Posted on 30 September 2016 with categories: Currently Watching:, Mob Psycho 100

It is a remarkably cheap tactic to pull a fake death right before the climax but that aside this acted as a decent finale to Mob Psycho. Through it’s clear that a second season is needed as the story does set up for one and sadly I doubt this has as high a chance of getting one. Well the show gave us the illusion that Reigan was hiding tremendous power only to have it be him borrowing Mob’s power for a moment. This gave Reigan the perfect method to combat the Claw members as with their powers rendered useless Reigan was able to make use of his greatest asset, his ability to talk anyone down. The members of claw that were presented as entities of dark ambition we stripped down and shown how childish their motives were. Even the gas masked leader was reduced to a whining baby in face of Reigans logic.

The battle here was explosive but ultimately Reigan beat claw by breaking down their entire being and showing them just how fragile it really was. In typical shounen it’s par for the course for heroes to force their logic on someone by beating them up. Even Touma from the certain magical index series literally punches his logic into villains until they agree with him.(Made all the more hypocritical when you consider this boy has the life experience of a pillbug) Here Reigan isn’t truly fighting the enemy but rather making them realise just what they are doing. Ultimately it’s the more mature manner of dealing with the problem and a real solution. Enemies beaten up can easily stand by up and continue fighting another day. Enemies stripped of all reason to fight have no reason to return. Batman maybe should start taking notes. I find it strange that the series decided to include a small story about Reigan and Mob hunting a UMA in it’s  final minutes but I suppose it shows that life goes on for Mob.

My overall feelings on Mob Psycho are lukewarm personally. I see that it has merit, it certainly has impressive animation and a interesting story. However I find that it didn’t quite grab me as I thought it should. Perhaps this is how some people felt when watching One Punch Man and it not hitting them as hard as it did with others. Though it that is the case perhaps something like Mob Psycho is more to their tastes? The story isn’t exactly what I would call deep but it holds some interesting food for thought while being entertaining. It subverts a viewer’s expectations  bring a more interesting turn of events to stereotypical shounen plotlines. Characters go through some interesting arcs like some side character previously acting niferous only to come to terms with themselves and become better people. Humor was a hit and miss aspect as usual for me but in this case I think Mob Psycho 100 fell short of the bar when compared to it’s brother. Despite efforts from the team to essentially one up OPM I think Mob Psycho is doomed to live in the shadow cast from it’s more popular sibling. But even then it does stand out when compared to other anime. When checking out ONEs work in the future, Mob will likely be a secondary choice but none the less it will still be a worthwhile watch.

Posted on 29 September 2016 with categories: Berserk(2016), Currently Watching:

I am truly sorry for the delay. I know I know … these excuses are becoming exceedingly homologous of a young student who has been procrastinating on his homework, but I give you my word, for at least what it’s worth, that this is certainly not the case. I have been preoccupied with my pet’s medical condition, and that has taken a toll on my time, wallet, and the ability to focus and attempt to give somewhat of a fair analysis. I thank all of you for your patience and support, and finally will attempt to dive right into the first cour finale, titled ‘Those Who Cling, Those Who Struggle’.

The episode picks up right where the last one left off, with our heroes torch in hand ready to brave the encroaching horror that is engulfing Albion. Down by the courtyard we get one of the last scenes of Luca comforting Nina and once again endangering herself to shelter her. Nina has the bulk of her growth in this very episode, which basically adds up to her accepting her weaknesses and choosing to follow her destiny; wherever that may lead her.

Now we head back over to Guts and company on the ramparts, attempting to ward off the encroaching phantasm. I took extra note of Isidro’s remark regarding the fact that if the miasma is powered by human suffering, then how come the whole world is not already engulfed by such a conglomerate? However, the fact of the matter is that Isidro is still unaware of the significance of the event unfolding at the tower at this particular night; which has rendered the boundary between the physical realm and the astral world especially uncapacious.

Farnese’s whimpering has also become rather grating by this point, but thankfully this will be the turning point for her. What is refreshing though is her newfound admiration for Guts. This follows a trend that has been steadily developing, but as I will explore in my season review this still doesn’t necessarily lead to her becoming a more compelling character in the future. I liked Guts’ remark about not wasting time on prayer, as she will need both of her hands for fighting. This is on the surface referring to the physical gesture of holding hands together during prayer, and also insinuating that any preoccupation with faith and prayer will only detract in a real battle.

At the top of the newly-formed Godhand tower the Egg of the New World is about to hatch. Puck remarks that the mass of souls are all screaming in unison. It is implied that the spirits are all pleading for some form of salvation to come and free them from their hellish existence. Griffith reborn as the Hawk of Light pierces the darkness, and seemingly offers respite to the damned souls; albeit the truth is far more sinister than what meets the eye. Upon the completion of the reincarnation ceremony the tower crumbles and all the ghastly tide retreats back towards the depths of the Vortex.

