Posted by psgels on 30 December 2013 with categories: Anime Reviews, Kyousogiga


Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love getting worked up a bit about what if the show did get everything right. That’s why there is no one “best series” out there.

A show that I really didn’t have anything to say against, that really seemed to cater exactly to someone with my tastes, is Kyousogiga. Seriously, to me, that show was perfect and it hit every right note.

This series is really well made: the animation is consistently good, with very few moments of weaknesses. The series looks really good, but that can be said for a lot of series this season. What the animators also did however, was that they made the faces of the characters incredibly expressive, more than any other show that aired alongside it. The variety is great, and the camera always knows how to capture them in the most genuine ways. The way in which they’re able to keep this up for more than 10 episodes shows that this was a series made with a lot of passion.

This is a series that’s deeply rooted in Buddhist themes: not only are there many monks in the series, but also many characters from Buddhist folklore make cameos, the whole world this is based on has many winks here and there to the religion (although Shinto also has its noticeable roots here), combined with plenty of ideas of its own. This all combined leads to a very detailed and imaginative setting that is perfect for a short and whimsical series that can be enjoyed by all ages.

One complaint I’ve hear a lot is that the big conflict of the series isn’t really that big, but that’s something I actually liked a lot. To be vague for the sake of spoilers, Kyousogiga is about the inner turmoil of a family of characters with world-changing powers. The latter may seem serious, but the end resolution is much less dramatic than what you might expect. And I loved that! It’s got plenty of conflict, but for once it isn’t all gloomy. There is really no villain whatsoever, nor anyone who even remotely looks like the stereotypical evil villain who is out there to destroy the world for some superficial reason, even though this might appear to be the case at times. The entire series however is focused on the characters: them coming to terms with their identities and the ones around them. It’s one of the few series that in the end, manages to be epic while keeping the focus on the characters and their issues, without taking any cheap writing-tricks to simplify things near the end. It’s got plenty of touching moment, its just not as grand as what it was made out to be.

I was a long-time fan of this series, so obviously I’m biased. The creators actually managed to incorporate the OVAs into the series and integrated them seamlessly, so you do not need to watch anything before starting the TV-series, aside from episode 05 of the second OVA, and even that isn’t really necessary. This series makes use of vague storytelling: not everything is told or stated explicitly, but you’re also expected to think a bit for yourself and piece things together, and it does that in an intelligent way, rather than what you usually see where the creators obviously ran out of time (this series is also perfectly paced, not too slow nor too fast).

If you want to know whether this series is for you or not, ask yourself the question of what you want to watch. If the answer comes close to a series which excels at bringing animation, music, story, characters, setting, and all together flawlessly, then by all means give this a chance. If you’re looking for complexity or grandeur, or something mundane though, then there are better choices.
One-Sentence Review: Lots of love and passion
Suggestions:
Mahou Shoujotai
Strange Dawn
Ooedo Rocket

8 Responses

  1. dango says:

    I agree with this review 100%, favorite series of this season.

  2. Hogart says:

    Kyousougiga is definitely a nice little anime that will impress certain viewers more than others, but is worth almost everyone’s time (it’s only 10 episodes after all).

    At the end of the day it’s a good take on some classic staples that anime rarely executes well to begin with, and at least it doesn’t blow its wad on another needlessly overwrought story, only really doing what it sets out to do (more or less).

    I’d say the execution is just a bit overwrought, or perhaps they couldn’t get 12 episodes of time and had to cut it down to 10, thus making the middle bits a bit choppy in places and potentially deflating the ending a tad for viewers liking their drama a bit punchier (not that I remember it ever being downright bad).

    It’s at least solidly entertaining and comes much closer to timelessness than usual, and it feels like a breath of fresh air compared to most of what’s aired this year, so I’d say it’s earned its fanbase.

  3. Petit Orenji says:

    The setting and graphics definitely made the watch worthwhile. I wonder if you really like semi-superflat graphics, since the shows you’ve donned higher scores to are often those with interesting shading techniques. Studio 4˚C must be a close favorite of yours.

    I have no problem with subtle conflict development and resolutions, but the conflict and the solving of it in the series was just unclear. When it’s more ambiguous than not, viewers will usually respond with “what are these characters doing, why are they feeling what they’re feeling, and why should we care?”

    Out of pure curiosity, if you had not had a long history with this story and its characters, would you still have rated it as high?

  4. ShadowMoon says:

    In my case the problem was exactly how mundane both characters and storytelling ended up towards the end, falling short compared to the creative and emotional setting. It kinda feels like the creators lacked something to finish what they started in such a high note. Still, one of the best rides of the year.

  5. Cytl says:

    I liked all three deliveries of Kyousogiga but my favorite was, by far, the 2012 OVA set, where not everything was explained yet we could get inside the characters. It felt much more stimulant.

  6. witchy says:

    I love the ending and overall. I plan to re-watch it with a different subber though because somebody told me everything is more understandable with another subber.

  7. Spike says:

    I never watched the ovas and I thought the show was great. It was confusing but in a good way… if that makes sense. It kept me intrigued as opposed to frustrated is the best way to put it. Controlled chaos makes for a fun watch.

  8. ModeX says:

    you need to add another entry for best music, because the new kill la kill ost is so orgasmic!

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  • Bam
    (Sunday, Jun 26. 2016 05:46 PM)
    I praised Fate/Zero for its story, pacing and charismatic protagonist. UBW I agreed to its superb battle animation and overall quality of first cour. Now when someone watches EoE or Eva Rebuild 2.2 and comments on nothing of quality, then who is the biased one here really?
  • Bam
    (Sunday, Jun 26. 2016 05:34 PM)
    If anything at least call Shinji a shitty annoying character- cuz even I won’t deny that.
  • Bam
    (Sunday, Jun 26. 2016 05:25 PM)
    When I mean discussion I don’t mean a series of personal likes and dislikes- but judging objective elements: plot consistency, animation quality, restrain in fan-service and pandering, over reliance on tropes and cliches, etc. Otherwise we all have our different preferences.
  • Bam
    (Sunday, Jun 26. 2016 05:20 PM)
    I agree with the cons of Eva, as well as its strengths. Same with Fate. Being pessimistic is a stance, not inherently a flaw. The setting of Eva predicates that tone. If anything I have a bias towards Berserk, and that’s mostly all out of nostalgia.
  • Bam
    (Sunday, Jun 26. 2016 05:16 PM)
    Also what ladies? Even the “gentlemen” part is stretching it. It’s very easy for someone who didn’t follow anime 20 years ago to criticize one of its most historic moments. At least this Tenka Seiha fella doesn’t talk smack about what he doesn’t really understand.
  • Bam
    (Sunday, Jun 26. 2016 05:06 PM)
    Being bias is not admitting to reasonable faults, not agreeing to them. Trying to exclude the historic significance of a show is not a calm rebuttal, but a desperate attempt to undermine. What is bias is defending Shirou’s childish idealism. Even Nasu realizes how ridiculous that sounds, and makes a point to counter it with one of his own characters. Although by the end he gives in and then pulls a Deus Ex Machina by reviving Archer one last time to tie up loose ends.
  • AidanAK47
    (Sunday, Jun 26. 2016 04:14 PM)
    You are the one whose not calm. Minute I say one negative thing about your precious EVA and you get riled up. And I don’t even hate the show, I just don’t think it’s the pinnacle of the medium.
    Ladies and gentlemen, presented below is the purest form of complete total blind Bias.
  • Bam
    (Sunday, Jun 26. 2016 04:02 PM)
    Now if someone wants to have a calm discussion about it I’m more than willing to partake. But if you hate the show then that’s fine, just let it be.
  • Bam
    (Sunday, Jun 26. 2016 04:00 PM)
    That’s the end of my rant. I know I won’t change any minds that have already been set, but K-off wanted to know what I found appealing about the series, and I gave my honest opinion.
  • Bam
    (Sunday, Jun 26. 2016 03:32 PM)
    An anime original that wasn’t an adaptation of some manga, LN or VN gave it a certain charm and unpredictability, which is absolutely a welcomed addition. Now I’m not gonna deny its plateura of problems, but it’s hard to sit back and hear people call Casablanca shit because it doesn’t have the flair and optimism of Age of Ultron.

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