Posted on 31 December 2013 with categories: Yearly Summaries

And so, 2013 has nearly ended. It was an interesting year, in which a lot changed. The way I look at this blog has changed, and at the same time I have been making less posts. I just couldn’t keep up with 12 posts a week anymore, however I still have my passion for anime, especially the good ones.

Having said that though, 2013 is the worst year for anime since the past decade, and I’m afraid that I need to say this. The big problem lied in the amount of series that aired. Every season had its gems, however when you look beyond these gems, that’s where the problems lied: everything just looked the same, and there were lots of series that had potential, only to get bogged down by bad writing. This is the year I really realized that the way in which most anime are written is inherently flawed, with too few writers working on too many projects and people not really thinking about making anime whole conclusive stories that stay consistent. I’ve seen so many promising series this year that only ended up meh, when they could have been so much better, so it’s really a shame to see this.

As for the good stuff though, there thankfully were quite a few series that did catch my attention. Here are my highlights. Unfortunately Hajime no Ippo and White Album are not included because I’m really behind with them at this point.

Worst Series

Amnesia

There really were some stinkers this year that at first sight looked like they had potential. As much as I’d like to hand this award to Valvrave for pulling the rape-card from out of bloody nowhere, it had nothing on Amnesia. At first sight this looked to be an interesting mystery-series, however every single character save for one in the series was a total prick. The worst was the stalker one with the cage. I mean, did nobody on the production team stop to think “wait, this is completely stupid”?

Worst First Episode

Walkure Romanze

Oh god, there really was a lot of bad stuff this year, though most of the ones fell into the category of “so generic that they’re bad”. On top of that there also was the usual terrible incest, as well as the many, many shows that were simply thinly veiled fanservice. It was hard to just pick one that stood out, however I have to go with Wankure Romanze. It’s really here where the creators just gave up completely trying, treating their audience like a herd of lobotomised sheep. This episode really screamed “just whatever, I dunno. Have a horse that eats panties or something so we’ll at least get some viewership. I don’t care”.

Biggest disappointment

Yozakura Quartet – Hana no Uta

Despite being a big fan of the director and the OVA, I really don’t think that I’m going to be able to finish this series. Why? Because the story is just random fluff. Okay, I guess stuff happens aside from its horrible fourth episode and all, but when I really ask myself whether that’s interesting to watch for a full season… I have to answer no. Even though the animation is just completely fantastic… the rest just wasn’t.

Most Pleasant Surprise

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru

I was ready to immediately write this series off as the umpth light novel adaptation with a ridiculously long title and having it be nothing more than a glorified boob parade. And then the first episode aired, and it was actually the best thing that the creators could have done with such a horrible premise. The creators made this actually a really funny parody, and they kept it up for about seven episodes. I really did not expect that.

Funniest series

Yondemasuyo, Azazel-San

Oh, Azazel-san. You sure gave me quite some headaches this year. On one hand, you made me laugh harder than any other series this season, but on the other you had these completely tasteless episodes that tried way too hard to go for laughs with their shock value. Every episode we would hope that we’d strike gold, instead of literally poop. However, when you hit, you hit hard. The characters at their best are absolutely hysterical with their brand of sadistic humour and energy that very, very few series can match, and you had me nearly fall of my chair on multiple occasions.

Best Animation Studio

Production IG

This year, I was torn between Madhouse and Production IG. They really rose to high standards this year with many great series. The reason why I handed it to Production IG though, was because Madhouse has been too much into its own franchises: as amazing as Chihayafuru’s second season was, it was a sequel. Hajime no Ippo is great, however, it already has so many episodes. Hunter X Hunter too has been going on for ages: they played it way too safe. Production IG meanwhile went all out with Psycho Pass and Shingeki no Kyojin, they did something really bold with Kick Heart. Sure, they had their sequels, but they had a balance between old stuff and new stuff, which I didn’t notice that well in Madhouse’s case.

Most Promising Studio

Wit Studio

Every year I also hand out an award to a studio that’s either really new, or made a huge improvement over the past. With this year, it’s obvious that it would be Wit Studio, the subsidiary of Production IG. Next season they’re out on their own, and if Shingeki no Kyojin is any indication, then there is a lot of talent hiding amongst them, and I hope that they can follow Bee-Train’s example and become a good standalone studio in the future!

Best Action

Jojo’s Bizarre Adventure

It took the award last year, it also takes it this year. Jojo is just so wonderfully over the top and every episode was just loads of fun to watch. It really was everything that the shounen genre should be, and I can understand why it got so popular. However, it did have much more competition this year. Kill La Kill is a huge contender for next year’s award with the way that it’s going, and Shingeki no Kyojin also was really exciting to watch, from start to finish. I really had trouble with the award this year, as opposed to last year.

Best Horror

Aku no Hana

Pure psychological horror, but oh my god, this show was so effective in drawing me into its atmosphere. There was hardly any point at which I wasn’t at the edge of my seat, and that’s what I consider an amazing horror-series.

Best Background Art

Shingeki no Kyojin

This year, I want to give props to the incredible amount of polish that the creators put into the backgrounds of Attack on Titan. They really created a medieval-ish city and the amount of detail that went into it is astounding, and it looks consistently crisp. The creators obviously spent a lot of money on it, and it did pay off.

Best Animation

Yozakura Quartet – Hana no Uta

There were lots of really well animated series this season, a few too many, if you ask me personally, however Yozakura Quartet to me was the best, because of its focus on kinetic energy that was very visible in its movements. Its animation wasn’t just a bunch of money shots, the creators really cared about natural movements and interesting poses, they really wanted to create movement, and they did that better than any other series this season. It’s just a shame that the animation was the only thing noteworthy about this show.

Best-Looking Series

Kyousogiga

This award goes to the series that just looks incredibly good, regardless of animation. The artistic direction here is important, and Kyousogiga had that, and much, much more. For 10 episodes there were hardly any weak moments in the animation, and everything just looked gorgeous. Close seconds are Chihayafuru and From the New World, not to mention the trippy Jojo’s Bizarre Adventure and the gritty Aku no Hana (I don’t care: I loved how Aku no Hana looked, with its own unique and distinct style; so what if it wasn’t crisp).

Top 20 of 2013

#20: Teekyu

Wildcard: Teekyu is just something to sit behind, turn your brain off and enjoy the spectacle. Nothing special, but damn entertaining to see all of the things that the creators can throw to the screen in the span of only two minutes per episode.

