Posted by psgels on 1 February 2017 with categories: Monthly Summaries

I know I missed Onihei, but it’s just impossible to find much about it. Perhaps in February I’ll give it some more coverage. Aside from that, this was a good month. I’d say that overall the winter season is more varied than the past autumn season, but at the same time the good series are not AS good. All of course according to my own impressions. Like always spoilers beware, and this list is on order of my own preferences, worst first best last, only about the episodes that aired in January, minus the first episodes that I already talked about. The number after each title signifies the relevant episodes.

#15: Granblue Fantasy The Animation (01)

This one aired a bit later than the other shows this season. It’s also a fantasy series, probably another kind of game adaptation like Chain Chronicle, but I liked that one a lot better though. That I’m not watching Chain Chronicle anymore should say enough for Granblue, but the gist of it that while Chain Chronicle was simply generic, with Granblue I got the feeling of gradually losing brain cells while watching. Granted, a bit reason for that is that incredibly annoying dragon that keeps floating everywhere, but what also ticks me off is that we’re given very little reason to care about any of the characters. The main character doesn’t really have a reason to go along on this life-threatening quest, he just happens to be at the place where a cute girl falls from the sky… and starts following his boner, I guess… Why am I supposed to root for these people? Do the bad guys have any other reason to attack besides being evil? I don’t expect answers to those questions in episode 01, but at least hints or some other kind of nuance. You just can’t think you can get away with this simplistic mess just because you’re a game adaptation, right?

#14: Spiritpact (02)

In the end… I just can’t. Snappy dialogue is one thing, but if everything else is just amateurish i’m not really sure what I’m gaining by watching this and I’ve got many better things to see and do. I can see where they’re coming from, but episode 2 didn’t really convince me to just keep watching. For one it wasn’t as fun as the first episode, but the first episode also just felt worse in hindsight. They introduced this new character who is the fiance of the white haired guy, and obviously she has her issues, but they all seemed to be trying so hard, and nothing really came out of it.

The animation is partly to blame for that. I watch anime because I also care for the “animation”-part of the whole deal. I want to see people bringing characters to life. If you have to use short-cuts then so be it: be clever with the jump-cuts, pull some visual tricks, use your music. It’s not an exact science at all and it’s an art form, however this series doesn’t seem to try any of this, with awkward jerky motions and no attempts to hide it. Japanese anime has the experience in these cheap tricks, but Korean animators still need to find their own way. Mind you, I am not suggesting them to follow anime’s example. Let them go their own way, as long as that way works of course.

#13: BanG Dream! (01-02)

This is another series that came out a bit late this season, about a bunch of middle school girls starting a band. I gave it two episodes because there is one thing it seems to understand: build-up: it’s not like “Wheee band!”, but instead it is carefully building up the different girls, why they’re going for it and how they end up meeting each other. Really, one of the most difficult things about being in a band is actually starting the band and finding the right people. By taking its time, the series makes also sure that the characters are well fleshed out in the process.

Still, I’m not going to continue with it. The teenaged girls are just too annoying, and I think a lot can be contributed to bad acting and voice acting: characters hamming it up a little too much. There is one shy girl and nearly all she does is breathe very loudly. That’s not how shyness works! The main character also feels a bit weird: they really tried to make her this enthusiastic girl whose energy pulls the entire band together, but in the end it just feels fake, like they try too hard. She too has this habit of just breathing very loudly, which after a while just gets distracting. These random squeaks and moans instead of just actual dialogue. This obviously isn’t the only show that does this but that doesn’t make it okay!

#12: elDLIVE (02-03)

elDLIVE could have had potential if they kept the momentum of the first episode going. A fun light-hearted show about alien hunting with quirky characters, but in the end it lost this quite quickly. Episode 02 and 03 pretty much repeated what episode 01 did, only less interesting, and quite witless to be honest. These episodes had a bit of high school hi-jinks, dull aliens, and nothing really interesting. It wasn’t fun, and at times they also got way too dramatic for their own good. You don’t want to be dramatic for a series that involves a bunch of kids busting aliens, that just serves to highlight how stupid the show is, unless you invest really heavily in suspense of disbelief. But ultimately this show lacks any sort of ambition or desire to be special. This one is dropped.

#11: Demi-chan wa Kataritai (02-04)

This one turned out to be not as good as what I hoped. On one hand, it managed to portray this world in which a small percentage of people is “demi”, or half human, half mythical creature like a vampire, dullahan, etc. It’s an interesting look at minorities, being slightly different and a bit of bullying here and there. Its characters are very vocal about their issues and that makes this a very honest series.

On the other hand I really don’t like how this show pulled a Sword Art Online and made every single one of these “demi-girls” fall for the main character. Granted, the verdict is still out on the snow girl, but it’s getting there, trust me! I find that cheap, and it’s also just pointless. This is supposed to be a series about teenaged issues, and the romance just feels shoehorned in. There is no reason why these girls can’t have boyfriends, or at the very least guys interested in them if they also want to handle things like sexualities. This is also in the main character’s favour because now we just end up with him getting demi-boners half of the time, which just turns him into this slime-ball rather than a scientist. It’s a real shame because I feel that there are two groups among the creators: one that really wants this to be a character study, and one that want this to be a romantic comedy. The result gets very awkward in a bad way.

#10: Piace – Watashi no Italian (02-03)

Piace is clever: it knew that if you want to be interesting, you need some kind of material to work with. Slice of life has been done to death and there is no way to make something out of it, and you have to be really funny for a pure plain comedy to succeed. However by basing its setting on an Italian restaurant it can interchange the jokes with Italian cooking. And it’s not like you really learn something about this, but the creators make a point of showing that the characters are making good food. When you combine this with the banter between the different characters, this becomes pretty decent for 4 minutes per episode, because let’s face it: the only jokes in this show are based on the characters’ banter; do not expect any food puns. The characters are also grounded and fun to watch: the voice acting here is good. The slightly-faster-than-usual pacing along with portraying the characters variedly, yet fairly wasn’t something I expected from a series like this.

#9: ChaoS;Child (02-03)

ChaoS;Child is chugging along nicely, along with its own issues. The thing with this series is that it’s all about its mystery. You can see that the story behind this series, the string of weird murders and the strange connection between them is the strongest point of this series. While no Higurashi by any means, I admit that after three episodes I’m curious to learn what is behind everything. Apart from that though… the gore is laughable, the animation is jerky, but my most important issue with it lies with the characters.

