Posted on 12 September 2014 with categories: Anime Reviews

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series was like what we saw there. A year later, he completely rewrote the classic story of Hashire Melos to the point of brilliance, while he still kept incredibly faithful to the original work. This guy’s hands were pure genius. Afterwards, he left Madhouse, the company he was under contract of, and he started working freelance.

Now the problem with working freelance is that it’s a lot harder to land really good jobs. The best example of that is Dai Sato, a brilliant writer (think Erbo Proxy, Eureka Seven), who in the meantime of writing episodes here and there has resigned to writing kiddie shows in order to pay the bills. Ryousuke Nakamura thankfully fared better, but even then he has not gotten the golden opportunity that will give him complete freedom yet. The only television-series he did was Aiura, which was a 5-minute episode show about a bunch of girls that do nothing. It was incredibly well executed and all, but you can’t do anything with that kind of a setup. Beyond that he’s done all kinds of jobs here and there, from episode directing to storyboards, to production progress, to also just animating.

There is only one serious thing that he took the main seat as the director at… and its biggest focus is a romance between middle schoolers. That’s also its biggest problem right there: Monster! A tense thriller across Germany! Mouryou no Hako, a ground-breaking mystery chockful of Japanese folklore after World War II. Aoi Bungaku! A look into the mind of the writer of Hashire Melos! Nerawareta Gakuen! A teenaged romance with time travel!

So yeah, there are cliches. He doesn’t shy away from that. In some cases, he even takes cliches, gives the illusion of subverting them, only to subvert those subversions again and adhere to the cliches, repeats that several times after. And yeah, when you take into account that there will be lots of teenaged hormones… this pretty much is a beautifully executed movie. It takes care to make its four main characters well rounded, the side cast all are enjoyable and likable, the story brings in enough twists. With the cliches ingredients, it tries to make as much of it as it can and the themes that it uses, and the ideas that the whole story revolves around are actually pretty damn interesting. This also is not one of those romances in which nothing happens. Stuff does happen. It’s cliched obviously, but the most important part is this: both the characters and the relationships between these characters are constantly evolving.

Visually this show is perfect. You can see lots of the signature tricks that Ryousuke Nakamura loves to pull for his series. There obviously are the shots that are spammed with sakura leaves, but also the more subtle things. When characters move, they move full of energy and inspiration. Their facial expressions are full of emotions. All of this leads to a cast that feels very believable and relatable. This movie is already more than a year old and I didn’t notice any sort of buzz around it. It’s a pity, because it’s pretty damn charming for what it is. I’d say that the acting in Toki wo Kakeru Shoujo was a bit better than this one, but it’s definitely not by much.

Then there is the ending. I want to talk about it, but I’ll be as vague as possible for the sake of spoilers. At first sight the ending seems to suggest that it was rushed. Things happen fast. However, I believe that it somehow worked out very well. It’s the kind of ending that doesn’t explicitly spell everything out for you. It allows you as a viewer to fill in the blanks, and it’s even a bit open to interpretation at some points. I would not call it rushed to the point where it becomes flawed. Instead it makes the ending work and gives you something to think about. Not bad for a movie targeted at kids.

Posted on 7 September 2014 with categories: Seasonal Previews

Okay, let me first eplain a bit what happened: most people probably noticed that I’ve been posting less and less often. The reason for that is that my personal life has changed completely compared to how it was in the early years of this blog. I both have a job, and a lot of real life friends, so I can’t just dedicate all of my time to the site like I used to. I hit my limit when I returned back from my holiday to America: I sat down to watch the latest episodes of Ping Pong, and that’s when I realized that I had no energy to actually watch anything, let alone write about it. As soon as I realized that, I cut off everything with the site. I didn’t watch any anime, I didn’t post, I didn’t read any comments. I was completely burnt out and purposefully decided to step away and do nothing for a few months, in order to regain my mojo. I needed time away. It wasn’t that the anime had gone bad: with Mushishi we had the single best series in the past years, so this was no matter of quality. Just me, burning out.

Now over the past months, I realized that I still enjoy anime, but I’m not going to write episodic reviews anymore. These were really toxic for me. They ate up all my attention to the point that I couldn’t do anything else anymore. Instead though, I do still enjoy writing previews (hence this post) and full series reviews. As for the site, we’re planning to introduce some big changes, in order to keep the site sustained and alive.

Now as for this season: it’s awesome yo! There’s a lot of big names involved, some very good sequels, new stuff from people I thought were already long gone. And also surprisingly few series that are just utter crap or nothing but fanservice. It’s a big season for the fantasy crowd. Lots of shows about fantasy kingdoms and royalties, shows that created their own universes.

Series that I Don’t Look Forward To

Ore, Twin Tail ni Narimasu

Why I don’t like it: I think that we’ve found another candidate for the most pathetic villain motivation ever. This series is solely meant for people with a fetish for people who dress their hair in twin tails. So yeah, this is basically porn.

Hi sCoool! SeHa Girl

Why I don’t like it: Only in Japan, can they get away with such a silly title. I mean, I know that most Japanese people aren’t very good at English and all, but at least they must realize that this looks stupid, right? But yeah, this is coming from the guy who gave us gdgd Fairies, a totally absurd and low-budget comedy series, so that could be the reason for it. Apart from that… what can I say about it? It looks terrible! Next!

Orenchi no Furo Jijou

Why I don’t like it: Dear god! That face is going to haunt me in my dreams! Did you have to draw him in that position, with that particular expression? I mean I am not of innuendo at all to even I am getting the creeps here. Also who the hell comes up with these ridiculous premises?

Le Fruit de la Grisaia

Why I don’t like it: Yup, this one’s bad. It’s got the warning-signs: a group of five overly cute girls, lack of male characters, a hentai game adaptation. Moving on!

Daitoshokan no Hitsujikai

Why I don’t like it: Hoods (you know, the guys who gave us Seikon no Qwaser) bringing us a hentai game adaptation. Yeah, you can see where this is going. This one’s bad, nothing to see here. In the trailer, the creators just gave up and showed us shots of the game instead of the animation.

Ushinawareta Mirai o Motomete

Why I don’t like it: Generic hentai game adaptation romance. Not offensively bad or anything, just incredibly boring.

Bonjour Koiaji Pâtisserie

Why I don’t like it: Generic reverse harem by Silver Link, moving on.

Girl Friend BETA

Why I don’t like it: This is another one of those terrible gimmicky series that they need to stop making: it’s based on a dating sim where the male lead can pick between more than one hundred girls. While I admire how there are more than the usual five this time, how on earth were you going to put all of them into one series without making them all cardboard boxes? This is for hardcore voice actor fans only, and even that’s stretching it.