#19: Yahari Ore no Seishun Love Comedy wa Machigatteiru

Light novel adaptations with really long titles had previously been notorious for being bad, lazy and incredibly contrived for fanservice. This year, there were two series that broke that trend. Noucome (resting at place 21 due to its rather bad ending), and Yahari Blahblah. This series starts off with the generic ingredients, but I don’t know. Along the way something happened that set itself apart from its contemporaries. The dialogue, it was actually cleverly written. It actually takes a deep look at its characters, and creates some thought-provoking drama out of that, rather than going with the usual cheese. The characters in this series all look like completely generic stereotypes, and yet they aren’t. This series could have tried even more though, and there are some stories that are a bit lacklustre compared to the others, placing this relatively low at this list.

#18: Yondemasuyo, Azazel-San

Yondemasuyo, Azazel-San’s sequel contained both the best, and the worst episodes of the season so far. The Moloch-episodes were obviously awesome, but a few other arcs were also comedic gold. And then there was the haemorrhoid arc. What on earth were the creators thinking? It’s a series with huge ups and downs, but its own brand of incredibly vile and sadistic comedy somehow worked for me.

#17: Kamisama no Inai Nichiyoubi

Kamisama no Inai Nichiyoubi is nothing really fancy, however it did create its own fascinating setting that it rolled with for thirteen episodes,. It did have a tendency to suddenly pull twists from out of absolutely nowhere, but it barely avoided those becoming Deus ex Machina, and it consistently asks questions about life and death with its strange portrayal of the undead. It could have been much more because the series just ends after a random arc has been resolved, however, the characters all made it very worth watching.

#16: Uchuu Kyoudai

Last year, I made the prediction that for 2013, this series again would have been a great contender for the number one spot, however, something happened along the way. The series remained a wonderful look at what it means to become an astronaut, it still was fascinating. The problem however, was the pacing. Things started to take forever to get going, and every episode on top of that started with like two minutes of recap. The creators were simply coasting on the manga to carry them through, and you couldn’t see the passion of the first fifty episodes any more. The creators made the mistake of going on for way too long, lessening the experience. It’s such a pity, because this series really stood out: it had characters in their thirties for once, and the synergy between them is just amazing. However you also need to learn to not overstay your welcome.

#15: Gatchaman Crowds

Anime is a great storytelling medium, but usually they really aren’t up to date with current events. Some shows nowadays still feature the Tokyo Tower as the highest building in Tokyo, for example. Gatchaman Crowds however, is about social media. It’s very clunky, but it portrays a setting in which saving the world is crowd-sourced: through the internet everyone contributes with stuff like saving the day and protecting the earth from aliens, and from that base setting it creates its storyline. The characters aren’t the most relatable, however they serve the purpose of exploring this setting. The pacing is ridiculously fast, but in the end they pulled it off with also quite a great ending to close off with.

#14: Samurai Flamenco

Samurai Flamenco, I’ll put you at number 14 for now. This can become much higher, or much lower next year. The series started off really well with a sortof realistic view on this idiot who wanted to play a superhero. And then episode seven happened, and it was awesome, but afterwards it just kept getting more and more ridiculous, to the point where we are now just watching a completely different series. It’s really a bizarre series and at this point it really could go anywhere. I do have to give props for having the balls to actually try what it did though.

#13: Silver Spoon

Silver Spoon: a meticulously planned out look at what farming life is. It has lovable characters, it’s fun to watch, but at the same time it also doesn’t shy away from the realities of farming: that animals are killed in the process, in order to make a living. It shows both sides of the picture, and never really leaves a moment or episode wasted, and it’s filled with interesting trivia. Not to mention that it made me hungry on a regular basis.

#12: Uchoten Kazoku

Uchoten Kazoku is a look at Japanese folklore,in a modern coat. It tells about tanuki and crows, and how they can transform into stuff, and it contains all sorts of obscure cultural references surrounding their legends. It really taught me quite a few new things through its airtime, and that’s always a plus. The best thing about this series is its dialogue: cleverly written and it manages to develop the characters in a unique and engaging way. It does lose a bit of steam near the end, but it remains witty and unpredictable.

#11: Kill La Kill

Kill La Kill’s storyline is nothing special, however it manages to present itself in such a way that it doesn’t become boring. Its formulaic, but never formulaic enough to get tedious, the characters are simple, but not one-dimensional enough to get boring. It’s all carefully planned out for the action to just keep you entertained from beginning to end. Hiroyuki Imaishi is a great director, and you can see Studio Trigger having a ton of fun making the most over the top action sequences that are all still very varied and interesting to watch. Not to mention that soundtrack. That really makes the series even more exciting.

#10: Hunter X Hunter

My stance on the series remains: I did not like sitting through a year and a half of material that I had already seen. I’m sorry, but that was really tedious, even though the Greed Island was much better than the Nippon Animation version. Finally though, the Chimera Ant arc stepped into new material. At this point I’m really behind, however even though the arc took incredibly long to build up, I just reached the point at which it really started to deliver. Finally I can appreciate this series for the very intelligent shounen series that it was meant to be, and it indeed blows generic stuff like Naruto and Bleach completely out of the water.

#9: Rozen Maiden

The third season of Rozen Maiden, but really: this new instalment is completely different from the previous two TV-series. It’s written perfectly over its airtime, starting off small and ending big. The first half really mostly just takes place in one room, with most of the characters absent, being dedicated to some really personal character-development for the ones who did get the focus. It pushed all of its characters to a different direction, and definitely was a worthy addition to the Rozen Maiden franchise.

#8: Zetsuen no Tempest

Tempest’s second half perhaps was a bit less sharp than its first half, but it still was just complete gold in terms of its script, and how it played with its storyline to throw all kinds of logic-based holes and loops. This really was a great example of a world-shattering conflict being solved by logic, with force playing just the role of assistant. The characters also got through their own share of development that this series also cleverly made use of and all of that resulted into an incredibly fun watch. The biggest reason why this one ended up slightly behind the others is its slightly lackluster ending.

#7: Shingeki no Kyojin

All series from #8 are incredibly close to each other. They all were amazing to watch. The reason why Shingeki no Kyojin lost out was because of its inconclusive ending: no resolution whatsoever, leading to one heck of a cliff-hanger. Up to that point we got to witness an amazingly tense action-series that really managed to convince that yes, humanity is completely screwed. This series is incredibly good at putting humanity at the brink of destruction, and keeping the stakes just inches away from everything going to hell. This is fantastic for its atmosphere, and on top of that, it was easily the series with the best production values of the entire year: everything looked incredibly polished, and where these series usually skimp on the substance, this series had plenty of it. This is an action-series with brains.

#6: Psycho Pass

Psycho Pass, intelligent science fiction from Urobuchi Gen, and the second half really delivered, whereas the series that aired alongside it, Robotics;Notes, pretty much crashed and burned. What managed to keep it afloat was that it always knew where it was going, and it kept asking poignant questions about its setting and it actually continued to push its storyline forward in creative ways. The characters came to their rights, the animation was still solid, and everything concluded really well, so I was really pleased with this series.

