Posted on 12 September 2014 with categories: Anime Reviews

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series was like what we saw there. A year later, he completely rewrote the classic story of Hashire Melos to the point of brilliance, while he still kept incredibly faithful to the original work. This guy’s hands were pure genius. Afterwards, he left Madhouse, the company he was under contract of, and he started working freelance.

Now the problem with working freelance is that it’s a lot harder to land really good jobs. The best example of that is Dai Sato, a brilliant writer (think Erbo Proxy, Eureka Seven), who in the meantime of writing episodes here and there has resigned to writing kiddie shows in order to pay the bills. Ryousuke Nakamura thankfully fared better, but even then he has not gotten the golden opportunity that will give him complete freedom yet. The only television-series he did was Aiura, which was a 5-minute episode show about a bunch of girls that do nothing. It was incredibly well executed and all, but you can’t do anything with that kind of a setup. Beyond that he’s done all kinds of jobs here and there, from episode directing to storyboards, to production progress, to also just animating.

There is only one serious thing that he took the main seat as the director at… and its biggest focus is a romance between middle schoolers. That’s also its biggest problem right there: Monster! A tense thriller across Germany! Mouryou no Hako, a ground-breaking mystery chockful of Japanese folklore after World War II. Aoi Bungaku! A look into the mind of the writer of Hashire Melos! Nerawareta Gakuen! A teenaged romance with time travel!

So yeah, there are cliches. He doesn’t shy away from that. In some cases, he even takes cliches, gives the illusion of subverting them, only to subvert those subversions again and adhere to the cliches, repeats that several times after. And yeah, when you take into account that there will be lots of teenaged hormones… this pretty much is a beautifully executed movie. It takes care to make its four main characters well rounded, the side cast all are enjoyable and likable, the story brings in enough twists. With the cliches ingredients, it tries to make as much of it as it can and the themes that it uses, and the ideas that the whole story revolves around are actually pretty damn interesting. This also is not one of those romances in which nothing happens. Stuff does happen. It’s cliched obviously, but the most important part is this: both the characters and the relationships between these characters are constantly evolving.

Visually this show is perfect. You can see lots of the signature tricks that Ryousuke Nakamura loves to pull for his series. There obviously are the shots that are spammed with sakura leaves, but also the more subtle things. When characters move, they move full of energy and inspiration. Their facial expressions are full of emotions. All of this leads to a cast that feels very believable and relatable. This movie is already more than a year old and I didn’t notice any sort of buzz around it. It’s a pity, because it’s pretty damn charming for what it is. I’d say that the acting in Toki wo Kakeru Shoujo was a bit better than this one, but it’s definitely not by much.

Then there is the ending. I want to talk about it, but I’ll be as vague as possible for the sake of spoilers. At first sight the ending seems to suggest that it was rushed. Things happen fast. However, I believe that it somehow worked out very well. It’s the kind of ending that doesn’t explicitly spell everything out for you. It allows you as a viewer to fill in the blanks, and it’s even a bit open to interpretation at some points. I would not call it rushed to the point where it becomes flawed. Instead it makes the ending work and gives you something to think about. Not bad for a movie targeted at kids.

Posted on 7 September 2014 with categories: Seasonal Previews

Okay, let me first eplain a bit what happened: most people probably noticed that I’ve been posting less and less often. The reason for that is that my personal life has changed completely compared to how it was in the early years of this blog. I both have a job, and a lot of real life friends, so I can’t just dedicate all of my time to the site like I used to. I hit my limit when I returned back from my holiday to America: I sat down to watch the latest episodes of Ping Pong, and that’s when I realized that I had no energy to actually watch anything, let alone write about it. As soon as I realized that, I cut off everything with the site. I didn’t watch any anime, I didn’t post, I didn’t read any comments. I was completely burnt out and purposefully decided to step away and do nothing for a few months, in order to regain my mojo. I needed time away. It wasn’t that the anime had gone bad: with Mushishi we had the single best series in the past years, so this was no matter of quality. Just me, burning out.

Now over the past months, I realized that I still enjoy anime, but I’m not going to write episodic reviews anymore. These were really toxic for me. They ate up all my attention to the point that I couldn’t do anything else anymore. Instead though, I do still enjoy writing previews (hence this post) and full series reviews. As for the site, we’re planning to introduce some big changes, in order to keep the site sustained and alive.

Now as for this season: it’s awesome yo! There’s a lot of big names involved, some very good sequels, new stuff from people I thought were already long gone. And also surprisingly few series that are just utter crap or nothing but fanservice. It’s a big season for the fantasy crowd. Lots of shows about fantasy kingdoms and royalties, shows that created their own universes.

Series that I Don’t Look Forward To

Ore, Twin Tail ni Narimasu

Why I don’t like it: I think that we’ve found another candidate for the most pathetic villain motivation ever. This series is solely meant for people with a fetish for people who dress their hair in twin tails. So yeah, this is basically porn.

Hi sCoool! SeHa Girl

Why I don’t like it: Only in Japan, can they get away with such a silly title. I mean, I know that most Japanese people aren’t very good at English and all, but at least they must realize that this looks stupid, right? But yeah, this is coming from the guy who gave us gdgd Fairies, a totally absurd and low-budget comedy series, so that could be the reason for it. Apart from that… what can I say about it? It looks terrible! Next!

Orenchi no Furo Jijou

Why I don’t like it: Dear god! That face is going to haunt me in my dreams! Did you have to draw him in that position, with that particular expression? I mean I am not of innuendo at all to even I am getting the creeps here. Also who the hell comes up with these ridiculous premises?

Le Fruit de la Grisaia

Why I don’t like it: Yup, this one’s bad. It’s got the warning-signs: a group of five overly cute girls, lack of male characters, a hentai game adaptation. Moving on!

Daitoshokan no Hitsujikai

Why I don’t like it: Hoods (you know, the guys who gave us Seikon no Qwaser) bringing us a hentai game adaptation. Yeah, you can see where this is going. This one’s bad, nothing to see here. In the trailer, the creators just gave up and showed us shots of the game instead of the animation.

Ushinawareta Mirai o Motomete

Why I don’t like it: Generic hentai game adaptation romance. Not offensively bad or anything, just incredibly boring.

Bonjour Koiaji Pâtisserie

Why I don’t like it: Generic reverse harem by Silver Link, moving on.