Yuuki Yuuna wa Yuusha de Aru

Why I don’t like it: They’re apparently starting a new timeslot called “animeism”, but if the first show of that slot is a very generic school comedy with magic directed by Seiji Kishi, then yeah, you’re pretty much screwed right from the start.

Wolf Girl & Black Prince

Why I don’t like it: Another shoujo romance, though this one’s a bit creepy, about a girl who is forced to be treated like a dog or be exposed as a liar. Is this really what gets popular these days? Fantasies of being abused and treated like an animal?

Inou Battle Within Everyday Life

Why I don’t like it: Well, so much for Studio Trigger then. Their follow up of Kill La Kill, a school battle series, is another school battle series. Only this one looks ten times more generic. I mean, the premise is really just this: a bunch of high school kids awaken with super powers and nothing happens. Aside from a bit of romance. What can they really do with that. Any shred of potential left is dispelled with the trailer, which looks uber-generic.

Trinity 7

Why I don’t like it:This story advertises itself as a “romantic comedy but sometime serious magical school story”, so yeah, we basically know what time it is when the promo art only features ONE GUY. This one seems for the Index and Railgun crowd, but I’m not in the mood for any more magical school series, unless they promise to be really good or anything.

Terra Formars

Why I don’t like it: When I first saw this one, it made me mildly optimistic: it had science fiction, the director of Steins;Gate and Shigurui was on board, the premise suggested themes of intergalactic colonization, the cast didn’t consist out of teenagers. However, the more I looked into it, the worse it started to look. Apparently this show is about humanity that sends a bunch of cockroaches to Mars, only to find out that 500 years later they mutated into these weird human-like killing machines, and it’s up to the main characters to kill ’em all. Now not only is this ridiculous, it brings up many red flags: when you look at the trailer, all of these mutated cockroaches look more silly than threatening, and they all have the same designs. That’s really bad monster design and it takes away all tension: those copy-paste armies never have been good for that, not to mention that they’re not sentient. This is the anime equivalent of Bug Squasher or something.

Madan no Ou to Vanadis

Why I don’t like it: Tatsuo Sato is actually doing both the direction and series composition for this series, but alas it’s the premise that’s really not good here. The fact that this is a light novel adaptation should already say enough, but this show has the premise of a generic guy getting to be the slave of a magical girl in sexy outfit. You can see that Tatsuo Sato did his best to at least try and make something out of this (the art for example of the anime looks so much better than the light novel art), but what can you do with the plot here? I mean the magical girls will fight each other with over the top flashy powers and the main characters will kick ass and hint at a romance that will never be there. You can’t do anything with this.

Amagi Brilliant Park

Why I don’t like it: There are some big names behind this one: Kyoto Animation is returning with the team behind Full Metal Panic to adapt another one of the author’s stories. I’m suspecting that this will be the next Fumoffu. Only problem is that I didn’t really like Fumoffu: I gave it about one episode and it failed to make me laugh even once, and ultimately I preferred Gonzo’s version of Full Metal Panic over theirs, but in the end I never really was a big fan of FMP. It also doesn’t help that the premise for this one is riddled with silly teenaged romcom cliches, so I really doubt that this one will end up topping Full Metal Panic.

Denkigai no Honya-san

Why I don’t like it: This one’s weird. At first this seems like just another slice of life shows about nothing, but it’s being supervised by the team behind Milky Holmes (the good ones, at least), who are completely crazy, especially when together. The trailer was weird, had unnecessary fanservice, but in the end there was enough visual comedy for me to want to give it one episode. That’s the thing though: I see no reason whatsoever for why this show could even be remotely entertaining past episode one when they ran through their best jokes about working in a book store.

Donten ni Warau

Why I don’t like it: Well, so it took about a year before the Shingeki no Kyojin-wannabes start appearing (do not tell me that that promo art did not remind you of that). Besides that, this anime confuses me. The creators seem to try and do whatever they can to hide that this is a bishie-series, it seems. Nothing seems connected to each other: if you were to look at the character-designs, premise and promo art, you would not suspect that they were all about the same series. I mean, this is Dogakobo. Can they really pull off another Natsuyuki Rendezvous without a skilled director accompanying them?

Fate Stay Night

Why I don’t like it: Stop milking out the Fate franchise, for Christ’s sake. Ufotable, you’re better than this. You’ve amassed enough talent over the years, now do something original with it. This one is especially grating because Studio Deen already made a movie about this. I mean I’m all for remakes and all, but this is just getting too caught up in the past. Do you want to know when the last time was that Ufotable made a series that wasn’t of the Fate franchise? 2007, with Manabi Straight. And there seems to be even more Fate set for 2015.

World Trigger

Why I don’t like it: I must say, I really dig the promo art for this one. Plus, it’s got a soundtrack by Kenji Kawai. No doubt will this one be a feast for the senses! The story is the problem here: it’s a shounen jump adaptation of a battle manga: aliens invade, and a bunch of kids fight back with alien technology. Been there, done that! I get why this is made though. Naruto is about to end and this sounds like a good time for the companies to start to search for a replacement.

Nanatsu no Taizai

Why I don’t like it: A-1 coming with an adventure series, seems like it’s going to be classic fantasy. The “Seven deadly sins” part of the title is very misleading, because apparently they’re just the nicknames of a bunch of really strong warriors. There are a few problems here: the way in which the story is rather generic, and how it’s set up there is only one way for the story to end: with overthrowing that evil government. Problem is that we’re dealing with a manga adaptation that to my knowledge hasn’t finished yet. So yeah, good luck fitting in that story…

Shirobako

Why I don’t like it: Basically a circlejerk series: PA Works doing a show about making an anime, obviously featuring a bunch of cute girls. My guess is that this one will be on the opposite side of Bakuman: whereas Bakuman tried to add too much drama, this one will add too little. Why do I want to watch this? Perhaps it might be nice to watch how an anime gets made and all, but there are enough behind the scenes videos and these are a lot more authentic. The characters here look just boring.

Shigatsu wa Kimi no Uso

Why I don’t like it: I’m spotting an annoying trend here. Ever since Ano Hana the Noitamina producers seem to think that we want teenaged dramas. No, I’m a fan of Ano Hana because it was such an emotionally heart-wrenching story, not because it was about teenagers. But here is the real thing with this series: yeah sure it’s very polished. A-1 Pictures has made sure to make everything look pretty, the acting is good and not stereotypical. And yet, I see no reason to watch this series. There’s nothing that stands out: it’s just a bunch of teenagers talking with a bit of standard romance. Why would I want to watch that?

