Posted on 12 September 2014 with categories: Anime Reviews

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series was like what we saw there. A year later, he completely rewrote the classic story of Hashire Melos to the point of brilliance, while he still kept incredibly faithful to the original work. This guy’s hands were pure genius. Afterwards, he left Madhouse, the company he was under contract of, and he started working freelance.

Now the problem with working freelance is that it’s a lot harder to land really good jobs. The best example of that is Dai Sato, a brilliant writer (think Erbo Proxy, Eureka Seven), who in the meantime of writing episodes here and there has resigned to writing kiddie shows in order to pay the bills. Ryousuke Nakamura thankfully fared better, but even then he has not gotten the golden opportunity that will give him complete freedom yet. The only television-series he did was Aiura, which was a 5-minute episode show about a bunch of girls that do nothing. It was incredibly well executed and all, but you can’t do anything with that kind of a setup. Beyond that he’s done all kinds of jobs here and there, from episode directing to storyboards, to production progress, to also just animating.

There is only one serious thing that he took the main seat as the director at… and its biggest focus is a romance between middle schoolers. That’s also its biggest problem right there: Monster! A tense thriller across Germany! Mouryou no Hako, a ground-breaking mystery chockful of Japanese folklore after World War II. Aoi Bungaku! A look into the mind of the writer of Hashire Melos! Nerawareta Gakuen! A teenaged romance with time travel!

So yeah, there are cliches. He doesn’t shy away from that. In some cases, he even takes cliches, gives the illusion of subverting them, only to subvert those subversions again and adhere to the cliches, repeats that several times after. And yeah, when you take into account that there will be lots of teenaged hormones… this pretty much is a beautifully executed movie. It takes care to make its four main characters well rounded, the side cast all are enjoyable and likable, the story brings in enough twists. With the cliches ingredients, it tries to make as much of it as it can and the themes that it uses, and the ideas that the whole story revolves around are actually pretty damn interesting. This also is not one of those romances in which nothing happens. Stuff does happen. It’s cliched obviously, but the most important part is this: both the characters and the relationships between these characters are constantly evolving.

Visually this show is perfect. You can see lots of the signature tricks that Ryousuke Nakamura loves to pull for his series. There obviously are the shots that are spammed with sakura leaves, but also the more subtle things. When characters move, they move full of energy and inspiration. Their facial expressions are full of emotions. All of this leads to a cast that feels very believable and relatable. This movie is already more than a year old and I didn’t notice any sort of buzz around it. It’s a pity, because it’s pretty damn charming for what it is. I’d say that the acting in Toki wo Kakeru Shoujo was a bit better than this one, but it’s definitely not by much.

Then there is the ending. I want to talk about it, but I’ll be as vague as possible for the sake of spoilers. At first sight the ending seems to suggest that it was rushed. Things happen fast. However, I believe that it somehow worked out very well. It’s the kind of ending that doesn’t explicitly spell everything out for you. It allows you as a viewer to fill in the blanks, and it’s even a bit open to interpretation at some points. I would not call it rushed to the point where it becomes flawed. Instead it makes the ending work and gives you something to think about. Not bad for a movie targeted at kids.

Posted on 7 September 2014 with categories: Seasonal Previews

Okay, let me first eplain a bit what happened: most people probably noticed that I’ve been posting less and less often. The reason for that is that my personal life has changed completely compared to how it was in the early years of this blog. I both have a job, and a lot of real life friends, so I can’t just dedicate all of my time to the site like I used to. I hit my limit when I returned back from my holiday to America: I sat down to watch the latest episodes of Ping Pong, and that’s when I realized that I had no energy to actually watch anything, let alone write about it. As soon as I realized that, I cut off everything with the site. I didn’t watch any anime, I didn’t post, I didn’t read any comments. I was completely burnt out and purposefully decided to step away and do nothing for a few months, in order to regain my mojo. I needed time away. It wasn’t that the anime had gone bad: with Mushishi we had the single best series in the past years, so this was no matter of quality. Just me, burning out.

