Posted on 29 November 2014 with categories: Fate/Stay Night Unlimited Bladeworks

Another episode has come and gone. This episode marking the first casualty of the holy grail war. Looks like Rider is out of the running. It is a bit sad to see her go so unceremoniously and even defeated off screen. Well, we shall see you again in the upcoming heavens feel movie, where you are sure to have a more substantial role. Shinji also fulfils his most important role as a character, that being giving the audience immense joy to see him get his ego some much needed bruising. It’s hard not to smile when seeing Rin kick him down a peg or kick him down literally. Speaking of Rin, I am not normally a fan of tsundere antics and there is the possibility of me being biased due to my love for this series but I did find her scene of bashfully dragging Shirou to eat lunch with her to be most amusing, and somewhat adorable. The two do have a chemistry onscreen that I feel is better than the Saber and Shirou dynamic. The current relationship between Shirou and Saber is far more fitting than that of the shy, overly awkward lovey dovey atmosphere of the Fate route that quite honestly irritates me to the core. While there may be moments of Shirou being overly aware of Sabers femininity, it really is a relationship of mutual respect. It’s far more respectful to her character than putting her as a love interest. Put simply, Saber makes a better friend than a wife candidate.

Shirou was also quite different this episode. The start showing him having a dream of getting torn apart by swords in his body. I get the symbolism but I feel the execution could have been better. It couldn’t really help looking very silly to me. I think this scene could have benefited from a little gore, or at least making the scene more horrific. Still it’s nice to see something signify the changes in Shirou. Cause he certainly has changed. One by annoying Saber in training because he started adopting Archers fighting style and managed to Saber to start taking him seriously. And two by being very proficient in battle against Casters familiars. He has definitely leveled up in battle prowess. Inception foghorns in the BGM notwithstanding, battle scenes remain a treat with a number of CG dragon bone warriors being the cannon fodder.

Now it is true that anime CG has always been not really a pleasant sight as it never blends with the animation. Still, I would consider UFOtables CG to be excellent as while the bone creatures do not blend in, at least they are not horribly alienating. I find the main problem with CG in anime has to be with movement. More often the movement of CG characters is stiff and unnatural. It becomes most apparent in human CG characters. Hence the reason why it’s be used on robots or mechanical vehicles. However the often stiff movement of anime CG works in favor here as the creatures are undead skeletons, so naturally their movement would be jittery. Adding something computer generated into another medium will always look unconvincing but at least here it does not hamper the experience. I only wish modern horror movies would take this fact into account. This episode ends with Rin questioning Shirou’s unnatural calm with dealing with horrific situations and Shirou dropping a line that shows he’s more that meets the eye. Next episode looks to see everyone’s favorite fake priest show up so till then I bid you adieu.

Posted on 27 November 2014 with categories: Currently Watching:

There was a few questionable things here this episode. The episode starts with the new villain quite literally killing herself to enter the kingdom of the dead. Which is a big risk considering it was based on one sentence from a child she was threatening. True being a shounen show there’s likely some magical biology science which somehow makes this possible without actually losing her life completely but still,  for a makeshift decision it’s a little drastic. We also learn that the forest guardian Ban apparently killed was Kings sister and…well Ban had the hots for her. Now take note people, Ban is a character whose design looks that of a 25-30 year old range. Whereas Elaine(The forest guardian) looks 12 years old at best. Am I the only one who finds this quite creepy? I mean sure in the anime world we have thousand year old lolita’s giving them the excuse that it’s legal even if they only look ten. But quite frankly when they claim things like Biscuit(HunterXHunter) being 57 years old and Okabe(Steins Gate) being 18, I prefer to disregard that completely and call them as I see them. So yes, I can’t say I find Ban and Elaine’s relationship to be well…romantic.