We get a brief introduction to Schierke, her master Flora, and the female elf Ivalera, as the percussions of the ceremony are felt throughout the land. This is a very significant event in the world of Berserk, and it can be argued that everything since the Eclipse has been leading up to this moment. The new series has also been emphasizing this, by creating a momentum through its pacing that has steadily marched towards this encounter. For such a long build-up and implied preeminence, this moment was handled rather poorly. Any gravity that is present here is mostly achieved through the viewer’s familiarity with the world and the characters, while the contributions of the actual show add up to bot all that much.

The gang’s reunion is interrupted by the appearance of Silat and his Bairaka clansmen. He uses the term “Krishna Sena” to refer to Gut’s party, which upon some research seems to roughly translate to ‘God’s Legion’. This might be a reference to the perceived supernatural circumstances that Silat has come to associate with each of his prior encounters with Guts. We get another action scene, which while short-lasting is still done more competently than some of the previous ones. We get Guts cutting through a whole squad with a single slash, as usual, while Serpico utilizes an interesting triple Remise to neutralize three opponents (this is a fencing move that is achieved by rapid thrusts without withdrawing the sword after each attack). Jerome, Isidro, and even Azan join in the fray, and for a moment we get a glimmer of the harmony that the original Band of the Hawk displayed during the Golden Age.

This continues until Zodd makes his re-entrance. They translated one of the soldier’s remarks regarding Zodd as “Bada”, which I can only assume is a stand-in for the word ‘beast’. Seeing Zodd can only mean one thing: that Griffith is not too far behind, and right on queue- here comes the bride! Guts is about to go full berserker, but seeing the distress in Casca reminds him once again of his priorities, signaling a growth in character that has taken him far past his Black Swordsman days. The Skull Knight also drops in to make this a proper family reunion.

The final section is dedicated to tying up some loose ends, and establishing Guts’ new fellowship. Luca is found to have survived by falling/hiding in a well. This serves as a clear parallel to the old lady who survived the atomic blast in Nagasaki by accidentally tripping into a well, as illustrated by Fred Weiner’s famous 1978 World War II documentary The Unknown War.

We proceed to set up each character’s objective, and this serves as a segue into the inevitable second cour. All in all, this finale was not as bad as I thought it’d be, but to be fair my expectations were very stunted by this point. The whole thing was true to the source material and quite serviceable, but also devoid of much real joy and excitement. Not all of this is the fault of this series however, and I will soon delve into all of that with much more detail in the upcoming season one review. I am already working on that, and aim to make it the most critical and literary analysis of the show as a whole. Thank you for your time and continuous patronage, and stay tuned for a comprehensive look at Berserk 2016.

~Bam~

Posted on 28 September 2016 with categories: Currently Watching:, Orange

We come to an end of orange’s ride. After teasing us for a whole season whether or not history repeats itself, they decide to go with a happy ending route. While I’m not entirely happy with orange as a whole, this double-length final episode succeeds on closing the story in high note. At the very least I’m glad these kids turn out to be alright.

But first let me lay out some issues I have with orange. First, orange decides to jump from the new year eve events to the valentine day, and it doesn’t ring well for me. Orange has always been about progression, be it how far Naho and the group would go to save Kakeru, or about Kakeru’s fight for his inner struggles. Making that time jump kind of defeat that purpose. You could argue that it will end up being the same: Naho struggles, Kakeru ignores the rest, the group tries best to help; but I want to see those conflicts. Another problem I see is the double-length, and for that I blame the series composition staff. The story stretches out too thin in the middle part (we spend an entire episode on Naho’s hangover after Kakeru dated Ueda for example; or the sport events that eat up nearly 2 episodes), and now they have to rush things over for the final episode. I feel no time was wasted on this week’s episode, but the first half could easily be in last week, so we’d have more time for the final climax.

Ueda reappears for the last time, but the show still frames her in a very bias, negative light. It’s hard to care for a character when the creators clearly don’t give a damn about her. That is for me orange at its worst. Ueda is a throwaway role, she will always be a pretty stuck-up bitch that everyone in orange hates, and thus the creators persuade us to hate her too. For a show that relies heavily on characters and their interactions, she ultimately becomes a sore thumb in an otherwise endearing cast.

On Valentine day, Naho desperately wants to give him her chocolate, but finds herself to be consistently pushed away by Kakeru. At long last, she finally confronts him and he tells her what he truly feels. It’s good to see Naho finally cracks the wall Kakeru created all by her sincere efforts. But there’s one thing that I don’t take it very well. She thought that it was her own fault for being insensitive in New Year Eve that things become awkward between the two. When she blames herself for something she clearly isn’t responsible for, it makes me really think if this relationship is healthy. Imagine when they really being together; she’d constantly blame herself or struggles to make Kakeru happy. I’m not sure if Kakeru could make her happy, but I know for a fact that if he keeps his attitude like that he’d never make her happy. Setting up romance when he’s clearly not ready for it is not a good move by a long shot.