Now over the past months, I realized that I still enjoy anime, but I’m not going to write episodic reviews anymore. These were really toxic for me. They ate up all my attention to the point that I couldn’t do anything else anymore. Instead though, I do still enjoy writing previews (hence this post) and full series reviews. As for the site, we’re planning to introduce some big changes, in order to keep the site sustained and alive.

Now as for this season: it’s awesome yo! There’s a lot of big names involved, some very good sequels, new stuff from people I thought were already long gone. And also surprisingly few series that are just utter crap or nothing but fanservice. It’s a big season for the fantasy crowd. Lots of shows about fantasy kingdoms and royalties, shows that created their own universes.

Series that I Don’t Look Forward To

Ore, Twin Tail ni Narimasu

Why I don’t like it: I think that we’ve found another candidate for the most pathetic villain motivation ever. This series is solely meant for people with a fetish for people who dress their hair in twin tails. So yeah, this is basically porn.

Hi sCoool! SeHa Girl

Why I don’t like it: Only in Japan, can they get away with such a silly title. I mean, I know that most Japanese people aren’t very good at English and all, but at least they must realize that this looks stupid, right? But yeah, this is coming from the guy who gave us gdgd Fairies, a totally absurd and low-budget comedy series, so that could be the reason for it. Apart from that… what can I say about it? It looks terrible! Next!

Orenchi no Furo Jijou

Why I don’t like it: Dear god! That face is going to haunt me in my dreams! Did you have to draw him in that position, with that particular expression? I mean I am not of innuendo at all to even I am getting the creeps here. Also who the hell comes up with these ridiculous premises?

Le Fruit de la Grisaia

Why I don’t like it: Yup, this one’s bad. It’s got the warning-signs: a group of five overly cute girls, lack of male characters, a hentai game adaptation. Moving on!

Daitoshokan no Hitsujikai

Why I don’t like it: Hoods (you know, the guys who gave us Seikon no Qwaser) bringing us a hentai game adaptation. Yeah, you can see where this is going. This one’s bad, nothing to see here. In the trailer, the creators just gave up and showed us shots of the game instead of the animation.

Ushinawareta Mirai o Motomete

Why I don’t like it: Generic hentai game adaptation romance. Not offensively bad or anything, just incredibly boring.

Bonjour Koiaji Pâtisserie

Why I don’t like it: Generic reverse harem by Silver Link, moving on.

Girl Friend BETA

Why I don’t like it: This is another one of those terrible gimmicky series that they need to stop making: it’s based on a dating sim where the male lead can pick between more than one hundred girls. While I admire how there are more than the usual five this time, how on earth were you going to put all of them into one series without making them all cardboard boxes? This is for hardcore voice actor fans only, and even that’s stretching it.

Yuuki Yuuna wa Yuusha de Aru

Why I don’t like it: They’re apparently starting a new timeslot called “animeism”, but if the first show of that slot is a very generic school comedy with magic directed by Seiji Kishi, then yeah, you’re pretty much screwed right from the start.

Wolf Girl & Black Prince

Why I don’t like it: Another shoujo romance, though this one’s a bit creepy, about a girl who is forced to be treated like a dog or be exposed as a liar. Is this really what gets popular these days? Fantasies of being abused and treated like an animal?

Inou Battle Within Everyday Life

Why I don’t like it: Well, so much for Studio Trigger then. Their follow up of Kill La Kill, a school battle series, is another school battle series. Only this one looks ten times more generic. I mean, the premise is really just this: a bunch of high school kids awaken with super powers and nothing happens. Aside from a bit of romance. What can they really do with that. Any shred of potential left is dispelled with the trailer, which looks uber-generic.

Trinity 7

Why I don’t like it:This story advertises itself as a “romantic comedy but sometime serious magical school story”, so yeah, we basically know what time it is when the promo art only features ONE GUY. This one seems for the Index and Railgun crowd, but I’m not in the mood for any more magical school series, unless they promise to be really good or anything.

