Posted by psgels on 1 February 2017 with categories: Monthly Summaries

I know I missed Onihei, but it’s just impossible to find much about it. Perhaps in February I’ll give it some more coverage. Aside from that, this was a good month. I’d say that overall the winter season is more varied than the past autumn season, but at the same time the good series are not AS good. All of course according to my own impressions. Like always spoilers beware, and this list is on order of my own preferences, worst first best last, only about the episodes that aired in January, minus the first episodes that I already talked about. The number after each title signifies the relevant episodes.

#15: Granblue Fantasy The Animation (01)

This one aired a bit later than the other shows this season. It’s also a fantasy series, probably another kind of game adaptation like Chain Chronicle, but I liked that one a lot better though. That I’m not watching Chain Chronicle anymore should say enough for Granblue, but the gist of it that while Chain Chronicle was simply generic, with Granblue I got the feeling of gradually losing brain cells while watching. Granted, a bit reason for that is that incredibly annoying dragon that keeps floating everywhere, but what also ticks me off is that we’re given very little reason to care about any of the characters. The main character doesn’t really have a reason to go along on this life-threatening quest, he just happens to be at the place where a cute girl falls from the sky… and starts following his boner, I guess… Why am I supposed to root for these people? Do the bad guys have any other reason to attack besides being evil? I don’t expect answers to those questions in episode 01, but at least hints or some other kind of nuance. You just can’t think you can get away with this simplistic mess just because you’re a game adaptation, right?

#14: Spiritpact (02)

In the end… I just can’t. Snappy dialogue is one thing, but if everything else is just amateurish i’m not really sure what I’m gaining by watching this and I’ve got many better things to see and do. I can see where they’re coming from, but episode 2 didn’t really convince me to just keep watching. For one it wasn’t as fun as the first episode, but the first episode also just felt worse in hindsight. They introduced this new character who is the fiance of the white haired guy, and obviously she has her issues, but they all seemed to be trying so hard, and nothing really came out of it.

The animation is partly to blame for that. I watch anime because I also care for the “animation”-part of the whole deal. I want to see people bringing characters to life. If you have to use short-cuts then so be it: be clever with the jump-cuts, pull some visual tricks, use your music. It’s not an exact science at all and it’s an art form, however this series doesn’t seem to try any of this, with awkward jerky motions and no attempts to hide it. Japanese anime has the experience in these cheap tricks, but Korean animators still need to find their own way. Mind you, I am not suggesting them to follow anime’s example. Let them go their own way, as long as that way works of course.

#13: BanG Dream! (01-02)

This is another series that came out a bit late this season, about a bunch of middle school girls starting a band. I gave it two episodes because there is one thing it seems to understand: build-up: it’s not like “Wheee band!”, but instead it is carefully building up the different girls, why they’re going for it and how they end up meeting each other. Really, one of the most difficult things about being in a band is actually starting the band and finding the right people. By taking its time, the series makes also sure that the characters are well fleshed out in the process.

Still, I’m not going to continue with it. The teenaged girls are just too annoying, and I think a lot can be contributed to bad acting and voice acting: characters hamming it up a little too much. There is one shy girl and nearly all she does is breathe very loudly. That’s not how shyness works! The main character also feels a bit weird: they really tried to make her this enthusiastic girl whose energy pulls the entire band together, but in the end it just feels fake, like they try too hard. She too has this habit of just breathing very loudly, which after a while just gets distracting. These random squeaks and moans instead of just actual dialogue. This obviously isn’t the only show that does this but that doesn’t make it okay!

#12: elDLIVE (02-03)

elDLIVE could have had potential if they kept the momentum of the first episode going. A fun light-hearted show about alien hunting with quirky characters, but in the end it lost this quite quickly. Episode 02 and 03 pretty much repeated what episode 01 did, only less interesting, and quite witless to be honest. These episodes had a bit of high school hi-jinks, dull aliens, and nothing really interesting. It wasn’t fun, and at times they also got way too dramatic for their own good. You don’t want to be dramatic for a series that involves a bunch of kids busting aliens, that just serves to highlight how stupid the show is, unless you invest really heavily in suspense of disbelief. But ultimately this show lacks any sort of ambition or desire to be special. This one is dropped.