Girl Friend BETA

Why I don’t like it: This is another one of those terrible gimmicky series that they need to stop making: it’s based on a dating sim where the male lead can pick between more than one hundred girls. While I admire how there are more than the usual five this time, how on earth were you going to put all of them into one series without making them all cardboard boxes? This is for hardcore voice actor fans only, and even that’s stretching it.

Yuuki Yuuna wa Yuusha de Aru

Why I don’t like it: They’re apparently starting a new timeslot called “animeism”, but if the first show of that slot is a very generic school comedy with magic directed by Seiji Kishi, then yeah, you’re pretty much screwed right from the start.

Wolf Girl & Black Prince

Why I don’t like it: Another shoujo romance, though this one’s a bit creepy, about a girl who is forced to be treated like a dog or be exposed as a liar. Is this really what gets popular these days? Fantasies of being abused and treated like an animal?

Inou Battle Within Everyday Life

Why I don’t like it: Well, so much for Studio Trigger then. Their follow up of Kill La Kill, a school battle series, is another school battle series. Only this one looks ten times more generic. I mean, the premise is really just this: a bunch of high school kids awaken with super powers and nothing happens. Aside from a bit of romance. What can they really do with that. Any shred of potential left is dispelled with the trailer, which looks uber-generic.

Trinity 7

Why I don’t like it:This story advertises itself as a “romantic comedy but sometime serious magical school story”, so yeah, we basically know what time it is when the promo art only features ONE GUY. This one seems for the Index and Railgun crowd, but I’m not in the mood for any more magical school series, unless they promise to be really good or anything.

Terra Formars

Why I don’t like it: When I first saw this one, it made me mildly optimistic: it had science fiction, the director of Steins;Gate and Shigurui was on board, the premise suggested themes of intergalactic colonization, the cast didn’t consist out of teenagers. However, the more I looked into it, the worse it started to look. Apparently this show is about humanity that sends a bunch of cockroaches to Mars, only to find out that 500 years later they mutated into these weird human-like killing machines, and it’s up to the main characters to kill ’em all. Now not only is this ridiculous, it brings up many red flags: when you look at the trailer, all of these mutated cockroaches look more silly than threatening, and they all have the same designs. That’s really bad monster design and it takes away all tension: those copy-paste armies never have been good for that, not to mention that they’re not sentient. This is the anime equivalent of Bug Squasher or something.

Madan no Ou to Vanadis

Why I don’t like it: Tatsuo Sato is actually doing both the direction and series composition for this series, but alas it’s the premise that’s really not good here. The fact that this is a light novel adaptation should already say enough, but this show has the premise of a generic guy getting to be the slave of a magical girl in sexy outfit. You can see that Tatsuo Sato did his best to at least try and make something out of this (the art for example of the anime looks so much better than the light novel art), but what can you do with the plot here? I mean the magical girls will fight each other with over the top flashy powers and the main characters will kick ass and hint at a romance that will never be there. You can’t do anything with this.

Amagi Brilliant Park

Why I don’t like it: There are some big names behind this one: Kyoto Animation is returning with the team behind Full Metal Panic to adapt another one of the author’s stories. I’m suspecting that this will be the next Fumoffu. Only problem is that I didn’t really like Fumoffu: I gave it about one episode and it failed to make me laugh even once, and ultimately I preferred Gonzo’s version of Full Metal Panic over theirs, but in the end I never really was a big fan of FMP. It also doesn’t help that the premise for this one is riddled with silly teenaged romcom cliches, so I really doubt that this one will end up topping Full Metal Panic.

Denkigai no Honya-san

Why I don’t like it: This one’s weird. At first this seems like just another slice of life shows about nothing, but it’s being supervised by the team behind Milky Holmes (the good ones, at least), who are completely crazy, especially when together. The trailer was weird, had unnecessary fanservice, but in the end there was enough visual comedy for me to want to give it one episode. That’s the thing though: I see no reason whatsoever for why this show could even be remotely entertaining past episode one when they ran through their best jokes about working in a book store.

Donten ni Warau

Why I don’t like it: Well, so it took about a year before the Shingeki no Kyojin-wannabes start appearing (do not tell me that that promo art did not remind you of that). Besides that, this anime confuses me. The creators seem to try and do whatever they can to hide that this is a bishie-series, it seems. Nothing seems connected to each other: if you were to look at the character-designs, premise and promo art, you would not suspect that they were all about the same series. I mean, this is Dogakobo. Can they really pull off another Natsuyuki Rendezvous without a skilled director accompanying them?

Fate Stay Night

Why I don’t like it: Stop milking out the Fate franchise, for Christ’s sake. Ufotable, you’re better than this. You’ve amassed enough talent over the years, now do something original with it. This one is especially grating because Studio Deen already made a movie about this. I mean I’m all for remakes and all, but this is just getting too caught up in the past. Do you want to know when the last time was that Ufotable made a series that wasn’t of the Fate franchise? 2007, with Manabi Straight. And there seems to be even more Fate set for 2015.

World Trigger

Why I don’t like it: I must say, I really dig the promo art for this one. Plus, it’s got a soundtrack by Kenji Kawai. No doubt will this one be a feast for the senses! The story is the problem here: it’s a shounen jump adaptation of a battle manga: aliens invade, and a bunch of kids fight back with alien technology. Been there, done that! I get why this is made though. Naruto is about to end and this sounds like a good time for the companies to start to search for a replacement.

Nanatsu no Taizai

Why I don’t like it: A-1 coming with an adventure series, seems like it’s going to be classic fantasy. The “Seven deadly sins” part of the title is very misleading, because apparently they’re just the nicknames of a bunch of really strong warriors. There are a few problems here: the way in which the story is rather generic, and how it’s set up there is only one way for the story to end: with overthrowing that evil government. Problem is that we’re dealing with a manga adaptation that to my knowledge hasn’t finished yet. So yeah, good luck fitting in that story…

Shirobako

Why I don’t like it: Basically a circlejerk series: PA Works doing a show about making an anime, obviously featuring a bunch of cute girls. My guess is that this one will be on the opposite side of Bakuman: whereas Bakuman tried to add too much drama, this one will add too little. Why do I want to watch this? Perhaps it might be nice to watch how an anime gets made and all, but there are enough behind the scenes videos and these are a lot more authentic. The characters here look just boring.