#5: Jojo’s Bizarre Adventure

This series became something really amazing, putting most other shounen completely to shame with how much manly action the creators managed to put on the screen. It’s definitely not for everyone, and the excessive use of colours will disturb some, however I loved just how over the top this show got. There were so many moments that were just pure gold, and the creators really knew how to capture the essence of the manga, which delivered its action with completely ridiculous poses and massive amounts of manliness, while still keeping a straight face. The training arcs were really kept to a minimum, and the fights themselves all tried to be as creative as possible, both by making great use of the environment every fight was in, and some very creative powers. This really was my weekly fix of adrenaline, done incredibly well.

#4: Chihayafuru

After Shingeki no Kyojin, the second most polished series of the year. A show about Karuta, every single match looked crisp. Every single swipe made impact. The creators still managed to keep this up for in total 52 episodes. The most amazing thing about this series however, was its character development. Most series just pick one character to develop per episode. Oh no, not this series.. Every single episode developed as many characters as it possibly could a little. This means that hard-hitting development could really come out of absolutely nowhere. It’s only a shame that we still haven’t reached the ending, and we need to wait for a potential third season for everything to be resolved. And it already was a miracle that we got a second season.

#3: Aku no Hana

Aku no Hana is unlike any other anime ever made. The animation is completely rotoscoped, leading to continuous movements, that all are jerky, and amazing characters that say “screw it!” to every single convention. The pacing is incredibly slow, but it’s deliberately so: it’s entirely made to draw its audience into its atmosphere, and some of the best moments of the series are actually when little happens and you only can watch the eerie moments happening. It’s an amazing look at the darker sides of being a teenager, and the creators did an absolutely fantastic job of capturing the paranoia inside the main character. But yeah, they did choose to do it in a style that will turn off plenty of people. But that makes it even better: a series actually had the balls to be completely different in every single way from all other anime. That deserves to be commended.

#2: Kyousogiga

Kyousogiga is just a series that did everything right for me. It’s a whimsical story, inside its complete own world with its own set of rules, heavily infused in Buddhist and Shinto themes, and it got itself some consistently incredible animation with hardly any weak points. There is always something interesting going on on the screen and the characters are more expressive than any other series this year. Its storytelling is meant to be vague: you can see lots of unsaid stuff inbetween the lines and every single episode is different. It’s incredibly fun for all ages, and the conflict and resolution are finally something different than what we’re used to, due to the lack of villains. It’s one of those series in which all of its different parts come together wonderfully in every single episode: the animation, the music, the story, the characters, the themes. Everything fits perfectly.

#1: From the New World

For 2013, it was really difficult to choose my number one pick. Numbers 1, 2 and 3 were all incredible series that I enjoyed immensely, despite the lacklustre nature of the rest of the year. The reason Shin Sekai Yori, or From the New World, is my number one pick though, is because it had one of the best endings I have ever seen. I’m not sure if it’s in my top 5 favorite endings, but definitely my in my top 10. The series already was really good, with how it portrayed its characters its incredibly mature style of storytelling, and how it just did not shy away from anything (there really was some shocking material here that nearly broke my heart). It was incredibly intelligent in how it presented itself, even though some of its characters were quite naïve, and it used its animation brilliantly to create a consistently creepy atmosphere. It’s hard to watch because it’s completely different from traditional animation, and the camera often made things difficult to make out, but to people whose alley it was up at, it rewarded with an incredible finale. 2013 may have been the worst year in terms of anime in more than a decade, however these series still showed me that there are some very passionate, inspired and special people working in the industry. And ehre is to hoping that they will show more of themselves in 2014 and the years to come. I wish all of you a very happy new year, and I’ll see you in 2014.

Posted on 30 December 2013 with categories: Anime Reviews

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there.

The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature of this little short: how it was crowd-funded and they actually got Masaaki Yuasa to direct it, Mamoru Oshii served as the consultant to make it happen, and They got a lot of talented animators involved. Because of this I love it. The creative team here attempted something really ambitious, and they actually succeeded in it.

Because of that, it’s also not surprising that Masaaki Yuasa got full creative control over the animation, and this probably is his most personal work since Mind Game. Especially with Yojou-han Shinwa Taikei you could see that it wasn’t just his work, albeit it still was really well executed, Kaiba was probably also forced into at least a normal storyline (for very good reasons by the way, because it turned out amazing), and even Kemonozume looked like some compromises had to be made. Here, the only compromise was the short length of only 12 minutes. He could really goof off as much as he wanted here, and the result is incredibly trippy. The animation is utterly gorgeous because of it.

This short made me learn a lot about Yuasa’s style, and I’m even more amazed at how well he works together with other people. This guy, when he is on his own, he can create completely unique stuff like Mind Game, but when he’s more under control he actually manages to get the best out of everyone, leading to the masterpieces that were Kaiba and Yojou-han Shinwa Taikei. He really is one of the most talented directors out there.

Kick Heart was incredibly silly, so don’t expect the same emotional intensity of is other works, but still his talents really show here and it was a great watch, and it serves as an example of how to do anime right.

Posted on with categories: Anime Reviews, Kyousogiga


Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love getting worked up a bit about what if the show did get everything right. That’s why there is no one “best series” out there.

A show that I really didn’t have anything to say against, that really seemed to cater exactly to someone with my tastes, is Kyousogiga. Seriously, to me, that show was perfect and it hit every right note.

This series is really well made: the animation is consistently good, with very few moments of weaknesses. The series looks really good, but that can be said for a lot of series this season. What the animators also did however, was that they made the faces of the characters incredibly expressive, more than any other show that aired alongside it. The variety is great, and the camera always knows how to capture them in the most genuine ways. The way in which they’re able to keep this up for more than 10 episodes shows that this was a series made with a lot of passion.

This is a series that’s deeply rooted in Buddhist themes: not only are there many monks in the series, but also many characters from Buddhist folklore make cameos, the whole world this is based on has many winks here and there to the religion (although Shinto also has its noticeable roots here), combined with plenty of ideas of its own. This all combined leads to a very detailed and imaginative setting that is perfect for a short and whimsical series that can be enjoyed by all ages.

One complaint I’ve hear a lot is that the big conflict of the series isn’t really that big, but that’s something I actually liked a lot. To be vague for the sake of spoilers, Kyousogiga is about the inner turmoil of a family of characters with world-changing powers. The latter may seem serious, but the end resolution is much less dramatic than what you might expect. And I loved that! It’s got plenty of conflict, but for once it isn’t all gloomy. There is really no villain whatsoever, nor anyone who even remotely looks like the stereotypical evil villain who is out there to destroy the world for some superficial reason, even though this might appear to be the case at times. The entire series however is focused on the characters: them coming to terms with their identities and the ones around them. It’s one of the few series that in the end, manages to be epic while keeping the focus on the characters and their issues, without taking any cheap writing-tricks to simplify things near the end. It’s got plenty of touching moment, its just not as grand as what it was made out to be.

