Posted by psgels on 31 December 2013 with categories: Yearly Summaries

And so, 2013 has nearly ended. It was an interesting year, in which a lot changed. The way I look at this blog has changed, and at the same time I have been making less posts. I just couldn’t keep up with 12 posts a week anymore, however I still have my passion for anime, especially the good ones.

Having said that though, 2013 is the worst year for anime since the past decade, and I’m afraid that I need to say this. The big problem lied in the amount of series that aired. Every season had its gems, however when you look beyond these gems, that’s where the problems lied: everything just looked the same, and there were lots of series that had potential, only to get bogged down by bad writing. This is the year I really realized that the way in which most anime are written is inherently flawed, with too few writers working on too many projects and people not really thinking about making anime whole conclusive stories that stay consistent. I’ve seen so many promising series this year that only ended up meh, when they could have been so much better, so it’s really a shame to see this.

As for the good stuff though, there thankfully were quite a few series that did catch my attention. Here are my highlights. Unfortunately Hajime no Ippo and White Album are not included because I’m really behind with them at this point.

Worst Series


There really were some stinkers this year that at first sight looked like they had potential. As much as I’d like to hand this award to Valvrave for pulling the rape-card from out of bloody nowhere, it had nothing on Amnesia. At first sight this looked to be an interesting mystery-series, however every single character save for one in the series was a total prick. The worst was the stalker one with the cage. I mean, did nobody on the production team stop to think “wait, this is completely stupid”?

Worst First Episode

Walkure Romanze

Oh god, there really was a lot of bad stuff this year, though most of the ones fell into the category of “so generic that they’re bad”. On top of that there also was the usual terrible incest, as well as the many, many shows that were simply thinly veiled fanservice. It was hard to just pick one that stood out, however I have to go with Wankure Romanze. It’s really here where the creators just gave up completely trying, treating their audience like a herd of lobotomised sheep. This episode really screamed “just whatever, I dunno. Have a horse that eats panties or something so we’ll at least get some viewership. I don’t care”.

Biggest disappointment

Yozakura Quartet – Hana no Uta

Despite being a big fan of the director and the OVA, I really don’t think that I’m going to be able to finish this series. Why? Because the story is just random fluff. Okay, I guess stuff happens aside from its horrible fourth episode and all, but when I really ask myself whether that’s interesting to watch for a full season… I have to answer no. Even though the animation is just completely fantastic… the rest just wasn’t.

Most Pleasant Surprise

Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru

I was ready to immediately write this series off as the umpth light novel adaptation with a ridiculously long title and having it be nothing more than a glorified boob parade. And then the first episode aired, and it was actually the best thing that the creators could have done with such a horrible premise. The creators made this actually a really funny parody, and they kept it up for about seven episodes. I really did not expect that.

Funniest series

Yondemasuyo, Azazel-San

Oh, Azazel-san. You sure gave me quite some headaches this year. On one hand, you made me laugh harder than any other series this season, but on the other you had these completely tasteless episodes that tried way too hard to go for laughs with their shock value. Every episode we would hope that we’d strike gold, instead of literally poop. However, when you hit, you hit hard. The characters at their best are absolutely hysterical with their brand of sadistic humour and energy that very, very few series can match, and you had me nearly fall of my chair on multiple occasions.

Best Animation Studio

Production IG

This year, I was torn between Madhouse and Production IG. They really rose to high standards this year with many great series. The reason why I handed it to Production IG though, was because Madhouse has been too much into its own franchises: as amazing as Chihayafuru’s second season was, it was a sequel. Hajime no Ippo is great, however, it already has so many episodes. Hunter X Hunter too has been going on for ages: they played it way too safe. Production IG meanwhile went all out with Psycho Pass and Shingeki no Kyojin, they did something really bold with Kick Heart. Sure, they had their sequels, but they had a balance between old stuff and new stuff, which I didn’t notice that well in Madhouse’s case.

Most Promising Studio

Wit Studio

Every year I also hand out an award to a studio that’s either really new, or made a huge improvement over the past. With this year, it’s obvious that it would be Wit Studio, the subsidiary of Production IG. Next season they’re out on their own, and if Shingeki no Kyojin is any indication, then there is a lot of talent hiding amongst them, and I hope that they can follow Bee-Train’s example and become a good standalone studio in the future!

Best Action

Jojo’s Bizarre Adventure

It took the award last year, it also takes it this year. Jojo is just so wonderfully over the top and every episode was just loads of fun to watch. It really was everything that the shounen genre should be, and I can understand why it got so popular. However, it did have much more competition this year. Kill La Kill is a huge contender for next year’s award with the way that it’s going, and Shingeki no Kyojin also was really exciting to watch, from start to finish. I really had trouble with the award this year, as opposed to last year.

Best Horror

Aku no Hana

Pure psychological horror, but oh my god, this show was so effective in drawing me into its atmosphere. There was hardly any point at which I wasn’t at the edge of my seat, and that’s what I consider an amazing horror-series.

Best Background Art

Shingeki no Kyojin

This year, I want to give props to the incredible amount of polish that the creators put into the backgrounds of Attack on Titan. They really created a medieval-ish city and the amount of detail that went into it is astounding, and it looks consistently crisp. The creators obviously spent a lot of money on it, and it did pay off.

Best Animation

Yozakura Quartet – Hana no Uta

There were lots of really well animated series this season, a few too many, if you ask me personally, however Yozakura Quartet to me was the best, because of its focus on kinetic energy that was very visible in its movements. Its animation wasn’t just a bunch of money shots, the creators really cared about natural movements and interesting poses, they really wanted to create movement, and they did that better than any other series this season. It’s just a shame that the animation was the only thing noteworthy about this show.