I like how Ban brought up the elephant in the room when being confronted by King. It does seem like a no brainer to bring up that killing an immortal for revenge is going to be a tad difficult when that immortal won’t die. To which King answers by turning Ban into stone. But when Elaines ghost comes back to lend Ban a helping hand, King is left rather confused and distraught by it. It seems that while he was blinded by revenge he failed to realize that things may not been as he expected. That and maybe running away and leaving your sister to do your job for a thousand years may have been a bit of a bad thing to do. Honestly it’s the way most expected things to go. I highly doubt anyone believed that Ban really did kill the girl, instead the blame falling on some rather generic demon thing. Our new villainess is putting the sins on the ropes, or at least giving them some trouble with her explosion rapier. Here’s a general rule of shounen characters with closed eyes. They are either mischievous, calculating or sadistic psychopaths. Or in this case, all of the above. The fight is pretty good though filled with shounen talk. I must wonder how irritating it would be to hear people speak like this while fighting. But again the banter between the sins makes it all fun. Lastly it’s nice to see Elizabeth mention that she’s useless to the sins and attempt to assist them instead of asking for Kings help. Not that she’s going to enter a more combat focused role but at least she understands her position and regrets it. The fight continues new episode, so lets hope it isn’t dragged past it’s welcome.

Posted on 23 November 2014 with categories: Fate/Stay Night Unlimited Bladeworks

As expected, this week we have another action filled episode. Queue the pretty explosions and fast paced fighting. It felt too short despite the episode length being just the same as the others. I often find that with a good episode of anime it makes you lose the concept of time as you watch. Making things seem longer or shorter than it actually is. Though watching a bad anime can also make you feel like it’s taking an eternity. I thought it would be best to just get a minor gripe out of the way first. I felt they used the same camera shots a bit too often during dialogue. The one showing Shirou and Archer talking with a crater in the foreground was shown at least three times in the same conversation. And at times the shounen talk of explaining attacks and motivations was a little intrusive. But as I am sure many would agree, who cares. We got laser beams and collateral destruction all around to admire.

Still it does make this a hard episode to review because what else is there to say besides get some popcorn and enjoy? Though the standout moment here is not the fight scenes but rather the contrast of Archer and Shirou. As Caster said, they are both similar in ways and yet different in approaches. With Shirou having an unrealistic, rather childish approach to an ideal whereas Archers is more cynical, realistic interpretation. The intriguing thing is that Archers approach is remarkably similar to Kiritsugu Emiya’s of Fate/Zero. The ends justify the means, the many over the few, this is quite interesting to see Shirou be faced with the very mentality of his father and outright reject it. Some Shirou haters might be rather delighted with this episode as Archer has pretty much said everything and done everything they wanted to do to Shirou from the beginning. I too find it is rather good to see Shirou’s flawed hero complex logic get a good beating. Actually the dialogue between the two even during the fights was excellent. Some of which denoted down to childish bickering which was amusing to behold.

That said, I found the Assassin vs Saber fight to be more engaging than the caster fight. The presentation of Assassin’s noble phantasm was well shown. Assassin himself proves to be quite the character, having created a noble phantasm simply because he was bored and had nothing else to do. It is rare to have such a great noble phantasm for an Assassin but much like Castor I don’t really see much worth in Assassin. After all taking a Assassin to the holy grail war is like taking a Go-kart to a NASCAR race. It’s just not a very good idea if you intend to win. True there may be exceptions such as Fate/extra’s Assassin or Fate/Apocrypha’s Assassin’s. But in this world of Fate/stay night where every “true” Assassin is the same, you might as well throw in the towel from the get go if you summon one. The after credits scene now looks to see Shirou making a true effort towards getting stronger. Which is expected as Archer has given him a good kick in the right direction both mentally and literally. Next week looks to feature the ever loveable Shinji once again, lets hope he does not bring down what should be a another great episode.

