anonymous1808795
is john wick2 as good as the 1st one ?
Kaiser-Eoghan
I'd be well well up for a non-supernatural martial arts manga/anime.
Kaiser-Eoghan
I'll never understand people going apeshit over superhero action films when John wick 2 and Hardboiled and the killer exist.
Kaiser-Eoghan
A physical fight feels more raw and exciting to me rather than magic .
Kaiser-Eoghan
I think I'm far far too into Kung-fu/heroic bloodshed/wuxia/politizitesschi/spaghetti westerns to get anything out of superpower action stuff for the most part.
Anonymous1808795
but its so highly rated everywhere, probably gonna try to watch a coulple more eps
Anonymous1808795
2011 version
Kaiser-Eoghan
I remember a heart being ripped out in an earlier chapter if I recall correctly.
AidanAK47
@Anon, 2011 or 1999 version?
Your mileage may vary. Hunter X Hunter is rather standard Shounen up until the Phantom trope arc. But even then it's still Shounen with some small interesting twists.
Kaiser-Eoghan
But I just stopped, even when I was younger I found shounen jump stuff impossible to connect with.
Kaiser-Eoghan
I've been told I need to watch at least 40 episodes, I got through thirty, I liked Hisoka at least and it kind of feels seinen-y with the violence I guess?
Anonymous1808795
is hunter x hunter worth it ? im 5 episodes in and it feels like generic shounen stuff
AidanAK47
Candy and Cigarettes, great opening chapter. Please don't start to suck.
Anonymous1803500
Yuri on ice made it to the olympics lol. Definitely needs a second season now
Kaiser-Eoghan
I do think you've put alot on your plate with this but good luck with it all.
Kaiser-Eoghan
The reason I go into detail with that long post Mario, is that I want to prepare you before you start watching and also so you know whats worth watching or not.
Lenlo
Pfft, have fun Mario with all 146 episodes of HunterxHunter for your retrospective
KTravlos
I really do like the development of Mahoutsukai no Yome
Anonymous1802232
Im so glad this back on
SuperMario
@Kaiser: Tiger & Bunny is indeed getting second season. I'm currently burning through shows from Qualifying List so you'll hear my thoughts on some of those shows you just mentioned soon.
Kaiser-Eoghan
Need to get used to posting these long messages in the comments section instead.
Kaiser-Eoghan
I was surprised with how the supernatural anime adaptation was able to make the stories flow despite halving the tv dramas episode runtimes.
Kaiser-Eoghan
I will watch kaiji SOMEDAY.
Kaiser-Eoghan
I always thought there'd be a second tiger and bunny season but it never materialized, which was diasspointing.
Kaiser-Eoghan
Wandering son really jived with me and I thought it was a respectful take on its topic rather than most shows playing that for a laugh.
Kaiser-Eoghan
Ano hana for the larger part hits its emotional notes and is well animated but I thought some characters could have gotten more development and the drama in the last episode veered on silly levels looking back in its execution.
Kaiser-Eoghan
I've never seen C or showa, Kamisama or phi brain.
Kaiser-Eoghan
I feel ao no exorcist took a more drama approach at points which suited me better, Aidan saw the movie and thought it was crap though and swore off films based on long running shounens.
Kaiser-Eoghan
I can't remembrt anything about penguindrum, Zombie and IS only work as guilty pleasures.
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Featured Posts

After the Rain – 06 [Fine Rain]

This week is another light week in terms of central romance development between our leads, as the first half spends its time to Haruka, Tachibana’s childhood friend. Thank God, even with this segment that feels more like a side story, Ameagari still continues to hold up very well. Haruka always feels that she is left […]

Violet Evergarden – 06 [Somewhere, Under a Starry Sky]

This episode of Violet Evergarden, Violet learns the feeling of loneliness, AND I find myself largely indifferent to it. Not a bad episode by all mean but when the show makes same old beats and adds little thing to the table, it doesn’t leave much lasting impact. Let’s get to the positives first, I really […]

A Place Further than the Universe – 07 [The Ship That Sees the Universe]

“I boarded this ship to do catchy, witty, sensational reporting! I want to open the treasure chest of Antarctica that my mother wrote about with my own hands! Everyone, let’s go to Antarctica together!” Although Universe is a show about the girls heading off to freaking Antarctica, the last couple episodes make it clear that […]