Terra Formars

Why I don’t like it: When I first saw this one, it made me mildly optimistic: it had science fiction, the director of Steins;Gate and Shigurui was on board, the premise suggested themes of intergalactic colonization, the cast didn’t consist out of teenagers. However, the more I looked into it, the worse it started to look. Apparently this show is about humanity that sends a bunch of cockroaches to Mars, only to find out that 500 years later they mutated into these weird human-like killing machines, and it’s up to the main characters to kill ’em all. Now not only is this ridiculous, it brings up many red flags: when you look at the trailer, all of these mutated cockroaches look more silly than threatening, and they all have the same designs. That’s really bad monster design and it takes away all tension: those copy-paste armies never have been good for that, not to mention that they’re not sentient. This is the anime equivalent of Bug Squasher or something.

Madan no Ou to Vanadis

Why I don’t like it: Tatsuo Sato is actually doing both the direction and series composition for this series, but alas it’s the premise that’s really not good here. The fact that this is a light novel adaptation should already say enough, but this show has the premise of a generic guy getting to be the slave of a magical girl in sexy outfit. You can see that Tatsuo Sato did his best to at least try and make something out of this (the art for example of the anime looks so much better than the light novel art), but what can you do with the plot here? I mean the magical girls will fight each other with over the top flashy powers and the main characters will kick ass and hint at a romance that will never be there. You can’t do anything with this.

Amagi Brilliant Park

Why I don’t like it: There are some big names behind this one: Kyoto Animation is returning with the team behind Full Metal Panic to adapt another one of the author’s stories. I’m suspecting that this will be the next Fumoffu. Only problem is that I didn’t really like Fumoffu: I gave it about one episode and it failed to make me laugh even once, and ultimately I preferred Gonzo’s version of Full Metal Panic over theirs, but in the end I never really was a big fan of FMP. It also doesn’t help that the premise for this one is riddled with silly teenaged romcom cliches, so I really doubt that this one will end up topping Full Metal Panic.

Denkigai no Honya-san

Why I don’t like it: This one’s weird. At first this seems like just another slice of life shows about nothing, but it’s being supervised by the team behind Milky Holmes (the good ones, at least), who are completely crazy, especially when together. The trailer was weird, had unnecessary fanservice, but in the end there was enough visual comedy for me to want to give it one episode. That’s the thing though: I see no reason whatsoever for why this show could even be remotely entertaining past episode one when they ran through their best jokes about working in a book store.

Donten ni Warau

Why I don’t like it: Well, so it took about a year before the Shingeki no Kyojin-wannabes start appearing (do not tell me that that promo art did not remind you of that). Besides that, this anime confuses me. The creators seem to try and do whatever they can to hide that this is a bishie-series, it seems. Nothing seems connected to each other: if you were to look at the character-designs, premise and promo art, you would not suspect that they were all about the same series. I mean, this is Dogakobo. Can they really pull off another Natsuyuki Rendezvous without a skilled director accompanying them?

Fate Stay Night

Why I don’t like it: Stop milking out the Fate franchise, for Christ’s sake. Ufotable, you’re better than this. You’ve amassed enough talent over the years, now do something original with it. This one is especially grating because Studio Deen already made a movie about this. I mean I’m all for remakes and all, but this is just getting too caught up in the past. Do you want to know when the last time was that Ufotable made a series that wasn’t of the Fate franchise? 2007, with Manabi Straight. And there seems to be even more Fate set for 2015.

World Trigger

Why I don’t like it: I must say, I really dig the promo art for this one. Plus, it’s got a soundtrack by Kenji Kawai. No doubt will this one be a feast for the senses! The story is the problem here: it’s a shounen jump adaptation of a battle manga: aliens invade, and a bunch of kids fight back with alien technology. Been there, done that! I get why this is made though. Naruto is about to end and this sounds like a good time for the companies to start to search for a replacement.