Shigatsu wa Kimi no Uso

Why I don’t like it: I’m spotting an annoying trend here. Ever since Ano Hana the Noitamina producers seem to think that we want teenaged dramas. No, I’m a fan of Ano Hana because it was such an emotionally heart-wrenching story, not because it was about teenagers. But here is the real thing with this series: yeah sure it’s very polished. A-1 Pictures has made sure to make everything look pretty, the acting is good and not stereotypical. And yet, I see no reason to watch this series. There’s nothing that stands out: it’s just a bunch of teenagers talking with a bit of standard romance. Why would I want to watch that?

Sora no Method

Why I don’t like it: The writer of Kanon and Sola is behind this one. You can see that this one is better than most visual novel adaptations, because there is AN ACTIAL MALE ON THE PROMO ART. He’s in the background, but at least it’s something. Here’s the thing: I liked Sola. It actually had a very nice plot there. I’m not feeling this yet though. The character-designs for example: while they look nice at first sight, the creators basically used the same faces, only to swap hair- and eye color (and in one case the facial expression to the typical deadpan). It all looks… a bit too manufactured. This one could get a benefit of the doubt though… it’s also gonna depend on how annoying the female characters are…

Series I Am Looking Forward To

Gugure! Kokkuri-san

Summary: “A little girl named Kohina ends up summoning by a Kokkuri-san, a lower-ranking ghost in Japanese folklore. The Kokkuri-san she calls ends up being a white-haired handsome, young man. Although he had intended to merely haunt her at first, he becomes worried about her terrible eating habit of cup ramen for every meal, so he decides to haunt her in order to protect her.” – (Taken from ANN)
Produced by: TMS Entertainment
Director: Yoshimasa Hiraike

Impressions: This one… it intrigues me somehow. It actually looks like a solid comedy that can keep fun for several episodes. It’s basically going to take jabs at the Japanese folklore, but I have to say that I like the idea of a spirit watching over a young girl because she only eats instant ramen. That’s a bit more than what you usually see with these premises. If there’s enough for an entire season though, that remains to be seen.

First-Glance Potential: 50%

Sanzoku Musume no Ronja

Summary: “Ronja is the only daughter of Mattis, a bandit leader who lives in a castle in the middle of a large forest. When Ronja grows old enough, she ventures into the forest to interact the strange and magical creatures that live there. She learns to live in the forest through her own strength, with the occasional rescue from her parents. Ronja’s life begins to change, however, when she happens upon a boy her own age named Birk.” – (Taken from ANN)
Produced by: Polygon Pictures (and Ghibli)
Director: Goro Miyazaki
Series composition: Hiroyuki Kawasaki

Impressions: Here’s a weird example of how history came full circle. Before founding Studio Ghibli, Hayao Miyazaki and Isao Takahata worked on a few of the World Masterpiece Theatre series from Nippon Animation. Now that Nippon Animation has buggered off creating new series after their long-time producer passed away, there was a long silence of nobody adapting classic children’s literature. The one to break that silence? Studio Ghibli, now in trouble themselves now that Miyazaki has retired. It’s a really weird construction because they work together with Polygon Pictures, who do everything in CG and it’s especially jarring when you compare it to Knights of Sidonia, which worked much better when fully CG’d. Hiroyuki Kawasaki is an excellent adapter though, and they can get some great stuff out of this story if they do it well.

First-Glance Potential: 65%

Gundam Reconguista in G

Summary: “Some time has passed since the end of the Universal Century, a history marked by space colonization and space warfare. Humanity’s prosperity, which ushered in a new era known as Regild Century (R.C.), was believed to endure alongside the global peace. It is the year R.C.1014. The Capital Tower is an orbital elevator that rose above the Earth’s surface and linked Earth and space. As the conduit of the Photon Battery energy source to the surface, it is regarded as sacred. Beruri Zenamu is in the middle of training for the Capital Guard (established to protect the Capital Tower), when the tower is attacked by G-Serufu — a highly maneuverable mobile suit with technology that is not from any known country.” – (Taken from ANN)
Produced by: Sunrise
Director: Yoshiyuki Tomino

Impressions: Wow. Here is something I totally did not expect: Tomino directing another television series. I mean, coming November he’ll turn 73. No matter how you look at it: this is going to be his final series. He could have been retired at this point, and he’s got nothing to lose for his final magnum opus in the Gundam Franchise. It of course depends on how much Sunrise is willing to let him get away with, but one theme of all of his post-depression works is that they’re all very colourful and creative. Even in Turn-A Gundam where Sunrise restricted this, you can see lots of subtle jabs against them in the storytelling. The whole premise embraces the campy nature of what Gundam has devolved into over the years. The trailer is very good: it shows his directional style very well, in which he just keeps throwing stuff at the viewer and keeps pushing the scenario forward, instead of dragging on and on.

First-Glance Potential: 85%

Cross Ange: Tenshi to Ryuu no Rondo

Summary: “Due to humanity obtaining the data technology that has evolved to a great amount- called “Mana”- the human race is able to subjugate all wars, starvation, pollution, and other problems on Earth by using its power, which is similar to magic. Earth has obtained the utopia of complete peace and no wants. First princess of the Misurugi Empire, Angelize. As with everyone else, she also had no wants or worries. She was celebrated by the people of the empire, and was supposed to wear the crown. However, she realizes the shocking truth that she is a Norma. “Norma”: An irregular existence that cannot use Mana, and are treated as heretics and as “things” rather than people. Having everything stolen from her, she isolates herself on a remote island. What was waiting for her there was a fateful meeting with a group of Norma girls who know nothing but battle. The girls spend their days riding humanoid robot weapons called “Barameiru” hunting giant dragons that have come from another dimension to invade. Having her name taken from her, what will soldier Ange see at the end of the fight? What can she believe in? What will she obtain? The story of a single girl’s fortitude starts now.” – (Taken from ANN)
Produced by: Sunrise
Director: Yoshiharu Ashino
Series composition: Tatsuto Higuchi

Impressions: Not only does this actually sound really interesting, it’s being directed by the guy who directed Mahou Shoujotai. My favourite anime ever and the single series that got me into blogging in the first place. The trailer was great to watch, and the music was fantastic! I like how they take the usual story of a princess, that anime is obsessed with, and basically take all that away. The only problem here is the character-designs: they suck and are pretty generic.