I was a long-time fan of this series, so obviously I’m biased. The creators actually managed to incorporate the OVAs into the series and integrated them seamlessly, so you do not need to watch anything before starting the TV-series, aside from episode 05 of the second OVA, and even that isn’t really necessary. This series makes use of vague storytelling: not everything is told or stated explicitly, but you’re also expected to think a bit for yourself and piece things together, and it does that in an intelligent way, rather than what you usually see where the creators obviously ran out of time (this series is also perfectly paced, not too slow nor too fast).

If you want to know whether this series is for you or not, ask yourself the question of what you want to watch. If the answer comes close to a series which excels at bringing animation, music, story, characters, setting, and all together flawlessly, then by all means give this a chance. If you’re looking for complexity or grandeur, or something mundane though, then there are better choices.
One-Sentence Review: Lots of love and passion
Suggestions:
Mahou Shoujotai
Strange Dawn
Ooedo Rocket

Posted on 28 December 2013 with categories: Kyousogiga

Holy crap, they actually did it. They actually finished this off perfectly! I was really afraid of this episode: I have seen so many wonderful series skimp out on the ending. And yet, with this episode, the creators managed to avoid every single pitfall that hits so many different series, leaving behind a wonderful ending.

– Focusing too much on flashy action? Nope, there was enough substance.
– Leaving behind an ending that’s too open? Nope, everything was answered adequately unless you really start nit-picking.
– Pulling silly Deus ex Machina to get out of the corners the writers got themselves into? Nope, everything just makes sense in the deliberately vague rules that this show created for itself.
– Just closing off with a straightforward and boring ending? Oh hell no, this episode pulled many surprises.
– Forgetting to push forward the characters even more? That too was averted, because so many characters got even more depth than what they already had.
– Running out of budget? This episode looked just gorgeous. After ten episodes I still could not see any cut corners.
– Being too fast? Nope, everything fit perfectly and it was still able to do everything, and things didn’t feel crammed.
– Being formulaic and predictable? Absolutely not. This really was the ending to Kyousogiga, not copied from another series or story.

I mean, this ending really was amazing. They did everything right here. I know I have been very quiet. Part of the problem is a change in my personal life, but another part is that I have felt really disappointed with the past Fall Season. It looked so promising, and yet nearly every series turned so generic or rushed, and nearly always it had to do with lazy writing. The one exception was Kyousogiga. Everything else this season just paled in comparison. Thank you Toei, for greenlighting this and making this possible.

Posted on 21 December 2013 with categories: Samurai Flamenco

I think my brains just exploded…

I knew that this series would spiral out of control. Just not in this way. In one episode, the creators YET AGAIN completely changed the genre of the entire series, along with the feel, mood, themes and everything. At this point the only similarity between episode 1 and 11 is the way in which Samurai Flamenco appears in it. Even the mood-swings of Guilty Crown and Code Geass weren’t this big!

Seriously, from out of nowhere Jouji Kaname reveals that he has been preparing to fight the invasion by aliens for over a decade and to do that he created unbeknownst to anyone an incredibly stereotypical power rangers base, complete with power rangers, basically revealing that the first seven episodes were pretty much one really big lie and that they weren’t set in modern-day Tokyo in the slightest. What follows is a really weird discussion on who should be the leader, followed by a staged death scene, and a freaking giant robot! I mean, is this really real?

I have to say: this show is unique. It’s currently trying to do something that no other show has. Whether it’ll work is an entirely different matter though, and I do believe that it’s too early for that, so for now I’ll withhold judgement on the big picture. However, I will say this: I hated Code Geass and Guilty Crown because it really felt like it they were written as the creators went along. Especially in Guilty Crown’s case. In Samurai Flamenco though, this isn’t the case. It’s got a lot of Deus ex Machina, however the creators very clearly had the intention right from the beginning to escalate things into the ridiculous proportions that we saw in this episode. It’s episode 11, and only now we’ve been introduced to everyone on the promo art. Sure, it could have been less sloppy, but right from the start it wanted to transition from the ordinary to the absurd.

Now let me stress Robotics;Notes here. A series that wasn’t as extreme as this one, but still is one that this series needs to learn from: you can have a really good build-up, but that isn’t worth anything if the second half is crap, like what happened with that series. Writers, you need to stay and don’t you dare to just get lazy next year.

Also, it’s nearly the end of the year. 2-cour Noitamina-series always have a few weeks of hiatus. I assume that the next episode will air in a few weeks, though no concrete date seems to be known yet.

Posted on 18 December 2013 with categories: Kyousogiga

The big strength of Kyousogiga has always been its characterization, and with a lot of series that have that, they make the mistake to just not focus on that for their finale. I mean, finales need to escalate. Most shows do that by turning on the epic-button. Kyousogiga did that as well, but it still kept its focus at the characters. Mostly thanks to how all of the characters with powers to actually destroy dimensions are intertwined together.

Because of this the animators could really bring an action-packed finale, while at the same time the focus remained on Koto. Revealing that she was the whole reason everything started due to how incredibly weird her family is really helped with that. She still has her flaws, she’s not just blindly running around as well. Plus, the chemistry between the characters was still awesome. I especially loved that punch near the end of the episode.

Two episodes left, so let’s see whether the creators can keep this up until the ending. I’m especially curious for the actual finale, because there have been plenty of good series that somehow had uninspired ending. This series is the perfect opportunity to to do something differnt though. Lots of thought has already been put into these episodes, so I really hope that the creators also have something really inspired in store for the actual climax.

Posted on 14 December 2013 with categories: Kill La Kill

So finally, we’ve got the first big hint at what the second half of this series will be about. In this case, it’s in the form of a bunch of characters who just showed up from out of nowhere. Okay, that can work. It’s typical that everything about them screams fashion, and this indeed is a show in which clothing plays a very important symbolical role. The way in which that girl claied to just be Ryuko’s father’s killer is probably some sort of lie (otherwise I have no idea how they’re going to explain the killer’s silhouette that Ryuko saw), but i’s a good start for a solid second half that will indeed move things beyond the school and let things escalate.

It’s also good that they didn’t go the formulaic route and they just skipped the last fight against the student council, however these two episodes did have a bit of an unfortunate effect on the four of them, in the way that at this point it stopped taking them seriously. They’re in danger of becoming like Krillin from Dragonball Z: characters who are just there for comic relief and can’t keep up with the incredible rate at which the main character powers up. That’s the downside of not killing off your enemies: you’ve already put a lot of development into them, so itd be a shame to not use that later on.

Still, this was a really fun episode. I think it helps to have this battle split up in two episodes with other stuff around it, rather than just dedicate one episode to it. It helps keeping things fresh and also prevents formula.