Nanatsu no Taizai

Why I don’t like it: A-1 coming with an adventure series, seems like it’s going to be classic fantasy. The “Seven deadly sins” part of the title is very misleading, because apparently they’re just the nicknames of a bunch of really strong warriors. There are a few problems here: the way in which the story is rather generic, and how it’s set up there is only one way for the story to end: with overthrowing that evil government. Problem is that we’re dealing with a manga adaptation that to my knowledge hasn’t finished yet. So yeah, good luck fitting in that story…

Shirobako

Why I don’t like it: Basically a circlejerk series: PA Works doing a show about making an anime, obviously featuring a bunch of cute girls. My guess is that this one will be on the opposite side of Bakuman: whereas Bakuman tried to add too much drama, this one will add too little. Why do I want to watch this? Perhaps it might be nice to watch how an anime gets made and all, but there are enough behind the scenes videos and these are a lot more authentic. The characters here look just boring.

Shigatsu wa Kimi no Uso

Why I don’t like it: I’m spotting an annoying trend here. Ever since Ano Hana the Noitamina producers seem to think that we want teenaged dramas. No, I’m a fan of Ano Hana because it was such an emotionally heart-wrenching story, not because it was about teenagers. But here is the real thing with this series: yeah sure it’s very polished. A-1 Pictures has made sure to make everything look pretty, the acting is good and not stereotypical. And yet, I see no reason to watch this series. There’s nothing that stands out: it’s just a bunch of teenagers talking with a bit of standard romance. Why would I want to watch that?

Sora no Method

Why I don’t like it: The writer of Kanon and Sola is behind this one. You can see that this one is better than most visual novel adaptations, because there is AN ACTIAL MALE ON THE PROMO ART. He’s in the background, but at least it’s something. Here’s the thing: I liked Sola. It actually had a very nice plot there. I’m not feeling this yet though. The character-designs for example: while they look nice at first sight, the creators basically used the same faces, only to swap hair- and eye color (and in one case the facial expression to the typical deadpan). It all looks… a bit too manufactured. This one could get a benefit of the doubt though… it’s also gonna depend on how annoying the female characters are…

Series I Am Looking Forward To

Gugure! Kokkuri-san

Summary: “A little girl named Kohina ends up summoning by a Kokkuri-san, a lower-ranking ghost in Japanese folklore. The Kokkuri-san she calls ends up being a white-haired handsome, young man. Although he had intended to merely haunt her at first, he becomes worried about her terrible eating habit of cup ramen for every meal, so he decides to haunt her in order to protect her.” – (Taken from ANN)
Produced by: TMS Entertainment
Director: Yoshimasa Hiraike

Impressions: This one… it intrigues me somehow. It actually looks like a solid comedy that can keep fun for several episodes. It’s basically going to take jabs at the Japanese folklore, but I have to say that I like the idea of a spirit watching over a young girl because she only eats instant ramen. That’s a bit more than what you usually see with these premises. If there’s enough for an entire season though, that remains to be seen.

First-Glance Potential: 50%

Sanzoku Musume no Ronja

Summary: “Ronja is the only daughter of Mattis, a bandit leader who lives in a castle in the middle of a large forest. When Ronja grows old enough, she ventures into the forest to interact the strange and magical creatures that live there. She learns to live in the forest through her own strength, with the occasional rescue from her parents. Ronja’s life begins to change, however, when she happens upon a boy her own age named Birk.” – (Taken from ANN)
Produced by: Polygon Pictures (and Ghibli)
Director: Goro Miyazaki
Series composition: Hiroyuki Kawasaki

Impressions: Here’s a weird example of how history came full circle. Before founding Studio Ghibli, Hayao Miyazaki and Isao Takahata worked on a few of the World Masterpiece Theatre series from Nippon Animation. Now that Nippon Animation has buggered off creating new series after their long-time producer passed away, there was a long silence of nobody adapting classic children’s literature. The one to break that silence? Studio Ghibli, now in trouble themselves now that Miyazaki has retired. It’s a really weird construction because they work together with Polygon Pictures, who do everything in CG and it’s especially jarring when you compare it to Knights of Sidonia, which worked much better when fully CG’d. Hiroyuki Kawasaki is an excellent adapter though, and they can get some great stuff out of this story if they do it well.