First-Glance Potential: 90%

Akatsuki no Yona

Summary: ” King Il of Kouka, a land said in legends to have been founded by four dragons, has only one remaining heir, a daughter named Yona. She lives a happy life in the palace with her cousin Soo-won, who she loves in spite of her father’s opposition to them marrying. Her life is turned upside down when Soo-won murders her father and steals the throne. Yona, with her childhood friend and bodyguard Hak, must retreat to gather allies and reclaim her place as ruler of the kingdom.” – (Taken from ANN)
Produced by: Studio Pierrot
Director: Kazuhiro Yoneda
Music: Kunihiko Ryo

Impressions: Finally a show about a strong female character who isn’t trying to shove her boobs into your face. Like, the way it’s supposed to be. Kunihiko Ryo as a composer makes sober, but very authentic music so that also fits really well. The director of this one is a new guy so I can’t say much, but I think that he can do a very fine job. The trailer for this one is awesome by the way. It foregoes the flashy graphics and instead shows the things I’m actually looking for. There is change: the lead characters changes multiple times through the trailer ALONE. Plus, I love how it used facial expressions. That really hit me. Here’s the potential sleeper hit of the season.

First-Glance Potential: 90%

Kiseijuu: Sei no Kakuritsu

Summary: “Shinichi Izumi is a normal high school boy whose right hand has become infected with an alien parasite that names itself “Migi” (“right”). Migi is the first parasite to develop a symbiotic relationship with its host, as he and Shinichi slowly develop a grudging friendship. Migi isn’t the only Parasite on earth, however, and as cases of Parasites killing humans begin to emerge, humans seek to kill off Parasites. Shinichi and Migi find themselves caught in between these two sides of the struggle over planet earth.” – (Taken from ANN)
Produced by: Madhouse
Director: Kenichi Shimizu
Series composition: Shoji Yonemura

Impressions: Based on the manga Parasite, which is supposed to be an awesome manga, so I’m very curious what this one’s gonna turn into. Madhouse is a very solid choice for adapting it. It’s got a newbie director with lots of experience, and Shoji Yonemura adapted Guin Saga, co-wrote Fantastic Children, wrote Figure 17 and is overall a very solid writer. The premise looks solid, the promo art looks very intriguing and immediately caught my eye. Bring it on!

First-Glance Potential: 90%

Shingeki no Bahamut Genesis

Summary: ” Mistarcia is a magical world where humans, gods, and demons mingle together. In the past, the black-and-silver winged Bahamut has threatened to destroy the land, but humans, gods, and demons overcame their differences to fight together and seal its power. The key to that seal was split in two, one half given to the gods and the other to demons, so that they would never be united and Bahamut never released. Now, two thousand years later, the world is in an era of peace – until the day a human woman steals the gods’ half of the key.” – (Taken from ANN)
Produced by: Mappa
Director: Keiichi Satou
Series composition: Keiichi Hasegawa
Series composition: Yoshihiro Ike

Impressions: This one immediately looks awesome to watch. It created its own universe and lore, it looks utterly gorgeous so far, it has the director of Karas, Asura and Tiger & Bunny, Yoshihiro Ike for the soundtrack and Mappa behind the animation completing this dream team. These guys can make something very enjoyable together.

First-Glance Potential: 90%

Garo: Honoo no Kokuin

Summary: “Mendosa, the chief adviser of the king of Valiante, begins a campaign to hunt down “witches,” resulting in the deaths of many magical knights and their sorcerer assistants. Anna, a sorceress married to the knight Herman Lewis, gives birth to a son before her execution. Herman takes their child, Leon, and flees, raising him to be the heir of the legendary Golden Armor. By the time Leon grows up, Valiante is completely in the control of Mendosa, who drives out Prince Alfonso and his mother. Alphonso decides to seek out the man who inherited the Golden Armor to reclaim the throne and save his people.” – (Taken from ANN)
Produced by: Mappa
Director: Yuuichiro Hayashi
Series composition: Yasuko Kobayashi
Original creator: Keita Amemiya

Impressions: Yeah, I pretty much fangasmd when I saw who the original creator behind this series is: the guy who created Mahou Shoujotai, my favourite anime ever. I mean, I can’t believe this: one season with a series from the director AND the original creator from my single favourite series. what the hell?! This one has lots of nostalgia value for me, but even then the setting is creative, the visuals look gorgeous, courtesy of Mappa and with a writer like Yasuko Kobayashi (she also wrote Casshern Sins, adapted Shingeki no Kyojin and Jojo’s Bizarre Adventure) we really are good. The director is someone completely new, so I really wonder what he can do with this gem.

First-Glance Potential: 95%

Psycho Pass 2

Summary: ” The series takes place in the near future, when it is possible to instantaneously measure and quantify a person’s state of mind and personality. This information is recorded and processed, and the term “Psycho-Pass” in the anime’s title refers to a standard used to measure an individual’s being. The story centers around the “enforcement officer” Shinya Kogami, who is tasked with managing crime in such a world.” – (Taken from ANN)
Produced by: Production IG
Director: Naoyoshi Shiotani
Series composition: Tow Ubukata
Story concept: Gen Urobuchi

Impressions: A big change between the first and second season of Psycho Pass is that Gen Urobuchi is taking a step back. He’s now just there for the “Story concept”, which probably just means that he came up with the whole concept. Thankfully the guy taking over is also a very good and creative writer: Tow Ubukata came up with Le Chevalier d’Eon, he wrote Fafner, he wrote Heroic Age. This guy really is a science fiction writer through and through. His only issue seems to be pacing, but that doesn’t really seem to be much of a problem here with Psycho Pass and what they already built up.

First-Glance Potential: 100%

Mushishi Zoku-chou Season 2

Summary: “Mushi; the life-blood of nature. They exist everywhere in various forms: micro-organisms, fungi, bodies of water. Sometimes, they’re even mistaken to be plants, animals, or spirits. But regardless of their appearance, they exist, nonetheless, living the only way they know how. At times, their actions can cause strange or unexplainable phenomena. Enter Ginko, the Mushishi (mushi master), as he continues encountering, studying, and dealing with the mysterious mushi along his journey into the unknown.” – (Taken from ANN)
Produced by: Artland
Director: Hiroshi Nagahama

Impressions: Well, what’s there left to say? The single best anime of the past number of years continuing on to its second season. I haven’t finished the first season yet, but I sure as hell am planning to do that, because this series is better than any other series of its kind. It was a long wait, but the perfect way of storytelling carried through into the second season and there is no sign whatsoever of it stopping. All stories so far are beautifully told and with this we get 12 or 13 more stories to finish things off, based on the manga. You really cannot expect better than this.