Probably not going to do ratings again, because they became pointless at this point. They were useful when I blogged like, 12 series at the same time, but now they’re just redundant. They only had one purpose left, which is something I do want to stress: the amount of criticism I have for a series does not equate how much I disliked it. It’s a very common misconception I see, but some series just aim really high, resulting in lots of flaws, while the worst series are the ones so unremarkable that there’s hardly anything to say about them.

Posted on 13 December 2013 with categories: Samurai Flamenco

Usually I blame writers lately. This time however, the writing was fine. I see what this episode was trying to do, and it had me at the edge of my seat. Perhaps a bit fast-paced, but I see what the writers were trying to do. This really could have been an amazing episode. But god, the delivery.

Okay. Whoever is in charge of the suspense of disbelief: for the love of god, try a little harder here. You already have a series in which this is very important, and this episode in particular depended on it with all of the gore. You could have really helped that with some actual good animation, but what stood out for me the most is how characters kept teleporting all over the place in this episode. Characters take huge leaps from one place to the other without any build-up whatsoever, leading to a lot of Deus ex Machina. I can understand timeskips and all, but there is a limit. Not to mention that showing characters actually travelling from A to B adds a lot to immersion. You need to worry about that, as much as you’d like to focus on your characters!

I read somewhere once that Manglobe is the kind of studio that doesn’t have many in-house people: for all of their projects they look around the industry for the right people. They’re basically outsourcing a lot, or at least they were around the time of Ergo Proxy and Michiko to Hatchin, and back then they were really good at it. This episode though. It just screamed outsourcing problems. Otherwise it just would not have looked so rushed, especially for such an important episode in the plot. I mean, something really went wrong in the production schedule.

Anyway, about the plot: this was where the series went even more out of control, by showing elements that were even more obviously supernatural, yet at the same time they’re all human: King Torture is just a man who managed to get ahold of strange powers that allowed him to create all those monsters. He too basically is just another person obsessed with superheroes and fiction, but he spiraled into the other side of the spectrum.

For the rest of the cast, I really liked how they used the build-up: people started to realize how they underestimated what it really means to be a superhero. That it’s not just about kicking ass and looking good. They started to look beyond the glory.

But damn, you’d better make up for this episode with the second half. There’s still plenty of potential left and all, but this execution isn’t the kind that a story like this deserves!

However, someone singing really badly? Hell yeah! Finally. I mean, who is expected to sing well after such a trauma?
Rating: 4.5/8 (Good)

Posted on with categories: Anime Reviews

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you!

So to elaborate: the harem genre is one of the worst genres in anime, and it has been so for about a decade now. The worst part is the sheer amount of series that have been made of it. They give anime a bad name and the vast majority of them just completely sucks. Over the years of course, enough attempts at parodies have appeared.

The problem with these parodies was that they weren’t really parodies. They’re just harem shows with their tongue in their cheek. When you have this mentality though, you only make things worse: you’re not funny, and the tongue in the cheek is just an excuse to put in even less effort into your writing because any flaws can be overlooked this way. A lot of parodies make this mistake and just adhere to the things they’re trying to make fun of, and with the harem genre this resulted into one giant mess. The only successful series so far probably was Ben-To, but that was just a really well executed series first and foremost.

Noucome though, goes all the way. This series finally aims to highlight the stupidity in the harem genre, and it finally aims to really make everything about it look ridiculous to show what so many series nowadays are getting away with. It finally takes the usual tropes like the quiet girl, the ditzy girl, the energetic girl, the student council, and with some great jokes and its premise shows how bad these things are. The protagonist is wonderful in fully acknowledging what a horrible person he is while this show keeps finding ways for him to enact generic harem scenes, and take them to the ridiculous. For that effort alone, I applaud this series. Because it has a lot of flaws, unfortunately.

Like most series, this series does lack an editor. The writers have great ideas, but other ideas are just plain bad. For example, everything about the main female lead (the one who falls from the sky) just doesn’t work: where all other characters are meant to highlight the flaws of their stereotypes, she’s just the generic dog-like girl with no brains and a huge appetite that we’ve seen millions of times before. She gets old really fast.

Second, it’s unfortunate to see that the writers can’t keep up their wit for the entire run of the series. With only 10 episodes, this is delightfully short (a comedy really does not need to be long!), but even then the second half has a few bad episodes, and especially the last arc is a pool episode that, while still containing some good jokes, is also full of pointless repeated boob-jokes that don’t go anywhere and an incredibly rushed and hacked ending that doesn’t really resolve anything. It’s a really clear example of the creators not knowing whether there is going to be a sequel, and therefore they try to include a bit of both, resulting in a really big mess of a final episode. It’s a shame, because there really is comedic gold in good endings, yet the amount of comedies that actually go for this can be counted on two hands. Another problem this series has is that everyone and his dog conveniently gets anmnesia when the writers need it the most. It’s passable when done once, but the writers just keep relying on it.

Nevertheless, Noucome first looked to be a series with the worst premise you could imagine. It turned out to be the biggest surprise of the year for me, and especially the first half was pretty much the best way in which such a bad-sounding storyline could ever have been animated. Can we now kill the harem genre. Please?
One-Sentence Review: The first harem parody that actually is a parody. Terrible ending though.
Suggestions:
Ben-To
Touka Gettan (Also not really a parody, but another great example of how to spice up the harem genre)
Aquarion Evol

Posted on 12 December 2013 with categories: Samurai Flamenco

My reaction to this episode: okay, they are starting to stretch that annoying manager who keeps calling. I’ve seen enough anime to know where this is going: he keeps bothering her and she suddenly develops feelings for him and they become a couple and HOLY CRAP WHAT HAVE THEY DONE TO HIM!

This really is a deconstruction of the Superhero genre, or should I say Supervillain-genre, because the premise of this series is: what if earth was attacked by stereotypical supervillains”? They just identify the most visible superhero at the time to be their main adversary. But the way in which this series does its things is particularly clever, and really plays with your expectations.

The generic goons were used quite interestingly. This series acknowledges that these monsters are just a dime a dozen, and that they’re easily beaten, luring us into a false sense of security that everything will be easy. And even the random monsters that explode have a tail left behind, in the form of the dust that their explosion covered.

