Posted on 28 June 2016 with categories: Currently Watching:, Re:Zero -Starting Life in Another World

When I heard about this arc being hard to watch I readied myself for a number of things. I was prepared to see Subaru die gruesomely, to see him tortured and broken. However while I was ready to see him get destroyed by others; I didn’t expect him to be the architect of his own destruction. This was truly a painful episode to watch with Subaru attempting the brute force his way through story developments like a typical shounen protagonist and it just failing miserably. It wasn’t elegant, nor was it impressive and Subaru came off as outright pathetic in his attempts to make himself seem like a big deal. This is by far Subaru’s lowest point in the series and the visuals certainly show it. The manga tried to give him dignity in that there he was at least given some acknowledgement and looked decent even when getting beaten. Not in the anime, here he looked seedy, graceless and desperate.

Which leads me to rethink something I said in the last episode review of this series, namely that I was worried about Rem becoming irrelevant to the story. Perhaps I was worried about the wrong person and in truth the one whose rapidly becoming irrelevant is Subaru himself and he’s all too aware of it. After the closure of the mansion arc Subaru is in a a brand new run where he has no real idea of how anything will turn out. His usefulness has dropped to zero and his existence in Emilia’s life is no longer necessary. For when you think about it, he has no real reason to be at the King’s selection nor any real reason to be in Emilia’s life. The spotlight is moving away from him and I think Subaru has noticed. That’s what makes this episode a little easier to watch for me, for I see it as Subaru desperately kicking and screaming so that he doesn’t end up left behind.

I will admit that seeing Subaru going through all this is not a pleasant experience and while I appreciate the subversion of the shounen tropes, it’s still somewhat flustrating to see Subaru act like this. What makes this somewhat more frustrating is that Subaru is basically making the moves the viewer likely would. I know if I heard someone start berating the girl I liked by racist assumptions I would call him out on it regardless of where I was. Same goes for Julius as he questioned Subaru’s declaration of being Emilia’s Knight, I too would try to shout him down. Upon being challenged to a duel I would relish any opportunity to hit him. But here Subaru is making all the moves the audience wants but is experiencing the consequences of taking such actions. By declaring himself a knight he publical embarrassed Emilia in front of everyone and by fighting Julius he showed everyone just how much of his words was pure empty talk. I really like that when looking at it from Julius’s perspective all his actions seem logical. Most often to make the hero look better they have his opponent act illogical and unreasonable but here Julius was the more level headed one. He tried to make Subaru see just how he was making Emilia feel and even his challenge was him giving Subaru a chance to show his worth; while preventing him from getting murdered in a back alley for insulting the knights by making him an example. Obviously he isn’t right in every regard, I am fairly certain he got some enjoyment out of beating Subaru to a pulp and his philosophy of might makes right is just wrong. However he isn’t just some one dimensional caricature for Subaru to beat down and show everyone how great and right he is.

On the matter of the king’s selection I find it amusing that none of the candidates is aiming to simply be a good ruler and many are going for a radical and dangerous change. We have Priscilla who basically promises a complete dictatorship. Crusch wishes to rid ties to the dragon and let the people rule the nation which seems like a pretty big deal. Anastasia admitted that she is only after the crown to satisfy her own greed. Felt after being pushed into running as ruler due to Roms interference, declares that she was get rid of the social class hierarchy. Emilia in contrast seems to be the most reasonable one and promises to give equality to all people. Basically each participant has pretty much declared that they are going to do whatever the hell they want when they get the crown so I wonder just how this is planned to be settled.

The defining aspect of this episode is the scene after all of Subaru’s embarrassments where he and Emilia finally have a talk. The talk bordered on the overly melodramatic but hit some big points. Namely that Subaru has placed Emilia on a pedestal so high that he can’t even see her for what she is anymore. Emilia cannot understand just why he holds her so highly and Subaru can’t explain because of the curse. Leaving him rambling like a madman to Emilia about events that just didn’t happen to her. After Subaru lets out his most selfish true feelings; Emilia declares that they go their separate ways leaving Subaru alone. This is probably the most human Emilia has been in the series and he comments such as “I had high hopes for you” cut deeper than a knife. This is a massive turning point in the series but one that has me worried. This is big in regards to Subaru in that once he arrived in this world he made Emilia his center and focused all his efforts for her.

Now he’s lost that and the time has come for him to find a new objective but there lies a problem in this. If Subaru dies then possibly all this will be undone and even though while watching this episode I desperately wanted someone to kill Subaru just to undo the utter cringeworthy displays he put in, I do not want his confrontation with Emilia to be undone. If I am asked about whether this episode was a good or bad episode I say my decisive factor is what comes after this. This could be a great example of Shounen deconstruction if it remains this way and a great cornerstone of Subaru’s development as must pick up the broken relationship pieces caused by his mistakes. But if all this gets swept under the rug and Subaru gets to replay for the perfect end then this episode will leave a particularly bad taste in my mouth.

~AidanAK47~

Posted on with categories: Anime Reviews, Kiznaiver

Kiznaiver is a very different faire from Studio Triggers other works in that it takes a more serious tone and has a writer who tends to go more for the melodramatic. This is a tale about a group of very different people gathered together and have their pain linked to one another. In an effort to take a step towards world peace a system was devised to allow people to feel the pain of others as if it was their own and thus these group of people must learn to coexist with one another to complete missions given to them throughout the summer. This is the premise sadly lost in this show as it eventually gets lost in a love pentagram, excessive teenage melodrama and angst over the past. Kiznaiver is a polarising title in that it has elements of great worth and characters, while not particularly deep, that have good chemistry. However while it had a vague idea on the themes it wanted to touch and what it intended the characters to be, it purely gets lost when it comes to presenting those idea’s. What we are left with is a series which doesn’t know where it is going and wastes more than half its runtime in reach of a goal. Though once it finally decides on its direction it sacrifices all it has set up and it’s greater elements for forced drama and soap opera like developments. All to end on a climax with feels undeserved and rushed.

Kiznaiver is a bad story with excellent presentation as while the story developments are confused and lack focus, the presentation could fool you otherwise. Direction is particularly excellent in giving emotion to certain scenes and the visual aesthetic is quite appealing. The anime also sports a great opening with what may be the last song by the excellent band “Boom Boom Satellites”. The OST has some notable tracks and sound direction is spot on. The characters are quite likable and at times the comedy can work well but it falters when it sacrifices the comradery of the group for the cheap thrill of over emotional outbursts and vocal preaching. The plot gives special attention to certain characters only to abandon them to the sidelines afterwards and at times changing characters to fit what is demanded of the plot only to double back and have them return to how they were. At the beginning Kiznaiver was aiming to be zany and fun like any other trigger anime but halfway in it decided it was going to be Kokoro Connect. Then reaching its endgame without really deciding on which of the two it would prefer to be.

The show tries to act as a character study and tries to get across a deeper insinuation about the nature of feelings and connecting with other people but when examined it comes across as shallow and simplistic. Mainly resorting to a traumatic past as the cause of someone having communication issues instead of taking into account that maybe their are those of us who simply can’t connect with others. Or simply don’t want to. Two character get more focus in regards to this and one has their development more or less negated within two episodes of coming out of her shell. The other remains rather enigmatic and when it comes down to it, all that we truly learn of her is that she has a contrived tragic past. If it doesn’t affect you then sadly she has nothing else, besides acting as a love interest. Despite this it has moments; in both the forced drama and zany antics there were points when it comes across as genuine and heartfelt. Though this does make me lament just what this series could have been if had better planning. This is Trigger trying something different and as an experiment it is interesting. I would like to see Trigger tackle something like this again but if they do I hope they hire a better writer.