First-Glance Potential: 100%
CHANGE USERNAME
Kaiser-Eoghan
Although it was mixed in with laughing my ass of eventually.
Kaiser-Eoghan
Of all the Itou stories to be un-nerved by, its the second half of this third episode oddly that does it for me and I never get uncomfortable during anything .
AidanAK47
@Anon, We are working on it.
Anonymous1742736
Are you planning on making a top anime of 2017 list?
Amagi
Yeah Mash is one of the few good ones it seems.
Amagi
Oh damn, good that you remind me, I didn't pick anything yet. But I guess I will go with Altera, considering that some of them don't look that good and I own her anyway. Would have wanted the Scat one but the drawing looks weird.
AidanAK47
Which Bond CE did you pick for the 2 mill? I went with the Mash one. Only only whose artwork I liked.
AidanAK47
Might settle for making Bryn my endgame lancer though.
AidanAK47
As I said in my Apocrypha post, I have no interest in any version of Jeanne. My top priorities for my endgame team is Isekander, Scathach and assassin Shiki. And Shiki is a welfare so only need to worry about the other two.
Amagi
Yeah, I was considering to keep rolling for the new 4* at first but I really want Jeanne Alter and she's coming soon.
AidanAK47
@Amagi, I tried rolling for Karna and got nothing. Though I think Bryn is better. I plan on rolling one more time with the saint quartz we are getting to try for NP2. Though we do have the valintines event coming.
Amagi
@Aidan: Same here, just got Brynhildr. Even though I already got Karna last month. But I wanted her, nice design, finally a single-targed 5* and she's even one of the few servants related to my country.
KTravlos
@SuperMario. The contemplation of the death of humanity, and the loneliness, both were very disturbing to me. Kinda like thinking of my grave.
AidanAK47
YANDERE GET. Bryn's mine baby.
AidanAK47
Gonna try rolling for Brynhildr tomorrow. Bit annoyed they chose to translate it as Brynhild. I mean it's not incorrect but her name is far more recognisable as Brynhildr
AidanAK47
@Amagi, The grind wasn't that bad for me. Mordred carried me for it. Though I managed to get Siegfried in the gacha despite not being on rate up. I admit that the event was rather lackluster. Story wasn't that fun and the whole saber restriction was a pain. Also gonna take me a while to readjust to regular damage.
Amagi
Man that FGO Saber Wars event was annoying. I am happy finally I have 2 mio. altrium now and am done with it.
Kaiser-Eoghan
Reminder that netflix Godzilla anime is later today.
Amagi
Damn I didn't noticed that ankle band of the little demon from the intro scene of FranXX 01, now I feel stupid.
Lenlo
Yuasa is great! Ping pong and Tatami Galaxy are still some of my favorites
SuperMario
Oh fuck, the lead singer of the Cranberries passed away. I literally just listened to their music yesterday. Damnn, sad news
SuperMario
@Kaiser; thanks for considering me but I believe Wooper is much more a Yuasa's fan than I am
SuperMario
Far out!!!
SuperWooper
Yuasa will be answering questions on Reddit's anime board on the 20th.
SuperMario
@Niello: what do you mean regarding Yuasa?
SuperMario
@Travlos: I agree that Girls Last Tour is a special little gem, but in what ways it's disturbing?
Niello
Holy cow, Masaaki Yuasa AMA!! What magic is this?
Niello
Meawhile, Japan took a different approach and we ends up with a bunch of .hack rehash and diving more and more into escapism. Until we eventually got isekai and then it just spiraled into a sea of mediocrity.
Niello
While that opened its own can of worms, at least it opens up element about making ends meet, managing irl relationships, earning extra income for a poor family, getting cheated etc.
Niello
in the characters real life just fine. Something more a long the line of Net-juu but more technologically advanced. And I would say that plenty of those have been superior to Japanese online game and isekai story shenanigans. That said, it doesn't mean that those don't have their own kind of traps they usually fall in. A bunch of those instead focus on the aspect of making money off of games.
Niello
...Getting stuck in a virtual reality game and being transport to another world that happens to be like a game are completely different though. I don't know what is it with Japan and getting stuck in game plots considering that there are loads of other game-base Asian novels that came before it that manage story lines where they manage to tell compelling stories in game while balancing what happen
KTravlos
I finally finished Girls Last Tour. What a profound, fluffy and disturbing masterpiece. Bravo.
Amagi
Yeah. I feel the world swap is pretty much pointless when real life isn't relevant anymore. It's just a stupid as hell excuse to combine fantasy wish fullfilment with self-inserts, which is why these main characters tend to be 29 by now, just like the big part of the otaku community.
Lenlo
Of those you listed, no, I dont think they get explained? I mean, SAO did, but I dont think that falls into your category.

Thats why I liked .hack//sign over alot of more modern game Isekai. Also .hack//sign did explain what happened to Tsukasa.
Amagi
Considering how bad most of these are I wouldn't wonder if they wouldn't even bother with an explanation and just end it with the characters being happy in that game world and that's it. Or magic and the whole harem gets transported into reality at the end because power of love and such.
Amagi
I have no problem with a sci-fi fantasy mix, I liked .hack//sign for example, but it annoys me that such an incredibly bizarre situation gets never explained. Or maybe it will but it never happened so far because none of these LNs was ever finished and concluded yet. I just wish to know how they explain that.
Amagi
I mean all those shows in which the character just finds himself stuck in a real world that's (coincidentally?) the same as the game he recently played. Be it Overlord, Death March, Log Horizon or the 300 other series with that premise.
Amagi
Some thing that always bothered me about game isekai for which I never got an answer so far: did any of those series ever end and/or explain how the warp has happened and why the MC is in the game? - Not talking about .hack, SAO and such where the action of getting trapped is part of the premise
Niel
@Eoghan - Btw, Kokkoku isn't a time travel. it's stasis, apparently. Looks very promising so far. Though if I am to trust the manga score, it's shit.
Niel
But is Toradora really slice of life? As far as I can see it's straight up romance.
Lenlo
And Mario, ill rag on SOL all I want! :P