And then it comes with these huge mood-whiplashes that are actually really effective. The question is whether this show will keep that up for the entirety of the airtime. Shock value needs to be balanced and can only get you so far.
Rating: 6/8 (Excellent)

CHANGE USERNAME
Lenlo
Alright. Personally, I am pumped for Megalo Box's finale. I am so glad I was right in what Yuri did. It was great at building it up. Heres hoping it doesnt throw it away next week
AidanAK47
Like that's what really annoys me about Evangelion fans. The way they talk about the show, they assume that Anno was completely aware of the impact the series would have from the start and planned every intricate detail to perfection regardless of importance. But that's not just untrue by opinion, but is objectively proven untrue.
AidanAK47
@Amagi, There are some legitimate complaints like the audio Muxing not being great. But I hear stuff like the original character in the first season being SO much deeper and think "What?". If it's one thing that really annoys me, it's when people start talking about a show like it's a planned masterpiece.
Kaiser-Eoghan
Risky move there by Yuri in megalobox ep12.
Kaiser-Eoghan
Sometimes the voice acting isn't good in both versions, Elfen lied and the original flcl didn't have great voice acting either in English or Japanese.
Kaiser-Eoghan
I got into the habit some years ago of watching most anime with dual audio because I used to do short reviews once upon a time and switching back and forth between subs and dub while marathoning a show gave me best of both and I could talk about both the English and Japanese versions when reviewing.
Amagi
I usually don't even watch dubs but considering that there is no other option here (yet) I did it and think it's pretty good, especially Haruko.
Amagi
@Aidan: Was thinking the exact same thing about FLCL. I fail to see how the original is much different than the sequel. For me it's pretty much the same thing - they tried to keep the style but change the frame to avoid copying it 100%. I enjoy the new series and love the characters.
AidanAK47
Dubs pretty good. Watched it dubbed myself.
Kaiser-Eoghan
Probably a good thing then that I haven't seen the original in a long time then, which I thought was alright but got better as it went along. How is the dub? Only the dub is out as far as I looked on Nyaatorrents.
AidanAK47
Alright, finished the 3 episodes out. I enjoyed it. It was a fun watch. But I gotta say that the reaction online is rather annoying. I see the original series getting placed on a higher and higher pedestal. Part of the reason I may be enjoying this series is because I didn't examine the previous series under a mircoscope and pretty much acknowledge that it was just a animators showcase.
Kaiser-Eoghan
@Aidan: Probably not as GREAT as Onizuka though.
AidanAK47
So I started watching the new FLCL and let me say that this new teacher is the greatest teacher I have ever seen.
AidanAK47
Don't think it's on Netflix. Though I think that Stardust crusaders is airing dubbed.
Amagi
Is this series on Netflix? It was always one of the few anime that were very popular in the West while still airing weekly and with subs (and despite the fact that we didn't even have the manga in the West)
Amagi
Man that's awesome. Also I have to admit that part 6 is probably my favorite so it's great to know that they'll most likely animate everything.
Amagi
What the hell
AidanAK47
JoJo's part 5 anime announced and it's about goddamn time.
Lenlo
Id agree to that. Im mostly interested in where it goes after what looked like a pretty final ending. Im guessing timeskip of some kind, or World Line switch
Kaiser-Eoghan
I didn't think any of the drama in this episode rung false.
Kaiser-Eoghan
Pretty satisfied with steins;gate this week, kept things moving and the stilted style of the show didn't get in as much the way of the setpiece that was in this episode.
Kaiser-Eoghan
I'm quite surprised by how I've gotten over a 100 chapters in and Asirpa hasn't been fanserviced explicitly.
Kaiser-Eoghan
HH Holmes had a death hotel actually.
Kaiser-Eoghan
Actually I think one of the criminals was based on a real person.
Kaiser-Eoghan
The author really likes referencing real people to, Bonnie and Clyde , Ed Gein, some American agriculturist and the inventor of some refile .
Kaiser-Eoghan
Its very true that golden kamuy does get goofier and thats true for the manga also, though theres a prisoner weirder than the one in episode 11 he does advance the plot further. One of the soldiers gets some backstory too. Sometimes the goofiness works but at others doesn't.
SuperMario
I'm watching the new FLCL and planning to review it once it's done. Maybe.
Kaiser-Eoghan
In my quest and love of historical manga I wound up running into this, these guys are translating it over at their site: https://blog.manga.club/blog/mangaclub-blog-vol-10-jose-rizal-serialization/
Lenlo
Not yet, no. Plannin on it this weekend
Kaiser-Eoghan
There are three episodes of the new flcl out. I haven't seen it yet and its been ages since I saw the original, has anyone watched any of the new series?
Lenlo
I can understand that. Anything less than a 3 I often dont finish/deem worthy even being talked about. In anime or movies.
Kaiser-Eoghan
Its too hard to give 1/5s or 2/5s.
Kaiser-Eoghan
Despite my complaints I gave it a 3/5.
Kaiser-Eoghan
....feck sorry about that. I didn't think anyone else on here would have been interested =< Thanks for removing it.
AidanAK47
Come on Kaiser, even if I didn't get anything out of it doesn't mean that other people won't. Best not to put a big spoiler on the front page of the site.
AidanAK47
Just deleting a spoiler there.
Kaiser-Eoghan
That production company tend to do quite poor trailers that misrepresent their films.
Kaiser-Eoghan
I would probably punch someone for laughing/talking during a horror film though.
Kaiser-Eoghan
Babadook did the grief horror better. Though honestly my favourite horrors this year weren't American ones.
Kaiser-Eoghan
Upgrade might end up being more fun, which is an action horror comedy.
Kaiser-Eoghan
@Aidan: While terribly schmalzy and lacking a proper ending, quiet place had a better idea and atmosphere.
Kaiser-Eoghan
@Aidan: In the end it just felt like comparisons to Rosemary's baby and the Exorcist hurt the film. I just thought it was an awkward mix of commercial and indie horror. Like a lesser version of the conjuring.
Kaiser-Eoghan
@Aidan: I didn't laugh but I also couldn't really feel it/connect with it.
Kaiser-Eoghan
@Aidan: I also disliked how it answered its questions and story rather than leaving stuff unexplained and the actual exposition in the last act was quite awkward.
Kaiser-Eoghan
@Aidan: I saw it on Thursday, it doesn't live up to the witch or even it comes at night. On one hand I appreciate limiting the jumpscares and gore, going more for atmosphere and character drama. Toni Collette and Gabriel Byrne kind of hold it together for me. But the two kids, like in most horror films were awful.
AidanAK47
Just seen Hereditary. The so called scariest film since The Exorcist.
So scary that people in the cinema were laughing.
Vonter
I've been playing Hollow Knight on Switch. It's perhaps the longest metroidvania game I've ever played. The game has a nonlinear progression with a lot of optional areas, which add wonder to the somber and mysterious tone of the game.
Kaiser-Eoghan
I also like how much Nagai overstylizes, overdesigns his characters.
Kaiser-Eoghan
Not that its abandoned its comedic elements.
Kaiser-Eoghan
@Sash: The twin tailed girl got impaled and its gone in a somewhat darker direction yes.
Sash
apparently cutie honey is getting devilman vibes.. haven't watched it though so take this with a grain of salt
Kaiser-Eoghan
@Lenlo: Somewhere in my head is an image of Baraka from mortal combat in the same picture as Himiko Toga.
Lenlo
Hero Aca, still my favorite Shounen.
AidanAK47
Just got the Re:zero Blu-ray a whole ten days before it's officially released. Gotta be the first to see the dub.
Lenlo
Yeah. Her whole scene was terrible. As much as I loved Maho in a pando costume, it should have stopped there. We didnt need the groping.
Kaiser-Eoghan
FERRIS NYAN-NYAN OmO kill it, kill it with muh-fire, kill it with muh-fire.
Lenlo
Also, Megalobox, hot damn. I love it. I love it all. Mmmm I cant wait.
Lenlo
Partly, yeah. Im mid writeup for it. Suffice to say the fan-service was... alittle awkward to me
Kaiser-Eoghan
Filler episode of Steins; gate this week.
Lenlo
I cant wait to see it, ive heard good things
Amagi
Damn I love Megalobox so much it's my favorite series this season.
AidanAK47
I can't wear a suit to work everyday
Kaiser-Eoghan
*wotaku's
Kaiser-Eoghan
You are now aware that you un-intentionally stealth cosplay as watoki's protagonist each time you go to work.
AidanAK47
Pretty sure Psgels is paying to keep the site up but it's not a sum that one would consider significant. Site is dirt cheap.
Kaiser-Eoghan
I've thought about using MPC as an extra player, while mainly using vlc, but vlc can be buggy for me sometimes in that it lags and pixelates the video often , I've used MPC on videos that vlc bugs-out on and they work better.
Kaiser-Eoghan
Out of curiosity, what videoplayer (example media player, realplayer, winamp, vlc, mediaplayer classic)do all of you use for watching anime?
Lenlo
You silly old people
Kaiser-Eoghan
lol how do you think I feel, I've been at this for 20 years =P
SuperMario
All these "confessions" just underline how old we all are; and still keep on that stupid hobby after all those years :))
SuperMario
I first visited the site around 2009, 2010 but was pretty much a lurker until I started writing for the site.
SuperMario
As far as I know, psgels gave the admin privilege for K-Off and Aidan, and it's K-Off who pays for the site now (other admins pls confirm)
Kaiser-Eoghan
Of course I have no idea how much it costs to keep the blog up, he could always end up stopping paying for it if he needed to cut costs.
Kaiser-Eoghan
I'm actually curious in estimating how much longer the blog has left. Obviously psgels must be still paying to keep the site up, but he is, of course only mortal.
Kaiser-Eoghan
The blog began in 2005, but I started reading it in 2009, began posting on the chatbox in 2010.
Amagi
I wonder which weekly review was the first one I've read on psgels. I remember .hack//roots but not sure if it was the first one. Could very well be the case, though.
Amagi
Nevermind, despite being an old as shit reader I never actually read the whole text of the about-part.
Amagi
How old is this blog anyway? I am a regular reader since 2006 or something although it was only recently that I started talking here.
Lenlo
Oh I know all about that Kaiser. It was amazing to read about
Raggers
Wow, this is still going? Good on you guys
Kaiser-Eoghan
*wiki article
Kaiser-Eoghan
@Lenlo: Read the cultural impact of the original ashita no Joe on the youtube article, Japanese actually mass mourned him
Kaiser-Eoghan
Some writers just know how to get an un-explainably effective rhythm going.
Kaiser-Eoghan
I always struggle with commenting/reviewing mood pieces and slice of life mood pieces especially, even when I finish something in the genre sometimes I'll go "I don't understand why this worked so well for me, why wasn't it boring?"
Anonymous2194677
Microsot E3 Press Conference was nuts, they showed too many games.
Anonymous2189608
Hey guys, I made/edited my very first video about a show I greatly love, hope you'll give it a watch too:

https://youtu.be/PdjwePOIbQA
Anonymous2187735
Yeah, and an NES prequel to Bloodstained Ritual of the Night launched a couple of weeks ago. And while easier than NES castlevanias it's quite fun. Also very cheap only $10.
Kaiser-Eoghan
Alas, I've not kept up much with the videogame scene in a number of years. I know there's a spiritual successor to castlevania being made though.
Anonymous2187735
Sorry Nightmare Creatures its what it's called.
Kaiser-Eoghan
Actually come to think of it, the 64 games probably had more vampires than the others I played.
Anonymous2187735
Have you played the game that inspired this Castlevania? Deadly Creatures?
Kaiser-Eoghan
Never did get round to playing as Henry though.
Kaiser-Eoghan
I remember the garden stage being especially frustrating as Schneider because of how slow he moved.
Anonymous2187735
Also that game demands you to play on normal or higher to play beyond that nitro stage.
Kaiser-Eoghan
I remember having to finish the game in a day because I was saddled with constantly rubbish memory cards for my N64.
Kaiser-Eoghan
Sorry, I post fast and long so some of what I say probably might get missed/skimmed over.
Kaiser-Eoghan
Actually I did mention it, called it the nitro stage.
Anonymous2187735
Still I think despite the flaws it's has become fun for me because I surprisingly get better each time I play it. and last time I make the game chug because of how fast I was progressing.
Anonymous2187735
Yeah. But I'm surprised you don't mention the worst part. The Nitro and Mandragora level. In which you have to go across several rooms without jumping.
Kaiser-Eoghan
@Anon: I remember the game punishes you for using the item seller guy too much aswell.
Kaiser-Eoghan
I remember the mansion level being creepy back then.
Kaiser-Eoghan
But the werewolf thing was pretty rad.
Kaiser-Eoghan
And then there was that crumbling labyrinth stage. I remember on hard mode you have to fight the chainsaw gardener too.
Kaiser-Eoghan
The art tower stage is also annoying if you run out of day/night cards.
Kaiser-Eoghan
Also it wouldn't let you finish it properly if you took too long.
Kaiser-Eoghan
@Anon: The N64 castlevanias have so many flaws, weird controls , bad camera , the day and night feature is kind of cool but it also puts a timer on things and certain parts become a pain because of it. They had frustrating bits too like the ice castle part with the weird jump sections and the nitro carrying stage.
Anonymous2187417
Lords of Shadow was another IP the developer had to accomodate into a known IP kinda like Star Fox Adventures.
Anonymous2187417
The other Castlevanias I haven't played are Lament of Innocence and Curse of Darkness. LoS was ok but very long. and it's interquel Mirror of Fate put me off playing LoS2.
Anonymous2187417
I haven't played that one. Seems like a mixed bag. Like Zelda 2 or Metroid 2.
Kaiser-Eoghan
I've seen playthroughs of simon's quest, but we all know why thats a notorious mess.
Anonymous2187417
Castlevania 64 and Legacy of Darkness are also my guilty pleasures. I think if Konami still made Castlevanias it would have tried aping the Souls type of gameplay.
Kaiser-Eoghan
I remember some very very silly voice acting and dialogue in symphony of the night.
Kaiser-Eoghan
I preferred when they were just platform games. Later ones incoperated level up elements if I recall.
Anonymous2187417
After SOTN I think the game coming closer to that greatness is Order of Ecclesia if anything it keeps the difficulty of the classic Castlevanias and puts it in the Metroidvania formula. It has a platforming challenge level that's very satisfying to play.
Anonymous2187417
I've played most of them. Castlevania 3 is a very tough game, but that also makes the journey feel long and rewarding. Rondo of Blood feels like the cornerstone of the series since it's the Castlevania that got most of it's sprite reused in later games.
Kaiser-Eoghan
Reminds me, the game, clocktower is vaguely inspired by an old Italian horror film.
Kaiser-Eoghan
And symphony of the night.
Kaiser-Eoghan
I actually feel I should have played more castlevania back in the day, I've played bloodlines, castlevania 4, Dracula X, legacy of darkness, admittedly the last one isn't a good game and is more of a guilty pleasure.
Anonymous2186526
They could still meet Grant in the Clocktower.
Anonymous2186526
I wonder if the second season will be the journey to the castle like in the game. And the third season is entirely in the castle.
Kaiser-Eoghan
Already a season 3 announced.
Lenlo
Oh god yes. I cant wait
Kaiser-Eoghan
New netflix castlevania episodes out next month.
Kaiser-Eoghan
Was going to mention that. Wish more shows would do o.
Lenlo
Yeah, a lot of plot threads are converging and I like it. My favorite part though was Iglesias and their commitment to non-japanese languages. They were good!
Kaiser-Eoghan
*his bit
Kaiser-Eoghan
@Lenlo: Glad that sachio gets hit bit of backstory and that its well connected to the rest of the overall plot.
Lenlo
Alright Megalo Box was pretty good this week. So much to say
KTravlos
Indeed the Alliance system is atypical of mass democracy. There seem to be no organised parties and lists. Instead administrations seem to be formed on a personalist basis(me and my chums). And the Assembly seems to have very weak powers of oversight. A very flawed institutionally system. But I digress . It is still anime and even from Tanaka I do not expect deep discussion of democratic politics
KTravlos
I mean if two of 9 ministers in an administration resigned in any current representative/competitive election system it would be a big news and embarrassment to the goverment. My guess is that they were blackmailed to stay on, or were too afraid of the war party.
KTravlos
busy weeks (finals and deadlines). Watched the latest LOGH:NT episode. It was ok. A bit dry, but so are many of the episodes of NT or the Original on their own. One think it led me to think is that neither the books , nor the OVA, nor NT explain why Rebelo/Lebello and Huang Rui (the two politicians opposed to the Invasion of the Empire) did not resign in opposition. (Turnhit also opposed but..)
Lenlo
I think its cause of Daru's voice. Hes so overt about it and his voice makes it so clear hes not really being serious about any of that, cause it completely changes when hes talking serious subjects
Amagi
@Kaiser: Yeah I am watching CCS but funny enough I fell behind too, so it might be someone else you're thinking of
Kaiser-Eoghan
Always felt that Daru strikes a hit when it comes to pervy/otaku characters. Most of them tend to be incredibly annoying.
Lenlo
This episode was nice and chill while still moving stuff forward. I enjoyed it. It does seem like we are hitting the main conflict though, with Amadeus and Maho
Kaiser-Eoghan
@Lenlo: I feel with this episode the plot is really moving along now.
Lenlo
@Kaiser, Thats the question aint it? How to savem both? We know he does, cause of the original, but alot happens along the way. Its a great ride
Kaiser-Eoghan
Bad light novels would make for good fire and burning material =)
Kaiser-Eoghan
@Amagi: I think it was you who was keeping up with the new cardcaptor sakura? or may that was bokusenou? I fell behind in it.
Kaiser-Eoghan
Given Japan is often thought to be a racist society.
Kaiser-Eoghan
I suppose though its saying something though, about them dropping that LN author for racism , its probably, considering its Japan, progressive that they called him out for his racisim.
Kaiser-Eoghan
Angel cop's Japanese version I think had some rant about Judaisim in its last episode too I think.
Kaiser-Eoghan
Honestly I try not to seek out stories about how awful certain creators are if I can.
Kaiser-Eoghan
Viz decided not to run Kenshin's followup/side story manga. But oddly they decided to keep going with toriko even though toriko's author also got in trouble for pedophilic charges.
AidanAK47
Looking at that Isekai anime I say we we saved from something truly terrible. Though I find it odd that it was dropped because the author was a racist not because of it well...being goddamn terrible.
Kaiser-Eoghan
@Amagi: I watched a random episode, laughed more than I should have.
Amagi
btw Is anyone besides me watching Tiramisu? Am I the only one that finds this shit funny?
Kaiser-Eoghan
@Amagi: I'd only read the ANN article title and decided I wouldn't entertain the comments by reading on.
Kaiser-Eoghan
@Lenlo: How do I save them both @steins;gate, how do I save both Kurisu AND mayuri, this is hurting me ;o;
Amagi
I am just reading what he liked on twitter and said (seems to be the director), what the hell
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Megalo Box – 11 [A Deadmarch]

Incredible Megalo Box… Simply incredible. This week was perfect in every way but one, and at this point that one is easily overlooked. Let’s skip this preamble and jump right in! Megalo Box had a lot going on this week as we see the culmination of a lot of characters big arcs. Starting off, lets […]

Steins;Gate 0 – 10 [Pandora of Provable Existence -Forbidden Cubicle-]

Welcome one and all to another week of Steins;Gate 0! This week we have fluffy, lovable dates, awkward fan service and terrible revelations. Lets jump in! So overall this week felt mostly like a filler episode. I understand that some of the contents were necessary for relationship building and such. That it was a sort […]

Golden Kamuy – 10 [Fellow Traveler]

New episode, new season, new plan, new scenery and possible new set of enemy too. Considered Golden Kamuy’s track record, I won’t be surprised if the new face Kiroranke, at the risk of Asirpa slaps me on my face for saying so. He’s in the interesting position in all this, both an ex-7th Unit Hokkaido, […]

Darling in the Franxx – 20[A New World]

Suddenly, Aliens. If you are surprised by this sudden plot twist then I am guessing you are new to Trigger works. For in some form or another space gets involved. Indeed this is fairly reminiscent of Kill la Kill or Gurren Laggan and I will toot my own horn about somewhat anticipating it. I at […]

Hisone to Masotan – 09 [Eeeek!]

After a pretty excellent episode last week, HisoMaso goes into the direction I’m afraid the most: exploring the romance aspect that by all means we don’t really need in the first place. And they frame it in a manner I cannot get behind. Lets see, due to these girls develop a certain feeling, they intoxicate […]

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