Posted on 31 December 2016 with categories: Anime Reviews

This series is, in retrospect, a really appropriate title that speaks to the very spirit of noitaminA block: an adult drama slice of life about the making of dictionary that surely don’t try to target the young audiences. Sound as dry as it is, Fune wo Amu’s actually one of the strongest noitaminA show come out for the last few years (not that the TV programming have been doing well to begin with). In Fune wo Amu, we follow Majime as he transferred to the dictionary department with the main mission is to publish a new dictionary called The Great Passage, along with the small team. That process, of course, taking time: 10 years, 20 years, you call it. The series is divided into 2 parts, the first follow him as he begins on the project and detailing how his normal workplace look like, the second part jumps 13 years later at their nearly-publishing phase. The decade-long efforts that he and the people he worked with delicate themselves in is something that you rarely seen in this anime medium.

I will be the first to admit that making dictionary doesn’t sound like an interesting subject matter to me, not because there isn’t anything great about it, but mainly because the subject will get dull very fast. But even I am surprised to say that the show keeps me hooked from start to finish. The tricks of how the show nailed it in making dictionary interesting are 1) the way the show managed to demonstrate how important dictionary is and 2) show us how those characters giving their all to make it possible and 3) point out to us the love for words and that each dictionary has, in fact, each own personality. For the first point, the show frames dictionary as the passage for everyone (not “everyone” everyone. Japanese people only) to communicate and connect to each other. Words are the way to express our thoughts, our feeling, so using the right words at the right time can make others understand the context completely. The Great Passage is one of a way to connect that gap between what we want to express and what we actually express, between one person to another. It is irony, but still fitting to that theme, that our main character Majime is a socially-awkward type. He has an extended knowledge about words, but he’s struggle to express what he wants to say. His love letter to Kaguya perfectly demonstrate his geeky nature, as even Kaguya herself can’t figure out it was a love letter, but being moved nonetheless.

But the beauty of dictionary means nothing if we don’t see the love and efforts of people behind it, and thanks god, this is where the show shines as well. Even in the wear-down corner of the otherwise-busy publisher, with so few people in it, it’s their passion to the project that counted the most. As in a line in La La Land (great film! Go watch it), people are enthusiasm about it because YOU are passionate about it. The love that you have can affect other people in the most positive ways. In the series, Nishioka, Majime’s co-worker, isn’t a type of person for this job. He’s socially active, care for others but never really interested in words. Through Majime’s passion though, he started to feel the joy of his works and committed himself fully to make The Great Passage the reality. Other characters, Mr. Araki and Mr. Matsumoto, we can feel their whole lives devoted in words, their meaning and they’re damn proud of what they’ve achieved. Last but not lease, the show successfully depicts dictionary as a creation, something akin to the work of arts. To be fair, think of it that way make the whole process makes much more sense too. The Great Passage is a brainchild of all the people behind the project, so everything has to be perfect, from the selection of words that eventually appear in the dictionary, the description process, down to how to choose designs, mascots and even page’s quality that best represent the personality of The Great Passage. That lead us to the painstaking task but ultimately rewarding of double-checking every single entry to see if there are any words missing. As the tasks done, the team (and ultimately, us) feel relieved that The Great Passage going to be a masterpiece.

Fune wo Amu, moreover, isn’t simply about dictionary-making process, it’s the show about people, too. As with the nature of dictionary, it’s a desire for connection that brings those people together. In the show, we witness how Majime and Nishioka, as vastly different as they are, can really bring the best out of each other. We can also follow Majime and his love affair, as quiet and poetic as it is, this is for me one of the best depiction of romance that I’ve seen so far for the last few years. The romance speaks to me because it grounded to reality, it’s beautiful because it is quiet, and isn’t it the best kind of relationship when you regard your spouse as a partner for life (well, for me it is). Even the new girl Midori fits into that pattern as well. Her struggle from being forced to transfer to the department that she had no idea of (you might not know but this happened regularly in Asian culture, especially 20,30 years ago, but I still have no idea why Nishioka had to hide his relationship with his co-worker partner), we see her from being distressed about the new workplace, come to really appreciate and love her job is nothing but a rewarding experience. Every one of the cast have their own different traits and characteristics, and that precisely the point that the dictionary (and the show by that extend) need all of their diverse voice in order to become multi-layered production.

If anything, the passage of time is the show’s main theme as it lingers in various forms throughout the show. The sudden time-skip, for example, signals us how everything is supposed to change (it’s 13 years for Peter sake), and yes, we can see there are some minor changes from the settings and the characters. But the sameness from the dictionary department’s office really tell us that in the room, time flows slowly; and really, that amount of time spent for making dictionary is nothing compare to how the dictionary might flourish for generations to come. In that 13-year gap, people leave, new people come in, it’s that cycle of life that make the show timelessness. Furthermore, Mr. Matsumoto unfortunate leaves us at the end of the show, but we know full well that the old plants gone in order for the new plants to blossom. Through every change, the words inside the dictionary will continue to live on and connect more and more people together as time goes on.

The show, although very well-pace, still has some flaws too. The subject matter is decidedly niche that unfortunately it will fly below the normal viewer’s radar. The passing away of Mr. Matsumoto before the time of the publishing is a tired cliché that for me bring an unnecessary regret to Majime. The animation as a whole, while serviceable enough and really don’t have many high actions, still a bit below par compared to your regular anime. Although we have a big time-jump, if the series meant to highlight the progression of making The Great Passage and the life of our main characters, I would’ve much preferred if they show us instead how they were doing along the way. I want to follow their journey from beginning to end (not the beginning and the end), and I don’t care one iota if they’ll successfully publish it or not, what I want is the ride to get there.

To sum up, Fune wo Amu, along with Shouwa Genroku Rakugo Shinjuu, are the titles that I’m really glad they are made after all. The older I get, the more I’m wearing off at high school comedy anime and high action anime, the more these titles speak to me on a personal level. I’m really glad anime still have platforms like this, the show that tripped out all the spectacular over the top visuals to instead telling the story it wants to tell. What we have in the end might seem nothing much plot-wise, but the sophistication behind the story and the love that the people behind it put into are something that I will remember fondly.

Posted on 30 December 2016 with categories: Currently Watching:, Flip Flappers

I’ve said right in the beginning that Flip Flappers is a show about adolescent and the fear of growing up, but never in my wildest dream I dare to think the show would go even farther and touch the issues of womanhood and the fear of being a motherhood too. Mimi’s descend from a responsible mother to a totally control freak is a solid development and the more heartbreaking when the intention came from a genuinely good place: “to take a good care of Cocona”. But her overbearing control is plagued with dark and extreme actions that Mimi herself deforms into a beast, a cold-blooded creature. Mimi’s dark version was born during the time of Cocona’s pregnancy, and for me that extreme thoughts of keeping the child all for herself and protect the baby at all cost are the very thoughts that any woman during pregnancy had to undergo. A woman becomes a mother when she gets pregnant, a man becomes a father when he sees his baby. She’s getting frustrated that everyone she cared for: Cocona, Papika and then Salt opposing her for what she sees as the good cause. The last moment where she is defeated, sitting on the shallowness lake and embracing herself perfectly concluded her villainous act. Her role as an antagonist might come as a bit too sudden but it still packs a huge emotional punch and still pretty relevant to the theme of identity the show keeps addressing so far.

With only this episode left, it is the time that the main focus sways back to Cocona and Papika. In fact, they share many great moments together: from the surreal encounter when Papika reversed back to a child and lose her memory (from Papika’s perspective); to their completely honesty to each other about their eternal love (from both girls’ perspective. Another confession? What’s up with all the shows I’m covering this season??), to the teasing Pure Illusion world at the end (from Cocona’s perspective). Their chemistry has always been the show’s main emotional focus, so it is nice to see after many episodes of distrust and falling apart, they’re again together for new adventures. Speaking of the possibility of new season, while I’m normally against milking on the success of the first season on a story that already completed (think Yuri!!! on Ice), the adventures segments of Flip Flappers are so inventive and awe-inspiring that I personally think it’s a waste not to spend more time into those Pure Illusion worlds.

While this Mimi act and the show as a whole does end on a satisfying note, there is not without its problems, too. I still can’t figure out the reason Dr. Salt using ELPIS. He’s planning to put another layer to that world, appears in front of dark Mimi declaring he’ll oppose her, and waiting to get killed? Then the good Mimi descends from the sky to save the day, is it what he planned as well? Hell no, this is a weak writing for me, such a shame because Flip Flappers’ still unsure how to use his character to its full potential. On that same note, the twins and the third Amorphous girl Nyunyu don’t have much roles in this climax. Nyunyu (and Bu-chan, for that matter) is a shining example of character without any real purpose, so their main role is just hanging around, having fun and doing crazy stuffs, at the same time serve as a perverted lensed for the show. They are the worst kind of characters to be completely honest.

But judging Flip Flappers in term of how well it plays the rule is a wrong approach, me think, because simply the very existence of Flip Flappers is to break free with all the common sense throw out of a window. At the end of the day year, no other show makes me feel optimistic about the future of anime (or animation as a whole) like this one. The full review will come out next week but be prepared for a highly positive one.

Posted on 29 December 2016 with categories: Monthly Summaries

This December was… a challenge. Amidst the busy holiday month, my schedule got very busy and my backlog got larger and larger. However, in the end I did manage to keep up with five series (four of which which ended, and one which will continue onto the next season). These are the first series I have finished ever since the first season of Space Dandy, in Winter 2014. Two years, since my writer’s block started.

And really: all these five series are special. They have made this a very successful season, and even though I have my criticisms about them, when it comes down to it I consider them to be really good. These are what anime as a medium is capable of. They knew what they were good at, and they delivered, unhindered and without compromise. They’re all incredibly different from each other, all at least a bit weird, but I recommend them all for those with an open mind

As usual, these impressions are mine and mine alone. And beware of spoilers here and there.

#5: TO BE HERO (09-12)

Okaaaaay… that ending. I’m a bit speechless by what I saw there, but I think the creators actually did it: create a comedy without cheesing the ending. Or at least, that’s what it feels like right now. Even though some of the things they pull are like the things that immediately get you an F in writing 101.

Yet it all works because of how ridiculous the series is. On one hand the final episodes turn this show into an action series. And really good action by the way, the animation is surprisingly good, and while the series is a bit more serious, the jokes aren’t completely gone. The tone changes, but it stays very deliberately TO BE HERO. The main character’s love for his daughter keeps everything together, and even more after “the big reveal”. It’s just as trolly as you’d expect, and yet I admit that I felt sorry for the guy. He’s a horrible human being, and yet… it worked.

This was an emotional roller-coaster. It’s faaaar away from the series you’d usually associate with that term, but it fits so much, only the emotions you feel are a bit different. At any moment in this series, you either feel schadenfreude, disgusted, or the struggles of a failed father who despite everything loves his daughter deeply. It’s comedy at its blackest, and yet I’m glad to have finished this series.

#4: Yuri on Ice (09-12)

And the series of 2016 with the most annoying fanbase is… yeah. I mean I do not belittle anyone for their passions and likes. Everybody is different and everyone’s taste is unique, and it would be horrible if this wasn’t the case. However, when one of the main reasons to like a series boils down to “porn”, things get a little… awkward. Both for male and female fanservice.

Thankfully there are plenty of other reasons to love this series. The final two episodes of Yuri on Ice breezed through the world championships of figure skating, and in two episodes we got 12 performances with together made for a riveting finale where in total style, a ton of things happened and a lot of characters got to show off. However, because it was the finale, its disadvantage was that it got a little predictable. I mean, the ending… think of the single most likely scenario for the final results. And yeah, that’s it.

It was beautifully made though. And props to the creators for using actual French in their series. I really like how international this series is. There are many nationalities represented here, and the creators did justice to them: characters were portrayed as actual characters, and the creators resisted going for the cheap racial stereotypes, and that resulted into a really wild and colourful cast of characters.

With this success there is bound to be a second season. I’m not sure whether that’s the best idea, since these 12 episodes are perfect for just a standalone show, however the ending really was a bit of a cop-out with a “will they won’t they continue”-tactic. Be bold: either close things off or immediately plan for two seasons right from the beginning. Being wishy-washy more often than not makes things awkward. Like you’re at the end of a party and say goodbye, only to end up awkwardly standing in the same room for fifteen minutes without anyone leaving.

#3: Natsume Yuujinchou Go (09-11)

My favourite episode of the fifth season? Episode 10. My heart just completely melted, it was just so adorable. Season 5 was really the season of the side characters (where Season 1 was the introduction, season 2 about the setting, season 3 about the character-development, season 4 about Natsume himself), and this season was at its best when focusing on this. Not that the other episodes were bad or anything, but we’ve seen better.

Like expected, the sixth season has already been announced, and I really beg the creators: make this the conclusion! Make this the end of the series, and end it with a bang. Compare it to eating chocolate for example. A bit is delicious and amazing, especially if you’ve got the really good quality kind. However try to wolf down ten bars of the stuff and after a while you’ll be so full that it just tastes horribly. It’s up to the series to find that right balance between leaving the viewers hungry and over-stuffing them, and season six feels like exactly that balance, especially considering how season 5 wasted one of its episode for that stupid Nyanko-sensei sidestory.

Because episode 5 I would not consider that the best season. That goes to season 4. I’d also consider season 1 and 3 better, and season 2 worse. It was very clearly a building-up season, so I’ll forgive it for that. But I keep stressing this: brevity! Like it’s a good thing that I watched Legend of Galactic Heroes when I still was a student with no life, because brilliant as it might be: if I had to watch it today I’d simply refuse. There is no way I have that much time just lying around.

#2: Classicaloid (09-12)

This was the halfway climax for Classicaloid, and it was awesome. It’s a fitting climax by finally making everything around Bach come together and finally made him step outside of his shadow and gave him a character; it did not disappoint. However, my favourite episodes still are the ones that revolve around Kanae. I LOVE her character, she is one of the best straight man (or straight women in this case) in a comedy I’ve ever seen. She doesn’t just offer order to the chaos of the other characters, she offers responsibility to their idiocy, she’s being forced to deal with whatever ridiculous ideas the other characters come up with, and is basically being forced to raise this group of man-children. Also check out all of the effort she puts into keeping the mansion tidy. This might seem like an tiny detail, but it’s actually incredibly important from a storytelling perspective. It not only adds character to the mansion itself, but it also makes the setting so much more believable. It adds a very natural sort of tension to the series to keep the mansion clean. It makes the viewer feel much more part of the whole setting, compared to if the characters just lived somewhere.

Amazing stories and characters can be found in any medium. But what makes anime stand out, and the reason why I originally became a fan, is the way in which it combines everything: animation, music, storytelling, characters, themes, setting. How they all work together in creating one experience to the point where the whole is better than the sum of its parts. Obviously not every anime gets this (most don’t), but Classicaloid adheres very much to this philosophy. It very blatantly sacrifices making sense for a feast for all the senses (heck Musik is pretty much a Deus ex Machina with which the creators can do whatever they want). And it’s not just the way in which all Musik scenes are incredibly fun, with all their remixes of famous classical works and full of crazy ideas like giant penguins and mecha helicopters, but also look at the themes: Classicaloid is a series about music. And between all the lines of goofing off, it really is trying to explore what music is, what drives great music, the struggles that the composers face when creating it. We’re halfway through the series and it’s already quite fascinating what’s going on here.

This is why I like Classicaloid more than Natsume Yuujinchou: as much as I love Natsume, it could have been done in any other medium. I can see that work. Classicaloid can only work as an anime. Any other way to do it just won’t work, and it makes brilliant use of that.

#1: Fune wo Amu (08-11)

In its final month, Fune wo Amu has turned out to be incredibly motivational, much more than I expected. Just about everything that was thrown at the characters: they just ended up sucking it up and dealing it up, working diligently for fourteen years until finishing. And I love how well they did it: usually when a challenge is presented, the creators end up cheesing it with the solution: a convenient loophole is found, the problem doesn’t really matter that much in the end, a plothole shows up, or they just kind-of end up solving everything without really going into detail how. Fune wo Amu avoids all of this: the characters work hard and for every problem in their way, they come up with a solution to handle the incredible task of putting together a dictionary.

The time-skip was brilliant in this, and yet it didn’t gloss over how hard these characters worked in compiling every of the 240000 words to get there. There was only one commonly used trope: the death of the professor. But even that was handled very tastefully: very carefully built up for episodes, and it was swiftly presented as part of the path of life, rather than dragging it out for the sentimental value. I really shed a tear that final episode, it was that good.

And really, there is no contest that this was the best of the season. Of course I have not completed many series this year, but let me just say that there would be very surprised if there is a better series than this one in 2016. Fune wo Amu has been amazing, and exactly what I needed. As I struggled keeping up with the episodes, I found that I really WANTED to finish this series. That’s a first in years.

And if there is any series I’d like to be influential, it’s this one. And it’s not like I’m asking for more series about dictionaries, but it goes deeper than that: nearly every single series can learn something from Fune wo Amu. How to animate characters to breathe them to life without overdoing it. How to develop characters, how to adapt your source material by making everything fit within the time you’re given. You want romance? Treat it as this show does, rather than the annoying whining we normally get. Look at this series for a textbook example of how subtle acting should be done, how attention to detail should be done. I can name very few series where it’s all this obvious. The biggest flaw really is that building a dictionary limits audiences: it’s probably a bit too mundane for most audiences. But whoever manages to figure out how to apply the design principles and philosophies that lead to the creation of this series to a more mainstream title: you’re gonna hit pure gold!

Posted on with categories: Currently Watching:, Sound! Euphonium 2

This original episode achieves something so simple: a reminder that the true ending is the new beginning. Now I understand why KyoAni decided to skip the National performance last episode, because we’re having the last performance this week, with all the memories from the past flooding in as the underclassmen play the piece as a farewell to the senpais, and I honestly couldn’t wish for anything more. Now that the third year students had retired, the second year is going to take over the club and the music band basically has to start again from scratch. Not really from scratch to be exact because the remainders of the music band are already National-qualified players. Yuuko, for her great development this season, totally is deserved to be the band president next year. For Natsuki though, it’s a bit weird to nominate a member who was cutout from the audition to be a vice-president, but Yuuko and Natsuki make a perfect pair so I’m done complaining.

Sound Eupho keeps defining the very notion of romance, huh? I never would have thought we ain’t done with confession. I originally brush Kumiko’s confession off as just “friendship’s affection” but no matter how you look at it, it’s a romantic confession. Which of course crush Shuichi’s love down the toilet’s sink, and eventually give an answer to an always-teasing-and-baiting relationship of Kumiko and Reina as just friends. Best friends. Over my dead body! At the same time though, I can see where Kumiko’s affection for Asuka come from: Asuka’s the one that Kumiko expresses the most, she pours her heart out to confront Asuka so it’s very understandable that when that someone is gone, she feels empty inside and realizes that she misses her. Now I kind of understand as well why the show pushed Reina’s crush to Taki to such extend. I am honestly not sure what to think about this new development. Asuka’s leaving now meaning that if there ever be a third season, Kumiko and Reina’s relationship still take a central stage and we’d never through with this baiting, ever. But judging that Ayano Takeda hasn’t written the sequence, instead focus on Kumiko’s childhood friend Azusa in Rikka High School in her next spin-off novel, I think the show is ended for good. At least Kumiko has a chance to talk out what really matters to her. She has grown quite tremendously since the beginning of this season. I am glad.

The band playing farewell song- a song we’re now all familiar with- is a nice wrap up to many past moments the band (and us) have spent together. I love the moment when Reina started playing solo, we have a next quick shot of Kaori’s smile. There had been much drama about deciding who played the solo part, and Kaori’s reaction here is as best as she could: facing it with a smile. Those other moments keep reminding us what a ride all this had been and the band grow and act like members of a big family. Speaking of family now Kumiko and Mamiko exchanging mails to each other (how cool that is! Even they all have mobile phones).

Sound Eupho has been a very solid drive and this episode perfectly closed everything up nicely. I left the series with a satisfied feeling of the warm sound of Sound! Euphonium piece. Judging this season alone, personally I think it’s not as strong as the first, just a slightly down because it focuses too much on band member’s drama, while at the same time kind of neglecting our mains, but it sure is a very welcoming follow-up to the first. Judging the show as a whole, it will be up there as one of KyoAni’s best works, both demonstrating their detailed superhuman production values that the studio is famous for, and at the same time this show feels like the studio’s most natural brainchild: a slice of life series that set on their very hometown, Kyoto. Full review will come probably next week, before the next season begins, so stay tuned until then. Overall I have a great time covering it, and frankly a bit sad to see it gone. But life moves on, so should we and here’s a toast for a job well done, Kyoto Animation.

Posted on with categories: Anime Reviews

As of this writing, Kimi no Na wa, or Your name. has enjoyed a phenomenal commercial and critical success. It becomes the highest grossing film of the year in Japan, and broke many records elsewhere in Thailand, China, America… you name it. Even in the local theatre where I went to, we got a full house screening and even the friend that I took that day who is unfamiliar with anime told me she enjoyed the movie. The film also plays in many festivals around the globe (which is rare for an anime movie let me tell you) and I wouldn’t be surprised if Your name. was nominated for the Academy Awards for best animation in a month time. To say all that means I understand full well the appeals of this movie. This movie took the world by storm and somewhat becomes “a pinnacle” on what anime can achieve, or even to some extend what anime would be like to those who know little about anime beside the works from Ghibli studio. “it’s a matter of time before Makoto Shinkai make a masterpiece and with this he achieved it” I heard you say. Well, Your name. might be the work that he’d be known for throughout his career (I have my doubts that his upcoming movies will be as successful as this), but it doesn’t mean that this is his best, his masterpiece. Allow me to elaborate it in my review below.

Your name. divides sharply into 3 sections with 3 different tones. The first part plays out like a Freaky-Friday style rom-com when our two protagonists, the country girl Mitsuha and high school Tokyo boy Taki, swapped bodies for a day. Those misfits’ situations allow room for many light-heart comedies detailing the two struggle with the body of opposite sex (leading to the hilarious-but-quickly-wear-out gags of Mitsuha grabbing her boobs), with the totally new life and new friends they’re encountering. After few times of behaving like losing their minds, they get on quickly with the switch, enjoy the new life and also write notes to each other to follow up what is happening. The second part is where the drama kicks in and for me this is the movie’s best part. Finally the closing part we return to Shinkai’s favorite territory: a quiet, romantic melodrama that keep building up to the moment where the emotions explode.

Speaking of Makoto Shinkai, there is two things that are signature of his works, namely his gorgeous and detailed scenery (AKA scenery-porn) and his overblown romantic drama. I’m always a fan of his first element, and in this movie it works really well and I could argue this is the most stunning backgrounds in any of his works. The little town of Itomori is vivid in its rural settings, with trees blowing in the wind, people having a quiet, relax life and there are still many traditions going around. Tokyo, on the other hand, is noisy and busy, with kids too busy with their cell phones and part-time job, parents have to rush to work. All those settings are so true-to-life that we can feel and taste the lifestyles in each setting. Even the mysterious landscape that divides the world and the underworld is breathtaking and surprisingly rich.

But his other tendency tends to give me a mixed feeling. For the record, the overblown climax in The Garden of Words for example is its weakest part. The main reason I don’t like those overstated drama is I always sense the movie dictates what I want to FEEL with a capital F, overdone music score and tissue-grabbing moments. In Your name. I have the same issues. Sometimes I just want to say to Shinkai: less is much more. Characters cry for the reason they themselves don’t know. More than once they shout about remembering the name of each other. Too many times they chase each other that while I’m totally fine when they do it once, repeating the heighten drama lose its impact after each time.

This is not the only issues though. I guess the other problem comes from “too much of a good thing”, which often the time original anime movies tend to confront (works from Makoto Shinkai and Mamoru Hosoda are the main suspects), and that problem is the way the try to put many plots going together that frankly it becomes a hot mess. Take the sequence where Mistsuha (the real Mistsuha) starting a new day in the beginning of the movie for example, you can see the movie planted many plot points ahead. When she comes to the table to have breakfast (rice for breakfast? Oh well! you need a healthy body for a full day after all), first obaa-chan reminded her that she’s acting normal today (indicates that Taki was in her position yesterday), then she hears the town announcement of the coming electoral (which links to her father and their tense relationship), then she switches on the TV and we have the comet news (which is essential to the plot point), and then she goes back to her room to tie the braided cords to her hairs (which is also essential to the plot point). As a detailed guy, little details like that should make me happy, but I only feel the movie tries to cram all the information up in order to connect all the dots later on. For once, I don’t really see the plot thread of her father’s a mayor affecting much to the story. Or Taki’s crush to his co-worker (especially not much later her role is changing to sidekick). Lessen those unnecessary plots down could make this movie more focus, and much tighter.

Even with the main theme of Kimi no Na wa, we have too many metaphors and symbols that in some ways they are overlapping the others and again, simplifying into one central symbol will make the movie much stronger. We already have the title about the name, which throughout the movie the main characters struggle to remember the name of each other. That meant to be the fate that their lives already intervened, that even you don’t know about the name or identity of “the one”, they can still feel the presence of that person inside their heart. We also have the symbols of thread cords, which she gave it to him few years ago. Threads also meant the connection the leads have together, and that connection will never be cut down even if they don’t recognize each other in real life. And then we have the notion of “Musubi”, which meant to be the things people consumed and then offering to the Gods to become a connection between the god and the people, between the afterlife and the current life, In order words, between the long lost-Mitsuha and the current Taki. You see, “connection” are the themes and those symbols have their well-meaning but when you put all of them together, it’s confusing and lose its focus. Also the different in tones between the 3 parts makes the movie as a whole inharmonious but for that records they did extremely well on establishing the moods in those separate parts.

Also, while I said earlier that the second part is easily their best part, when you witness the real weight of the drama and an attempt to save the one you loved is nothing but affecting; dealing with time-warp is always a very tricky part. Because when you really question the functionality of the timeline, logic starts to fall apart. You might simply brush it off that the main characters thought the whole experience as their dreams, but can’t they tell the different in timeline when they have to go to school everyday? Or even with 3-year gap Taki still looks the same, wearing the same uniform and doesn’t really have any memory about that girl, but keep on wearing the braided cords instead? Or the very convenient plot point when he tried to show his friends about the memos that the two shared, it vanishes right before his eyes? Those are small details of course but it does bug me and keep me away from enjoying the movie to the fullest.

Sound like I have too much negativity about the movie in this review but the truth is I really enjoyed it. When Your name. is at its best, it can bring out the satisfying emotions like few anime I saw this year. The part where they eventually meet in a twilight landscape is emotionally-affecting and well-earned, and their chemistry with each other is surprisingly strong, consider they don’t actually meet each other that much. The two mains are refreshing and very likeable and I don’t mind spending more time with the two to be honest. The animation is top notch and the music, while overbearing at times, still does its jobs quite fittingly. Other everyday-life parts in the beginning are mundane and lifelike and full of personality as well, if I have to pick my favorite it’d be the sequence where Mitsuha doing the traditional dance with her little sister. Oh and the part that Taki drink the sake down the cave, Shinkai actually experienced with other animation-style and the brief montages towards Mitsuha’s past live (yes! Simple but affective) are simply the movie’s best moments and I really hope Shinkai can begin to experiment more with his own styles.

So back to that main question, is this Shinkai’s best work? No, I don’t think so but I would certainly say it’s his most accessible work and will likely to be the one that he will be famous for the rest of his career. For me with someone as talented as Shinkai, “accessible” isn’t an adjective I’m looking for, since if your work is for everyone, then it is for no one really in particular.

Posted on with categories: Anime Reviews, Currently Watching:, Occultic:Nine

I am certain this may seem like an extreme rating for some but the number scale always has been something I only carried over as part of psgels format. But this rating exemplifies my feelings about this show in its entirety. This show is awful, terrible, rage inducing, illogical, nonsensical garbage. Watching this show was one of my most unpleasant experiences watching anything. When I started this show I at least thought it couldn’t be as bad as Robotics;Notes, for that show was truly something else when it came to bad writing. But I was flabbergasted to see that this show was so much worse. To the point where I may swear off watching any colon series from this point forward.

The plot of this show is a complete mess and looking at it in it’s entirely it not only makes no sense but the only points where the story goes anywhere is at the every beginning and the very end. The middle portion of this story is nothing but a giant waste of time as the characters only work to try to figure out a mystery that would eventually be explained to them and side plots which are introduced but have not plot relevance whatsoever. The main middle part of this story involves a murderer who not only has little or nothing to do with the main mystery but is dropped and never mentioned again once his little arc is through. The characters are all either unlikable or stereotypical and it’s important to note that they do mostly nothing besides motormouth exposition. Design wise they are not very interesting and need I mention the girl with a chest so astronomically huge that it is incredibly distracting? I do not mean that this is attractive, I mean that this girl’s anatomy is so utterly ridiculous that it’s like having a giant elephant in the room that no one seems to address. I will say as well that his character does nothing but try to figure out every motion she can make to move her breasts as much as possible and make me question how her back hasn’t snapped into splinters. She plays a stereotypical dumb blond joke until the last two episodes. Where she is pretty much lobotomized and replaced with a completely different character.

What the mystery becomes in it’s final episode is something you could swear was parody but the show itself is clear that it wants you to take it completely seriously. It tries to tug at your heartstrings when the characters are talking at a speed of bullet trains. Out of the nine characters mentioned in the title, only two are actually relevant. The rest are just throwaway side characters whose absence wouldn’t hurt the show, if anything it would shorten the runtime and make it more focused. It becomes impossible to take even an iota of this story seriously when it pulls out deus ex machina like those angel wings you happen to see in the screenshots up there. Isn’t that utterly ridiculous for a story that want wants to be an intelligent mystery series? Well if you find that hard to swallow I assure you that it’s the tip of the iceberg. This story has twists and turns that just make you wish to yell at the top of your lungs “WHAT?!”

The direction is a nightmare. Want to know how bad? You need not take my word for it, just watch the first thirty seconds of the very first episode. I assure you that by the time you get back to this review you will be very confused. I have no idea what the director of this show was thinking as screenshots have no logical cohesion with what is being represented. A large number of times our protagonists will suddenly start talking rapid fire like a bakemonogatari series before reverting back into normal speech. There is an episode filled with so many dutch angles you will feel physically ill just from watching it. There is a scene where the camera spins 360 degrees in place for three straight minutes. There are camera shots flipped upside down or 90 degrees for no apparent reason. Sometimes spacial awareness is just thrown out the window and you have a giant girl speaking to a small boy in a close up shot when they are supposed to be on opposite sides of the room. I must ask if they director went to film school because it was almost as if he wanted to make this show as painful to watch as possible. For that I truly pity the animators who do a stand out job despite what they have to work with.

There are some who say that at least this tried something different but I say no. Magical Girl Raising Project tried something different and while it didn’t succeed, at least the end result doesn’t make me want to claw my eyes out. You can say that someone tried something different by making a coffee mug out of monkey feces but it’s still shit no one wants. This writer has passed the point of being applauded for experimentation so it’s an insult to give him kudos for fan fiction level writing. So without surprise I am sure, I recommend you avoid this anime at all cost. Pay no heed to those claiming it’s good, they are clearly blind. Save your brain cells, don’t even watch it as a joke because I assure you that this series will go out of it’s way to make sure you can’t get any fun out of it. I declare Occultic;Nine to be the worst anime I have ever seen and if you are wise you would heed my words. Don’t waste your life on this flaming trashcan of a show. I have wasted far too much of my time on it already.

Posted on with categories: Currently Watching:, Occultic:Nine

Well, it’s over. It’s finally over. You know, when I finish an anime series it can make me feel a variety of things. Sometimes I feel a gaping hole in my heart after tuning in and looking forward to a episode every week only to know that won’t happen anymore. Sometimes I feel satisfied with how it tied everything up and I want to start from the beginning to experience it all again. Sometimes I feel ambivalent as I thought a series was serviceable and at least wasn’t a waste of time. Sometimes I lament what a anime could have been had they just made different choices. Occultic;Nine made me feel none of these things as the credits rolled one last time. No, as Ryo-tas confirmed with her last words that I had indeed wasted four or five hours on this series I only had one word on my mind. Why?

Why was this anime made? To advertise a game, but even if you give this a full HBO series you couldn’t salvage this trainwreck of a plot. Why did underpaid animators have to work on this? Why is it that someone looked at this script and thought it acceptable? Why does this get an anime adaption when much greater works like Utsuro no hako to Zero no Maria, Lucifer and biscuit hammer, Sharin no Kuni, Rakuin no Monshou and the remainder of the Spice and Wolf novels remain unanimated? Why did the director want to make people throw up with his presentation and think that fast forwarding exposition was appropriate? Why was someone paid to write this? Why does Ryo-Tas have basketballs for a chest? Why? Why? Just why? I guess the only emotion I could call this is despair. Despair that I had indeed finished watching the worst anime I have ever seen.

I would not be surprised if you dismiss that above statement as hyperbolic but I assure you that it is not. There are certainly anime which are objectively worse than Occultic;Nine. Worse animated, presentation, acted and even written. But even something bad can be enjoyed and made fun of. This show can’t, it’s primarily exposition and while the plot is absurd it leaves little room to get any real enjoyment out of it. For me, I genuinely dreaded watching this excuse that dared call itself anime. Any time I finished it I felt drained or annoyed or sick or hateful or all of the above. You name any bad anime you can think of and I would gladly watch that over watching Occultic;Nine again. There are 387.44 million miles of printed circuits in wafer thin layers that fill my complex. If the word ‘hate’ was engraved on each nanoangstrom of those hundreds of miles it would not equal one one-billionth of the hate I feel for this show at this micro-instant. For it. Hate. Hate.

So what happened this episode? Well we had five Deus ex machina’s, that’s what. Maybe even six. Besides the mountain of sped up exposition we have a moment where Aveline says she’s going to sacrifice herself to make the key by God knows how and everyone’s getting all choked up about it because they knew her for like a day. But this is made into a complete waste of time as Gamotans just goddamn teleports the bloody key into his hand straight out of nowhere. Oh and the evil organisation detected the key teleportation because when you build a giant lightning pole designed for ghosts you make sure it can detect teleportation as well. Just right on the standard procedure specifications just right below the Santa Claus tracker. Then we have everyone saying another heartfelt goodbye as Gamotan is the one to sacrifice himself now. Oh how they claim that Gamotan changed their life when I say, what did he even do? All this stuff is just handed to him because he’s the “chosen one”. He has literally done nothing. In fact what did any of you do? Both glasses characters character arcs are a straight goddamn line. You have no arc to conclude! All you guys did was figure out the mystery that Aveline was going to tell you anyway! Glasses here even figured out that they can travel back in time but again the detective kid was coming to tell them that anyway. And yes, they actually went with it, they negated the deaths of most of the cast. Still left the other 251 people to die though. Our heroes everyone.

We soon find out that doujin girl sees the future by out of body experiences and she suddenly disappears proving that Occultic;Nine has yet another completely pointless character. Wow, nine main cast members and only two are actually goddamn relevant. Isn’t that swell. Oh I don’t care, not as if the show cares, so why should I care…Why should..You know what. Sure. Oh evil organisation only sends their leader to go deal with a problem? Sure, why not. Oh Gamotan got revived after a fatal blow because Ryo-Tas kissed him? Sure, why not. Oh he grows angel wings out of goddamn nowhere? Sure, why not. Oh Gamotans dead dad comes back to fix Gamotan arriving too late? Sure, why not. Guess he didn’t give a crap about his mother. And now Gamotan is a ghost blogger and everyone cheers that he blew up Odd Eye by screaming at it. Oh what a happy ending this must be for our heroes right before I assume the evil organisation comes to slaughter them all for ruining their plans. So do they actually still think people are going to buy the blu-rays of this?

Posted on with categories: Anime Reviews, Magical Girl Raising Project

In the success of Madoka there have been plenty who have tried to capitalize on turning the Magical girl genre dark. Few have actually succeeded and while Magical Girl Raising Project doesn’t quite succeed, it is still a much more competent attempt than many others. The story is about a phone app which promises to turn people into magical girls. However when the number of magical girls in a city goes too high, an elimination contest is held to cut their numbers in half. The end result is akin to a magical girl battle royale.

This show does play with some interesting ideas and throws some nice curve balls within it’s run. It can certainly get the viewer brainstorming on what is coming next and has nice little twists to the magical girl concept though not often explored to the degree which it could be. It’s at it’s best when the body count rises and sparks fly between the cast of sixteen magical girls. While not all shine there are a few within the cast which are highly likeable and the story does have an excellent antagonist in the form of the cold calculating Swim Swim as well as some standout moments from unexpected characters. When you can’t see what’s coming this show can grip you and have you wondering just who is going to fall next as well as how.

However the problem with Magical Girl Raising Project is that it’s large cast of characters remain undeveloped until the point where they are about to be killed off. The development is primarily through flashbacks but does shed interesting light on the characters. However as the flashbacks often appear right before the character’s demise it often telegraphs that character’s death. Ultimately killing the unpredictability of a battle royale and making the death of a character not all that shocking. Though the show does have a few surprises, more often than not you will see the death coming. The animation as well seems to never quite convey the intensity of the battles making they feel rather plain. While there is a high diversity of character designs and abilities, the fights in this show rarely feel all that exhilarating which could be attributed to the lacking character development or simply the fight animation just being average.

In summary Magical Girl Raising Project is a show with good concepts not executed well. I do see potential in this writer and if a second season does come to be then whn not restricted to the battle royale format he may have a chance to really shine. However as the series is currently it is a serviceable and enjoyable watch. If you have an interest in a dark take of the magical girl genre and have checked out the notables like Madoka or Princess Tutu then Magical Girl Raising Project isn’t a bad recommendation. Even fans of Danganronpa could get a kick out of it as it does take some inspiration from it. A show that sadly didn’t live up to it’s potential but remains a decent watch regardless.

Posted on with categories: Currently Watching:, Magical Girl Raising Project

The day is saved thanks to Ripple and, well just Ripple. Snow White did help near the end by bringing the rabbit’s foot but other than that she pretty much won the battle royale by doing absolutely nothing. The final battle was somewhat anticlimactic and I do think that maybe with a higher animation budget and better fight animation this could have been a real great battle. However as is the battle is serviceable but I do admire Swim Swim’s ingenuity in choosing a battlefield suited to her abilities. She planned well all things considered and was only caught off guard by a sudden thunderstorm and Ripples flash grenades taken from Calamity Mary. Fav wasn’t foolish for thinking that Swim Swim would win, by all accounts she really should have.

Despite the main fan consensus of her being hated because of her tendency of killing off the more likeable characters, I at least will miss Swim Swim. I do think that she was a great villain that sadly didn’t get the development or opportunity to really shine. I have heard that the author makes a character like her later in the story whom might prove to fulfill the potential Swim Swim had. Sadly the show skimmed over what would be the big shock moment where Ripple would find out she killed a little girl by having her vision be obscured during the act and her reaction just briefly flashed on. I really thought that would be a much bigger deal that it turned out being and quite frankly the author missed a good opportunity there to make the final part of the fight a real punch to the gut.

It was somewhat satisfying to see Fav undone by the very things he gave the magical girls in the first place but his ending is rather anticlimactic. I don’t really get his reasoning for bringing Snow White to his side as revealing that the battle royale was essentially his and Cranberry’s idea only serves to get her all the more reason to not be his master. For the most part I think Fav didn’t actually think Cranberry would die and his efforts after were just his attempts at weaseling himself out of a bad situation. Like how he was doing when he realized that Ripple got hold of a weapon that could actually destroy him. Fav like more or less every other character in this series, only really started to get interesting just right before he’s going to get killed off. Seeing Fav panic really showed that he’s not quite as cool and in control as he pretends to be and Snow White could see right through him. In fact Snow and Ripple also only really started to get interesting just right before the show ended. Still there are talks of a Magical Girl Raise Project sequel and while this series isn’t perfect i do think there is potential for the writer to turn it into something great. Even the idea of continuing Snow White’s transformation from stereotypical magical girl to magical girl superhero could make for an interesting second season.

Posted on 27 December 2016 with categories: Currently Watching:, OVAs and Movies:, Zaregoto Series

The bomb has finally dropped as the murder everyone waiting for eventually come, but we still aren’t clear who the victim is. If there is one cliché about murders involving beheading, it’s that you can never be sure about the identity of the headless victim. The one you think is dead will return to the story near the end somehow, not only with his head intact, but with his evil grin as well. It appears for now that the body is Kanami’s, a genius painter, since the body is in her room and worn the exact outfit; in addition, based on the info I read somewhere her name is a wordplay that if you read her name in reverse it means: no head now. But it could be one of the maids. As of this moment we don’t get to know any of the maid so the main focus is still squarely on those geniuses.

One of the most important clue that we gained right now is how the table set up like a clock, with the host is at 12.00 o’clock and Tomoe is right opposite her at 6.00. We simply don’t have any clue to work with at this moment but I figure that in the future development this clue is going to be relevant. Another strange occurrent that happen on the night of the murder is the earthquake which resulted in the messy room we see at the end, or was it not? How the earthquake relevant to the murder is unclear, but for now I suspect that because the earthquake happened so randomly that the true culprit didn’t plan on this and thus left some evidences behind. Lastly, there were a mystery on this island that occurred before that caught Tomoe’s curiosity but for now we know nothing about it.

We got introduced to the last genius in this island: Yayoi the genius chief. Although she claimed that she has no natural talent, she can actually smell and sense a huge lot different tastes. Apart from having that absolute taste and absolute pitch, she appears to be the most normal out of all geniuses. Just really wonder why there is no one who commend about the foods that they eat, after all it’s Yayoi who cook all of them, right? Oh we also get to see the host Akagami, but apart from being a fulltime event manager and bragging about the new character to come, she’s just plain like a rice cake.

Not much actually happen beside all the chitchatting of course, but this episode sheds a new angle about Il chan relationship towards Tomoe. Maki (A genius fortune teller who know the past, the future, people and the world) really likes to scrub Il-chan the wrong way, but she seems to see through this guy. And because she understands his character she despites the way he’s doing things. She also digs a little too deep about his and Tomoe’s strange “friendship”. She’s something that he wishes he could’ve been and seeing her- despite all that- unhappy make him feel good. Those scenes in which he’s inside a TV-like box that Maki can see through him perfectly elevate the sense of discomfort of Il-chan towards Maki’s words. There’s still much more oil that needed to pump from their relationship of course, like what she thinks about MC and why she needs him to come to this isolated island in the first place.

Even with this once-a-month format Shaft still manages to stays behind schedule and and pushes back the next episode until January next year. As of now, things are moving so slowly and there is simply not much material to work with, but starting the next episode the plot might get a little more entertaining with the investigation now that the murder kicked in. In the mean time I might try to eat by using two pairs of chopsticks Tomoe-style, by the time the next episode begins I might have mastered that skill already.

CHANGE USERNAME
AidanAK47
I previously had no interest in a Godzilla Anime film. But after reading the concept here I am now very very interested: http://www.animenewsnetwork.com/news/2017-03-24/godzilla-anime-film-reveals-full-title-story-new-visual-november-premiere/.113863
SuperMario
@Kaiser: they are still around. And believe it or not the actual band members are Damon Albarn (former lead singer of Blur) taking care of all the music and Jamie Hewlett who taking of the animation. I love alternative music, I can enjoy hip-hop music and I'm a fan of animation => this band basically has everything I personally love
Anonymous956164
@Mario: Kaiser here, posting from public computer. I had no idea the gorillaz were still around, many years ago I would have listened to their Clint Eastwood song, aswell as dirty harry and feel good inc, I also remember the artstyle of their videos catching my attention.
SuperMario
Anyone here listen to Gorillaz? They're one of my favorite band and their new song Saturnz Barz is great. Excited for their coming album now
Kaiser-Eoghan
I guess I'm considering blood blockade also because I'm burnt out o demanding and old films to some extent.
SuperMario
@Kaiser: I really enjoyed the first season of Blockade. It's one of those cases where I think the delayed of the last episode killed all the exciment regarding the show. I actually fall behind and then catched up again as soon as the last episode was out so I enjoyed everything so much more
SuperMario
@Aidan: makes me really wonder why some of the studios are very uptight about their show's details. Like, they have to know if it is a short series or not, right.
Kaiser-Eoghan
Yet its not exactly a show that fits into being my thing.
Kaiser-Eoghan
Blood blockade battlefront is one of those shows that is always in the back of my head, despite negative biasI managed to at least enjoy some of gungrave, I grew up, sort of with trigun, so with blockade having Yuji Nightow involved theres always that part of me that says to watch blood blockade battlefront.
AidanAK47
This is one of the annoying things about previews. You got o the trouble of looking it up and writing on it only for it to get delayed or turn out to be a short series.
SuperMario
ohh, Blood Blockade Battlefront moves back to October airing. I might have a chance to cover it after all. Though look at how it gets delay and the change of director, it yells more concerns than optimism
AidanAK47
Yep, Manga is completed at 6 Volumes. But it's kinda weird that the series managed to cover 6 volumes when it's so slow paced. I normally thought that 5 to 6 episodes was needed to cover a manga volume on average.
SuperMario
@anon954341: ACCA will finish in 1 cour, as the manga is already completed and from what I heard episode 11 & 12 cover the last 5 chapters of the manga.
Anonymous954341
is Acca 13's story going to finish in 1 cour, or is it still ongoing?
Kaiser-Eoghan
Honestly do wonder how much longer anime blogging will be a thing and how much they have to compete with popular youtuber's channels.
Kaiser-Eoghan
I once had some idea of doing a forum with a friend, it never went anywhere.
Kaiser-Eoghan
Aidan gave good advice anon, I still found old posts from when I was teenager archived somewhere online and it made me facepalm.
Kaiser-Eoghan
Eh, I wanted to throw myself into Mario and your conversation about personalities by talking about myself, force of habit.
AidanAK47
@Kaiser, Not sure what this rambling is about but good for you...I guess?
AidanAK47
@Anon, Blogs take a lot of work for very little in return. I wouldn't try starting one unless you are ready to make a huge commitment. Besides at your age(Based on that comment) it would be best to not put too much on the internet. The internet never forgets and it can come back to haunt you later in life.
Kaiser-Eoghan
The reason I bring some of this up is because I think that even if someone isn't the most emotional person out there, they shouldn't ignore/bash on certain shows/genres because of that, even if you don't get feelings out of it, the story/drama/characters could still be worthwhile.
Kaiser-Eoghan
I do think getting pissed off though is much easier irl than doing it online where it doesn't bother me as much.
Kaiser-Eoghan
And it surprises me alot that I followed so many romance manga years ago, enjoyed them, but I've never been a romantic person irl at all.
Kaiser-Eoghan
I also hate incompetence/failure and am generally not especially patient.
Kaiser-Eoghan
I care about others and appearances mainly to extent it either is of benefit, if I have to or it avoids hassle.
Kaiser-Eoghan
People tend to think I'm cold, articulate, blunt irl too.
Kaiser-Eoghan
I'm not a sentimental or passionette/emotional person irl, I don't like wasting time with other peoples shit and don't bother with it, avoid looking at people or touching them physically, talk in long dry speeches and in general come off as a quiet, reserved but snarky/cynical person.
Kaiser-Eoghan
I probably unknowingly come off as different on this site than I would irl.
Kaiser-Eoghan
Honestly I'd veer towards depressing or surreal/strange/messed up work more out of just wanting to see weird and depressing stuff happen and little else, just interests me, I can't remember the last time I cried.
Anonymous953782
um i wanted to make my own blog but it wants a email but i dont want my parents finding out
AidanAK47
It is weird how we never clash on what we want to cover on each season. Anyway I need someone to contrast my egotisical self so it's all good.
SuperMario
haha, Aidan: heartless grumpy monster & Mario: sentimental sappy bloke. Readers, you got yourself quite an odd combination of writers here.
Anonymous951955
We'll see; trailers can give false impressions
Anonymous951955
Not that all changes from source adaptations are terrible, but in this case, at least the trailer makes it look pretty bad.
Anonymous951955
It looks not great; I understand the need to change it a bit to suit the format/audience, but at what point does it turn from adaption to "loosely based on"?
HelghastKillzone
I'm glad we're past the phase of moe club shows.
AidanAK47
@Helghast, now that's something I never thought I would hear.
HelghastKillzone
Hell ya. We are in a golden age of anime that is filled with options and quality.
Anonymous951809
What a great week! Iron Blooded Orphans, Onihei, Little Witch Academia and ACCA 13 all had great episodes! I am spoiled!
Anonymous950847
@Anon and @Aikan

The LoGH manga remake has been out. It did not work for me.

I hope he anime goes its own way. I do trust Production IG, so I hope. I think it might not be this year. No lgoic, just a hunch.
AidanAK47
@Anon, Only info I can find is that it's coming out this year and it will be by Production IG. But I think you are right in that if it;s coming this year it will definitely be winter.
Feeling rather cautious about the remake myself. LoGH is dated visually but in a way it is a product of it's time and things you could forgive in the old version wouldn't be so forgivable in the new.
Anonymous949997
Does anybody know when that LoGH readaptation is coming? It's supposed to be this year right? Probably winter right?
SuperMario
But I will give it a full review anyways because all the amount of time I spent in that series should be paid off somehow, right?
Kaiser-Eoghan
But serious Gohands is a studio that had potential its just a shame its wasted on rubbish writers. Although I did like mardock scramble, because cyberpunk =)
Kaiser-Eoghan
If I met handshakers in public I'd refuse to shake its hand =D
SuperMario
Oh, it's actually just an extra Hand Shakers episode that serves as a prequel story. Not that bad then
SuperMario
Not to disregard Hand Shakers, but the best way to describe how I feel about that series is mind-numbing
Kaiser-Eoghan
They tried with that Military guy and his daughter but not by much.
Kaiser-Eoghan
But I do agree that there needs to be more to the characters, right now its JUST Tanya.
Kaiser-Eoghan
As for Tanya, having caught up with it, its a nice trashy guilty pleasure, especially due to the protagonist and I enjoy the setting because I'm a war film fan and like some of the action/politicking. I still do wish it was aesthetically a bit better. The dub isn't that bad and I'd welcome a second season.
Kaiser-Eoghan
In an ideal world Kino's journey would have been a good model for what light novel adaptations can be and SHOULD be.
Kaiser-Eoghan
If we must have more light novel adaptations, I would prefer them to be like Tanya, Muvluv, okay hardly breathtaking, but still better than that thing Aidan linked.
Lenlo
*Sigh* It looks exactly how I imagined it would and its terrible.
Lenlo
Please dont tell me thats an actual title.
AidanAK47
In another world with my smart phone light novel to get an anime.

Oh my god...This literally sounds like a joke title you would see within an anime. Tried giving it an honest chance by reading it and it's just shit. Just pure terrible.
AidanAK47
If people in Japan are actually buying blurays thinking its a good show then something is seriously wrong with the world.
AidanAK47
@Topgavin, maybe too many people watched it because it was so terrible. I haven't watched past episode 1 but it doesn't sound like it improved.
Topgavin
Just incase you guys were avidly waiting for the announcement, Hand Shakers is getting a prequel season because it's apparently selling well......
SuperMario
Should be happy for it, though I'm a bit disappointed that I can't be able to cover it
SuperMario
Inside Mari gets live-action series adaptation. Why not anime?? Duh
Spike
Little Witch Academia finally tips it's hand on the overall plot! I'm pretty pleased and think some direction might help bump it up from just being 'good' overall.
HelghastKillzone
@KTravlos Still watching it week by week and I'll write up a review on the second season of Iron-Blooded when it ends.
Kaiser-Eoghan
@Mario: It is however the kind of anime film that would have the wide audience appeal though, as in anime for people who don't watch anime.
SuperMario
@Kaiser: just prove that people has paid attention to anime. That's an encouraging sign actually
Kaiser-Eoghan
Feck, silent voice was booked out when I got there just now....should have booked in advance, showing at 7:00 on Friday booking it now.
SuperMario
@KTravlos: I haven't, but that more because I'm not a big fan of Mecha genre. I believe one of our writer HelghastKillzone still follow the series
KTravlos
No idea, if you are all still watching MS Gundam: Iron Blooded Orphans. I am, and while the 2nd Season toned down some of the elements that made the 1st Season good, it is still pretty good with the last episode doing a great job. If it keeps it, it definitely is head to head with Turn A Gundam for my favorite long-form Gundam Series (I am doing Gundam Origins for the original story)
Lenlo
Mhmm. It was one of those shows it weave adult themes into a kids show, so it had something for both. Now I can also appreciate the artstyle that doesnt use hard black outlines for everything.
AidanAK47
If anything I get so much more out of Samurai Jack now than when I watched it as a kid.
Lenlo
Love that dude Aidan. And yes Kaiser, I think anyone get enjoy it now. I love that its back, but even without that its easily standing on its own
Kaiser-Eoghan
How much of this love of samurai jack is a nostalgia driven thing? I'm not knocking that nostalgia but would it be possible to get something out of the show now if I never watched it when I was younger?
Lenlo
Yeah, that conversation was great. Really shows you how messed up hes become. Its also amazing when you realize that was the last set of spoken dialogue in the episode. There was not a single word uttered in the second half.
Kaiser-Eoghan
The audience who enjoyed samurai Jack has grown up, them bringing up seppuku and blood is possibly a part of that.
AidanAK47
Scene with the coffins was awesome as was the fight in the dark. My personal favorite part of the episode though was Jack arguing with his old design self. And young jack suggesting committing seppuku made my eyebrows raise. I mean..damn.
Lenlo
I agree Aidan. That quick shot of Jack vs the Daughter, with the sudden blood, suprised me as much as it did Jack. I really loved the scene with the coffins. The music nad sound was just great there.
AidanAK47
@Lenlo, It was a really great episode. I love the meta of Jack being worn down by the wait and the wait the viewers had to endure for the new season. I is rather odd seeing blood in Samurai Jack though but it does make that particular moment have so much more impact.
Topgavin
April 16th for NZ. It is a lesser known movie than Kimi no na wa though, so I do wonder how available it's going to be in cinemas
Lenlo
This second episode of Jack was really just amazing. Its making full use of the new budget/tech for the art and of the new rating, along with the impact the timeskip would have on Jack. The cinematography was superb as well.
SuperMario
@Kaiser: Koe ko machi will creen in Aussie in the beginning of April as well. I'll go to watch it; but I would love to jear your thoughts on the movie.
Kaiser-Eoghan
There is a preview screening of koe to kachi on Monday night, depending I may go, I may review it or at least talk about it on here.
Kaiser-Eoghan
I'm dying waiting for the Blame! anime film adaptation to come out in May. I've wanted an adaptation for years.
Kaiser-Eoghan
And I'm too much of a cheap-ass to actually buy anything, don't even use legal streaming for films or anime/manga/comics, pirate almost everything.
Kaiser-Eoghan
Or shelves for that matter.
Kaiser-Eoghan
I've fallen out of the collectors thing pretty much entirely. I don't like to advertise any of my interests on my bedroom wall either.
Kaiser-Eoghan
Some years ago I ended up selling almost all of my anime dvds/vhs and manga, comic books aswell, took down my posters and moved what figures I had left into attic boxes , just no space for it and it was a good way to get some quick extra cash.
Lenlo
I love Rakugo as well, im not meaning to bad talk it at all. I simply also agree with Aiden that slow rolling us with Yakumo's death was poorly done and that its feeling stretched.
Topgavin
Nevermind, the $30 price tag made that decision for me
Topgavin
Weird how I see $8 movies on youtube as a ripoff yet a $90 series as a bargain. All these $300 box sets made me think it'd be in the hundreds. Wonder if I should get rebellion too
SuperMario
I'm still pretty much a fan of Rakugo this season. It goes much darker than the first season, something I didn't dare to think before consider this isYotaro's story. Would love to see more about rakugo's industry but this season does flesh out a lot of our core characters
Kaiser-Eoghan
I said it before but I'll bring it up again, the slow pace allows for, when big things happen to have a larger impact when they do.
Kaiser-Eoghan
*In
**and(not on) waiting for the series to finish
Anonymous935946
Season 1 showed a lot more, different periods and times, the development of Rakugo, the tragedy of Sukeroku & Miyokichi (or at least one version). In contrast, season 2 was basically about Sukeroku's legacy in the form of Yotaro and Konatsu and their kids, and Yakumo's relationship with death, changing from fatalistic to happiness over the course of the series.
Kaiser-Eoghan
I think it might be 13 episodes, the first season had 13.
Anonymous935946
To be honest, I understand your point: It's hard to actually describe what happened in season 2. I guess I became invested into Yakumo in season 1, and then warmed up to Yota and Konatsu in this season.
Anonymous935946
Yeah, I think they certainly could have compressed the front half of the season. There wasn't too much plot going on, but I enjoyed the characters and their interactions, so I didn't mind the deliberate pacing.
Lenlo
I still really like Rakugo, its really good, it just probably didnt need 12 episodes. That said, really lookin forward to the timeskip
Kaiser-Eoghan
@Mario: I've never actually seen any of Olivier Asayas' films come to think of it.
Kaiser-Eoghan
But going back to that dragging on, that did factor in almost making me hold off on waiting for the series to finish before going back. The anon's comment was what got me to watch this weeks episode right now rather than waiting till later.
Kaiser-Eoghan
Rakugo remains at this point still going in too long, but in fairness to the anon, yes the episodes conclusion was effective on emotional level and I bought into the dreamy atmosphere, largely due to the good cinematography the series uses.
Lenlo
Really? Im torn. Im glad they didnt bait and switch us again, but I always liked how grounded Rakugo was so im not sure how ok I am with the supernatural part and some of it felt like fanservice in regards to bringing characters back. The VA though is fantastic as always and I am definitely looking forward to this last timeskip. Cant wait to see the kids grown up.
Anonymous935526
Rakugo was otherworldly today. Not going to lie, was fighting tears back, but failed at the end.
SuperMario
@Topgavin: the bluray goes by region as well so you can only buy it in Australia/NZ region (region 4). For Madoka I still find it easiest to just go to JB Hi Fi and buy it. Sometimes I find it cheaper from JB Hi Fi than even their original distribution company.
AidanAK47
@Topgavin, I ordered my Madoka bluray's from Amazon.co.uk.
Topgavin
Where do you guys buy your merch? Was looking into buying the Madoka blurays but can't find a reliable place to ship to NZ.
SuperMario
@Kaiser: nah, Personal Shopper isn't even a horror. It's just a failed arthouse that have little to say except grief.
SuperMario
...even now. For Raw, I would never expect the positive reactions from mainstream. I think the film really push the tolerance of the voewers, but it was a refrrshing watch.
SuperMario
@Kaiser: now you mentioned 2 films thay I really fond of. I come from Vietnam, so I could easily tell you that the settings are staged. The dialogue is pretty unnatural as well, but the movie grows a lot on me. I still love the striking visual and a long, slow mood the film evoke, and It speaks to one of the theme (women's identity in Vietnam society) that speaks well to me and still relevant...
Kaiser-Eoghan
@Mario: Is personal shopper really that mediocre a horror film?
Kaiser-Eoghan
@Mario: I also got back from seeing Raw a couple of hours ago, though the violence was enjoyable I was expecting it to be more so, it was also surprisingly funny at times.
Kaiser-Eoghan
@Mario: I did eventually see Scent of Green Papaya, while I did like that a plot actually did appear later on I was mostly content to find it a really pretty looking and generally relaxing film.
Kaiser-Eoghan
@Aidan: =< Sorry that anon post was me, was using the work computer and didn't log in.
AidanAK47
@Anon, don't do that. Don't hint at future events and just let people see for themselves.
Anonymous930711
The glasses teacher in scum's wish will have an interesting moment to look out for in the coming episodes, I read on in the manga. Only one chapter left.
SuperMario
*ED instead of OD
SuperMario
@anon928813: usually they will release the music separately from the DVD/Blurays. I believed the OP had released last year, and according to their website the OD gonna release in 5th of April
Anonymous928813
Does anyone know the release date for Zaregoto's OST? Is it bundled with one of the BDs?
Kaiser-Eoghan
Y'know I'd like to see this Akane-sensei girl attempt to seduce me and just watch her fail at trying to do so.
Kaiser-Eoghan
My guess is that Miura will do another 6 or so chapter run then put it down for another while.
Lenlo
Im so happy Berserk Manga is starting up again, but im curious for how long. I remember sitting through that boat. I was there for all 7 years of it. Im like a hiatus vet now
Kaiser-Eoghan
Pretty much in agreement on titan where after what the first season covers I've pretty much been waiting for it to get back on track before I bother to get back to it.
Kaiser-Eoghan
I should be catching up and sangatsu and acca.
Kaiser-Eoghan
I never saw kekkai sensens first season so there's little chance of me watching the sequel.
Kaiser-Eoghan
Berserk and Natsume I'll just stick with the manga. I don't know about Bahamut, it took me a few episodes to get into before it became fun, but then the ending was disappointing, again maybe there's room for improvement in season 2.
Kaiser-Eoghan
I would hope that eccentric families second season would be able to live up to the potential of building on the first. However it's been a while since I've seen season one, might need to refresh myself.
SuperMario
For the Spring season, it is a season of sequels. From sequels alone, I'll follow Berserk, Eccentric Family, BBB, My Hero Academia, Attack on Titan, Natsume (is it the last season?), How to Raise a Boring girlfriend. I dropped Shingeki no Bahamut after 3 episodes, but might pick it up again before the new season begin.
SuperMario
Before that, Utena and Haruhi.
SuperMario
Gotta love the extend a passionate fan would go. The last time I felt passionate about something anime-wise was Monogatari as there was a period of several months that I watched nothing but that series, and rewatched and rewatched. It just clicked with me personally at that stage of my life.
Lenlo
At this point, ill watch/read anything with Berserk on it. I already own all of the original print runs of the Manga. If I had the money, I would buy everything else.
SuperMario
@Lenlo: I'll be on the same boat with you regarding Berserk. I know I CAN ENDURE it (finger crossed)
Lenlo
Man, your season preview reminded me I soon have to watch another season of CGI Berserk. Im not going to like it, but its a trial I must go through as a hardcore Berserk fan.
Lenlo
Im glad they didnt lose the funny robots in their pursuit of the Grimdark
Lenlo
That flute into Skatman-like singing was great
AidanAK47
@Lenlo, I had the biggest smile when Jack destroyed the robots flute and he started singing with his mouth. Looking at clips of the show on youtube I don't think I appreciated just how funny this show was. Also digging Jacks PTSD and the daughters of Aku.
Lenlo
Dude has problems and I loved the singing robot
Lenlo
Have to say, enjoyed seeing Jack again.
Lenlo
Thanks Aidan! Cant wait to watch it tonight
Kaiser-Eoghan
Well I suppose it is moreso samurai Jack wasn't really a large part of my childhood.
AidanAK47
Don't know how it is for security but I never really had trouble with it.
Lenlo
Love me some Samurai Jack though
Lenlo
It may just be Malwarebytes actin up. Ill look into it and if its a false flag check it out.
Kaiser-Eoghan
I never really had any opinion of samurai Jack when it was airing.
Kaiser-Eoghan
Oh I'm enthusiastic about Kino season 2, but I want to be cautiously optimistic just in case.
Kaiser-Eoghan
But has anyone read on in the Kino novels to confirm that a second season would have good material to work with, would it fall prey to the light novel curse that apparently many of then weaken by the third volume?
Kaiser-Eoghan
The only issue I've found with kiss is that, in firefox at least, sometimes it slows down my browser but only now and then. Never had any trouble with viruses or mal/spyware on it. Though it won't allow adblock =<
SuperMario
@Aidan: I was surprised at Kino's Journey news as well. Yay for having a new season!!
Total users: 22