Wooper, its true good shows transcend genre, as there are still some like Toradora I like, but those are exceptions that prove the rule so to speak.
Lenlo
@Niel, yeah I base my potential % on the odds something gets/stays good.
AidanAK47
I am of similar mindset about Franxx. I want it to get better but I don't really see it doing so. Unless the other characters get a majority personality boost or the MC stops being a plank.
Niel
XD
Kaiser-Eoghan
I confess....I only sat through just over half an episode of aldonoah.
Niel
Since it's Trigger, I will give the benefit of the doubt. I'm just very skeptical about this whole formula.
Niel
The way I can see this series improving is through world building. And if other aspects are going to improve too, it's going to revolve around that.
Niel
It leaves about as much impression on me as much as the first episode of Aldnoah did, and I dropped that one straight away. The character chemistry doesn't look like it will go places that's not cliche. The gimmick doesn't seem like it has much potential either.
Niel
So you're all betting it on "this is going to get better". I mean, I hope it gets better. Though right now this feels more Kiznaiver than Kill la Kill or LWA.
Kaiser-Eoghan
I'd nominate Mario to do the devilman review as he's the most immediate Yuasa fan to do it and Bam is too awol to write it.
Kaiser-Eoghan
The cute girl shows just bleed and blend in my mind now, same with the isekai shows.
Kaiser-Eoghan
Devilman, my show of the season, unless after the rain ends up having some emotional wallop.
Kaiser-Eoghan
So for me its looking like: Junji itou, Cardcaptor sakura, keeping up with sangatsu, wait and see on amegari . Not watching a time travel or trigger show and I remain unable to sit through Mahoutsukai .
Amagi
The story itself is generic so far but so are most Trigger series at the beginning so not sure. Maybe it will stay weak, but in general I prefer series that start with the weaker episodes and get better and better over time over the many series that use up all of their budget and trump cards in the first episode and drag on after that.
Amagi
I really love Trigger's esthetics and their characters. I am happy they're more often involved in non-trigger-only productions because I honestly think that most of the stuff I enjoyed about FranXX was heavily influenced by them.
SuperMario
@Nielo: Franxx's first ep was stellar for me. Storywise, it's lackluster (and I see the similar in tropes between this and Beatless) but production-wise it's excellent
SuperMario
I think I just keep watching it on a weekly basis. Still trippy as hell
SuperMario
Okay, I just watched second episode of Devilman Crybaby and it's still pretty good.
Nielo
By the way, what's up with Darling in the Franxx? I thought it's a very weak first episode.
Nielo
@Lenlo: Slice of life isn't my thing either, and I usually avoid series set in high school.
Nielo
@SuperMario: Takagi-san is cute, I'll admit that, but since I already read the manga it's not new to me. Sora Yori is good, but it's not particularly cute. I found Hakumei to Mikochi and Yuru Camp very boring. Haven't got the chance to watch Mitsuboshi Colors or Gakuen Babysisters but I don't think they could be more cute than Mii-kun.
SuperWooper
HOT TAKE: Genre is irrelevant. What matters is whether a show is good.
SuperMario
Don't knock off MY genre Lenlo. It's one of the reason I got into anime in the first place :)
Lenlo
Im not saying it doesn't do what it sets out to. I just don't think what it sets out to do is all that... great.
Lenlo
@Niello, Slice of Life was never my Genre in the first place :/ I typically avoid them. I have my own life to deal with and already graduated high school, why would I want to deal with a melodramatic anime highschool, is my line of thought.
SuperMario
@Niello: okay, let's see:Takagi-san (the titular character), Mitsuboshi Colors, Gakuen Babysisters (Toddlers!!), Hakumei to Milochi (tiny girls) and two more slightly more mature but equally cute: Sora Yori and Yuru Camp's casts
Nielllo
@SuperMario: I'm sure this is where our definition of "cute" parts way, but I'll ask anyway, what are those 5 shows?
SuperMario
@Niello: seems so because I can eaisily pick 5 more shows that are cuter, and better than Mummy this season ;)
Nielllo
...So I suppose I'm the only one who's kinda bored out by a lot of the slice of life shows that's trying to be cute this season and only perked up by the Mummy anime because it's actually do what it's meant to do and be legit cute.
Lenlo
I am interested in Koi, but still have concern about the relationship itself.

