Posted on 31 December 2013 with categories: Yearly Summaries

And so, 2013 has nearly ended. It was an interesting year, in which a lot changed. The way I look at this blog has changed, and at the same time I have been making less posts. I just couldn’t keep up with 12 posts a week anymore, however I still have my passion for anime, especially the good ones.

Having said that though, 2013 is the worst year for anime since the past decade, and I’m afraid that I need to say this. The big problem lied in the amount of series that aired. Every season had its gems, however when you look beyond these gems, that’s where the problems lied: everything just looked the same, and there were lots of series that had potential, only to get bogged down by bad writing. This is the year I really realized that the way in which most anime are written is inherently flawed, with too few writers working on too many projects and people not really thinking about making anime whole conclusive stories that stay consistent. I’ve seen so many promising series this year that only ended up meh, when they could have been so much better, so it’s really a shame to see this.

As for the good stuff though, there thankfully were quite a few series that did catch my attention. Here are my highlights. Unfortunately Hajime no Ippo and White Album are not included because I’m really behind with them at this point.

Worst Series

Amnesia

There really were some stinkers this year that at first sight looked like they had potential. As much as I’d like to hand this award to Valvrave for pulling the rape-card from out of bloody nowhere, it had nothing on Amnesia. At first sight this looked to be an interesting mystery-series, however every single character save for one in the series was a total prick. The worst was the stalker one with the cage. I mean, did nobody on the production team stop to think “wait, this is completely stupid”?

Worst First Episode

Walkure Romanze

Oh god, there really was a lot of bad stuff this year, though most of the ones fell into the category of “so generic that they’re bad”. On top of that there also was the usual terrible incest, as well as the many, many shows that were simply thinly veiled fanservice. It was hard to just pick one that stood out, however I have to go with Wankure Romanze. It’s really here where the creators just gave up completely trying, treating their audience like a herd of lobotomised sheep. This episode really screamed “just whatever, I dunno. Have a horse that eats panties or something so we’ll at least get some viewership. I don’t care”.

Biggest disappointment

Yozakura Quartet – Hana no Uta

Despite being a big fan of the director and the OVA, I really don’t think that I’m going to be able to finish this series. Why? Because the story is just random fluff. Okay, I guess stuff happens aside from its horrible fourth episode and all, but when I really ask myself whether that’s interesting to watch for a full season… I have to answer no. Even though the animation is just completely fantastic… the rest just wasn’t.

Most Pleasant Surprise

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru

I was ready to immediately write this series off as the umpth light novel adaptation with a ridiculously long title and having it be nothing more than a glorified boob parade. And then the first episode aired, and it was actually the best thing that the creators could have done with such a horrible premise. The creators made this actually a really funny parody, and they kept it up for about seven episodes. I really did not expect that.

Funniest series

Yondemasuyo, Azazel-San

Oh, Azazel-san. You sure gave me quite some headaches this year. On one hand, you made me laugh harder than any other series this season, but on the other you had these completely tasteless episodes that tried way too hard to go for laughs with their shock value. Every episode we would hope that we’d strike gold, instead of literally poop. However, when you hit, you hit hard. The characters at their best are absolutely hysterical with their brand of sadistic humour and energy that very, very few series can match, and you had me nearly fall of my chair on multiple occasions.

Best Animation Studio

Production IG

This year, I was torn between Madhouse and Production IG. They really rose to high standards this year with many great series. The reason why I handed it to Production IG though, was because Madhouse has been too much into its own franchises: as amazing as Chihayafuru’s second season was, it was a sequel. Hajime no Ippo is great, however, it already has so many episodes. Hunter X Hunter too has been going on for ages: they played it way too safe. Production IG meanwhile went all out with Psycho Pass and Shingeki no Kyojin, they did something really bold with Kick Heart. Sure, they had their sequels, but they had a balance between old stuff and new stuff, which I didn’t notice that well in Madhouse’s case.

Most Promising Studio

Wit Studio

Every year I also hand out an award to a studio that’s either really new, or made a huge improvement over the past. With this year, it’s obvious that it would be Wit Studio, the subsidiary of Production IG. Next season they’re out on their own, and if Shingeki no Kyojin is any indication, then there is a lot of talent hiding amongst them, and I hope that they can follow Bee-Train’s example and become a good standalone studio in the future!

Best Action

Jojo’s Bizarre Adventure

It took the award last year, it also takes it this year. Jojo is just so wonderfully over the top and every episode was just loads of fun to watch. It really was everything that the shounen genre should be, and I can understand why it got so popular. However, it did have much more competition this year. Kill La Kill is a huge contender for next year’s award with the way that it’s going, and Shingeki no Kyojin also was really exciting to watch, from start to finish. I really had trouble with the award this year, as opposed to last year.

Best Horror

Aku no Hana

Pure psychological horror, but oh my god, this show was so effective in drawing me into its atmosphere. There was hardly any point at which I wasn’t at the edge of my seat, and that’s what I consider an amazing horror-series.

Best Background Art

Shingeki no Kyojin

This year, I want to give props to the incredible amount of polish that the creators put into the backgrounds of Attack on Titan. They really created a medieval-ish city and the amount of detail that went into it is astounding, and it looks consistently crisp. The creators obviously spent a lot of money on it, and it did pay off.

Best Animation

Yozakura Quartet – Hana no Uta

There were lots of really well animated series this season, a few too many, if you ask me personally, however Yozakura Quartet to me was the best, because of its focus on kinetic energy that was very visible in its movements. Its animation wasn’t just a bunch of money shots, the creators really cared about natural movements and interesting poses, they really wanted to create movement, and they did that better than any other series this season. It’s just a shame that the animation was the only thing noteworthy about this show.

Best-Looking Series

Kyousogiga

This award goes to the series that just looks incredibly good, regardless of animation. The artistic direction here is important, and Kyousogiga had that, and much, much more. For 10 episodes there were hardly any weak moments in the animation, and everything just looked gorgeous. Close seconds are Chihayafuru and From the New World, not to mention the trippy Jojo’s Bizarre Adventure and the gritty Aku no Hana (I don’t care: I loved how Aku no Hana looked, with its own unique and distinct style; so what if it wasn’t crisp).

Top 20 of 2013

#20: Teekyu

Wildcard: Teekyu is just something to sit behind, turn your brain off and enjoy the spectacle. Nothing special, but damn entertaining to see all of the things that the creators can throw to the screen in the span of only two minutes per episode.

#19: Yahari Ore no Seishun Love Comedy wa Machigatteiru

Light novel adaptations with really long titles had previously been notorious for being bad, lazy and incredibly contrived for fanservice. This year, there were two series that broke that trend. Noucome (resting at place 21 due to its rather bad ending), and Yahari Blahblah. This series starts off with the generic ingredients, but I don’t know. Along the way something happened that set itself apart from its contemporaries. The dialogue, it was actually cleverly written. It actually takes a deep look at its characters, and creates some thought-provoking drama out of that, rather than going with the usual cheese. The characters in this series all look like completely generic stereotypes, and yet they aren’t. This series could have tried even more though, and there are some stories that are a bit lacklustre compared to the others, placing this relatively low at this list.

