Posted on 30 September 2016 with categories: Currently Watching:, Mob Psycho 100

It is a remarkably cheap tactic to pull a fake death right before the climax but that aside this acted as a decent finale to Mob Psycho. Through it’s clear that a second season is needed as the story does set up for one and sadly I doubt this has as high a chance of getting one. Well the show gave us the illusion that Reigan was hiding tremendous power only to have it be him borrowing Mob’s power for a moment. This gave Reigan the perfect method to combat the Claw members as with their powers rendered useless Reigan was able to make use of his greatest asset, his ability to talk anyone down. The members of claw that were presented as entities of dark ambition we stripped down and shown how childish their motives were. Even the gas masked leader was reduced to a whining baby in face of Reigans logic.

The battle here was explosive but ultimately Reigan beat claw by breaking down their entire being and showing them just how fragile it really was. In typical shounen it’s par for the course for heroes to force their logic on someone by beating them up. Even Touma from the certain magical index series literally punches his logic into villains until they agree with him.(Made all the more hypocritical when you consider this boy has the life experience of a pillbug) Here Reigan isn’t truly fighting the enemy but rather making them realise just what they are doing. Ultimately it’s the more mature manner of dealing with the problem and a real solution. Enemies beaten up can easily stand by up and continue fighting another day. Enemies stripped of all reason to fight have no reason to return. Batman maybe should start taking notes. I find it strange that the series decided to include a small story about Reigan and Mob hunting a UMA in it’s  final minutes but I suppose it shows that life goes on for Mob.

My overall feelings on Mob Psycho are lukewarm personally. I see that it has merit, it certainly has impressive animation and a interesting story. However I find that it didn’t quite grab me as I thought it should. Perhaps this is how some people felt when watching One Punch Man and it not hitting them as hard as it did with others. Though it that is the case perhaps something like Mob Psycho is more to their tastes? The story isn’t exactly what I would call deep but it holds some interesting food for thought while being entertaining. It subverts a viewer’s expectations  bring a more interesting turn of events to stereotypical shounen plotlines. Characters go through some interesting arcs like some side character previously acting niferous only to come to terms with themselves and become better people. Humor was a hit and miss aspect as usual for me but in this case I think Mob Psycho 100 fell short of the bar when compared to it’s brother. Despite efforts from the team to essentially one up OPM I think Mob Psycho is doomed to live in the shadow cast from it’s more popular sibling. But even then it does stand out when compared to other anime. When checking out ONEs work in the future, Mob will likely be a secondary choice but none the less it will still be a worthwhile watch.

Posted on 29 September 2016 with categories: Berserk(2016), Currently Watching:

I am truly sorry for the delay. I know I know … these excuses are becoming exceedingly homologous of a young student who has been procrastinating on his homework, but I give you my word, for at least what it’s worth, that this is certainly not the case. I have been preoccupied with my pet’s medical condition, and that has taken a toll on my time, wallet, and the ability to focus and attempt to give somewhat of a fair analysis. I thank all of you for your patience and support, and finally will attempt to dive right into the first cour finale, titled ‘Those Who Cling, Those Who Struggle’.

The episode picks up right where the last one left off, with our heroes torch in hand ready to brave the encroaching horror that is engulfing Albion. Down by the courtyard we get one of the last scenes of Luca comforting Nina and once again endangering herself to shelter her. Nina has the bulk of her growth in this very episode, which basically adds up to her accepting her weaknesses and choosing to follow her destiny; wherever that may lead her.

Now we head back over to Guts and company on the ramparts, attempting to ward off the encroaching phantasm. I took extra note of Isidro’s remark regarding the fact that if the miasma is powered by human suffering, then how come the whole world is not already engulfed by such a conglomerate? However, the fact of the matter is that Isidro is still unaware of the significance of the event unfolding at the tower at this particular night; which has rendered the boundary between the physical realm and the astral world especially uncapacious.

Farnese’s whimpering has also become rather grating by this point, but thankfully this will be the turning point for her. What is refreshing though is her newfound admiration for Guts. This follows a trend that has been steadily developing, but as I will explore in my season review this still doesn’t necessarily lead to her becoming a more compelling character in the future. I liked Guts’ remark about not wasting time on prayer, as she will need both of her hands for fighting. This is on the surface referring to the physical gesture of holding hands together during prayer, and also insinuating that any preoccupation with faith and prayer will only detract in a real battle.