Which lead us to the final climax, when the group literally try to save Kakeru the day after the Valentine. This time I pretty much appreciate the sequence through Kakeru’s point of view last week, because we already know how his mom’s unsent message could potentially affect him, thus we understand what are at stake here. The main different in action between Kakeru in his previous timeline and Kakeru now is how important those friends are with him now (well, that and the broken bike). That thought “What would they feel if I die” pretty much sums up the change in Kakeru’s character arc. At least now he has something to live for.

Moreover, he receives the letters from their friends’ older self and I personally think this is the most effective payoff orange pull off narratively. This story is all about regrets, and the only people who still having regrets are their adult counterpart. In their world Kakeru had long gone and there is nothing they could do to change that. That is why their letters to the living Kakeru bring out the most emotional honest orange could ever have achieved. All those heartwarming moments of course is conveyed through a sensitive direction and on-par production values. I agree with most of this episode artistic choice (from using random passerby to highlight the distance between Kakeru and Naho in the beginning, or the only windy sounds during the ‘car crash’) and the production actually gives orange the quality it deserves to have. Everything looks just gorgeous here. If only they could deliver every episode like that.

Now to those who don’t know, there was an announcement that orange will have a theatrical film that will come out at the end of this year. It is a retelling of sort from a perspective of Suwa. While I’m not really that excited to check out the film, I think the sequel could potentially be better than the series. Both because Suwa’s role in this whole affair is more complex than others, but also he’s the most mature and the most observant out of the group. Naho and Kakeru always stuck in their own thoughts that they rarely look around and notice those around them. Suwa aware of all that, and that quality makes him a rather interesting protagonist. Well, I will save my thoughts on orange’s overall quality in the final review, but at least we have this last episode: one of the most effective ending we could ever hope for in orange.

Posted on 27 September 2016 with categories: 91 Days, Currently Watching:

So this is it? This is the grand master plan of Avilio’s brought to full fruition? I guess it is and let me say that it’s certainly a let down. Edmond Dantes Avilio is certainly not as his plan pretty much feels like he was going along with the flow and calling it a plan. I mean there is just so much that could go wrong here, for example what would Avilio have done if Barbero hadn’t found him before entering the room with the Don? What if Ganzo didn’t hinge the entire plan on Avilio? Actually what was up with that Ganzo? Did you really decide to completely trust the guy with the shady eyes who stared at you with murderous intent any chance he got?  I guess you could say I am just irritated with this as with the Avilio has been portrayed through the series I expected his plan to be more interesting than just walking into a booth and shooting someone.

He did mix it up by shooting the Don of the Galassias spurring the family to take out Ganzo and decide to wipe out the Vanettis thus making it that he wasn’t just out to kill the four people of the letter but to destroy the entire Vanetti mafia family. Whether this was Avilio’s agenda from the start or a new decision after the family forced him to kill Corteo is anyone’s guess. Again, the boy doesn’t make his inner workings known but we do see that Corteo’s death did have an effect on him. Seeing hallucinations of his old friend seems overkill but it is nice to see Avilio express something that isn’t his usual impenetrable demeanor.

Vincent brings up the murder of Avilio’s family and it shockingly resembles that of Corteo’s death as he did it in order to prevent the Galassia’s from destroying the Vanetti’s. I say that does make killing Telsa understandable but I don’t get why you had to kill his family along with him. That just seems excessive. Either way I began to think that Avilio wasn’t really aiming for the Vincent’s life when it was revealed that Vincent is already dying. KIlling him now would be a kindness and having it be by the hands of the son of the man he regrets killing would help relieve him of his sins. But why is it that we only learn of this now, right before his death? This is what bugs me about this series the most, it only lays down the groundwork in the episode it becomes relevant.

Vanno was given extra development in the episode where he dies, Ronaldo and Fio’s relationship was only highlighted in the episode he dies and she is put on a bus, Ganzo was only made suspicious in the episode he was outed as the one who wrote the letter and even in this episode the Don of the Galassia’s is introduced for the sole purpose of dying in the exact same episode. You can argue this keeps future episode unpredictable but the problem is that you expect what is happening in the episode itself for whatever character becomes relevant becomes the focal point of the episode. I would prefer it if these things could have been alluded to beforehand and it’s not as if the series couldn’t do that. It spent an episode with Avilio and Nero getting chased by a Mexican terminator, wouldn’t it have been beneficial to cut that out and use the time to flesh out these plot points? I for one would have liked to know that person who got stabbed to death by Avilio and the others because he seemed pretty badass.