First-Glance Potential: 65%

Gundam Reconguista in G

Summary: “Some time has passed since the end of the Universal Century, a history marked by space colonization and space warfare. Humanity’s prosperity, which ushered in a new era known as Regild Century (R.C.), was believed to endure alongside the global peace. It is the year R.C.1014. The Capital Tower is an orbital elevator that rose above the Earth’s surface and linked Earth and space. As the conduit of the Photon Battery energy source to the surface, it is regarded as sacred. Beruri Zenamu is in the middle of training for the Capital Guard (established to protect the Capital Tower), when the tower is attacked by G-Serufu — a highly maneuverable mobile suit with technology that is not from any known country.” – (Taken from ANN)
Produced by: Sunrise
Director: Yoshiyuki Tomino

Impressions: Wow. Here is something I totally did not expect: Tomino directing another television series. I mean, coming November he’ll turn 73. No matter how you look at it: this is going to be his final series. He could have been retired at this point, and he’s got nothing to lose for his final magnum opus in the Gundam Franchise. It of course depends on how much Sunrise is willing to let him get away with, but one theme of all of his post-depression works is that they’re all very colourful and creative. Even in Turn-A Gundam where Sunrise restricted this, you can see lots of subtle jabs against them in the storytelling. The whole premise embraces the campy nature of what Gundam has devolved into over the years. The trailer is very good: it shows his directional style very well, in which he just keeps throwing stuff at the viewer and keeps pushing the scenario forward, instead of dragging on and on.

First-Glance Potential: 85%

Cross Ange: Tenshi to Ryuu no Rondo

Summary: “Due to humanity obtaining the data technology that has evolved to a great amount- called “Mana”- the human race is able to subjugate all wars, starvation, pollution, and other problems on Earth by using its power, which is similar to magic. Earth has obtained the utopia of complete peace and no wants. First princess of the Misurugi Empire, Angelize. As with everyone else, she also had no wants or worries. She was celebrated by the people of the empire, and was supposed to wear the crown. However, she realizes the shocking truth that she is a Norma. “Norma”: An irregular existence that cannot use Mana, and are treated as heretics and as “things” rather than people. Having everything stolen from her, she isolates herself on a remote island. What was waiting for her there was a fateful meeting with a group of Norma girls who know nothing but battle. The girls spend their days riding humanoid robot weapons called “Barameiru” hunting giant dragons that have come from another dimension to invade. Having her name taken from her, what will soldier Ange see at the end of the fight? What can she believe in? What will she obtain? The story of a single girl’s fortitude starts now.” – (Taken from ANN)
Produced by: Sunrise
Director: Yoshiharu Ashino
Series composition: Tatsuto Higuchi

Impressions: Not only does this actually sound really interesting, it’s being directed by the guy who directed Mahou Shoujotai. My favourite anime ever and the single series that got me into blogging in the first place. The trailer was great to watch, and the music was fantastic! I like how they take the usual story of a princess, that anime is obsessed with, and basically take all that away. The only problem here is the character-designs: they suck and are pretty generic.

First-Glance Potential: 90%

Akatsuki no Yona

Summary: ” King Il of Kouka, a land said in legends to have been founded by four dragons, has only one remaining heir, a daughter named Yona. She lives a happy life in the palace with her cousin Soo-won, who she loves in spite of her father’s opposition to them marrying. Her life is turned upside down when Soo-won murders her father and steals the throne. Yona, with her childhood friend and bodyguard Hak, must retreat to gather allies and reclaim her place as ruler of the kingdom.” – (Taken from ANN)
Produced by: Studio Pierrot
Director: Kazuhiro Yoneda
Music: Kunihiko Ryo

Impressions: Finally a show about a strong female character who isn’t trying to shove her boobs into your face. Like, the way it’s supposed to be. Kunihiko Ryo as a composer makes sober, but very authentic music so that also fits really well. The director of this one is a new guy so I can’t say much, but I think that he can do a very fine job. The trailer for this one is awesome by the way. It foregoes the flashy graphics and instead shows the things I’m actually looking for. There is change: the lead characters changes multiple times through the trailer ALONE. Plus, I love how it used facial expressions. That really hit me. Here’s the potential sleeper hit of the season.