When telling a story with a clear main character, the audience needs a way to relate with him or her. A key part of that is the reason for his/her involvement in the story. And this doesn’t need to be complicated, as long as it’s something strong that can take the audience along for the ride. The lead character here is this sulky high school kid who keeps poking his nose in ridiculously dangerous murder cases. He knows this and still goes after them. Even after his loved ones get hurt he still tries to get more and more involved, even though there is no guarantee for the safety of his other friends, he gets told this plenty of times, and he realizes that he’s being incredibly reckless. How the heck are we supposed to relate to that?! I mean the lead of Chaos Head was a loser, but the creators used his panic very well to engage the audience. With him, it’s all so weak that I kept thinking “stop getting involved! Let the cops take care of it! You’re a high school kid, you can’t do anything!”

#8: Masamune-kun no Revenge (02-04)

Four episodes in, and Masamune has still retained its wit that we saw in its first episode. I didn’t think I’d be praising a romance between two high school kids, but it’s enjoyable enough to see just what an incredible dork the male lead can be. For once he’s actually balanced well: he’s flawed, but not a complete idiot, diligent but not perfect, his attempts of hitting on the lead girl are a refreshing combination between desperate and surprisingly effective. The tropes that have been done in other romances, it really tries to subvert them. It’s like a cat and mouse game between the two of them.

However, I’m very afraid that we just saw the best of this series. Episode 04 ended with something really questionable that has ruined many series that came before it. Up to that point, every twist, even though unexpected, sort-of made sense. You could see things happening that way if you put yourself in the characters’ shoes. Then completely randomly there’s this girl that offers herself to the lead’s feet as they’re about to have this serious moment. The episode ended right afterwards, but the creators are going to have to come up with something amazing to try and explain that one, because it also just does not fit the storyline at all, and I really doubt what this show can benefit from her. This was the “will they won’t they”-love-triangle I was afraid of when I first saw the OP and ED of this one, and there’s gonna be another girl! For now I enjoyed this show plenty, but unless episode 05 makes a very good case for itself I’m going to drop it then and there.

#7: Youjo Senki (02-04)

Okay. I did not expect that kind of back-story for the main character. It’s far-fetched, but.. fair enough it works. In fact, episodes 02 to 04 have all pain-stakingly spent time dealing with the issues I had with the first episode, setting everything up and actually doing a very good job at it. At this point I don’t see this as a dumb war-series anymore, but definitely something with its own qualities. Something totally different from what Shuumatsu no Izetta tried to be.

It’s ironic: Shuumatsu no Izetta made sure to portray soldiers as actual people, but in the end it was about the survival of the actual kingdom. Youjo Senki throws heaps of unnamed soldiers under the bus, but in the end its central theme is survival of the individual. Everyone in this series is thinking either about themselves, or their close families. The people next to them. The patriotism feels more like a formality here. In face, what I like is how it takes many serious issues of other war-series, and turns them into formalities. The whole goal of the main character isn’t to win, it’s to live a comfortable life and winning just happens to be very convenient for that goal. It’s a different look at war politics than usual. And the fact that she’s a child… fair enough. It works and they use it well.

#6: Hand Shakers (02-04)

There\s something really interesting going on with the music here. During the fights, notice how the soundtrack is completely different from what you’d usually suspect? It’s all dreamy, instead of the hard, dramatic and edgy sound that series usually go for. It’s very much on the foreground, rather than mostly lingering in the background. That is awesome! Back in the days lots of series had these incredibly complicated soundtracks with creative tunes, to scenes that totally didn’t match your expectations, even blasting over the dialogue and it was glorious! At a certain point this trend stopped though, only resurfacing very rarely. This needs to be brought back! Obviously not in every series, but let’s revive the spirit of Bee-Train! Hand Shakers is obviously no El Cazador, but obviously a step in the right direction.

Aside from that, this show has me pretty baffled. On all accounts, on paper I should hate this show. A boy meets a girl and they use powers to fight others. And yet this show is just so incredibly genuine. I find the lead couple so adorable for some really weird reason. The rest of the cast: I just like them. Everything here is just enjoyable to watch. Like I said, there’s something inherently cute about a show that’s about hand holding, something most romance shows don’t even seem to realize exists.

I am not a fan though of how passive the female lead has been so far: the male lead pretty much did all of the work here. You could replace her with a pet dog and pretty much the only thing that will change is the sexual tension. Don’t think too much behind that comparison…

#5: Little Witch Academia (02-04)

What makes this series special is that the creators really seem to have made this with an international audience in mind. This show is a weird amalgamation between east and west, but some parts really feel like Trigger putting a global audience first, rather than what most shows do: just produce your series for Japan and afterwards just release it internationally because hey, why not? Or make your show so generic that it doesn’t matter what country it’s from. I mean, otherwise no sane writer would include a reference to Hanna Barbara so randomly there. Episode four was also was about fandom, and it felt uch more like we were watching western fandom than Eastern.

Also in this world, everything is exaggerated. Everything. That makes the plot pretty random and stupid, but the energy. Good lord, the energy of this show! This show always manages to conjure up something creative for the magical hi-jinks that the characters find themselves into and especially the main trio just bubbles with personality, and yet they’re grounded and varied. This is what makes characters who usually would have been really annoying, it makes them actually fun to watch. I mean we all know about the blond girl who is good at everything and incredibly posh, but in this show she works. Her henchmen are annoying at first, but we see them do different stuff besides fangirl about how amazing their sempai is.

And beyond that this does just about all of the basic stuff right. These four episodes were random hi-jinks, but they were perfect in fleshing out the characters and making the audience familiar with them. This light-hearted note is something I missed from Kill la Kill for example. Trigger still hasn’t forgotten to do action either, so bring on the rest of this series!

#4: ACCA – 13-ku Karusatsu-ka (02-04)

Okay ACCA, let’s talk for a minute about immersion. Consider the Twelve Kingdoms, a series that also focuses on a world with about a dozen different countries inside it. One thing it did a lot, especially in the beginning, is show a map of the world, including a pointer where the story was about to focus at. This happened a lot, and while tedious at the time, because of this you always knew where the story was in relation to the rest of the setting. It made you feel part of the world. ACCA has a map, but we only see it very occasionally, and only brief, so we as a viewer are constantly having to guess where the heck we are, especially since every episode deals with a different country. What if the beginning of each episode could show for a small bit where on the map we are? You could incorporate it in the OP if time is the issue. It’s a very simple detail, but I feel like it would add a lot to this series.

Now, ACCA is an incredibly ambitious series, and it’s obvious that it can’t fit everything it wants into episodes of 20 minutes, so it has to compromise. The option it went for is to try and get as much information as possible into just one episode. The big difficulty with this approach is keeping thins personal, and I have to say that when taking this into consideration, it’s a very good attempt. Obviously the huge focus on consumables helps. Characters have this “tell, rather than show”-approach to their characters, but this is fixed by the creators using subtle non-verbal clues to flesh out their characters.