At the top of the newly-formed Godhand tower the Egg of the New World is about to hatch. Puck remarks that the mass of souls are all screaming in unison. It is implied that the spirits are all pleading for some form of salvation to come and free them from their hellish existence. Griffith reborn as the Hawk of Light pierces the darkness, and seemingly offers respite to the damned souls; albeit the truth is far more sinister than what meets the eye. Upon the completion of the reincarnation ceremony the tower crumbles and all the ghastly tide retreats back towards the depths of the Vortex.

We get a brief introduction to Schierke, her master Flora, and the female elf Ivalera, as the percussions of the ceremony are felt throughout the land. This is a very significant event in the world of Berserk, and it can be argued that everything since the Eclipse has been leading up to this moment. The new series has also been emphasizing this, by creating a momentum through its pacing that has steadily marched towards this encounter. For such a long build-up and implied preeminence, this moment was handled rather poorly. Any gravity that is present here is mostly achieved through the viewer’s familiarity with the world and the characters, while the contributions of the actual show add up to bot all that much.

The gang’s reunion is interrupted by the appearance of Silat and his Bairaka clansmen. He uses the term “Krishna Sena” to refer to Gut’s party, which upon some research seems to roughly translate to ‘God’s Legion’. This might be a reference to the perceived supernatural circumstances that Silat has come to associate with each of his prior encounters with Guts. We get another action scene, which while short-lasting is still done more competently than some of the previous ones. We get Guts cutting through a whole squad with a single slash, as usual, while Serpico utilizes an interesting triple Remise to neutralize three opponents (this is a fencing move that is achieved by rapid thrusts without withdrawing the sword after each attack). Jerome, Isidro, and even Azan join in the fray, and for a moment we get a glimmer of the harmony that the original Band of the Hawk displayed during the Golden Age.

This continues until Zodd makes his re-entrance. They translated one of the soldier’s remarks regarding Zodd as “Bada”, which I can only assume is a stand-in for the word ‘beast’. Seeing Zodd can only mean one thing: that Griffith is not too far behind, and right on queue- here comes the bride! Guts is about to go full berserker, but seeing the distress in Casca reminds him once again of his priorities, signaling a growth in character that has taken him far past his Black Swordsman days. The Skull Knight also drops in to make this a proper family reunion.

The final section is dedicated to tying up some loose ends, and establishing Guts’ new fellowship. Luca is found to have survived by falling/hiding in a well. This serves as a clear parallel to the old lady who survived the atomic blast in Nagasaki by accidentally tripping into a well, as illustrated by Fred Weiner’s famous 1978 World War II documentary The Unknown War.

We proceed to set up each character’s objective, and this serves as a segue into the inevitable second cour. All in all, this finale was not as bad as I thought it’d be, but to be fair my expectations were very stunted by this point. The whole thing was true to the source material and quite serviceable, but also devoid of much real joy and excitement. Not all of this is the fault of this series however, and I will soon delve into all of that with much more detail in the upcoming season one review. I am already working on that, and aim to make it the most critical and literary analysis of the show as a whole. Thank you for your time and continuous patronage, and stay tuned for a comprehensive look at Berserk 2016.

~Bam~

Posted on 28 September 2016 with categories: Currently Watching:, Orange

We come to an end of orange’s ride. After teasing us for a whole season whether or not history repeats itself, they decide to go with a happy ending route. While I’m not entirely happy with orange as a whole, this double-length final episode succeeds on closing the story in high note. At the very least I’m glad these kids turn out to be alright.

But first let me lay out some issues I have with orange. First, orange decides to jump from the new year eve events to the valentine day, and it doesn’t ring well for me. Orange has always been about progression, be it how far Naho and the group would go to save Kakeru, or about Kakeru’s fight for his inner struggles. Making that time jump kind of defeat that purpose. You could argue that it will end up being the same: Naho struggles, Kakeru ignores the rest, the group tries best to help; but I want to see those conflicts. Another problem I see is the double-length, and for that I blame the series composition staff. The story stretches out too thin in the middle part (we spend an entire episode on Naho’s hangover after Kakeru dated Ueda for example; or the sport events that eat up nearly 2 episodes), and now they have to rush things over for the final episode. I feel no time was wasted on this week’s episode, but the first half could easily be in last week, so we’d have more time for the final climax.

