Posted on 23 January 2014 with categories: Space Dandy

Here is another thing that also really bugged me about anime of the past few seasons: the ones that have a very promising first episode only to just fail trying afterwards. I mean, I hate it, but I have to swallow my words about Nobunaga the Fool after watching its second and third episodes, due to how shoddy it suddenly got. Especially Jeanne D’Arc: she turned out to be completely useless. The way this series looks at women being just there as a second thought is much worse than Space Dandy and Kill la Kill.

Even though these series are bad at how they focus too much on their male audience, there is method to their madness. Kill la Kill is all about outfits being empowering, while Space Dandy is told from the perspective of a guy obsessed with boobs. They keep to their rules, while Nobunaga the Fool took a famous French figure and made her just stand by and watch, sometimes just randomly in the main character’s lap.

That doesn’t excuse Space Dandy. I know it’s silly and Cowboy Bebop also had its share of fanservice, but there is such a thing as taking things too far.

The thing however is, that apart from that, Space Dandy is the series I’ve been waiting for for years to come. Finally after years and years of waiting, another series of its kind has arrived: the kind of series that each episode shows a totally different story involving the main characters. I love these shows, even though they’re often labelled as being monster of the week, or having too much filler.

And granted, this is the kind of format that can be done badly. However it brings so many advantages and when done right it can work brilliantly. Some of reasons why I like it:
– Series that have this can be planned much better into their timeslot because every episode needs to be different. Therefore forcing the writing team to be on their toes.
– Fleshing out characters. Random stories like this are excellent at showing the different sides of the characters, plus the different sides about the setting this takese place in. Great for immersion!
– Variety. Series with a linear storytelling are often very predictable as well, and allow for very little chances to spice things up and make things interesting, because of the ongoing storyline.
– There is no chance to drag on. The creators need to create a new storyline every episode so there are no dead episodes, plus none of the episodes look like each other.
– Episodes are also much more standalone because of this. Because of this the individual episodes can take more risks. There is more chance for creativity and interesting storylines. A show can go on a tangent for one episode and then go into a completely different direction the next.

This is the strength of anime. something it got really good at at one point, but the format unfortunately got in discredit due to the bad reputation that the bad attempts got. There was a point at which I saw many people complain about “filler”, to a point where every episode that wasn’t instantly contributing to the plot as instantly bad. I think that Naruto was a big contributor to that with its 100 episodes of filler. Plus, it’s kindof difficult to objectively describe the difference between filler and plain wasting time, and just a good adventure. And this border is probably also different for everyone.

For me, what’s most important is that there must not be “dead episodes”. Episodes that just aren’t fun to watch or were clearly made to just pad out time, without any inspiration. On top of that, the different episodes also need to bring colour to the characters and show a good collection fo the different sides of the setting. It’s something that you can’t simply describe in a tagline, which is what makes this such a tricky thing to judge, and probably lead to the lumping of all good and bad shows together on one heap.

I mean I’m not saying that every series needs to be like this, but a few can’t hurt, right? With so many linear stories around today that are all rather monotone and more often than not don’t even end, it wouldn’t hurt to have just a few series in which every episode is about a different story, right? Just like how things were in the past? I really hope that Space Dandy will inspire a new wave of series that also will embrace this philosophy again, and the upcoming Mushishi will also help really well to achieve that cause.

When you compare this to Cowboy Bebop this obviously is much sillier, but the thing is that Cowboy Bebop only started to really shine when you look at the big picture. Plus, I’m not going to compare the two too much, because Space Dandy being silly has a very different atmosphere, even though some of its design philosophies are the same. And that’s what I find so good about this series: three episodes in and the creators still are making this look really interesting. Plus, the direction is also quite good, if unconventional.

I especially liked episode 2, the search for those fabled noodles. It was a very emotional episode, for some reason. It had that weird to describe sensation that made everything just come together when they finally ended up finding those noodle bar, and that one creature started telling his life story. The way in which this show changes its atmosphere: it’s also really good. And the music! That also is godly!

The question now is whether the stories will be varied enough. Episode three also was very good, but like the first episode the creators did strand on a hostile planet and got chased by monsters again. However, at the same time it also very nicely subverted parts of the previous episode (the monsters were mostly good-natured save for one, they actually got money this time), which is also very good.

The reason why Cowboy Bebop was so critically acclaimed is that on top of being really well made, it had international appeal. It didn’t feel like an anime, and it was and is very different to most anime nowadays which are often circlejerking each other for the same audience that they know will buy. It had international appeal. Shingeki no Kyojin is a recent series that also had a lot of international appeal that it deserved, I believe. Space Dandy really hopes to be the next one to catch an international audience, especially with the way it’s released simultaneously in English and Japanese.

I think the weird fanservice is because of that reason. It’s on one hand the believe that sex sells so it needs to be in everything, and on the other an attempt to not fall in the standard Japanese fanservice cliches that will only appeal to Japanese otaku and not the other demographic.

Also, does every episode have a different OP and ED? That’s what I call respect. Really awesome detail.

Posted on 19 January 2014 with categories: Some Quick First Impressions

I’m tired, and I’m soooo far behind. More details on why below, but I do want to finish my impression of this season, but with so many series looking like each other I’m going to do a quick version of the shows that I missed. I’ll try to catch up on the second episodes the upcoming week. I’m really sorry for all the delays.

No-Rin: This one really was terrible. Beyond moronic characters, incredibly annoying acting, and an incredibly pandering premise.

Sakura Trick: I like yuri because for some reason, creators know how to make some really fascinating series when they have lesbians in them (or even better, bisexuality), not just for the sake that there are lesbians in them. Sakura Trick is a show about girls making out. I’m not kidding: so much of this episode was about the awkward moment of the first kiss. Stupid premise, boring characters. Moving on.

Sekai Seifuku: This one had me intrigued for a while. Who are these people? How are they related? Why do they want to destroy the world? However, then the giant monsters showed up and everything turned generic and characters started wearing the most ridiculous outfits. Uh, the women, I mean. Also, as for why they’re conquering the world? It’s all instigated by a little girl. I see no potential in them developing this into anything worthwhile

Wizard Barristers: This was actually not half bad, for a first episode. Especially the animation here surprised me, coming from Arms. This just shows how much good production can trump a production studio’s reputation when it’s really trying, because this probably contained some of the best animation of the season. My big worry is consistency, because the creators here totally aren’t known for that. I know I have this cynical view now, but there have been too many series in 2013 that betrayed my trust for a good plot and characters. I really hope that 2014 will get rid of this cynicism…

Nisekoi: Oh boy, a shaft-series that actually doesn’t feel like an animated slide-show and the characters actually talk about stuff that’s relevant for once. It’s just too bad that this is the most generic premise for any series they’ve done so far (boring high school romance love triangle). Heck, everything that happened in this episode was standard romance fluff that we’ve seen done hundreds of time before. They did recycle the Sayonara Zetsubou-Sensei despair-look, but hey. At least it’s a move in the right direction…

Inari Konkon: Oh thank god, finally! A school series that puts emphasis on thinking and learning. It comes up with situations that actually challenge the characters instead of being so mind-numbingly bland. With the current season I was really fearing that my taste had completely changed with how so many different series bored me to death. Now, this is obviously similar to Gingitsune, which I in the end found to be a bit too corny to work. This series doesn’t have the instantly likable characters, however it puts the characters in interesting situations. It’s about bloody time a show does that. You’re supposed to take characters and think: “what situations would get the best out of these characters?” – not “how can we make this character instantly likable outside of any context whatsoever”. That’s not sustainable in the long run!