The episode ends with Nero finding out secondhand from his father about Avilio’s betrayal and Avilio lying bleeding to death in an alley as they taunt the idea of that being the end for him. Not buying it show, he still has to face off against Nero so he ain’t dying yet. Having played it’s greatest card the final confrontation is the last note to me this show can redeem this lackluster plan. Maybe after having watched the finale DanganRonpa Despair and seeing someone enact a master plan that resulted in a mass genocide and throwing the world into chaos, Avilio’s plan felt a little low key for me to be all that impressed.(On a off note those DanganRonpa animes airing this season really were quite excellent.

I probably should have covered DanganRonpa despair as that really was something.) So as this series draws to a close I think over it and say that it was disappointing but nonetheless a solid show. If Funimation happen to give the dub the Baccano treatment then it could go up in value for having the accents but the story itself is just rather muted and not as exciting as one would expect. it could be on me for expecting something more bombastic rather than methodical but even then I think this series keeps its cards too close to hand for a viewer to get interested in the inner workings. A finale can change a lot but I don’t expect this series to have much left in surprises.

Posted on 26 September 2016 with categories: Currently Watching:, Thunderbolt Fantasy

Now, we just have one episode left, but things get even more intense and crazy by the minute, to the point I don’t really know how they would wrap it up neatly. At the beginning Shang Bu Shuan was mocked by Juan Can Yun that he should be titled “Edgeless Blade”, because his sword-style is all for show and has no edge at all. The sword that Shang Bu Huan is wielding, as it turns out; is not a dull blade after all. Well, to call it a sword would be an exaggeration. He just takes a piece of wood and paints it over, because apparently if he uses a sword with sharp edge he would cut the mountain in half (just from seeing how he cuts a person in half with this piece of wood). The trick is that he’s a master of using energy flow (Qi) to form force, so even a piece of wood (or his more extreme examples: a cloth or hair) can split flesh if using the right force into it. If we put it that way it feels much more like a martials art than a swordfight, but nevertheless it remains awesome.

After this episode, I’m more convinced that Shang Bu Huan might actually been in the demon realm already. He’s already in doubts that the demon Yao Tu Li was in the demon realm, which pretty much set up nicely to the last half’s development. If the demon Yao Tu Li isn’t in the demon realm, and it has disappeared from the human realm for nearly 200 years; where has it been then? The answer is he has been sleeping under the seal of Tiang Xing Jian sword. The nature of that sacred sword is become much clearer in this episode, that sword is never meant to kill the demon god (because the demon gods can’t be killed, when it’s destroyed it’ll transform to other forms), or send them back to demon realm (because then they will cause havoc again the minutes they come back to human realm), but to put the demon to ‘eternity’ sleep. I can understand that rationale, but I doubt this is the only function that sacred sword Tiang Xing Jian can perform. I’s amused to see how this most powerful sword be handled by Shang Bu Huan (famously known as the man who doesn’t need sword). That moment will come my friends.

Now we head to the clash between demon and human, which I admit that I had never thought it would turn out that way. Xing Hai once again steals the episode’s best moments (or is it just me? I simply can’t get enough of her) as it is revealed that she goes along the plan of stealing the guard back, just so that they can release the demon Yao Tu Li. She even singlehanded strangled her partner Shou Yun Xiao to death, disrupting his plan to seal the monster back again. The most similar comparison I get about those characters are those of Baccano. In Baccano, the writer Ryougo Narita once mentioned that his characters write the plot. He thinks about how those characters would act in that specific situations, and then manage the plot accordingly. As a result, there are many characters who are more active than others, but they would never betray their set of standard. In addition, there’s always a room for those characters to breathe. I have this exact same feeling about this set of characters. They have their own over-the-top way of acting, their worldview, their philosophy and they stick to those principles till their last breath. Sha Wu Sheng the Screaming Phoenix Killer never forgets that he’s an assassin, or Xing Hai always reminds us that she’s a demon through and through.

Finally, to our master thief Lin Xue Ya, I’m amazed that even at this point (when the most fearsome demon is about to wake up), he only thinks of the way to steal from Mie Tian Hai. It comes as rather childish to me. He eventually figures out that the legendary sword Tiang Xing Jian is NOT what Mie Tian Hai treasure the most, but it is his own swordplay. He’s too proud of his skills that he thinks only the scared sword would be worthy for he to wield. As a result, Gui Niao intends to fight him, if he wins the duel then it would prove that Mie Tian Hai’s swordplay is not that extraordinary… you know, that kind of logic. But how well Gui Niao is at wielding sword? Especially that pipe-sword? Thunderbolt Fantasy is getting to an end, but there’s still plenty of tricks up its sleeve and I can’t wait to see how it all wraps up.