The big sacrifice though is continuity. This series both doesn’t have the time to deal with the aftermaths of everything that it does (lots of minor issues are just explicitly assumed to just get resolved), plus the way it leads one thing into the other… just happens. Coincidences pile up and there is no quiet time. It’s impossible to add those and still get everything within 20 minutes. Because what it is doing is powerful stuff. Makes you think, it’s interesting. Not to mention here that the potential for this show is virtually unlimited.

#3: Kuzu no Honkai (02-03)

Okay, so they’re not brother and sister. They just grew up together, with different parents so he always was the person she looked up to. Fair enough, that takes away my big complaint of episode one, but this series is not entirely in the clear. After all the “they’re not really siblings”-schtick was very often used back in the day to give the illusion of incest, while allowing for a back door for the creators to say “what do you mean? It’s not incest! They’re not related!” – we all knew what they were alluding to and it was disgusting. If this show ends up bringing back that trend I will punch it.

So, now that that’s out of the way: this show has been pretty incredible here; it does so many things right here. Episode 02 and 03 showed that it’s really trying to balance like six characters together, all intertwined in a web of crushes and all having their own issues, and we keep hopping back and forth between different perspectives, although the lead girl does seem to be the main character here. The lesbian girl was particularly surprising: for once they took a honest look at what it means to be attracted to the same gender. It doesn’t have the squee-material of the likes of Yuri on Ice, and while there is nudity, it doesn’t feel like fanservice like most other series of the past five years. This is how it should be done: treating them as actual people.

This series really isn’t glorifying anything, and that’s what makes it so great because it’s a side we very rarely get to see because of how wishy-washy romance is in anime. Fune wo Amu showed how you should do romance from the light side, this one flips things around and shows how to do romance correctly from the dark side. This show is ugly, even though it looks so pretty, but the amount of detail they managed to put in here. Mugi’s wet dream: they actually had the guts to do that. Or how the teacher wore the same outfit twice. They don’t explicitly say it, but it’s obvious, and when it hits it’s glorious!

Also can I get a thumbs up for the soundtrack here? It doesn’t just sound dreamy and sad, but it’s also used really well here. Every single note here fits, and there are a lot of tracks here! Someone really put some thoughts into how to place the music, otherwise it wouldn’t fit this well!

#2: Showa Genroku Rakugo Shinju Season 2 (01-04)

I managed to marathon the first season during the past month (though for the sake of this ranking I only consider the first four episode, otherwise it’s impossible to compare). And oh yeah, this is the real deal! I can’t believe they actually made an anime about Rakugo, a performance art where so much is dependent on acting, tonal changes and gestures, and they pretty much got away with it. I still consider Fune wo Amu my favourite series of 2016, but that was because that series managed to breathe life into its characters in a way that I had very rarely seen before. Shouwa Genroku Rakugo Shunjuu has its own list of things it does incredibly well.

The best being the character-development. Like seriously, there are very few series that can boast the level of detail that this series can put in it. Usually series have one flashback, or a number here and there for each character if they’re lucky, but most of the story takes place in one time frame. This series is the examination of the life of one guy, and every single episode it jumps forth a few years. And we don’t just see him change, a huge emphasis is also put on the side characters: they too change realistically and believably. The voice acting here is also wonderful in changing along with the cast. Top notch! Characters rise and fall, we get to see both their heights and lows right through each other. Every episode manages to change something.

What also makes this series really rare is that it managed to teach me something. And I don’t just praise this because I had no knowledge of Rakugo prior to starting this series, it not only gave an overview of how it evolved, it was an in-depth look at it, through the characters it analyzes, praises and criticizes the format. And it also encouraged me to look up the parts that they assumed the audience already knew. I like that: assume that your audience knows the meaning of Google. You don’t need to hold people by their hand. Inspire; and dare to go deep!

One thing I did not like, or rather one thing I found annoying is a better way to put it, is the romance. I know why things happened the way they did, the creators definitely make a good case for themselves and all, and they really try to make it complex and interesting, and yet I found that the most boring parts of the series. Perhaps it’s because episode 1 already told what was going to happen in the end, you could see them building up to it and the actual moment of the “big death” felt rather… forced. It probably worked well in manga-form but in the anime it just looked silly. And building up the romance… it took some patience to sit through even before it happened.

However the new season the romance is thankfully refreshingly down to earth, if you can call it romance anyway. It’s almost politics, and it knows its place much better. The characters in return are a bit less interesting, but they’re really starting to grow now, which was probably the intentions of the creators: how the heck are these newbies going to fill the shadows of the old masters? Yes, a lot of thought was put into this. More series like this please!

#1: Classicaloid (13-16)

Yeah, yeah. I know that the above series have more substance than this one. I know the characters are complete idiots. I know that the past four episodes of Classicaloid have been completely stupid and have established absolutely nothing. And yet… and yet… I can’t. I can’t label my favourite show of the month as anything other than Classicaloid. It just had me completely in stitches, all four episodes even though they all were completely different. This show just makes me happy whenever I watch it that no other show this season manages to do.

So let’s get things clear: in these four episodes we have people turn into fishes, become idols, make horrible music, and hunt for a merleopon. All of them focused on a different character and were mostly used to flesh them out. All of them were hilarious, but my favourite was the fish episode. There was something magical of following a mute fish around for 20 minutes and looking into the despair that ensued. It also becomes more and more apparent that this show has the second director of Gintama. This is a compliment by the way.

This series takes me back to the good old days. Back when series still understood how to properly fill in a 26-episode series. The first half being a build-up, and the second then using it as a board to jump off of. In this case the first half has made sure that these characters are so much fun, that I just smile whenever they’re on stage. This is what I consider terrific characters. The ones that just make you happy, no matter what they’re doing. When manga and light novel adaptations got more and more the norm, and more and more series only turned to 13 episodes max, this was a format that I unfortunately missed deeply. I don’t want to be that guy who goes “gahw things were so much better in my days, you kids with your stupid trends and stuff” – I used to get very annoyed by these people – but in some areas I really have to give in: we are not living in the glory days of anime anymore. I do have hope though, I want to see anime evolve again. Try to see what it will turn into next. For that we need a constant flow of new talent, because at this point the old guys have mostly all left, while the ones who remain are the only ones still bringing in interesting and fresh stuff. The new talents need to get the confidence and the connections in order to be able to do their own things. They need to step up and realize that the future of anime lies in pushing the medium forward. They have the misfortune that the focus today lies much more on consistency: having clean frames, and a higher resolution makes anime more expensive, and it makes it harder to have experimental series, and therefore it makes it harder for the real geniuses to get noticed. The likes of Satoshi Kon, Mamoru Oshii, Masaaki Yuasa, they would have had much more difficulties breaking through in today’s atmosphere. Classicaloid is our hope: the director is relatively new, and I remember when he first took over Gintama I disliked the changes he brought forth. Over the past ten years though, Classicaloid showed that he did learn a lot. He’s using his influence clearly, while at the same time keeping the viewer’s attention. Entire episodes are devoted to one really weird idea, yet he knows how to make it tick now. I’m in no way saying that he is among the greats, but what I am saying is that he’s on the right path there, though unfortunately it’s not entirely there yet. Classicaloid is amazing, yet the great series of 9-15 years ago and the volume with which they came really was special.

