Posted on 23 January 2014 with categories: Space Dandy

Here is another thing that also really bugged me about anime of the past few seasons: the ones that have a very promising first episode only to just fail trying afterwards. I mean, I hate it, but I have to swallow my words about Nobunaga the Fool after watching its second and third episodes, due to how shoddy it suddenly got. Especially Jeanne D’Arc: she turned out to be completely useless. The way this series looks at women being just there as a second thought is much worse than Space Dandy and Kill la Kill.

Even though these series are bad at how they focus too much on their male audience, there is method to their madness. Kill la Kill is all about outfits being empowering, while Space Dandy is told from the perspective of a guy obsessed with boobs. They keep to their rules, while Nobunaga the Fool took a famous French figure and made her just stand by and watch, sometimes just randomly in the main character’s lap.

That doesn’t excuse Space Dandy. I know it’s silly and Cowboy Bebop also had its share of fanservice, but there is such a thing as taking things too far.

The thing however is, that apart from that, Space Dandy is the series I’ve been waiting for for years to come. Finally after years and years of waiting, another series of its kind has arrived: the kind of series that each episode shows a totally different story involving the main characters. I love these shows, even though they’re often labelled as being monster of the week, or having too much filler.

And granted, this is the kind of format that can be done badly. However it brings so many advantages and when done right it can work brilliantly. Some of reasons why I like it:
– Series that have this can be planned much better into their timeslot because every episode needs to be different. Therefore forcing the writing team to be on their toes.
– Fleshing out characters. Random stories like this are excellent at showing the different sides of the characters, plus the different sides about the setting this takese place in. Great for immersion!
– Variety. Series with a linear storytelling are often very predictable as well, and allow for very little chances to spice things up and make things interesting, because of the ongoing storyline.
– There is no chance to drag on. The creators need to create a new storyline every episode so there are no dead episodes, plus none of the episodes look like each other.
– Episodes are also much more standalone because of this. Because of this the individual episodes can take more risks. There is more chance for creativity and interesting storylines. A show can go on a tangent for one episode and then go into a completely different direction the next.

This is the strength of anime. something it got really good at at one point, but the format unfortunately got in discredit due to the bad reputation that the bad attempts got. There was a point at which I saw many people complain about “filler”, to a point where every episode that wasn’t instantly contributing to the plot as instantly bad. I think that Naruto was a big contributor to that with its 100 episodes of filler. Plus, it’s kindof difficult to objectively describe the difference between filler and plain wasting time, and just a good adventure. And this border is probably also different for everyone.

For me, what’s most important is that there must not be “dead episodes”. Episodes that just aren’t fun to watch or were clearly made to just pad out time, without any inspiration. On top of that, the different episodes also need to bring colour to the characters and show a good collection fo the different sides of the setting. It’s something that you can’t simply describe in a tagline, which is what makes this such a tricky thing to judge, and probably lead to the lumping of all good and bad shows together on one heap.

I mean I’m not saying that every series needs to be like this, but a few can’t hurt, right? With so many linear stories around today that are all rather monotone and more often than not don’t even end, it wouldn’t hurt to have just a few series in which every episode is about a different story, right? Just like how things were in the past? I really hope that Space Dandy will inspire a new wave of series that also will embrace this philosophy again, and the upcoming Mushishi will also help really well to achieve that cause.

When you compare this to Cowboy Bebop this obviously is much sillier, but the thing is that Cowboy Bebop only started to really shine when you look at the big picture. Plus, I’m not going to compare the two too much, because Space Dandy being silly has a very different atmosphere, even though some of its design philosophies are the same. And that’s what I find so good about this series: three episodes in and the creators still are making this look really interesting. Plus, the direction is also quite good, if unconventional.

I especially liked episode 2, the search for those fabled noodles. It was a very emotional episode, for some reason. It had that weird to describe sensation that made everything just come together when they finally ended up finding those noodle bar, and that one creature started telling his life story. The way in which this show changes its atmosphere: it’s also really good. And the music! That also is godly!

The question now is whether the stories will be varied enough. Episode three also was very good, but like the first episode the creators did strand on a hostile planet and got chased by monsters again. However, at the same time it also very nicely subverted parts of the previous episode (the monsters were mostly good-natured save for one, they actually got money this time), which is also very good.

The reason why Cowboy Bebop was so critically acclaimed is that on top of being really well made, it had international appeal. It didn’t feel like an anime, and it was and is very different to most anime nowadays which are often circlejerking each other for the same audience that they know will buy. It had international appeal. Shingeki no Kyojin is a recent series that also had a lot of international appeal that it deserved, I believe. Space Dandy really hopes to be the next one to catch an international audience, especially with the way it’s released simultaneously in English and Japanese.

I think the weird fanservice is because of that reason. It’s on one hand the believe that sex sells so it needs to be in everything, and on the other an attempt to not fall in the standard Japanese fanservice cliches that will only appeal to Japanese otaku and not the other demographic.

Also, does every episode have a different OP and ED? That’s what I call respect. Really awesome detail.

Posted on 19 January 2014 with categories: Some Quick First Impressions

I’m tired, and I’m soooo far behind. More details on why below, but I do want to finish my impression of this season, but with so many series looking like each other I’m going to do a quick version of the shows that I missed. I’ll try to catch up on the second episodes the upcoming week. I’m really sorry for all the delays.

No-Rin: This one really was terrible. Beyond moronic characters, incredibly annoying acting, and an incredibly pandering premise.

Sakura Trick: I like yuri because for some reason, creators know how to make some really fascinating series when they have lesbians in them (or even better, bisexuality), not just for the sake that there are lesbians in them. Sakura Trick is a show about girls making out. I’m not kidding: so much of this episode was about the awkward moment of the first kiss. Stupid premise, boring characters. Moving on.

Sekai Seifuku: This one had me intrigued for a while. Who are these people? How are they related? Why do they want to destroy the world? However, then the giant monsters showed up and everything turned generic and characters started wearing the most ridiculous outfits. Uh, the women, I mean. Also, as for why they’re conquering the world? It’s all instigated by a little girl. I see no potential in them developing this into anything worthwhile

Wizard Barristers: This was actually not half bad, for a first episode. Especially the animation here surprised me, coming from Arms. This just shows how much good production can trump a production studio’s reputation when it’s really trying, because this probably contained some of the best animation of the season. My big worry is consistency, because the creators here totally aren’t known for that. I know I have this cynical view now, but there have been too many series in 2013 that betrayed my trust for a good plot and characters. I really hope that 2014 will get rid of this cynicism…

Nisekoi: Oh boy, a shaft-series that actually doesn’t feel like an animated slide-show and the characters actually talk about stuff that’s relevant for once. It’s just too bad that this is the most generic premise for any series they’ve done so far (boring high school romance love triangle). Heck, everything that happened in this episode was standard romance fluff that we’ve seen done hundreds of time before. They did recycle the Sayonara Zetsubou-Sensei despair-look, but hey. At least it’s a move in the right direction…

Inari Konkon: Oh thank god, finally! A school series that puts emphasis on thinking and learning. It comes up with situations that actually challenge the characters instead of being so mind-numbingly bland. With the current season I was really fearing that my taste had completely changed with how so many different series bored me to death. Now, this is obviously similar to Gingitsune, which I in the end found to be a bit too corny to work. This series doesn’t have the instantly likable characters, however it puts the characters in interesting situations. It’s about bloody time a show does that. You’re supposed to take characters and think: “what situations would get the best out of these characters?” – not “how can we make this character instantly likable outside of any context whatsoever”. That’s not sustainable in the long run!

Oneechan ga Kita: Yeah, the very first scene we see is about the main character walking in on his sister changing. Aside from that, this this was disturbing and weird when they turned the sister into this obsessive stalker.