Ueda reappears for the last time, but the show still frames her in a very bias, negative light. It’s hard to care for a character when the creators clearly don’t give a damn about her. That is for me orange at its worst. Ueda is a throwaway role, she will always be a pretty stuck-up bitch that everyone in orange hates, and thus the creators persuade us to hate her too. For a show that relies heavily on characters and their interactions, she ultimately becomes a sore thumb in an otherwise endearing cast.

On Valentine day, Naho desperately wants to give him her chocolate, but finds herself to be consistently pushed away by Kakeru. At long last, she finally confronts him and he tells her what he truly feels. It’s good to see Naho finally cracks the wall Kakeru created all by her sincere efforts. But there’s one thing that I don’t take it very well. She thought that it was her own fault for being insensitive in New Year Eve that things become awkward between the two. When she blames herself for something she clearly isn’t responsible for, it makes me really think if this relationship is healthy. Imagine when they really being together; she’d constantly blame herself or struggles to make Kakeru happy. I’m not sure if Kakeru could make her happy, but I know for a fact that if he keeps his attitude like that he’d never make her happy. Setting up romance when he’s clearly not ready for it is not a good move by a long shot.

Which lead us to the final climax, when the group literally try to save Kakeru the day after the Valentine. This time I pretty much appreciate the sequence through Kakeru’s point of view last week, because we already know how his mom’s unsent message could potentially affect him, thus we understand what are at stake here. The main different in action between Kakeru in his previous timeline and Kakeru now is how important those friends are with him now (well, that and the broken bike). That thought “What would they feel if I die” pretty much sums up the change in Kakeru’s character arc. At least now he has something to live for.

Moreover, he receives the letters from their friends’ older self and I personally think this is the most effective payoff orange pull off narratively. This story is all about regrets, and the only people who still having regrets are their adult counterpart. In their world Kakeru had long gone and there is nothing they could do to change that. That is why their letters to the living Kakeru bring out the most emotional honest orange could ever have achieved. All those heartwarming moments of course is conveyed through a sensitive direction and on-par production values. I agree with most of this episode artistic choice (from using random passerby to highlight the distance between Kakeru and Naho in the beginning, or the only windy sounds during the ‘car crash’) and the production actually gives orange the quality it deserves to have. Everything looks just gorgeous here. If only they could deliver every episode like that.

Now to those who don’t know, there was an announcement that orange will have a theatrical film that will come out at the end of this year. It is a retelling of sort from a perspective of Suwa. While I’m not really that excited to check out the film, I think the sequel could potentially be better than the series. Both because Suwa’s role in this whole affair is more complex than others, but also he’s the most mature and the most observant out of the group. Naho and Kakeru always stuck in their own thoughts that they rarely look around and notice those around them. Suwa aware of all that, and that quality makes him a rather interesting protagonist. Well, I will save my thoughts on orange’s overall quality in the final review, but at least we have this last episode: one of the most effective ending we could ever hope for in orange.

Posted on 27 September 2016 with categories: 91 Days, Currently Watching:

So this is it? This is the grand master plan of Avilio’s brought to full fruition? I guess it is and let me say that it’s certainly a let down. Edmond Dantes Avilio is certainly not as his plan pretty much feels like he was going along with the flow and calling it a plan. I mean there is just so much that could go wrong here, for example what would Avilio have done if Barbero hadn’t found him before entering the room with the Don? What if Ganzo didn’t hinge the entire plan on Avilio? Actually what was up with that Ganzo? Did you really decide to completely trust the guy with the shady eyes who stared at you with murderous intent any chance he got?  I guess you could say I am just irritated with this as with the Avilio has been portrayed through the series I expected his plan to be more interesting than just walking into a booth and shooting someone.