#11: Demi-chan wa Kataritai (02-04)

This one turned out to be not as good as what I hoped. On one hand, it managed to portray this world in which a small percentage of people is “demi”, or half human, half mythical creature like a vampire, dullahan, etc. It’s an interesting look at minorities, being slightly different and a bit of bullying here and there. Its characters are very vocal about their issues and that makes this a very honest series.

On the other hand I really don’t like how this show pulled a Sword Art Online and made every single one of these “demi-girls” fall for the main character. Granted, the verdict is still out on the snow girl, but it’s getting there, trust me! I find that cheap, and it’s also just pointless. This is supposed to be a series about teenaged issues, and the romance just feels shoehorned in. There is no reason why these girls can’t have boyfriends, or at the very least guys interested in them if they also want to handle things like sexualities. This is also in the main character’s favour because now we just end up with him getting demi-boners half of the time, which just turns him into this slime-ball rather than a scientist. It’s a real shame because I feel that there are two groups among the creators: one that really wants this to be a character study, and one that want this to be a romantic comedy. The result gets very awkward in a bad way.

#10: Piace – Watashi no Italian (02-03)

Piace is clever: it knew that if you want to be interesting, you need some kind of material to work with. Slice of life has been done to death and there is no way to make something out of it, and you have to be really funny for a pure plain comedy to succeed. However by basing its setting on an Italian restaurant it can interchange the jokes with Italian cooking. And it’s not like you really learn something about this, but the creators make a point of showing that the characters are making good food. When you combine this with the banter between the different characters, this becomes pretty decent for 4 minutes per episode, because let’s face it: the only jokes in this show are based on the characters’ banter; do not expect any food puns. The characters are also grounded and fun to watch: the voice acting here is good. The slightly-faster-than-usual pacing along with portraying the characters variedly, yet fairly wasn’t something I expected from a series like this.

#9: ChaoS;Child (02-03)

ChaoS;Child is chugging along nicely, along with its own issues. The thing with this series is that it’s all about its mystery. You can see that the story behind this series, the string of weird murders and the strange connection between them is the strongest point of this series. While no Higurashi by any means, I admit that after three episodes I’m curious to learn what is behind everything. Apart from that though… the gore is laughable, the animation is jerky, but my most important issue with it lies with the characters.

When telling a story with a clear main character, the audience needs a way to relate with him or her. A key part of that is the reason for his/her involvement in the story. And this doesn’t need to be complicated, as long as it’s something strong that can take the audience along for the ride. The lead character here is this sulky high school kid who keeps poking his nose in ridiculously dangerous murder cases. He knows this and still goes after them. Even after his loved ones get hurt he still tries to get more and more involved, even though there is no guarantee for the safety of his other friends, he gets told this plenty of times, and he realizes that he’s being incredibly reckless. How the heck are we supposed to relate to that?! I mean the lead of Chaos Head was a loser, but the creators used his panic very well to engage the audience. With him, it’s all so weak that I kept thinking “stop getting involved! Let the cops take care of it! You’re a high school kid, you can’t do anything!”

#8: Masamune-kun no Revenge (02-04)

Four episodes in, and Masamune has still retained its wit that we saw in its first episode. I didn’t think I’d be praising a romance between two high school kids, but it’s enjoyable enough to see just what an incredible dork the male lead can be. For once he’s actually balanced well: he’s flawed, but not a complete idiot, diligent but not perfect, his attempts of hitting on the lead girl are a refreshing combination between desperate and surprisingly effective. The tropes that have been done in other romances, it really tries to subvert them. It’s like a cat and mouse game between the two of them.

However, I’m very afraid that we just saw the best of this series. Episode 04 ended with something really questionable that has ruined many series that came before it. Up to that point, every twist, even though unexpected, sort-of made sense. You could see things happening that way if you put yourself in the characters’ shoes. Then completely randomly there’s this girl that offers herself to the lead’s feet as they’re about to have this serious moment. The episode ended right afterwards, but the creators are going to have to come up with something amazing to try and explain that one, because it also just does not fit the storyline at all, and I really doubt what this show can benefit from her. This was the “will they won’t they”-love-triangle I was afraid of when I first saw the OP and ED of this one, and there’s gonna be another girl! For now I enjoyed this show plenty, but unless episode 05 makes a very good case for itself I’m going to drop it then and there.