Silver Spoon: A big reason for the past delays… was the first episode of this season. I have no idea what happened, but I set myself to watch it, and I just could not force myself to sit down and watch it. Why? This has some obviously good characters and it’s a look at farming… and yet something inside me just did not want to watch it. So thank god I finally managed to sit through it. And yeah, it was okay. The romance was a bit annoying (misunderstandings are rather boring…), but you know? It offered a look at school life in a far more detailed way than the other school shows, and the characters remain very versatile and down to earth. And yet, something inside me keeps yelling that I do not want to watch this…

Silver Spoon is objectively good, but I think that I’ve been to objective this season, and need to go back to my roots: creative and engaging series that most people gloss over. When criticizing, some parts indeed boil down to “does it make sense, does it know the writing rules, et cetera”, but the most important part that’s about whether you really like it or not is entirely subjective and incredibly difficult to really describe well. It’s this X-Factor that some shows have and others just don’t. I mean, say what you want about Nobunaga the Fool, for me it was one of the most entertaining first episodes of the new season due to how amazingly pretentious it tried to be. People made fun of me when I gave it such praises, and I realize that even though I’ve been blogging for a long time, I still notice that I still take all my comments very personally to the point where I’m trying to please everyone, instead of doing what I really want to do.

The thing with taste is that there are very different ways people look at anime, and connect with it. And I’m not talking about that “Type A and Type B otaku” that you see at places, that’s way too simplistic, not to mention that I never really considered myself an otaku (though granted it’s a term that many people have different definitions of). In the end what I really noticed is that I love series that are ambitious and combine storytelling, characters, animation, music, setting and symbolism into one whole that is larger than the sum of its parts.

And I need to really convince myself: only you know your own taste best, every taste is unique and worthwhile, and judging others for their taste in anime is most often… quite immature.

Sorry what you had to witness these inner ramblings of mine.

Posted on 11 January 2014 with categories: Samurai Flamenco

Oh, Samurai Flamenco… what are you doing? I used to praise this show for being so well put together. Obviously I can’t say that anymore, but still it’s quite a ride to see how crazy the show can get next time. This episode was this really weird combination between the first half of the show and episode 11. The Flamengers were all kinds of cheese, while Goto… he actually stayed normal.

Having said that though, the fight in this episode sucked. I’m not sure whether that was intentional or not, but the thing rather fell apart when that army of Miyamoto Musashis appeared from out of nowhere and were like “Oooh, let me slightly wave my sword at you! That will teach you!” – That completely defeats the purpose of having large numbers in the first place! I get that the budget isn’t that big for tis series, but there’s a difference between cutting corners and simply not trying.

But then again, it can also be a very deliberate jab at the super sentai genre. I mean, one gets large and they defeat that one with the Flamenbot, but the rest… magically disappears? Also those new weapons were completely ridiculous.

Also. The Flamencar. Really?

Posted on 10 January 2014 with categories: Some Quick First Impressions

Wake Up Girls

Short Synopsis: Our lead character needs to find some idols.
I’m late with this. I want to finish these first impressions, but I’m tired. And so, in its infinite wisdom Wake up girls decided to have an hour-long first episode. And it’s an idol series! I am not going to watch this one all the way through, however I do want to say that it’s among the better of its genre. From what I watched of this episode, the focus was on the scouting of these girls. That was pretty interesting, and the girls aren’t as overly moe about their personalities. Obviously it’s still blatantly there, but they aren’t trying to shove it down the viewer’s throats. It actually cares about characterization for once. Now, this is not my kind of series and I know that I won’t have time to watch it, but if you like idol shows then this one isn’t bad to keep up with.
Potential: 60%

ZX Ignition

Short Synopsis: Our lead character fights with supernatural creatures/angels.
Okay, so I was under the impression that this was a kiddie show. Well, not so much, actually. I mean the characters are a lot older (one of the characters is 19… despite looking nothing like it), and it actually was moderately entertaining. The entire episode was told a bit out of chronological order, which also spiced things up. The main character isn’t your typical wimp, which also helps. A lot happened in this episode which either means that this will be a fast-paced series, or they blew most of their ideas in the first episode. However, when you look at the context, this series falls apart a bit. You have monsters fighting each other because… of stuff. The monsters all have these really cheesy names because… of stuff. The main character also is important because this angel fell onto him because… he just happened to be where she happened to fall. This episode didn’t explain anything, and while enough explanations may follow, I saw no hints at any sort of depth whatsoever so far.
ED: Copy paste song, boring as usual.
Potential: 60%

Posted on 9 January 2014 with categories: Some Quick First Impressions

Engaged to the Unidentified

Short Synopsis: Our lead character has to marry against her will.
I’ve found my surprise of the season with this show. Now don’t get me wrong, the premise is horrible and something that we’ve seen many times before. This series would have been incredibly boring, if it wasn’t for one character: the little girl. You’ll know who I mean when you see her. She made me laugh quite a few more times than what I’d like to admit. I mean, on one hand she uses moe like no other. But on the other she’s like this really weird combination between a child and an adult. Her eloquence is one moment really polite, and the other incredibly childish. The rest of the cast… well they try what they can with a premise of suddenly learning that your grandfather has arranged your marriage behind your back, but the drama is forced and cheesy. That little girl though… she made this worth the watch. The danger with these characters is of course that it’s really difficult for them to carry the show on their own. I mean, this series needs to stay fresh for an entire season. I did not see hints that it will, but who knows?
ED: Generic J-Pop
Potential: 60%

Pupa

Short Synopsis: Our lead character eats stuff.
I really am puzzled for this one. I’d really like to know the story behind this series. How did it get made? Who are responsible for it? Why was it made? I mean, clocking in at only four minutes (three if you ignore the OP and ED) this was obviously made on a shoestring budget. The animation shows the same: there was hardly any inbetween work done here, and the animation that is there looks incredibly jerky. And yet the art itself is very good, and the soundtrack also rocks. Tomomi Mochizuki is a brilliant director who really knows his stuff, so he has to have some kind of idea or vision behind such a series that obviously is going to be short with only twelve episodes. Was this like a project to train some new people at Studio Deen or something? Does that explain why it was delayed one season? I mean, the episode had a good atmosphere, although it was a bit weird and really really short so there was no time to let things sink in. What’s going on here?
OP: Love the art, although it is a bit lazy.
ED: It’s like… the creators made a long version only to hear that it had to be cut incredibly short
Potential: #$@?%

Hozuki no Reitstsu

Short Synopsis: Our lead character works as an executive in hell.
Thank god, finally. Houzuki no Reitetsu was the first episode for which I can really say that yes, it was well written. It already was amongst the top series to look out for, and it did not disappoint. It blows the entire season out of the water in terms of creativity, but it sets itself apart with its script. The way in which the characters talk to each other is delightful. A lot of this series is simple smalltalk, but thankfully the creators did not listen to the Shaft-school of writing dialogue, but they kept things meaningful and to the point, while at the same time throwing in tons of references to Japanese mythology, but also weirdly talked about things like wildlife and Ayer’s Rock. It also weaved in its comedy very nicely: it only makes a joke when it’s got something funny to tell. Some of the jokes were quite clever, something you wouldn’t expect of anime lately where most of the jokes are simply quite crass.
OP: The best OP of the season, introduces the characters with a weird song and trying something different for a change.
ED: This was weird, but still better than the other EDs we got to listen to this season.
Potential: 95%

Posted on with categories: Top 10 Anime

Over the years, even when I just started blogging, I’ve seen enough people get tired of anime, claiming that anime in the past used to be so much better. I remember that I kindof saw their point, however there were plenty of awesome series to keep me watching. However, after the current state of the season so far, I really do long for the anime of the past, and they seemed so much more diverse.

However, the big trap with these statements is to over-glorify the past. “Yeah, the past used to be so much better, in my days blah blah”, so you need to be careful with these kinds of statements: you forget the boring parts and only remember the things that stood out. So because of that I decided to take a good look back at the past winter seasons. I’ll rank all of them, but I’ll talk about them in chronological order. For each picture, I’ll use a picture of the series that turned out to be the best, by the standards I hold today.

Once this season has ended, if I feel motivated enough, I’ll also include it in this list.