 

Posted on 21 November 2014 with categories: Currently Watching:

 

I will admit it, I laughed at the beginning. The episode started with a pretty funny joke related to Meliodas and Elizabeth sleeping in the same bed. Maybe because this one didn’t have a second agenda of providing fanservice at the same time. Actually I enjoyed this episode a lot more than the previous. Maybe because the humor was better than usual or maybe because the animation budget seems to have returned. But I think the primary reason is that the cast has now a selection of contrasting personalities. Before it was just Meliodas, Elizabeth and the pig. So the dialogue between the three was mainly melodas harassing Elizabeth with the pig playing straight man. Now we have Ban and Diane on the team so the banter between characters has become more varied.

This cast is only going to get bigger and now we have King entering. Hes had a rather interesting introduction so far. Meliodas told a story of how upset king was at Ban stealing a large amount of childrens stuffed toys for a laugh and spent the entire night returning them. This rather sensitive image is changed when he stabs Ban through the chest with a spear pretty cold heartedly. (I find it odd that he found this perfectly acceptable to do with two children there to see it.) But then he runs away in embarrassment after seeing Diane. A interesting combination with his battle and regular demeanor. He is also the one who looks completely nothing like his wanted poster. So much so that while Diane and Melodas recognised him, Ban had no idea who he was. Speaking of which, this episode had parts of a later chapter put into it. That being Bans backstory of how he became immortal. And this backstory looks to be the main reason as to why King wants him dead. The fight looks to be a good match up as Ban is a close quarters brawler while King is an indirect fighter who uses his flight and floating spear to his advantage.

Ban’s past relationship towards the forest guardian looks to play a part in the next episodes as the crew journey into the capital of the dead. The also a new villain has entered the fray. A female one to boot. I will give Seven deadly sins some credit. At least theres more diversity than your average sausage fest shonen.

Posted on 18 November 2014 with categories: Random Posts

This is just to try something new. As I tend to come across a number of new and interesting things I thought I might highlight some current unknown or interesting gems.Be they visual novel, manga or light novel.

Abnormal-kei Joshi

Description: High-schooler Shiina Shinya thinks that all girls are pretty much good-for-nothing, mostly because he doesn’t understand them at all. That doesn’t stop him from being surrounded by strange girls! Tsubasa Tooka, a cute, much-admired girl, stalks him. Shikimura Masami is majorly into masochism, and has recruited Shinya into her play sessions. Ikari Satsuki seems suspiciously interested in the recent serial stabbings, and seems to want to drag Shinya into it. Banjou Yoruko, a normally quiet, bookish girl, has decided she and Shinya are bound up in some fantasy setting. Uchida Yumeji is the school’s sleeping beauty, who spends all of her time in the infirmary because she requires so much sleep. Shinya brings her newspapers, so she can keep up with current events in the short time she spends awake. Lastly, Okui Akane is convinced she is a vampire. For all Shinya knows, it could be true, but in practice it just means that he has to let her drink his blood. How will Shinya deal with all these good-for-nothing girls that complicate his life?

The good: This guy has the most twisted and odd line-up of haremettes to date. A narcoleptic, a masochist, a stalker, a girl who thinks she’s a vampire…and that is the hook. Seeing our protagonist interact with these twisted creatures.

The bad: The manga does not have a ongoing main plot and the protagonist doesn’t have much of a personality. The harem is already set up from the start so we don’t even see how our protagonist got involved with these girls. So while the novelty is nice there not much else going for it.

Current number of translated chapters: 10

Recommendation level: 50%

 

Shinigami 4 nin no kanojo

Description: Minaguchi Kaoru is nothing special. He’s no good at sports or school, isn’t in any clubs, and he’s not popular. He has no friends and isn’t even interested in any of the girls he knows. He’s also teased due to the fact that he loves shoujo manga. Unlike the harem daydreams of his peers, he dreams of finding his true love. Unfortunately, a shinigami comes to kill him, simply because he’s a “forever alone” sort of guy. When he gasps out his intention of embracing life with his final breaths, though, she takes it back! As long as he follows through on his intentions, he won’t be killed. To convince the shinigami that his plans are genuine, he declares that he will confess to the girl he likes, the very next day. Expecting failure with confessing to random girls in his school, he sends out love letters to four different girls. To his surprise, they all agree to be his girlfriend. Now, this shoujo-manga-loving guy has ended up in a kind of harem story, quadruple-timing four girls! Will he be able to stay involved enough with society to avoid an early death?