@Vonter, the mummy anime would be better as short vignettes together I feel.
Kaiser-Eoghan
Koi amegari is surprisingly tasteful, subdued and pretty.
Kaiser-Eoghan
*to where
Kaiser-Eoghan
Try as I might, my love of kyoani tv anime has largely evaporated did where I no longer want to bother at this stage, I'll just wait and see. I'll just stay quiet on the franxx anime, theres little value in me trying to get through a trigger work at this point.
SuperMario
I get the exact same feeling with Takagi-san. It's pretty good on what it does but 20 minutes of the same thing for a whole season doesn't sound that promising
Vonter
The chibi mummy anime
Vonter
It's a shame it isn't a shorter 10 or 5 minute series, I think that format would make it shine more, since it does what it's trying to do.
Amagi
Speaking of it, I liked the second episode of Kokkuko or whatever the name is even more than the first one.
Amagi
I really have a problem with all these shows that rely on one single thing, joke, shenanigan or whatever. Be it something cute, some certain kind of interactiong or whatever. It doesn't matter how good it is it will bore me with episode 2.
Lenlo
Like, yeah, the mummy was cute. But the cute became rote/bland really quick. There has to be more than "cute" to be worth watching for more than a single episode to me.
Lenlo
@Niello, I was harsh because its not aimed at me. I wanted to drop it 5 minutes in, kept up for the post, then was thankful it was over. There wasnt anything overtly bad about it. Its just there was nothing good either.
AidanAK47
To be fair it's not as if we are lacking cute in this season.
In fact it's in danger of inflation.
SuperMario
@Niello: yes, the mummy is cute, the show is cute but beside that it's pretty mediocre. That show in particular is the only show that I have the damnest time to give it a potential rating.
Niello
It's not even down because of legal reasons, since the site pull down contents that are lincensed. It's down cause it's too much for the site owner to manage. Much of it also have to do with too many bots, which comes back to how a lot of other sites are relying on batoto.
Niello
@Masky: Not enough manga titles are getting translated. Batoto is the site scanlation groups basically rely on, and where other aggregation sites pull their content from. No batoto no obscure titles, a big blow to small scantation groups and one big manga/scanlator community down.
Niello
Why are you guys so harsh on the mummy show? It's so darn cute. Give it some credit. If a comedy show can be good because it does comedy well I don't see why a show ike Mummy can't be good if it can make people go "aww".
Masky
I don't really know why that is the case, maybe marketing budget and UI friendliness when done right? :P
Masky
Eh, wouldn't say it will kill manga industry. I mean, more and more official methods of reading manga online is starting to pop up and legit channels to pay to get access to manga can surprisingly enough harm free channels to get manga.
Masky
Anyway, I do find it funny how how the isekai character dies can be so meaningless that is joke in most of them
Niello
Batoto is going down, how this affect the manga reading is going to be interesting. Hope it's not slowly dying.
Masky
(at least that one, besides forgetting to introduce what the heck is gimmick besides generickness, acknowledged how most of otaku mcs shouldn't erally want to get transferred to fantasy world since they never get to see how their favourite mangas end :P )
Masky
Anyhoo, it gets annoying since its not just isekai being cliche, sometimes is just them being kind of badly written(or at least adapted to manga). Like, I found one new isekai today, but I have no idea what its gimmick is(from what I understood, its that "cute companion" that character gets is hideously op because mc didn't spefy cute girl when he asked god manager dude for cute companion)
Masky
Slime one is one of better from the more generic ones weirdly enough :P I mean I still wouldn't call it good, but at least MC character isn't god tier, just top tier and it has sort of village building simulation feel to it. Plus at least naming things giving monsters more powers is something funny regarding jrpg mechanics
Kaiser-Eoghan
Or alternatively the car was on a boat with the character or parents in it and the boat and car were hit by a falling plane lol
Kaiser-Eoghan
Its always "car accident" that sends the characters to another world or in harem cases "Lost parents due to car crash", for christs sake doesn't anyone die in out of control plane or speedboat crashes anymore, at least make it a motorbike....
Nayrael
Ah sorry, should probably not have touched the colors...
Nayrael
Trust me, Isekai is better when it doesn't try to be imaginative. When it tries to be original then... Isekai with a Smartphone... Isekai where the MC turns into a Slime... and my favorite: Isekai where the MC became a Hot Spring popular with sexy girls.
Masky
Assuming "new" things can happen under the sun
Masky
Anyhoo, I do wonder what the heck will be next "popular genre trope that will become so overused cliche that everyone groans whenever show uses it even if its actually good show"
Masky
Like, seriously you could do really interesting story variant on isekai with that if done right. Suddenly becoming characters you have roleplayed would be trippy as hell espicially if one of characters went really into detail with backstory while one of them is just "Bob the fighter, he likes fighting" and has to deal with what happens when you assume life of such a person
Masky
But I wouldn't honestly be surprised because of my anger issues related to amount of unimaginative isekai :P Though I guess trpg based one would be more imaginative in comparison
Masky
I'd assume not since I assume tabletop rpgs are much more niche than jrpgs in japan
Masky
So has anyone yet done isekai where guys getting transferred were playing trpg? :P
KTravlos
quite happy with most recent Attack of Titan manga chapter.
SuperMario
Alright, one more impression post to go before we really get on to new season
SuperMario
@Kaiser: yep, I just fixed it. Thank you
Kaiser-Eoghan
*than just the reviewers names
Kaiser-Eoghan
A slight problem with the coding there in the newest impression, showing code gobbledeegook rather than the reviewers names above their impressions.
Kaiser-Eoghan
@Mario: I'm seeing it on 2nd of February.
Kaiser-Eoghan
@Mario: Late screeners generally leak shortly after the uk release, so maybe early Febbruary it'll be online?
SuperMario
@Kaiser: yep, Phantom Thread. Could be Daniel Day Lewis's final performance. Is it available online already?
Kaiser-Eoghan
@Mario: Did you know that Paul Thomas Anderso8n has a new film coming out? Also I found out there is a Polish semi-knockoff of purple rose of cairo.
Kaiser-Eoghan
Awesome, just got myself an invite to a secret private torrent site =)
K-Off
@Kaiser When I was in University, I was a waiter at a Korean-owned Japanese Sushi restaurant with a kitchen staff of entirely Mexicans with poor English. The owner, while he provided the rest of his staff with small meals during our lunch or dinner shifts, never game any to the kitchen staff. The guy even ranted to a customer about how "lazy" or "ignorant" they were.
K-Off
Buses are pretty common in America, even outside the major super-cities like LA, NYC, or Chicago. It's public rail you're thinking of that we don't have much of outside the cities.
Kaiser-Eoghan
I brought up the racisim/aunt story wondering if anyone had any horror stories about where they worked?
Kaiser-Eoghan
@Bokusen: Buses don't seem to be a thing in America, meanwhile over here, despite traffic, public transport is much more of a thing, couldn't imagine not getting a train or bus somewhere.
Kaiser-Eoghan
@Amagi. I must say you changed my positive view of the German education system.
Kaiser-Eoghan
@Amagi: And yet Austria gets the far right party in power and Israel also has a far right apartheid leader.
Kaiser-Eoghan
If any good came from it, her boss got banned from facebook .
Amagi
Two years ago the alt/new right hold a rally here since they're successful elsewhere with their anti-immigrant/PoC speeches. In the end it was 35 nazis vs 29.000 counter-demonstrators. The joke: when they had to leave with police protection they shouted "We are the people". Yes 35 hated bigots are surely the people, not the 29k. I laughed.
Amagi
@Kaiser-Eoghan: That aunt story is pretty shit. I am kinda happy about smartphones nowadays, you can often make photos or record speech if you are witnessing something. Also, thank God the racists in my city are very rare since antifa and leftwingers took hold of it decades ago - now 70% of people are immigrants so racists don't even tend to show up anymore.
Nielllo
Great. I don't think most of what I wrote actually appeared in the chat.
Niello
what I'm going to do in the long run.
Niello
While Liberal art colleges are really good for developing writing and reading skills, the truth is in science classes you still don't do much of that. it's also limited by general lack of equipments that you get at bigger Uni. My college don't even have engineering.
Bokusen
@Kaiser Darn it, I hate it when racists try to justify their beliefs. That guy sounds like a major jerk!
Bokusen
@Niello Ah, yeah I think I might have preferred the UK system too if they give a month to study for exams! Wow...That sounds much nicer. Oh, and yeah, I wish the US had better public transport too... After seeing Japan's public transport system, I wish the US's could be more like it.
Kaiser-Eoghan
The landlords love to kickout people through unfair prices a stick their friends in instead.
Kaiser-Eoghan
Since we're on careers, it reminds me, one of my aunts telling me what a bastard her boss was, guy was a racist, she complained about it then he got rid of all the evidence linking him to it and made it seem as if she was the rascist and humiliated her in front of her Arab friends.
Kaiser-Eoghan
I think we all end up getting this huge kick in the ass moment where we learn andget it together.
Kaiser-Eoghan
It gets better thankfully, grew up and am happy with this postal clerk job.
Kaiser-Eoghan
The landlord story is a common one, they still think themselves feudal lords.
Amagi
And yeah, all this neet time. Although not moving out isn't that uncommon here anymore, considering how the rent increases, especially in my region (European bank city). And if I look at my friends it seems like they've the same problems. Even those who have found their dream jobs are otherwise living a nerdy life, going to pubs at night and so on. I think a part of us will always stay twenty.
Amagi
@Kaiser-Eoghan: This "career" was exactly the same for me. I am pretty sure I wasn't even capable of thinking about my future up until, as you said, mid-twenties. There were just so many other things that interested/bothered me, school wasn't even among my top 30s or so.
Kaiser-Eoghan
@Amagi: Oh how I regret not getting into novels, noe my concentration is too shit to read them.
Kaiser-Eoghan
Actually I don't think teenagers even really know who they themselves actually are .
Kaiser-Eoghan
Youth is wasted on the young.
Kaiser-Eoghan
I remember wasting so many chances to properly appreciate and get into certain things when I was younger too, when I actually had the time. We have no idea how to use it at that age.
Kaiser-Eoghan
The answer is down to the kid themselves wising up early and adults needing to find a way to REALLY motivate kids.
Kaiser-Eoghan
I hated being in that position, leeching off my parents/the state.
Kaiser-Eoghan
I remember as a teenager thinking watching films/anime/playing videogames with my friends/brother would last forever, then getting a dose of reality that everyone just moved on .
Kaiser-Eoghan
and between short contracts you spend months as a neet.
Kaiser-Eoghan
You just end up bouncing between go nowhere evening/day courses that are more about putting asses on seats than actually getting anyone anywhere.
Kaiser-Eoghan
and then you find out you dossed off so much in school you can't get to grips with university.
Kaiser-Eoghan
I wouldn't recommend anyone doing what I did in my teens and early 20s, dossing off all the time, then finding out you have to wait five years to go to college as mature student, your school results are middling and not job/college useful, end up taking forever to get to the stage where you can start building up temporary job experience because no one will hire you.
Kaiser-Eoghan
Heck, as a teenager I remember pretty much living in the moment, never even thought seriously about what I wanted to do, I don't think I even thought about that my adolescence would end, pretty much rushed through my homework and never studied, stayed up all night watching anime/reading manga and playing videogames allday.
Kaiser-Eoghan
I don't think I actually matured/grew up until I was in my mid twenties.
Kaiser-Eoghan
My school never did a career prep class.
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Featured Posts