Winter 2013


This was a really bad season. The only remotely good non-sequel show to come out of it was Kotoura-san. It had a very strong first episode for a school series, and managed to keep it up for 1 cour. Beyond that, the obvious stand-out was a sequel: Chihayafuru, which admittedly was just fantastic. AKB0048 unfortunately was not as interesting as I hoped it to be, and Amnesia and Tamako Market had promising first episodes, only to crash down horribly. Apart from that, the school setting was again very prevalent (Boku wa Tomodachi ga Sukunai, Mangirl, Sasami@Ganbaranai). Lots of series looked the same, but there also was some historical fantasy here and there (Maoyuu, The Hakkenden, Senran Kagura). Out of around 31 series, I only found three of them actually worth watching.
Rank: #11

Winter 2012


This was a season in which suddenly there were three ambitious science fiction series airing at the same time: Rinne no Lagrange, Mouretsu Pirates and Aquarion Evol. Out of those, only Rinne ended up not fulfilling its promise, but still it wasn’t bad. On top of that there was a solid horror-series with Another, and three really solid comedies in the form of Poyopoyo Kansatsu Nikki, Danshi Koukousei no Nichijou and the incredibly random second season of Tantei Opera Milky Holmes. Natsume Yuujinchou came with its amazing fourth season that gave a ton of depth into the people around him. So yes, I would say that this was a very good season, with a pretty decent variety as well. Aside from mecha and comedy, there also was slice of life, sports, fantasy and romance. I would call this a very well rounded season.
Rank: #7

Winter 2011


This season stood out due to three absolutely amazing series: Level E, Mahou Shoujo Madoka Magica and Hourou Musuko. All three together covered the entire spectrum: one was a brilliant comedy, another brilliantly deconstructed the mahou shoujo genre, and another was a brilliant look into what it is to be a transgender. These three alone made this season worth watching, and on top of that we also get a pretty decent closure to Kimi ni Todoke, a “so bad it’s good”-comedy Mitsudomoe Zouryouchuu, and Gosick, an adventure series which started out questionably, but ended beautifully. The downside to this season was that there were a lot of stinkers. Fractale is the most notable for having a wonderful premise, only to completely ignore it, but Yumekui Merry had the same fate: great premise and execution, but just cut off in the middle leaving nothing resolved. Dragon Crisis just went worse as it went along, and Kore wa Zombie Desu Ka also failed to stay funny. Not to mention the epically bad Rio Rainbow Gate, Infinite Stratos and another Oniichan series. A season of huge ups and huge downs.
Rank: #6

Winter 2010


Oh boy, I remember how this was a stinker when it came along. However, looking back on it, it’s not the worst, it’s better than the Winter of 2013, however that season was backed up by a very strong Autumn season, while this one… wasn’t. So we were stuck with Durarara, a series which thankfully had a fantastic first half, only to have a much less interesting second half later on. The one series that stood out was Heartcatch Precure, the series that showed how much you can do with the mahou shoujo formula. Katanagatari also was interesting and fresh with its wordplay, but the problem with these series was that they paid out very slowly: Heartcatch Precure only started in February and had 50 episodes, and Katanagatari only aired once a month. Apart from that there were series that had interesting premises and were nice to watch, but never really were meant for greatness, like Cobra The Animation, a revival of the classic TV-series, and Sora no Oto, which at the very least had a very intriguing setting (really rushed ending though!). However, this also was the season in which the barriers of good taste got lowered significantly: Seikon no Qwaser was pretty much borderline porn. With a measly 17 series total that aired, things did not look good for anime at the time. However, things recovered afterwards.
Rank: #10

Winter 2009


Winter 2009 was weird. It was stunning, completely stunning. Birdy the Mighty Decode still stands in my top 10 because of it. White Album was incredibly annoying, but ultimately worth it and a unique romance. Ride Back started out rather weird, but it turned out to be a pretty unique mecha series about an adult female who drove this cross between a motorcycle and a robot. Maria-sama ga Miteru surpassed itself, Shikabane Hime was weird, but ultimately awesome to watch, and Hajime no Ippo also completely surpassed itself. It was glorious, and yet there were so many annoyances at the same time with how the Tower of Druaga failed to live up to its hype, Natsume Yuujinchou’s second season was not as strong as the first, Koukaku no Regios didn’t go anywhere, Kurokami failed to deliver, and Munto turned out to be nothing more than a blatant recap. I also remember complaining about how there were way too many sequels this season. And true, the amount of sequels at the very least has never been as overwhelming as in this season. 2009 was definitely the year with the most conflicting feelings.
Rank: #3

Winter 2008


This season was one of the best winter seasons ever. The reason was the sheer quantity of amazing series that aired. Porphy no Nagai Tabi is a series that today can not be made: 52 episodes dedicated to a children’s novel, coupled with stunning background art. Gunslinger Girl’s sequel was very controversial due to the style change, but I loved it. Shigofumi had an awesome concept of a girl who brought back letters from the dead, and True Tears is one of those unique romances in which you never really know what the characters were thinking. Hakaba Kitarou seamlessly combined horror with comedy, Aria the Origination was an amazing conclusion to the Aria franchise and Spice and Wolf was a really intelligent look at medieval economics with excellent characters. THIS. This is what a winter season should be. There was something for everyone, many risks were taken and many series delivered in well thought-out ways. There were a few disappointments, but none of them were really big disappointments. Just a few series that burned out in their second halves (Zoku Sayonara Zetsubou-sensei and Sisters of Wellber 2), and the obviously bad series like Rosario to Vampire were in a minority and could be easily avoided.
Rank: #1

Winter 2007


The 2007 season had much less quantity. However, what it lacked there, it made up for in quality as it premiered two series that would grow out to be absolute classics: Les Miserables and Nodame Cantabile. This definitely was a season for the people into classic literature or music. No other season has ever been able to deliver two of these masterpieces at the same time. If you look at the rest of the season, the you’ll see lots of action: generic action series or series about people with powers fighting each other, that never really stood out. Rocket Girls was nice, and Master of Epic also was this unique little comedy series. There also was slice of life, sports. That’s the big difference between this season’s lackluster series: in 2014, everything looks like each other. In 2007, things were uninteresting, but at least they were different.
Rank: #5

Winter 2006


This was the first winter season I actively followed. And what a season it turned out to be: Ayakashi ~ Japanese Classic Horror, Ergo Proxy and Rescue Wings together. All incredible series, aimed at adults, yet all completely different. Beyond that there was a really solid romance series situated in a hospital with HanTsuki, Magikano was hilarious back when Seiji Kishi was still good. Plus, Nerima Daikon Brothers: an actual animated musical that never got fully subbed, yet was really fun to watch. There may not be as many series here, but here is the thing with this season: all these six series were incredibly well thought out. They had some really interesting ideas and they took their risks, instead of rehashing the most popular thing around. All of these series set out to challenge the status quo and do something never done before. Even Magikano, as its brand of humour was still fresh back then.
Rank: #4

Winter 2005


Here we get to the point where I haven’t seen every series that came out, so my view of this season has also a few impressions here and there. This was an average season, that delivered two really strong short series: Air and Starship Operators. Romance and space opera. Beyond that there was the short comedy Gag Manga Biyori. Beyond that, there’s lots of romance, mecha and kiddie shows. I mean things like Mahou Sensei Negima, Peach Girl, Jinki Extend: I saw small fragments of them but none of them really looked like they had potential. This actually reminds me a lot of the season we’re currently in.
Rank: #8

Winter 2004


This is a weird season since there were two utter classics that aired with strange schedules: Ghost in the Shell’s second season aired two episodes at the start of each month, and Paranoia Agent started in february. Especially Paranoia Agent was absolutely fantastic in every single way. But yeah, this season absolutely rocked. One of the best action series out there in the form of Jubei-chan 2 also was shown here. That’s three completely amazing shows in one winter-season, and the rest of the season, even the not interesting ones, are incredibly varied. There are fanservice series, but plenty of historical ones, there is a comedy, there are series aimed at a young audience, and old audience, plenty of series that took risks and series that just stayed with the status quo. The balance is perfect here.
Rank: #2