Sora no Method

Why I don’t like it: The writer of Kanon and Sola is behind this one. You can see that this one is better than most visual novel adaptations, because there is AN ACTIAL MALE ON THE PROMO ART. He’s in the background, but at least it’s something. Here’s the thing: I liked Sola. It actually had a very nice plot there. I’m not feeling this yet though. The character-designs for example: while they look nice at first sight, the creators basically used the same faces, only to swap hair- and eye color (and in one case the facial expression to the typical deadpan). It all looks… a bit too manufactured. This one could get a benefit of the doubt though… it’s also gonna depend on how annoying the female characters are…

Series I Am Looking Forward To

Gugure! Kokkuri-san

Summary: “A little girl named Kohina ends up summoning by a Kokkuri-san, a lower-ranking ghost in Japanese folklore. The Kokkuri-san she calls ends up being a white-haired handsome, young man. Although he had intended to merely haunt her at first, he becomes worried about her terrible eating habit of cup ramen for every meal, so he decides to haunt her in order to protect her.” – (Taken from ANN)
Produced by: TMS Entertainment
Director: Yoshimasa Hiraike

Impressions: This one… it intrigues me somehow. It actually looks like a solid comedy that can keep fun for several episodes. It’s basically going to take jabs at the Japanese folklore, but I have to say that I like the idea of a spirit watching over a young girl because she only eats instant ramen. That’s a bit more than what you usually see with these premises. If there’s enough for an entire season though, that remains to be seen.

First-Glance Potential: 50%

Sanzoku Musume no Ronja

Summary: “Ronja is the only daughter of Mattis, a bandit leader who lives in a castle in the middle of a large forest. When Ronja grows old enough, she ventures into the forest to interact the strange and magical creatures that live there. She learns to live in the forest through her own strength, with the occasional rescue from her parents. Ronja’s life begins to change, however, when she happens upon a boy her own age named Birk.” – (Taken from ANN)
Produced by: Polygon Pictures (and Ghibli)
Director: Goro Miyazaki
Series composition: Hiroyuki Kawasaki

Impressions: Here’s a weird example of how history came full circle. Before founding Studio Ghibli, Hayao Miyazaki and Isao Takahata worked on a few of the World Masterpiece Theatre series from Nippon Animation. Now that Nippon Animation has buggered off creating new series after their long-time producer passed away, there was a long silence of nobody adapting classic children’s literature. The one to break that silence? Studio Ghibli, now in trouble themselves now that Miyazaki has retired. It’s a really weird construction because they work together with Polygon Pictures, who do everything in CG and it’s especially jarring when you compare it to Knights of Sidonia, which worked much better when fully CG’d. Hiroyuki Kawasaki is an excellent adapter though, and they can get some great stuff out of this story if they do it well.

First-Glance Potential: 65%

Gundam Reconguista in G

Summary: “Some time has passed since the end of the Universal Century, a history marked by space colonization and space warfare. Humanity’s prosperity, which ushered in a new era known as Regild Century (R.C.), was believed to endure alongside the global peace. It is the year R.C.1014. The Capital Tower is an orbital elevator that rose above the Earth’s surface and linked Earth and space. As the conduit of the Photon Battery energy source to the surface, it is regarded as sacred. Beruri Zenamu is in the middle of training for the Capital Guard (established to protect the Capital Tower), when the tower is attacked by G-Serufu — a highly maneuverable mobile suit with technology that is not from any known country.” – (Taken from ANN)
Produced by: Sunrise
Director: Yoshiyuki Tomino

Impressions: Wow. Here is something I totally did not expect: Tomino directing another television series. I mean, coming November he’ll turn 73. No matter how you look at it: this is going to be his final series. He could have been retired at this point, and he’s got nothing to lose for his final magnum opus in the Gundam Franchise. It of course depends on how much Sunrise is willing to let him get away with, but one theme of all of his post-depression works is that they’re all very colourful and creative. Even in Turn-A Gundam where Sunrise restricted this, you can see lots of subtle jabs against them in the storytelling. The whole premise embraces the campy nature of what Gundam has devolved into over the years. The trailer is very good: it shows his directional style very well, in which he just keeps throwing stuff at the viewer and keeps pushing the scenario forward, instead of dragging on and on.

First-Glance Potential: 85%

Cross Ange: Tenshi to Ryuu no Rondo

Summary: “Due to humanity obtaining the data technology that has evolved to a great amount- called “Mana”- the human race is able to subjugate all wars, starvation, pollution, and other problems on Earth by using its power, which is similar to magic. Earth has obtained the utopia of complete peace and no wants. First princess of the Misurugi Empire, Angelize. As with everyone else, she also had no wants or worries. She was celebrated by the people of the empire, and was supposed to wear the crown. However, she realizes the shocking truth that she is a Norma. “Norma”: An irregular existence that cannot use Mana, and are treated as heretics and as “things” rather than people. Having everything stolen from her, she isolates herself on a remote island. What was waiting for her there was a fateful meeting with a group of Norma girls who know nothing but battle. The girls spend their days riding humanoid robot weapons called “Barameiru” hunting giant dragons that have come from another dimension to invade. Having her name taken from her, what will soldier Ange see at the end of the fight? What can she believe in? What will she obtain? The story of a single girl’s fortitude starts now.” – (Taken from ANN)
Produced by: Sunrise
Director: Yoshiharu Ashino
Series composition: Tatsuto Higuchi

Impressions: Not only does this actually sound really interesting, it’s being directed by the guy who directed Mahou Shoujotai. My favourite anime ever and the single series that got me into blogging in the first place. The trailer was great to watch, and the music was fantastic! I like how they take the usual story of a princess, that anime is obsessed with, and basically take all that away. The only problem here is the character-designs: they suck and are pretty generic.