#18: Yondemasuyo, Azazel-San

Yondemasuyo, Azazel-San’s sequel contained both the best, and the worst episodes of the season so far. The Moloch-episodes were obviously awesome, but a few other arcs were also comedic gold. And then there was the haemorrhoid arc. What on earth were the creators thinking? It’s a series with huge ups and downs, but its own brand of incredibly vile and sadistic comedy somehow worked for me.

#17: Kamisama no Inai Nichiyoubi

Kamisama no Inai Nichiyoubi is nothing really fancy, however it did create its own fascinating setting that it rolled with for thirteen episodes,. It did have a tendency to suddenly pull twists from out of absolutely nowhere, but it barely avoided those becoming Deus ex Machina, and it consistently asks questions about life and death with its strange portrayal of the undead. It could have been much more because the series just ends after a random arc has been resolved, however, the characters all made it very worth watching.

#16: Uchuu Kyoudai

Last year, I made the prediction that for 2013, this series again would have been a great contender for the number one spot, however, something happened along the way. The series remained a wonderful look at what it means to become an astronaut, it still was fascinating. The problem however, was the pacing. Things started to take forever to get going, and every episode on top of that started with like two minutes of recap. The creators were simply coasting on the manga to carry them through, and you couldn’t see the passion of the first fifty episodes any more. The creators made the mistake of going on for way too long, lessening the experience. It’s such a pity, because this series really stood out: it had characters in their thirties for once, and the synergy between them is just amazing. However you also need to learn to not overstay your welcome.

#15: Gatchaman Crowds

Anime is a great storytelling medium, but usually they really aren’t up to date with current events. Some shows nowadays still feature the Tokyo Tower as the highest building in Tokyo, for example. Gatchaman Crowds however, is about social media. It’s very clunky, but it portrays a setting in which saving the world is crowd-sourced: through the internet everyone contributes with stuff like saving the day and protecting the earth from aliens, and from that base setting it creates its storyline. The characters aren’t the most relatable, however they serve the purpose of exploring this setting. The pacing is ridiculously fast, but in the end they pulled it off with also quite a great ending to close off with.

#14: Samurai Flamenco

Samurai Flamenco, I’ll put you at number 14 for now. This can become much higher, or much lower next year. The series started off really well with a sortof realistic view on this idiot who wanted to play a superhero. And then episode seven happened, and it was awesome, but afterwards it just kept getting more and more ridiculous, to the point where we are now just watching a completely different series. It’s really a bizarre series and at this point it really could go anywhere. I do have to give props for having the balls to actually try what it did though.

#13: Silver Spoon

Silver Spoon: a meticulously planned out look at what farming life is. It has lovable characters, it’s fun to watch, but at the same time it also doesn’t shy away from the realities of farming: that animals are killed in the process, in order to make a living. It shows both sides of the picture, and never really leaves a moment or episode wasted, and it’s filled with interesting trivia. Not to mention that it made me hungry on a regular basis.

#12: Uchoten Kazoku

Uchoten Kazoku is a look at Japanese folklore,in a modern coat. It tells about tanuki and crows, and how they can transform into stuff, and it contains all sorts of obscure cultural references surrounding their legends. It really taught me quite a few new things through its airtime, and that’s always a plus. The best thing about this series is its dialogue: cleverly written and it manages to develop the characters in a unique and engaging way. It does lose a bit of steam near the end, but it remains witty and unpredictable.

#11: Kill La Kill

Kill La Kill’s storyline is nothing special, however it manages to present itself in such a way that it doesn’t become boring. Its formulaic, but never formulaic enough to get tedious, the characters are simple, but not one-dimensional enough to get boring. It’s all carefully planned out for the action to just keep you entertained from beginning to end. Hiroyuki Imaishi is a great director, and you can see Studio Trigger having a ton of fun making the most over the top action sequences that are all still very varied and interesting to watch. Not to mention that soundtrack. That really makes the series even more exciting.

#10: Hunter X Hunter

My stance on the series remains: I did not like sitting through a year and a half of material that I had already seen. I’m sorry, but that was really tedious, even though the Greed Island was much better than the Nippon Animation version. Finally though, the Chimera Ant arc stepped into new material. At this point I’m really behind, however even though the arc took incredibly long to build up, I just reached the point at which it really started to deliver. Finally I can appreciate this series for the very intelligent shounen series that it was meant to be, and it indeed blows generic stuff like Naruto and Bleach completely out of the water.

#9: Rozen Maiden

The third season of Rozen Maiden, but really: this new instalment is completely different from the previous two TV-series. It’s written perfectly over its airtime, starting off small and ending big. The first half really mostly just takes place in one room, with most of the characters absent, being dedicated to some really personal character-development for the ones who did get the focus. It pushed all of its characters to a different direction, and definitely was a worthy addition to the Rozen Maiden franchise.

#8: Zetsuen no Tempest

Tempest’s second half perhaps was a bit less sharp than its first half, but it still was just complete gold in terms of its script, and how it played with its storyline to throw all kinds of logic-based holes and loops. This really was a great example of a world-shattering conflict being solved by logic, with force playing just the role of assistant. The characters also got through their own share of development that this series also cleverly made use of and all of that resulted into an incredibly fun watch. The biggest reason why this one ended up slightly behind the others is its slightly lackluster ending.

#7: Shingeki no Kyojin

All series from #8 are incredibly close to each other. They all were amazing to watch. The reason why Shingeki no Kyojin lost out was because of its inconclusive ending: no resolution whatsoever, leading to one heck of a cliff-hanger. Up to that point we got to witness an amazingly tense action-series that really managed to convince that yes, humanity is completely screwed. This series is incredibly good at putting humanity at the brink of destruction, and keeping the stakes just inches away from everything going to hell. This is fantastic for its atmosphere, and on top of that, it was easily the series with the best production values of the entire year: everything looked incredibly polished, and where these series usually skimp on the substance, this series had plenty of it. This is an action-series with brains.

#6: Psycho Pass

Psycho Pass, intelligent science fiction from Urobuchi Gen, and the second half really delivered, whereas the series that aired alongside it, Robotics;Notes, pretty much crashed and burned. What managed to keep it afloat was that it always knew where it was going, and it kept asking poignant questions about its setting and it actually continued to push its storyline forward in creative ways. The characters came to their rights, the animation was still solid, and everything concluded really well, so I was really pleased with this series.

#5: Jojo’s Bizarre Adventure

This series became something really amazing, putting most other shounen completely to shame with how much manly action the creators managed to put on the screen. It’s definitely not for everyone, and the excessive use of colours will disturb some, however I loved just how over the top this show got. There were so many moments that were just pure gold, and the creators really knew how to capture the essence of the manga, which delivered its action with completely ridiculous poses and massive amounts of manliness, while still keeping a straight face. The training arcs were really kept to a minimum, and the fights themselves all tried to be as creative as possible, both by making great use of the environment every fight was in, and some very creative powers. This really was my weekly fix of adrenaline, done incredibly well.

