Posted by SuperMario on 7 July 2016 with categories: Anime Reviews, Reviews by SuperMario, World Animation

Welcome to my first movie review on World Animation section, the column where I wholly dedicated to indie/ art-house animated features around the world that hardly got coverage anywhere really. And what’s a better way to start this section by reviewing one of the most talked about animation movie this year, the one that I believe will continue to gain more devoted fans for years to come. The one that debuted back in Cannes this year with rave responses. Yes, let’s get to The Red Turtle today.

The Red Turtle is a brainchild of the director Michael Dudok de Witt and Studio Ghibli. If you never heard about the director, he’s an auteur animator who directed award-winning shorts Father and Daughter, the short was so acclaimed that many big animation studios approached him to direct their blockbuster movies, all of which he declined. Then one day he received a letter from Ghibli Studio stated that they thought his shorts looked very Japanese and they wanted to make a film with him. If you think the involvement of Ghibli could make this movie a more anime influences, you got yourself in a bind there, because this is unmistakably a Dudok de Witt film with more of European arthouse sensibility, with the slow and deliberate but confident pacing, and the film is more about sense and experience and many details are more open to interpretation than offer any precise meaning.

Looking from the outset, the film sounds like a really challenging work. This is a dialogue-free film about a man who washed away to a deserted island. He tries every opportunity to escape from the island, but always get disrupted by the giant red turtle. Then the man and the turtle form a closer relationship to each other and ultimately the man finds a way to adapt to his new life. And that was just the first 15 minutes of the film. For a full length feature film with no actual dialogue, it’s a feat that the movie maintains the attention to the very end. Indeed, trying to explain the plot of a film, or trying to recapture it in words, is already a disservice to the film. The Red Turtle is a film in its purest form, a visual storytelling that will lost its impact if it gets portrayed in any other forms.

Apparently, Dudok de Witt initially planned to have a main character to speak to himself, like what Tom Hank character did in Cast Away, but then he scrapped the idea since he felt that the dialogue (monologue?) was too unnatural. But without dialogue doesn’t mean this is a silent movie. The sound of the movie, that include both natural sound and the score, is one of its greatest achievement. The sound helps assist us to follow every steps the main character takes, really put us in his shoes as we follow him around. Those sounds create a whole surrounding very detail too, close your eyes and you can hear the wind breezes, the waves of the ocean, the steps of the man and those animals at the same time. The score is equally impressive, at most times it’s slow and tender, but other times thrilling and exciting (like the very first scene or during the flood sequence). Visually, Dudok De Witt implies a very plain character designs against a natural but well-detailed and rich world the main characters inhibit. The background is expressive, with too much details was put on it. From the bush trees, the little crabs who seems to follow the waves, the baby turtles go around the bench, all these really create an atmosphere to the island. The animation and the shot selections are all top-class, which holds much of our attention throughout its 80-minutes length.

The film maybe about a man who float in an island, but the plot never feels plotless. Everything happens contribute to the main themes, which are the connection between human and nature and the passage of time. The film chronicles the man who struggles to find a place in a nature that clearly not for him, to him having a family and has something to hold on to. As the man got older and wiser, he himself realizes he’s just a small part of the world, like every plant, animals around him. His passed away in the end is just as well a part of that cycle of life.

It’s rare today that can give a work that are original, mature and ambitious as The Red Turtle, especially against the backdrop of the dominance of computer animation in feature-length movies for the last 20 years. The Red Turtle, with its simple hand-drawn techniques, already feels like a timeless production, and the film is even more significant given the fact that this is co-produced by the beloved Ghibli, now on its semi-hiatus phase. While this film bears little resemblance to Ghibli’s original outputs, this is clearly a production of both the director Dudok De Witt and Ghibli; in a sense that The Red Turtle would not exist without those two. With so much efforts were put on this picture, it’s the more astonishing to realize that the film had achieved something so difficult to attain: simplicity.

Next post in this column I will review the film that just won the Annecy Festival this year. Stay tune!

~SuperMario~

6 Responses

  1. Avatar martin says:

    Im so looking forward to this film, looks gorgeous and I do like silent films. when you mentioned the movie is a microcosm on the circle of life, i was reminded of a couple movies, Samsara and Baraka, two great experimental films that capture that as well. although Samsara may be a bit more focused in its approach, it had a particular comment on the impermanence of our world.

    • SuperMario SuperMario says:

      There’s certainly a more story’s focus on The Red Turtle than Samsara and Baraka. In a way, this is more in tone Spring, Summer, Fall, Winter, and Spring in its silent treatments on the circle of life and passage of time (without all the cruelty and religious stuffs)

  2. Avatar Joanna says:

    I really want this film to do well. I know it’s going to be a good year for animated films since there are already a few really good ones like Zootopia, April and the Extraordinary World, Kung Fu Panda 3, Only Yesterday, Belladonna of Sadness, and now we can include this one.

    • SuperMario SuperMario says:

      Just so you know, Only Yesterday and Belladonna of Sadness are re-released, so they are not technically this year’s new inputs. The Red Turtle has Ghibli backing so I think it could end up do well. Don’t worry.

      But you keep your eyes on “Loving Vincent”. It gonna be the first fully painted animation film. If that one can release in time this year, it could be a sensational. I watched the first 10′ of the film and I’m already stunned with the contents. You can watch the trailer here:
      https://www.youtube.com/watch?v=47h6pQ6StCk

      There’s also a French animated film called The Little Prince, which I think pretty good as well, and it’s available online right now.

  3. Avatar Mulligan says:

    Saw this at a screening on Monday with a Q&A with the director. I’m a big Ghibli fan but should say this is very much Dudok de Wit’s film – Ghibli provided some money and distribution but that’s about it – it’s much more European in feel and not at all like the usual Ghibli fare. That said, I loved it, though my 8 year old found it a bit of a slog.

    • SuperMario SuperMario says:

      Thanks Carey Mulligan(!), I totally understand if kids find this movie unappealing. It’s a demanding movie from start to finish. I originally thought The Red Turtle could break into the anime fandom with the backing of Ghibli, but that isn’t the case unfortunately.

      Like I mentioned in the chatbox, ANN reviewed this movie and they picked the wrong angle to compare this film with Your Name because they’re just incomparable. In term of which one I think is better, you should know by my overall rating.

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