First-Glance Potential: 90%

Akatsuki no Yona

Summary: ” King Il of Kouka, a land said in legends to have been founded by four dragons, has only one remaining heir, a daughter named Yona. She lives a happy life in the palace with her cousin Soo-won, who she loves in spite of her father’s opposition to them marrying. Her life is turned upside down when Soo-won murders her father and steals the throne. Yona, with her childhood friend and bodyguard Hak, must retreat to gather allies and reclaim her place as ruler of the kingdom.” – (Taken from ANN)
Produced by: Studio Pierrot
Director: Kazuhiro Yoneda
Music: Kunihiko Ryo

Impressions: Finally a show about a strong female character who isn’t trying to shove her boobs into your face. Like, the way it’s supposed to be. Kunihiko Ryo as a composer makes sober, but very authentic music so that also fits really well. The director of this one is a new guy so I can’t say much, but I think that he can do a very fine job. The trailer for this one is awesome by the way. It foregoes the flashy graphics and instead shows the things I’m actually looking for. There is change: the lead characters changes multiple times through the trailer ALONE. Plus, I love how it used facial expressions. That really hit me. Here’s the potential sleeper hit of the season.

First-Glance Potential: 90%

Kiseijuu: Sei no Kakuritsu

Summary: “Shinichi Izumi is a normal high school boy whose right hand has become infected with an alien parasite that names itself “Migi” (“right”). Migi is the first parasite to develop a symbiotic relationship with its host, as he and Shinichi slowly develop a grudging friendship. Migi isn’t the only Parasite on earth, however, and as cases of Parasites killing humans begin to emerge, humans seek to kill off Parasites. Shinichi and Migi find themselves caught in between these two sides of the struggle over planet earth.” – (Taken from ANN)
Produced by: Madhouse
Director: Kenichi Shimizu
Series composition: Shoji Yonemura

Impressions: Based on the manga Parasite, which is supposed to be an awesome manga, so I’m very curious what this one’s gonna turn into. Madhouse is a very solid choice for adapting it. It’s got a newbie director with lots of experience, and Shoji Yonemura adapted Guin Saga, co-wrote Fantastic Children, wrote Figure 17 and is overall a very solid writer. The premise looks solid, the promo art looks very intriguing and immediately caught my eye. Bring it on!

First-Glance Potential: 90%

Shingeki no Bahamut Genesis

Summary: ” Mistarcia is a magical world where humans, gods, and demons mingle together. In the past, the black-and-silver winged Bahamut has threatened to destroy the land, but humans, gods, and demons overcame their differences to fight together and seal its power. The key to that seal was split in two, one half given to the gods and the other to demons, so that they would never be united and Bahamut never released. Now, two thousand years later, the world is in an era of peace – until the day a human woman steals the gods’ half of the key.” – (Taken from ANN)
Produced by: Mappa
Director: Keiichi Satou
Series composition: Keiichi Hasegawa
Series composition: Yoshihiro Ike

Impressions: This one immediately looks awesome to watch. It created its own universe and lore, it looks utterly gorgeous so far, it has the director of Karas, Asura and Tiger & Bunny, Yoshihiro Ike for the soundtrack and Mappa behind the animation completing this dream team. These guys can make something very enjoyable together.

First-Glance Potential: 90%

Garo: Honoo no Kokuin

Summary: “Mendosa, the chief adviser of the king of Valiante, begins a campaign to hunt down “witches,” resulting in the deaths of many magical knights and their sorcerer assistants. Anna, a sorceress married to the knight Herman Lewis, gives birth to a son before her execution. Herman takes their child, Leon, and flees, raising him to be the heir of the legendary Golden Armor. By the time Leon grows up, Valiante is completely in the control of Mendosa, who drives out Prince Alfonso and his mother. Alphonso decides to seek out the man who inherited the Golden Armor to reclaim the throne and save his people.” – (Taken from ANN)
Produced by: Mappa
Director: Yuuichiro Hayashi
Series composition: Yasuko Kobayashi
Original creator: Keita Amemiya

Impressions: Yeah, I pretty much fangasmd when I saw who the original creator behind this series is: the guy who created Mahou Shoujotai, my favourite anime ever. I mean, I can’t believe this: one season with a series from the director AND the original creator from my single favourite series. what the hell?! This one has lots of nostalgia value for me, but even then the setting is creative, the visuals look gorgeous, courtesy of Mappa and with a writer like Yasuko Kobayashi (she also wrote Casshern Sins, adapted Shingeki no Kyojin and Jojo’s Bizarre Adventure) we really are good. The director is someone completely new, so I really wonder what he can do with this gem.

First-Glance Potential: 95%

Psycho Pass 2

Summary: ” The series takes place in the near future, when it is possible to instantaneously measure and quantify a person’s state of mind and personality. This information is recorded and processed, and the term “Psycho-Pass” in the anime’s title refers to a standard used to measure an individual’s being. The story centers around the “enforcement officer” Shinya Kogami, who is tasked with managing crime in such a world.” – (Taken from ANN)
Produced by: Production IG
Director: Naoyoshi Shiotani
Series composition: Tow Ubukata
Story concept: Gen Urobuchi

Impressions: A big change between the first and second season of Psycho Pass is that Gen Urobuchi is taking a step back. He’s now just there for the “Story concept”, which probably just means that he came up with the whole concept. Thankfully the guy taking over is also a very good and creative writer: Tow Ubukata came up with Le Chevalier d’Eon, he wrote Fafner, he wrote Heroic Age. This guy really is a science fiction writer through and through. His only issue seems to be pacing, but that doesn’t really seem to be much of a problem here with Psycho Pass and what they already built up.

First-Glance Potential: 100%

Mushishi Zoku-chou Season 2

Summary: “Mushi; the life-blood of nature. They exist everywhere in various forms: micro-organisms, fungi, bodies of water. Sometimes, they’re even mistaken to be plants, animals, or spirits. But regardless of their appearance, they exist, nonetheless, living the only way they know how. At times, their actions can cause strange or unexplainable phenomena. Enter Ginko, the Mushishi (mushi master), as he continues encountering, studying, and dealing with the mysterious mushi along his journey into the unknown.” – (Taken from ANN)
Produced by: Artland
Director: Hiroshi Nagahama

Impressions: Well, what’s there left to say? The single best anime of the past number of years continuing on to its second season. I haven’t finished the first season yet, but I sure as hell am planning to do that, because this series is better than any other series of its kind. It was a long wait, but the perfect way of storytelling carried through into the second season and there is no sign whatsoever of it stopping. All stories so far are beautifully told and with this we get 12 or 13 more stories to finish things off, based on the manga. You really cannot expect better than this.