~AidanAK47~

Posted on with categories: Kiznaiver

This was certainly pure narrative confusion at it’s zenith and in that regard I don’t mean that the events depicted were hard to understand but rather a general confusion on what mood it wants to go out on. In this episode we had comedic, drama and climatic showdown all hastily weaved together to try and make something work. In that regard I may have succeeded on small fronts but failed as a whole. So Noriko has gone full supervillain out of nowhere and is attempting her own version of the human instrumentality project. The story tries to explain away her motivations by having Mutsumi lay out that Noriko has somehow gotten it into her head that in order for her to give back pain to those deprived by the Kiznaiver experiment, she needs to take on everyone’s pain and somehow that will fix everything. Or something about wanting to connect to others through pain…honestly I have lost all interest to truly dissect it at this point. Basically the logic is akin to saying the best way to heal a bruise is to break your arm. But who cares, the show only cares that Noriko needs to be stopped and the only way to do so is to have Agata give her a good talking to. Thus through the power of love and friendship and all that complete utter bull…um sorry I mean he’s going to snap her out of it with a good scolding. It’s clear that Kiznaiver wanted to have a big climax and that I am not really supposed to question the machinations of it too much. For if I do, awkward questions show up like isn’t Noriko forcefully abducting an entire city and performing dangerous surgery on them? Did she get away with this scott free, like no repercussions whatsoever? Where did she get that legion of followers who do her every bidding? And the big one, just what is this supposed to accomplish?

All the while this deathly serious stuff is happening, there are random jarring moments of comedy sprinkled in with little regard to the tone. I just say when you cut from Norikos sister telling Agata about how lonely Noriko was and how he needs to save her to two of those weird mascots sumo wrestling in the park, well it’s clashing.At this point the KIznaiver things is basically magic and Noriko’s big terrorist attack is stopped once Agata tells her to just let things go and badda bing badda boom, everything’s solved. The other Kiznaivers didn’t really have a point here besides chucking in their two cents on the situation. Giving speeches that solemnly remind me that these people haven’t really hung out long enough in front of the audience to give them the “nakama” card. Also for some reason the bullies come back and are unceremoniously booted off screen again. Seems their sole purpose was to act as an exposition device for the other Kiznaivers so they know what is going on. Well once Noriko comes to her senses it’s time to settle the shipping in the epilogue because that truly is what was given primary focus this series. Yes I am somewhat glad that Kamina 2.0 and Yoko 0.5 got together but personally I would be most interested in seeing more of Luluco finding Nova in the background.

The ships are pretty much what was decided in episode 4 with Noriko and Agata, Chidori and Tenga, Yuta and Maki with Nico doomed to forever alone status. Unless her and Hayame kick something off. Truthfully this all felt forced as while I can get why these characters could go for each other, I find it far too sudden with it all happening in such quick succession. As I see the gang all together again I find somewhat of the feeling that gave me hope for the series in the beginning. The characters do play off each other well and I do find their interactions amusing. (Particularly Noriko’s comment that she and Agata will have a pure relationship…until Agata pushes her down.) This is strange even coming from me of all people but perhaps Kiznaiver would have fared better if it left all this Kiznaiver experiment stuff to the side and just had it be about the characters playing off one another.

Looking over it all Kiznaiver was a confused series that spent too much of it’s start wasting its time and pushing for a dramatic climax as it reached it’s end. Some say that perhaps with a two cour season it could have shown more of it’s potential. It certainly could have but seeing as the writer couldn’t build a series for one cour I doubt she could do it much better with two. I blame the majority of Kiznaivers failings on the writer as speaking in terms of presentation it’s fairly remarkable. In much lesser animation studio this story wouldn’t nearly have been what it is and I see it as a testament of just how much Trigger can really do even with lacking material. If there are those of you who have lost faith in Trigger due to this series I say watch the short series that aired alongside it this season. Space patrol Luluco is shorter, more in tune with triggers style, had a far more satisfying climax and is overall a much better show than Kiznaiver. Most of all I truly look forward to that Little Witch Academy TV series they announced. Kiznaiver ultimately wasn’t what I hoped but I am certain Studio Trigger has more bullets to fire.

~AidanAK47~

Posted on 26 June 2016 with categories: Bungou Stray Dogs, Currently Watching:

And we get to the end of Bungou Stray Dogs, but this last episode doesn’t offer any conclusive ending, instead feel more like a set up episode for the next season. This last episode functions like a typically Bungou Stray Dogs’ episode; there are many good things to say about it, mainly the technical triumphs and the great character designs, but the writing and the new characters are mixed bags.

Let’s get to the good side first. As far as action show goes, Bungou Stray Dogs is at its top form this week. There are new set of enemies introduced, promising a three ways battle between the Armed Detective Agency, the Port Mafia and the Guild (the North American organization of the gifted) in a second season. Thus the main set piece this week happens in the imaginary closed space of Lucy (resembled of L.M Montgomery – the author of Anne of Green Gables) named Anne’s Chamber. I have mentioned that the show always had a very good grip on creating a memorable set pieces that really feel like it breathes by itself, this time in particular the close spaced is just wonderful. It’s so stylish and awe-aspiring, while at the same time dreamy and creepy. The fighting sequence is exciting, with the cat-and-mouse chase that are thrilling from start to finish. Atsushi again proved himself this week that he is capable of fighting for himself, and I can forgive him for wanting to run away calling for help because that’s just who he was. Thankfully he got pulled back by the physician, who soon revealed to be the Port Mafia’s boss. He is one of the more interesting character out of this show, both very mysterious and smart and tricky, and he’s just like Dagai who seems to be one step ahead of everyone else.

The other new characters presented this week, however, are just bland. I’m a bit disappointed that Fitzgerald turns out to be over the top archetypical American villain, the one who thinks money can buy everything and proud himself for that. I originally think he’s one of the tough one to beat but judge from the facts that he’s super one-dimensional, and he got killed off rather easily in the end, all that made me wonder what’s exactly his role in the show. Lucy is also a very one-note character, who appears mostly as a mad, sick little girl who just want to have fun. A bit about her insecurity among the Guild is a nice little touch but other time she functions like a typical villain. Dagai again back to the office and seems like nothing happen further emphasized my complains on the inconsistency of the show.

Looking ahead, I honestly have no idea how they could handle the mega-battles between the Armed Detective Agency, Port Mafia and the Guild. There seems to be a lot more Guild members with more unique skills to fight against next season, but it seems to me that Mori (the Port Mafia leader) is the ultimate boss. I’m a bit keen to check out the second cour just to see how they handle all that, but I’m not sure about covering its second cour, since I don’t think the show will get any better than what it is now.

~SuperMario~

Posted on 24 June 2016 with categories: Anime Reviews, Currently Watching:, Joker Game

When experiencing the wave of new anime each season it can get rather tiresome to notice all the teenagers fighting supernatural forces while gathering a harem through seer luck or similarly tired concepts. So when something like Joker game comes along and takes a road less traveled with it’s story, naturally I am well on board. However the sad thing about entertainment is that even if you try something new, if you don’t succeed it amounts nothing more than a show which had a good idea and a lesson for others to not brand out from their tired concepts. In that regard I truly lament such anime but unlike them I don’t think Joker Game will remain as a lesson for others, for to do so it would have to be memorable. An idea with such promise, a tale about a team of Japanese spies sent out to gather info in the time right before World War II broke out. You could spin quite a tale with that setting but sadly Joker Game settles for a much more simplistic level.