Best-Looking Series


This award goes to the series that just looks incredibly good, regardless of animation. The artistic direction here is important, and Kyousogiga had that, and much, much more. For 10 episodes there were hardly any weak moments in the animation, and everything just looked gorgeous. Close seconds are Chihayafuru and From the New World, not to mention the trippy Jojo’s Bizarre Adventure and the gritty Aku no Hana (I don’t care: I loved how Aku no Hana looked, with its own unique and distinct style; so what if it wasn’t crisp).

Top 20 of 2013

#20: Teekyu

Wildcard: Teekyu is just something to sit behind, turn your brain off and enjoy the spectacle. Nothing special, but damn entertaining to see all of the things that the creators can throw to the screen in the span of only two minutes per episode.

#19: Yahari Ore no Seishun Love Comedy wa Machigatteiru

Light novel adaptations with really long titles had previously been notorious for being bad, lazy and incredibly contrived for fanservice. This year, there were two series that broke that trend. Noucome (resting at place 21 due to its rather bad ending), and Yahari Blahblah. This series starts off with the generic ingredients, but I don’t know. Along the way something happened that set itself apart from its contemporaries. The dialogue, it was actually cleverly written. It actually takes a deep look at its characters, and creates some thought-provoking drama out of that, rather than going with the usual cheese. The characters in this series all look like completely generic stereotypes, and yet they aren’t. This series could have tried even more though, and there are some stories that are a bit lacklustre compared to the others, placing this relatively low at this list.

#18: Yondemasuyo, Azazel-San

Yondemasuyo, Azazel-San’s sequel contained both the best, and the worst episodes of the season so far. The Moloch-episodes were obviously awesome, but a few other arcs were also comedic gold. And then there was the haemorrhoid arc. What on earth were the creators thinking? It’s a series with huge ups and downs, but its own brand of incredibly vile and sadistic comedy somehow worked for me.

#17: Kamisama no Inai Nichiyoubi

Kamisama no Inai Nichiyoubi is nothing really fancy, however it did create its own fascinating setting that it rolled with for thirteen episodes,. It did have a tendency to suddenly pull twists from out of absolutely nowhere, but it barely avoided those becoming Deus ex Machina, and it consistently asks questions about life and death with its strange portrayal of the undead. It could have been much more because the series just ends after a random arc has been resolved, however, the characters all made it very worth watching.

#16: Uchuu Kyoudai

Last year, I made the prediction that for 2013, this series again would have been a great contender for the number one spot, however, something happened along the way. The series remained a wonderful look at what it means to become an astronaut, it still was fascinating. The problem however, was the pacing. Things started to take forever to get going, and every episode on top of that started with like two minutes of recap. The creators were simply coasting on the manga to carry them through, and you couldn’t see the passion of the first fifty episodes any more. The creators made the mistake of going on for way too long, lessening the experience. It’s such a pity, because this series really stood out: it had characters in their thirties for once, and the synergy between them is just amazing. However you also need to learn to not overstay your welcome.

#15: Gatchaman Crowds

Anime is a great storytelling medium, but usually they really aren’t up to date with current events. Some shows nowadays still feature the Tokyo Tower as the highest building in Tokyo, for example. Gatchaman Crowds however, is about social media. It’s very clunky, but it portrays a setting in which saving the world is crowd-sourced: through the internet everyone contributes with stuff like saving the day and protecting the earth from aliens, and from that base setting it creates its storyline. The characters aren’t the most relatable, however they serve the purpose of exploring this setting. The pacing is ridiculously fast, but in the end they pulled it off with also quite a great ending to close off with.

#14: Samurai Flamenco

Samurai Flamenco, I’ll put you at number 14 for now. This can become much higher, or much lower next year. The series started off really well with a sortof realistic view on this idiot who wanted to play a superhero. And then episode seven happened, and it was awesome, but afterwards it just kept getting more and more ridiculous, to the point where we are now just watching a completely different series. It’s really a bizarre series and at this point it really could go anywhere. I do have to give props for having the balls to actually try what it did though.

#13: Silver Spoon

Silver Spoon: a meticulously planned out look at what farming life is. It has lovable characters, it’s fun to watch, but at the same time it also doesn’t shy away from the realities of farming: that animals are killed in the process, in order to make a living. It shows both sides of the picture, and never really leaves a moment or episode wasted, and it’s filled with interesting trivia. Not to mention that it made me hungry on a regular basis.

#12: Uchoten Kazoku

Uchoten Kazoku is a look at Japanese folklore,in a modern coat. It tells about tanuki and crows, and how they can transform into stuff, and it contains all sorts of obscure cultural references surrounding their legends. It really taught me quite a few new things through its airtime, and that’s always a plus. The best thing about this series is its dialogue: cleverly written and it manages to develop the characters in a unique and engaging way. It does lose a bit of steam near the end, but it remains witty and unpredictable.

#11: Kill La Kill

Kill La Kill’s storyline is nothing special, however it manages to present itself in such a way that it doesn’t become boring. Its formulaic, but never formulaic enough to get tedious, the characters are simple, but not one-dimensional enough to get boring. It’s all carefully planned out for the action to just keep you entertained from beginning to end. Hiroyuki Imaishi is a great director, and you can see Studio Trigger having a ton of fun making the most over the top action sequences that are all still very varied and interesting to watch. Not to mention that soundtrack. That really makes the series even more exciting.