I really believe that anime is due to improve. We just need to wait for the people who grew up in the golden age of anime go work themselves up to the top. I do not know how many years this will take. 10 years? 20 years? No clue. However I am interested in sticking along as long as fun series like Classicaloid keep getting made, and I also honestly believe that the worst is already behind us.

I know the above two paragraphs are really weird ramblings, poorly formulated and not that connected, but these are thoughts that I’ve been having a long time. I hope that I’ll be able to put more structure to them in the near future…

9 Responses

  1. SuperMario SuperMario says:

    I was actually expecting this post from you to see what you have been following this season. Nice post psgels. Hooray that you finally got around to Rakugo, that one is such a gem. I’m still pretty much digging Demi-chan, and Hand Shakers still fascinates me.
    About your thoughts on the current state of anime, I don’t have any deep comment to add, except that I do think anime is evolving even now, not necessary all in positive ways though. Like you pointed out that the industry cares more for short-cour anime and CGI and whatnot than back in the old days, but it just means that the industry is adapting new trends instead of staying the same. Sometimes it works, most of the time it doesn’t but that is always the same in any eras.
    Even I think that mainstream anime with terrible trends (like incest-love comedy, harem light novel shows, most recently idol industry shows) have its merit because without it the more art-house projects cannot survive. After all, those mainstreams anime sells well and brings the money into the industry, so that the art-house sections have resources to do their passion projects (like Little Witch Academia or Yuri on Ice); or create more niche anime like Rakugo or Fune wo Amu that aim at different types of audience. So even the worst kind of shows still support the anime industry in some bizarre ways, right?

    • psgels psgels says:

      Yep, and I do believe that we’re behind the worst parts. We had such a period as well around the year 2000, where just hardly anything good would come out at all, and I think that we’re not going to get any worse than the period around 2013-2014. I haven’t watched anything of 2015, but it also looks like it lacked the positive force forward that 2016 had, and 2017 seems to be continuing that trend. At the very least the really bad writing seems to be much less of a problem now.

      And yes, passion projects are the ways to go forward, I also believe that. Somehow in the glory days of anime, we saw tons of those passion projects or huge gambles air at the same time, and somehow they got away with it, and they were probably part of the reason anime blew up so much as it did back then, with a backing of the big shounen to serve as a backbone.

  2. Spencer says:

    Looks like I need to pick up ClassicaLoid now. Can’t say I’m a Gintama fan, or even a fan of anime comedies in general, but I’m always down to watch a show that makes people happy.

    Glad you went back and watched Rakugo, as that show needs all the love it can get. To me, it was the best series to come out during the two year break you took from the blog, but there were a few other gems during that time. Hopefully you’ll be able to discover them at your leisure.

  3. AidanAK47 AidanAK47 says:

    Not this again. There has never been a golden age of anime. Ever. That’s just good old selective memory playing tricks on people. There were annoying trends back then just as there are now. Only difference is that there is so much more anime coming out now than ever before. Yes that does mean more bad anime comes out but it also means more chances for great anime to come out. We got better animation, more studios and plenty of perfectly legal ways to watch anime. Way I see it, things are already up, perhaps in the future people will refer to this era as the golden age of anime.

    • Vonter says:

      I think certain vibes change. Like how people embrace the cheesiness of old stuff. How people want their entertainment to be dignified or how the limitations of yesteryears made for a particular tone or mood. (Berserk, DBZ and Rurouni Kenshin come to mind).

  4. Mentar says:

    I’ve got to admit that it made me smile to see that you didn’t drop Kuzu no Honkai in the end, but kept with it, and that you enjoy it as much as I do. Because in my opinion this is a little gem which I once never thought it could be animated for public TV at all, and it’s still a mostly-unrecognized horse in the anime community.

    Those who watch it seem to really enjoy it to a high degree, but it’s nice to see when high-profile anime sites list it and recommend it. Because I love it to pieces and think it deserves more prominence, because it is done SO well.

    About objectionable content: I’m curious what you will think about the show after episode 4 :->

  5. Zoop says:

    I am so happy you are back, you have no idea. Your taste is as unique as always! I look forward to some quality criticism, even if it’s just once a month :)

  6. donhumberto says:

    Thanks a lot for your post Psgels. As usual, it’s a real pleasure reading your thoughts on the series.
    Overall, I think this season is turning out pretty good, what with 3 top tier shows on the schedule (Rakugo, Acca and Onihei- by the way, please, try to watch Onihei, it’s really awesome and the kind of mature themed anime you’d like), apart from a bunch of other enjoyable ones (Scum, Tanja and Yami Shinbai for me). Obviously this is not the best season ever but it’s waaay better than Winter 2013 (by far the worst season in recent memory anime-wise)
    In any case, I do agree with Psgels that we need more ambition in the anime landscape as we had 10 years ago. I mean, as much as I love Rakugo, 91 days or Onihei they are nowhere near shows like Monster, Ghost Hound or Gankutsuou in my book… oh well, let’s hope that at least with the huge success of Yuri on Ice Mappa can get the funds to keep on making great series (they’ve been consistently one of the best studios since they started and 2017 looks set to be their year)

  7. Lord Nayrael says:

    Always glad to see you psgels! :D

    I know that the “love triangle” in the 4th episode of Masamune is making you worried, especially due to how other shows have dealt with this trope, but I suggest you to give it another episode or two even if you don’t like the development. I say this because her purpose here isn’t to be a harem tease, but… well, the writer uses the trope to accomplish something else.