#7: Youjo Senki (02-04)

Okay. I did not expect that kind of back-story for the main character. It’s far-fetched, but.. fair enough it works. In fact, episodes 02 to 04 have all pain-stakingly spent time dealing with the issues I had with the first episode, setting everything up and actually doing a very good job at it. At this point I don’t see this as a dumb war-series anymore, but definitely something with its own qualities. Something totally different from what Shuumatsu no Izetta tried to be.

It’s ironic: Shuumatsu no Izetta made sure to portray soldiers as actual people, but in the end it was about the survival of the actual kingdom. Youjo Senki throws heaps of unnamed soldiers under the bus, but in the end its central theme is survival of the individual. Everyone in this series is thinking either about themselves, or their close families. The people next to them. The patriotism feels more like a formality here. In face, what I like is how it takes many serious issues of other war-series, and turns them into formalities. The whole goal of the main character isn’t to win, it’s to live a comfortable life and winning just happens to be very convenient for that goal. It’s a different look at war politics than usual. And the fact that she’s a child… fair enough. It works and they use it well.

#6: Hand Shakers (02-04)

There\s something really interesting going on with the music here. During the fights, notice how the soundtrack is completely different from what you’d usually suspect? It’s all dreamy, instead of the hard, dramatic and edgy sound that series usually go for. It’s very much on the foreground, rather than mostly lingering in the background. That is awesome! Back in the days lots of series had these incredibly complicated soundtracks with creative tunes, to scenes that totally didn’t match your expectations, even blasting over the dialogue and it was glorious! At a certain point this trend stopped though, only resurfacing very rarely. This needs to be brought back! Obviously not in every series, but let’s revive the spirit of Bee-Train! Hand Shakers is obviously no El Cazador, but obviously a step in the right direction.

Aside from that, this show has me pretty baffled. On all accounts, on paper I should hate this show. A boy meets a girl and they use powers to fight others. And yet this show is just so incredibly genuine. I find the lead couple so adorable for some really weird reason. The rest of the cast: I just like them. Everything here is just enjoyable to watch. Like I said, there’s something inherently cute about a show that’s about hand holding, something most romance shows don’t even seem to realize exists.

I am not a fan though of how passive the female lead has been so far: the male lead pretty much did all of the work here. You could replace her with a pet dog and pretty much the only thing that will change is the sexual tension. Don’t think too much behind that comparison…

#5: Little Witch Academia (02-04)

What makes this series special is that the creators really seem to have made this with an international audience in mind. This show is a weird amalgamation between east and west, but some parts really feel like Trigger putting a global audience first, rather than what most shows do: just produce your series for Japan and afterwards just release it internationally because hey, why not? Or make your show so generic that it doesn’t matter what country it’s from. I mean, otherwise no sane writer would include a reference to Hanna Barbara so randomly there. Episode four was also was about fandom, and it felt uch more like we were watching western fandom than Eastern.

Also in this world, everything is exaggerated. Everything. That makes the plot pretty random and stupid, but the energy. Good lord, the energy of this show! This show always manages to conjure up something creative for the magical hi-jinks that the characters find themselves into and especially the main trio just bubbles with personality, and yet they’re grounded and varied. This is what makes characters who usually would have been really annoying, it makes them actually fun to watch. I mean we all know about the blond girl who is good at everything and incredibly posh, but in this show she works. Her henchmen are annoying at first, but we see them do different stuff besides fangirl about how amazing their sempai is.

And beyond that this does just about all of the basic stuff right. These four episodes were random hi-jinks, but they were perfect in fleshing out the characters and making the audience familiar with them. This light-hearted note is something I missed from Kill la Kill for example. Trigger still hasn’t forgotten to do action either, so bring on the rest of this series!

#4: ACCA – 13-ku Karusatsu-ka (02-04)

Okay ACCA, let’s talk for a minute about immersion. Consider the Twelve Kingdoms, a series that also focuses on a world with about a dozen different countries inside it. One thing it did a lot, especially in the beginning, is show a map of the world, including a pointer where the story was about to focus at. This happened a lot, and while tedious at the time, because of this you always knew where the story was in relation to the rest of the setting. It made you feel part of the world. ACCA has a map, but we only see it very occasionally, and only brief, so we as a viewer are constantly having to guess where the heck we are, especially since every episode deals with a different country. What if the beginning of each episode could show for a small bit where on the map we are? You could incorporate it in the OP if time is the issue. It’s a very simple detail, but I feel like it would add a lot to this series.