#10: Hunter X Hunter

My stance on the series remains: I did not like sitting through a year and a half of material that I had already seen. I’m sorry, but that was really tedious, even though the Greed Island was much better than the Nippon Animation version. Finally though, the Chimera Ant arc stepped into new material. At this point I’m really behind, however even though the arc took incredibly long to build up, I just reached the point at which it really started to deliver. Finally I can appreciate this series for the very intelligent shounen series that it was meant to be, and it indeed blows generic stuff like Naruto and Bleach completely out of the water.

#9: Rozen Maiden

The third season of Rozen Maiden, but really: this new instalment is completely different from the previous two TV-series. It’s written perfectly over its airtime, starting off small and ending big. The first half really mostly just takes place in one room, with most of the characters absent, being dedicated to some really personal character-development for the ones who did get the focus. It pushed all of its characters to a different direction, and definitely was a worthy addition to the Rozen Maiden franchise.

#8: Zetsuen no Tempest

Tempest’s second half perhaps was a bit less sharp than its first half, but it still was just complete gold in terms of its script, and how it played with its storyline to throw all kinds of logic-based holes and loops. This really was a great example of a world-shattering conflict being solved by logic, with force playing just the role of assistant. The characters also got through their own share of development that this series also cleverly made use of and all of that resulted into an incredibly fun watch. The biggest reason why this one ended up slightly behind the others is its slightly lackluster ending.

#7: Shingeki no Kyojin

All series from #8 are incredibly close to each other. They all were amazing to watch. The reason why Shingeki no Kyojin lost out was because of its inconclusive ending: no resolution whatsoever, leading to one heck of a cliff-hanger. Up to that point we got to witness an amazingly tense action-series that really managed to convince that yes, humanity is completely screwed. This series is incredibly good at putting humanity at the brink of destruction, and keeping the stakes just inches away from everything going to hell. This is fantastic for its atmosphere, and on top of that, it was easily the series with the best production values of the entire year: everything looked incredibly polished, and where these series usually skimp on the substance, this series had plenty of it. This is an action-series with brains.

#6: Psycho Pass

Psycho Pass, intelligent science fiction from Urobuchi Gen, and the second half really delivered, whereas the series that aired alongside it, Robotics;Notes, pretty much crashed and burned. What managed to keep it afloat was that it always knew where it was going, and it kept asking poignant questions about its setting and it actually continued to push its storyline forward in creative ways. The characters came to their rights, the animation was still solid, and everything concluded really well, so I was really pleased with this series.

#5: Jojo’s Bizarre Adventure

This series became something really amazing, putting most other shounen completely to shame with how much manly action the creators managed to put on the screen. It’s definitely not for everyone, and the excessive use of colours will disturb some, however I loved just how over the top this show got. There were so many moments that were just pure gold, and the creators really knew how to capture the essence of the manga, which delivered its action with completely ridiculous poses and massive amounts of manliness, while still keeping a straight face. The training arcs were really kept to a minimum, and the fights themselves all tried to be as creative as possible, both by making great use of the environment every fight was in, and some very creative powers. This really was my weekly fix of adrenaline, done incredibly well.

#4: Chihayafuru

After Shingeki no Kyojin, the second most polished series of the year. A show about Karuta, every single match looked crisp. Every single swipe made impact. The creators still managed to keep this up for in total 52 episodes. The most amazing thing about this series however, was its character development. Most series just pick one character to develop per episode. Oh no, not this series.. Every single episode developed as many characters as it possibly could a little. This means that hard-hitting development could really come out of absolutely nowhere. It’s only a shame that we still haven’t reached the ending, and we need to wait for a potential third season for everything to be resolved. And it already was a miracle that we got a second season.

#3: Aku no Hana

Aku no Hana is unlike any other anime ever made. The animation is completely rotoscoped, leading to continuous movements, that all are jerky, and amazing characters that say “screw it!” to every single convention. The pacing is incredibly slow, but it’s deliberately so: it’s entirely made to draw its audience into its atmosphere, and some of the best moments of the series are actually when little happens and you only can watch the eerie moments happening. It’s an amazing look at the darker sides of being a teenager, and the creators did an absolutely fantastic job of capturing the paranoia inside the main character. But yeah, they did choose to do it in a style that will turn off plenty of people. But that makes it even better: a series actually had the balls to be completely different in every single way from all other anime. That deserves to be commended.

#2: Kyousogiga

Kyousogiga is just a series that did everything right for me. It’s a whimsical story, inside its complete own world with its own set of rules, heavily infused in Buddhist and Shinto themes, and it got itself some consistently incredible animation with hardly any weak points. There is always something interesting going on on the screen and the characters are more expressive than any other series this year. Its storytelling is meant to be vague: you can see lots of unsaid stuff inbetween the lines and every single episode is different. It’s incredibly fun for all ages, and the conflict and resolution are finally something different than what we’re used to, due to the lack of villains. It’s one of those series in which all of its different parts come together wonderfully in every single episode: the animation, the music, the story, the characters, the themes. Everything fits perfectly.

#1: From the New World

For 2013, it was really difficult to choose my number one pick. Numbers 1, 2 and 3 were all incredible series that I enjoyed immensely, despite the lacklustre nature of the rest of the year. The reason Shin Sekai Yori, or From the New World, is my number one pick though, is because it had one of the best endings I have ever seen. I’m not sure if it’s in my top 5 favorite endings, but definitely my in my top 10. The series already was really good, with how it portrayed its characters its incredibly mature style of storytelling, and how it just did not shy away from anything (there really was some shocking material here that nearly broke my heart). It was incredibly intelligent in how it presented itself, even though some of its characters were quite naïve, and it used its animation brilliantly to create a consistently creepy atmosphere. It’s hard to watch because it’s completely different from traditional animation, and the camera often made things difficult to make out, but to people whose alley it was up at, it rewarded with an incredible finale. 2013 may have been the worst year in terms of anime in more than a decade, however these series still showed me that there are some very passionate, inspired and special people working in the industry. And ehre is to hoping that they will show more of themselves in 2014 and the years to come. I wish all of you a very happy new year, and I’ll see you in 2014.