Darling in the Franxx – 05[Your Thorn, My Badge]

Today on Darling in the Franxx, Hiro gets a STD. This was a surprisingly good episode as I found myself pretty engaged with the goings on of the plot. Now previous episodes of Franxx haven’t been all that bad besides the excessive sex symbolism but up until this point I would have deemed this show […]

Junji Ito Collection – 06[Window Next Door/Gentle Goodbye]

My friends, I lament to say my interest in this series has fallen to a degree that I really can’t seem to care all that much about it. It’s a shame that it should turn out this way but not entirely unexpected. Our first story has to do with a boy being tormented by his […]

Mahoutsukai no Yome – 18 [Forgive and Forget]

Hello everyone and welcome to another episode of Mahoutsukai. This week we some follow up story time, a return of older characters and what is hopefully the start of an actual story arc. Lets jump in! Overall, this week was adequate, or maybe slightly above.  They story was quaint, with some nice follow up, and […]

Fate/Extra Last Encore – 03[Golden Wild Hunt]

I actually wonder if a time will come when I have an actual idea of what exactly is going on in this series. But today marks Hakuno’s first true servant battle as he takes on Shinji and Francis Drake so that he can ascend to the next level. So to surmise what I can understand […]

After the Rain – 05 [The Scent of Rain]

It’s a bit of a slow episode this week, with the appearance of the show best character (Tsubu!), Tachibana becomes a pepping Tom, Kondou’s unexpected popularity amongst his staff and Tachibana plays a motherly role to Kondou’s son. Well, I said “slow” in regard to the romantic development between our two leads compare to last […]

Violet Evergarden – 05 [You Write Letters That Brings People Together?]

That’s more like it Violet Evergarden. With this episode I have the feeling the shows find its right footing. Violet Evergrden works best when it weaves the emotion of human relationship into its larger-than-life narrative. Everything feels grandeur and it’s the right kind of grandeur. Take this episode, we have the Princess and her Prince […]

Latest Reviews

Mary and the Witch’s Flower – 73/100 (Joint Review)

Wooper: Mary and the Witch’s Flower is the first feature film from Studio Ponoc, which spun off from Studio Ghibli in early 2015. Given Ghibli’s towering reputation, the bar was high for this inaugural flick, which recently made its way to U.S. theaters, giving Lenlo and I a chance to see it on the big […]

In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

Houseki no Kuni (Fall 2017) Review – 92/100

Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production […]

Fate/Apocrypha Anime Review – 64/100

I was quite excited for Apocrypha and in the so called year of Fate adaptations, it looked to be the crown jewel. Sadly, partly due to lacking adaption and the source lacking in areas, this anime turned out to be not quite the jewel I thought it would be. It’s hard to call this a […]

Kino’s Journey -The Beautiful World Anime Review – 73/100

One of the surprises of the year was to see the return of Kino’s Journey, a very well regarded and more unique anime among those deemed classic. Many, myself included, were very much looking forward to the return of Kino and her talking Motorrad. Though due to some factors this series doesn’t quite live up […]

Girls’ Last Tour (Fall 2017) Review – 86/100

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak […]

Two tales of War: Reviewing The Heroic Legend of Arslan and Altair: A Record of Battles

It would not be an exaggeration to say that my favorite type of anime is the political-military epic. This comes partly out of my profession, I study war and politics, but also my hobby, as military and political history is something I enjoy. When it comes to anime there is a clear sub-category that can […]

The Night is Short, Walk On Girl (2017) Movie Review – 92.5/100

“How many decades have passed since our drinking contest?” “It hasn’t been that long. It was only a few hours ago, this very night!” That gap in time perceiving plays a significant role in Night is Short. For you see, it all depends on how our perception of the surroundings and time itself can affect […]

Ballroom e Youkoso Review – 65/100

In the weeks leading up to the summer 2017 season, Ballroom e Youkoso was one of the most buzzed-about new series. Produced by the Production I.G. team responsible for the smash hit Haikyuu!!, and set to air on Amazon’s brand new Anime Strike service, the series had no shortage of promotion or hype behind it. […]