Now, ACCA is an incredibly ambitious series, and it’s obvious that it can’t fit everything it wants into episodes of 20 minutes, so it has to compromise. The option it went for is to try and get as much information as possible into just one episode. The big difficulty with this approach is keeping thins personal, and I have to say that when taking this into consideration, it’s a very good attempt. Obviously the huge focus on consumables helps. Characters have this “tell, rather than show”-approach to their characters, but this is fixed by the creators using subtle non-verbal clues to flesh out their characters.

The big sacrifice though is continuity. This series both doesn’t have the time to deal with the aftermaths of everything that it does (lots of minor issues are just explicitly assumed to just get resolved), plus the way it leads one thing into the other… just happens. Coincidences pile up and there is no quiet time. It’s impossible to add those and still get everything within 20 minutes. Because what it is doing is powerful stuff. Makes you think, it’s interesting. Not to mention here that the potential for this show is virtually unlimited.

#3: Kuzu no Honkai (02-03)

Okay, so they’re not brother and sister. They just grew up together, with different parents so he always was the person she looked up to. Fair enough, that takes away my big complaint of episode one, but this series is not entirely in the clear. After all the “they’re not really siblings”-schtick was very often used back in the day to give the illusion of incest, while allowing for a back door for the creators to say “what do you mean? It’s not incest! They’re not related!” – we all knew what they were alluding to and it was disgusting. If this show ends up bringing back that trend I will punch it.

So, now that that’s out of the way: this show has been pretty incredible here; it does so many things right here. Episode 02 and 03 showed that it’s really trying to balance like six characters together, all intertwined in a web of crushes and all having their own issues, and we keep hopping back and forth between different perspectives, although the lead girl does seem to be the main character here. The lesbian girl was particularly surprising: for once they took a honest look at what it means to be attracted to the same gender. It doesn’t have the squee-material of the likes of Yuri on Ice, and while there is nudity, it doesn’t feel like fanservice like most other series of the past five years. This is how it should be done: treating them as actual people.

This series really isn’t glorifying anything, and that’s what makes it so great because it’s a side we very rarely get to see because of how wishy-washy romance is in anime. Fune wo Amu showed how you should do romance from the light side, this one flips things around and shows how to do romance correctly from the dark side. This show is ugly, even though it looks so pretty, but the amount of detail they managed to put in here. Mugi’s wet dream: they actually had the guts to do that. Or how the teacher wore the same outfit twice. They don’t explicitly say it, but it’s obvious, and when it hits it’s glorious!

Also can I get a thumbs up for the soundtrack here? It doesn’t just sound dreamy and sad, but it’s also used really well here. Every single note here fits, and there are a lot of tracks here! Someone really put some thoughts into how to place the music, otherwise it wouldn’t fit this well!

#2: Showa Genroku Rakugo Shinju Season 2 (01-04)

I managed to marathon the first season during the past month (though for the sake of this ranking I only consider the first four episode, otherwise it’s impossible to compare). And oh yeah, this is the real deal! I can’t believe they actually made an anime about Rakugo, a performance art where so much is dependent on acting, tonal changes and gestures, and they pretty much got away with it. I still consider Fune wo Amu my favourite series of 2016, but that was because that series managed to breathe life into its characters in a way that I had very rarely seen before. Shouwa Genroku Rakugo Shunjuu has its own list of things it does incredibly well.

The best being the character-development. Like seriously, there are very few series that can boast the level of detail that this series can put in it. Usually series have one flashback, or a number here and there for each character if they’re lucky, but most of the story takes place in one time frame. This series is the examination of the life of one guy, and every single episode it jumps forth a few years. And we don’t just see him change, a huge emphasis is also put on the side characters: they too change realistically and believably. The voice acting here is also wonderful in changing along with the cast. Top notch! Characters rise and fall, we get to see both their heights and lows right through each other. Every episode manages to change something.