Oneechan ga Kita: Yeah, the very first scene we see is about the main character walking in on his sister changing. Aside from that, this this was disturbing and weird when they turned the sister into this obsessive stalker.

Silver Spoon: A big reason for the past delays… was the first episode of this season. I have no idea what happened, but I set myself to watch it, and I just could not force myself to sit down and watch it. Why? This has some obviously good characters and it’s a look at farming… and yet something inside me just did not want to watch it. So thank god I finally managed to sit through it. And yeah, it was okay. The romance was a bit annoying (misunderstandings are rather boring…), but you know? It offered a look at school life in a far more detailed way than the other school shows, and the characters remain very versatile and down to earth. And yet, something inside me keeps yelling that I do not want to watch this…

Silver Spoon is objectively good, but I think that I’ve been to objective this season, and need to go back to my roots: creative and engaging series that most people gloss over. When criticizing, some parts indeed boil down to “does it make sense, does it know the writing rules, et cetera”, but the most important part that’s about whether you really like it or not is entirely subjective and incredibly difficult to really describe well. It’s this X-Factor that some shows have and others just don’t. I mean, say what you want about Nobunaga the Fool, for me it was one of the most entertaining first episodes of the new season due to how amazingly pretentious it tried to be. People made fun of me when I gave it such praises, and I realize that even though I’ve been blogging for a long time, I still notice that I still take all my comments very personally to the point where I’m trying to please everyone, instead of doing what I really want to do.

The thing with taste is that there are very different ways people look at anime, and connect with it. And I’m not talking about that “Type A and Type B otaku” that you see at places, that’s way too simplistic, not to mention that I never really considered myself an otaku (though granted it’s a term that many people have different definitions of). In the end what I really noticed is that I love series that are ambitious and combine storytelling, characters, animation, music, setting and symbolism into one whole that is larger than the sum of its parts.

And I need to really convince myself: only you know your own taste best, every taste is unique and worthwhile, and judging others for their taste in anime is most often… quite immature.

Sorry what you had to witness these inner ramblings of mine.

Posted on 11 January 2014 with categories: Samurai Flamenco

Oh, Samurai Flamenco… what are you doing? I used to praise this show for being so well put together. Obviously I can’t say that anymore, but still it’s quite a ride to see how crazy the show can get next time. This episode was this really weird combination between the first half of the show and episode 11. The Flamengers were all kinds of cheese, while Goto… he actually stayed normal.

Having said that though, the fight in this episode sucked. I’m not sure whether that was intentional or not, but the thing rather fell apart when that army of Miyamoto Musashis appeared from out of nowhere and were like “Oooh, let me slightly wave my sword at you! That will teach you!” – That completely defeats the purpose of having large numbers in the first place! I get that the budget isn’t that big for tis series, but there’s a difference between cutting corners and simply not trying.

But then again, it can also be a very deliberate jab at the super sentai genre. I mean, one gets large and they defeat that one with the Flamenbot, but the rest… magically disappears? Also those new weapons were completely ridiculous.

Also. The Flamencar. Really?

Posted on 10 January 2014 with categories: Some Quick First Impressions

Wake Up Girls

Short Synopsis: Our lead character needs to find some idols.
I’m late with this. I want to finish these first impressions, but I’m tired. And so, in its infinite wisdom Wake up girls decided to have an hour-long first episode. And it’s an idol series! I am not going to watch this one all the way through, however I do want to say that it’s among the better of its genre. From what I watched of this episode, the focus was on the scouting of these girls. That was pretty interesting, and the girls aren’t as overly moe about their personalities. Obviously it’s still blatantly there, but they aren’t trying to shove it down the viewer’s throats. It actually cares about characterization for once. Now, this is not my kind of series and I know that I won’t have time to watch it, but if you like idol shows then this one isn’t bad to keep up with.
Potential: 60%

ZX Ignition

Short Synopsis: Our lead character fights with supernatural creatures/angels.
Okay, so I was under the impression that this was a kiddie show. Well, not so much, actually. I mean the characters are a lot older (one of the characters is 19… despite looking nothing like it), and it actually was moderately entertaining. The entire episode was told a bit out of chronological order, which also spiced things up. The main character isn’t your typical wimp, which also helps. A lot happened in this episode which either means that this will be a fast-paced series, or they blew most of their ideas in the first episode. However, when you look at the context, this series falls apart a bit. You have monsters fighting each other because… of stuff. The monsters all have these really cheesy names because… of stuff. The main character also is important because this angel fell onto him because… he just happened to be where she happened to fall. This episode didn’t explain anything, and while enough explanations may follow, I saw no hints at any sort of depth whatsoever so far.
ED: Copy paste song, boring as usual.
Potential: 60%

Posted on 9 January 2014 with categories: Some Quick First Impressions

Engaged to the Unidentified

Short Synopsis: Our lead character has to marry against her will.
I’ve found my surprise of the season with this show. Now don’t get me wrong, the premise is horrible and something that we’ve seen many times before. This series would have been incredibly boring, if it wasn’t for one character: the little girl. You’ll know who I mean when you see her. She made me laugh quite a few more times than what I’d like to admit. I mean, on one hand she uses moe like no other. But on the other she’s like this really weird combination between a child and an adult. Her eloquence is one moment really polite, and the other incredibly childish. The rest of the cast… well they try what they can with a premise of suddenly learning that your grandfather has arranged your marriage behind your back, but the drama is forced and cheesy. That little girl though… she made this worth the watch. The danger with these characters is of course that it’s really difficult for them to carry the show on their own. I mean, this series needs to stay fresh for an entire season. I did not see hints that it will, but who knows?
ED: Generic J-Pop
Potential: 60%

Pupa

Short Synopsis: Our lead character eats stuff.
I really am puzzled for this one. I’d really like to know the story behind this series. How did it get made? Who are responsible for it? Why was it made? I mean, clocking in at only four minutes (three if you ignore the OP and ED) this was obviously made on a shoestring budget. The animation shows the same: there was hardly any inbetween work done here, and the animation that is there looks incredibly jerky. And yet the art itself is very good, and the soundtrack also rocks. Tomomi Mochizuki is a brilliant director who really knows his stuff, so he has to have some kind of idea or vision behind such a series that obviously is going to be short with only twelve episodes. Was this like a project to train some new people at Studio Deen or something? Does that explain why it was delayed one season? I mean, the episode had a good atmosphere, although it was a bit weird and really really short so there was no time to let things sink in. What’s going on here?
OP: Love the art, although it is a bit lazy.
ED: It’s like… the creators made a long version only to hear that it had to be cut incredibly short
Potential: #$@?%

Hozuki no Reitstsu

Short Synopsis: Our lead character works as an executive in hell.
Thank god, finally. Houzuki no Reitetsu was the first episode for which I can really say that yes, it was well written. It already was amongst the top series to look out for, and it did not disappoint. It blows the entire season out of the water in terms of creativity, but it sets itself apart with its script. The way in which the characters talk to each other is delightful. A lot of this series is simple smalltalk, but thankfully the creators did not listen to the Shaft-school of writing dialogue, but they kept things meaningful and to the point, while at the same time throwing in tons of references to Japanese mythology, but also weirdly talked about things like wildlife and Ayer’s Rock. It also weaved in its comedy very nicely: it only makes a joke when it’s got something funny to tell. Some of the jokes were quite clever, something you wouldn’t expect of anime lately where most of the jokes are simply quite crass.
OP: The best OP of the season, introduces the characters with a weird song and trying something different for a change.
ED: This was weird, but still better than the other EDs we got to listen to this season.
Potential: 95%

Posted on with categories: Top 10 Anime

Over the years, even when I just started blogging, I’ve seen enough people get tired of anime, claiming that anime in the past used to be so much better. I remember that I kindof saw their point, however there were plenty of awesome series to keep me watching. However, after the current state of the season so far, I really do long for the anime of the past, and they seemed so much more diverse.