First-Glance Potential: 90%

Kiseijuu: Sei no Kakuritsu

Summary: “Shinichi Izumi is a normal high school boy whose right hand has become infected with an alien parasite that names itself “Migi” (“right”). Migi is the first parasite to develop a symbiotic relationship with its host, as he and Shinichi slowly develop a grudging friendship. Migi isn’t the only Parasite on earth, however, and as cases of Parasites killing humans begin to emerge, humans seek to kill off Parasites. Shinichi and Migi find themselves caught in between these two sides of the struggle over planet earth.” – (Taken from ANN)
Produced by: Madhouse
Director: Kenichi Shimizu
Series composition: Shoji Yonemura

Impressions: Based on the manga Parasite, which is supposed to be an awesome manga, so I’m very curious what this one’s gonna turn into. Madhouse is a very solid choice for adapting it. It’s got a newbie director with lots of experience, and Shoji Yonemura adapted Guin Saga, co-wrote Fantastic Children, wrote Figure 17 and is overall a very solid writer. The premise looks solid, the promo art looks very intriguing and immediately caught my eye. Bring it on!

First-Glance Potential: 90%

Shingeki no Bahamut Genesis

Summary: ” Mistarcia is a magical world where humans, gods, and demons mingle together. In the past, the black-and-silver winged Bahamut has threatened to destroy the land, but humans, gods, and demons overcame their differences to fight together and seal its power. The key to that seal was split in two, one half given to the gods and the other to demons, so that they would never be united and Bahamut never released. Now, two thousand years later, the world is in an era of peace – until the day a human woman steals the gods’ half of the key.” – (Taken from ANN)
Produced by: Mappa
Director: Keiichi Satou
Series composition: Keiichi Hasegawa
Series composition: Yoshihiro Ike

Impressions: This one immediately looks awesome to watch. It created its own universe and lore, it looks utterly gorgeous so far, it has the director of Karas, Asura and Tiger & Bunny, Yoshihiro Ike for the soundtrack and Mappa behind the animation completing this dream team. These guys can make something very enjoyable together.

First-Glance Potential: 90%

Garo: Honoo no Kokuin

Summary: “Mendosa, the chief adviser of the king of Valiante, begins a campaign to hunt down “witches,” resulting in the deaths of many magical knights and their sorcerer assistants. Anna, a sorceress married to the knight Herman Lewis, gives birth to a son before her execution. Herman takes their child, Leon, and flees, raising him to be the heir of the legendary Golden Armor. By the time Leon grows up, Valiante is completely in the control of Mendosa, who drives out Prince Alfonso and his mother. Alphonso decides to seek out the man who inherited the Golden Armor to reclaim the throne and save his people.” – (Taken from ANN)
Produced by: Mappa
Director: Yuuichiro Hayashi
Series composition: Yasuko Kobayashi
Original creator: Keita Amemiya

Impressions: Yeah, I pretty much fangasmd when I saw who the original creator behind this series is: the guy who created Mahou Shoujotai, my favourite anime ever. I mean, I can’t believe this: one season with a series from the director AND the original creator from my single favourite series. what the hell?! This one has lots of nostalgia value for me, but even then the setting is creative, the visuals look gorgeous, courtesy of Mappa and with a writer like Yasuko Kobayashi (she also wrote Casshern Sins, adapted Shingeki no Kyojin and Jojo’s Bizarre Adventure) we really are good. The director is someone completely new, so I really wonder what he can do with this gem.