The good: So far the most well executed harem deconstruction. Genuinely funny and a plot that keeps you interested. The girls may not have the deepest characterisation but their quirks are far from the norm. This is a personal favorite of mine.

The bad: Its been axed. Its confirmed that chapter 18 will be the last and considering the untapped potential of the story it is a great shame. Those 18 chapters are a great read though.

Current number of translated chapters: 17

Recommendation level: 90%

 

Mousugu Shinu Hito (Haruse Hiroki)

Description: Kominato Riku is a high school student who aims to be a game designer. The girl next door is his childhood friend Haju, is in love with him, but he has fallen head over heels for the school idol Riko. And lastly, there is the transfer student, Nodoka. With that all said you’d think this is the start of some love-comedy harem, but a rumor spreads that Nodoka’s received a message that says, “you will die soon”. Riku and the gang’s fate will change in a major way. Who will live, and who will love?

The good: Psycho girls scheming and fighting each other in a harem which is a matter of life or death? Whats not to love? While not perfect by any means its a very entertaining read with plenty of twists and turns. The supernatural mystery is intriguing as well. But the highlight is seeing just how far these girls are going to go to get chosen.

The bad: The girls personalities change too rapidly. Going from perfectly sane to downright psychotic in a matter of pages. The art heavily dramatises the story as well. Subtlety is not the name of the game here. Parts of the story are downright ridiculous. Also not for those who are not good with gore or disturbing concepts

Current number of translated chapters: 12

Recommendation level: 80%

 

New and interesting

  1. Dead Tube
  2. Boku no Hero Academia
  3. Inuyashiki
Posted on 16 November 2014 with categories: Fate/Stay Night Unlimited Bladeworks

I was mistaken in the previous review. The action scene I thought we would be getting today has been postponed till next week. This week we have a calm before the storm episode as things seem to be setting up for the fight scene to come. I am a little disappointed with this weeks fare as the animation seems to have finally dropped. Movement has gone down and the number of still frames, face shots and environment shots have gone up. It is understandable that they decide to save the animation budget on this particular episode, as they will need to animate some high level fight scenes next episode and this episode was mainly dialogue driven. Still I did find the off shots of windows and the environment during conversation to be a little distracting. it’s a small complaint I know but when something is presenting high level animation and then suddenly drops you notice it all the more.

Lets talk about Shinji Matou for a moment. I have never liked Shinji’s character, though not for the obvious reasons such as him just being a horrible person. Shinji to me has always seemed more a plot device than an actual character. He is designed to be hated to the core, from his high handed talk, his petty anger and to his downright pathetic cowardice when faced with an actual threat. His only saving grace being just how satisfying it is to see him get taken down a peg. In Fate/stay nights fandisc/sequel of sorts, Hollow/Ataraxia, he at least gains more to his character when stripped of his low level villain status. While he still doesn’t become likeable it at least then makes sense as to how him and Shirou could have been friends once. However here he’s just going to become worse as the story goes on. In particular there is one scene involving him in this route which UFOtable is going to have to thread carefully with as it is a rather distasteful moment in a otherwise great story. But the reason I bring this up is that I find Shinji’s presence on screen to be off putting. He is an emotionally manipulative character and even though I know he is designed with the sole purpose of irritating the viewer, I still get irritated all the same. And considering that I see this is the writers intent it just comes off detrimental to the experience and rather insulting. My advice would be to keep him out of the spotlight as much as possible though that is unlikely as he is a driving plot device after all.