However, the big trap with these statements is to over-glorify the past. “Yeah, the past used to be so much better, in my days blah blah”, so you need to be careful with these kinds of statements: you forget the boring parts and only remember the things that stood out. So because of that I decided to take a good look back at the past winter seasons. I’ll rank all of them, but I’ll talk about them in chronological order. For each picture, I’ll use a picture of the series that turned out to be the best, by the standards I hold today.

Once this season has ended, if I feel motivated enough, I’ll also include it in this list.

Winter 2013


This was a really bad season. The only remotely good non-sequel show to come out of it was Kotoura-san. It had a very strong first episode for a school series, and managed to keep it up for 1 cour. Beyond that, the obvious stand-out was a sequel: Chihayafuru, which admittedly was just fantastic. AKB0048 unfortunately was not as interesting as I hoped it to be, and Amnesia and Tamako Market had promising first episodes, only to crash down horribly. Apart from that, the school setting was again very prevalent (Boku wa Tomodachi ga Sukunai, Mangirl, Sasami@Ganbaranai). Lots of series looked the same, but there also was some historical fantasy here and there (Maoyuu, The Hakkenden, Senran Kagura). Out of around 31 series, I only found three of them actually worth watching.
Rank: #11

Winter 2012


This was a season in which suddenly there were three ambitious science fiction series airing at the same time: Rinne no Lagrange, Mouretsu Pirates and Aquarion Evol. Out of those, only Rinne ended up not fulfilling its promise, but still it wasn’t bad. On top of that there was a solid horror-series with Another, and three really solid comedies in the form of Poyopoyo Kansatsu Nikki, Danshi Koukousei no Nichijou and the incredibly random second season of Tantei Opera Milky Holmes. Natsume Yuujinchou came with its amazing fourth season that gave a ton of depth into the people around him. So yes, I would say that this was a very good season, with a pretty decent variety as well. Aside from mecha and comedy, there also was slice of life, sports, fantasy and romance. I would call this a very well rounded season.
Rank: #7

Winter 2011


This season stood out due to three absolutely amazing series: Level E, Mahou Shoujo Madoka Magica and Hourou Musuko. All three together covered the entire spectrum: one was a brilliant comedy, another brilliantly deconstructed the mahou shoujo genre, and another was a brilliant look into what it is to be a transgender. These three alone made this season worth watching, and on top of that we also get a pretty decent closure to Kimi ni Todoke, a “so bad it’s good”-comedy Mitsudomoe Zouryouchuu, and Gosick, an adventure series which started out questionably, but ended beautifully. The downside to this season was that there were a lot of stinkers. Fractale is the most notable for having a wonderful premise, only to completely ignore it, but Yumekui Merry had the same fate: great premise and execution, but just cut off in the middle leaving nothing resolved. Dragon Crisis just went worse as it went along, and Kore wa Zombie Desu Ka also failed to stay funny. Not to mention the epically bad Rio Rainbow Gate, Infinite Stratos and another Oniichan series. A season of huge ups and huge downs.
Rank: #6

Winter 2010


Oh boy, I remember how this was a stinker when it came along. However, looking back on it, it’s not the worst, it’s better than the Winter of 2013, however that season was backed up by a very strong Autumn season, while this one… wasn’t. So we were stuck with Durarara, a series which thankfully had a fantastic first half, only to have a much less interesting second half later on. The one series that stood out was Heartcatch Precure, the series that showed how much you can do with the mahou shoujo formula. Katanagatari also was interesting and fresh with its wordplay, but the problem with these series was that they paid out very slowly: Heartcatch Precure only started in February and had 50 episodes, and Katanagatari only aired once a month. Apart from that there were series that had interesting premises and were nice to watch, but never really were meant for greatness, like Cobra The Animation, a revival of the classic TV-series, and Sora no Oto, which at the very least had a very intriguing setting (really rushed ending though!). However, this also was the season in which the barriers of good taste got lowered significantly: Seikon no Qwaser was pretty much borderline porn. With a measly 17 series total that aired, things did not look good for anime at the time. However, things recovered afterwards.
Rank: #10

Winter 2009


Winter 2009 was weird. It was stunning, completely stunning. Birdy the Mighty Decode still stands in my top 10 because of it. White Album was incredibly annoying, but ultimately worth it and a unique romance. Ride Back started out rather weird, but it turned out to be a pretty unique mecha series about an adult female who drove this cross between a motorcycle and a robot. Maria-sama ga Miteru surpassed itself, Shikabane Hime was weird, but ultimately awesome to watch, and Hajime no Ippo also completely surpassed itself. It was glorious, and yet there were so many annoyances at the same time with how the Tower of Druaga failed to live up to its hype, Natsume Yuujinchou’s second season was not as strong as the first, Koukaku no Regios didn’t go anywhere, Kurokami failed to deliver, and Munto turned out to be nothing more than a blatant recap. I also remember complaining about how there were way too many sequels this season. And true, the amount of sequels at the very least has never been as overwhelming as in this season. 2009 was definitely the year with the most conflicting feelings.
Rank: #3

Winter 2008


This season was one of the best winter seasons ever. The reason was the sheer quantity of amazing series that aired. Porphy no Nagai Tabi is a series that today can not be made: 52 episodes dedicated to a children’s novel, coupled with stunning background art. Gunslinger Girl’s sequel was very controversial due to the style change, but I loved it. Shigofumi had an awesome concept of a girl who brought back letters from the dead, and True Tears is one of those unique romances in which you never really know what the characters were thinking. Hakaba Kitarou seamlessly combined horror with comedy, Aria the Origination was an amazing conclusion to the Aria franchise and Spice and Wolf was a really intelligent look at medieval economics with excellent characters. THIS. This is what a winter season should be. There was something for everyone, many risks were taken and many series delivered in well thought-out ways. There were a few disappointments, but none of them were really big disappointments. Just a few series that burned out in their second halves (Zoku Sayonara Zetsubou-sensei and Sisters of Wellber 2), and the obviously bad series like Rosario to Vampire were in a minority and could be easily avoided.
Rank: #1

Winter 2007


The 2007 season had much less quantity. However, what it lacked there, it made up for in quality as it premiered two series that would grow out to be absolute classics: Les Miserables and Nodame Cantabile. This definitely was a season for the people into classic literature or music. No other season has ever been able to deliver two of these masterpieces at the same time. If you look at the rest of the season, the you’ll see lots of action: generic action series or series about people with powers fighting each other, that never really stood out. Rocket Girls was nice, and Master of Epic also was this unique little comedy series. There also was slice of life, sports. That’s the big difference between this season’s lackluster series: in 2014, everything looks like each other. In 2007, things were uninteresting, but at least they were different.
Rank: #5

Winter 2006


This was the first winter season I actively followed. And what a season it turned out to be: Ayakashi ~ Japanese Classic Horror, Ergo Proxy and Rescue Wings together. All incredible series, aimed at adults, yet all completely different. Beyond that there was a really solid romance series situated in a hospital with HanTsuki, Magikano was hilarious back when Seiji Kishi was still good. Plus, Nerima Daikon Brothers: an actual animated musical that never got fully subbed, yet was really fun to watch. There may not be as many series here, but here is the thing with this season: all these six series were incredibly well thought out. They had some really interesting ideas and they took their risks, instead of rehashing the most popular thing around. All of these series set out to challenge the status quo and do something never done before. Even Magikano, as its brand of humour was still fresh back then.
Rank: #4

Winter 2005


Here we get to the point where I haven’t seen every series that came out, so my view of this season has also a few impressions here and there. This was an average season, that delivered two really strong short series: Air and Starship Operators. Romance and space opera. Beyond that there was the short comedy Gag Manga Biyori. Beyond that, there’s lots of romance, mecha and kiddie shows. I mean things like Mahou Sensei Negima, Peach Girl, Jinki Extend: I saw small fragments of them but none of them really looked like they had potential. This actually reminds me a lot of the season we’re currently in.
Rank: #8

Winter 2004


This is a weird season since there were two utter classics that aired with strange schedules: Ghost in the Shell’s second season aired two episodes at the start of each month, and Paranoia Agent started in february. Especially Paranoia Agent was absolutely fantastic in every single way. But yeah, this season absolutely rocked. One of the best action series out there in the form of Jubei-chan 2 also was shown here. That’s three completely amazing shows in one winter-season, and the rest of the season, even the not interesting ones, are incredibly varied. There are fanservice series, but plenty of historical ones, there is a comedy, there are series aimed at a young audience, and old audience, plenty of series that took risks and series that just stayed with the status quo. The balance is perfect here.
Rank: #2

Winter 2003


The top three series this season were all really inspired: The Big O’s second season really knew how to play with the mecha genre, Ashita no Nadja was a really creative shoujo adventure that we nowadays never get to see anymore, and Wolf’s Rain, although the execution left a bit to be desired here and there, really stood out with how its main cast consisted out of wolves, and I absolutely cannot fault its setting, which was incredibly imaginative. Beyond that though, this was a small season. Most of the other shows were just harmless fluff or just plain bad series. Oh, and Licensed by Royal, which I haven’t seen but admittedly does look interesting.
Rank: #9

Winter 2002


One thing to note is that ten years ago, the seasons were much smaller. This season, ignoring the kiddie shows, had about 16 anime. The best of which was RahXephon, which was an intelligent mecha series, definitely. Also good were the adventure series Patapata Hikousen no Bouken for the younger audience, and Fullmetal Panic, for the older audience. Nothing standout like in previous years though. Kanon also premiered, starting the trend of key adaptations, and Onegai Teacher aired as well. Nothing much stands out, but there are lots of cute girls, along with generic action series in which the enemies are strange supernatural beings.
Rank: #12

Winter 2001


Here we get to the part where the winter season was pretty much insignificant. The only series that are noteworthy are Arjuna (a nature series, admittedly very creative) and Tales of Eternia. Ojamajo Doremi also had one of its seasons here, but apart from that… there was hardly anything. That I’ve seen, at least. The thing is that there are surprisingly many series that feature adults as their protagonists. There are 14 series in total, and while most of them indeed do look uninteresting to me, they don’t suffer from the problem of not trying out different things.
Rank: #14

Winter 2000


Only 9 series aired in total. 9. That’s nothing. One series stood out from the bunch: Boogiepop Phantom. Fantastic show if you want to work hard in order to understand a series. Kazemakase Tsukikage Ran was also a very solid period piece. Beyond that though were mostly kiddie shows (we saw Mushrambo and Mon Colle Knights on Dutch TV, actually), but yeah, it’s apparent that producers at this age didn’t see much into winter seasons, and any series airing there is a mere coincidence. I’ll stop my overview here then.
Rank: #13

Conclusion

So, what did I conclude from this? Well, globally, these years can be divided into three periods. In the first period, until about 2005: relatively few series were released, and among them were two or three series that really stood out as amazing series, only 2004 had more and falls more in the period that came afterwards. The rest of the series were meh, however they were varied and were different from each other.

The second period is what I’d like to call the golden age of anime. It lasted from 2006 to 2009, including 2004 (and 2011 and 2012, I guess). The season size got much larger, and with that the amount of amazing series also increased. Every season had so many series that worthwhile. There was something for everyone and so many series came up with interesting ideas, rock solid executions. There were meh series, and series that didn’t deliver, but even amongst them was enough good stuff and things were varied.

And the third period started in 2010. Globally, things returned to having two or three really standout, really good series, with the rest not really being remarkable. But here’s the kicker: as opposed to the first period, the amount of series per season still is huge. There are as many series as in period two, and most likely even more! The result is that while a decade ago, you had the same amount of standout series, this time they’re surrounded by heaps and heaps of generic series that on top of that all look the same and don’t try to be anything new, different or fresh. You get piles of series that are all trying to fit into the same niche and therefore all just end up watering each other down due to the huge amount of competition.

Because of this, the stakes to stand out get higher, so more money is poured into the animation budget. The financial risk is higher, so in terms of storytelling you can’t take many risks either, so people opt for safe scriptwriters and series with interesting ideas are really hard to greenlight. Because of how everything is overcrowded, series that have certain elements in them tend to sell more, so every series needs to have those elements in them in order to also compete for sales. Even the good ones, leading to the excessive amounts of fanservice you see in nearly every show today. I mean, it cannot be a coincidence that Kill la Kill and Space Dandy, the TWO series that set out to try something new and different, both being ended up so crass at the same time.

So yes. I’m not saying anime is dying. I’m saying anime is in dire need of a new business model. The current one is fifteen years old now, and the lack of innovation is starting to hurt. The industry thankfully isn’t as far south as the gaming industry is, however something needs to happen. Be bold! Be creative! Screw conventions!

Posted on 7 January 2014 with categories: Some Quick First Impressions

Hamatora

Short Synopsis: Our lead character is a detective.
Okay, I now feel really sorry for Noragami for mistaking it with Hamatora. Sure it was boring and all, but at least it was well told here. Seiji Kishi has no sense of timing whatsoever. This episode was a huge mess, and while it wasn’t such a huge waste of potential like Dagan Ronpa, under a good director I could have seen potential here. Seiji Kishi, let me explain something to you: think of any anime there. Do you recall those random background shots that they keep showing? They do that for a reason: to establish the setting, so that we know where the current scene takes place. You can’t just take that out in an attempt to save time. The same goes for small-talk: the purpose of that is to build your characters and show what kind of people they are. You don’t need to make every sentence in small-talk funny, and you by all means don’t want to force a laugh, because now we got this incredibly stupid analogy about that egg of Columbus that just doesn’t make any sense. A lot of directors and writers nowadays have completely missed the point of build-up! Adapt the freaking story so that everything fits well, don’t try to cram everything in! Pick the right points you want to focus on! Make the story flow already!
OP: Nice and artistic, but the song sucks.
ED: Dull and formulaic j-rock.
Potential: 0%

Super Sonico the Animation

Short Synopsis: Our lead character is a gravure model.
Watching this episode really made me facepalm, and realize even more what a terrible state the anime industry is in. It’s not that this episode was terrible. This show does remain incredibl commercialized, being basically nothing more than a way to glorify the incredibly moe mascot of some company. And the moe indeed went through the roof in this episode. But guess what? It wasn’t that bad compared to its contemporaries. The thing with Sonico is that she’s a mascot, so she needed to be portrayed in an as good light as possible. The creators knew that all too well, and in the process they created an actually good character. The thing is: Sonico works hard. She does well in school, she can take care of herself with a part time job, she performs in a band, she models. She has an actual life! Usually characters just have one hobby. One thing that they do, and nothing more. Sonico actually has an interesting life. Sure, there are cliches and the gravure part was cringe-worthy and the preview for the next episode showed that there is no point in watching beyond this first episode, but the creators here delivered a more complex character than a lot of other uninspired series out there. Only because she’s a mascot and therefore cannot be put in a bad light. When such a sell-out actually trumps you, it’s time to start wondering what the hell went wrong.
ED: The CG! It burns!
Potential: 30%

D-Frag!

Short Synopsis: Our lead character is forced into a club.
Comedy is hard. Anime can do good ones, however they’re in the vast minority. D-Frag is about a game design club that doesn’t really do anything (well, where have we seen this before?), who need to recruit new members and they reel in this one weird guy. And to be honest: it doesn’t really get better. The whole gimmick of the series is that it’s got weird characters who all have this “element”, like the water girl throws glasses of water around, and the “earth” girl plays with sandcastles. The jokes are all badly delivered, they lack inspiration, they try too hard. I see no potential.
ED: Oh god the terrible vocals!
Potential: 0%

Posted on with categories: Some Quick First Impressions

The Pilot’s Love Song

Short Synopsis: Our lead character goes to school and falls in love.
You know? It might be because I didn’t read the premise for this series careful enough and all, but I expected this series to be a little more… interesting. I expected this series to be about airplanes. Instead, we got a series about this teenager who goes to a new school with his sister, and meets a cute girl and they instantly fall in love with each other. Also they fly some planes here and there. It’s another one of those series that has inexplicably teenagers piloting airplanes in the army, despite there being enough capable adults who can probably do a much better job of it. Also, there is a giant floating island in this series. So what do the people decide to do with it? They dedicate it entirely to one single school. Even taking into consideration that this was set up by nobles, it’s an incredibly contrived set-up. Oh, and there’s also drama. We have no idea what yet, because this episode only hinted at it. Without any subtlety whatsoever, but it did hint at it. This show is like all cheerful and stuff, and suddenly out of nowhere a character goes “oh my god I hate you so much!”, only to drop it again. The movie was about a simple escort mission. That was interesting! That was about characters who at the very least looked and acted like adults.
OP: Bad J-pop
ED: Pretty good, in the spirit of the series at least.
Potential: 30%

Nobunagun

Short Synopsis: Our lead character is the reincarnation of Oda Nobunaga.
Okay, so shounen action. I’ve gotten bored with it mostly. Like with Noragami, it’s all just too standard and… just not exciting. Nobunagun wasn’t one of those series, to my surprise: the action here is pretty good here for a show that’s supposed to be about this high school girl. I’m not sure about the exact reason why, but this does have energy. It’s got a good atmosphere, and does go all out when it needs to, with a pretty good soundtrack. The creators also tried to go a bit into the main character’s head, which did make up for her rather awkward acting at the start. So yeah, I enjoyed this episode, however: what’s in it for the future? They’re just going to fight these same monsters in the same way over the entire series? That’s going to get old very fast.
ED: Hard rock? Okay. It’s good to hear something other than J-Pop for a chance.
Potential: 50%

Nobunaga the Fool

Short Synopsis: Our lead character is a 15th century warlord… sortof.
Shoji Kawamori’s gimmick is that no matter how implausible, he can stick mechas in any kind of premise. The big difference between him and the likes of Seiji Kishi or Shinbo is that he always manages to do this in a different and fresh way. This series is unmistakably his, but at the same time I did not expect him to take the 15th century warring states era that has been butchered so many times by now, and stuff giant robots, flying spacecraft, Joan of Arc, Leonardo Da Vinci and tarot cards all together. The scale of this first episode was huge, and it sounds really promising. It introduced a ton of characters, and most importantly: they were all fun to watch. They’re all characters who have been cameod to death, but this series made them fresh again, even Oda Nobunaga. It also created its own backstory and lore that combines East with West, and Old with New. The episode was actually build up very well and it juggled its different characters around so that we could get a good view of Nobunaga, but also the rest of the cast. Oh, and the soundtrack. Bloody amazing, they did it again. If the rest of this show is like this episode, then we’re in for a treat!
OP: A background OP, this one will probably change…
ED: This one is a bit overproduced.
Potential: 85%

Posted on 5 January 2014 with categories: Some Quick First Impressions

Noragami

Short Synopsis: Our lead character is a god.
Okay, so I mistakenly got the director of this series wrong. Apologies, my bad. Still, this episode had its problems: it looked stylish, but ultimately it just got a bit too generic. Characters had basically two modes and nothing more: snarky and serious, and that got old a bit too quicky. The monster design is quite nice, but this series isn’t really impressing anyone in that department after Space Dandy. From this first episode it rather looked like a standard shounen supernatural series to me, with perhaps better animation than usual.
OP: Nod bad. The style works here.
ED: I’m not a fan of this song, it’s very generic.
Potential: 40%

Tonari no Seki-kun

Short Synopsis: Our lead character sits right next to someone with an overactive imagination.
Tonari no Seki-kun is a weird series. It’s only 5 minutes per episode, and it’s based on just one and only one gimmick: during class, the titular Seki-kun does the weirdest things as a means to alleviate his boredom and the teacher doesn’t notice a thing of it. Remember doodling like crazy during classes? This series takes that to an art-form. Here is the thing though: if it’s just got one gimmick, then why would I want to watch more than one episode? The next episodes are just going to be exactly the same, only with other hobbies that the main character ends up doing on his desk. The female lead also is a very stiffly acted for a straight man. That also breaks the flow of each episode a bit.
OP: Yay for spoiling what the future episodes will be about…
ED: Again, there’s no nead to make even more clear what the gimmick of this show is going to be.
Potential: 40%

Space Dandy

Short Synopsis: Our lead character is dandy and in space.
This was an incredibly silly episode. It didn’t take itself seriously at all. But oh my god, the creativity! At heart this is an adventure series in which we follow the characters to all sorts of fantastical worlds with all kinds of weird and crazy creatures. It makes no sense whatsoever in the process, and the obsession with boobs probably wasn’t the best way to start with, but this episode was a lot of fun to watch. The animation in the second half in particular deserves to be watched. Bones really put their top people on that sequences; the movements were amazing! I do have some complaints though: some jokes were really corny (and I mean 1980s corny), plus the animation is quite inconsistent: the animation in the first half of the episode strangely cut all sorts of corners. Given that usually, series splurge the most of their budget in the first episode, Bones does need to have the resources to make this consistently good.
OP: Dandy.
ED: A great ED. It flows really well from the ending of the episode rather than starting abruptly.
Potential: 85%

Posted on with categories: Some Quick First Impressions

Saikin Imouto Blahblahblah

Short Synopsis: Our lead character gets to have is own little sister.
Japan…. whyyyyy? Why do you keep making these utterly horrid imouto-series? What is people’s fascination with having their own little sister that they can have sex with, which is something that they always end up implying? This one is especially bad, by the way. Where it’s normally just the sister who for some inexplicable reason fancies her brother, this time it’s going to be worse: the sister is actively forced, against her will, in order to have sex with her brother due to some incredibly stupid chastity belt. It’s the single worst premise for an sister-series that I’ve ever seen! And I guess that this episode did tell a bit about the etymology beind the word “sister”, and why it’s so ingraved in Japanese culture, but that still doesn’t really justify the incredible slew of these series that go to so many lengths for some hot brother-on-sister action. Oh yeah, they’re not REALLY siblings: we all know what’s being implied here. There is also no single excuse to why I had to watch this sister go to the toilet for SIX. FLIPPIN’ MINUTES!
OP: Lazy. Badly sung,
ED: Again really bad J-Pop, plus the chibi character is just not funny.
Potential: 0%

Buddy Complex

Short Synopsis: Our lead character’s future self sends a cute girl to him to date and fight robots and stuff.
Here’s a surprise. Buddy Complex looks like this incredibly cheesy robot-series, and I already started to cringe when the creators somehow managed to wedge a school in there. However, as the episode went on, I noticed that on quite a few occasions the creators were actually using logic in order to advance their plots. You want to escape from this giant robot that’s attacking you? Just grab a bicycle and hide in narrow streets: that makes sense if you’re just a normal high school boy who can’t do anything else. Now, don’t get me wrong, the series remains really cheesy and it’s got no excuse of putting teenagers in the middle of armed conflict as the pilots of robots, however it is refreshing to see that it takes itself completely seriously: it’s got a story that it wants to tell. The cheese will be its biggest potential pitfall, because most of the characters are really hamming it up here.
OP: Very, very cheesy again. I know that a basketball has to do with the story, but you should not look at it like that.
ED: A decent song for once. Nothing special though. Again cheesy.
Potential: 70%

Witch Craft Works

Short Synopsis: Our lead character is protected by a hot girl.
Well, so the first new series of the year… is completely vapid, shallow and boring. Everything about this episode was just taken from the hundreds of other school magic series that exist with nothing new whatsoever, and everything about this show just screamed that the creators were just bored when they made it. It’s another one of those fantasy series in which the completely useless male lead gets protected by the single most popular girl in school, who this time has her own fanclub of crazily obsessed people who use weird catchphrases. It’s another glaring example of how badly a big part of the anime industry is stuck in its own rut by completely retreading the same thing over and over and over again.
OP: Even the vocalist sounds completely bored!
ED: Trying way too hard to be cute.
Potential: 0%

CHANGE USERNAME
AidanAK47
I previously had no interest in a Godzilla Anime film. But after reading the concept here I am now very very interested: http://www.animenewsnetwork.com/news/2017-03-24/godzilla-anime-film-reveals-full-title-story-new-visual-november-premiere/.113863
SuperMario
@Kaiser: they are still around. And believe it or not the actual band members are Damon Albarn (former lead singer of Blur) taking care of all the music and Jamie Hewlett who taking of the animation. I love alternative music, I can enjoy hip-hop music and I'm a fan of animation => this band basically has everything I personally love
Anonymous956164
@Mario: Kaiser here, posting from public computer. I had no idea the gorillaz were still around, many years ago I would have listened to their Clint Eastwood song, aswell as dirty harry and feel good inc, I also remember the artstyle of their videos catching my attention.
SuperMario
Anyone here listen to Gorillaz? They're one of my favorite band and their new song Saturnz Barz is great. Excited for their coming album now
Kaiser-Eoghan
I guess I'm considering blood blockade also because I'm burnt out o demanding and old films to some extent.
SuperMario
@Kaiser: I really enjoyed the first season of Blockade. It's one of those cases where I think the delayed of the last episode killed all the exciment regarding the show. I actually fall behind and then catched up again as soon as the last episode was out so I enjoyed everything so much more
SuperMario
@Aidan: makes me really wonder why some of the studios are very uptight about their show's details. Like, they have to know if it is a short series or not, right.
Kaiser-Eoghan
Yet its not exactly a show that fits into being my thing.
Kaiser-Eoghan
Blood blockade battlefront is one of those shows that is always in the back of my head, despite negative biasI managed to at least enjoy some of gungrave, I grew up, sort of with trigun, so with blockade having Yuji Nightow involved theres always that part of me that says to watch blood blockade battlefront.
AidanAK47
This is one of the annoying things about previews. You got o the trouble of looking it up and writing on it only for it to get delayed or turn out to be a short series.
SuperMario
ohh, Blood Blockade Battlefront moves back to October airing. I might have a chance to cover it after all. Though look at how it gets delay and the change of director, it yells more concerns than optimism
AidanAK47
Yep, Manga is completed at 6 Volumes. But it's kinda weird that the series managed to cover 6 volumes when it's so slow paced. I normally thought that 5 to 6 episodes was needed to cover a manga volume on average.
SuperMario
@anon954341: ACCA will finish in 1 cour, as the manga is already completed and from what I heard episode 11 & 12 cover the last 5 chapters of the manga.
Anonymous954341
is Acca 13's story going to finish in 1 cour, or is it still ongoing?
Kaiser-Eoghan
Honestly do wonder how much longer anime blogging will be a thing and how much they have to compete with popular youtuber's channels.
Kaiser-Eoghan
I once had some idea of doing a forum with a friend, it never went anywhere.
Kaiser-Eoghan
Aidan gave good advice anon, I still found old posts from when I was teenager archived somewhere online and it made me facepalm.
Kaiser-Eoghan
Eh, I wanted to throw myself into Mario and your conversation about personalities by talking about myself, force of habit.
AidanAK47
@Kaiser, Not sure what this rambling is about but good for you...I guess?
AidanAK47
@Anon, Blogs take a lot of work for very little in return. I wouldn't try starting one unless you are ready to make a huge commitment. Besides at your age(Based on that comment) it would be best to not put too much on the internet. The internet never forgets and it can come back to haunt you later in life.
Kaiser-Eoghan
The reason I bring some of this up is because I think that even if someone isn't the most emotional person out there, they shouldn't ignore/bash on certain shows/genres because of that, even if you don't get feelings out of it, the story/drama/characters could still be worthwhile.
Kaiser-Eoghan
I do think getting pissed off though is much easier irl than doing it online where it doesn't bother me as much.
Kaiser-Eoghan
And it surprises me alot that I followed so many romance manga years ago, enjoyed them, but I've never been a romantic person irl at all.
Kaiser-Eoghan
I also hate incompetence/failure and am generally not especially patient.
Kaiser-Eoghan
I care about others and appearances mainly to extent it either is of benefit, if I have to or it avoids hassle.
Kaiser-Eoghan
People tend to think I'm cold, articulate, blunt irl too.
Kaiser-Eoghan
I'm not a sentimental or passionette/emotional person irl, I don't like wasting time with other peoples shit and don't bother with it, avoid looking at people or touching them physically, talk in long dry speeches and in general come off as a quiet, reserved but snarky/cynical person.
Kaiser-Eoghan
I probably unknowingly come off as different on this site than I would irl.
Kaiser-Eoghan
Honestly I'd veer towards depressing or surreal/strange/messed up work more out of just wanting to see weird and depressing stuff happen and little else, just interests me, I can't remember the last time I cried.
Anonymous953782
um i wanted to make my own blog but it wants a email but i dont want my parents finding out
AidanAK47
It is weird how we never clash on what we want to cover on each season. Anyway I need someone to contrast my egotisical self so it's all good.
SuperMario
haha, Aidan: heartless grumpy monster & Mario: sentimental sappy bloke. Readers, you got yourself quite an odd combination of writers here.
Anonymous951955
We'll see; trailers can give false impressions
Anonymous951955
Not that all changes from source adaptations are terrible, but in this case, at least the trailer makes it look pretty bad.
Anonymous951955
It looks not great; I understand the need to change it a bit to suit the format/audience, but at what point does it turn from adaption to "loosely based on"?
HelghastKillzone
I'm glad we're past the phase of moe club shows.
AidanAK47
@Helghast, now that's something I never thought I would hear.
HelghastKillzone
Hell ya. We are in a golden age of anime that is filled with options and quality.
Anonymous951809
What a great week! Iron Blooded Orphans, Onihei, Little Witch Academia and ACCA 13 all had great episodes! I am spoiled!
Anonymous950847
@Anon and @Aikan

The LoGH manga remake has been out. It did not work for me.

I hope he anime goes its own way. I do trust Production IG, so I hope. I think it might not be this year. No lgoic, just a hunch.
AidanAK47
@Anon, Only info I can find is that it's coming out this year and it will be by Production IG. But I think you are right in that if it;s coming this year it will definitely be winter.
Feeling rather cautious about the remake myself. LoGH is dated visually but in a way it is a product of it's time and things you could forgive in the old version wouldn't be so forgivable in the new.
Anonymous949997
Does anybody know when that LoGH readaptation is coming? It's supposed to be this year right? Probably winter right?
SuperMario
But I will give it a full review anyways because all the amount of time I spent in that series should be paid off somehow, right?
Kaiser-Eoghan
But serious Gohands is a studio that had potential its just a shame its wasted on rubbish writers. Although I did like mardock scramble, because cyberpunk =)
Kaiser-Eoghan
If I met handshakers in public I'd refuse to shake its hand =D
SuperMario
Oh, it's actually just an extra Hand Shakers episode that serves as a prequel story. Not that bad then
SuperMario
Not to disregard Hand Shakers, but the best way to describe how I feel about that series is mind-numbing
Kaiser-Eoghan
They tried with that Military guy and his daughter but not by much.
Kaiser-Eoghan
But I do agree that there needs to be more to the characters, right now its JUST Tanya.
Kaiser-Eoghan
As for Tanya, having caught up with it, its a nice trashy guilty pleasure, especially due to the protagonist and I enjoy the setting because I'm a war film fan and like some of the action/politicking. I still do wish it was aesthetically a bit better. The dub isn't that bad and I'd welcome a second season.
Kaiser-Eoghan
In an ideal world Kino's journey would have been a good model for what light novel adaptations can be and SHOULD be.
Kaiser-Eoghan
If we must have more light novel adaptations, I would prefer them to be like Tanya, Muvluv, okay hardly breathtaking, but still better than that thing Aidan linked.
Lenlo
*Sigh* It looks exactly how I imagined it would and its terrible.
Lenlo
Please dont tell me thats an actual title.
AidanAK47
In another world with my smart phone light novel to get an anime.

Oh my god...This literally sounds like a joke title you would see within an anime. Tried giving it an honest chance by reading it and it's just shit. Just pure terrible.
AidanAK47
If people in Japan are actually buying blurays thinking its a good show then something is seriously wrong with the world.
AidanAK47
@Topgavin, maybe too many people watched it because it was so terrible. I haven't watched past episode 1 but it doesn't sound like it improved.
Topgavin
Just incase you guys were avidly waiting for the announcement, Hand Shakers is getting a prequel season because it's apparently selling well......
SuperMario
Should be happy for it, though I'm a bit disappointed that I can't be able to cover it
SuperMario
Inside Mari gets live-action series adaptation. Why not anime?? Duh
Spike
Little Witch Academia finally tips it's hand on the overall plot! I'm pretty pleased and think some direction might help bump it up from just being 'good' overall.
HelghastKillzone
@KTravlos Still watching it week by week and I'll write up a review on the second season of Iron-Blooded when it ends.
Kaiser-Eoghan
@Mario: It is however the kind of anime film that would have the wide audience appeal though, as in anime for people who don't watch anime.
SuperMario
@Kaiser: just prove that people has paid attention to anime. That's an encouraging sign actually
Kaiser-Eoghan
Feck, silent voice was booked out when I got there just now....should have booked in advance, showing at 7:00 on Friday booking it now.
SuperMario
@KTravlos: I haven't, but that more because I'm not a big fan of Mecha genre. I believe one of our writer HelghastKillzone still follow the series
KTravlos
No idea, if you are all still watching MS Gundam: Iron Blooded Orphans. I am, and while the 2nd Season toned down some of the elements that made the 1st Season good, it is still pretty good with the last episode doing a great job. If it keeps it, it definitely is head to head with Turn A Gundam for my favorite long-form Gundam Series (I am doing Gundam Origins for the original story)
Lenlo
Mhmm. It was one of those shows it weave adult themes into a kids show, so it had something for both. Now I can also appreciate the artstyle that doesnt use hard black outlines for everything.
AidanAK47
If anything I get so much more out of Samurai Jack now than when I watched it as a kid.
Lenlo
Love that dude Aidan. And yes Kaiser, I think anyone get enjoy it now. I love that its back, but even without that its easily standing on its own
Kaiser-Eoghan
How much of this love of samurai jack is a nostalgia driven thing? I'm not knocking that nostalgia but would it be possible to get something out of the show now if I never watched it when I was younger?
Lenlo
Yeah, that conversation was great. Really shows you how messed up hes become. Its also amazing when you realize that was the last set of spoken dialogue in the episode. There was not a single word uttered in the second half.
Kaiser-Eoghan
The audience who enjoyed samurai Jack has grown up, them bringing up seppuku and blood is possibly a part of that.
AidanAK47
Scene with the coffins was awesome as was the fight in the dark. My personal favorite part of the episode though was Jack arguing with his old design self. And young jack suggesting committing seppuku made my eyebrows raise. I mean..damn.
Lenlo
I agree Aidan. That quick shot of Jack vs the Daughter, with the sudden blood, suprised me as much as it did Jack. I really loved the scene with the coffins. The music nad sound was just great there.
AidanAK47
@Lenlo, It was a really great episode. I love the meta of Jack being worn down by the wait and the wait the viewers had to endure for the new season. I is rather odd seeing blood in Samurai Jack though but it does make that particular moment have so much more impact.
Topgavin
April 16th for NZ. It is a lesser known movie than Kimi no na wa though, so I do wonder how available it's going to be in cinemas
Lenlo
This second episode of Jack was really just amazing. Its making full use of the new budget/tech for the art and of the new rating, along with the impact the timeskip would have on Jack. The cinematography was superb as well.
SuperMario
@Kaiser: Koe ko machi will creen in Aussie in the beginning of April as well. I'll go to watch it; but I would love to jear your thoughts on the movie.
Kaiser-Eoghan
There is a preview screening of koe to kachi on Monday night, depending I may go, I may review it or at least talk about it on here.
Kaiser-Eoghan
I'm dying waiting for the Blame! anime film adaptation to come out in May. I've wanted an adaptation for years.
Kaiser-Eoghan
And I'm too much of a cheap-ass to actually buy anything, don't even use legal streaming for films or anime/manga/comics, pirate almost everything.
Kaiser-Eoghan
Or shelves for that matter.
Kaiser-Eoghan
I've fallen out of the collectors thing pretty much entirely. I don't like to advertise any of my interests on my bedroom wall either.
Kaiser-Eoghan
Some years ago I ended up selling almost all of my anime dvds/vhs and manga, comic books aswell, took down my posters and moved what figures I had left into attic boxes , just no space for it and it was a good way to get some quick extra cash.
Lenlo
I love Rakugo as well, im not meaning to bad talk it at all. I simply also agree with Aiden that slow rolling us with Yakumo's death was poorly done and that its feeling stretched.
Topgavin
Nevermind, the $30 price tag made that decision for me
Topgavin
Weird how I see $8 movies on youtube as a ripoff yet a $90 series as a bargain. All these $300 box sets made me think it'd be in the hundreds. Wonder if I should get rebellion too
SuperMario
I'm still pretty much a fan of Rakugo this season. It goes much darker than the first season, something I didn't dare to think before consider this isYotaro's story. Would love to see more about rakugo's industry but this season does flesh out a lot of our core characters
Kaiser-Eoghan
I said it before but I'll bring it up again, the slow pace allows for, when big things happen to have a larger impact when they do.
Kaiser-Eoghan
*In
**and(not on) waiting for the series to finish
Anonymous935946
Season 1 showed a lot more, different periods and times, the development of Rakugo, the tragedy of Sukeroku & Miyokichi (or at least one version). In contrast, season 2 was basically about Sukeroku's legacy in the form of Yotaro and Konatsu and their kids, and Yakumo's relationship with death, changing from fatalistic to happiness over the course of the series.
Kaiser-Eoghan
I think it might be 13 episodes, the first season had 13.
Anonymous935946
To be honest, I understand your point: It's hard to actually describe what happened in season 2. I guess I became invested into Yakumo in season 1, and then warmed up to Yota and Konatsu in this season.
Anonymous935946
Yeah, I think they certainly could have compressed the front half of the season. There wasn't too much plot going on, but I enjoyed the characters and their interactions, so I didn't mind the deliberate pacing.
Lenlo
I still really like Rakugo, its really good, it just probably didnt need 12 episodes. That said, really lookin forward to the timeskip
Kaiser-Eoghan
@Mario: I've never actually seen any of Olivier Asayas' films come to think of it.
Kaiser-Eoghan
But going back to that dragging on, that did factor in almost making me hold off on waiting for the series to finish before going back. The anon's comment was what got me to watch this weeks episode right now rather than waiting till later.
Kaiser-Eoghan
Rakugo remains at this point still going in too long, but in fairness to the anon, yes the episodes conclusion was effective on emotional level and I bought into the dreamy atmosphere, largely due to the good cinematography the series uses.
Lenlo
Really? Im torn. Im glad they didnt bait and switch us again, but I always liked how grounded Rakugo was so im not sure how ok I am with the supernatural part and some of it felt like fanservice in regards to bringing characters back. The VA though is fantastic as always and I am definitely looking forward to this last timeskip. Cant wait to see the kids grown up.
Anonymous935526
Rakugo was otherworldly today. Not going to lie, was fighting tears back, but failed at the end.
SuperMario
@Topgavin: the bluray goes by region as well so you can only buy it in Australia/NZ region (region 4). For Madoka I still find it easiest to just go to JB Hi Fi and buy it. Sometimes I find it cheaper from JB Hi Fi than even their original distribution company.
AidanAK47
@Topgavin, I ordered my Madoka bluray's from Amazon.co.uk.
Topgavin
Where do you guys buy your merch? Was looking into buying the Madoka blurays but can't find a reliable place to ship to NZ.
SuperMario
@Kaiser: nah, Personal Shopper isn't even a horror. It's just a failed arthouse that have little to say except grief.
SuperMario
...even now. For Raw, I would never expect the positive reactions from mainstream. I think the film really push the tolerance of the voewers, but it was a refrrshing watch.
SuperMario
@Kaiser: now you mentioned 2 films thay I really fond of. I come from Vietnam, so I could easily tell you that the settings are staged. The dialogue is pretty unnatural as well, but the movie grows a lot on me. I still love the striking visual and a long, slow mood the film evoke, and It speaks to one of the theme (women's identity in Vietnam society) that speaks well to me and still relevant...
Kaiser-Eoghan
@Mario: Is personal shopper really that mediocre a horror film?
Kaiser-Eoghan
@Mario: I also got back from seeing Raw a couple of hours ago, though the violence was enjoyable I was expecting it to be more so, it was also surprisingly funny at times.
Kaiser-Eoghan
@Mario: I did eventually see Scent of Green Papaya, while I did like that a plot actually did appear later on I was mostly content to find it a really pretty looking and generally relaxing film.
Kaiser-Eoghan
@Aidan: =< Sorry that anon post was me, was using the work computer and didn't log in.
AidanAK47
@Anon, don't do that. Don't hint at future events and just let people see for themselves.
Anonymous930711
The glasses teacher in scum's wish will have an interesting moment to look out for in the coming episodes, I read on in the manga. Only one chapter left.
SuperMario
*ED instead of OD
SuperMario
@anon928813: usually they will release the music separately from the DVD/Blurays. I believed the OP had released last year, and according to their website the OD gonna release in 5th of April
Anonymous928813
Does anyone know the release date for Zaregoto's OST? Is it bundled with one of the BDs?
Kaiser-Eoghan
Y'know I'd like to see this Akane-sensei girl attempt to seduce me and just watch her fail at trying to do so.
Kaiser-Eoghan
My guess is that Miura will do another 6 or so chapter run then put it down for another while.
Lenlo
Im so happy Berserk Manga is starting up again, but im curious for how long. I remember sitting through that boat. I was there for all 7 years of it. Im like a hiatus vet now
Kaiser-Eoghan
Pretty much in agreement on titan where after what the first season covers I've pretty much been waiting for it to get back on track before I bother to get back to it.
Kaiser-Eoghan
I should be catching up and sangatsu and acca.
Kaiser-Eoghan
I never saw kekkai sensens first season so there's little chance of me watching the sequel.
Kaiser-Eoghan
Berserk and Natsume I'll just stick with the manga. I don't know about Bahamut, it took me a few episodes to get into before it became fun, but then the ending was disappointing, again maybe there's room for improvement in season 2.
Kaiser-Eoghan
I would hope that eccentric families second season would be able to live up to the potential of building on the first. However it's been a while since I've seen season one, might need to refresh myself.
SuperMario
For the Spring season, it is a season of sequels. From sequels alone, I'll follow Berserk, Eccentric Family, BBB, My Hero Academia, Attack on Titan, Natsume (is it the last season?), How to Raise a Boring girlfriend. I dropped Shingeki no Bahamut after 3 episodes, but might pick it up again before the new season begin.
SuperMario
Before that, Utena and Haruhi.
SuperMario
Gotta love the extend a passionate fan would go. The last time I felt passionate about something anime-wise was Monogatari as there was a period of several months that I watched nothing but that series, and rewatched and rewatched. It just clicked with me personally at that stage of my life.
Lenlo
At this point, ill watch/read anything with Berserk on it. I already own all of the original print runs of the Manga. If I had the money, I would buy everything else.
SuperMario
@Lenlo: I'll be on the same boat with you regarding Berserk. I know I CAN ENDURE it (finger crossed)
Lenlo
Man, your season preview reminded me I soon have to watch another season of CGI Berserk. Im not going to like it, but its a trial I must go through as a hardcore Berserk fan.
Lenlo
Im glad they didnt lose the funny robots in their pursuit of the Grimdark
Lenlo
That flute into Skatman-like singing was great
AidanAK47
@Lenlo, I had the biggest smile when Jack destroyed the robots flute and he started singing with his mouth. Looking at clips of the show on youtube I don't think I appreciated just how funny this show was. Also digging Jacks PTSD and the daughters of Aku.
Lenlo
Dude has problems and I loved the singing robot
Lenlo
Have to say, enjoyed seeing Jack again.
Lenlo
Thanks Aidan! Cant wait to watch it tonight
Kaiser-Eoghan
Well I suppose it is moreso samurai Jack wasn't really a large part of my childhood.
AidanAK47
Don't know how it is for security but I never really had trouble with it.
Lenlo
Love me some Samurai Jack though
Lenlo
It may just be Malwarebytes actin up. Ill look into it and if its a false flag check it out.
Kaiser-Eoghan
I never really had any opinion of samurai Jack when it was airing.
Kaiser-Eoghan
Oh I'm enthusiastic about Kino season 2, but I want to be cautiously optimistic just in case.
Kaiser-Eoghan
But has anyone read on in the Kino novels to confirm that a second season would have good material to work with, would it fall prey to the light novel curse that apparently many of then weaken by the third volume?
Kaiser-Eoghan
The only issue I've found with kiss is that, in firefox at least, sometimes it slows down my browser but only now and then. Never had any trouble with viruses or mal/spyware on it. Though it won't allow adblock =<
SuperMario
@Aidan: I was surprised at Kino's Journey news as well. Yay for having a new season!!
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