What also makes this series really rare is that it managed to teach me something. And I don’t just praise this because I had no knowledge of Rakugo prior to starting this series, it not only gave an overview of how it evolved, it was an in-depth look at it, through the characters it analyzes, praises and criticizes the format. And it also encouraged me to look up the parts that they assumed the audience already knew. I like that: assume that your audience knows the meaning of Google. You don’t need to hold people by their hand. Inspire; and dare to go deep!

One thing I did not like, or rather one thing I found annoying is a better way to put it, is the romance. I know why things happened the way they did, the creators definitely make a good case for themselves and all, and they really try to make it complex and interesting, and yet I found that the most boring parts of the series. Perhaps it’s because episode 1 already told what was going to happen in the end, you could see them building up to it and the actual moment of the “big death” felt rather… forced. It probably worked well in manga-form but in the anime it just looked silly. And building up the romance… it took some patience to sit through even before it happened.

However the new season the romance is thankfully refreshingly down to earth, if you can call it romance anyway. It’s almost politics, and it knows its place much better. The characters in return are a bit less interesting, but they’re really starting to grow now, which was probably the intentions of the creators: how the heck are these newbies going to fill the shadows of the old masters? Yes, a lot of thought was put into this. More series like this please!

#1: Classicaloid (13-16)

Yeah, yeah. I know that the above series have more substance than this one. I know the characters are complete idiots. I know that the past four episodes of Classicaloid have been completely stupid and have established absolutely nothing. And yet… and yet… I can’t. I can’t label my favourite show of the month as anything other than Classicaloid. It just had me completely in stitches, all four episodes even though they all were completely different. This show just makes me happy whenever I watch it that no other show this season manages to do.

So let’s get things clear: in these four episodes we have people turn into fishes, become idols, make horrible music, and hunt for a merleopon. All of them focused on a different character and were mostly used to flesh them out. All of them were hilarious, but my favourite was the fish episode. There was something magical of following a mute fish around for 20 minutes and looking into the despair that ensued. It also becomes more and more apparent that this show has the second director of Gintama. This is a compliment by the way.

This series takes me back to the good old days. Back when series still understood how to properly fill in a 26-episode series. The first half being a build-up, and the second then using it as a board to jump off of. In this case the first half has made sure that these characters are so much fun, that I just smile whenever they’re on stage. This is what I consider terrific characters. The ones that just make you happy, no matter what they’re doing. When manga and light novel adaptations got more and more the norm, and more and more series only turned to 13 episodes max, this was a format that I unfortunately missed deeply. I don’t want to be that guy who goes “gahw things were so much better in my days, you kids with your stupid trends and stuff” – I used to get very annoyed by these people – but in some areas I really have to give in: we are not living in the glory days of anime anymore. I do have hope though, I want to see anime evolve again. Try to see what it will turn into next. For that we need a constant flow of new talent, because at this point the old guys have mostly all left, while the ones who remain are the only ones still bringing in interesting and fresh stuff. The new talents need to get the confidence and the connections in order to be able to do their own things. They need to step up and realize that the future of anime lies in pushing the medium forward. They have the misfortune that the focus today lies much more on consistency: having clean frames, and a higher resolution makes anime more expensive, and it makes it harder to have experimental series, and therefore it makes it harder for the real geniuses to get noticed. The likes of Satoshi Kon, Mamoru Oshii, Masaaki Yuasa, they would have had much more difficulties breaking through in today’s atmosphere. Classicaloid is our hope: the director is relatively new, and I remember when he first took over Gintama I disliked the changes he brought forth. Over the past ten years though, Classicaloid showed that he did learn a lot. He’s using his influence clearly, while at the same time keeping the viewer’s attention. Entire episodes are devoted to one really weird idea, yet he knows how to make it tick now. I’m in no way saying that he is among the greats, but what I am saying is that he’s on the right path there, though unfortunately it’s not entirely there yet. Classicaloid is amazing, yet the great series of 9-15 years ago and the volume with which they came really was special.

I really believe that anime is due to improve. We just need to wait for the people who grew up in the golden age of anime go work themselves up to the top. I do not know how many years this will take. 10 years? 20 years? No clue. However I am interested in sticking along as long as fun series like Classicaloid keep getting made, and I also honestly believe that the worst is already behind us.