First-Glance Potential: 95%

Psycho Pass 2

Summary: ” The series takes place in the near future, when it is possible to instantaneously measure and quantify a person’s state of mind and personality. This information is recorded and processed, and the term “Psycho-Pass” in the anime’s title refers to a standard used to measure an individual’s being. The story centers around the “enforcement officer” Shinya Kogami, who is tasked with managing crime in such a world.” – (Taken from ANN)
Produced by: Production IG
Director: Naoyoshi Shiotani
Series composition: Tow Ubukata
Story concept: Gen Urobuchi

Impressions: A big change between the first and second season of Psycho Pass is that Gen Urobuchi is taking a step back. He’s now just there for the “Story concept”, which probably just means that he came up with the whole concept. Thankfully the guy taking over is also a very good and creative writer: Tow Ubukata came up with Le Chevalier d’Eon, he wrote Fafner, he wrote Heroic Age. This guy really is a science fiction writer through and through. His only issue seems to be pacing, but that doesn’t really seem to be much of a problem here with Psycho Pass and what they already built up.

First-Glance Potential: 100%

Mushishi Zoku-chou Season 2

Summary: “Mushi; the life-blood of nature. They exist everywhere in various forms: micro-organisms, fungi, bodies of water. Sometimes, they’re even mistaken to be plants, animals, or spirits. But regardless of their appearance, they exist, nonetheless, living the only way they know how. At times, their actions can cause strange or unexplainable phenomena. Enter Ginko, the Mushishi (mushi master), as he continues encountering, studying, and dealing with the mysterious mushi along his journey into the unknown.” – (Taken from ANN)
Produced by: Artland
Director: Hiroshi Nagahama

Impressions: Well, what’s there left to say? The single best anime of the past number of years continuing on to its second season. I haven’t finished the first season yet, but I sure as hell am planning to do that, because this series is better than any other series of its kind. It was a long wait, but the perfect way of storytelling carried through into the second season and there is no sign whatsoever of it stopping. All stories so far are beautifully told and with this we get 12 or 13 more stories to finish things off, based on the manga. You really cannot expect better than this.

First-Glance Potential: 100%
CHANGE USERNAME
Lenlo
Ground*. I hate it when I fat finger something.
Lenlo
Thats always the worst, when a story starts off promising and then someone runs it into the grouhnd
AidanAK47
@Mario, so it's still at it. To me it's like someone was given an interesting story and made it his mission to ruin it as much as possible.
SuperMario
@Aidan: it's still the same crap. I have a feeling that Sagrada Reset gives a middle finger to us viewers. The plot with development and characters that we have no way to figure out ourselves. The characters who change motive and even personality after each timeline. The main lead girl who act like a robot. I gave this show too many chance so I won't bother to spend more time watching it.
Anonymous1052767
Eromanga sensei
AidanAK47
@Mario, Oh ho, what was the dealbreaker? Just that it didn't change or did something really stupid happen?
SuperMario
Sagrada Reset (long sigh) (scratching my head) (eyes rolling). Dropped
AidanAK47
Hey you.
Konstantinos
Yeah, at this point, this season looks good.
SuperMario
Quite happy with ID-0 and Zero in particular. Zero charms me to no end that I'm still debating whether I should blog it. The trio Re:Creators, Kado, Atom still doing pretty well and the sequels MHA and Bahamut are enjoyable as expected. We have a wide range of anime offerings this season.
SuperMario
Sagrada Reset & SukaSuka I will give it another episode, at least until this current arcs over. They both have potential but Sagrada Reset tries so hard to sound smart, and SukaSuka still falls into its LN tropes which bugged the show down.
SuperMario
*no real urge
SuperMario
I've finally catch up with all other series I wanna follow this season. Alice & Zorouku will be off my list for now, Zorouko is a great character but everything else falls flat so far. I have real urge to continue Attack on Titan and Berserk so I'll wait until they're finished.
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
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Demi-chan is one of the newest addition to the monster girl subgenre, which usually feature a human helpless male lead get stuck in a harem of mythical creatures, in form of oversized boob girls of course (why usually those monsters are in female forms anyways? Aren’t they sexless?). In this case, we have monster girls […]

Seiren (Winter 2017) Review – 51/100

Let me say this out front, Seiren is NOT a good show, it’s a highly uneven one. Throughout its run, I can see some solid moments and fresh ideas that could potentially raise it above the bar, but ultimately, view it as a whole, Seiren is a show that isn’t worth recommending. At first, I’m […]

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]