Violet Evergarden – 02 [Never Coming Back]

I’m thankful that this second episode plays out much quieter and more subtle than the first, because I’m not a fan at all with the grandeur approach of the first episode. This makes the second week of Violet slightly better than last week, but I still find myself not totally satisfied with the whole experience. […]

Kokkoku – 2 [The Second Moment]

Hello and welcome to the 2018 Winter season! This time, we have an interesting little time-based drama called Kokkoku. It has mystery, it has cults, it has dead-beat parents and apparent god-like beings. Lets jump in! To start, a quick blurb about our characters. Personally, I like them so far. They are all flawed and imperfect […]

A Place Further than the Universe – 03 [The Follow Backs Don’t Stop]

“I could just die right now” That line, spoken by our new member, Yuzuki, bookends this week’s Universe. It marks the shift in the new girl’s character growth. Last week, the Expedition girls mentioned they have a plan to raise fund, right? Turns out it’s not the mother, but the young girl herself, is used […]

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Mahoutsukai no Yome – 13/14 [East, West, Homes Best]/[Looks breed love]

Hello and welcome to the new year! New Year, a new Cour for Mahoutsukai no Yome, this time with slightly more plot. These past two weeks have been a bumpy ride of Mahoutsukai, with plenty to talk about. So let’s jump in! To start off, the new OP is terrible. The music isn’t as good […]

A Place Further than the Universe – 02 [Kabukicho Fremantle]

I’m glad that this second episode addresses straight out all my worries from the first episode: the actual implementation to make that trip a reality, because boy, it’s no simple matter. Universe apparently does its research, telling us exactly places they need to go, the initial trip ahead and the amount of money they need […]

3-gatsu no Lion – 33/34 [Where the Sun Shines…Light]

It’s been three weeks since my last 3-gatsu post, a gap owed in part to the break the show took around New Years’. Perhaps it’s because of all that time away from the series, or maybe it’s due to the massive difference between these two episodes, but I had a tough time connecting with the […]

Dies Irae – 10/11[Einherjar/Self-Destruction Factor]

Quite late in covering this one though out of the three shows I covered for the fall season my level of interest in this series has more or less evaporated. Truth be told, while this is a episode review of ten and eleven, i honestly cannot even remember what happened in episode ten. I think […]

Mahoutsukai no Yome – 12 [Better to ask the way than go astray]

Welcome to the end of Mahoutsukai’s first cour! Apologies for the lateness of this review. I had expected another to come out over Christmas and to simply do a double feature, but Mahoutsukai pulled on over on me! This week we finish up Chise’s wand, get to see Grandfather Nevin again and have an almost […]

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Houseki no Kuni (Fall 2017) Review – 92/100

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Fate/Apocrypha Anime Review – 64/100

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Kino’s Journey -The Beautiful World Anime Review – 73/100

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Girls’ Last Tour (Fall 2017) Review – 86/100

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak […]

Two tales of War: Reviewing The Heroic Legend of Arslan and Altair: A Record of Battles

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In the weeks leading up to the summer 2017 season, Ballroom e Youkoso was one of the most buzzed-about new series. Produced by the Production I.G. team responsible for the smash hit Haikyuu!!, and set to air on Amazon’s brand new Anime Strike service, the series had no shortage of promotion or hype behind it. […]

Inuyashiki Review – 80/100

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