Featured Posts

Little Witch Academia – 11[Blue Moon]

I don’t mind the lighthearted shenanigans of Little Witch Academia but in my opinion it’s episodes like this that will truly make the show memorable. After ten episodes of mere hints as to the state of magic and it’s history we get a truckload of answers. Why is magic being considered antiquated? Because magic is […]

Shouwa Genroku Rakugo Shinjuu – 24

When I started this season of Rakugo I was under the impression that this would be Konatsu’s and Yotaro’s story seeing as Yakumo’s had reached it’s end. However to my dismay it appeared that halfway through the season Yakumo has hijacked the series. I previously stated that the story of Rakugo has already ended with […]

Saga of Tanya the Evil – 10[Path to Victory]

What am I to say when the majority of the episode is detailing a military operation? I admit that content has become spare in this series as of late and the Tanya vs God battle has more or less been pushed to the sideline. Tanya had one moment here where it looked like her mission […]

ACCA: 13-Territory Inspection Dept. – 11 [Furawau’s Flowers Smell of Malice]

Really ACCA? Only one episode left and you’re still in set-up stage, with the coup is lingering in the air, but never comes in real form. In fact, ACCA is a series about setting up. Its deliberate pacing can really test the viewer’s’ patience, and I totally understand if most of you have fallen out […]

3-gatsu no Lion – 22 [New School Term – Fighter]

We get to an end of 3-gatsu run but it feels more like a new beginning. Like what I feared last week the last episode doesn’t really have a conclusive ending, instead offers us the new semester of Rei and his childhood and his shogi, which in all fairness are the weaker parts of 3-gatsu. […]

Scum’s Wish – 10 [Fragile and Empty]

This week the main spotlight is heading back to our beloved Akane and two of her relationships preys, Mugi and Narumi. Although I really like the way the show addresses each of those tainted relationships until finally we’d get to the bare bone of Mugi and Hanabi’s core relationship, this episode for me is just […]

Little Witch Academia – 10[Bee Commotion]

I remember seeing a remark someone made that Little Witch Academia would lose half it’s fanbase when the realize that they don’t like Saturday morning cartoons all that much. While most likely said in jest, I find there is a certain degree of truth in that statement. I did enjoy this episode of Little Witch […]

Shouwa Genroku Rakugo Shinjuu – 23

The extended epilogue continues as Yakumo returns home after the theatre burns down. Some are signifying the burning down of the theatre as the death of Rakugo while others are speaking of it as a new beginning. After all Rakugo can be performed anywhere as long as someone is willing to listen. The members of […]

Saga of Tanya the Evil – 09[Preparations for Advance]

A calm before the storm episode as the war with the Republic draws close to its climax. It’s nice to see the episode start off with Tanya trying to rationalize her actions in the previous episode. What may not be apparent from the anime is that Viktoriya has a tendency of coming up with reasons […]

Latest Reviews

Flip Flappers (Fall 2016) Review – 93/100

What makes Flip Flappers stand out from the rest of the anime field? I found a lot of people asking that question along the way. Well, first off, Flip Flappers isn’t your ordinary anime offering, that’s for sure. Its visual styles are too much and too incoherent for one thing, the narrative never really reveal […]

Sound! Euphonium 2 (Fall 2016) Review – 86/100

I must admit that out of all the series I was blogging last year, Sound Eupho 2 was the one I’m saddest to see it ends; not because it was my absolute favorite anime last year, but because the sheer amount of their attention to details and their ridiculously quest for perfection are something that […]

Fune wo Amu (Fall 2016) Review – 81/100

This series is, in retrospect, a really appropriate title that speaks to the very spirit of noitaminA block: an adult drama slice of life about the making of dictionary that surely don’t try to target the young audiences. Sound as dry as it is, Fune wo Amu’s actually one of the strongest noitaminA show come […]

Your name. (2016) Movie Review – 82/100

As of this writing, Kimi no Na wa, or Your name. has enjoyed a phenomenal commercial and critical success. It becomes the highest grossing film of the year in Japan, and broke many records elsewhere in Thailand, China, America… you name it. Even in the local theatre where I went to, we got a full […]

Occultic;Nine Review – 0/100

I am certain this may seem like an extreme rating for some but the number scale always has been something I only carried over as part of psgels format. But this rating exemplifies my feelings about this show in its entirety. This show is awful, terrible, rage inducing, illogical, nonsensical garbage. Watching this show was […]

Magical Girl Raising Project Review – 65/100

In the success of Madoka there have been plenty who have tried to capitalize on turning the Magical girl genre dark. Few have actually succeeded and while Magical Girl Raising Project doesn’t quite succeed, it is still a much more competent attempt than many others. The story is about a phone app which promises to […]

Yuri!!! on Ice (Fall 2016) Review – 83/100

“Can you hear my heartbeat? Tired of feeling never enough. I close my eyes and tell myself that my dreams will come true” That’s exactly what Yuri on Ice offers, a heart-pumping ride to the sport of figure skating. Yuri on Ice’s current success and mainstream breakout is something that no one could have guessed before it aired; but here […]

Strange Frame – Love & Sax (2012) Movie Review – 76/100

Hooray, I’m finally back to this section after a while. I originally plan to review a more in-focus groups of animated films, like Korean movies, anthology movies, female-directed films, etc but now I have a different plan. The days that I cover all these will come, I promise. Instead, this time I want to highlight […]

Thunderbolt Fantasy Review – 84/100

Sometimes you dread for the current state of anime: high school settings, cute girls, fan-service jokes, idol madness… that you wish for once to see something different, and out of nowhere an oddball like this just pop up: a wuxia puppetry show influenced by Taiwanese glove puppetry written by Gen Urobuchi. The sheer fact that […]