Winter 2003


The top three series this season were all really inspired: The Big O’s second season really knew how to play with the mecha genre, Ashita no Nadja was a really creative shoujo adventure that we nowadays never get to see anymore, and Wolf’s Rain, although the execution left a bit to be desired here and there, really stood out with how its main cast consisted out of wolves, and I absolutely cannot fault its setting, which was incredibly imaginative. Beyond that though, this was a small season. Most of the other shows were just harmless fluff or just plain bad series. Oh, and Licensed by Royal, which I haven’t seen but admittedly does look interesting.
Rank: #9

Winter 2002


One thing to note is that ten years ago, the seasons were much smaller. This season, ignoring the kiddie shows, had about 16 anime. The best of which was RahXephon, which was an intelligent mecha series, definitely. Also good were the adventure series Patapata Hikousen no Bouken for the younger audience, and Fullmetal Panic, for the older audience. Nothing standout like in previous years though. Kanon also premiered, starting the trend of key adaptations, and Onegai Teacher aired as well. Nothing much stands out, but there are lots of cute girls, along with generic action series in which the enemies are strange supernatural beings.
Rank: #12

Winter 2001


Here we get to the part where the winter season was pretty much insignificant. The only series that are noteworthy are Arjuna (a nature series, admittedly very creative) and Tales of Eternia. Ojamajo Doremi also had one of its seasons here, but apart from that… there was hardly anything. That I’ve seen, at least. The thing is that there are surprisingly many series that feature adults as their protagonists. There are 14 series in total, and while most of them indeed do look uninteresting to me, they don’t suffer from the problem of not trying out different things.
Rank: #14

Winter 2000


Only 9 series aired in total. 9. That’s nothing. One series stood out from the bunch: Boogiepop Phantom. Fantastic show if you want to work hard in order to understand a series. Kazemakase Tsukikage Ran was also a very solid period piece. Beyond that though were mostly kiddie shows (we saw Mushrambo and Mon Colle Knights on Dutch TV, actually), but yeah, it’s apparent that producers at this age didn’t see much into winter seasons, and any series airing there is a mere coincidence. I’ll stop my overview here then.
Rank: #13

Conclusion

So, what did I conclude from this? Well, globally, these years can be divided into three periods. In the first period, until about 2005: relatively few series were released, and among them were two or three series that really stood out as amazing series, only 2004 had more and falls more in the period that came afterwards. The rest of the series were meh, however they were varied and were different from each other.

The second period is what I’d like to call the golden age of anime. It lasted from 2006 to 2009, including 2004 (and 2011 and 2012, I guess). The season size got much larger, and with that the amount of amazing series also increased. Every season had so many series that worthwhile. There was something for everyone and so many series came up with interesting ideas, rock solid executions. There were meh series, and series that didn’t deliver, but even amongst them was enough good stuff and things were varied.

And the third period started in 2010. Globally, things returned to having two or three really standout, really good series, with the rest not really being remarkable. But here’s the kicker: as opposed to the first period, the amount of series per season still is huge. There are as many series as in period two, and most likely even more! The result is that while a decade ago, you had the same amount of standout series, this time they’re surrounded by heaps and heaps of generic series that on top of that all look the same and don’t try to be anything new, different or fresh. You get piles of series that are all trying to fit into the same niche and therefore all just end up watering each other down due to the huge amount of competition.

Because of this, the stakes to stand out get higher, so more money is poured into the animation budget. The financial risk is higher, so in terms of storytelling you can’t take many risks either, so people opt for safe scriptwriters and series with interesting ideas are really hard to greenlight. Because of how everything is overcrowded, series that have certain elements in them tend to sell more, so every series needs to have those elements in them in order to also compete for sales. Even the good ones, leading to the excessive amounts of fanservice you see in nearly every show today. I mean, it cannot be a coincidence that Kill la Kill and Space Dandy, the TWO series that set out to try something new and different, both being ended up so crass at the same time.

So yes. I’m not saying anime is dying. I’m saying anime is in dire need of a new business model. The current one is fifteen years old now, and the lack of innovation is starting to hurt. The industry thankfully isn’t as far south as the gaming industry is, however something needs to happen. Be bold! Be creative! Screw conventions!

Posted on 7 January 2014 with categories: Some Quick First Impressions

Hamatora

Short Synopsis: Our lead character is a detective.
Okay, I now feel really sorry for Noragami for mistaking it with Hamatora. Sure it was boring and all, but at least it was well told here. Seiji Kishi has no sense of timing whatsoever. This episode was a huge mess, and while it wasn’t such a huge waste of potential like Dagan Ronpa, under a good director I could have seen potential here. Seiji Kishi, let me explain something to you: think of any anime there. Do you recall those random background shots that they keep showing? They do that for a reason: to establish the setting, so that we know where the current scene takes place. You can’t just take that out in an attempt to save time. The same goes for small-talk: the purpose of that is to build your characters and show what kind of people they are. You don’t need to make every sentence in small-talk funny, and you by all means don’t want to force a laugh, because now we got this incredibly stupid analogy about that egg of Columbus that just doesn’t make any sense. A lot of directors and writers nowadays have completely missed the point of build-up! Adapt the freaking story so that everything fits well, don’t try to cram everything in! Pick the right points you want to focus on! Make the story flow already!
OP: Nice and artistic, but the song sucks.
ED: Dull and formulaic j-rock.
Potential: 0%

Super Sonico the Animation

Short Synopsis: Our lead character is a gravure model.
Watching this episode really made me facepalm, and realize even more what a terrible state the anime industry is in. It’s not that this episode was terrible. This show does remain incredibl commercialized, being basically nothing more than a way to glorify the incredibly moe mascot of some company. And the moe indeed went through the roof in this episode. But guess what? It wasn’t that bad compared to its contemporaries. The thing with Sonico is that she’s a mascot, so she needed to be portrayed in an as good light as possible. The creators knew that all too well, and in the process they created an actually good character. The thing is: Sonico works hard. She does well in school, she can take care of herself with a part time job, she performs in a band, she models. She has an actual life! Usually characters just have one hobby. One thing that they do, and nothing more. Sonico actually has an interesting life. Sure, there are cliches and the gravure part was cringe-worthy and the preview for the next episode showed that there is no point in watching beyond this first episode, but the creators here delivered a more complex character than a lot of other uninspired series out there. Only because she’s a mascot and therefore cannot be put in a bad light. When such a sell-out actually trumps you, it’s time to start wondering what the hell went wrong.
ED: The CG! It burns!
Potential: 30%

D-Frag!

Short Synopsis: Our lead character is forced into a club.
Comedy is hard. Anime can do good ones, however they’re in the vast minority. D-Frag is about a game design club that doesn’t really do anything (well, where have we seen this before?), who need to recruit new members and they reel in this one weird guy. And to be honest: it doesn’t really get better. The whole gimmick of the series is that it’s got weird characters who all have this “element”, like the water girl throws glasses of water around, and the “earth” girl plays with sandcastles. The jokes are all badly delivered, they lack inspiration, they try too hard. I see no potential.
ED: Oh god the terrible vocals!
Potential: 0%

Posted on with categories: Some Quick First Impressions

The Pilot’s Love Song

Short Synopsis: Our lead character goes to school and falls in love.
You know? It might be because I didn’t read the premise for this series careful enough and all, but I expected this series to be a little more… interesting. I expected this series to be about airplanes. Instead, we got a series about this teenager who goes to a new school with his sister, and meets a cute girl and they instantly fall in love with each other. Also they fly some planes here and there. It’s another one of those series that has inexplicably teenagers piloting airplanes in the army, despite there being enough capable adults who can probably do a much better job of it. Also, there is a giant floating island in this series. So what do the people decide to do with it? They dedicate it entirely to one single school. Even taking into consideration that this was set up by nobles, it’s an incredibly contrived set-up. Oh, and there’s also drama. We have no idea what yet, because this episode only hinted at it. Without any subtlety whatsoever, but it did hint at it. This show is like all cheerful and stuff, and suddenly out of nowhere a character goes “oh my god I hate you so much!”, only to drop it again. The movie was about a simple escort mission. That was interesting! That was about characters who at the very least looked and acted like adults.
OP: Bad J-pop
ED: Pretty good, in the spirit of the series at least.
Potential: 30%