Posted on 23 September 2016 with categories: Currently Watching:, Fate/kaleid liner Prisma☆Illya 3rei

I will be the first to admit that this season of this series disappointed me. I still stand by my word on this being better than previous seasons of the show but watching it fold out in animation has made me begin to think I was overstating just how good it really was. Though part of the problem is that Sliver Link really cannot match the level of quality of Ufotables adaptions though at times they can reach it temporarily. At the end of the series it’s clear that the budget or time constraints got too tight and sadly they ended up ruining what was to be the best moment this season had to offer. I will give credit where credit’s due as Silver Link did deliver on providing a new version of the Emiya theme. To anime only viewers this may have been a good scene but to those who have read the manga we know as to how good it’s supposed to be. The events may play out the same but how they were shown is worlds apart. You can take a quick look at chapter 23 of the Drei manga and you will likely see what I mean. You would be surprised in how a change of framing can affect a scene.

Overall the climax played out decently with naturally a Deus Ex Machina by the name of Tanaka needed to turn the tides. Bit confused on why Julian gave permission for Beatrix to vaporize both Illya and Miyu with a thunderbolt when he intends to use them as holy grails. His motives still remain unclear as well as he states that even if Illya can save Miya and the world then that’s all she will be able to save which is a bit to cryptic to pick out his true intent. Still it rather annoys me the small changes Sliver link makes that only really serve to worsen the series. For one they have always tended to cut out a bulk of the humor and treat it a bit more seriously when the manga tended to throw out jokes even at the dire points of the story. If one thing suffered in these adaptations it’s certainly the humor. They also have this strange tendency to add a big friendship speech at the end of each season that was never in the original material.

Here they have Miyu giving one to Shirou which really did feel like they added it merely to eat up some spare time. Another thing is the fanservice, I would say there was no fanservice in the manga because their most certainly definitely was but in these adaptations it really has been turned up a notch. For example this episode had a small extra scene showing Rin and Luvia in the bath for pretty much no real reason. But especially undignified with the Miyu scenes in this season as I notice a small shot in the last episode of Miyu struggling in the mud as it drags her down and they decided to add a blush to her cheeks which seems to suggest that “Yeah, she’s into this”. I am not looking too much into that, go ahead and see it yourself. I am not foolish enough to believe this show got four seasons because it’s Fate related and people were in it for the story. But can we not have some self respect here? If someone calls this show Loli porn I want to be able to deny it without hesitating to think about it.

Now there’s word that a Prisma Illya movie is in the works which actually has me intrigued. The only material left of the manga is a flashback arc with Shirou telling his story as shown by the end of this series. Quite frankly this flashback arc is the best part of the entire series and the choice to make it a movie may have been quite wise. That way they can give it the budget it needs so we don’t have a repeat of what happened here. But also this flashback arc is too short to fit into another season and if they don’t shove anime original content in it then it should fit nicely into a hour and a half or two hour movie. (The only anime original content I want in my Fate adaptations is more fight animation.) The way the flashback is structured as well makes it fairly self contained and manages to provide a satisfying climax which should serve as a great final act for the movie. All and all I approve this move but remain skeptical that Sliver Link can pull it off. I am also more than a little worried that they might try to shove in more fanservice into the story and I have made my stance on that point clear enough.

I am not really in a mood to write a review of this one so I might forgo doing it. Sorry to let down all five of you who actually care about these reviews.(Five may be a generous number) For the most part I covering this series was for my own self indulgence but even then I was surprised at just how little I could say about it. I thought I would be able to blab on and on about Fate material but as the pace slowed down I found myself with little to work with. Maybe I will be able to indulge myself with the fate material coming next year as we ain’t doe with this franchise yet. We got the heaven’s feel movies, a Prisma Illya movie and a Fate/Extra tv series coming. On that last one I couldn’t really care to be honest as the story in that game wasn’t noticeable and pretty much the only redeeming factor would be red Saber. A Fate/Apocrypha adaption would be a much better choice seeing as it’s the closest thing to what people could consider a Fate/Zero 2. Well till then people.

Posted on 22 September 2016 with categories: Currently Watching:, Mob Psycho 100

Looks like I need to eat my own words as it turns out Reigan isn’t the organization’s leader but he managed to convince the guards that he was. This was definitely Reigans finest moment as he makes use of pure deception to catch everyone off guard. He has absolutely no idea what exactly is going on and yet through pure luck and his own abilities as a conman he manages to catch the espers of Claw off guard. The result is a funny yet rather impressive feats of Reigan as he demonstrating his “Special moves” such as distracting someone with a hypnosis coin and then walking up and punching them. We also get to see just how Mob met Reigan and how Reigan gives Mob the most important life lessons he needs while still being a pretty shady individual. It is rather surprising as on first impression of this series I thought he would be a character whose act would make him utterly despicable but he may have very well have earned a fanbase with this. He may be using Mob but that doesn’t mean he doesn’t care about Mob.