He did mix it up by shooting the Don of the Galassias spurring the family to take out Ganzo and decide to wipe out the Vanettis thus making it that he wasn’t just out to kill the four people of the letter but to destroy the entire Vanetti mafia family. Whether this was Avilio’s agenda from the start or a new decision after the family forced him to kill Corteo is anyone’s guess. Again, the boy doesn’t make his inner workings known but we do see that Corteo’s death did have an effect on him. Seeing hallucinations of his old friend seems overkill but it is nice to see Avilio express something that isn’t his usual impenetrable demeanor.

Vincent brings up the murder of Avilio’s family and it shockingly resembles that of Corteo’s death as he did it in order to prevent the Galassia’s from destroying the Vanetti’s. I say that does make killing Telsa understandable but I don’t get why you had to kill his family along with him. That just seems excessive. Either way I began to think that Avilio wasn’t really aiming for the Vincent’s life when it was revealed that Vincent is already dying. KIlling him now would be a kindness and having it be by the hands of the son of the man he regrets killing would help relieve him of his sins. But why is it that we only learn of this now, right before his death? This is what bugs me about this series the most, it only lays down the groundwork in the episode it becomes relevant.

Vanno was given extra development in the episode where he dies, Ronaldo and Fio’s relationship was only highlighted in the episode he dies and she is put on a bus, Ganzo was only made suspicious in the episode he was outed as the one who wrote the letter and even in this episode the Don of the Galassia’s is introduced for the sole purpose of dying in the exact same episode. You can argue this keeps future episode unpredictable but the problem is that you expect what is happening in the episode itself for whatever character becomes relevant becomes the focal point of the episode. I would prefer it if these things could have been alluded to beforehand and it’s not as if the series couldn’t do that. It spent an episode with Avilio and Nero getting chased by a Mexican terminator, wouldn’t it have been beneficial to cut that out and use the time to flesh out these plot points? I for one would have liked to know that person who got stabbed to death by Avilio and the others because he seemed pretty badass.

The episode ends with Nero finding out secondhand from his father about Avilio’s betrayal and Avilio lying bleeding to death in an alley as they taunt the idea of that being the end for him. Not buying it show, he still has to face off against Nero so he ain’t dying yet. Having played it’s greatest card the final confrontation is the last note to me this show can redeem this lackluster plan. Maybe after having watched the finale DanganRonpa Despair and seeing someone enact a master plan that resulted in a mass genocide and throwing the world into chaos, Avilio’s plan felt a little low key for me to be all that impressed.(On a off note those DanganRonpa animes airing this season really were quite excellent.

I probably should have covered DanganRonpa despair as that really was something.) So as this series draws to a close I think over it and say that it was disappointing but nonetheless a solid show. If Funimation happen to give the dub the Baccano treatment then it could go up in value for having the accents but the story itself is just rather muted and not as exciting as one would expect. it could be on me for expecting something more bombastic rather than methodical but even then I think this series keeps its cards too close to hand for a viewer to get interested in the inner workings. A finale can change a lot but I don’t expect this series to have much left in surprises.

Posted on 26 September 2016 with categories: Currently Watching:, Thunderbolt Fantasy

Now, we just have one episode left, but things get even more intense and crazy by the minute, to the point I don’t really know how they would wrap it up neatly. At the beginning Shang Bu Shuan was mocked by Juan Can Yun that he should be titled “Edgeless Blade”, because his sword-style is all for show and has no edge at all. The sword that Shang Bu Huan is wielding, as it turns out; is not a dull blade after all. Well, to call it a sword would be an exaggeration. He just takes a piece of wood and paints it over, because apparently if he uses a sword with sharp edge he would cut the mountain in half (just from seeing how he cuts a person in half with this piece of wood). The trick is that he’s a master of using energy flow (Qi) to form force, so even a piece of wood (or his more extreme examples: a cloth or hair) can split flesh if using the right force into it. If we put it that way it feels much more like a martials art than a swordfight, but nevertheless it remains awesome.