First-Glance Potential: 100%
CHANGE USERNAME
Kaiser-Eoghan
@Masky: Mario's youtube link had cgi models of rem and ram in the video.
Masky
I'm confused when was Rem even mentioned
Kaiser-Eoghan
I only ever watched he-man and stuff related to it in passing when I was younger, Conan was more my thing back then.
Kaiser-Eoghan
For so long I'd always referred to she-ra as she-man.
AidanAK47
@Mario, What is this heresy!
....
....Rems always cute.
Anonymous3084910
Hilda is fine, though is very laidback kinda like a young reader's novel. It has its moments but its fantasy with slice-of-life coming of age.
Anonymous3084910
@SuperMario Yeah I know, She Ra is the twin sister of He Man. But strangely it seems Dreamworks may not have the right to those characters. It was a marketing idea trying to bring more girls to that universe but like most girls show from the time it had a very flat depiction of what little girls want to see.
SuperMario
Sorry Aidan, I know it's blasphemy but I have to post here. Enjoy the OP song with the twins https://www.youtube.com/watch?v=v9MUjISNm0U&index=4&list=PLU56jBSlcHw8-ol9Hi4lJ0GR0tU6EOf2a
SuperMario
I'll probably check out Hilda. Heard a lot of hypes about that show
SuperMario
@Vonter: I've heard of She-Ra, she's the female counterpart (well, sister) of He-Man (the most powerful man in the universe and the secret identity of Prince Adam). Sounds silly but I'm not even kidding
Vonter
All in all, despite not being a big thing, I think is an enjoyable recommendation. My only nitpick is that it maybe too light hearted for some kinda like above My Little Pony but below something Voltron. Also despite being less childish than the original is still kinda of girly with lots of pastel colors although it balances it a bit having girls being more tomboyish in different degrees.
Vonter
Like with Voltron it amuses me seeing anime tropes being played through western lens. Since I'm a bit hesitant to say that could this count as a harem series despite not being male gaze moments? Also having the most sensible hotspring episode I've seen.
Vonter
In this one this She Ra has pathos. A bit like Korra there's doubt in her role and also a complicated relationship with her rival. I do like the role reversal in the knight's tale this clearly is, in that most roles that would be played by men are played by women in this story. Matriarchy, displacement of both femminine beauty but also empowerment.
Vonter
So I've watched some of the new She Ra from Netflix. So far I'm in, it's not deep but it's quite charismatic. I do like there's more pathos in regards to these characters which pretty much were confined to their archetype to an extreme like the original Power Rangers.
Kaiser-Eoghan
It manages to make watching something like running engaging, when I'd otherwise probably not watch the sport. Also, last week the show ended up popping into my head when I was sitting around doing pretty much nothing and made me think "Ok fuck it, not sitting around doing nothing, going to go out for a run around the block"
Lenlo
I also agree, characters losing in sports is important. They can't start at the top, it makes the series lose meaning
Lenlo
I quite enjoyed Kaze Fui this week. I think your correct that the one who got the reality check was Kurahara, who thought he was the only one able to actually make it. I also thing that he has a competitive streak a mile wide, and might be a little afraid of failure. Doesnt think the team can make it, so why bother
Kaiser-Eoghan
Think I wasn't i the mood for honda-san this week even though I laughed.
Kaiser-Eoghan
Y'know I like it when sports series actually show the characters you know...actually lose.
Anonymous3083989
Huh, interesting in this episode of Kaze ga that it's Kakeru who got a reality check during the track meet since he was beaten by two other runners. I think we're due for an episode soon where he has to confront his past demons instead of fleeing from them.
Anonymous3083626
@Kaiser-Eoghan - Aging in fiction, I think has more to do with the story than the characters. I mean the jokes about Ash Ketchum, Detective Conan, Archie. The Flinstones tried to make different stories by aging Pebbles and Bam Bam. Or Batman having two Robins graduating into their own heroes. But in the end dynamics change, hence why most cartoons don't age the characters.
Kaiser-Eoghan
Which is why when aging does occur in anime/manga, such as in vinland saga or nanoha for example, its appreciated.
Kaiser-Eoghan
And of course, animated characters often don't age much.
Kaiser-Eoghan
I can remember enjoying the simpsons movie back when I watched it, but thinking about it it really was just an extended episode. Really the show peaked with the who shot Mr Burns episode. Catching bits of recent episodes and seeing them use modern stuff while they never age seems weird too.
Amagi
I do think series are allowed to move forward though, I am kinda interested in the Pkmn movie for example. But certain shows should just end, Simpsons for example was a parody of the 90s, it just can't work in a more modern setting IMO.
Amagi
I stopped with the Simpsons when Maude was killed/died, it was just a step in the wrong direction they should have never done and it killed the series for me. I disliked it before already though, I think I noticed the series getting worse since season..9? Or 10, not sure anymore.
Amagi
Anime for Dorohedoro announced.
Kaiser-Eoghan
Therefore ruining the fanservice fun for everybody.
Kaiser-Eoghan
My favourite beach episodes are ones where it rains and they end up not being able to go.
Kaiser-Eoghan
After that it was just the film for me.
Kaiser-Eoghan
Actually, regarding the simpsons, the episode I stopped on was sometime in the early 2000s, Homer was stuck on some island resort or something.
Kaiser-Eoghan
I suppose it was just as much a case of falling out of watching/playing too and then there being so many episodes/games catchup was impossible. I probably should read the manga someday.
Anonymous3081957
@Kaiser-Eoghan -Kinda like Sponge Bob, Power Rangers or The Simpsons, I can't blame those who move forward, It's imposible for a show to go that long without losing steam. I did check the Sun and Moon first season and while I think the personality and energy is better it doesn't exactly push the concept forward. Still somehow Pokemon is still a phenomenon.
Kaiser-Eoghan
@Vonter: Very strange hearing a Pikachu talk with Ryan Reynolds voice. But my days of pokemon are behind me.
KyokoHyuga
?????
KyokoHyuga
who likes pokemon here
SuperMario
@Amagi: I think the person who made the sub for Maquia did a pretty neat job. Not perfect but the translation flows well
Vonter
We've seen realistic Pokémon fanart, but how does a movie looks when it attempts it. https://www.youtube.com/watch?v=Q8CKgQFo5U8
Amagi
How are the subs for Maquia? I only heard anons complain about it.
Kaiser-Eoghan
*dealing with
Kaiser-Eoghan
Though you should really torrent it.
Kaiser-Eoghan
There is 1080p stream on kiss anime, if you hate deal with the ads on that site the 4up stream on anilinkz has the best quality of the available links
Lenlo
Where did you see Maquia online? I still need to watch it. PM it to me on discord maybe? Pretty please? <3
SuperMario
One fact that not many people know is that Penguin Highway is penned by Tomihiko Morimi. It indeed has many Morimi's signature inputs
SuperMario
This year, I'm doing well with catching up anime films (kudos for Australian's Madman who always license these titles very quickly). So far, I've watched Mirai, Maquia, Penguin Highway, Let Me Eat Your Pancreas and My Hero Academia the Movie
SuperMario
So I watched two anime movies this last week, Penguin Highway in theatre and Maquia online. Both of them are pretty solid in general, especially Penguin that has magical realism elements and some great chemistry. Whereas Mari Okada's writting still rubs me in the wrong way sometimes
Lenlo
D: He did, back in August actually apparently
Kaiser-Eoghan
@Lenlo: I heard Dino's voice actor died.
Kaiser-Eoghan
If we all took Goblin slayers attitude to trolls, then we would more easily ignore the trolls =P
Kaiser-Eoghan
Big twist in the golden kamuy manga.
Animosh
@SuperMario: remember that in the voice drama Rikka mentioned talking to Yuuta in their classroom during the ball game. Pretty sure it's about that.
SuperMario
@Animosh: i just watched the episode and noticed the lyrics as well. "The Promise" seems vague at the moment. Could be between Yuuta and whoever fits but I agree the "save someone from boredom" is about Akane
Animosh
You learn something every day. ;) Honestly though, I actually skipped the opening, so I hadn't even noticed that it had been translated until others pointed it out. And most of the time the lyrics are just cheesy one-liners, so I usually don't pay much attention to them either. But once in a while there's some nice hints hidden in there...