The first problem with the show is it’s episodic format and it truly limits the plot when each episode’s story needs to be resolved in a short time frame. Each episode has a brand new cast and a brand new setting. This essentially prevents the viewer from becoming attached as there is rarely anything consistent to latch on to. But most importantly in episodic shows the show is often held up by the characters and their interactions. However Joker Games protagonists are completely interchangeable with little in defining characteristics. No matter the episode the main character plays the role of the super spy who never fails and in that regard is mainly a plot device. When looking over the story, Joker Game is style over substance and merely a spy power fantasy. The writing lacks the nuance to weave a compelling narrative around international espionage and often resorts to contrived or trite developments in order to make the protagonist look as good as possible. The villains in each episode range from the over the top evil to inconsequential, often any threat they pose is completely undermined by episodes end. The writer holds his protagonists in too high a regard which ultimately makes this a show about the triumphs of several Gary Sue’s and how much better they are than other people. It don’t take long for this aspect to wear on you and through the episodes the victories of the D-agency spies become less compelling and more boringly anticipated.

Through while the writing can reach unrealistically silly levels as the D-agents display skill bordering on the supernatural, you can still find some interest here. The show never truly drops to a level of becoming bad and to some they can come to enjoy the exploits of the spies and their missions. I found three or four episodes to have above average value and the show remains consistently watchable. However it never truly excels and in episodes can become quite boring as you wait for the inevitable cop out win of D-agency. The episodic structure continues right up to the end where the show simply stops instead of ends. The art and animation remain consistently good and the soundtrack is rather catchy and nostalgic of Noir fiction. Joker Game is a show that lacks the high points to be recommended and the low points to be outright hated, it’s middle of the ground which made the score of this series rather appropriate. Joker Game is a series destined to be lost to the ravages of time, soon to be forgotten.

~AidanAK47~

Posted on 23 June 2016 with categories: Currently Watching:, Koutetsujou no Kabaneri

1

After the Horobi’s laser light show and having Biba-sama completely dominate the narrative with his super cool looking henchmen, Koutetsujou no Kabaneri is back on track although it’s on different rails for here on out.

Imprisoned by the Hunters and being caught in the middle of the impending final conflict between the Shogun and Biba, the crew of the Koutetsujou manages to recapture some of the things that I loved about the series up until the end of episode seven. Having the Ikoma and his crew come up with a plan to overcome the odds while jabbing at each other with their character interactions  and break out of imprisonment is exactly what is needed to bring this show back into focus. The music was an improvement over the unsettling soundtrack of the last two episodes although it didn’t reach the highs that had been set earlier by Sawano. The only thing that couldn’t be helped but be mediocre is main target of Biba-sama as an over-dramatic bore that drag downs Kabaneri’s second half.

3

Biba-sama’s backstory is certainly brimming with potential as he was casted out as a pawn between two political factions that had different views on how to deal with the Kabane. Being twelve years old and in charge of a military campaign draws a lot of parallels with Arslan Senki which could have garnered some sympathy for this dashingly handsome villain in his tale of being betrayed and slowly dismantled by the Kabane. However, the few scenes that featured the young Biba-sama only highlights the problems with the twelve episode format of Kabaneri as his villainy have a far greater emotional impact if the show could have spend just ten minutes on fleshing out his initial campaign against the Kabane instead just a few moments.

2

This is the second time that Ikoma is being casted off the train and it doesn’t look like it he’s going to get back on anytime soon. A brainwashed Memui booting him off and his most certainly dead bro of Takumi are the two biggest shockers of the episode. I’m not too fond of using the mind-altering drug trope as it strip a character of its agency and reduces them to a plot device, but at least Memui put up a decent fight before getting the needle treatment and the green stone is obviously the trigger to snap herself back.

While Kabaneri of the Iron Fortress isn’t a trainwreck, especially when compared to the other flaming dumpster fires of this season, it could have been much better. Episode ten did much to slow the but the final forty minutes has it work cut out to keep it from descending further into the mediocrity that is Biba-sama.

4

Posted on with categories: Anime Reviews, Mayoiga

Mayoiga has to be one of the most misunderstood shows in recent years.

On a surface, the premise alone has a lot of potential. The idea behind putting 30 people, each of them has very different set of personalities, together in a bus to a mysterious lost village, in order to start over new life is an intriguing concept, because there could be lots of angles to explore, even within its mystery/horror fare. The show could use the setting to explore the internal conflicts between the cast, or the nature of those monsters that drive anyone insane or even dig deep to the mystery behind Mayoiga, or the show can go full cannibalism that was suggested many times in the first episode.

Instead Mayoiga goes off track very early and never looks back and the overall execution certainly stands out, in a very-bad-it’s-good way

Billed as a mystery show, Mayoiga contains many elements that feel like a recipe for disaster: over the top characters, awkward pacing, long and meaningless conversations. In the first 10 minutes of the show for example, literally EVERYONE in the cast got introduced (and that 20 plus characters to remember). The characters have a distinct and overall solid character designs; but most of them are way too over the top to feel like real people. Mitsumune, our main character, for instance, feel really bland and his only traits are unsure about himself and his affection towards Masaki. The conversation drags on, don’t really advance the plot or flesh out the characters. Worst of all, the pacing sucks, sometimes it drags for too long before moves too quickly, for example in the first half of the show, there are few episodes where nothing important happens except the cast arguing. The cast themselves uses their time wisely to talk about how to call rock, paper, scissor the most correct way, arguing over the name of one of the cast who just vanished, or lying asleep in the end without the care of anything else.  The cliffhangers, were presented in almost the end of every episode, just so that the stake returns back to normal in a very next moment.

Thematically, Mayoiga actually has its meaning underlying under the surface. The monsters are revealed to be Nanaki, which are part of each individual’s past psychological trauma, come to life. They are a symbol of all those ugly things that the cast left behind to start over their new life. They are not, as the series progresses, intend to harm the cast, but are a part inside each character, and the show made a point (as in your face as possible) that all of them need to face their own Nanaki (their traumatic past) in order to become a better person. The Nanaki monsters, represented in 3D animation, are both out of place and uneasiness at the same time, which actually fits to the theme very well.  But I have to say, reading this underlying message is a bit too much, as the series itself never attempt to dig deeper into its theme.

Which brings me to the next point, many of the above elements actually WORKED in favors of the show. One thing that Mayoiga truly excels, the one thing that Mayoiga will likely be remembered for years to come, is its ridiculousness. All the ridicuolous, awkward bits are intentional, majority of them are so well-aware that it becomes hilarious. Many of the Nanaki monsters, for instance, are just plain silly in concept, such as a big silicon boob monster (yeah! You read it right!), or a girl seeing a giant Mitsumune because he happens to look like her ex-boyfriend, so instead of seeing her ex she would see Mitsumune who she just met for 2 days. See the absurd sense of logic here? Indeed, most of the cast embrace that ridiculous sense of logic wholeheartedly that it’s actually refreshing to see them keep betraying our expectation. Lovepon would be nothing if not for her “execution” speech, and after a while it’s just feel so welcome to see her running for her life from the monster, still remain in character “We going to be executed!!”. The Driver and his bus also keep appear/ vanish without any explaination is also a good running gag. Other characters, like Mitsumune, Hayato, Koharun, Nanko, actually the whole cast also embrace their one-note traits to a bitter end, put it up to the max that they become so gimmick and fun to watch. The conversations, as I mentioned above, drag on and on; but there is a lot to enjoy there, mainly for their unique train of thoughts and the ridiculous topics they could come up to.

Like I mentioned in my review posts, Mayoiga is a masterclass of using anti-climax not only to twist our expectation out of the usual conventions, but also to reduce any tension whatsoever. Take the revealing about the nature of Nanaki for examples, in a sequence where 4 members of our group witness their own Nanaki, they seem defeated, had nowhere to run but somehow, all of them managed to escape from it, without any injury. In other scene we witness the group decided to tied Masaki up and attempted to stab her, just so that she got ambushed by the bus driver, who drove her away just to beg her to allow him to meet his daughter again. The extensive use of anti-climax might seem uneven, absurd and even laughable at first, but actually these are all intentional so that the show can screw you out of any conventional sense.