After this episode, I’m more convinced that Shang Bu Huan might actually been in the demon realm already. He’s already in doubts that the demon Yao Tu Li was in the demon realm, which pretty much set up nicely to the last half’s development. If the demon Yao Tu Li isn’t in the demon realm, and it has disappeared from the human realm for nearly 200 years; where has it been then? The answer is he has been sleeping under the seal of Tiang Xing Jian sword. The nature of that sacred sword is become much clearer in this episode, that sword is never meant to kill the demon god (because the demon gods can’t be killed, when it’s destroyed it’ll transform to other forms), or send them back to demon realm (because then they will cause havoc again the minutes they come back to human realm), but to put the demon to ‘eternity’ sleep. I can understand that rationale, but I doubt this is the only function that sacred sword Tiang Xing Jian can perform. I’s amused to see how this most powerful sword be handled by Shang Bu Huan (famously known as the man who doesn’t need sword). That moment will come my friends.

Now we head to the clash between demon and human, which I admit that I had never thought it would turn out that way. Xing Hai once again steals the episode’s best moments (or is it just me? I simply can’t get enough of her) as it is revealed that she goes along the plan of stealing the guard back, just so that they can release the demon Yao Tu Li. She even singlehanded strangled her partner Shou Yun Xiao to death, disrupting his plan to seal the monster back again. The most similar comparison I get about those characters are those of Baccano. In Baccano, the writer Ryougo Narita once mentioned that his characters write the plot. He thinks about how those characters would act in that specific situations, and then manage the plot accordingly. As a result, there are many characters who are more active than others, but they would never betray their set of standard. In addition, there’s always a room for those characters to breathe. I have this exact same feeling about this set of characters. They have their own over-the-top way of acting, their worldview, their philosophy and they stick to those principles till their last breath. Sha Wu Sheng the Screaming Phoenix Killer never forgets that he’s an assassin, or Xing Hai always reminds us that she’s a demon through and through.

Finally, to our master thief Lin Xue Ya, I’m amazed that even at this point (when the most fearsome demon is about to wake up), he only thinks of the way to steal from Mie Tian Hai. It comes as rather childish to me. He eventually figures out that the legendary sword Tiang Xing Jian is NOT what Mie Tian Hai treasure the most, but it is his own swordplay. He’s too proud of his skills that he thinks only the scared sword would be worthy for he to wield. As a result, Gui Niao intends to fight him, if he wins the duel then it would prove that Mie Tian Hai’s swordplay is not that extraordinary… you know, that kind of logic. But how well Gui Niao is at wielding sword? Especially that pipe-sword? Thunderbolt Fantasy is getting to an end, but there’s still plenty of tricks up its sleeve and I can’t wait to see how it all wraps up.

Posted on 23 September 2016 with categories: Currently Watching:, Fate/kaleid liner Prisma☆Illya 3rei

I will be the first to admit that this season of this series disappointed me. I still stand by my word on this being better than previous seasons of the show but watching it fold out in animation has made me begin to think I was overstating just how good it really was. Though part of the problem is that Sliver Link really cannot match the level of quality of Ufotables adaptions though at times they can reach it temporarily. At the end of the series it’s clear that the budget or time constraints got too tight and sadly they ended up ruining what was to be the best moment this season had to offer. I will give credit where credit’s due as Silver Link did deliver on providing a new version of the Emiya theme. To anime only viewers this may have been a good scene but to those who have read the manga we know as to how good it’s supposed to be. The events may play out the same but how they were shown is worlds apart. You can take a quick look at chapter 23 of the Drei manga and you will likely see what I mean. You would be surprised in how a change of framing can affect a scene.

Overall the climax played out decently with naturally a Deus Ex Machina by the name of Tanaka needed to turn the tides. Bit confused on why Julian gave permission for Beatrix to vaporize both Illya and Miyu with a thunderbolt when he intends to use them as holy grails. His motives still remain unclear as well as he states that even if Illya can save Miya and the world then that’s all she will be able to save which is a bit to cryptic to pick out his true intent. Still it rather annoys me the small changes Sliver link makes that only really serve to worsen the series. For one they have always tended to cut out a bulk of the humor and treat it a bit more seriously when the manga tended to throw out jokes even at the dire points of the story. If one thing suffered in these adaptations it’s certainly the humor. They also have this strange tendency to add a big friendship speech at the end of each season that was never in the original material.