On a positive note, I commend the anime for using a shorter explanation for Shirou’s strengthening magic. Because Nasu’s explanations are remarkably long winded and roundabout. Nasu will never tell you outright how something works. He will proceed to explain it in the most obtuse way possible and then repeat that explanation in a number of different beating around the bush ways till you figure it out. It is a way of making the reader misinterpret the thing being told to them as complex and deep because it took effort to figure out, when really they just were given a faulty explanation. Here however we have Shirou explain his magic in the simplest way possible, saving us from listening to a long tedious monologue. I will admit to being let down with this weeks episode of Fate but that does not mean it was a bad episode. It was a rather weak one but did have it’s share of small moments.I liked the talk between Archer and Shirou. As well as Rin and Shirou’s banter as they cleared up the seals. I would say the main thing thats irking me here is that I now have to wait another week to see a fight scene I thought would be in this episode.

Posted on 14 November 2014 with categories: Currently Watching:

There was quite number of still frames this episode so I hope that the animation budget isn’t starting to hurt. So our heroes triumph over the villains with a little help from Elizabeth. She showed some actual enginuity for once. As I was about to sigh as the villain was preparing to blab on about how his power works and give our heroes the exact right information to figure out how to combat it, he is cut off when he realises that Elizabeth already figured it out and made her move. Got to say it was an impressive feat to take the bell from the mans staff as he hit her with it. It would be nice to see her continue to be this inventive but sadly I believe this is a one time moment. She reverts to princess mode pretty soon afterwards.

With the bell out of commision the Sins cleaned house soon enough. Even when one of the villains pulled out his trump card, a spell to seal them away in the prison forever, it was unintentionally broken by the reunion of Meliodas and Ban. Not only did they destroy the spell but also bring down the entire prison with friendly arm wrestling. I am beginning to worry that these characters may be too strong. While I said before that to get around this one can put them in disadvantageous situations but when you disarm the situation it really just becomes a matter of when they win. It is hard to feel they are in true danger in a pure fist fight.

Ah yes and the doctor isn’t dead.To no ones surprise. This is one of the problems I have with shounen battle anime. They are all for having dire situations but there are not many who are willing to follow through with the consequences. I generally dislike fake deaths. I find them to be cheap emotional manipulation that only works once and loses all impact after the reveal. Even then if you can see it then it won’t even work once. This as well takes away the effect of a character genuinely dying as many would just be waiting for the reveal rather than get taken in the characters true final moments. It isn’t even properly explained here. He just go healed somehow and they brush it off pretty quickly. I admit there is something later on that could explain this but right now it’s just lazy way to prevent the daughter from having to deal with the loss of her father. The next episode looks to add a new sin to the head count so we can only see how this King plans to introduce himself.

Posted on 11 November 2014 with categories: Shingeki no Bahamut

Ah, the story progression that I was looking for. I finally find myself having a reason to get attached to Leone and Kaisar, because this episode devotes an entire episode to their rivalry and is just all around an improvement from last episode.

I’ve talked about how the slow pacing hurts this show, and this is one instance where taking a break from the monotony of side activities does a lot to build the story. In this episode, we follow Leone and Rita (possibly my favorite character so far) as they try to get Kaisar and Amira back, who were captured by demons in the last episode. The old rivalry between Leone and Kaisar finally come to a head, and it’s been delivered in such a satisfying manner here- the rising action was not contrived in any way and it was packed with a lot of tension. Regardless, there remains much to be worried about when talking about where this anime will end up-take Amira’s exponential “moe-ification” and the sluggish pacing, which appeared plenty of times in the last few episodes. Those will, without a doubt, stay relevant as the show moves forward.

In addition, Jeanne D’Arc and the Knights had at most 3 minutes of screen time ever since the series began, so I do think that it’s a mistake for Sato to put them on the sidelines for so long. Jeanne D’Arc is probably the only well-known historical figure in the anime, and she’s yet another character being cast off as a minor supporting character when she has so much potential.

Posted on with categories: Parasyte

Let me put up a disclaimer: When I first started to review this series, I didn’t foresee the obvious outcome that this show would end up so mediocre. I debated whether or not I should write reviews in groups of 2-3 episodes versus reviews that would drone on about the same issues every single episode, and I ultimately decided on the former. Parasyte is yet another anomaly- because while the pacing and story are solid as hell, various weaknesses in character development and a total failure to create an effective setting ultimately bring the show down.

First, I think we can all agree that Migi is by far the best character in this show. But besides him, who else do I genuinely care about? Shinichi’s “dehumanization” continues to occur far too rapidly for us to care about it very much, yet the writers seem to keep beating us over the head with evidence that he’s changing- when Mr. A is approaching Shinichi in episode four, Shinichi feels strong remorse about having to kill A, even though he ultimately kills him out of self-defense. So I was initially under the impression that Shinichi doesn’t want to kill any organism regardless of their threat level, because his actions had demonstrated that very same idea up to that point. However, when a pregnant Miss Ryoko is literally causing zero harm to anyone, all of a sudden, Shinichi wants to kill her- what a textbook definition of beating us over the head with character development.

This also directly correlates with the failure to create tension whenever Shinichi goes outdoors.  With a premise as this reminiscent of vampires, there was so much potential here. Although this is obviously a minor issue in comparison to something like character development, creating an unnerving tension whenever Shinichi goes outside to interact with other humans would take the story this show seeks to tell and drastically further push the narrative. How awesome would it have been, had the writers shown Shinichi suspecting every person he saw in the city simply because one of them might be a parasyte? Because so far, the only things that remind us that there are other parasytes out there are the “boss fights” we get every episode.

Overall, although I’ve only listed the negative aspects of the show fron episodes 3-5, the parts this show does right remains the same as what I wrote for my episode 2 review. Regardless, the soundtrack is definitely now a problem- the big emotional reveal in the fifth episode was ruined for me because of the badly composed dubstep (a genre of music that I normally enjoy.) Ultimately, the positives and negatives of this show make this series a fairly average one so far.

Posted on with categories: Currently Watching:, Your Lie in April

Episodes 4 and 5 of Your Lie in April were crucial ones in terms of how the series would develop. Episode 4 was a very important episode in the series as we see Kousei reintroduce himself to the music world after his mother’s death left him unable to play the piano. How the writers would handle this situation was extremely important. I was personally worried that Kousei’s and Kaori’s performance would go too smoothly, almost belittling Kousei’s trauma. Instead, the writers took a more agreeable path than that in which encouraging signs for Kousei’s progress were mixed with frustration and familiar problems that showed that he is definitely not out of the woods yet.

After the performance, we’re left with Kaori’s sudden collapse. I was immediately worried that this was going to be an extremely cheap use of melodrama to inject some drama into the show that would ultimately be completely negligible to the series as a whole, but we learn in episode 5 that this has been a recurring issue for Kaori and will almost definitely be a very important part of Your Lie in April going forward. The rest of episode 5 showed a stronger focus on the relationships within the show with some monologues from Tsubaki and Kousei as they ponder their feelings. Episode 5 ends with Kaori pushing Kousei to enter a piano competition, which will be another important step in Kousei’s progress overcoming his trauma.

The good from these two episodes is that the pacing and production values have remained very strong. Good pacing is always nice since it feels rather rare in the medium, and especially rare in the drama/romance genres. The show also managed to beat out my worst expectations that I detailed a little bit in the above paragraphs, relating to how Kousei’s accompaniment of Kaori would go and Kaori’s collapse. As for the bad… I really wasn’t a fan of the writers hanging the botched performance over Kousei’s head. I can understand Kousei being hard on himself, even if he was pushed into the performance. I think it would be a natural reaction. I was less understanding of Kaori bringing it up at the end of episode 5. At the end of the day, I think it was merely to get him to do the piano competition, continuing to try to help him overcome his issues, but I’m still iffy on hanging that over his head to get him to do it. This is also a good time to mention the sappy lines I forgot to mention last time. They’re back in full force, particularly during the monologues. The biggest issue with these lines is that they really just suck me out of the show. Nobody talks like that.

Overall I’d say the quality has remained fairly consistent through these five episodes. Kousei’s upcoming piano competition should be the next major event and it’ll be interesting to see how the writers choose to move along the plot from where we are now. Also, of course, it’ll be interesting to see how Kaori’s health develops going forward.

CHANGE USERNAME
SuperMario
@anon1058019: yep, and we'll get an original film no less. Welp, I don't mind for more Yuri but everything sounds vague for now. Let wait for more details coming
SuperMario
@Tatami: I'm only watch anime but I'm not a fan at all with the show so I can't really help you on that. In fact this season I couldn't get pass episode 2
Tatami
For guys who only watched AoT anime and not the manga, Im curious what do you think of the current season?
Tatami
The recent 2 epsiodes of AoT pretty much confirmed my guesses of who are the Armored and Colossus titans
Anonymous1058019
Yuri on ICE!!! movie has been announced. Prepare for incoming fangirls. :.D
Spike
Zestiria finale was pretty mediocre at best... Ufotable writers really fizzled at the end. :(
Anonymous1057532
Konstantinos here: I have to disagree. I liked the episode and felt they did a good job giving exposition. I like Meteora. That said when Alicertia meets Selesia. Oh boy, that will be a rumble.

On other notes: Attack of the Titan. If they do not pull a bait and switch, we are not in Kansas anymore.