Nobunagun

Short Synopsis: Our lead character is the reincarnation of Oda Nobunaga.
Okay, so shounen action. I’ve gotten bored with it mostly. Like with Noragami, it’s all just too standard and… just not exciting. Nobunagun wasn’t one of those series, to my surprise: the action here is pretty good here for a show that’s supposed to be about this high school girl. I’m not sure about the exact reason why, but this does have energy. It’s got a good atmosphere, and does go all out when it needs to, with a pretty good soundtrack. The creators also tried to go a bit into the main character’s head, which did make up for her rather awkward acting at the start. So yeah, I enjoyed this episode, however: what’s in it for the future? They’re just going to fight these same monsters in the same way over the entire series? That’s going to get old very fast.
ED: Hard rock? Okay. It’s good to hear something other than J-Pop for a chance.
Potential: 50%

Nobunaga the Fool

Short Synopsis: Our lead character is a 15th century warlord… sortof.
Shoji Kawamori’s gimmick is that no matter how implausible, he can stick mechas in any kind of premise. The big difference between him and the likes of Seiji Kishi or Shinbo is that he always manages to do this in a different and fresh way. This series is unmistakably his, but at the same time I did not expect him to take the 15th century warring states era that has been butchered so many times by now, and stuff giant robots, flying spacecraft, Joan of Arc, Leonardo Da Vinci and tarot cards all together. The scale of this first episode was huge, and it sounds really promising. It introduced a ton of characters, and most importantly: they were all fun to watch. They’re all characters who have been cameod to death, but this series made them fresh again, even Oda Nobunaga. It also created its own backstory and lore that combines East with West, and Old with New. The episode was actually build up very well and it juggled its different characters around so that we could get a good view of Nobunaga, but also the rest of the cast. Oh, and the soundtrack. Bloody amazing, they did it again. If the rest of this show is like this episode, then we’re in for a treat!
OP: A background OP, this one will probably change…
ED: This one is a bit overproduced.
Potential: 85%

Posted on 5 January 2014 with categories: Some Quick First Impressions

Noragami

Short Synopsis: Our lead character is a god.
Okay, so I mistakenly got the director of this series wrong. Apologies, my bad. Still, this episode had its problems: it looked stylish, but ultimately it just got a bit too generic. Characters had basically two modes and nothing more: snarky and serious, and that got old a bit too quicky. The monster design is quite nice, but this series isn’t really impressing anyone in that department after Space Dandy. From this first episode it rather looked like a standard shounen supernatural series to me, with perhaps better animation than usual.
OP: Nod bad. The style works here.
ED: I’m not a fan of this song, it’s very generic.
Potential: 40%

Tonari no Seki-kun

Short Synopsis: Our lead character sits right next to someone with an overactive imagination.
Tonari no Seki-kun is a weird series. It’s only 5 minutes per episode, and it’s based on just one and only one gimmick: during class, the titular Seki-kun does the weirdest things as a means to alleviate his boredom and the teacher doesn’t notice a thing of it. Remember doodling like crazy during classes? This series takes that to an art-form. Here is the thing though: if it’s just got one gimmick, then why would I want to watch more than one episode? The next episodes are just going to be exactly the same, only with other hobbies that the main character ends up doing on his desk. The female lead also is a very stiffly acted for a straight man. That also breaks the flow of each episode a bit.
OP: Yay for spoiling what the future episodes will be about…
ED: Again, there’s no nead to make even more clear what the gimmick of this show is going to be.
Potential: 40%

Space Dandy

Short Synopsis: Our lead character is dandy and in space.
This was an incredibly silly episode. It didn’t take itself seriously at all. But oh my god, the creativity! At heart this is an adventure series in which we follow the characters to all sorts of fantastical worlds with all kinds of weird and crazy creatures. It makes no sense whatsoever in the process, and the obsession with boobs probably wasn’t the best way to start with, but this episode was a lot of fun to watch. The animation in the second half in particular deserves to be watched. Bones really put their top people on that sequences; the movements were amazing! I do have some complaints though: some jokes were really corny (and I mean 1980s corny), plus the animation is quite inconsistent: the animation in the first half of the episode strangely cut all sorts of corners. Given that usually, series splurge the most of their budget in the first episode, Bones does need to have the resources to make this consistently good.
OP: Dandy.
ED: A great ED. It flows really well from the ending of the episode rather than starting abruptly.
Potential: 85%

Posted on with categories: Some Quick First Impressions

Saikin Imouto Blahblahblah

Short Synopsis: Our lead character gets to have is own little sister.
Japan…. whyyyyy? Why do you keep making these utterly horrid imouto-series? What is people’s fascination with having their own little sister that they can have sex with, which is something that they always end up implying? This one is especially bad, by the way. Where it’s normally just the sister who for some inexplicable reason fancies her brother, this time it’s going to be worse: the sister is actively forced, against her will, in order to have sex with her brother due to some incredibly stupid chastity belt. It’s the single worst premise for an sister-series that I’ve ever seen! And I guess that this episode did tell a bit about the etymology beind the word “sister”, and why it’s so ingraved in Japanese culture, but that still doesn’t really justify the incredible slew of these series that go to so many lengths for some hot brother-on-sister action. Oh yeah, they’re not REALLY siblings: we all know what’s being implied here. There is also no single excuse to why I had to watch this sister go to the toilet for SIX. FLIPPIN’ MINUTES!
OP: Lazy. Badly sung,
ED: Again really bad J-Pop, plus the chibi character is just not funny.
Potential: 0%

Buddy Complex

Short Synopsis: Our lead character’s future self sends a cute girl to him to date and fight robots and stuff.
Here’s a surprise. Buddy Complex looks like this incredibly cheesy robot-series, and I already started to cringe when the creators somehow managed to wedge a school in there. However, as the episode went on, I noticed that on quite a few occasions the creators were actually using logic in order to advance their plots. You want to escape from this giant robot that’s attacking you? Just grab a bicycle and hide in narrow streets: that makes sense if you’re just a normal high school boy who can’t do anything else. Now, don’t get me wrong, the series remains really cheesy and it’s got no excuse of putting teenagers in the middle of armed conflict as the pilots of robots, however it is refreshing to see that it takes itself completely seriously: it’s got a story that it wants to tell. The cheese will be its biggest potential pitfall, because most of the characters are really hamming it up here.
OP: Very, very cheesy again. I know that a basketball has to do with the story, but you should not look at it like that.
ED: A decent song for once. Nothing special though. Again cheesy.
Potential: 70%

Witch Craft Works

Short Synopsis: Our lead character is protected by a hot girl.
Well, so the first new series of the year… is completely vapid, shallow and boring. Everything about this episode was just taken from the hundreds of other school magic series that exist with nothing new whatsoever, and everything about this show just screamed that the creators were just bored when they made it. It’s another one of those fantasy series in which the completely useless male lead gets protected by the single most popular girl in school, who this time has her own fanclub of crazily obsessed people who use weird catchphrases. It’s another glaring example of how badly a big part of the anime industry is stuck in its own rut by completely retreading the same thing over and over and over again.
OP: Even the vocalist sounds completely bored!
ED: Trying way too hard to be cute.
Potential: 0%