In fact he may be the very person who cares the most as the others push Mob to unleash his powers, Reigan is the one saying no. In fact even when it comes to his clients Reigan at least lets them leave happy as opposed to the other con artists trying to frame Mob. Even his view of seeing the members of Claw as children who didn’t grow up is not inaccurate. After all they are acting like Saturday morning cartoon villains with their plot to take over the world and their reliance on force instead of reason shows the level of their immaturity. Still despite Claw fighting to the death, Reigan says that there is no reason to fight and they should run. His logic is flawed in that Claw isn’t going to just leave Mob alone if he runs away from this place but he did manage to prevent Mob from using his power to kill the Claw members. Or at least…almost. Considering how the episode ended it could very well be the case that Mob will aim to outright kill them. I doubt Reigan is actually dead though as I most certainly didn’t see any blood.

Ritsu’s story arc looks to have come to a close as Mob shows him that in the same way that Ritsu looks up to him, Mob holds high respect for Ritsu’s abilities outside of Psychic powers. His character arc was handled a little haphazardly but overall this works. Other than that we get the kind of animation you would expect from this show at this point, highly fluid and dynamic. It really is shows like this that show how far animation has come. In the old days you could only expect animated fights like these from movies or the opening of an anime. Now we can actually get anime that live up to the quality of their openings. Next week looks to be the finale of the show and it certainly has turned out to be more or less the hit of an otherwise rather weak season. WIth it’s interesting animation and solid storytelling make a worthy part of ONE’s body of work. Though sadly it’s chances of a second season are not quite as certain as One Punch Mans. If anything this series shows that ONE is not a one hit wonder(Pun not intended.) and does have talent as a storyteller. His talent as an artist is more up for debate but I certainly can say the guy can tell some interesting stories.

Posted on 21 September 2016 with categories: Random Anime Recommendations, Uncategorized

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Well, after the Versus Show, how about some in-depth anime discussions this time? In this section I will talk in more details about anime/ manga that I’m passionate about. Please note that this is not an actual review. Honestly, I never truly agree with the concept of reviewing (and rating for that matters) at arts, at something we suppose to feel subjectively. If I want to review that much I’d rather be critic. But I’m not, at heart I’m an anime fan who love this medium just like you guys. This in-depth piece not only give me a deeper look at the works that cut me deeply, it’s also serve as a reminder of why I love anime in the first place.

Lately, the world of The Flowers of Evil just can’t seem to escape me, which is quite reasonable to be honest because psychological drama is always my thing. After all, one of my favourite director is Ingmar Bergman. For those who say this is a horror work: NO, it’s not. It feels more like TERROR for me, something that can happen in real life (while horror’s main intention is to scare you, period). I re-watched the anime again after its airing back in 2013, and this time I managed to read the manga to see how it all ends up. Thank god that the manga is finished so I don’t have to wait for months for the next chapters to come. Flowers of Evil is one of the best anime/manga out there to really understand the dark side of growing up, the detachment to the world they live in, the self-confusion, the teen-angst and the obsession and destructive relationships. I will discuss in details below, really whatever springs on my mind. As this is obvious a spoiler-heavy post, please read it at your own risk.

(Read More)

Posted on with categories: 91 Days, Currently Watching:

As we near the end of 91 Days I have taken this time to really think over what this show has presented so far and I admit to be somewhat disappointed. Ultimately the ride has been solid and Studio Shuka have delivered on their promise of making a Mafia drama. However I cannot help but feel shortchanged by how this has played out so far. Things have certainly happened and yet despite this I think that more should have happened. Where are those mobster shootouts shown in the opening? But what I think may be the main factor for this show feeling standard is that despite this show taking it’s time I really don’t know these characters. The guy I found the most interesting died way back in episode two and since then no one left has matched his caliber. Nero is fun but since taking the mantle of the Don he has lost the playful side of his character. Avilio is an enigma from beginning to end never letting the audience into his thoughts. If this is supposed to be his journey then shouldn’t we see him change as he integrates himself into the mafia? But he’s almost always stoic, never really expressing his emotions.

This episode acted as a sendoff to Corteo who despite Avilio’s efforts to keep him alive is eventually ended by Avilio’s hand. Corteo willingly dies for Avilio’s sake and I am left to wonder. Just what did I know about this person? I understand that in a one cour series than character development is sparse and therefore spread thinly. That said I have come to realize that I really don’t know all that much about these characters. In Corteo’s case I know he’s Avilio’s childhood friend and seems generally uncomfortable with his role in the Mafia. Other than that I struggle to really say much about him. As 91 Days continues to kill off the more dynamic of the cast it’s up to the rest to pick up the slack which I don’t really feel they are capable of it. Ganzo at least is acting as a go conversation partner for Avilio to voice his opinions to but I say his time is now limited thanks to getting Corteo killed. I am betting that he’s next on the chopping block and I wonder just how he thought Avilio would react to him setting up Corteo to die. There truly is nothing standing in Avilio’s way for getting revenge so I would think he should stop messing around and start killing. I really cannot be that hard to come up with a plan to take out Nero and Vincent now. Then after getting Ganzo should be an easy feat as Avilio can blackmail him with the letter. Avilio, if you start the next episode moping around and doing nothing then I say to hell with you.