Here they have Miyu giving one to Shirou which really did feel like they added it merely to eat up some spare time. Another thing is the fanservice, I would say there was no fanservice in the manga because their most certainly definitely was but in these adaptations it really has been turned up a notch. For example this episode had a small extra scene showing Rin and Luvia in the bath for pretty much no real reason. But especially undignified with the Miyu scenes in this season as I notice a small shot in the last episode of Miyu struggling in the mud as it drags her down and they decided to add a blush to her cheeks which seems to suggest that “Yeah, she’s into this”. I am not looking too much into that, go ahead and see it yourself. I am not foolish enough to believe this show got four seasons because it’s Fate related and people were in it for the story. But can we not have some self respect here? If someone calls this show Loli porn I want to be able to deny it without hesitating to think about it.

Now there’s word that a Prisma Illya movie is in the works which actually has me intrigued. The only material left of the manga is a flashback arc with Shirou telling his story as shown by the end of this series. Quite frankly this flashback arc is the best part of the entire series and the choice to make it a movie may have been quite wise. That way they can give it the budget it needs so we don’t have a repeat of what happened here. But also this flashback arc is too short to fit into another season and if they don’t shove anime original content in it then it should fit nicely into a hour and a half or two hour movie. (The only anime original content I want in my Fate adaptations is more fight animation.) The way the flashback is structured as well makes it fairly self contained and manages to provide a satisfying climax which should serve as a great final act for the movie. All and all I approve this move but remain skeptical that Sliver Link can pull it off. I am also more than a little worried that they might try to shove in more fanservice into the story and I have made my stance on that point clear enough.

I am not really in a mood to write a review of this one so I might forgo doing it. Sorry to let down all five of you who actually care about these reviews.(Five may be a generous number) For the most part I covering this series was for my own self indulgence but even then I was surprised at just how little I could say about it. I thought I would be able to blab on and on about Fate material but as the pace slowed down I found myself with little to work with. Maybe I will be able to indulge myself with the fate material coming next year as we ain’t doe with this franchise yet. We got the heaven’s feel movies, a Prisma Illya movie and a Fate/Extra tv series coming. On that last one I couldn’t really care to be honest as the story in that game wasn’t noticeable and pretty much the only redeeming factor would be red Saber. A Fate/Apocrypha adaption would be a much better choice seeing as it’s the closest thing to what people could consider a Fate/Zero 2. Well till then people.

Posted on 22 September 2016 with categories: Currently Watching:, Mob Psycho 100

Looks like I need to eat my own words as it turns out Reigan isn’t the organization’s leader but he managed to convince the guards that he was. This was definitely Reigans finest moment as he makes use of pure deception to catch everyone off guard. He has absolutely no idea what exactly is going on and yet through pure luck and his own abilities as a conman he manages to catch the espers of Claw off guard. The result is a funny yet rather impressive feats of Reigan as he demonstrating his “Special moves” such as distracting someone with a hypnosis coin and then walking up and punching them. We also get to see just how Mob met Reigan and how Reigan gives Mob the most important life lessons he needs while still being a pretty shady individual. It is rather surprising as on first impression of this series I thought he would be a character whose act would make him utterly despicable but he may have very well have earned a fanbase with this. He may be using Mob but that doesn’t mean he doesn’t care about Mob.

In fact he may be the very person who cares the most as the others push Mob to unleash his powers, Reigan is the one saying no. In fact even when it comes to his clients Reigan at least lets them leave happy as opposed to the other con artists trying to frame Mob. Even his view of seeing the members of Claw as children who didn’t grow up is not inaccurate. After all they are acting like Saturday morning cartoon villains with their plot to take over the world and their reliance on force instead of reason shows the level of their immaturity. Still despite Claw fighting to the death, Reigan says that there is no reason to fight and they should run. His logic is flawed in that Claw isn’t going to just leave Mob alone if he runs away from this place but he did manage to prevent Mob from using his power to kill the Claw members. Or at least…almost. Considering how the episode ended it could very well be the case that Mob will aim to outright kill them. I doubt Reigan is actually dead though as I most certainly didn’t see any blood.