39 Responses

  1. gedata says:

    probably better that you’ve fallen behind on Hunter x Hunter since it ended the year off with a most ridiculous cliff-hanger.

  2. Flawfinder says:

    It’s a pity you can’t seem to finish Majestic Prince or Little Busters Refrain (you didn’t mention them, so I’m assuming you didn’t really bother). I wasn’t too big into them myself, but I really think you would have liked the way they turned out. Also, in regards to your praise on Studio Wit’s promise, they recently released a movie called Hal. Again, wasn’t that big on it, but it’s an hour long, pretty to look at, and the ending is cool.

    Teekyu needs to be much higher on the list though. Hehehe.

  3. Mentar says:

    You definitely should finish White Album and not leave it hanging ;)

    In my opinion, this is among the best noncomedy romance dramas I know. Move over, KimiNozo, you got company on the throne.

  4. unknown says:

    Man you missed Yamato 2199. Such a fantastic series, one of the best space operas around.

  5. KaZuHiRo says:

    Psgels, are you gonna do characters and OPS/EDS?

  6. Tanz says:

    “As much as I’d like to hand this award to Valvrave for pulling the rape-card from out of bloody nowhere, it had nothing on Amnesia.”

    You can’t anyway, because while full with controversy (in pacing, not just with the rape-card that was ages ago), it is the least likely candidate to be the worst anime of the year. You’re not allowed to make that claim in any case when you didn’t watch through the entire show.

    • Hogart says:

      Nonsense. It just means his opinion is based on the part of the show he did watch. He’s fully allowed to do that, just like I can say Azazel-san is one of the worst because of that hemorrhoids arc, which killed my interest in the franchise dead no matter how good other parts might have been. If the part you do watch is so bad you don’t want to continue anymore, then it could very well be the worst of the year for you.

  7. crashdebingo says:

    I watched the first White Album series because of your blog (and I loved it). I really hope you catch up with White Album 2 soon. Just finished it day before yesterday. IT’S TOTALLY WORTH IT.

    • Blue Bomber says:


      It’s pretty high up there for me. And I mean high up in my list of all time favorites. Almost has a Key look/feel to it.

  8. Mormegil says:

    Good list, psgels. See you in 2014.

  9. Fer says:

    Yo, psgels. Since you’re a Kazuki Akane fan…Akito 2 is out.

  10. Jay says:

    Shin Sekai Yori and Kyousougiga as the top two are good calls. Glad to see that they got the attention they deserved there. Kyousougiga doesn’t seem to have got a lot of attention from anime fans in areas I hang out in, which is a surprise. I wouldn’t have placed Amnesia is the worst series, though, since at the very least it had an amazingly good opening sequence and wasn’t just a thin excuse for fanservice.

    I really disagree about Space Brothers having overstayed its welcome and gone on too long. I think its long episode count is allowing it to pull off some great, thorough characterisation that it wouldn’t have been able to do otherwise. There have been a couple of hiccups in the second half, I’d agree (the recaps, and Mr Hibbit), but for me that doesn’t reach a point where I’d say the experience of the series is significantly lessened. I’m pleased that the series is one which has the luxury of taking its time and doing exactly what it wants with all the characters rather than being cut short.

  11. Immelman says:

    Thank you, as always!I wish you the best year for 2014!

  12. Lionheart says:

    Thanks psgels for actually putting Shin Sekai Yori at the top of the list. It definitely deserves to be there.

  13. moochi2000 says:

    I actually clapped out loud when you put Shin Sekai Yori as the number one anime of 2013. It is so under-appreciated but for the ones who watched it, damn were we impressed. I don’t think I’ve watched many from your top 10 list but I’ll give them a go. Happy 2013 =)

  14. Litho says:

    I agree with your No.1 and Best Looking Series choices. Can also somewhat agree with Best Animation Studio, especially if you include the new GiTS.

    Where we disagree, well, Uchoten Kazoku would have easily made my top 5. The rest is probably personal preference, I guess.

    Strongly disagree with your Worst Series. That other one where the girl gets creampied consecutively by her fake brothers. I’d wager that was probably much worse then Amnesia.

    • KaZuHiRo says:

      If you were referring to Diabolik Lovers, psgels did not made it past the first episode methinks. The Worst Series category is only for series that he managed to finish (to the last episode).

  15. Linkmstr says:

    Well, in Yozakura Quartet’s defense, the first half is basically a summary of the early chapters of the Yozakura Quartet manga (except the first episode which was anime original) for people who’ve read the manga mostly and to get a recap (sort of) of the series before the Hana no Uta arc. It’s also another way for people to grab the manga and read it for themselves like every other anime that’s been aired. Promotion for the original work. Besides Hana no Uta was technically suppose to be mainly about Lila, Juri’s real little sister. Hoshi no Umi was made before Hana no Uta and it featured an arc in the middle of the manga. So the real start of Hana no Uta is on episode 11. Now, Yozakura Quartet: Tsuki ni Naku OVA episode 01 is out and it’s set right after the end of Hana no Uta.

    • Linkmstr says:

      All the episodes of Hana no Uta except 9-13 was to give viewers sort of a better understanding of the series if they’ve watched Hoshi no Umi. I mean, some people were confused about what Yozakura Quartet was about since the first OVA started in the middle of the whole series until they started reading the manga.

  16. Oroboros says:

    Excellent list, PSGels. We have similar tastes, with a couple of exceptions.

    Here’s my list of best anime series of 2013:

  17. ronbb says:

    Thank you for giving Shin Sekai Yori your first place…it so totally deserves the praise, and I love this show immensely. All the best for 2014.

  18. kero says:

    I’m surprised that Uchouten Kazoku didn’t place higher.

    For me it’s above Zetsuen and Rozen Maiden.

    I got bored with Rozen near the end.

  19. Anri says:


    I hate that so much. That anime hurts me!

    But if it manage to inflict that much pain to me, I suppose it is very worth to be #1 on this list.

  20. guest says:

    yeah, might be – for YOU, but noone else can understand if you’re the only one who hasnt watched it until the end – and then you might as well stop with your blog entries, if you dont wanne reach your readers

    • guest says:

      Sorry – @Hogart

    • Hogart says:

      It can’t be that difficult to understand that if someone says they didn’t watch the full anime, then their opinions are limited to what they did watch.

      I also fail to understand why doing that is a disservice to your readers, who go to a blogger’s end-of-year summary to get their opinions on what they watched, not full reviews.

  21. guest says:

    I completely and utterly diasgree with aku no hana. the story is masochistic, stupid and above all: shallow. there are times it doesnt make any sense at all, there is nothing much to think about – poor les fleurs du mal. id recommend it only if youre into perverted fetishes. even the ugliness of the anime adaptation didnt help to give the story a more mature feeling. a dark story doesnt mean automatically its a good or mature story, this one was just…

    • dx says:

      It had potential – the first few episodes built tension wonderfully.

      But it squandered it, lost its nerve, and ended up being much ado about nothing.

    • Deadlight says:

      Aku no Hana is the exact opposite of “shallow”

      It’s the best anime of the year, personally

      • Anonymous says:

        Only if you are some retarded hipster.

        Aku no Potato is piece of shit. Badly directed convoluted mess that it’s called unique due to actually looking different. You should be ashamed it you think that makes it good.

        • gedata says:

          Aku no Hana isn’t necessarily all that well liked amongst hipsters really.

          And what’s so convoluted about it? The plot’s as simple as they come

  22. Lynnie says:

    Have you written on your Top 5/10 anime endings before?! I’d love to read that!!!

    • psgels psgels says:

      I have. A top 20 OPs and a top 20 EDs. There is one major problem with these posts though: most of the youtube links I’ve used for it have been taken down.

Leave a Reply

You guys should really watch the first 4 episodes of Bungo, it's a prequel and it was nothing short of great!
omg!! I just realized To be Hero was one of the show that I reviewed its 1st episode back in Chinese Animation post. I watched raw then though
forgive me if I'm a bit too overwhelmed by Flip Flappers... For this episode alone I took like 25 screenshots...trying to write a review now...
I have absolutely no idea what is going on in Flip Flappers plot. And yet for some reason I am OK with that.
Anyone out there that's a fan of crude humor should go watch ep.3 of To Be Hero. Certinately stepped it up a notch from the last two humor-wise.
One downside I can think of already is that I'm bound to lose or break one of the detachable controllers. The cost for those pieces is what I'm most interested in.
Nintendo Switch hmm? Honestly it looks too good to be true. I expect some major downsides to this thing.
I like cartoons, don't get me wrong. Certainly good for a change of pace. But there is something about the way they are written that I find rather distracting.
I don't know, maybe if I said it's like the difference from how characters talk in movie vs how characters talk in a sitcom?
@K-Off, I said one liner's or jokes. Not one liner jokes. It's hard to explain. Basically when I hear a conversation in anime even if it is based in stereotypes, it at least feels like a conversation that's being had in the moment. In cartoons however there is a layer of artificiality and it feels like characters know what a person is going to say and has a response prepared.
That's probably why some of my favorite anime in recent years haven't been very heavy on character archetypes, or were either parodies of it.
Comedic dialogue with anime in recent years have leaned too much on the idea of playing off character archetypes. The collected character vs the energetic character, for one. I'd like to see more variety. Some more word play, hyperbolic humor, body humor, etc etc.
@Aidan Not quite sure what you mean by that, because it's certainly not even a majority of cartoons that rely on cheap one liner jokes. I suppose it's entirely up to taste, but I can appreciate the energy in cartoons like Steven Universe or Regular Show when compared to the increasingly repetitive dialogue found in some recent anime.
@Topgavin: I just read that review and his main reason being Shelter is pretentious. oh well! Can't never please anyone.
Thought I'd check out the reviews for Shelter on MAl and the top review is a 1/10. Apparently because it's a cute girl we sympathise with her more, which is bad because reasons. I mean.. what? MAL never ceases to amaze me
@Mario, no. It's more that the dialogue keeps trying to push out one liners or jokes regardless of whose talking.
@Aidan: maybe because they spoke in your native language do you can feel that it's artificial, ya know? I know I have the same problem with Vietnamese drama/ cartoon and maybe Japanese people have that same issues with anime?
By which I mean, the way characters talk in cartoons is very...artificial. Like you can tell that the dialgoue was clearly written beforehand and it never really sounds natural. At least to me.
@Anon, I wouldn't. The writing and structure are too cartoon. What with the episodic nature and dialogue that generally pushes for a comedic tone.
Kaiser Eoghan
Flanagan also directed absentia which I haven't seen yet but I think someone I came across of 4chan linked it to being lovecraftian?
Kaiser Eoghan
Oculus was a film of two halves for me. Hush was a pretty standard home invasion thriller, making the victim deaf was an interesting twist but not as unique as you might think, still suspenseful though.
Kaiser Eoghan
I never saw the first oujia film. Though Mike Flanagan who did the sequel, he's never made a bad movie but he's never really made a great one either.
Kaiser Eoghan
I stick to the firm belief that cartoons and anime, visually should do and be their own thing. I'll prefer a western artstyle for cartoons rather than one pretending to look like anime style.
But this is a good topic and I'm sure everyone has their own opinions so I'm looking to hear some more arguments
@anon352392: no they aren't. For me not because of where their production based, nor their intended audience, but rather their styles, both visually and storytelling-ly, are different
Anime,” they assert, is not a “style” of illustration or animation.
That's where I differ to those guys. For me, anime is a style. In that sense, I consider RWBY, and Canadian-produced short Flutter as an anime. Thunderbolt Fantasy is not and anime-influence shows/movies that are intented for Western audience like AniMatrix or Afro Samurai are anime
@Anon nah they wouldn't be because they aren't made by a japanese producer for the japanese market. Quality isn't the question, production is
NX and Red Dead Redemption 2 trailers tomorrow.
They are good series and i honestly like them alot more than most anime series, would their quality make them anime?
What about cartoons like Steven Universe, Gravity Falls, Wander Over Yonder, Star Vs The Forces Of Evil?
In other news a sequel to an absolutely terrible horror movie called Ouija is out and it's...actually pretty good? Wondering if critics were paid off or it is legit good. Well it did have the guy who was behind Oculus and that was a pretty good movie.
Simplify the term down enough and anime is literally anything animated but the whole point of the term is to distinguish it. For to call Spongebob an anime makes me want to projectile vomit. Point is this, you say you watched a cartoon, people think Tom and jerry, Scooby doo etc. You say you watched an anime, people think Cowboy bebop, Attack on titan, etc. Whole point of the term.
For example, I don't consider Avatar or RWBY to be anime for while they use anime style, the writing is fundamentally structured like an American cartoon. Through I would consider Bloodivores an anime even though it was made by a Chinese animation company, making it technically a Chinese cartoon.
As far as what is and isn't anime I honestly think of the term as a means of distinguishing it from cartoon which gives the impression of being for children. It's like Graphic novel is to comic book. Though techically graphic novels are issues of comics bound in book form, the term Graphic novel is often used to distinguish works that go above superhero comics and whatnot.
Basically I think it was due to Porter Robinsons involvement that they didn't consider it anime.
@Aidan: Did the mods give any concrete reasons why they didn't consider it an anime?
@Mario, It wasn't the community that had the problem. It was the mods. The community made it pretty clear that they considered it anime.
So despite the art style is obviously anime, the character speaks in Japanese, and the production was animated by A1 Studios, it's not an anime? Sometimes I feel sad that the anime community keeps limiting themselves with such fixed minds.
I saw it yesterday and yes it was good. For a 5-minute story, they don't make it too overwhelme with details, and still pack an emotional punch. Moreover it elevates the song. Good stuffs.
Shelter was quite good though. It works well and the animation was beautiful. Song is not bad either. It's got a nice emotional punch to it though it's a bit simple a story.
Well anyway I only saw all this because I checked out the video for the first time and wanted to see how others thought of it with a quick scan through reddit. And I get this shitshow instead.
Playing the victim is the one really pisses off the internet. For refusing to admit you f*cked up only encourages people to shove how you f*cked up into your face. That's what really grinds peoples gears.
Yep, seen that too. The mods even put up another tread about the video and tried to guilt trip people by saying they got death threats. Look, internet rules 101. If you said or did something stupid admit to it and just walk away. Do not try to deflect blame or play the victim, that only adds fuel to the fire.
@Aidan oh yeah saw that live lol. Porter himself even commented on twitter about it, gotta love internet drama
So did anyone happen to catch the big old shitstorm of that Shelter music music when a mod of the Anime subreddit decided it wasn't "Anime" enough and removed the discussion post about it? Oh internet drama...what silly nonsense.
Finally caught up with JoJo. Diamond is Unbreakable has turned out to be much better than Stardust Crusaders. Should have waited for the season to finish through as I really loved marathoning it.
I had a feeling that might be the case considering the source materail for luger.
@Mario Oh I watched that, certinately worth it. Packed more story that some 12-episode shows do nowadays and gorgeous animation.
and I will check out "Shelter" music video to see what all the fuss is about
*this weekend to be exact.
Sounds like Luger Code 1951 is an OVA that will air next week, the same air date with "my" Zaregoto OVA.
@Mario: doesn't sound real at all to me lol
@Mario, I might be able to manage. If all else fails I can talk about the past of these historical figures.
While I don't mind watchinng Drifters, I swaer if I had to cover that show, I couldn't come up with anything to say.
Do you guys know what language the fairies speak in Drifters? It does sound like a genuine language
@topgavin: humanity has declined is a great show. It has good writing and dark, witty sense of humor. I could talk about it in length but psgels pretty much covered it all. He was really impressed by that show however.
That should be me covered till the weekend. Why do all my shows air on the weekend...
@Mario nah I've watched the whole thing but I'd heard about it at the start of this year and put it off. The dialogue between her and the fairies was great stuff, probably gonna rewatch it this weekend now that you mention it
Alright, I got three posts written up and will be throwing them out in about two hours or do.
I thought you've finished it. Yeah I love her character a lot, so cynical but witty. My favorite moment was when she read about fairy's plan to invent religions. She was like "so religions are invented?" (beat) "I've learn something new today". Priceless
@Mario Oh nice, it was one that I had heard about but never got round to. To put it in simple anime terms, Watashi is best girl
@topgavin: I just finished the series yo mentioned the other day: humanity is declined. Man, I love it. I know now I have a thing for dark twisted absurdist anime
@Ano340004: the name is Watashi ga Motete Dousunda, or to put it short Motete. I have fun with it but i'm not that enthuastic
@anon the english name is Kiss him, not me. Search through the first impressions if you need the jap name.
then that girl really loves BL (boy love)
what is the name of the anime that the girl is fat and then she got depressed because her favorite boy anime died then she got thin?
Season 7 is awesome so far too. It feels like the tone of the show is finally back to normal and it feels like Adventure Time again.
Whew, I binged all seasons of Adventure Time this weekend. The show hit a low spot in Season 6 but I think it needed to happen...Poor Finn needed the serious character development after what he did to FP.
You guys are too hard on it
Motete is very funny
Kaiser Eoghan
When it comes to gag manga and four-koma, I just eventually reach a stopping point with a comedy series in that format. Even with hidamari sketch.
I think it was typical light novel trash based on what was in the PV. I laughed that despite it being horrible that the crowd still cheered anyway, likely because it had a bath clip in it.
The PV was hilarious. I had no idea what the anime was about.
@Aidan I'm good, I'll stick with Working.
@K-Off, you could switch to something like Gi(a)rlish Number if you like. I for one am really digging the satire of the show. Plus I like that it's basically showing how an utter train-wreck of an anime can be made. That PV in the last episode was truly painful.
Feeling pretty disappointed with Working. I haven't gotten any more cynical with comedies, at least I don't think, and its flaws are so irritating.
@Adam Le, I find that with Comic book dialogue. Which is one of the reasons I have gone off marvel movies. Cartoons have it to a degree as well.
I love the instagram shots in Yuri
Maybe I can have a watch through those live action films and do a compare/contrast to see which version works better. After all movie and tv series are 2 different medium, and live-action vs animation is the topic that we never get tired of
speaking of which, the overlap between anime and live-action adaptation from manga is overwhelming. For this year alone, there were Erased, 3-gatsu no Lion, Fune o Amu, orange, and Chihayafuru (part 1&2). Those were just the ones I know.
@Adam: Don't know which genre you're into but you can try Fune o Amu (The Great Passage)
Adam Le
I can't seem to get into any of these new shows. I don't know, the dialogue always seems off to me and the forced comedy is a big turn off.
Reminds me of a thought I had when I was last at the Getty art museum. People walking past works of art hundreds of years old, but only taking a second-long glance before moving on to the next one. Not their fault really, it's only the professional critics who can understand what they see with depth.
I'm the opposite really, they're getting paid for what they said so they better know their shits
Kaiser Eoghan
I suppose I'm slightly envious of professional critics somewhat.
Sometimes you're just meant to experience the ride you know. I don't watch those explained video anymore because after all it's just one guy's opinions.
Kaiser Eoghan
Kaiser Eoghan
And I mean people who art professionals or students.
Kaiser Eoghan
I guess I'm just unsure of something, how many people watching "arty" stuff are able to pick it up on their own. By looking up an "explained video" or "explained essay" to get it, am I copping out?
Kaiser Eoghan
I feel like I've begun getting on board with the european art stuff but am really only scratching the surface with the Chinese and that stuff.
Kaiser Eoghan
And find myself missing whats going on sometimes.
Kaiser Eoghan
I'll admit I do find it frustrating, that even though I can like art films, emotionally connect at times, appreciate the visual techniques and admire them for being so different without looking up analysis by people far smarter than myself I honestly feel lost sometimes as to the meaning.
@Kaiser: Apichatphong Weerseethakul's films are so otherworldly and spiritual that I wouldn't dare to call them "dreams" anymore. Check out his "Uncle Boonmie", "Syndromes and a Century", "Cemetery of Splendors". he has such singular vision that just watch and experience his films are rewarding enough
@afgm: well, if we really go over-analyze it, bunnies can represent desire for example ^^
like eating sweet snow is so randomness for me
@Badesh: the things you said might be something I might do in the future. After all I love dissecting symbolism. But for Flip Flappers I need to know more what are intentional and what are randomness first
So Papika is corrupting Cocona? That would make some sense I guess
I mean I guess bunnies represent purity? Maybe?
@Kaiser: I mean yeah I get that things can be beautiful just because they're beautiful. But the effort comes in trying to connect that beauty and symbolism to the story as a whole, which is something I honestly struggle to do with Flip Flappers. It just seems pretty gratuitous at this point.
I don't know I think flip flappers is probably deeper than people might give it credit for. I just don't have the time or energy to piece together the abstraction. Doesn't mean that the meaning doesn't exist, it's just hard (and possibly misguided) to uncover it on the first run through.
but i don't want to get into a "who is right" argument. it was just a wish of mine to get to know the persons view of the world and not just be part of his daily mood
yeah, but i could happen that you grow intelectual but not personal ;)
Kaiser Eoghan
But theres no shame in watching a heavily thematic arthouse thing, liking it then going "didn't quite get/catch that" then looking up what it means.
Kaiser Eoghan
But for going into things, analyzing them, I wasn't saying thats wrong, when I meant overanaylsis I meant people making shit up that isn't actually there.
Kaiser Eoghan
And going too deep into thinking about that image shows the person is failing to understand that they were supposed to interact with it on an emotionally or spiritually intellectual level.
Kaiser Eoghan
Rather than de-mystifying that image or losing its enigma.
Kaiser Eoghan
I just think sometimes people forget that things can be entirely impressionistic or expressionist, people sometimes forget that images don't necessarily need a giant essay behind them or meaning or analysis. What I mean is you can have a 15 minute stretch of gorgeous looking images but the point is that you feel that or see the imagination and creativity because its beautiful.
It requires an understanding and a concept of life of the reviewer that highlights the right things, the things that widens the readers perspective, based on the narrow popculture consicousness that we have, sorry to be that dramatic...
Yeah, i don't mean that kind of overanalyzing :) so i.e. that beautiful picture of flip flappers to the left is so much more than the "character floating through an imaginary world" if you start to go into that, what it does with the viewers heart, you can write an essay weather it was the creators intention or not. that's the kind of thing i dream about and care to read
Of course afterwards they will certainly claim that they planned everything from the colour of toothpaste used but I take that with a grain of salt.
Plus the basic idea that the creator of a materiel is a complete mastermind who has internally planned out a massive series of symbolic comparisons and intricate threads which the vast majority of viewers would completely fail to see. And quite frankly, people just ain't that smart and have no reason to put in such massive effort.
The problem with overanalyzling however is that it's usually down to a series of simplifed concepts held together by a flimsy logical foundation. Like the ring theory of star wars.
...which is only achieved through what you call overanalyzing - at least in the internet world where only words count.
I wish people would "overanalyze" more. For me it get's pretty boring pretty fast to read something along the lines of "this wasn't good/perfect because i have seen better" - that's interesting as long as i need anothers opinion to get a feel for the materia. once you are somewhat experienced in life you only care for this sort of things if you know that persons view of the world...
Kaiser Eoghan
@Mario: Would you say the Apichatphong Weerseethakul's films are worth looking into as "dream" films, always wanted to get into his work but it seems....daunting.
Kaiser Eoghan
I'd imagine if you went looking you could probably find people who overanalyzed Eden of the east (as with anything) to where they saw something none of us could (or that they wanted to see). Something about young peopl in society was one look at it. But for me eden of the east was an undercooked thriller merged with a bad chick flick and the films ruined whatever good will I had for it.
I'm almost giddy with the possibility of this being the closest thing I get to Utena this decade (besides actual ikuhara works of course haha)
@ano327926: Boy, how true. agreed 100% with you here
"liberate pure illusion" is the new "revolutionize the world"
@mnei, that's hardly the only thing in Eden of the east that didn't make any sense. It was a great idea but boy...did the writing fail hard.
Anyone here watched Eden of East and got fucking confused as I do about why Akira had to wipe off his memories and ship NEETS to Dubai? He wasn't really deceived (in my opinion). He didn't have to send the NEETS anywhere either.
@Mario and from what I've heard, they skipped out a whoooole bunch of fanservicey training sessions that happened before the 1st episode. Dunno whether I'm happy or dissapointed with that
I swear Keijo's everyday training is much more intense than Saitama's
I goddamn love Drifters opening.
@Anon, the story improved in volume 3 but I don't think your issues with the show have really disappeared. So yes, it did get better but it still has it's issues.
Did RWBY get better in vol 3? I watched the first two and hated them but the designs of the girls are nice and the characters are even good, I just can't stand these graphics and that shitty plot or the comedy scenes in which it tries to copy anime humor. The "western" comedy is nice.
So RWBY volume 4 airs next week. Nice. I was actually going to write a review on RWBY and just never got around to it. Seeing as it's somewhat anime I say it's suitable for the site though honestly while it is anime styled, the writing is pure cartoon.
So that's Raising project, Drifters and Occult Nine for me.
@Topgavin, seeing as it was pretty much Top of the Preview poll(Besides Natsume but I am not the man to do Natsume.) I will do Occult Nine. I can at least have fun ripping it apart and comparing it to its contemporaries.
@Mario, for starters you can stop calling her a bitch. Flip Flappers is a classy lady so put you fapping aside and treat her good. So yep, it fine by me.
@Topgavin: He'll be fine.... I hope
Guess it'd be Raising project, Drifters and Keijo/Occult Nine..?
@Mario poor aidan, what shows are there left to cover?
@Friend: Ha! I'm really looking for RWBY 4 as well. At one time I was intended to blog RWBY 4 here but even for me (who tend to go off track), I know that covering RWBY would not be appropriate for this site. But I'll give each season a proper review in the World Animation section, I promise!
@Topgavin: I'm a bit underwhelmed with Izetta 2nd episode, but it's still a better-than-average show out there this season. Anw I'm now settled for Flip Flapers
@Vonter: Agreed with everything you said. I remember one of anime blog that I visited had that format: they break the episode down by time, and give their witty comments (sometime pics) alongside. I could see that format work very well for comedy, slice-of-life and shows with heavy symbolism...
So this season I'm blogging Sound Eupho 2, 3-gatsu no Lion and Flip Flappers
Aidan, having watched Flip Flappers, I'd say she's my bitch man. Not sure how to handle her yet but I promise I'll take good care of her ^^
...and you are banned for a day.
@psge1s usually fake names with capital i's work better than a 1
gettin' pussy foh days here
Kaiser Eoghan
Damn, sorry that flipflappers/sangatsu comment was meant to have an @Mario before it, my mistake.
I admit there isn't anything interesting to me this season. But! I'm really looking forward to RWBY! Volume 4 looks so great :D
@Mario could try covering Izetta, even if it might fall off later it might not. All Out/Keijo could work too, but they're quite simple so they'd be short reviews
Kaiser Eoghan
I could see keijo's trash value only working once though.
Kaiser Eoghan
I think there were times where crying scenes had me anxious and I muted. But when it comes to pausing things I'm a demon for that moreso to make sure I didn't miss anything in the subs or because I liked the look of a certain shot.
Kaiser Eoghan
Watamote's a good example of one of those things where you laugh...and then think you should probably feel guilt for doing so, kind of like a Solondoz film.
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