Kaiser-Eoghan
Y'know I never really ever paid attention to the lyrics in anime openings, I'd never thought to.
Animosh
The Gridman OP has been translated for the first time, and there's some pretty interesting reveals in there: it mentions a "promise" made in a classroom (so now we know how Yuuta and Rikka bonded in the past - glad it wasn't a simple confession), and talks of "rescuing" someone (presumably Akane) from boredom. So I guess she'll join the good guys eventually?
Lenlo
1200 words. I need to stop writing so much.
Kaiser-Eoghan
I haven't seen last weeks episode of Irozuku or this weeks =< I'm waiting now for a bit to see if the series paysoff.
Animosh
Goddamn those magic segments in Irozuku were stunning! It's a shame its humdrum drama can't live up to its visual beauty, but I'll take it.
Kaiser-Eoghan
I think Ash's design is based a bit on River phoneix.
Kaiser-Eoghan
Sorry Eiji but your Ash is in another castle.
Kaiser-Eoghan
@CoolerAnon: I was about to say that. Kidnapping gets used alot in shojo.
Anonymous3072040
Yeah Ash is basically Princess Peach
Kaiser-Eoghan
@Anon: I share your concerns, I don't know what studio is doing it. Some people want it to be mappa, some don't want it to be polygon pictures to adapt it. Its and long and violent manga, with some very funny at times dark humour, it could end up rushed and/or censored.
Anonymous3072021
As much as I love Dorohedoro I'm unsure if I should be happy or worried at it getting an adaptation, it isn't exactly the kind of story I imagine being easy to adapt well.
Lenlo
Yeah, I am touching on that in my writeup as we speak. The compressed story is causing Ash to be captured every other week.
Animosh
I agree Banana Fish was great this week though! My only gripe is that I'm getting sick and tired of seeing Ash get kidnapped again and again. He just escaped a couple of episodes ago! And he's just a lot more fun to watch when he's out there doing stuff.
Animosh
In a way the fights actually feel more realistic to me than those in Banana Fish. Sure, they're fantastical, bizarre even, but its battle system has a clear internal logic, and generally no power is infallible (each has its limitations). In Banana Fish the fights are rather poorly thought out by comparison. Their purpose is more to make Ash look cool than to give him realistic hurdles to overcome.
Animosh
@Kaiser: what sets Jojo apart from other battle shounen for me is how ridiculously creative its fights can get. Part 2 already shows some signs of this, but the introduction of the Stand system in Part 3 pushes it to another level, and in Part 4 the fights are consistently awesome. There are no simple beam struggles here: every fight is a battle of wits, between people with wildly different powers
Niel
Vinland Saga anime, and Now Dorohedoro just got announced. i'm really liking this trend.
Lenlo
Lots to writeup on Banana Fish this week.
Lenlo
Just finished it, I really like Blanca.
Lenlo
Because Jackie Chan and his stunt crew are some of the best in the world. There is a reason he has to insure his guys from his own pocket. No agency will take them
Kaiser-Eoghan
I have no idea how the hell Jackie Chan is still alive.
Kaiser-Eoghan
Action works best for me when I really feel that theres danger involved. Thats why when some actors do their own stunts, you can fear for the actors life, and also the character.
Kaiser-Eoghan
And thats why I'm a big fan of all that Chinese martial arts stuff from the 60s and 70s, that really expertly crafted chereography.
Lenlo
As for action, I like good choreography more than any super powers. Its why Cowboy Bebop, Seirei no Moribito, Sword of the Stranger and some Naruto fights are fantastic.
Lenlo
Im about to watch this weeks episode, so this chat makes me hopeful. I agree Ash and Eiji are the backbone of the series, and yeah me and Kaiser both agreed that the Gang war aspect was pretty weak, though I thought the finish with Arthur wasnt half bad
Kaiser-Eoghan
And I think Banana fish has a great grit to it for this reason.
Kaiser-Eoghan
I'm even more thankful to Banana fish too for that it keeps the action within the bounds of out of fantasy.
Kaiser-Eoghan
I've always been kind of a guns and swords and kungfu gut.
Kaiser-Eoghan
Black lagoons great example of anime action I can get behind.
Kaiser-Eoghan
I always found weapon combat and fist/kicking combat more raw and real,tangible than beamspam.
Anonymous3070972
But yeah if you're not a fan supernatural power fantasy action shounens, then maybe not your cup of tea, and that's totally cool
Anonymous3070972
Oh also if I'm recommending a fight from part 4, I'd say check out Highway Star
Anonymous3070972
Kira is a pretty cool villain though; he's always underpowered compared to the main heroes, but manages to somehow get out of the situation with luck or smarts; if nothing else, I'd recommend watching some Youtube clips
Anonymous3070972
*Turn off. lol.
Kaiser-Eoghan
Its more than, even when I was younger supernatural power fantasy action shounen never appealed to me.
Anonymous3070972
Admittedly JoJo always has bad with exposition though, and always will be just due to the style, so that can definitely be a turn on for some people
Anonymous3070972
If you like slice of life with hijinks and a murder mystery combined with cool battles, you'll like part 4
Anonymous3070972
Yeah I can see why you might not like part 1 & 2, they were made in the 80s; I'd recommend part 4 and part 5 (ongoing rn) tbh, I feel like those are better for a modern viewing experience
Anonymous3070972
I used to think that BF's greatest strength was the plot; know I realize it's really about Ash & Eiji's connection first and foremost: as good as the plot can be, Ash & Eiji's relationship is absolutely the backbone.
Kaiser-Eoghan
@Anon: Also that scene where Ash is thinking to himself, looking over Eiji.
Kaiser-Eoghan
Nah, I pretty much gave up on jojo midway through part 2.
Anonymous3070771
Also, anybody notice Blanca's VA is Kira (from Diamond is Unbreakable)? What a wonderful duwang!
Kaiser-Eoghan
@Niello: The producer guy Miyano is voicing, much like the show is irritating because the show has this "look at me look at me" feel to it, it just comes off as desperate to me and this is just going by the one episode I watched and hated.
Anonymous3070771
What's that damn piano song that plays when Ash and Eiji are talking about Japan. It's too good. For some reason, it's really magical
Kaiser-Eoghan
@Anon: I was the one who said that.
@Niello: You don't need to see steins; gate zero, myself and lenlo discussed it to death as it was airing, its all over the place. I like the original too but after a while of the first half being fun, I just wanted it to start.
Anonymous3070771
Phew, great episode of BF; whoever said the gang war stuff was the weakest point was right. this stuff is getting fantastic again.
Niello
Also I agree, Zombieland first episode was amazing, second episode is still rather great, and then the other episodes have just been meh.
Niello
In Zombieland it doesn't help that the character he's voicing with that tone is an asshole, which isn't a good combination because it's making him more annoying by the episode.
Niello
Steins;Gate is pretty good, but I don't think I like it nearly as much as most people do (I gave it a 7/10). I also haven't bothered with Steins;Gate 0. And although I didn't mind Myano in Steins;Gate, I didn't particularly like his voice there either.
Kaiser-Eoghan
I love the sombreness of Blanca's character. Poor Ash, so broken in this episode.
AidanAK47
Yeah after episode 2 it's been a downgrade. Zombieland is still alright to watch but it really has become what it parodied.
Vonter
Zombieland sadly has winded down. I mean it was expected but still I was hoping some more creative attempts to use in the typical genre. It'll have been better if they had waken up more slowly in order to flesh the archetypes a bit more. It still has charismatic moments though.
Lenlo
Really Niello? See, I like it because it's the voice we never got in Steins;Gate 0. Its Okabe's Kyouma voice, and I have a nostalgic love for it
Masky
Wasn't gyary isekai another one that existed?
Niello
I hate Miyano voice in Zombieland Saga and find him annoying tbh.
Kaiser-Eoghan
I am getting sick of self aware humour though. I see this show as something that was fun to make (such as Miyano seems to be feeling based on performances) but not fun for me to watch and that kind of extends to the manager who while I agree would be the best part of the show, I stopped finding funny after the joke was done.
Lenlo
For me, the main selling point of Zombieland Saga was always Miyano. I love this mans crazy voice.