Ritsu’s story arc looks to have come to a close as Mob shows him that in the same way that Ritsu looks up to him, Mob holds high respect for Ritsu’s abilities outside of Psychic powers. His character arc was handled a little haphazardly but overall this works. Other than that we get the kind of animation you would expect from this show at this point, highly fluid and dynamic. It really is shows like this that show how far animation has come. In the old days you could only expect animated fights like these from movies or the opening of an anime. Now we can actually get anime that live up to the quality of their openings. Next week looks to be the finale of the show and it certainly has turned out to be more or less the hit of an otherwise rather weak season. WIth it’s interesting animation and solid storytelling make a worthy part of ONE’s body of work. Though sadly it’s chances of a second season are not quite as certain as One Punch Mans. If anything this series shows that ONE is not a one hit wonder(Pun not intended.) and does have talent as a storyteller. His talent as an artist is more up for debate but I certainly can say the guy can tell some interesting stories.

Posted on 21 September 2016 with categories: Random Anime Recommendations, Uncategorized

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Well, after the Versus Show, how about some in-depth anime discussions this time? In this section I will talk in more details about anime/ manga that I’m passionate about. Please note that this is not an actual review. Honestly, I never truly agree with the concept of reviewing (and rating for that matters) at arts, at something we suppose to feel subjectively. If I want to review that much I’d rather be critic. But I’m not, at heart I’m an anime fan who love this medium just like you guys. This in-depth piece not only give me a deeper look at the works that cut me deeply, it’s also serve as a reminder of why I love anime in the first place.

Lately, the world of The Flowers of Evil just can’t seem to escape me, which is quite reasonable to be honest because psychological drama is always my thing. After all, one of my favourite director is Ingmar Bergman. For those who say this is a horror work: NO, it’s not. It feels more like TERROR for me, something that can happen in real life (while horror’s main intention is to scare you, period). I re-watched the anime again after its airing back in 2013, and this time I managed to read the manga to see how it all ends up. Thank god that the manga is finished so I don’t have to wait for months for the next chapters to come. Flowers of Evil is one of the best anime/manga out there to really understand the dark side of growing up, the detachment to the world they live in, the self-confusion, the teen-angst and the obsession and destructive relationships. I will discuss in details below, really whatever springs on my mind. As this is obvious a spoiler-heavy post, please read it at your own risk.

(Read More)

Posted on with categories: 91 Days, Currently Watching:

As we near the end of 91 Days I have taken this time to really think over what this show has presented so far and I admit to be somewhat disappointed. Ultimately the ride has been solid and Studio Shuka have delivered on their promise of making a Mafia drama. However I cannot help but feel shortchanged by how this has played out so far. Things have certainly happened and yet despite this I think that more should have happened. Where are those mobster shootouts shown in the opening? But what I think may be the main factor for this show feeling standard is that despite this show taking it’s time I really don’t know these characters. The guy I found the most interesting died way back in episode two and since then no one left has matched his caliber. Nero is fun but since taking the mantle of the Don he has lost the playful side of his character. Avilio is an enigma from beginning to end never letting the audience into his thoughts. If this is supposed to be his journey then shouldn’t we see him change as he integrates himself into the mafia? But he’s almost always stoic, never really expressing his emotions.

This episode acted as a sendoff to Corteo who despite Avilio’s efforts to keep him alive is eventually ended by Avilio’s hand. Corteo willingly dies for Avilio’s sake and I am left to wonder. Just what did I know about this person? I understand that in a one cour series than character development is sparse and therefore spread thinly. That said I have come to realize that I really don’t know all that much about these characters. In Corteo’s case I know he’s Avilio’s childhood friend and seems generally uncomfortable with his role in the Mafia. Other than that I struggle to really say much about him. As 91 Days continues to kill off the more dynamic of the cast it’s up to the rest to pick up the slack which I don’t really feel they are capable of it. Ganzo at least is acting as a go conversation partner for Avilio to voice his opinions to but I say his time is now limited thanks to getting Corteo killed. I am betting that he’s next on the chopping block and I wonder just how he thought Avilio would react to him setting up Corteo to die. There truly is nothing standing in Avilio’s way for getting revenge so I would think he should stop messing around and start killing. I really cannot be that hard to come up with a plan to take out Nero and Vincent now. Then after getting Ganzo should be an easy feat as Avilio can blackmail him with the letter. Avilio, if you start the next episode moping around and doing nothing then I say to hell with you.