#4: Chihayafuru

After Shingeki no Kyojin, the second most polished series of the year. A show about Karuta, every single match looked crisp. Every single swipe made impact. The creators still managed to keep this up for in total 52 episodes. The most amazing thing about this series however, was its character development. Most series just pick one character to develop per episode. Oh no, not this series.. Every single episode developed as many characters as it possibly could a little. This means that hard-hitting development could really come out of absolutely nowhere. It’s only a shame that we still haven’t reached the ending, and we need to wait for a potential third season for everything to be resolved. And it already was a miracle that we got a second season.

#3: Aku no Hana

Aku no Hana is unlike any other anime ever made. The animation is completely rotoscoped, leading to continuous movements, that all are jerky, and amazing characters that say “screw it!” to every single convention. The pacing is incredibly slow, but it’s deliberately so: it’s entirely made to draw its audience into its atmosphere, and some of the best moments of the series are actually when little happens and you only can watch the eerie moments happening. It’s an amazing look at the darker sides of being a teenager, and the creators did an absolutely fantastic job of capturing the paranoia inside the main character. But yeah, they did choose to do it in a style that will turn off plenty of people. But that makes it even better: a series actually had the balls to be completely different in every single way from all other anime. That deserves to be commended.

#2: Kyousogiga

Kyousogiga is just a series that did everything right for me. It’s a whimsical story, inside its complete own world with its own set of rules, heavily infused in Buddhist and Shinto themes, and it got itself some consistently incredible animation with hardly any weak points. There is always something interesting going on on the screen and the characters are more expressive than any other series this year. Its storytelling is meant to be vague: you can see lots of unsaid stuff inbetween the lines and every single episode is different. It’s incredibly fun for all ages, and the conflict and resolution are finally something different than what we’re used to, due to the lack of villains. It’s one of those series in which all of its different parts come together wonderfully in every single episode: the animation, the music, the story, the characters, the themes. Everything fits perfectly.

#1: From the New World

For 2013, it was really difficult to choose my number one pick. Numbers 1, 2 and 3 were all incredible series that I enjoyed immensely, despite the lacklustre nature of the rest of the year. The reason Shin Sekai Yori, or From the New World, is my number one pick though, is because it had one of the best endings I have ever seen. I’m not sure if it’s in my top 5 favorite endings, but definitely my in my top 10. The series already was really good, with how it portrayed its characters its incredibly mature style of storytelling, and how it just did not shy away from anything (there really was some shocking material here that nearly broke my heart). It was incredibly intelligent in how it presented itself, even though some of its characters were quite naïve, and it used its animation brilliantly to create a consistently creepy atmosphere. It’s hard to watch because it’s completely different from traditional animation, and the camera often made things difficult to make out, but to people whose alley it was up at, it rewarded with an incredible finale. 2013 may have been the worst year in terms of anime in more than a decade, however these series still showed me that there are some very passionate, inspired and special people working in the industry. And ehre is to hoping that they will show more of themselves in 2014 and the years to come. I wish all of you a very happy new year, and I’ll see you in 2014.

Posted on 30 December 2013 with categories: Anime Reviews

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there.

The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature of this little short: how it was crowd-funded and they actually got Masaaki Yuasa to direct it, Mamoru Oshii served as the consultant to make it happen, and They got a lot of talented animators involved. Because of this I love it. The creative team here attempted something really ambitious, and they actually succeeded in it.

Because of that, it’s also not surprising that Masaaki Yuasa got full creative control over the animation, and this probably is his most personal work since Mind Game. Especially with Yojou-han Shinwa Taikei you could see that it wasn’t just his work, albeit it still was really well executed, Kaiba was probably also forced into at least a normal storyline (for very good reasons by the way, because it turned out amazing), and even Kemonozume looked like some compromises had to be made. Here, the only compromise was the short length of only 12 minutes. He could really goof off as much as he wanted here, and the result is incredibly trippy. The animation is utterly gorgeous because of it.

This short made me learn a lot about Yuasa’s style, and I’m even more amazed at how well he works together with other people. This guy, when he is on his own, he can create completely unique stuff like Mind Game, but when he’s more under control he actually manages to get the best out of everyone, leading to the masterpieces that were Kaiba and Yojou-han Shinwa Taikei. He really is one of the most talented directors out there.

Kick Heart was incredibly silly, so don’t expect the same emotional intensity of is other works, but still his talents really show here and it was a great watch, and it serves as an example of how to do anime right.

Posted on with categories: Anime Reviews, Kyousogiga


Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love getting worked up a bit about what if the show did get everything right. That’s why there is no one “best series” out there.

A show that I really didn’t have anything to say against, that really seemed to cater exactly to someone with my tastes, is Kyousogiga. Seriously, to me, that show was perfect and it hit every right note.

This series is really well made: the animation is consistently good, with very few moments of weaknesses. The series looks really good, but that can be said for a lot of series this season. What the animators also did however, was that they made the faces of the characters incredibly expressive, more than any other show that aired alongside it. The variety is great, and the camera always knows how to capture them in the most genuine ways. The way in which they’re able to keep this up for more than 10 episodes shows that this was a series made with a lot of passion.

This is a series that’s deeply rooted in Buddhist themes: not only are there many monks in the series, but also many characters from Buddhist folklore make cameos, the whole world this is based on has many winks here and there to the religion (although Shinto also has its noticeable roots here), combined with plenty of ideas of its own. This all combined leads to a very detailed and imaginative setting that is perfect for a short and whimsical series that can be enjoyed by all ages.

One complaint I’ve hear a lot is that the big conflict of the series isn’t really that big, but that’s something I actually liked a lot. To be vague for the sake of spoilers, Kyousogiga is about the inner turmoil of a family of characters with world-changing powers. The latter may seem serious, but the end resolution is much less dramatic than what you might expect. And I loved that! It’s got plenty of conflict, but for once it isn’t all gloomy. There is really no villain whatsoever, nor anyone who even remotely looks like the stereotypical evil villain who is out there to destroy the world for some superficial reason, even though this might appear to be the case at times. The entire series however is focused on the characters: them coming to terms with their identities and the ones around them. It’s one of the few series that in the end, manages to be epic while keeping the focus on the characters and their issues, without taking any cheap writing-tricks to simplify things near the end. It’s got plenty of touching moment, its just not as grand as what it was made out to be.

I was a long-time fan of this series, so obviously I’m biased. The creators actually managed to incorporate the OVAs into the series and integrated them seamlessly, so you do not need to watch anything before starting the TV-series, aside from episode 05 of the second OVA, and even that isn’t really necessary. This series makes use of vague storytelling: not everything is told or stated explicitly, but you’re also expected to think a bit for yourself and piece things together, and it does that in an intelligent way, rather than what you usually see where the creators obviously ran out of time (this series is also perfectly paced, not too slow nor too fast).

If you want to know whether this series is for you or not, ask yourself the question of what you want to watch. If the answer comes close to a series which excels at bringing animation, music, story, characters, setting, and all together flawlessly, then by all means give this a chance. If you’re looking for complexity or grandeur, or something mundane though, then there are better choices.
One-Sentence Review: Lots of love and passion
Suggestions:
Mahou Shoujotai
Strange Dawn
Ooedo Rocket

Posted on 28 December 2013 with categories: Kyousogiga

Holy crap, they actually did it. They actually finished this off perfectly! I was really afraid of this episode: I have seen so many wonderful series skimp out on the ending. And yet, with this episode, the creators managed to avoid every single pitfall that hits so many different series, leaving behind a wonderful ending.

– Focusing too much on flashy action? Nope, there was enough substance.
– Leaving behind an ending that’s too open? Nope, everything was answered adequately unless you really start nit-picking.
– Pulling silly Deus ex Machina to get out of the corners the writers got themselves into? Nope, everything just makes sense in the deliberately vague rules that this show created for itself.
– Just closing off with a straightforward and boring ending? Oh hell no, this episode pulled many surprises.
– Forgetting to push forward the characters even more? That too was averted, because so many characters got even more depth than what they already had.
– Running out of budget? This episode looked just gorgeous. After ten episodes I still could not see any cut corners.
– Being too fast? Nope, everything fit perfectly and it was still able to do everything, and things didn’t feel crammed.
– Being formulaic and predictable? Absolutely not. This really was the ending to Kyousogiga, not copied from another series or story.

I mean, this ending really was amazing. They did everything right here. I know I have been very quiet. Part of the problem is a change in my personal life, but another part is that I have felt really disappointed with the past Fall Season. It looked so promising, and yet nearly every series turned so generic or rushed, and nearly always it had to do with lazy writing. The one exception was Kyousogiga. Everything else this season just paled in comparison. Thank you Toei, for greenlighting this and making this possible.

Posted on 21 December 2013 with categories: Samurai Flamenco

I think my brains just exploded…

I knew that this series would spiral out of control. Just not in this way. In one episode, the creators YET AGAIN completely changed the genre of the entire series, along with the feel, mood, themes and everything. At this point the only similarity between episode 1 and 11 is the way in which Samurai Flamenco appears in it. Even the mood-swings of Guilty Crown and Code Geass weren’t this big!

Seriously, from out of nowhere Jouji Kaname reveals that he has been preparing to fight the invasion by aliens for over a decade and to do that he created unbeknownst to anyone an incredibly stereotypical power rangers base, complete with power rangers, basically revealing that the first seven episodes were pretty much one really big lie and that they weren’t set in modern-day Tokyo in the slightest. What follows is a really weird discussion on who should be the leader, followed by a staged death scene, and a freaking giant robot! I mean, is this really real?

I have to say: this show is unique. It’s currently trying to do something that no other show has. Whether it’ll work is an entirely different matter though, and I do believe that it’s too early for that, so for now I’ll withhold judgement on the big picture. However, I will say this: I hated Code Geass and Guilty Crown because it really felt like it they were written as the creators went along. Especially in Guilty Crown’s case. In Samurai Flamenco though, this isn’t the case. It’s got a lot of Deus ex Machina, however the creators very clearly had the intention right from the beginning to escalate things into the ridiculous proportions that we saw in this episode. It’s episode 11, and only now we’ve been introduced to everyone on the promo art. Sure, it could have been less sloppy, but right from the start it wanted to transition from the ordinary to the absurd.

Now let me stress Robotics;Notes here. A series that wasn’t as extreme as this one, but still is one that this series needs to learn from: you can have a really good build-up, but that isn’t worth anything if the second half is crap, like what happened with that series. Writers, you need to stay and don’t you dare to just get lazy next year.

Also, it’s nearly the end of the year. 2-cour Noitamina-series always have a few weeks of hiatus. I assume that the next episode will air in a few weeks, though no concrete date seems to be known yet.

Posted on 18 December 2013 with categories: Kyousogiga

The big strength of Kyousogiga has always been its characterization, and with a lot of series that have that, they make the mistake to just not focus on that for their finale. I mean, finales need to escalate. Most shows do that by turning on the epic-button. Kyousogiga did that as well, but it still kept its focus at the characters. Mostly thanks to how all of the characters with powers to actually destroy dimensions are intertwined together.

Because of this the animators could really bring an action-packed finale, while at the same time the focus remained on Koto. Revealing that she was the whole reason everything started due to how incredibly weird her family is really helped with that. She still has her flaws, she’s not just blindly running around as well. Plus, the chemistry between the characters was still awesome. I especially loved that punch near the end of the episode.

Two episodes left, so let’s see whether the creators can keep this up until the ending. I’m especially curious for the actual finale, because there have been plenty of good series that somehow had uninspired ending. This series is the perfect opportunity to to do something differnt though. Lots of thought has already been put into these episodes, so I really hope that the creators also have something really inspired in store for the actual climax.

Posted on 14 December 2013 with categories: Kill La Kill

So finally, we’ve got the first big hint at what the second half of this series will be about. In this case, it’s in the form of a bunch of characters who just showed up from out of nowhere. Okay, that can work. It’s typical that everything about them screams fashion, and this indeed is a show in which clothing plays a very important symbolical role. The way in which that girl claied to just be Ryuko’s father’s killer is probably some sort of lie (otherwise I have no idea how they’re going to explain the killer’s silhouette that Ryuko saw), but i’s a good start for a solid second half that will indeed move things beyond the school and let things escalate.

It’s also good that they didn’t go the formulaic route and they just skipped the last fight against the student council, however these two episodes did have a bit of an unfortunate effect on the four of them, in the way that at this point it stopped taking them seriously. They’re in danger of becoming like Krillin from Dragonball Z: characters who are just there for comic relief and can’t keep up with the incredible rate at which the main character powers up. That’s the downside of not killing off your enemies: you’ve already put a lot of development into them, so itd be a shame to not use that later on.

Still, this was a really fun episode. I think it helps to have this battle split up in two episodes with other stuff around it, rather than just dedicate one episode to it. It helps keeping things fresh and also prevents formula.

Probably not going to do ratings again, because they became pointless at this point. They were useful when I blogged like, 12 series at the same time, but now they’re just redundant. They only had one purpose left, which is something I do want to stress: the amount of criticism I have for a series does not equate how much I disliked it. It’s a very common misconception I see, but some series just aim really high, resulting in lots of flaws, while the worst series are the ones so unremarkable that there’s hardly anything to say about them.

Posted on 13 December 2013 with categories: Samurai Flamenco

Usually I blame writers lately. This time however, the writing was fine. I see what this episode was trying to do, and it had me at the edge of my seat. Perhaps a bit fast-paced, but I see what the writers were trying to do. This really could have been an amazing episode. But god, the delivery.

Okay. Whoever is in charge of the suspense of disbelief: for the love of god, try a little harder here. You already have a series in which this is very important, and this episode in particular depended on it with all of the gore. You could have really helped that with some actual good animation, but what stood out for me the most is how characters kept teleporting all over the place in this episode. Characters take huge leaps from one place to the other without any build-up whatsoever, leading to a lot of Deus ex Machina. I can understand timeskips and all, but there is a limit. Not to mention that showing characters actually travelling from A to B adds a lot to immersion. You need to worry about that, as much as you’d like to focus on your characters!

I read somewhere once that Manglobe is the kind of studio that doesn’t have many in-house people: for all of their projects they look around the industry for the right people. They’re basically outsourcing a lot, or at least they were around the time of Ergo Proxy and Michiko to Hatchin, and back then they were really good at it. This episode though. It just screamed outsourcing problems. Otherwise it just would not have looked so rushed, especially for such an important episode in the plot. I mean, something really went wrong in the production schedule.

Anyway, about the plot: this was where the series went even more out of control, by showing elements that were even more obviously supernatural, yet at the same time they’re all human: King Torture is just a man who managed to get ahold of strange powers that allowed him to create all those monsters. He too basically is just another person obsessed with superheroes and fiction, but he spiraled into the other side of the spectrum.

For the rest of the cast, I really liked how they used the build-up: people started to realize how they underestimated what it really means to be a superhero. That it’s not just about kicking ass and looking good. They started to look beyond the glory.

But damn, you’d better make up for this episode with the second half. There’s still plenty of potential left and all, but this execution isn’t the kind that a story like this deserves!

However, someone singing really badly? Hell yeah! Finally. I mean, who is expected to sing well after such a trauma?
Rating: 4.5/8 (Good)

Posted on with categories: Anime Reviews

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you!

So to elaborate: the harem genre is one of the worst genres in anime, and it has been so for about a decade now. The worst part is the sheer amount of series that have been made of it. They give anime a bad name and the vast majority of them just completely sucks. Over the years of course, enough attempts at parodies have appeared.

The problem with these parodies was that they weren’t really parodies. They’re just harem shows with their tongue in their cheek. When you have this mentality though, you only make things worse: you’re not funny, and the tongue in the cheek is just an excuse to put in even less effort into your writing because any flaws can be overlooked this way. A lot of parodies make this mistake and just adhere to the things they’re trying to make fun of, and with the harem genre this resulted into one giant mess. The only successful series so far probably was Ben-To, but that was just a really well executed series first and foremost.

Noucome though, goes all the way. This series finally aims to highlight the stupidity in the harem genre, and it finally aims to really make everything about it look ridiculous to show what so many series nowadays are getting away with. It finally takes the usual tropes like the quiet girl, the ditzy girl, the energetic girl, the student council, and with some great jokes and its premise shows how bad these things are. The protagonist is wonderful in fully acknowledging what a horrible person he is while this show keeps finding ways for him to enact generic harem scenes, and take them to the ridiculous. For that effort alone, I applaud this series. Because it has a lot of flaws, unfortunately.

Like most series, this series does lack an editor. The writers have great ideas, but other ideas are just plain bad. For example, everything about the main female lead (the one who falls from the sky) just doesn’t work: where all other characters are meant to highlight the flaws of their stereotypes, she’s just the generic dog-like girl with no brains and a huge appetite that we’ve seen millions of times before. She gets old really fast.

Second, it’s unfortunate to see that the writers can’t keep up their wit for the entire run of the series. With only 10 episodes, this is delightfully short (a comedy really does not need to be long!), but even then the second half has a few bad episodes, and especially the last arc is a pool episode that, while still containing some good jokes, is also full of pointless repeated boob-jokes that don’t go anywhere and an incredibly rushed and hacked ending that doesn’t really resolve anything. It’s a really clear example of the creators not knowing whether there is going to be a sequel, and therefore they try to include a bit of both, resulting in a really big mess of a final episode. It’s a shame, because there really is comedic gold in good endings, yet the amount of comedies that actually go for this can be counted on two hands. Another problem this series has is that everyone and his dog conveniently gets anmnesia when the writers need it the most. It’s passable when done once, but the writers just keep relying on it.

Nevertheless, Noucome first looked to be a series with the worst premise you could imagine. It turned out to be the biggest surprise of the year for me, and especially the first half was pretty much the best way in which such a bad-sounding storyline could ever have been animated. Can we now kill the harem genre. Please?
One-Sentence Review: The first harem parody that actually is a parody. Terrible ending though.
Suggestions:
Ben-To
Touka Gettan (Also not really a parody, but another great example of how to spice up the harem genre)
Aquarion Evol

Posted on 12 December 2013 with categories: Samurai Flamenco

My reaction to this episode: okay, they are starting to stretch that annoying manager who keeps calling. I’ve seen enough anime to know where this is going: he keeps bothering her and she suddenly develops feelings for him and they become a couple and HOLY CRAP WHAT HAVE THEY DONE TO HIM!

This really is a deconstruction of the Superhero genre, or should I say Supervillain-genre, because the premise of this series is: what if earth was attacked by stereotypical supervillains”? They just identify the most visible superhero at the time to be their main adversary. But the way in which this series does its things is particularly clever, and really plays with your expectations.

The generic goons were used quite interestingly. This series acknowledges that these monsters are just a dime a dozen, and that they’re easily beaten, luring us into a false sense of security that everything will be easy. And even the random monsters that explode have a tail left behind, in the form of the dust that their explosion covered.

And then it comes with these huge mood-whiplashes that are actually really effective. The question is whether this show will keep that up for the entirety of the airtime. Shock value needs to be balanced and can only get you so far.
Rating: 6/8 (Excellent)