And in regards to Isekai, discounting this most recent one, SAO actually is pretty good this season so far. Kirito is still bland, but its taking things a lot slower and actually building the world. Its taking its time with 52 episodes
Kaiser-Eoghan
By the sound of it, if some who liked the first episodes don't care for the ones beyond those two episode, then I'm glad I stopped watching.
Kaiser-Eoghan
I did flick through episode 2 but the rap battle thing was particularly awful.
Kaiser-Eoghan
@Anon: I couldn't stand the humour and have up on the show after the first half of episode 1.
Anonymous3065780
What Zombieland does have that Ore doesn't is better animation and Miyano hamming it up. But that's all it has going for it at the moment.
Anonymous3065780
You have a few "ha ha look at this" moments scattered here and there like how Ore episode 5 was basically one big middle finger to the nature of anime production, or Zombieland's Tae Yamada. But the parody value from the first two episodes is all but gone.
Kaiser-Eoghan
@Anon: Its in part my own fault , I jumped the gun in the first half of episode one then all goodwill I had for it died after the first couple of minutes.
Anonymous3065780
@Kaiser Same here. Very disappointed that Zombieland is going down the same route that Mahou Shoujo Ore went down: basically becoming what it purported to parody.
Kaiser-Eoghan
Every isekai that pops up in recent seasons, I simply just ignore it.
Kaiser-Eoghan
On another note, surely I'm not the only one who dropped zombieland saga? I'm not alone am I?
Kaiser-Eoghan
I mean, I've never seen an episode of konosuba or rezero and refuse to , no game no life is a series of two halves, I barely watched any of gate .
Kaiser-Eoghan
I think the only one I can say I care about is Tanya.
Kaiser-Eoghan
Y'know I think I've done a fairly good job at avoiding the modern isekai thing, I've never actually cared enough to sit through one fully beyond the first season of log horizon, 4 seasons of zero no tsukaima. Other than that I've seen maybe 7 episodes of sword art . Never seen a single episode of overlord and won't.
Kaiser-Eoghan
@Anon: I'm also glad their mentioning stuff like the peoples will, the historical assassination of the Russian emperor. I enjoy the tidbits of historical reference for the most part.
Kaiser-Eoghan
@Anon: But I don't think the animation is as good as it should be in the anime adaptation and its not as violent as the manga.
Kaiser-Eoghan
@Anon: I am up to date on the manga, the post first scene chapters that have caught my attention most have been Edogai, the big scenes in the prison and that bonnie and clyde duo.
Anonymous3065196
@SuperMario Are you watching GK s2? Any thoughts on it since you aren't covering this weekly?
Anonymous3065196
I think I laughed more from this than most of the comedies airing right now thanks to these bizarre situations and characters they're introducing.
Anonymous3065196
The anime is now covering the parts in the manga where things get a lot more dramatic, and a lot more weird and oddly hilarious.
Anonymous3065196
Wonder if anyone is still watching Golden Kamuy? We're way past the embarrassing CG bear.
Kaiser-Eoghan
A polar bear isekai exists.
AidanAK47
@Anon, it will be after in another world but a polar bear but before the gyarus in another world Isekai.
MaskyAtPublicComputer
Nobody could care about world building not really making sense or being inconsistent if it didn't have the grimderp parts that cause internet flame wars
MaskyAtPublicComputer
So it goes back to what I said: GS at its core is about (at least seemingly) about cool gorey tactical action with some character study of what its like to be broken person like GS is, but rape stuff just kinda ruins it for most people and it doesn't handle subject well
MaskyAtPublicComputer
gear doesn't rust and break down
MaskyAtPublicComputer
Anyhoo, I might remember wrong, but didn't GS purposedly use lower quality gear that has danger of breaking down in middle of combat? Thats kinda what I meant with "apparently using average quality gear is too dangerous", especially since its kinda hard to believe goblins could repurpose armor used by humans for themselves. I'm completely okay with him not using magical gear since D&D wise magical
MaskyAtPublicComputer
Like, you can't be like "Aha, characters think they are in JRPG, but its actually tabletop rpg oh wait no, it still follows realistic logic instead of tabletop rpg rules"
MaskyAtPublicComputer
See, barbarians in D&D don't wear armor because they are stronger without it, sure they have lower AC, but they have lot of health so they can tank a hit. So showing barbarian adventure dying in one hit because they were stupid enough to not wear armor just comes across as "So wait, is this supposed to be realistic, tabletop rpg or JRPG or what?"
MaskyAtPublicComputer
@AidanAK47: That IS actually part of reason why I said GS' author isn't thinking it through with world building. See, I actually think world being gods' D&D campaign does actually explain lot of details about how things don't make sense and it does fit with GS being D&D inspired, but that is another example of how GS is inconsistent.
Kaiser-Eoghan
Perhaps not the strongest episode of honda-san, but the golden kamuy and Brazilian guy bit made up for it.
Lenlo
I might give it a watch after Kaze Fui finishes and write that up, just for you then.
Kaiser-Eoghan
The anime kind of feels a bit live actiony, which I know sounds confusing to hear, what I mean is the character designs.
Anonymous3060338
I'm very interested in doing a comparison between the anime adaptation and the live-action adaptation of Kaze ga once the series concludes next year just because these are two different mediums adapting the same novel. I would really like to know what they had to change or cut to get it down to 2 hours, compared to this two-cour series.
Kaiser-Eoghan
*storytelling
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Featured Posts

Gaikotsu Shotenin Honda-San – 6 [The Man with a Secret Power/Our Fair-Day War]

Welcome fellow book lovers, to another dip into Honda-San! This week was a bit dull as we learn about the difficulties of stocking, but the second half manages to pick it back up. Lets jump in! So overall this week of Honda-San was pretty disappointing for me. Like usual it had some good gags in […]

SSSS.GRIDMAN – 06 [Contact]

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Irozuku Sekai no Ashita kara – 06 [Golden Fish]

Irozuku takes us to episode 6 for something significant happen, but even then it’s decidedly under-dramatic. This week, we have a whole lot more of magical moments that certainly are the feast to the eyes, and develop many underlying themes of its narrative. The central of the conflict this week is Hitomi and Aoi, as […]

Zombieland Saga – 04-06[Warming Dead SAGA/The Nice Bird SAGA in Your Heart/Because It’s Sentimental SAGA]

Forgive me for my lack of coverage on this series but you may have guessed that my enthusiasm for it has died down considerably. I always felt that Zombieland Saga was in danger of losing what made it great in its first two episodes and sadly that has come to pass. This show has ultimately […]

Banana Fish – 18 [Islands in the Stream]

Ah Banana Fish, back in form this week. Ash and Eiji act like a married couple, Blanca show’s everyone whose boss and Yut continues to have no idea what’s going on. Lets jump in! On a general note Banana Fish is really picking back up. The Gang War/Hospital were easily the weakest part of the […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai – 05-06[All the lies I have for you/This world you chose]

Thus we hit the end of another arc and admit it wasn’t a particularly interesting one due to not much being at stake. The characters helped keep it from getting boring but the main conflict was obvious from the start and the solution even more so. So to get things in perspective, Koga and Sakato […]

Kaze ga Tsuyoku Fuiteiru – 6 [The Emperor’s New Clothes]

Hello and welcome to another, if slower than normal, week of Kaze Fui! This time we have friendship, training and Haiji continues to get off scott-free! Lets jump in! Now Kaze Fui this week was, in my opinion, a bit of a non-starter. I don’t think it really addressed or dealt with many of the […]

Planetes – 7 & 8 [Extraterrestrial Girl/A Place to Cling To] – Throwback Thursday

Welcome one and all to another week of Planetes, continuing Throwback Thursday! This week we have a beautiful contrast of Life and Death in space followed by a lighthearted affirming of the group dynamic. Lets jump in! Before I get into actual plot elements, I want to once again praise Planetes for its use of […]

Gaikotsu Shotenin Honda-San – 5 [It’s a Book Signing!! Everyone Gather Up / A Fascinating Erotic Story]

Another week, another 10 minutes well spent with Honda-San. This time we have Golden Kamuy references, a Brazilian and lots, ridiculous amounts really, of gay Erotica. Lets jump in! To be honest, Honda-San started off worrying me this week. It wasn’t until maybe the 3 minute mark that it seemed to pick up. I think […]

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Castlevania Season 2 Review – 72/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]

Asobi Asobase (Summer 2018) Review – 83/100

In a year where comedy shows gain an unexpected strong showing, somehow a show about 3 cute girls and their pass-timer club emerges as one of the best comedy around. Yep, forget Hinamatsuri, forget Grand Blue, forget Chio-chan, Asobi Asobase delivers some hilarious absurdist laugh-out-loud moments for the ages. It helps that we were in […]

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Planet With is an anime that likely leaves many unimpressed when they look at the cover and makes for a solid proof that you cannot judge a book by it’s cover or even by it’s first episode. Many have overlooked this show in it’s season but for those that did give it chance it went […]

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Ah, the movie tie in. A right of passage for all aspiring Shounen series. Some, like One Piece have weathered it and come out Golden, while others are better forgotten (Looking at you Bleach). My Hero Academia: Two Heroes, in my opinion, is closer to former. Animated by BONES , Directed by Kenji Nagasaki and […]

A quick and dirty review of Angolmois: Record of the Mongol Invasion

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Steins;Gate 0 Anime Review – 60/100

Before I begin this review in earnest, I have to ask, who doesn’t know about Steins;Gate? The amazing, beloved original series that Steins;Gate 0 is an offshoot of. Well if you don’t, if you haven’t seen the original, then stop now. Steins;Gate 0 is not worth it. It is not for you. Without having seen […]

Mirai (2018) Movie Review – 81/100

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Fate/Extra Last Encore Anime Review – 40/100

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Darling in the Franxx Anime Review – 57/100

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