As for what happens after Corteos death is really a matter of Avilio rocking the boat. Things have calmed down and Nero isn’t planning to make any drastic moves. On top of this Avilio has earned the level of respect that Nero takes his word over the word of his right hand man who is beginning to get worried that Avilio might be stealing his position. He may be the next thing Avilio makes use of in his plans but I doubt he really needs something elaborate to take out his three targets. Please take heed that I am most certainly not calling this a bad show. But rather the premise doesn’t seem to be getting used to it’s full potential. The intent is admirable but we have plenty of build up and need some climax. Otherwise if this show goes out like a wet firework then it’s going to look lacking in hindsight. We still have to learn exactly what the 91 Days the title refers to actually is. For it doesn’t seem to me like Avilio has been with Nero for 91 Days. Perhaps the real reason Avilio was stalling his revenge was so he could meet the quota of 91 Days and not make the title rather meaningless?

Posted on with categories: Shiro no Koukoku Monogatari
Shiro no Koukoku Monogatari - Chapter 41 Review

Shiro no Koukoku Monogatari – Chapter 41 Review

Beat by beat from last time, it’s pretty clear that this is the start of Meriela’ & Friends’ arc, as well as a sort of soft recap on all the central character relationships that we left behind at the capital. A potential rivalry (which I look forward to seeing) between Riede and Meriela is implied, and some loose ends are tied up on their end from the last arc. Contrary to what I thought on my chapter 40 review, the pacing doesn’t seem to be slowing down anytime soon; a new character is introduced despite my prediction that we’d be spending more time between Lectival and Meriela before moving on with the plot. We still are, but it’s moving along a lot faster.

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Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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If there is one thing I have lost watching seasonal anime, it is patience. Every week I expect something to happen, some kind of payoff, to make watching that week worth it. Luckily, Planetes as brought that back to me. Its depth of writing, characters, and general structure belay an anime of a different age. […]

Goblin Slayer Anime Review – 60/100

The controversial nature of this shows opening episode may have many turning away from it due to believing it’s nothing but shock value but that truly isn’t what Goblin Slayer is. I will say that the manga may hold some truth to that statement but thanks to some tasteful censoring(Yes, sometimes censoring can be a […]

Zombieland Saga Anime Review – 60/100

Zombieland Saga was a show that came out of the gate guns blazing, no one expected it nor did anyone predict it but it left a strong impression when it first aired it’s starting episodes. Originally considered to be another zombie apocalypse anime, it overthrew expectations by turning out to be a zombie idol anime. […]

SSSS.GRIDMAN (Fall 2018) Anime Review – 87/100

Let it be known that I’ve never been a fan of Trigger. For me, they’re one of the most style-with-no-substance studio on Earth with a tendency for god-awful fanservice, and total nonsense in terms of story and characters. Yet GRIDMAN completely caught me off guard in the first two episodes, and from there, there was […]

Thunderbolt Fantasy 2 (Fall 2018) Anime Review – 86/100

If anyone has been familiar with the first season of Thunderbolt Fantasy, you’d find yourself a lot to enjoy in this second installment. Served as a sequel, but not a direct continuation to the first, viewers don’t need the knowledge of the original in order to enjoy this ride. Thunderbolt 2 carries many trademarks that […]

Irozuku Sekai no Ashita kara (2018 Fall) Anime Review – 73/100

In the last few years, it’s great to see P.A Works has slowly created their own studio identity, putting more original works with consistent production values. Just in 2018, they produced 4 shows (quite a good number if you ask me), 3 of them were original: Maquia, Sirius the Jaeger and Irozuku. As I said, […]

Seishun Buta Yarou wa Bunny Girl Senpai no Yume wo Minai Anime Review – 82/100

In the wake of many a school based light novel show this may be the small bits of fresh air was can savor out of this overdone setting. Rascal does not dream of Bunny Girl(Or by its japanese title above) is a series not about rascals or bunny girls but instead about contextualising common high […]

Banana Fish Anime Review – 72/100

Some days, I wonder what it is with America and anime about organized crime. Baccano!, 91 Days, Blood Blockade Battlefront, all set in America, all involving criminal underworlds. Today, I get to add another to that list in the form of Banana Fish. Much more grounded than the others, it’s story dates all the way […]

Castlevania Season 2 Review – 73/100

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly […]