Yes, I know that more people here were involved in making this series beyond Masaaki Yuasa. It’s written by the creator of Tekkon Kinkreet, Taiyo Mashimoto. That guy is awesome. And the combination between those two makes this series even better. Because here’s the thing: anime is significantly different from manga or light novels. Beyond telling a story, you have so much more to worry about: correctly animating characters, giving live to them through cuts and motions, using your music correctly, pacing the story right for the amount of episodes you’re given. Being good in one medium is no guarantee that you’re also good in the other. Consider what would have happened if Seiji Kishi or Shinbo got their hands on this series. Really, this would not have worked at all!
What makes Ping Pong amazing is not its story, but the way in which it’s told. The purpose of this episode was to slightly draw Tsukimoto out of the closet he kept building around himself (whether they’re also symbolizing THAT closet, I’m not sure yet, but even it if were the case that would not matter, because it’s part of his character). The way they do that is perfectly built up throughout this episode. And the animation just brings it out really well.
I feel the Osamu Dezaki-style cuts really work in this series, and finally there’s another guy who uses them. They’re a very interesting way of bringing these characters to life: the way in which the direction keeps showing different sides of the characters during the ping poing matches, ranging from simple shots to exaggerated, to flashbacks, to symbols. That’s how you bring characters to life. My only complaint is the use of CG: it stands out at times. Though thankfully they don’t use it in the important moments.