But self-aware or not, Mayoiga can’t hide a fact that, in a nutshell, this show is an incoherent mess. In fact, inconsistency is the only consistent trait the show has. Mayoiga always feels like a product of too many minds, too many ideas that crammed all together, that contributes to too many half-baked ideas, and the pacing is all over the place. This seems understandable though, as in the process of making Mayoiga, the director Tsutomu Mizushima (Girls un Panzer, Shirobako, Prison School) encouraged the team to come up with ideas, and Mari Okada responsible for putting everything together. On that note I have to say the ending is surprisingly conclusive. Yes we would never know what happen to the people before the cast arrived, or how the majority of the cast meet their Nanaki (they JUMPED straight from those guys sleeping to they being back to the bus), but all the main questions are addressed and I actually feel kind of satisfied with the ending. This is a show with lots of obvious flaws, but it is also a show that unlike most of our usual anime fare. I have a great time with Mayoiga and ’m happy that I got the chance to cover it.

~SuperMario~

Posted on with categories: Currently Watching:, Joker Game

Upon finishing yet another rather uneventful episode of Joker Game, I began to wonder just what this series had planned for its finale. “How best to top off a rather mediocre series such as this?” I thought to myself. However when looking over general consensus over the episode I found out that I seen the finale of Joker game, and this was it. I was truly shocked. Nothing in this episode felt final or conclusive, not even an after credits scene or a simple affirmation that yes, this was indeed the end. In some ways it’s fitting, as Joker Game is a series without an impact so to bow out before anyone notices you are gone is somewhat poetic. However i must wonder why this particular story was chosen as the finale. When compared to other episodes of the series it is a much somber and simple affair. A spy is killed under the watch of a D-agency spy and he must investigate just what happened. Naturally he finds out what happened easily and decides he is unfit to be a D-agency spy. For he actually has human traits worth caring about.

It is rather funny that this was the first Spy to make me somewhat care about him and at least showed some level of humanity. Yet when the episode ends they get rid of him because he is far too human to be a part of the team. It really is a testament to the utter lack of defining traits these boring supermen have that they see any some shred of personality as a weakness. This is the author pretty much saying that because this man was lead astray by his memories of a girl in his past that he was no longer “cool” enough to be a part of the big boys club. Also got to love the casual sexsm of Yuuki stating that the reason the D-agency doesn’t have women is because they are far too temperamental and in less control of their emotions. Considering the time period it’s not all that surprising for Yuuki to think this but considering how much of a super spy he is, I would have thought he was too smart to believe such rubbish

Frankly I don’t have much to say about this. I have long beaten the problems of this show to death and seeing as it just repeated those problems it’s just left me reiterating points like a broken record. There’s really nothing here, a man dies, the spy finds out why he dies from offscreen info and decides he’s not fit to be a spy anymore because he feels love. Only real point of note is when the man of the episode got bent out of shape when the D-agents were reporting to hm. Yuuki pretty much gave him full authority on the mission which is likely because he knew what happened and figured he would let the man be in control of his last mission. With an episodic series like this you could have chosen any episode to be the finale and there are certainly better episodes to end on. Ultimately I think I will have a hard time recalling this series in a year’s time, in fact I still don’t even know anyone’s name. Besides Yuuki. Maybe because he was the only real consistent character in the series.

~AidanAK47~

Posted on 22 June 2016 with categories: Anime Reviews, Game Reviews

I really should be getting Grand Kingdom or waiting for Mirage Sessions. My review of Stella Glow is way past relevancy being nearly 8 months late, but I finally completed this and it wouldn’t hurt to briefly wrap up my thoughts about the game created by the now-defunct Imageepoch. I somehow managed to get through Lord of Magna in little over a week but I couldn’t motivate myself to finish this game after chapter 6. So first, jumping into the game, I admittedly didn’t have too much experience with much of Imageepoch’s previous titles, I only played Luminous Arc 1+2 and thought the gameplay was pretty good (although I’ll always hate the story in these kind of games). Therefore, I expected Stella Glow to be much of the same. In terms of its gameplay, it’s even somewhat over-simplified/dumbed-down since my last Imageepoch game.

To be brief, combat is turn-based spread over a 3D grid ala Luminous Arc, separated by free-times in which your character can buy weapon upgrades, find loot, do odd jobs for money, and interact with party members in order to unlock new support abilities. With combat, the atrocious AI aside, it’s relatively vanilla and doesn’t rock the conventions very much. It’s blasé to say the very least, with an outdated concept of PP-based skills that is actually a regress with its lack of any equivalent to Luminous Arc’s Flash Drives aside from the conducting (which doesn’t do much for strategic depth). There is no more depth beyond these standard attacks and skill-attacks, so what you see is what you get all the way through your 50+ hour game. Moving your team members around a strategically-lacking battle area has never felt more unexciting as a direct result, and makes grinding all the more painful to do. And you’re going to have to do a lot of it.

Compounding the problems to combat are the enemies. The AI in the game utilizes little form of strategy or out-maneuvering. If it has a better shot at greater damage output (such as attacking my characters from behind) it doesn’t do it, and as is the case almost all the time they rush the nearest available frailest unit and zerg-rush them without any semblance for party-cohesion/roles. For example, even when my tank Archibald is quite vulnerable sitting at a low health, enemies still often rush my witch who’s at full HP because the AI simply cannot understand strategy and the benefits of knocking down selective units. The challenge instantly turns to frustration as early game I didn’t even bother using healing units very often, since they have to come close to another party member in order to heal, yet then become vulnerable to long-range enemies’ ridiculous ranges. On the other hand, some skills thankfully offer low-mobility characters like Archibald with long range attacks to attack past 2 squares, which is sorely appreciated for such a slow unit, and it theoretically gives these characters better usage early-game with stronger party cohesion. However, this does not work as well as it should, as you often cannot attack diagonal squares aside from magic skills. For me, that defeats the purpose of trying to give slower units a greater mobility. Yes, Archibald gets better later on in the game, but there is little logic to not allowing long range attacks in general, Archibald or otherwise, to hit diagonal boxes especially when terrain heavily limits your ideal range of movement anyways. Some elements of Fire Emblem would’ve been great here, like diagonal attacks and earlier long range healing skills. Otherwise, everything else about the combat system is solid, such as the satisfying range of roles in your party, and the activities that you can do in between battle times are varied and interesting.

As for story, it’s about a generic protagonist with a mysterious past who has the power to collect witches, in true harem spirit–as is plastered all over the back cover. I’m not going to complain too much about the generic plot as much as I hate it, it’s simply there to provide a backdrop for the challenges that our characters will face after all, and none of the party members felt forced or too out of place. However, any longtime JRPG player will recognize the story going through the motions in a half hearted attempt to try and set these characters beyond their archetypes to no avail, and the writers have every blame for this. In a game like this it’s imperative for it to be a worthy character story, with immersive character conflicts to make up for the lackluster backdrop concerning some generic kingdom under attack by some generic villains. Unfortunately however, by the end, there is very little characterization. Well, apart from “She’s not shy anymore” and “He’s less strict now.”

Lastly, the user interface is clunky and bare bones to put it lightly. Whilst in battle, you cannot access an options menu to adjust your game settings, it is only available outside of that and events. Even then, the options menu is simply pathetic. There are volume sliders, options to turn off combat animation (which is already available in battle), and little else besides it. No options for changing the controls to adjust the inversion, utter disuse of the circle pad, story recaps, turtle paced scenes, and the list goes on. But at least the game looks good for the 3DS and the soundtrack isn’t half-bad, even if the fan service is irksome as hell and never stops, but that point is rather moot with a game like this that lets you know what you’re in for with the cover. Overall, if you haven’t picked this game up yet I’d recommend you give it a try at least, it’s honestly far better than the likes of Lord of Magna.

Storytelling: 5/10 Average fantasy story
Gameplay: 7/10 Limitations aplenty, but otherwise strong system that remains familiar
User Interface: 3/10 Clunky and frustrating
Production values: 9/10 Looks and sounds great for the 3DS

Suggestions:

Fire Emblem Fates

Luminous Arc

Lord of Magna

Posted on 21 June 2016 with categories: Currently Watching:, Re:Zero -Starting Life in Another World

This looks to be the weakest episode of Re:Zero to date which does seem to be a trend when it comes to the arcs of the series. When looking over these twelve episodes I have come to find that the weakest episodes of the series are the first episode of an arc which does make sense when you think about it. Subaru’s first runs are often fairly uneventful and it does highlight a weakness of the series in that Subaru really doesn’t have much of an objective. When an Arc truly kicks off Subaru is suddenly given an objective to break the loop and survive beyond it but when he succeeds his motivation returns to protecting or wooing Emilia. For the style of story Re:Zero is telling it requires groundwork to be laid down before the plot can begin in earnest so the story must be carried by it’s comedy and antics which are clearly not its strongest suits. It also doesn’t help that upon introduction Re:Zeros characters do feel very stereotypical, evidenced by a number of characters introduced in this episode whom are trope heavy in regards to first impressions. That said my first impressions of the characters of the second arc was much the same and Re:Zero managed to make them much more interesting as the arc continued.

We have a number of returning characters from the first arc and quite a number of new ones. Two standouts are Priscilla and her very dark souls design inspired bodyguard called Al. Priscilla is cocky and seems to believe that everything in the world works out in her favor. Whether this is just a misconception on her part or something with some degree if truth is still up in the air but if it’s the latter she should prove to be quite interesting. Al I find interesting mostly due to his design which does feel like a reference to Dark Souls. Many have made jokes claims about comparing Re:Zero to Dark Souls because of his very narrative nature being similar to the Dark Souls mechanics of repeatable facing death until you get the tools and knowledge needed to progress. I have heard that he should prove to be quite an interesting character and some information was present in a manga scene the anime skipped which boosted his significance greatly. Though I will refrain from revealing it as it is very likely going to be show in a later episode. The butler at the beginning whom Subaru spoke with was also intriguing as he was able to recognise that Subaru has gone through life or death situations, though this perhaps him overestimating Subarus worth as Subaru didn’t actually live through those situations. Felt is back and much as expected is a candidate for the throne or Dragon priestess as they refer to it. The reveal was fairly predictable as Felt kept getting mentioned as the episode continued.

Rem has certainly warmed up to Subaru but I must admit that I am worried that she might be a victim of a little thing I refer to as “Light novel heroine” syndrome. This is when a particular girl has the story focus on them for a specific arc or volume of a light novel to the degree of a main heroine. However once the arc is completed and the girls problems are solved then she is tossed to the sidelines to which she will be damned just be a rare pointless camo now and then. By far the biggest victim of this syndrome is Index of the Certain Magical Index series, whom despite the series being named after her, is only relevant to the plot in about 2 of the 24 light novels and likely still is irrelevant even in the new series of light novels. So far Rem is tagging along but I do hope that he plays a more significant role besides just an unimportant side character. The manga of the series at least showed her being more proactive than here as a scene was omitted when Rem comes to save Subaru from the bandits in the alley. It’s understandable why it was omitted but still rather a pity as it truly was a great moment for her. Either way even when put on the sidelines she still manages to steal the show…or perhaps that’s my own bias speaking. I am actually starting to wonder why Emilia was made the main heroine. Well there are special IF chapters which detail what would happen if Subaru got together with Rem so those could be used as a simulation of Rem being the main heroine.

Subaru got admittedly annoying here as while I know his mannerisms are a front to hide his insecurities, he can still get a bit overbearing. I also think he is misunderstanding his role here. This is a rather interesting  concept as Subaru actively has to force inself to get involved in important events. Normally a protagonist is automatically included in any important matters to the plot but due to Emilia’s objections, Subaru is finding himself getting pushed away from the royal selection which is no doubt involved with the next incident. We have a clash of white knight complexes here as Subaru is forcing himself to get into more dangerous situations for Emilia’s sake while Emilia is trying to keep him uninvolved in order to protect him. This is the first real crack in their relationship as the two clash when it comes to their objectives. However Subaru doesn’t quite get that he is not the person who saves the day but as was pointed out at the start of the episode, he is the one who sets things in place for the hero to save the day. But Emilia doesn’t quite get that having Subaru around is a valuable thing as the more he knows the better prepared he is if things go wrong. I do think it’s rather odd though for Subaru to be so intent to involve himself even when it clearly hurts Emilia to do so.

~AidanAK47~

CHANGE USERNAME
Kaiser-Eoghan
Oh wait...Uchi no Musume isn't an isekai...the genre has become so big that almost any time I take a glance at a fantasy tag I jump to the assumption its isekai.
Kaiser-Eoghan
@Aidan: I know you played YU-NO and I'm aware of your problems with it, is it actually possible for any adaptation of it to work, to be salvageable?
Kaiser-Eoghan
That is the officiaal English translated volume that currently goes beyond the currently available English scans.
Kaiser-Eoghan
Actually I was wrrong totsukunai's 6th volume is actually out now .
Kaiser-Eoghan
*series with the daughter isekai
Kaiser-Eoghan
Ah, isekai genre, attempting to trick me into watching the genre with the daughter isekai thing, I won't fall for your scheme...
Kaiser-Eoghan
@Mario: Interesting typo there, spelling Beastars as Bearstars, the typo still makes it sound animal related.
Kaiser-Eoghan
@Amagi: I want my Gunka no Balthazar anime and I want it now.
Kaiser-Eoghan
@Amagi: Reminder that the new volume of totsukuni is out in April. So far its an ova adaptation we're getting but Magus bride also started out getting an ova and thats from the same magazine.
AidanAK47
Re:Zero season 2 baby. It's about goddamn time.
Amagi
Without thinking much Shiori Experience, Dedededestruction and Atelier of Witch Hat are the only running manga series I really like without annoucement. There are more, but not that many.
Amagi
I can barely think of manga I like and read that didn't get announcements yet. Years ago people still had these lists of fake anime annoucements of manga everybody wanted to see animated, now it's reality.
SuperMario
and Bearstars announced for this Fall 2019. Cool
Amagi
@Kaiser: Man I hadn't heard about the Totsukunai no Shoujo adaption yet that's awesome. Really love Mori too, these series could be fantastical if they get a good ost.
Animosh
And Cells at Work is getting a second season too apparently. So many announcements in the last few days.
Animosh
Oh, nice! It has its problems, but it's definitely one of the better isekai out there. Glad it's getting a second season.
Kaiser-Eoghan
I'm more interested in somali to mori getting an adaptation aswell as totsukunai no shoujo though.
Kaiser-Eoghan
For those who happened to enjoy it Re: zero is getting more ovas and a second season.
Kaiser-Eoghan
I know often young male characters get female voice actors in Japanese, but i tend to veer more toward male voice actors for male characters.
Kaiser-Eoghan
Although I'd say going back the old adv dub was probably very dated. Though Spencer really got the patheticness of Shinji right.
Kaiser-Eoghan
@Anon: MUH Windee Lee MUH Spike Spencer, MUH old dub.
Anonymous3576667
So Evangelion (probably Netflix's biggest anime this year) is rolling out June 21. New English dub, all 26 episodes and the films (sans the Rebirth ones) all at once.
Amagi
From time to time there are Index-verse antagonists I am kinda interested in but in the end I am never willing to watch 50+ episodes or so to get to the point where said interesting characters may appear. I just don't care about the protags of these series.
Vonter
@Kaiser-Eoghan - Some things never die. Sonic, Fast and Furious, James Bond, Godzilla, Mario, Pokemon, etc. The only way these things truly die, is lost of interest, less sales, eventual ceasement of talking about these things.
Kaiser-Eoghan
Yet another Index anime announced, this franchise refuses to go away.
Vonter
In regards to Shield Hero, I still find it enjoyable, but like with the Slime Isekai, my issue is how it becomes a one-man show. I do wonder if they'll delve into Raphtalia's backstory in this season.
Vonter
That's the issue with genres, sometimes a story can turn into a comedy, a harem, an action shounen, a mystery thriller, a surreal fantasy, or a slice of life. It has to shift to keep some degree of uniqueness. Most series stick to a trope in the end.
Vonter
@Amagi - Most anime and manga fall after the premise alone, especially the gender bender genre (yeah it's a thing (*^.^*)). The thing is that after that point you either stick to an established formula or you have to turn your story into something else, the adventure, the romance, the wacky comedy, because that's what will stick.
Animosh
True that. Maybe Re:Zero is an exception, since Subaru seems to keep his supporting role (as the weakling with infinite lives)? Although it has plenty of tired tropes of its own, of course.
Amagi
@Animosh: That's the problem with almost all isekai. They usually try baiting people with some new premise, be it MC being a slime, weakling, support role, old or whatever only to ignore it a few episodes or arcs later and turn into the same run-of-the-mill like the other isekai.
Animosh
It's a shame Shield Hero seems to have largely abandoned its premise of making the shield hero a purely defense-oriented hero who can only play a "supporting" role. If he can single-handedly take down (mini-)bosses, in spite of his low level and the fact that he can't use any weapons, simply because he's, you know, angry, then ... he's really no different from the other heroes, just more broken.
Animosh
Thunderbolt Fantasy will get a new movie / OVA / whatever centered on Lang (the bard) and his past. It'll take place in Shang's old country (Xi-You), so we should see what it's like for the first time. Anyway, if it's as good as the one focusing on the Screaming Phoenix Killer it should be fun.
Kaiser-Eoghan
I remember the idea of dlc was something that annoyed me.
Kaiser-Eoghan
I do remember getting a kick out of playing old N64 multiplayers, lol bunch of then 13 year olds not knowing how to play goldeneye multiplayer properly or stealthily , so it basically turns into a Hong kong style shootout.
Kaiser-Eoghan
"We're in the middle of a battle! You have to stay logged in"
"GODDAMMIT I need to eat I can't stay!, Godammit nature calls"
Kaiser-Eoghan
When my friends got into MMOs and online shooters, I simply didn't have the time commitment or patience for the prior in particular.
Amagi
A person will only play one or two of such endless games, people won't start new ones just because they pop up everywhere, but nobody seems to get this.
Amagi
The problem is that everyone is only looking at how much money the few big ones make and think they can imitate it when the whole thing is actually just a bubble, just as with gacha games.
Amagi
@Kaiser: I actually enjoyed classical coops but yeah, MMO not really. Especially not when it feels like a game was created for single player and they shoved the MMO stuff in or when a game gets less story heavy and less content to make room for the lootershooter/pvp/whatever MMO stuff.
Amagi
I am doing this too right now. Will probably marathon a few shows I skipped so far in case that they're good till the end. More into playing right now
Kaiser-Eoghan
You might say I was keen on the idea of being in the same room as someone after I defeated them in a fighting game =P
Kaiser-Eoghan
*going on
Kaiser-Eoghan
Its far more easy to remember whats going in that way.
Kaiser-Eoghan
*the habit
Kaiser-Eoghan
@Amagi: I've gotten into he habit of only watching a few shows each season, then later on catching up with others.
Kaiser-Eoghan
@Amagi: Back in my gaming days my idea of a multiplayer was with a group of friends in a room, but it all shifted into massive online multiplayer mmos and fps games.
Amagi
Sadly, the OPM PV looks weak, I will miss the great animations of MP100.
Amagi
@Kaiser: Have to admit that I like Mob more than I feared, it's the show I enjoy the most right now. Otherwise I'd go with your ranking, maybe with an added Neverland.
Amagi
Man I hate how every game has to become more and more multiplayer'ish just let me play games as loner again.
Amagi
I already dropped it during episode 1. Considering that the manga has ~120+ chapters I guess it's another eternal status quo thing too.
Kaiser-Eoghan
@Wooper: I read a couple of volumes of the manga, its hit or miss and eventually gets repetitive, it could be often funny in certain parts but I'm bored of it now. I saw some bits of the anime and didn't laugh.
SuperWooper
>not watching Kaguya-sama
I seriously hope you guys don't do this.
Kaiser-Eoghan
I suppose now that its near the end of this season I should rank what I've been watching: 1. Run with the wind 2. Boogiepop 3. dororo 4. go-toubon.
Kaiser-Eoghan
@Vonter: And there thats the other thing, out of it so long there's a massive buildup of games , increasingly difficult to catch up and get back into.
Vonter
At the moment I'm playing Guacamelee 2. Which I had my doubts since the first game got a bit frustrating do to the backtracking. This one gives me a Super Paper Mario vibe in the villains departament.
Vonter
@AidanAK47 I'm not even mad anymore, but still disappointed Western Games can't give closure to their over 10 million dollar games. I think you can have a self contained story and maybe tease the story is open to more adventures or something.
Vonter
I suppose if I'm curious for the story I'll watch an edited Let's Play.
Vonter
Yeah, I agree, it does feel like indie developers and Nintendo make the games I like. I don't know maybe I'm just getting old to catch up with the recent trends most ambitious projects tend to follow. Also how most of these games take a lot of time to get going and I don't have that much free time to spare waiting for the game to let me play it.
Kaiser-Eoghan
@Vonter: I got into watching letsplays for a while some years back, it was a decent way to re-live an old game without playing it.
Kaiser-Eoghan
Whoring out sequels is pretty much the bane of most things, just continually dilutes the original and in some cases can even ruin the original for you.
Kaiser-Eoghan
But I can still remember that very moment when I first played a 3D game and how unreal that felt .
Kaiser-Eoghan
And there isn't time to give to absolutely every medium.
Kaiser-Eoghan
Unfortunately I think I've been so long out of the habit of gaming that I've gotten used to and familiar with not being part of that scene , to where I kind of simply just don't pick up a controller anymore.
AidanAK47
Not to mention that they are gonna milk it to death. They already got about 5 sequels planned and put in a thing showing how they could milk it. To me GOW 2018 is an incomplete game, a part 1 of a needlessly long franchise. Whereas the old games had stories which felt complete.
AidanAK47
@Vonter, I would say it's more that despite the fantastical settings both Hoizon and GOW 2018 make use of tired sandbox game mechanics. GOW especially annoyed me as I feel they stripped out everything that made those games there own things and replaced them with game mechanics stolen from other games. GOW lost it's very essence.
Kaiser-Eoghan
*Futaro
Kaiser-Eoghan
Fuataro is best girl.
Kaiser-Eoghan
@Vonter: I just read that the new Orphan anime is a prequel.
Kaiser-Eoghan
@Vonter: Back when I played/watched people play videogames, it was moreso Jrpgs and old Nintendo and sega genesis games.
Vonter
IMO making something more complicated than it should ends making something less enjoyable to play.
Vonter
Why not just watch a Let's Play. I suppose is an overreaction, but I felt very mixed how God of War 2018 was a good Father and Son story, but really annoying to play. Constant walking and climbing sequences, combat that I think it's less involved than the ones from the other games, and constant looting that lost it's charm by the 30th chest.
Vonter
I don't know why but I've been feeling that I'm enjoying more playing on the Switch than the PS4. While I enjoyed RE2 and will likely replay it, other high tech games like God of War, Horizon and the like don't do much for me. Most of this realistic games have very slow starts, make the playstation fans sound like it's struggling, and if the best part of these games is the dialogue and cinematics.
Kaiser-Eoghan
Genuinely a very good sign when a 20 minute episode feels much shorter than it is and its rewarding to see an anime series possess such a degree of confidence in its direction.
Lenlo
Just finished it. Seriously, Kaze Fui has nailed this segment of episodes. Just homerun after homerun. Its ridiculous. I love it. Kurahara tapping into the freakin speed force
Animosh
Now only Haiji is left. When there were five episodes remaining I was wondering whether there'd be enough content to fill them all, now I'm wondering how the show is going resolve everything in one episode. But the show has barely made any missteps so far, so I'm sure it'll nail the ending too.
Animosh
Kurahara's segment was also good. He's fallen in love with running, and now that he's pursuing running for its own sake he runs faster than ever. It also helps that he's crazy talented, of course.
Lenlo
I want to be excited for OPM 2... but JC Staff

Also I cant wait to watch Kaze Fui when I get off work. Sounds like it was good
Animosh
Yeah, King's segment was better than expected. Pretty relatable. His issues did come a bit out of nowhere though. His segment could have been even better if there had been some hints that he has been struggling with this earlier. It's also a bit strange that there wasn't any development with his job hunt, since that what basically his defining trait throughout the series.
Anonymous3563660
The developments from the first cour are absolutely paying off big time and it's amazing to see how far this cast has come since the first episode. And now it's time for Haiji's segment next episode. I can't take waiting another week for this!
Anonymous3563660
Well. Bravo Kaze ga. That was an amazing display that Kakeru showed. I loved his segment. King's backstory really hit me close to home as someone who recently graduated.
Kaiser-Eoghan
Now on Boogiepop phantom episode 16....a discount Godzilla!
Kaiser-Eoghan
@Anon: I liked Densetsu no yusha even though no one did and Record of Lodoss war, always wished there had been more of both.
Animosh
Yeah, that trailer ... does not look promising.
Anonymous3563292
Just as MP100 s2 takes its bow, there's going to be a lot of people expecting OPM to be as amazing as that or s1. Oh boy.
Anonymous3563292
A reminder to temper your expectations for OPM s2.
Anonymous3563001
After a messy start, that Prince of Smiles show has largely settled for okay. Not terrible, not amazing, but largely above-average and rather forgettable. I'd compare it to that Record of Grancrest War show from last year.
Anonymous3563001
This apparently isn't like that other Doga Kobo show where the pedo bait was persistent throughout.
Anonymous3563001
So uh, has anyone tried to go back to Wataten and see if the pedo bait has subsided since the first episode? Because it seems like it has for the time being.
Animosh
@Anon: no, I mean a continuation of the main story. I read about it on the anime subreddit: https://www.reddit.com/r/anime/comments/b26yj1/shaft_producer_mitsutoshi_kubota_confirming_that/
Lenlo
@Anon, I love Mob Psycho, but the series does have some iffy stills. Thats not an issue though, because this is an animated medium. Its meant to be viewed in motion and holy shit, does it look good in motion
AidanAK47
However my main issue at the moment is the feeling of them dragging things out for the sake of having that be the finale. Right now episodes just don't have much content and I feel it's too dragged out for it's own good.
AidanAK47
@Anon, Nervous isn't really the word I would use. As far as adaption is concerned I feel the series has done quite well for the most part with the only big misstep being the shows reluctance to have any inner monologue whatsoever which has lead to questionable choices to alternatively present information that was usually spoken in mind. I say the end of the arc will be done well.
Anonymous3560732
@Aidan As a manga reader, are you nervous about how they'll adapt the end of the arc in Neverland?
Anonymous3560839
mob psycho was amazeballs this week. It's the show that just keeps on giving. On a side note, I've seen some comments floating around about how the show has terrible still shots and I'm going to dispel that erroneous assessment in this week's discussion
SuperWooper
Search bar is in the upper right hand corner, in case you're still searching.
Anonymous3560732
@Animosh You referring to that Madoka mobile game tie-in?
Anonymous3560739
That’s not the search bar
Anonymous3560739
Mob psycho
Kaiser-Eoghan
They decided to adapt mushoku tensei apparently. I might aswell see what all the fuss about it is as being one of the "better" isekai.
Kaiser-Eoghan
I can't imagine how the polar bear isekai or vending machine one would handle the harem aspect.
Animosh
As for Slime getting another season, I personally don't mind. It's obviously not a masterpiece, but I don't watch isekai for enlightenment. If they can offer me some relaxation after a day's work, that's enough for me.
Animosh
Some nice announcements in the past few days: Oregairu is getting a third (and final) season, and Madoka is rumored to get a sequel too (maybe focusing on Sayaka?).
Anonymous3560293
Cross Ange is not trash tho, way better than those others
Kaiser-Eoghan
I'm wiser nowto certain types of story telling, making an overly long show that keeps throwing endless gotchas at you, eventually you get tired of the show trying to play with you instead of actually moving things forward.
Kaiser-Eoghan
@Anon: I've enjoyed many a trashy show/film in my time, but guilty crown, cross ange and Valvrave I couldn't finish, there are certain cases where the brain begins hurting/aching.
Anonymous3560221
While different in settings and genres, they obviously have Okouchi's writing full of shock value and swerves.
Anonymous3560221
Guilty Crown and Valvrave are like his most explicit attempts to recreate Geass, and look how those two fared. Kabaneri also falls into the same traps as those too.
Anonymous3560221
But even he ends up letting his worst tendencies slip in with examples like Princess Principal, particularly the last episode.
Anonymous3560221
Which ironic that the best shows that he's written are the ones that are not trying to recreate those Geass days like Lupin the 3rd Part V or that Devilman Netflix show.
Anonymous3560221
It's amusing to see that Okouchi's worst enemy is essentially himself. Trying to recreate that Code Geass magic with ass pulls, shocking swerves, and shock value without realizing that it's never as shocking the second time around. And that has basically ruined almost every work he's attached to.
Amagi
I always find it funny how almost everyone agrees that it was Biba who ruined Kabaneri. I liked that show so much before he appeared, damn. Will watch the movie but my hype is killed and I fear the movie will just be about another random human antagonist instead of the actual Kabaneri problem.
Anonymous3558784
mongatari
Kaiser-Eoghan
@Lenlo@Wooper: At least we have the Tanya movie to look forward to.
Kaiser-Eoghan
*Even though I know its going for something fun.
Kaiser-Eoghan
Oh COME on Japan, just give me by communist isekai mecha show so we can be lovers again.
Kaiser-Eoghan
@Anon: Biba fucker ruined the show and it stopped allowing me to enjoy Kabeneri as a shitty ova throwback.
Kaiser-Eoghan
@Aidan: Couldn't even make good on a stupid re-incarnation premise on the ones you mentioned.
Kaiser-Eoghan
Or better yet, find some old proto-isekai and adapt it.
Kaiser-Eoghan
"Could be worse" I suppose I win by default by bringing up Parallel paradise and ruining everyones fun by reminding them of its existence.
Kaiser-Eoghan
I think my brother in laws reason for liking trashy isekai is because he sees them as an anime equivalent to exploitation films, I should just tell him to watch old ovas.
Kaiser-Eoghan
If we're doing the re-incarnation thing, just give me a full please save my earth adaptation or bokura no kiseki or that other re-incarnation thing done by Spirals artist.
Kaiser-Eoghan
Not an isekai, but a LN adaptation, Index keeps popping up again every so often, I fell out of the series a long time ago and got exhausted with it.
Kaiser-Eoghan
I feel the same way about konosuba, I wish I found it funny but I don't because I know it is going for that "fun" thing.
Kaiser-Eoghan
I think, especially with a second season, I'd eventually get fed up with it aswell and that it would get repetitive.
Kaiser-Eoghan
My brother (and probably my brother in law too) seem to enjoy Reincarnated as a slime as a casuals show and find it funny. I saw clips of the dub, the voice actors sounded like they were having fun and I think some people found the slime/dragon interactions at the start amusing. I'm just left thinking that the show is something my younger self might have gone for but I'm indifferent to it now.
AidanAK47
Or the vending machine isekai
AidanAK47
Or the polar bear isekai
AidanAK47
It could be the hot spring isekai
AidanAK47
Well guys it could be worse.
Lenlo
I sense a disturbance in the medium. I fear for the future.
SuperWooper
That's fantastic news, as series set in the real world give me diarrhea. I assume that the majority of Japanese otaku suffer from the same issue, given the number of isekai manga and LNs that are slowly polluting my favorite art form. :^)
Anonymous3556601
As expected, that Slime isekai show has been renewed for a second season.
SuperWooper
@Anon3540676: Hey!
Anonymous3542644
And despite all of these recent announcements lately, IG still hasn't announced a release date and release model for DNT s2 yet beyond theatrical screenings. =(
Anonymous3542320
https://youtu.be/cxjXEIDbBxA My bad.
Anonymous3542320
https://youtu.be/cxjXEIDbBxAInterestingly, seems like Banana Fish (technically not BL) did well enough for Noitamina to consider having an adaptation an actual BL manga on their block.
Anonymous3542320
I would really love to see that Kabaneri film get things back on track after the second half nearly derailed it (pun intended).
Anonymous3542320
Huh, well that didn't take too long for a release date regarding Psycho-Pass 3. It's slated for October.
Meanwhile, Beastars is going to be Netflix-exclusive, and interestingly, the Kabaneri film is going to air simultaneously on Netflix and Amazon alongside a limited theatrical release.
Kaiser-Eoghan
@Amagi: Did you ever read beast complex? I haven't done so yet, it seems like like the beastars authors prototype for it.
Anonymous3540676
hi
Kaiser-Eoghan
@Amagi: Hadn't known that, thanks. Also, I read the most recent 20 or so chapters Amatsuki, all has finally been revealed.
Amagi
Q's (Dorohedoro) new series started, Dai Dark. It's basically Dorohedoro in space (therefore, I am completely fine with it).
Anonymous3539608
https://youtu.be/8EBNp4kPsxM
Lenlo
This adaptation of Dororo is adding a lot of new content to its story in its adaptation. It's taking what was a much more one-dimensional story in my opinion, and giving it layers.

And yeah, Run with the Wind was great. Sure Kurahara has been the most emotional, he is the lead, but I think everyone in the cast has done a decent job
Kaiser-Eoghan
Although while I did enjoy last week, I didn't think it captured the impact the manga had.
Kaiser-Eoghan
Dororo upped the ante this week to its benefit. This episode also showed how the series can succeed even with the protagonist having a minimized screentime. I don't remember Taromaro going up against a demon in the manga, this is an advantage of this adaptation adding stuff.
Kaiser-Eoghan
...because there will be that sense of saying goodbye.
Kaiser-Eoghan
@Lenlo: And thinking it over, I've been beginning to get the feeling that this will be one of those took me on a journey shows, one of those shows where I felt I really spent alot of time with everyone in it and after it ends/in the last episode, it'll get me feeling something...
Kaiser-Eoghan
@Lenlo: While so far in the series I thi7nk the stuff around Kakeru has been the most emotionally rewarding, the middle of this episode crept up on me , the tension of the race itself was never interrupted by the flashbacks and they were well stitched into the narrative.
Lenlo
Just watched it. I love this show so much. How is a show about running so damn good
Total users: 15

Star Crossed Anime Blog

8 User(s) Online Join Server

Featured Posts

Paranoia Agent – 9 [Etc.] – Throwback Thursday

Hello all, and welcome to a very… odd episode of Paranoia Agent. Which, knowing this show, is saying something. This week we tackle public gossip, the inconsistencies that come with it and if there is any truth to it. Lets go! Starting off, let’s talk about the execution. Normally here, I talk about animation and […]

Kemurikusa – 11

At long last, we have an entire episode in flashback and explains much of its Kemurikusa’s rich settings. Even at the risk of over-informed us with details, all the information we learn this week is both unexpected, and makes total sense. Before we get into the details, (AND WHAT A MAJOR REVEAL), I feel the […]

Winter 2019 Summary – Week 9-10

Another two weeks have passed, and Summer Season is coming in sight. It’s the time where most shows get busy as they reach their final arc. Mob Psycho 100 ventures into its shounen roots,  Run with the Wind does extremely well in its last leg, literally, and Kemurikusa girls part way emotionally. Let’s see how these 4 shows below perform in […]

Kouya no Kotobuki Hikoutai – 09/10 [The Vagabond Leader/ The Aggressive Bombers]

Welp, Kotobuki is getting really good. Normally this is the time where shows reach its final overarching arc, and sometimes it loses a bit of it magic because of that (like what I currently have with Gotobun), but with its tongue-in-cheek manner and its main storyline that is totally unexpected but weirdly fit to the […]

Boogiepop wa Warawanai (2019) – 15/16 [Overdrive: The King of Distortion 2/3]

The nightmare never seems to end. During episode 15, we have three separate segments of characters stuck in their own dreams: Makoto’s mother, Sakiko and Kentarou. Play into Boogiepop’s strength, these characters have their own drama and each of their story explores different aspect of this phenomenal, all related to the King of Distortion himself. […]

Kaze ga Tsuyoku Fuiteiru – 22 [Embrace Your Loneliness]

Hello all and welcome to the penultimate episode of Kaze Fui! This week we see King’s struggle, Kurahara takes off and Sakaki becomes a little less hate-able. Lets take off running, we have a lot to cover! In terms of animation and production, Kaze Fui surprised me this week. I didn’t think that, after Yuki […]

Kemurikusa – 08/09/10

Welp, I don’t think I have taken that long break before since I started blogging. My life has been busier than usual lately and I also feel a little bit burnt out from blogging lately. Writing can be a pain sometimes. Hopefully this is just a temporary slump because I’m not intending to stop blogging […]

Dororo – 11 [The Story of Banmon, Part 1]

Lets skip the preamble this week and just dive in to Dororo! On this episode our plucky pair explore Daigo’s city, fight some fox spirits and get in a bit of a pickle. Lets go! Startin off, Dororo had some interesting visuals and colors this week. With the Fox Spirits and the Crazy Woman sticking […]

Mob Psycho 100 S2 – 11 [Guidance ~Psychic Sensor~]

Hello and welcome once more to the Mob Psycho 100 blog, where I gush about Mob Psycho 100! This week see’s an old villains return, multiple defeats and more of Mob’s growth. Lets dive in! Now, at this point I feel like a broken record when talking about Mob Psycho’s animation. But the fact is, […]

Latest Reviews

A quick and dirty review of Garo: Vanishing Line

What it claims to be about: A secret order of knights and alchemists, the Makai Knights and Alchemists, fight horrifying creatures called Hollows who prey on human weakness .Part of the media franchise spanning anime and live action shows, this iteration is set in modern metropolis and concerns the attempts of Sword, the strongest Makai […]

Planetes Anime Review – 89/100

If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]