Shingeki no Bahamut: What exceptional animation.
AidanAK47
It really does feel like this show is aiming to be something akin to Fate/Zero as that too did have a exposition heavy beginning. Difference here is that series had Urobuchi writting and while the man my be more famous for his murderous treatment of characters, he is a master of presenting exposition.
AidanAK47
I hope that's the majority of the exposition done for Re:creators. We established the stakes, rules and factions. So now would be good to focus on the creator and creation interactions plus badass battles.
Honestly I really regret Meteora coming into the story when she's being pretty much a massive exposition device.
Konstantinos Travlos
Hmm the "The Man who Knew 75 Languages" reminds me of the game "The Last Express". Great game. Definitely interested.
Anonymous1056824
moster keaton
Anonymous1056607
ditective conan
AidanAK47
@Anon, Pretty sure you are just trying to pick a fight more than defend the show but a decent show to me would be one that is deeply flawed but enjoyable to some degree. Sagrada reset is not this. It goes out of it's way to be unenjoyable. To me it's a 3/4 out of 10 show. Interesting concept but with a presentation so alien that the viewer can't empathise with anything on screen.
Lenlo
I mean, decent warrants about a 5-6. That, in theory, should be an "Average" show.
Anonymous1055365
It's a decent show. You're being overly critical.
SuperMario
In the Out of Competition slot (you think that I'm finished?), 2 films in particular that catch my interest are the Korean Lost in the Moonlight which looks like a fun and lightheart adventure, and the Norway-Poland co-production adult-oriented The Man who Knew 75 Languagues about the star-crossed love between the Queen of Romania and a titular man, I guess
SuperMario
Rounding up the Main Competition are Animal Crackers, a 3G American family film which I don't have good feeling about; Big Fish and Begonia - a Chinese indie film that divided the critics, but gathered skyhigh commercial success in its mainland China; and finally Zombillenium which sounds like an enjoyable European children film
SuperMario
From other countries, most notable films are the Loving Vincent - the first feature length hand painting; the Chinese black comedy Have a Nice Day that premiered in Berlin earlier this year; Ethel and Ernest which already gained a strong reviews from the UK; Tehran Taboo- a German production about the lives of 3 women in Iranian community, which sound exactly like my kinda of film.
SuperMario
Alright, I'm here to bring you news about the selection of this coming Annecy AKA one of the best animation festival out there. 3 of anime features: A Slient Voice, In the Corner of the World and Masaaki Yuasa's Lu over the Wall will compete for the main competition.
SuperMario
I'm a fan of thought-provoking anime (see Lain, Boogiepop Phantom) but I need to care about the story and characters first before I make an effort to dig deeper to the theme. Sagrada Reset failed on that fronts.
SuperMario
It's not really about being smart/dumb here. As a creator, they already have an advantage to know how the story and plot will play out. I don't mind this advantage because otherwise the plot will become a hot mess. But don't use that advantage as a way to widen the gap between them and the audience.
AidanAK47
Ugh...Ray Gigant was pretty much mediocre up until this point but now it;s utterly asinine. Whoever decided on this endgame needs to be fired. When you are ready to end a game, no player want a ten floor dungion with a boss on each floor coupled with a goddamn boss rush halfway. Just...fuck.
Kaiser-Eoghan
It must be worse than oremo.
Kaiser-Eoghan
I saw some pages of the eromanga sensei manga and my reaction was that I was sad that it actually existed and stated "why would you even" after looking at it.
Kaiser-Eoghan
As an anime example, sekaisuru kado has lots of dialogue but it seems like it could actually be engaging.
Kaiser-Eoghan
So basically no I don't think we're dumb for not liking sagrada reset, given that myself and Mario are capable of watching genuinely smart wordy things and getting them.
Kaiser-Eoghan
@Mario: I can imagine watching Sagrada reset and thinking I'd rather be watching a Bergman film instead , something also with lots of dialogue and themes but actually engaging/clever and NOT pretentious or obnoxious about it.
Anonymous1054942
is it possible that you are all just dumb?
Anonymous1054269
@Mario: I like how you described it as giving a middle finger to the viewers. It's so true. Like, it tries to be intelligent and make the viewer feel stupid, but it just comes off as obnoxious/pretentious.
Lenlo
CGI remains the worst part of it, but we are getting more and more 2D art which I actually enjoy the style of
Lenlo
Its an improvement. The art is better, and maybe its because I prefer this arc, but the pacing is better as well. I gave last season a 3, but this one is more deserving of a 4 and if they can nail certain scenes coming up I may bump it to a 5.
SuperMario
@Lenlo: How's Berserk doing so far? Haven't picked up last week and this week's episodes.
Lenlo
Ground*. I hate it when I fat finger something.
Lenlo
Thats always the worst, when a story starts off promising and then someone runs it into the grouhnd
AidanAK47
@Mario, so it's still at it. To me it's like someone was given an interesting story and made it his mission to ruin it as much as possible.
SuperMario
@Aidan: it's still the same crap. I have a feeling that Sagrada Reset gives a middle finger to us viewers. The plot with development and characters that we have no way to figure out ourselves. The characters who change motive and even personality after each timeline. The main lead girl who act like a robot. I gave this show too many chance so I won't bother to spend more time watching it.
Anonymous1052767
Eromanga sensei
AidanAK47
@Mario, Oh ho, what was the dealbreaker? Just that it didn't change or did something really stupid happen?
SuperMario
Sagrada Reset (long sigh) (scratching my head) (eyes rolling). Dropped
AidanAK47
Hey you.
Konstantinos
Yeah, at this point, this season looks good.
SuperMario
Quite happy with ID-0 and Zero in particular. Zero charms me to no end that I'm still debating whether I should blog it. The trio Re:Creators, Kado, Atom still doing pretty well and the sequels MHA and Bahamut are enjoyable as expected. We have a wide range of anime offerings this season.
SuperMario
Sagrada Reset & SukaSuka I will give it another episode, at least until this current arcs over. They both have potential but Sagrada Reset tries so hard to sound smart, and SukaSuka still falls into its LN tropes which bugged the show down.
SuperMario
*no real urge
SuperMario
I've finally catch up with all other series I wanna follow this season. Alice & Zorouku will be off my list for now, Zorouko is a great character but everything else falls flat so far. I have real urge to continue Attack on Titan and Berserk so I'll wait until they're finished.
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Total users: 25

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