CHANGE USERNAME
KT
Thus Little Witch Academia comes to an end. I will miss it. Despite the mistake IMHO of the Croix Arc, this was a good series, and the last episode went back to the very elements that made me love it at the start. It was a happy series, and gave me a warm fuzzy feeling in some hard times. I thank it for it. It could had been exceptional, but I guess they wanted to try something more.Ah well.
AidanAK47
Really glad they used that Scarborough fair song one last time before the finale. I really love that song.
Anonymous1215349
SukaSuka's finale was beautiful, a great way to end a great anime.
Kaiser-Eoghan
@Aidan: I guess the big question I have is, do the character interactions coupled with what assume will be some kind of tragedy element work together well enough to make the viewer care and invest in the characters?
AidanAK47
So that's the end of SukaSuka. Better than I thought it would be. Honestly didn't give it enough of a chance in my preview. As far as light novel adaptions go it's above average. Though it does still suffer from it's cliches. Nothing outstanding but a worthwhile watch nontheless.
Anonymous1214845
Have you seen Shonen Jump is making an international manga contest? https://medibang.com/jumpplus/entry/
SuperMario
@Lenlo: you know it when you see it. At first I didn't believe they jumped the shark, but based on the events after that twist, yep it has settled for something much cheaper imo.
Lenlo
For Bahamut, im still enjoying it and we have another cour to go. I think it, and the first Bahamut, are good shows. For Kado, im only on ep 4 so im very curious what shark gets jumped
Kaiser-Eoghan
I think given the pace I'll watch 1-2 or 2-3 episodes of re creators instead of once a week.
Kaiser-Eoghan
In the end Bahamut suffered the same fate as the first one, I could never call it a bad show, I just never ended up feeling it.
Kaiser-Eoghan
I've given my thoughts on tsuki ga kirei before on here but I'll add by saying that I never expected it and uchouten 2 (despite the weak wrap up I liked the lead up) to be my favourite of the season.
Kaiser-Eoghan
About five years ago or so could have seen myself really having been in the mood for LWA.
Kaiser-Eoghan
I wasn't as impressed with Uchoutens finale as Mario was,I found myself more annoyed by how clumsily done it all was.
Kaiser-Eoghan
For me kado jumped the shark with its latest direction and Aidans review along with flicking through this weeks episode kind of confirms I'm done with the show. A show I was initially unsure of but thought might become something.
AidanAK47
@Anon, Yeah....at least LWA's finale was pretty good and I think there's a possibility of a second season. With the Criox/Chariot plot line out of the way I say they could really bank on it's potential. Even if they don't, this series was still quite enjoyable.
Anonymous1211365
Man I couldn't agree more with Aidan about LWA and Kado. I still like and enjoy Kado but damn it could have been so much more.
Kaiser-Eoghan
Ntr trap appears to be a non-seinen/shounen yuri manga given its publication magazine.
Vonter
Not all people work as fast, but that's what companies expect nowadays. Which is why CGI is preferred over practical effects. Or even why anime has used more 3D that painted backgrounds, cars or other props that take time and work to be drawn.
Vonter
No. I get deadlines are tough. Companies and customers want everything made as fast as humanly possible, yet reality is that making things good takes time and money. I wouldn't be surprised that's why Berserk comes out every 6 months, the art is too detailed and the story is slow paced. Yet the anime was planned to be made in a year or two so it's evident either way, crunch is expected.
Lenlo
I think you misunderstood what he meant when he said the industry was a mess. Mangaka routinely work themselves into a hospital because of the demanding schedule
Vonter
Then there's the franchise appeal. Which inherently gains something because of persistence, awareness and name. It is hard when great visual effort is mainly put in things that are guaranteed to be a hit, because original stuff tend to make mistakes to find their own identity. Which in itself makes them very risky affairs.
Vonter
It's also a heavy flaw of the internet, having mainly binary opinions of good or bad. Which makes it hard to tell if you'll like something in the 7s like Nier or Alien 3 (might not be a 7 but opinions make it sound like it is). Divisive products that may or not may suit one's tastes.
Vonter
Personally I think the issue has become what suits your tastes, what are you willing to give a chance and what hits beyond the medium it is presented.
Vonter
@AidanAK47 "Manga in general is great but Jesus Christ the industry is a mess". - I mean, movies, games, and other entertainment have the same issue, since everyone has a big slice of the pie, yet there are like a million things competing for one's attention.
SuperMario
On that note, apart from the 3 shows I'n currently covering (Eccentric Family, Tsuki ga Kirei and ID-0), I will give a full review on Grimoire of Zero, a show that I feel rather difficult to pinpoint exactly on its quality.
SuperMario
Can't believe we approaching the final week of this current season. Gonna be a busy week of blogging with the usual weekly posts plus the final impressions.
SuperMario
@Anon1206174: I agree with you on both counts. And Sakura Quest has never been bad, but it could have been deeper and less messy. If you plan to watch ID-0 (I suggest you do), don't get your expectation too high because it works much better when you expect nothing of it. Like each episode I was genuinely surprised how good ID-0 actually is.
Kaiser-Eoghan
I remember one of Aidan's visual novel posts where he said theres potentially hundreds of VNs un-translated and LNs too, makes me wonder just how much un-translated manga we are missing out on.
Anonymous1206174
The ID-o posts sound pretty interesting, I am really thinking of dropping Sakura and watching this instead. Really loved the beginnign of Sakura and that abandoned town atmosphere it had, but I am not feeling it anymore. The recent episode about Shiori was great again though..
Kaiser-Eoghan
*looking
Then again he's an extremely forgetable person.
Kaiser-Eoghan
Oh Godammit, looing back over my comments I meant to say Souta not Setsuna, I suck at remembering non-English names.
Anonymous1205999
Meh - I really like this season but I already have my first cases of 'good-show-disappointing-ending/second half'
Anonymous1206022
KT Here:RE:Creators , we need to know more about the rules for Altair to see if that works. It might, and it might not. With what they know they have a good plan. But I was thinking why not just do a Super Smash Bros type game with the characters? I am sure that would generate enough stuff in order to lock her.
SuperMario
On Re:Creators, I find a better solution instead of going all cross-media like the show suggests. Someone could just make some fan-fiction on Altair that purposely show her weakness (like get busted when expose to the sun, or the magic word that render her skills useless). Less efforts, more effective
SuperMario
Man, I agree wholeheartedly with what KT said here: mass media actually sells, so it keeps the industry to a more stable position; then the art-house/more adult oriented anime can have some freedom to do what they like.
Kaiser-Eoghan
I think its more that I have to read it all at the same time as expecting action to come , it might change my mind if I watched it in English.
Anonymous1205580
KT here: I accept the mass media because it raises the funds for the less mainstream stuff I like. That is how I make my peace.

On RE:Creators. I get what you guys say. But for some reason I do not find the exposition heavy in this series. Every person has his own limit I guess
Alonaria
@Kaiser: Yep, that sounds about right, lol. I take my Sheldon in concentrated doses. I might give the Young Sheldon spin off an episode or two because it's highly exaggerated but still somewhat relatable to me.
Kaiser-Eoghan
I feel big bang theory is a show for people who know nothing about nerds/nerd culture to find funny.
Kaiser-Eoghan
And then theres this thing about Sheldon being some kind of autism spectrum thing , which is kind of annoying to hear when I am on the spectrum myself and never really found the character all that amusing.
Kaiser-Eoghan
Probably not the strongest reason to go off a show but, it was people around me going on and on about big bang theory that eventually put me off it.
Kaiser-Eoghan
lol is it any surprise Miura and the hunter x hunter guy take so many breaks =P
Alonaria
*Sheldon
Alonaria
I pick and choose Big Bang episodes that I enjoy. Shelden in the ball pit never ceases to amuse me. Still, it's definitely overrated haha.
Lenlo
IT Crowd > Modern Big Bang. Early Big Bang was good.

And yes, the work conditions in the Manga Industry are terrible. Oda, One Piece Mangaka, works stupid hours. He requests his assistances be "Willing to die for One Piece" because of the amount of work.
Kaiser-Eoghan
And hell yeah"! someone else thats hates on big bang theory.
IT crowd > big bang.
Kaiser-Eoghan
*more safer
Kaiser-Eoghan
And yet now here I am at same time, I think it might be kind of a shame that I can't see the value and fun anymore in some less safer offerings.
Kaiser-Eoghan
I thinking I might go insane if I looked up comments defending the visuals in occultic; nine.
Kaiser-Eoghan
Hate to say it but sometimes opinions, mainstream ones are actually wrong. Its a fact that superhero films have bad action scenes and cinematography and Hardboiled, a chinese action film is better filmed in terms of choreography.
Kaiser-Eoghan
As dickish as this is to say, I really do recoil when ssomeone says something like the Notebook or fifty shades is the best film of all time/their favourite.
Kaiser-Eoghan
See theres also factoring in the people whos favourite film or anime of all is the most recent they finished.
Kaiser-Eoghan
I remember mentioning recently that I was re-watching the twilight zone, the response I got was "I thought that you were talking about twilight"
Kaiser-Eoghan
See thats whats so great about being able to talk about more niche stuff online, theres an easier to find common ground.
AidanAK47
In general when it comes to mass popular opinion it's the tried and true safe stuff that ends up selling. The highest selling Mario games are the New Super Mario ones. The same generic Light novel and harems keep selling. There are plenty of examples but majority opinion tends to gravitate to the safe and familiar.
Kaiser-Eoghan
See, most (offline) people (and or teenagers)who aren't really all that interested in film or don't look into it that much will turn out for things like fifty shades, transformers or twilight, thats why those are popular. Most people aren't going to watch something made more than a few years ago or subtitled.
Kaiser-Eoghan
Oh...lol fuck thats a blunder...yes I meant Re:creators.
Kaiser-Eoghan
But by all means, people are fully entitled to like what they like. But there is a reason why so much rubbish gets popular.
AidanAK47
@Kaiser, Re:Creators.
Kaiser-Eoghan
As someone who would actually consider themselves creative and interested in things being imaginative I really do hate the whole anti-creativity /anti-art, anti-intelligence movement and way of thinking that allows un-deservedly popular things like what Aidan mentioned to fester.
Kaiser-Eoghan
Yes Re:zero's poor pacing and leaden dialogue is becoming too dominant and there should be more action, its good Setsuna opened up, but I still don't particularly like him.
Kaiser-Eoghan
I imagine the magazines/editors probably consider themselves the writers sometimes.
Kaiser-Eoghan
Pretty sure I only read nisekoi because I was keeping up with conversations about it, then dropped it before the Chitoge doublie showed up, just stopped reading.
AidanAK47
On the matter of Re:Creators, I feel the same as the Anon said. I find the exposition to just drone on far too much.
AidanAK47
On the matter of the manga industry being shit...it is. Manga in general is great but Jesus Christ the industry is a mess. Work conditions are utterly abhorrent and it's even worse that most series live or die based on a magazine popularity poll.
Because just because something is popular, does not mean it is quality. Example: Transformers, Twilight, Fifty shades, Sword Art Online, Big Bang theory
AidanAK47
@Anon, Still not getting your logic here. I mean if I have a problem with it after trying it then why am I not allowed to complain about it? Anyway it is only popular for the pandering. Even those who like Nisekoi admit that it's a mediocre harem and they mainly enjoy the waifu wars on the internet.
SuperMario
and now we will resort to illegal streaming sites for this one. "Piracy is almost always a service problem and not a pricing problem", this f*cking true
SuperMario
Huh? Welcome to the Ballroom Anime Gets Amazon Prime-Only Streaming Inside and Outside Japan. Now that just unbearable
SuperMario
Don't know about this new Re:Creators episode since I haven't watched it, but I don't really mind Meteora. Her dialogues scream "exposition" but she still fits well to the story. The fights are good, I agree, but why didn't they go all the way with the world's collapse last episode?
Anonymous1202407
Whether Nisekoi is pandering or not, it is not enough proof for you to suggest that manga industry is shit. If u want good mainstream then its not that hard to find. Also for every success like Nisekoi which u claim to be pandering, there are dozen like it that failed to be popular. Why? Because it clearly is popular for a reason other than just simple pandering.
SuperMario
Ha, Ping Pong. I need that kind of show again in my life.
Lenlo
Also, Ping Pong is amazing.
Lenlo
Theres a difference between pandering to a large audience, and an anime/manga with a quality story that everyone ends up liking. Ive always found moe shows and things like Nisekoi to be the former.
Anonymous1202407
If you have a problem with it after trying it just dont read it. Its that simple. Also what a surprise that a show like nisekoi that appeals to a large demographic is popular. U want the mangaka to apologize it's not some art house story like Ping Pong?
Lenlo
Meteora is pretty hit or miss with her dialogue imo. Sometimes its great, othertimes its not. I can say though I enjoy most of the fights.
Anonymous1202113
I really want to like Re:Creators. To be honest though, I'm getting tired of the dialogue. It has its high points, but it sometimes just seems to drone on and on, especially with all of Meteora's "hypotheses."
KT
Both Bahamut and RE:Creators had great episodes. But I was indeed mentally screaming Super Smash Bros at RE:Creators. You will get the point when you watch the episode.
AidanAK47
Taken on it's own, Nisekoi is harmless. But it is undeniably proof that you need not be creative or innovative to succeed in the industry. In fact declaring creative bankruptcy could turn more fruitful than genuine effort.
AidanAK47
And I said how can you decide you don't like something if you haven't read it?
Of course you are likely mean that if you don't like something then give up on reading it further which of course does not mean that someone cannot complain about it regardless.
Anonymous1198985
No, Im said if you dont like nisekoi dont read it
AidanAK47
@Anon, How do you know you don't like it if you don't read it?
Anonymous1196967
Don't like it don't read it.
AidanAK47
I went and read Double Arts. This really was a great manga with tons of potentail and truly didn't deserve the axe. It's so depressing that this was cut off so soon and the author went on to make the most generic Harem ever Nisekoi, and that got over 200 chapters.
Lenlo
All of the important dance scenes for Yuri were fantastic, its just some minor one off characters and some reused ones that were an issue, so no they are better than the CGI
Anonymous1190387
Is it worse than those CGI dance scenes in some anime?
AidanAK47
@Puran, It is pretty surprising how well that story turns out. I say IG might do the job even if there animation isn't the most consistent. The one thing I am worried about is those necks though. In the PV those things were ridiculously long.
Puran
Fair enough, recycling the animation was bad, agreed. But the animation itself was really good.
Lenlo
See, I found the repeated dances in Yuri one of the worse parts. Alot of it was recycled animation and certain characters were obviously rushed/not done. Some were amazing, cause they took their time, but others looked terrible.
Puran
I kinda wish Mappa was doing the anime though. Yuri on Ice had really nicely animated dances (and was more or less the only actually good quality of that show :P )
Puran
Reading the Ballroom e Youkoso manga has made me really excited about the Anime.
Kaiser_Eoghan
@Aidan: I'm particularly turned off by bully/bullying cliches these days. I've only read the first two volumes to see how awful she was but I ended up simply losing track of the series and stopped reading.
Kaiser_Eoghan
@Mario: Actually that has changed, I had to pick a different day to see it given changes in schedule, I've booked it for NEXT Wednesday now. I've watched Akira about four times.
AidanAK47
Oh, Rising of the Shield Hero is getting an anime adaption. Hmmm...honestly after finishing the series and looking over it as a whole I am not sure I even want that. Plus seeing Bitch Animated...would fill me with rage.
SuperMario
I intend to re-watch Akira soon, probably this weekend. It has been almost 10 years since my first watch and now I don't remember much about that one. Thought it was intriguing and complex but not as acclaimed as people hyped it to be (I'll pick Ghost in the Shell anytime). Wonder how I'd feel now after re-watching it.
SuperMario
@Kaiser: I remember you mentioned that you were going to watch In this Corner of the World today right? How was the movie Kaiser?
Lenlo
Oh cool, food wars is getting a 3rd season
Kaiser-Eoghan
Ballroom youkoso appears to be leading the polls.
Kaiser-Eoghan
@Mario: Fumiko is a female mangaka yes. Also I found bokura no hentai worth reading.
SuperMario
yep, I finished that manga too and I have conflicted feeling about it. Yuri(!) part and fanservice are to blatant but they have a purpose. This mangaka (not sure but I think she's a girl) has some unique voice.
AidanAK47
....well I skimmed that manga. And it was weird
SuperMario
By all appearances,Sakura is normal,albeit sheltered junior high school girl who enjoy talking about love and walking home from school together.However,they also happen to inhabit a strange and supernatural world populated by mysterious,gigantic beings and unusual plant and animal life.Amid their peaceful lives,Sakura becomes very interested in something only alluded to exist in old books: dicks
SuperMario
Here's a synopsis of other manga from the same author, I think you'll have a better idea of his theme -
Sakura no Sono
AidanAK47
Pretty much what Masky said. I am not really praising it. Anyway I plan to read one or two more chapters to see where it's going. But if it's going in the direction I think it's going then I am dropping this one fast.
Kaiser_Eoghan
There is of course the underlying concern that it will go a very ugly route with that development or it could become edgy/horribly minipulative, but for now it is as mario said, a hook.
SuperMario
Well. overall I don't dislike what I read there. It has good hook and I'm intrigued to know more what the hell will happen. Good set-up for me. I'm in
SuperMario
@Masky: it's fine Masky, since I will chec itk out any way and see it for myself ^^
Masky
So since you guys started being interested, I checked it out and uh.. Yeah, not reading. I think ye guys misunderstood Aidans warnings since that was just fucked up and not in the interesting way.
Lenlo
@Aidan: Berserk will never again go more than 3-4 months without a hiatus.
SuperMario
Hmmm, that manga Cutie Mutie sounds good to me. I might check it out later today
Kaiser-Eoghan
@Aidan: But had you not alluded to that scene, I may have seen the cover of that manga and skipped over it.
Kaiser-Eoghan
@Aidan: I had a feeling, sort of, sad, I am intrigued to read more.
AidanAK47
Hyping and warning are not the same thing.
Kaiser-Eoghan
Well with Aidan hyping up the horrors of cutie mutie I may as well glance at it to see what he' on about.
Kaiser-Eoghan
There are three manga with the name rec.
Kaiser-Eoghan
I am familiar with the artist for cutie mutie, she did that manga about the three kids dealing with gender/orientation issues.
AidanAK47
Oh look Berserk is on Haitus again....
.....the sad thing is that it comes as expected now.
AidanAK47
For reference the two I read were Cutie Mutie and Rec. Be warned, the first one goes to a rather uncomfortable level.
AidanAK47
@Masky, Read two manga. One started lighthearted and then went to really dark territory. The other one looks like it's about a really dark subject but turned out to be something more lighthearted.
AidanAK47
@Mario, Alright. Tested it now so it such be fixed. Try again.
Masky
@Aidan: Huh? What you read that turned dark/didn't turn dark? .-.
SuperMario
"too many answers selected for question 1! only 3 answers allowed!"
SuperMario
@Aidan: I still have the same issues. Weird
AidanAK47
@Mario, Wasn't my intent. Try it now and you should be able to pick as many as you want.
SuperMario
@Aidan: I'm not allowed to vote more than 3 votes. Is it your intention Aidan?
AidanAK47
Well that was weird. I read something that looked innocent but turned out to be really dark. Then something that looked really dark only to become innocent.
Masky
Yeah, nothing that interests me I see :D Like my strongest reaction to season preview was "Someone made isekai with smartphone? Really? REALLY? Thats best idea you had"
Masky
Ah Knighs and Magic, found that manga. It was boring enough for me to forget its name. Also besides being boring, I kinda find MC unlikeable since their only personality is that they like mechas and were a programmer before renicarnating as short bishie kid
Masky
Woo, time to vote stuff
SuperMario
@Kaiser: that movie In this Corner just getting more and more acclaimed huh? Thou I think it'a a type of movie that if you have high expectation for it you will likely be disappointed. It works best as a sleeper hit
SuperMario
As for cute monster girls, most of the time I don't find them cute at all. I know I'm being racist, but...
SuperMario
@Lenlo: I'm guilty with that cute girls genre, as i enjoyed K-On tremedously for example. Or If I have more time I'd follow Hinako Note this season ^^
Kaiser-Eoghan
They don't always adapt all that well or work as well outside of manga format, especially 4-komas.
Kaiser-Eoghan
*three
Kaiser-Eoghan
The only two of any interest were hidamari sketch, azumanga daioh and yuru yuri and that was largely down to being in the mood for them a few years ago.
Lenlo
@Mario: Personally, I have 0 interest in this Monster girls doing cute things subgenre, just like I have very little interest in the cute girls doing cute things major genre.
Kaiser-Eoghan
@Mario: As it turns out I DID read in this corner of the world. I'll also be seeing it next thursday.
SuperMario
@Kaiser: at this moment I'm very skeptical with the whole Monster girls doing cute girl subgenre, so I'm approachig Centaur with a caution. Of course, it all depends on how I feel after the first episode
SuperMario
@Kaiser: Happy End isn't as bleak aa his other works. But it's certainly Hanake's films, as it explores many of his favorite themes: the voyeurist of camera in his Benny's video, the detachment to the world and the underlying violence. Not his best thou but it's still very good
Kaiser-Eoghan
I think I'd be up for watching jigoku shojo, its been a long time since I watched the original two seasons and this one won't be as long, so it won't get as repetitive.
Kaiser-Eoghan
I voted centaur no nanami on the poll, think Mario could cover it.
Kaiser-Eoghan
@Mario: How did did you get on with Happy end? I heard its like a mix of his best works. Is it as dark and depressing?
Kaiser-Eoghan
I have vague memories of in the corner of the worlds manga, unless I'm mixing it up with something else.
SuperMario
Some news, Lu Over the Wall won the best prize at this year's Annecy (the 1st anime won the award since 1995's Pom Poko), with In the Corner of the World took the Jury Prize. Quite a good showing for anime this year.
AidanAK47
@Anon, Hello.
SuperMario
Really, still no vote for Kakegurui?? I thought it would take the top poll for sure
SuperMario
That 18if, even the poster doesn't make much sense, but it looks dazzling ^^
Lenlo
go-go licensed products!
SuperMario
@Lenlo: and Madhouse is the studio behind that Marvel rip-off. Are they really going that low for profits?
Total users: 24

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