CHANGE USERNAME
AidanAK47
I went and read Double Arts. This really was a great manga with tons of potentail and truly didn't deserve the axe. It's so depressing that this was cut off so soon and the author went on to make the most generic Harem ever Nisekoi, and that got over 200 chapters.
Lenlo
All of the important dance scenes for Yuri were fantastic, its just some minor one off characters and some reused ones that were an issue, so no they are better than the CGI
Anonymous1190387
Is it worse than those CGI dance scenes in some anime?
AidanAK47
@Puran, It is pretty surprising how well that story turns out. I say IG might do the job even if there animation isn't the most consistent. The one thing I am worried about is those necks though. In the PV those things were ridiculously long.
Puran
Fair enough, recycling the animation was bad, agreed. But the animation itself was really good.
Lenlo
See, I found the repeated dances in Yuri one of the worse parts. Alot of it was recycled animation and certain characters were obviously rushed/not done. Some were amazing, cause they took their time, but others looked terrible.
Puran
I kinda wish Mappa was doing the anime though. Yuri on Ice had really nicely animated dances (and was more or less the only actually good quality of that show :P )
Puran
Reading the Ballroom e Youkoso manga has made me really excited about the Anime.
Kaiser_Eoghan
@Aidan: I'm particularly turned off by bully/bullying cliches these days. I've only read the first two volumes to see how awful she was but I ended up simply losing track of the series and stopped reading.
Kaiser_Eoghan
@Mario: Actually that has changed, I had to pick a different day to see it given changes in schedule, I've booked it for NEXT Wednesday now. I've watched Akira about four times.
AidanAK47
Oh, Rising of the Shield Hero is getting an anime adaption. Hmmm...honestly after finishing the series and looking over it as a whole I am not sure I even want that. Plus seeing Bitch Animated...would fill me with rage.
SuperMario
I intend to re-watch Akira soon, probably this weekend. It has been almost 10 years since my first watch and now I don't remember much about that one. Thought it was intriguing and complex but not as acclaimed as people hyped it to be (I'll pick Ghost in the Shell anytime). Wonder how I'd feel now after re-watching it.
SuperMario
@Kaiser: I remember you mentioned that you were going to watch In this Corner of the World today right? How was the movie Kaiser?
Lenlo
Oh cool, food wars is getting a 3rd season
Kaiser-Eoghan
Ballroom youkoso appears to be leading the polls.
Kaiser-Eoghan
@Mario: Fumiko is a female mangaka yes. Also I found bokura no hentai worth reading.
SuperMario
yep, I finished that manga too and I have conflicted feeling about it. Yuri(!) part and fanservice are to blatant but they have a purpose. This mangaka (not sure but I think she's a girl) has some unique voice.
AidanAK47
....well I skimmed that manga. And it was weird
SuperMario
By all appearances,Sakura is normal,albeit sheltered junior high school girl who enjoy talking about love and walking home from school together.However,they also happen to inhabit a strange and supernatural world populated by mysterious,gigantic beings and unusual plant and animal life.Amid their peaceful lives,Sakura becomes very interested in something only alluded to exist in old books: dicks
SuperMario
Here's a synopsis of other manga from the same author, I think you'll have a better idea of his theme -
Sakura no Sono
AidanAK47
Pretty much what Masky said. I am not really praising it. Anyway I plan to read one or two more chapters to see where it's going. But if it's going in the direction I think it's going then I am dropping this one fast.
Kaiser_Eoghan
There is of course the underlying concern that it will go a very ugly route with that development or it could become edgy/horribly minipulative, but for now it is as mario said, a hook.
SuperMario
Well. overall I don't dislike what I read there. It has good hook and I'm intrigued to know more what the hell will happen. Good set-up for me. I'm in
SuperMario
@Masky: it's fine Masky, since I will chec itk out any way and see it for myself ^^
Masky
So since you guys started being interested, I checked it out and uh.. Yeah, not reading. I think ye guys misunderstood Aidans warnings since that was just fucked up and not in the interesting way.
Lenlo
@Aidan: Berserk will never again go more than 3-4 months without a hiatus.
SuperMario
Hmmm, that manga Cutie Mutie sounds good to me. I might check it out later today
Kaiser-Eoghan
@Aidan: But had you not alluded to that scene, I may have seen the cover of that manga and skipped over it.
Kaiser-Eoghan
@Aidan: I had a feeling, sort of, sad, I am intrigued to read more.
AidanAK47
Hyping and warning are not the same thing.
Kaiser-Eoghan
Well with Aidan hyping up the horrors of cutie mutie I may as well glance at it to see what he' on about.
Kaiser-Eoghan
There are three manga with the name rec.
Kaiser-Eoghan
I am familiar with the artist for cutie mutie, she did that manga about the three kids dealing with gender/orientation issues.
AidanAK47
Oh look Berserk is on Haitus again....
.....the sad thing is that it comes as expected now.
AidanAK47
For reference the two I read were Cutie Mutie and Rec. Be warned, the first one goes to a rather uncomfortable level.
AidanAK47
@Masky, Read two manga. One started lighthearted and then went to really dark territory. The other one looks like it's about a really dark subject but turned out to be something more lighthearted.
AidanAK47
@Mario, Alright. Tested it now so it such be fixed. Try again.
Masky
@Aidan: Huh? What you read that turned dark/didn't turn dark? .-.
SuperMario
"too many answers selected for question 1! only 3 answers allowed!"
SuperMario
@Aidan: I still have the same issues. Weird
AidanAK47
@Mario, Wasn't my intent. Try it now and you should be able to pick as many as you want.
SuperMario
@Aidan: I'm not allowed to vote more than 3 votes. Is it your intention Aidan?
AidanAK47
Well that was weird. I read something that looked innocent but turned out to be really dark. Then something that looked really dark only to become innocent.
Masky
Yeah, nothing that interests me I see :D Like my strongest reaction to season preview was "Someone made isekai with smartphone? Really? REALLY? Thats best idea you had"
Masky
Ah Knighs and Magic, found that manga. It was boring enough for me to forget its name. Also besides being boring, I kinda find MC unlikeable since their only personality is that they like mechas and were a programmer before renicarnating as short bishie kid
Masky
Woo, time to vote stuff
SuperMario
@Kaiser: that movie In this Corner just getting more and more acclaimed huh? Thou I think it'a a type of movie that if you have high expectation for it you will likely be disappointed. It works best as a sleeper hit
SuperMario
As for cute monster girls, most of the time I don't find them cute at all. I know I'm being racist, but...
SuperMario
@Lenlo: I'm guilty with that cute girls genre, as i enjoyed K-On tremedously for example. Or If I have more time I'd follow Hinako Note this season ^^
Kaiser-Eoghan
They don't always adapt all that well or work as well outside of manga format, especially 4-komas.
Kaiser-Eoghan
*three
Kaiser-Eoghan
The only two of any interest were hidamari sketch, azumanga daioh and yuru yuri and that was largely down to being in the mood for them a few years ago.
Lenlo
@Mario: Personally, I have 0 interest in this Monster girls doing cute things subgenre, just like I have very little interest in the cute girls doing cute things major genre.
Kaiser-Eoghan
@Mario: As it turns out I DID read in this corner of the world. I'll also be seeing it next thursday.
SuperMario
@Kaiser: at this moment I'm very skeptical with the whole Monster girls doing cute girl subgenre, so I'm approachig Centaur with a caution. Of course, it all depends on how I feel after the first episode
SuperMario
@Kaiser: Happy End isn't as bleak aa his other works. But it's certainly Hanake's films, as it explores many of his favorite themes: the voyeurist of camera in his Benny's video, the detachment to the world and the underlying violence. Not his best thou but it's still very good
Kaiser-Eoghan
I think I'd be up for watching jigoku shojo, its been a long time since I watched the original two seasons and this one won't be as long, so it won't get as repetitive.
Kaiser-Eoghan
I voted centaur no nanami on the poll, think Mario could cover it.
Kaiser-Eoghan
@Mario: How did did you get on with Happy end? I heard its like a mix of his best works. Is it as dark and depressing?
Kaiser-Eoghan
I have vague memories of in the corner of the worlds manga, unless I'm mixing it up with something else.
SuperMario
Some news, Lu Over the Wall won the best prize at this year's Annecy (the 1st anime won the award since 1995's Pom Poko), with In the Corner of the World took the Jury Prize. Quite a good showing for anime this year.
AidanAK47
@Anon, Hello.
SuperMario
Really, still no vote for Kakegurui?? I thought it would take the top poll for sure
SuperMario
That 18if, even the poster doesn't make much sense, but it looks dazzling ^^
Lenlo
go-go licensed products!
SuperMario
@Lenlo: and Madhouse is the studio behind that Marvel rip-off. Are they really going that low for profits?
Lenlo
Lookin forward to Kakeguri next season, but thats the only thing thats really caught my eye
Lenlo
Well, you have to watch Marvel next season right?
AidanAK47
And done. I swear these previews take a lot out of me.
AidanAK47
Almost done....almost done...
KT
Attack of Titan, ended ok. But man the production values had gone down.