As for what happens after Corteos death is really a matter of Avilio rocking the boat. Things have calmed down and Nero isn’t planning to make any drastic moves. On top of this Avilio has earned the level of respect that Nero takes his word over the word of his right hand man who is beginning to get worried that Avilio might be stealing his position. He may be the next thing Avilio makes use of in his plans but I doubt he really needs something elaborate to take out his three targets. Please take heed that I am most certainly not calling this a bad show. But rather the premise doesn’t seem to be getting used to it’s full potential. The intent is admirable but we have plenty of build up and need some climax. Otherwise if this show goes out like a wet firework then it’s going to look lacking in hindsight. We still have to learn exactly what the 91 Days the title refers to actually is. For it doesn’t seem to me like Avilio has been with Nero for 91 Days. Perhaps the real reason Avilio was stalling his revenge was so he could meet the quota of 91 Days and not make the title rather meaningless?

Posted on with categories: Shiro no Koukoku Monogatari
Shiro no Koukoku Monogatari - Chapter 41 Review

Shiro no Koukoku Monogatari – Chapter 41 Review

Beat by beat from last time, it’s pretty clear that this is the start of Meriela’ & Friends’ arc, as well as a sort of soft recap on all the central character relationships that we left behind at the capital. A potential rivalry (which I look forward to seeing) between Riede and Meriela is implied, and some loose ends are tied up on their end from the last arc. Contrary to what I thought on my chapter 40 review, the pacing doesn’t seem to be slowing down anytime soon; a new character is introduced despite my prediction that we’d be spending more time between Lectival and Meriela before moving on with the plot. We still are, but it’s moving along a lot faster.

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SuperMario
@anon1058019: yep, and we'll get an original film no less. Welp, I don't mind for more Yuri but everything sounds vague for now. Let wait for more details coming
SuperMario
@Tatami: I'm only watch anime but I'm not a fan at all with the show so I can't really help you on that. In fact this season I couldn't get pass episode 2
Tatami
For guys who only watched AoT anime and not the manga, Im curious what do you think of the current season?
Tatami
The recent 2 epsiodes of AoT pretty much confirmed my guesses of who are the Armored and Colossus titans
Anonymous1058019
Yuri on ICE!!! movie has been announced. Prepare for incoming fangirls. :.D
Spike
Zestiria finale was pretty mediocre at best... Ufotable writers really fizzled at the end. :(
Anonymous1057532
Konstantinos here: I have to disagree. I liked the episode and felt they did a good job giving exposition. I like Meteora. That said when Alicertia meets Selesia. Oh boy, that will be a rumble.

On other notes: Attack of the Titan. If they do not pull a bait and switch, we are not in Kansas anymore.

Shingeki no Bahamut: What exceptional animation.
AidanAK47
It really does feel like this show is aiming to be something akin to Fate/Zero as that too did have a exposition heavy beginning. Difference here is that series had Urobuchi writting and while the man my be more famous for his murderous treatment of characters, he is a master of presenting exposition.
AidanAK47
I hope that's the majority of the exposition done for Re:creators. We established the stakes, rules and factions. So now would be good to focus on the creator and creation interactions plus badass battles.
Honestly I really regret Meteora coming into the story when she's being pretty much a massive exposition device.
Konstantinos Travlos
Hmm the "The Man who Knew 75 Languages" reminds me of the game "The Last Express". Great game. Definitely interested.
Anonymous1056824
moster keaton
Anonymous1056607
ditective conan
AidanAK47
@Anon, Pretty sure you are just trying to pick a fight more than defend the show but a decent show to me would be one that is deeply flawed but enjoyable to some degree. Sagrada reset is not this. It goes out of it's way to be unenjoyable. To me it's a 3/4 out of 10 show. Interesting concept but with a presentation so alien that the viewer can't empathise with anything on screen.
Lenlo
I mean, decent warrants about a 5-6. That, in theory, should be an "Average" show.
Anonymous1055365
It's a decent show. You're being overly critical.
SuperMario
In the Out of Competition slot (you think that I'm finished?), 2 films in particular that catch my interest are the Korean Lost in the Moonlight which looks like a fun and lightheart adventure, and the Norway-Poland co-production adult-oriented The Man who Knew 75 Languagues about the star-crossed love between the Queen of Romania and a titular man, I guess
SuperMario
Rounding up the Main Competition are Animal Crackers, a 3G American family film which I don't have good feeling about; Big Fish and Begonia - a Chinese indie film that divided the critics, but gathered skyhigh commercial success in its mainland China; and finally Zombillenium which sounds like an enjoyable European children film
SuperMario
From other countries, most notable films are the Loving Vincent - the first feature length hand painting; the Chinese black comedy Have a Nice Day that premiered in Berlin earlier this year; Ethel and Ernest which already gained a strong reviews from the UK; Tehran Taboo- a German production about the lives of 3 women in Iranian community, which sound exactly like my kinda of film.
SuperMario
Alright, I'm here to bring you news about the selection of this coming Annecy AKA one of the best animation festival out there. 3 of anime features: A Slient Voice, In the Corner of the World and Masaaki Yuasa's Lu over the Wall will compete for the main competition.
SuperMario
I'm a fan of thought-provoking anime (see Lain, Boogiepop Phantom) but I need to care about the story and characters first before I make an effort to dig deeper to the theme. Sagrada Reset failed on that fronts.
SuperMario
It's not really about being smart/dumb here. As a creator, they already have an advantage to know how the story and plot will play out. I don't mind this advantage because otherwise the plot will become a hot mess. But don't use that advantage as a way to widen the gap between them and the audience.
AidanAK47
Ugh...Ray Gigant was pretty much mediocre up until this point but now it;s utterly asinine. Whoever decided on this endgame needs to be fired. When you are ready to end a game, no player want a ten floor dungion with a boss on each floor coupled with a goddamn boss rush halfway. Just...fuck.
Kaiser-Eoghan
It must be worse than oremo.
Kaiser-Eoghan
I saw some pages of the eromanga sensei manga and my reaction was that I was sad that it actually existed and stated "why would you even" after looking at it.
Kaiser-Eoghan
As an anime example, sekaisuru kado has lots of dialogue but it seems like it could actually be engaging.
Kaiser-Eoghan
So basically no I don't think we're dumb for not liking sagrada reset, given that myself and Mario are capable of watching genuinely smart wordy things and getting them.
Kaiser-Eoghan
@Mario: I can imagine watching Sagrada reset and thinking I'd rather be watching a Bergman film instead , something also with lots of dialogue and themes but actually engaging/clever and NOT pretentious or obnoxious about it.
Anonymous1054942
is it possible that you are all just dumb?
Anonymous1054269
@Mario: I like how you described it as giving a middle finger to the viewers. It's so true. Like, it tries to be intelligent and make the viewer feel stupid, but it just comes off as obnoxious/pretentious.
Lenlo
CGI remains the worst part of it, but we are getting more and more 2D art which I actually enjoy the style of
Lenlo
Its an improvement. The art is better, and maybe its because I prefer this arc, but the pacing is better as well. I gave last season a 3, but this one is more deserving of a 4 and if they can nail certain scenes coming up I may bump it to a 5.
SuperMario
@Lenlo: How's Berserk doing so far? Haven't picked up last week and this week's episodes.
Lenlo
Ground*. I hate it when I fat finger something.
Lenlo
Thats always the worst, when a story starts off promising and then someone runs it into the grouhnd
AidanAK47
@Mario, so it's still at it. To me it's like someone was given an interesting story and made it his mission to ruin it as much as possible.
SuperMario
@Aidan: it's still the same crap. I have a feeling that Sagrada Reset gives a middle finger to us viewers. The plot with development and characters that we have no way to figure out ourselves. The characters who change motive and even personality after each timeline. The main lead girl who act like a robot. I gave this show too many chance so I won't bother to spend more time watching it.
Anonymous1052767
Eromanga sensei
AidanAK47
@Mario, Oh ho, what was the dealbreaker? Just that it didn't change or did something really stupid happen?
SuperMario
Sagrada Reset (long sigh) (scratching my head) (eyes rolling). Dropped
AidanAK47
Hey you.
Konstantinos
Yeah, at this point, this season looks good.
SuperMario
Quite happy with ID-0 and Zero in particular. Zero charms me to no end that I'm still debating whether I should blog it. The trio Re:Creators, Kado, Atom still doing pretty well and the sequels MHA and Bahamut are enjoyable as expected. We have a wide range of anime offerings this season.
SuperMario
Sagrada Reset & SukaSuka I will give it another episode, at least until this current arcs over. They both have potential but Sagrada Reset tries so hard to sound smart, and SukaSuka still falls into its LN tropes which bugged the show down.
SuperMario
*no real urge
SuperMario
I've finally catch up with all other series I wanna follow this season. Alice & Zorouku will be off my list for now, Zorouko is a great character but everything else falls flat so far. I have real urge to continue Attack on Titan and Berserk so I'll wait until they're finished.
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Total users: 30

Featured Posts

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Before I started this episode, I had it in mind to write in this post that the titan designs of this season were far less intimidating and more comical. After this episode however you can consider that though solely retracted. Personal favorite is the titan that appears when Reiner opened the stairway door. If I […]

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Tsuki ga Kirei sure understands about the life of 14-year-old kids would be like. I’m sure we all have different experience about that pre-teen stage of our life, but the life portrayed here is so vivid and true to life that it brings out our fond memories as well. Personally, while not much really happen […]

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