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Animosh
@Amagi: going by the preview it'll be about the kickass kouhai. I'm also surprised this arc ended so soon, but I'm kind of happy they didn't drag it out. Memory loss arcs can be really dull if taken too seriously.
Animosh
@Kaiser: yeah, strangely enough the whole bunny girl thing feels really out of place. I mean, Mai quit being an actress (for the time being anyway) because her mother forced her into a swimsuit shoot, but she's okay with walking around in a bunny suit? Seems out of character.
Kaiser-Eoghan
Someone has uploaded all the chapters of Opus by Satoshi Kon: https://manganelo.com/manga/sw917587
Kaiser-Eoghan
Such lies though, she was only a bunny girl in the first episode =P
Kaiser-Eoghan
I would like them to develop on this adolescence syndrome thing further too.
SuperMario
*haganai
SuperMario
But I do have a strong urge to rewatch OreGairu or watch Hanagai after watching Bunny Girl... maybe I will watch them again
SuperMario
@Amagi: it's typical for a LN series. I guess the next arc will be about another girl with the same phenomenal. She might likely have a feeling with our protagonist as well, but he has his eyes on Bunny girl senpai so he doesn't accept her feeling. You know, the usual stuffs
Amagi
In general I mean.
Amagi
I didn't even know it would get resolved before the end of the series. So it isn't just about the initial problem but this youth phenomenon as well. I wonder what the next arc will be about.
Kaiser-Eoghan
Some are saying material is being rushed through though.
Kaiser-Eoghan
I'm surprised that bunnygirls first ark is already done though, this felt like some kind of end.
Kaiser-Eoghan
Jesus christ ore ga suki imouto's animation is unbelievably awful.
Kaiser-Eoghan
Well, thats certainly quite the confession isn't it? @bunnygirl ep 3.
Vonter
@Niello - That's 'cause Miayano isn't Pepe Macias: https://youtu.be/nCL6e5TmVG8?t=34
Lenlo
Personally I like this Miyano voice, but only because it sounds like Old Okabe before 0 ruined him
Kaiser-Eoghan
@Niello: Wouldn't go that far. But as I've said this show did not click with me at all on most levels.
Niello
Am I the only one who think Miyano sounds annoying in Zombieland Saga? It was the same in Tadakoi too.
Kaiser-Eoghan
@Lenlo: Castlebros4life.
Kaiser-Eoghan
I forgot to mention, what I like about this guy is that he actually does have a plan rather than just milling it into the goblins.
Lenlo
Castlevania hype! I cant wait for season 2
Kaiser-Eoghan
I'm more looking forward to reading The year one side story which is more about Goblin slayer himself.
Kaiser-Eoghan
Hmmm, I've caught up to the 28th chapter of Goblin slayers manga chapter, in spite of being rinse and repeat with not much depth, so far its remains fun. There will definitely be a "human shield" scene that won't appear in the anime. I'd hoped the side story manga would go into priestess girls past our something but it doesn't.
Kaiser-Eoghan
Castlevania season 2 is out next week.
AidanAK47
Damn, Youtubes down
Kaiser-Eoghan
Mamoru Miyano is the same voice actor for the producer and Okabe.
Kaiser-Eoghan
I think they are doing other genres in zombieland too, I think one is vaporwave.
Kaiser-Eoghan
It would be very strange if the guy who is the past version of Hitomi's grandfather started falling for her.
Kaiser-Eoghan
That leads me to consider , should the search bar be moved?
AidanAK47
Pretty Sure he mistook the chat window for a search bar
Kaiser-Eoghan
@Anon: Fell behind, part 3 too long aswell.
SuperMario
@anon: it's just too little too late...
Kaiser-Eoghan
@Amagi: Interested in seeing more of that horse guy who showed up in the recent beastars chapters. Also liked how they co-relate lion guy with louis' dad.
Kaiser-Eoghan
Not that I'm knocking Honda-san, as that simple/minimalist style is another thing that makes these gag comedies work also.
Kaiser-Eoghan
@Lenlo: Animation's a bit BARE BONES though wahaha!
Kaiser-Eoghan
@Lenlo: I'm quite amused by the surrealism of it all, a skeleton working in a bookshop =P
Kaiser-Eoghan
@Lenlo: A quick random fact, one of the manga the blonde girl in episode 1 is asking for is a legendary, old shounen-ai classic from the 70s. The short format suits these gag comedies because I feel that stretching them out to 20 something minute runtimes kills the joke.
Lenlo
Honda-San continues to be the funniest thing I have seen in awhile
AidanAK47
@Vonter, That should not go together as well as it does
Kaiser-Eoghan
The Goblin slayer did nothing wrong.
Animosh
It's dumb, but I can't deny it's uplifting. :)
Animosh
The slime anime really offers the perfect counter to Goblin Slayer. In Goblin Slayer murder is the answer to everything, peace is impossible and revenge will haunt you forever. In the slime series? A short speech about the benefits of kindness and cooperation and the pitfalls of revenge is enough to convince everyone to get along (and that includes two races who were on the verge of war).
Vonter
Also because I just had to: http://vmashup.com/yvDoiQhU
Vonter
Zombieland gives me Scooby Doo vibes. With a silly premise of reviving moe girls to make a band. How they're prey to their instincts and I do like the music aspect doesn't feel as artificial as other shows that may also promote the songs to be sold. Since the music seems more to play for the story than to be good songs. Not remarkable but enjoyable I'll say.
Vonter
So far I've more issue with what the maid says than what she does. Since the anime wants to paint her in a good light but some of the things she says are very creepy. On the other side, there seems an underlying sadness since she seems capable but dumbfounded on how to live her life.
Vonter
I checked UzaMaid! and Zombieland Saga, which were funny and silly and entertaining, nothing major, but I also don't found them bad. The first one treads the line so far of having creepy implications, but it has a bit of John Hughes slapstick thrown a bit. I'll like it more if the little girl were a bit more like Kevin from Home Alone or Junior from Problem Children.
Amagi
Seems like a part of the background has changed after the post-kaiju fight reset in Gridman. I wonder what's even real in this series.
SuperMario
Gosh, how I love the improv dialogues and the indie Kemono-Friends level of visual flourish in Himote House
Masky
Like Zero Escape series itself goes through pretty much everything related to psychology
Masky
In general I don't really get what is up with japanese fictional works running different scientific paradoxes or theories into everything unrelated ._.
Lenlo
Mmm Im so glad I started throwback thursday. 2 episodes in and I already love Planetes.
Kaiser-Eoghan
I think might know it off by heart now I hear it mentioned so much.
Kaiser-Eoghan
@Aidan: I hope I haven't doomed you, I voted for Goblin slayer .
Amagi
Hate that too and I actually got my hopes up in episode 1 since it seemed like they wouldn't explain it.
Kaiser-Eoghan
@Niello: I was hoping someone else would bring that up.
Niello
Bunny Girl is pretty good so far, but I do have to say that I rolled my eyes at another rundown of Schrodinger's cat. What's with the obsession?
Amagi
Drama never works for me with Key and even most of Kyoani's works in general.
Kaiser-Eoghan
I already mentioned about how surprisingly solid/serious bunny girl senpai takes itself for the better, but I'd like to add, the drama doesn't feel obnoxious either such as in a Key work.
Amagi
I love those first impression reviews of bad series.
Amagi
@Kaiser: Yeah, it's why I never picked HxH up again as well. I also think there are still tons of issues with SAO although most of them come up later. AW will always be way better in my opinion.
Anonymous2948346
Glad the Imouto review was good for something, niello. The show itself certainly isn't.
Kaiser-Eoghan
I wouldn't deny that for some a series could improve as it went on, but with sword art, its now three seasond and a movie , thats alot to watch and quite the ask to get to the "good" part.
Amagi
@niello: I meant that key visual https://d38fgd7fmrcuct.cloudfront.net/1_3p7wgf1obds2mkioy1cmi.jpg - but as said it doesn't mean anything. I will only get hyped once I see the first animated scene and confirm that the boats aren't CG or at least a good kind of CG.
Lenlo
Oh baby. Spring 2019, One Punch Man S2 and Hero Aca S4. Can't wait
niello
@Amagi, Vinland Saga promo pic looks good? Aren't those just manga cover pictures that they showed in the promo...
niello
"Ore ga Sick of this Shit dakedo Shit Keeps Getting Made", I laughed so hard, thanks.
Lenlo
Will probably do a final review but not weekly episodes
Lenlo
But I watched it. Its alright, im gonna watch it to the end.
Lenlo
@animosh, I dont know about them.
Animosh
Oh, that sounds very promising! I've always found thematic explorations of virtual reality very interesting. You know: What is "real" and what isn't? Does it even matter? And what place should virtual reality have in society? In previous seasons those themes were a bit dumbed down, so I'd be up for seeing them explored in some more detail. And with four cours, there's plenty of time to do so.
Amagi
I am not yet sure how much SAO III will suffer from the lacking inner monologue though. The interesting part fo it was the world building and the taboos and how it was the first actual simulation and creation of humanity and the birth of a virtual culture, with mods and admins being literal gods in the VR, like some matrix thing. The anime skipped a lot and actions they do feel more casual there.
Amagi
@Animosh: Well the author did improve a lot, I actually consider most of Accel World as pretty good, especially the later arcs. Thanks for reminding me to buy the last two volumes by the way.
Animosh
I'm sure it won't be great (hell, given SAO's track record, it'll almost certainly end up punishing me for getting my hopes up), but there are at least signs that the author has recognized what went wrong in previous seasons and is trying to correct his mistakes. So with some luck, I might just end up enjoying this season! Maybe. Not getting my hopes up too much though.
Animosh
And where previous seasons barely made any attempts to build up the various virtual worlds, this season is taking it slow so far, which makes it feel more like a well-realized world than a generic fantasy blob. And last but not least, it seems Kirito will have to start over, so even if he'll inevitably end up OP again, he'll probably have to work for it, which is something the series really needed
Animosh
For example: the old cast has been stuck in the harem-mold for a long time, and that makes them incredibly dull. Most of them only exist to make Kirito look good, and barely have any agency of their own. But the new characters are different (so far at least). The most prominent new character (Eugeo) is male, and has clear goals of his own.
Animosh
By the way, did you guys skip Sword Art Online for your first impressions posts? I know you're not fond of the series (and rightly so, because it's way too popular for such a mediocre series), but I actually think it's been pretty decent so far. A fresh start with a largely new cast is exactly what the series needed, and there are some promising signs it's heading in a positive direction.
Animosh
@Amagi: I felt the same way after the episode. It's a very predictable move, but somehow I still didn't see it coming. I guess I should have known better than to trust a happy-go-lucky love interest (although I'm rooting for Rikka) after Darling in the Franxx.
Animosh
But in their own ways they still offered the kind of wild and wacky ride through adolescent insecurities that FLCL is known for, and the characters were likable enough (even if underdeveloped). The OST remains strong too. So although the series could definitely have been better, overall I think this has been a pretty enjoyable revival of the series.
Animosh
After its slow start I'm glad FLCL at least managed to end on a fairly strong note. I still think it's a shame none of the two series really managed to replicate the surreal craziness and visual inventiveness of the original (though Progressive did try), and the wider focus of both series compared to OG FLCL (with the same number of episodes) backfired a little.
Kaiser-Eoghan
@Amagi: Sometimes the offscreen content can allow our imaginations to work and disturb us more.
Kaiser-Eoghan
Deception more like.
Kaiser-Eoghan
Girl wasn't even pregnant, show telling lies, too lazy to draw pregnancy too probably .
Kaiser-Eoghan
@Aidan: Was your internet acting weird today? Don't know what provider you're using but mine only came back an hour ago or so, lots of people in Dublin were reporting connection issues and in other counties too.
SuperMario
@Amagi: still haven't watched the second one but the first episode did surprise me
AidanAK47
@Amagi, Still ain't watching it
Amagi
Okay I didn't really see the content of ep 2 of Gridman coming. I feel like I should have seen this coming, but I didn't.
Masky
I'm honestly confused about Conception since I'm under impression that Conception games are about "Do some sort of weird ritual to create "Star Child" which doesn't actually involve pregnancy". Like did game also go this far, did anime change this or is this setup for second episode to start with "lol just kidding" or what the frick
Amagi
I think deaths are often the best examples of failed attempts to keep the audience invested. Regardless how many tears there are and how tragic the death is, I won't care when the series itself is bad, the character not flashed out or the scene forced. I have seen series in which one died offscreen that hit me harder than a full episode of whining over some dead moe blobb.
Amagi
There are a lot anime like that since the presentation is important. There are many of those convoluted trainwrecks with 10 different plot twist where one or two of them are actually good on paper but do nothing when you watch it.
Kaiser-Eoghan
Regarding those crap light novel shows...it really is a sign isn't it, that its so bad sometimes, that even if it does something that appeals to you/would titillate you, you still don't care and won't watch it, because its so shit.
Lenlo
A poll assumes people would actually vote in it. I guess I can try it out and see if people care enough for it, sure. Still, would need things to put on said poll, so feel free to suggest
Kaiser-Eoghan
Sometimes with these shows you just have to let them wash over you.
Kaiser-Eoghan
Perhaps I could say similar about irozuku as I do Yagate.
Amagi
I am kinda happy I managed to avoid all bad series this season with the exception of Release the Spyce which I only tried because I gave it the benefit of doubt due to having enjoyed Princess principal to some degree despite its many flaws.
SuperMario
I'm back after a week vacation and the first thing I watched again was Conception. I mean I was prepared but this show is one of the reason we all need break to stay sane
Kaiser-Eoghan
I need a refresher on the early bits of vinland and Viking Count Dooku (Askeladd) arc so watching the anime would be a great recap oppurtunity.
Amagi
I really hope Vinland Saga will have a good budget. The promo pic looks pretty damn good but I also liked the very first promo pic of the last Berserk series and we all know how that one turned out.
Amagi
And yes Legosi also always makes me think of Bela Lugosi. I guess I watched too many old movies.
Amagi
@Kaiser: I strangely also lost interest in some game series I liked as little kid, Megaman too for example. I guess there are just series that can work on NES and SNES but not that well as 3D series on modern consoles.
Kaiser-Eoghan
I come away from irozuku feeling I watched an aethetically pleasing, somewhat cute show but not much else, but that may not be an entirely bad thing.
Kaiser-Eoghan
@lenlo: Alternatively you could put up a poll.
Lenlo
Thats a good idea Kaiser! I read all the comments, so if there are any you think would be good feel free to suggest them. I can compile a list and pick one.
Kaiser-Eoghan
@Lenlo: To make things easier, perhaps each season, for variety, the throwback Thursday thing could pick a different genre for it each season.
Kaiser-Eoghan
Every time I read his name in Beastars, I kept thinking the actors name "Bela Legosi" because the wolf's name was legosi.
Kaiser-Eoghan
Weird tangent, looking up Irozuku on google image search reveals theres a porn actress with the same name as the lead female character =<
Kaiser-Eoghan
Sometimes I think the fans had better ideas for the games.
Kaiser-Eoghan
Not that I hated any of his games though, but they did have diminishing returns and weren't always consistent in quality. It was disappointing when they started going for some kind of story, then kind of dropped it.
Kaiser-Eoghan
I was a big fan of megaman growing up, but like sonic, unlike Mario and Zelda, his games got increasingly diluted the more the franchise went on, megaman didn't work in 3D either. Also the second nes one has a really neat soundtrack =)
Vonter
Megaman 11 made me want to play the old games. So I bought the first Legacy Collection pack which has a rewind feature. The first game is hard and cheap at some spots. It also feels a bit stiff. Still it's funny spotting things that were changed in every other entry. Like the boss checkpoints having enemies and traps. Also I think this is the only game showing Dr. Light's house from the outside.
Lenlo
Ah, that anon was me! Was on my phone
Kaiser-Eoghan
@Amagi: My beastars post would have gone into spoilers. I decided to private message instead.
Anonymous2930785
I am very happy that Shorter isnt a one and done event.
Kaiser-Eoghan
@Mario: In regards to humour. However in terms of anime humour, something like hoozuki no reitatsu would have me losing my shit laughing.
Kaiser-Eoghan
@Mario: I love stuff by Bunuel or Roy Anderson.
Kaiser-Eoghan
I prefer sardonic, sad bastard, bleak, dry/depressing or particularly serious but surreal comedy, humour/comedy played straight .
Kaiser-Eoghan
Eh, yes as expected with Zombieland saga, I gave it a second episode chance, but this is an easy drop for me, its just how comedy goes sometimes, but I didn't laugh once during this episode , just left me cold/blank to it.
Amagi
It's like that season that had SoraYori, I watched like 7 other shows but I only remember SoryYori by now.
Amagi
I think for the last season (counting finished series) this is only true for Planet With. I do remember Chiochan when I think a bit but spontaneosly I couldn't come up with anything else if I had a time limit of 20 seconds or so.
Amagi
I often only really become aware about which series I liked the most when I try remembering the respective season months later. I often enjoy a bunch of shows and watch even more, and yet, at the end of the day, there is always onely one or two that actually stick in my mind.
Kaiser-Eoghan
I have to say again, I'm glad that Shorter is still being remembered episodes after him leaving the show. Thought they could have held that scene with yut-lung longer, its obvious he despises Eiji. Sudden gag in this episodes middle threw me off. lol at that killing attempt in the second half.
Kaiser-Eoghan
There's also a horror manga about Robert Johnson, me and the devil blues.
Amagi
Speaking of great manga series, everyone should try Shiori Experience, the Jimmy Hendrix manga. There is barely any series that hypes me up as much as this one and I read a lot. This could be the anime of the year if it would get adapted by a competent team and get a good budget and appropriate OST.
Amagi
@Kaiser: I think I will marathon the rest of Dorohedoro the next days. And then looking forward to her next series.
Amagi
Zombieland Saga is the only new anime that actually surprised me. I am not talking about good or bad here, there are a bunch of other pretty good series airing right now but Zombieland is the only one that caught me off-guard in a positive way.
AidanAK47
Okay, I think I love Zombieland Saga.
Kaiser-Eoghan
I've embraced bunny-girls approach to its dialogue/drama now with the second episode, also they go a bit into her past in this episode.
Kaiser-Eoghan
@Amagi: I'll be posting my thoughts later. Also, there's on one chapter of dorohedoro left.
Amagi
There are 7 new Beastars chapters out, I really liked the climax here.
Kaiser-Eoghan
On a tangent, damn you mappa, adapt Freesia already .
Kaiser-Eoghan
I needed to watch red garden twice to really "get" it, as in for it to click for me, its a show that picks up near the middle.
Amagi
It had scenes you rarely see in anime that do happen all the time in real life, like friends talking across each other, people talking at the same time or interrupting others.
Amagi
@Niel: Have you seen Red Garden? A lot of people agreed that it had the most natural dialogues of the anime that aired that year so maybe you would enjoy that too.
Kaiser-Eoghan
@Animmosh: josei yuri I would welcome being adapted.
Kaiser-Eoghan
@Animosh: Hana wa saku, yuutsu no asa and Acid town adaptation WHEN.
Animosh
Yuri gets all the hype, but yaoi gets all the glory.
Animosh
So, yeah, if other folk here haven't seen it yet, give it a try! By the way, it's interesting how what probably were my two favorite shows of the past season (Banana Fish and this one) were both BL shows. Can't say I saw that coming.
Animosh
It's kind of reminiscent of classics like Romance of the Three Kingdoms, but with some anime tropes added to the mix (the bubbly main character and his tsundere love interest), and with less emphasis on politics and more on horror and fantasy. And for a Chinese series, the animation is really solid, in spite of the occasional CGI hiccup. The backgrounds in particular are very easy on the eyes.
Animosh
I don't remember who it was, but thanks for recommending Grandmaster of Demonic Cultivation! It's surprisingly good for a show I had heard so little about. I love historical epics, and the main characters are built up very well and have a lot of chemistry. I do wish the antagonists were more interesting (they're very black-and-white), but the protagonists are all a lot of fun to watch.
Kaiser-Eoghan
*didn't work for me
Kaiser-Eoghan
@Niel: Garo didn't work for outside of the fantasy setting.
Niel
The exceptions to this are usually shorts and films. You don't get to see them often in TV series. As for the story, I don't have nearly enough patience for monster-of-the-week formula as I did years ago, so if it's just going the generic tokusatsu route then you'll hear from me. but since Garo wasn't too bad I have hope that they will do something interesting with this.
Niel
The environments also feel so much more like places where people live and hang out. Take the school room for example. Anime rarely portray school rooms as this place where teenagers gather and play during break. It's usually only consist of people talking with no mischieve whatsoever. And when there are scenes of bedroom they often feels more like a showroom than a place where someone live in.
Niel
@Lenlo @Aidan Your impressions of Gridman are fair. I'm just really excited for Gridman because two of my main pet peeves with anime are the unnatural dialogue, and bland and sterilised background environments. Here when characters talk, it actually seem so much closer to the conversation flow you'd see more in everyday life, and I'm kind of starving for that in my anime.
Kaiser-Eoghan
Although with drugs and anime in mind, I do wish that a sports anime that addresses cheating through performance enhancing drugs would be made.
Kaiser-Eoghan
Release the spyce and drug use? I find this odd, I think I heard that the Japanese had a thing about depicting that (drugs) in animation/on tv when it came to young charcters.
Masky
Like, sure, it has tactical goblin slaughter action, but its more about how broken mess of person Goblin Slayer is and how he learns to connect with people. Its surprisingly insightful at times, but the trashy parts really clash with the actual tone of series considering its only purpose is pretty much "Goblins are horrible" which is point you got with gore in first place
Masky
Anyhoo, yeah, made already comment about it on the blog, but I really feel like trashy parts of Goblin Slayer clash with what it is about
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Featured Posts

Planetes – 2 [Like a Dream] – Throwback Thursday

Welcome to week 2 of Throwback Thursday, as we continue our dive into Planetes! This week we have a focused character story, some fun humor and lots of beautiful scenery. Lets jump in! So starting off, Planetes continues to look fantastic. From the motion of the characters, to the colors and details in every scene. […]

Kaze Ga Tsukyoku Fuiteiru – 3 [A Single Flower]

Hello and welcome to week 3 of Kaze Fui! This time our boys start running, Kurahara meets someone from his past and poor Akane ups and dies. Lets jump in! So general stuff first, Kaze Fui continues to look just beautiful. The running animation really is nice, and its unique for each runner. From Kurahara’s […]

SSSS.GRIDMAN – 02 [Restoration]

Me blogging a Trigger show? Well, I’ll be damned myself but life does take some strange turn. Not that I’m a Trigger naysayer but if I’ll be honest, Trigger shows tend to rub me in a wrong way. The studio is seen as the successor of Gainax for one thing, and the overhyped reactions from […]

Goblin Slayer – 02[Goblin Slayer]

The opening to this series is surprisingly more melancholic than I would have expected. When the shows opening started I was waiting for it to break into heavy metal but it stayed low and actually does match the rather dark nature of the series itself. After all this is a series about a PTSD madman […]

Zombieland Saga – 02[I ♡ HIP HOP SAGA]

Zombieland Saga is madness. Pure insanity that could be complete genius or absolute idiocy. So for those who haven’t heard this anime is not the zombie apocalypse show that was initially thought, as a matter of fact the zombie apocalypse footage in the trailer was in fact a video the producer showed the girls to […]

Irozuku Sekai no Ashita kara – 02 [I Can’t Stand Magic]

It’s always neat to see a work that feels every inch a P.A Works production. When you think about the studio, you’d immediately associate them with their original shows, chief among them ‘Mature women in workplace’ unofficial trilogy, and The Eccentric Family (I consider the latter their pinnacle work). For the last 5,6 years the […]

Gaikotsu Shotenin Honda-san – 2 [Let Me Introduce My Crazy Colleagues in This Bookstore!]

Ladies, Gentlemen and everyone in between, I welcome you to the 2nd episode of Gaikotsu Shotenin Honda-San, the funniest thing I have seen in a long time. Lets jump in! Considering Honda-San’s material, I am not even going to bother with spoilers. It’s a comedy short, deal with it. These posts will also be a […]

Thunderbolt Fantasy 2 – 02 [The Stolen Sorcerous Blades]

Fun fact, I had just been to Taiwan and while in their local old bookstores and DVDs, I saw a section of puppetry animation dvds in the corner of the store (should’ve bought one now that I think about it). Apparently wuxia puppetry has a niche market in Taiwan, and so I’m glad that me, […]

Banana Fish – 14 [Tender is the Night]

Welcome to an all new episode of Banana Fish! This time with a new OP, ED and progressed plot points. Lets jump in! So before I get into spoilers, let’s talk about the new OP and ED. The OP is Freedom by Blue Encount, while the ED is Red by Survive Said The Prophet. Personally, […]

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Planet With Anime Review – 90/100

Planet With is an anime that likely leaves many unimpressed when they look at the cover and makes for a solid proof that you cannot judge a book by it’s cover or even by it’s first episode. Many have overlooked this show in it’s season but for those that did give it chance it went […]

My Hero Academia: Two Heroes (Dubbed) – 84/100

Ah, the movie tie in. A right of passage for all aspiring Shounen series. Some, like One Piece have weathered it and come out Golden, while others are better forgotten (Looking at you Bleach). My Hero Academia: Two Heroes, in my opinion, is closer to former. Animated by BONES , Directed by Kenji Nagasaki and […]

A quick and dirty review of Angolmois: Record of the Mongol Invasion

What it claims to be about: Angolmois (a reference to a Nostradamus prophesy which is rather irrelevant for the show, as he lived several centuries after the events) focuses on the first Mongol Invasion of Japan in 1274. Specifically it focuses on the early phase of the invasion when the Mongols attack Tsushima, which essentially […]

Steins;Gate 0 Anime Review – 60/100

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Mirai (2018) Movie Review – 81/100

Watching Mirai, there are two observations that spring right up to my mind: Mirai is Hosoda’s most grounded, personal film and it plays out completely different from what I expected based from the promotional materials. My feeling is confirmed when I later learned that Hosoda based the concept from watching his own children’s react, and […]

Fate/Extra Last Encore Anime Review – 40/100

To many the Fate series is daunting with its numerous incarnations and spinoffs and here in the year of many a Fate adaption we get another one by Studio Shaft which was first thought to adapt the story of the PSP game Fate/Extra. Fate/Extra could basically be considered Fate with a sci-fi twist as this […]

Darling in the Franxx Anime Review – 57/100

In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and […]

Hisone to Masotan (2018 Spring) Review – 73/100

Coming off as one of my most anticipated anime out of this last Spring Season, based solely on staffs involved alone – after all, an original anime written by Mari Okada and produced by Bones (which I regarded as one of the best anime studio working right now) – I can’t help but feel let […]

Megalo Box – 86/100

Ah boxing, the quintessential manly man sport of beating each other unconscious. In anime, the sport was first forged in the fires of Ashita no Joe, and some would say later perfected by Hajime no Ippo. Both fantastic series in their own right. Both filled to the brim with epic clashes of wills, phenomenal characters and […]