Virgin Soul had a okish episde

Re:Creators continues to rock for me.
Kaiser-Eoghan
@Mario: I liked the 70s version ending, it was mean spirited =P
Kaiser-Eoghan
@Mario: The original used its one room location quite well and dim lighting in parts, very closed in/claustrophobic.
SuperMario
@Kaiser: just finished the Beguiled and it was much better than I expected. Like, I didn't expect it to be that well shot. The guy was put in a passive role than active here, which help the theme imo. Also, the ending admitedly isn't for everyone but I liked it just fine
SuperMario
@Kaiser: using a black girl? The girls in this one are all white :(
AidanAK47
Sato in Re:Creators isn't doing himself any favors is he? Honestly the more I learn about him, the less likable he becomes.
Kaiser-Eoghan
It was a good film though, one of scarjos better moments.
Kaiser-Eoghan
@Mario: As for Sofia, I'm only familiar with lost in translation, which I haven't seen since it originally came out.
Kaiser-Eoghan
@Mario: Everyone goes on about Francis' for the Godfather, the conversation is massively underated and apocalypse now is better, but it has to be the theatrical cut.
Kaiser-Eoghan
@Mario: I guess it was probably seen as progressive in its day by way of using the black girl.
Kaiser-Eoghan
@Mario: Very very cynically 70s of course.
Kaiser-Eoghan
@Mario: Actually just happened to finish it there, I felt it stood out for its somewhat successful gothic feel and aesthetic and Eastwood's performance which shows how well he can command the audiences attention even when he isn't shooting people. Kind of liked how it got slightly grisly later on. It makes a small effort in giving one line backstories .
SuperMario
@Kaiser: the original movie isn't that well-received. It's more like an exotica film where the main guy (Clint Eastwood) hooks up girls of all ages. This one I heard has a good spin on feminist angle. I'm sure is intrigued but Sofia Coppola's filmography has been mixed for me
Kaiser-Eoghan
....I doubt any one has ever heard of this....I know I didn't, I haven't read it either but I came across some weird old Blacksploitation manga, probably from the 90s, Blast knuckle or something...
Kaiser-Eoghan
@Mario: Still remaking the beguiled might be good, we need more modern westerns.
Kaiser-Eoghan
@Mario: I suppose I can busy myself with the original 70s version of beguiled. At the moment I've been focusing on old Japanese films, they had such a good film industry, it makes it hurt so much more now knowing that all they do now is shit live action adaptations.
SuperMario
@Kaiser: gonna be a long day for me with the screenings of The Beguiled, Wind River, The Other Side of Hope and Happy End
Kaiser-Eoghan
Now I need to re-watch 08th ms team.
Kaiser-Eoghan
I watched 4 hours straight of Gundam the origin, hit me with a hard punch of nostalgia, actually seeing his backstory rather than hearing about it is a good thing, I enjoyed the action scenes, it was high-melodrama but well used and more Char is always a good thing.
Kaiser-Eoghan
I think I'll just put Kado on hold for now and see whats being said about future episodes of it, I'm too unsure of it being worth it or not at the moment.
Vonter
I want to comment on a humble indie game called Sakuna of Rice and Ruin. Is a simple hack and slash similar to Muramasa and Dust: Elysian Trail. The game has a scarf mechanic that is very fun to use to evade attacks and throwing stuff. It kind of reminded me of those Mickey games from the Snes and the visuals reminded me of Pocky and Rocky. Its a game to play on a sunday, simple, fun and relaxing.
Vonter
From the stuff I played Dragon Ball FigtherZ seems legit at capturing the speed of the battle and feel of the action.
Vonter
Back from E3. Nintendo is still my main jam. The Rabbids game seems better than I think anyone could imagine. Odyssey seems like a good time. Xenoblade and Metroid 2 remake look like hype.
KT
On Gundam OG, the new Origin Manga, and the movies based on it are very good. Recommended.
Kaiser-Eoghan
I remember reading the first chapter of that manga, but it was a long time ago and the updates were slow.
AidanAK47
A manga about Ballroom dancing? Yeah there's no way I am into this.
(Starts reading)
(Reads ten chapters)
Crap...I am into this.
Anonymous1166615
Feel I need to re-visit gundam again through 08th MS team, unicorn and Origin as I'd enjoyed the 70s series, its sequel and chars counterattack. Seed turned me off the franchise for ridiculously long and 00s movie and second season wern't as good as the first .
Anonymous1166615
Looks like I have another Yuasa work to look forward to, he's doing his own take off on Nagai's devilman , hopefully he can reign in Valvraves writer though.
Masky
*first manga in couple last weeks I've seen
Masky
Da fuq. Found manga called Kemono Jihen, but it somehow already has tv tropes page(I tend to check randomly whether works have tv tropes page to see how notable they are) O_o I mean this is first manga with 1-3 chapters that has that, so I guess author is really popular or something in some circles?
Lenlo
Huh. Guess they figured out rewriting a story for Re:Creators.
Masky
Ya know, even if i hadn't heard that Suka Suka is based on one of more tragic light novels, the death flags, all of the death flags :D
HelghastKillzone
I'm a patron of someone who is writing mass effect fanfiction at 2 million+ words. It combines games, writing and fan creativity. So there is that....
Kaiser-Eoghan
Ah, while I listened to some Lovecraft audiobooked, I felt as if I was copping out by listening instead of reading.
Kaiser-Eoghan
A horror manga often works well episodically in a short story format.
Kaiser-Eoghan
@Aidan: Had a flick through Shibito, of what I read I liked how ridiculously camp and gleefully, proudfully nutso it was combined with the silliness of the violence. While not my favourite chapter, the one about the actress stood out for me because she was clearly a reference to Setsuko Hara, one of Japans most famous actresses lol
AidanAK47
I try out a number of things from time to time. Books, movies, music, comics and the like. But I always come back to anime.
AidanAK47
I have dabbled in quite a few mediums myself. My recent experiment is audiobooks which I am currently using to get through Moby Dick. And Jesus H Christ is this book padded to hell and back. It may be well written but it is an awful story.
Kaiser-Eoghan
But what this film venture has shown me is that while I've gotten much out of it, it shows just how STRONGER the connection I have to anime/manga is.
Kaiser-Eoghan
@Mario: And definately, I don't get the "people focus on only one media thing". One of the reasons I started branching out was because I felt "Fuck, I'm in my 30s and I've neglected a whole medium by being too focused on cartoons"
Kaiser-Eoghan
The sign you're at something too long is when the suspense of waiting for the next part to come out isn't there or when you find yourself not picking up on whats going on!
Kaiser-Eoghan
Manga/visual novels/anime I've noticed especially now are much much easier to stay awake during when you're wrecked tired.
Kaiser-Eoghan
@Mario: And to be honest, I've gotten busier and more tired lately, getting home on a weekday later after a new job, I'm not alert enough to watch art films, just started leaving them till the weekend.
SuperMario
@Kaiser: I know exactly what you mean. That is one of the reason why I like to mix up what I watch: sometimes books, other time manga and even music to get me away from burning out from 1 medium
Kaiser-Eoghan
*eventually get back
Kaiser-Eoghan
The short of that is, I think a good scale back with ANY hobby is a good thing because it can feel special all over again when you get back on it more mainly.
Kaiser-Eoghan
But now that after three years of mainly focusing on films moreso than anime/manga as much, because I'm now incredibly burnt out from watching films 4 times a day, I feel now I can watch ANY anime or read any manga and get that fresh feeling/some of that old passion back.
Kaiser-Eoghan
Remember that feeling you got when you first really got into anime/manga and pretty much excitedly/panic watched EVERYTHING and almost everything felt great? I've been thinking how a few years back now, I sort of re-lived that feeling again...however for films.
AidanAK47
(Finished watching SukaSuka 10)
Awwww...that was a sweet episode end....
.....
.....They are all gonna die.
Kaiser-Eoghan
@Aidan: Kids off school pressumably in Japan with more time to watch stuff and more shows.
AidanAK47
God why is there so many anime during the summer season.
AidanAK47
Of course there are the really obvious recommendations of Grand Blue and Kaguya wants to be confessed to.
AidanAK47
I say the only other recommendations I got are Jagaaaaaan, Maou no Hisho, Ore wo Suki Nano wa Omae Dake ka yo and Yuuutsu-kun to Succubus-san. Though I still think Shibito no Koe o Kiku ga Yoi would be up your alley.
Kaiser-Eoghan
By all means keep posting random manga you've all come across, I will read them.
Kaiser-Eoghan
I thought route end did a good job on the protagonist's feelings regarding his mothers death.
Kaiser-Eoghan
Though my interest in Route is largely due to it was the most lurid of the selection.
Kaiser-Eoghan
I felt route end holds the most interest of that selection of recommendations, although before reading it I thought it would be an episodic manga, similar to a series called death sweeper.
Lenlo
@K-Off, well I think both the manga got handed down to the assistant, and the anime got handed down as well. The original author/director for both arnt working on Boruto
K-Off
@Lenlo Probably, haven't checked. But the manga and anime are completely different so I don't know.
AidanAK47
The Streisand effect in full force.
SuperMario
*Now the media...
SuperMario
No the media storms over it and eventually want to check out this film. It has gain more publicity after this shameless incident
SuperMario
oh god, really? Chinese government tried their best to force Annecy (Animation film Fest) to remove a Chinese animated film name Have A Nice Day from screening there because of its "sensitive content"
AidanAK47
Still think Sawano needs to lay off the vocals. It can get really distracting in Re:Creators.
KT
oh my the RE:Creators OST is all I wanted.
Lenlo
Well, Boruto isnt being run by the original manga author is it? I thought he handed the series off after Naruto to his chief assistant.
K-Off
The contrast between wanting to do something different yet using the same character traits is just too jarring.
K-Off
Gave Boruto a shot, and while it isn't bad, it's so detached from the original series that it might as well have been unrelated. I appreciate that the plot is different, but the modern setting, and lack of any clear character motivations (for now) makes it such a chore to watch. If they were going for something different, why did they use the same character designs and archetypes?
SuperMario
Sorry guys for the delay of Eccentric Family post, just can't bring myself to finish the post. Not that many of you following the show but Yeah, I will plget it done later today. Also, hell yeah for Pluto. Urasawa is my God
SuperMario
@Aidan: I kinda imagine Isekai Shokudou would be like Time of Eve upon reading the synopsis. Like each week about some peculiar customers. Well, if they focus more on food, then... *heartbroken*
AidanAK47
Two Metroid Game announcements and an anime of Pluto.
Today was a good day.
Anonymous1161527
KT here:YES!
Kaiser-Eoghan
@Anon: One of his better works, despite reading it twice I've forgotten too much as its been too long since reading it, good though as when I watch the anime the manga won't be as fresh in my mind.
Anonymous1161483
Urasawa's Pluto anime announced! Get hype! Looks like they're keeping designs faithful just like they did with Monster (at least judging from the poster)
AidanAK47
By the way Mario, that Isekai show you were interested in is basically food porn.
AidanAK47
Man that was a lot of procrastination. I haven't even written up that Little witch academia post yet...and then there's the preview.
Total users: 31

Featured Posts

Seikaisuru Kado – 10[Towanosakiwa]

So despite my aggravation with how the last episode ended, this episode starts of strong with how the universe was created and the anisotropic beings watching over it. The whole sequence was great and beautifully alien. That half of the episode explaining how Saraka ended up on end was actually very strong and despite the […]

Uchoten Kazoku 2 – 11 [The Blood of the Tengu, the Blood of the Fool]

The Eccentric Family again takes some solid steps to its final showdown. But let me address this first because I’m sure no one really see it coming. Soun comes back to life. A fake-out death? Seriously? Using fake-out death ALWAYS comes with a price, which is all the emotional investment we had for the death […]

Re:Creators – 11 [The Monster Under the Eaves]

Not surprising that this was a more subdued episode since the events of last week landed two and a half creations in the hospital. Given their bed-ridden state, Re:Creators takes it time in developing some new deep and profound ideas about creating works and resolves the quagmire that Sōta finds himself in the last few […]

Little Witch Academia – 24[The Road to Arcturus]

Hmmm….mixed feelings. There are parts I like about this episode but then there is this underwhelming feeling over how things have turned out. In general I like that the epicly named world reconstruction magic turned out to be just a stick that performs party tricks. Thinking about it it’s likely the decline of magic is […]

Shingeki no Kyojin(Attack on Titan) – 37[Scream]

I was all geared up to write up a post that this season of attack on Titan was mere lip service for a third season that may never come when I seen that there is indeed a third season of Attack on Titan on the way next year. So I could voice those same complaints […]

Tsuki ga Kirei – 10 [The Setting Sun]

Kotarou and Akane have reached a stage where they need to think hard about the long term of their relationship. Akane is about to move town, so how they going to keep up their relationship? Usually for a teenager’s romance it means the end. Full stop. LINE and texting can keep them for a while […]

Sakura Quest – 11 [The Forgotten Requiem]

Well, apart from Ririko suddenly can sing confidently, and sings really well on top of that, this episode ends in high note. In fact, that statement really sum up this week of Sakura Quest as a whole. Messy, a bit all over the place with too many elements, but they have very strong ending that […]

ID-0 – 10 [Compressed Sin]

Oh no, ID-0. Out of all the possibilities you could’ve picked for the climax, you chose the worst possible one. Ido’s past self, Dr. Kane Arisugawa turns out to be an evil scientist, using human as a sacrifice for his own research’s advancement. If this already sounds well-worn, it’s getting worse from there. The first […]

Re:Creators – 10 [The Monster Under the Eaves]

The laying of the foundation and development of all previous episodes culminates into an explosive episode that lives up to the hype of Re:Creators’ initial premise. Following Magane long-winded trolling of last week, the amount of action on display this episode more than made up for her antics. Every creation (with the except of Mamika) […]

Latest Reviews

Window Horses (2016) Movie Review – 87/100

In Window Horses, or its full name Window Horses – The Poetic Persian Epiphany of Rosie Ming, many characters keep asking the main protagonist, a Stick Girl in an otherwise fully formed character designs, why is she wearing a chador, in which she’s unable to reply. It’s her first trip to go overseas, so she […]

Kobayashi-san chi no Maid Dragon (Winter 2017) Review – 74/100

I remember back in the first impression of last Winter season, I regarded Demi-chan as a better Monster Girls slice of life subgenre over this one. But as the season progressed, while Demi-chan run out of its steam quickly, this one picked up its pace after an underwhelming first episode to become a much more […]

Scum’s Wish (Winter 2017) Review – 80/100

I remember after watched a movie called “Requiem for a Dream” a few years back, I felt devastated for an entire week. The ending hit me so hard that after finished that movie I had to walk around my area for 2 hours in the middle of night to settle my feeling and I thought […]

Shouwa Genroku Rakugo Shinjuu Review – 90/100

When you have watched a large amount of anime you can come to assume that you have learned a lot about Japanese culture. Though I think it’s testament to how limited it is to view Japan through anime when you come to realize that despite watching so much, you have never heard of Rakugo. Rakugo […]

Youjo Senki Saga of Tanya the Evil Review – 80/100

Isekai stories have become somewhat of a tiresome genre as of late. There have been many stories of people being transported/reincarnated into other worlds where they shed their once pitiful exterior and become some legendary figure in another world. In most cases it’s trit, balant childish wish fulfilment and the stories often become tiresome when […]

ACCA: 13-Territory Inspection Dept. (Winter 2017) Review – 83/100

Imagine my utmost amazement when a show that I wasn’t that confident on taking in the beginning turned out to be one of the most solid offering this season had to offer. ACCA is the most recent anime adaptation from mangaka Natsume Omo, which despite isn’t a household name, many of her works (6 titles […]

Demi-chan wa Kataritai (Winter 2017) Review – 62/100

Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls […]

Seiren (Winter 2017) Review – 51/100

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m […]

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]