I know the above two paragraphs are really weird ramblings, poorly formulated and not that connected, but these are thoughts that I’ve been having a long time. I hope that I’ll be able to put more structure to them in the near future…

9 Responses

  1. SuperMario SuperMario says:

    I was actually expecting this post from you to see what you have been following this season. Nice post psgels. Hooray that you finally got around to Rakugo, that one is such a gem. I’m still pretty much digging Demi-chan, and Hand Shakers still fascinates me.
    About your thoughts on the current state of anime, I don’t have any deep comment to add, except that I do think anime is evolving even now, not necessary all in positive ways though. Like you pointed out that the industry cares more for short-cour anime and CGI and whatnot than back in the old days, but it just means that the industry is adapting new trends instead of staying the same. Sometimes it works, most of the time it doesn’t but that is always the same in any eras.
    Even I think that mainstream anime with terrible trends (like incest-love comedy, harem light novel shows, most recently idol industry shows) have its merit because without it the more art-house projects cannot survive. After all, those mainstreams anime sells well and brings the money into the industry, so that the art-house sections have resources to do their passion projects (like Little Witch Academia or Yuri on Ice); or create more niche anime like Rakugo or Fune wo Amu that aim at different types of audience. So even the worst kind of shows still support the anime industry in some bizarre ways, right?

    • psgels psgels says:

      Yep, and I do believe that we’re behind the worst parts. We had such a period as well around the year 2000, where just hardly anything good would come out at all, and I think that we’re not going to get any worse than the period around 2013-2014. I haven’t watched anything of 2015, but it also looks like it lacked the positive force forward that 2016 had, and 2017 seems to be continuing that trend. At the very least the really bad writing seems to be much less of a problem now.

      And yes, passion projects are the ways to go forward, I also believe that. Somehow in the glory days of anime, we saw tons of those passion projects or huge gambles air at the same time, and somehow they got away with it, and they were probably part of the reason anime blew up so much as it did back then, with a backing of the big shounen to serve as a backbone.

  2. Spencer says:

    Looks like I need to pick up ClassicaLoid now. Can’t say I’m a Gintama fan, or even a fan of anime comedies in general, but I’m always down to watch a show that makes people happy.

    Glad you went back and watched Rakugo, as that show needs all the love it can get. To me, it was the best series to come out during the two year break you took from the blog, but there were a few other gems during that time. Hopefully you’ll be able to discover them at your leisure.

  3. AidanAK47 AidanAK47 says:

    Not this again. There has never been a golden age of anime. Ever. That’s just good old selective memory playing tricks on people. There were annoying trends back then just as there are now. Only difference is that there is so much more anime coming out now than ever before. Yes that does mean more bad anime comes out but it also means more chances for great anime to come out. We got better animation, more studios and plenty of perfectly legal ways to watch anime. Way I see it, things are already up, perhaps in the future people will refer to this era as the golden age of anime.

    • Vonter says:

      I think certain vibes change. Like how people embrace the cheesiness of old stuff. How people want their entertainment to be dignified or how the limitations of yesteryears made for a particular tone or mood. (Berserk, DBZ and Rurouni Kenshin come to mind).

  4. Mentar says:

    I’ve got to admit that it made me smile to see that you didn’t drop Kuzu no Honkai in the end, but kept with it, and that you enjoy it as much as I do. Because in my opinion this is a little gem which I once never thought it could be animated for public TV at all, and it’s still a mostly-unrecognized horse in the anime community.

    Those who watch it seem to really enjoy it to a high degree, but it’s nice to see when high-profile anime sites list it and recommend it. Because I love it to pieces and think it deserves more prominence, because it is done SO well.

    About objectionable content: I’m curious what you will think about the show after episode 4 :->

  5. Zoop says:

    I am so happy you are back, you have no idea. Your taste is as unique as always! I look forward to some quality criticism, even if it’s just once a month :)

  6. donhumberto says:

    Thanks a lot for your post Psgels. As usual, it’s a real pleasure reading your thoughts on the series.
    Overall, I think this season is turning out pretty good, what with 3 top tier shows on the schedule (Rakugo, Acca and Onihei- by the way, please, try to watch Onihei, it’s really awesome and the kind of mature themed anime you’d like), apart from a bunch of other enjoyable ones (Scum, Tanja and Yami Shinbai for me). Obviously this is not the best season ever but it’s waaay better than Winter 2013 (by far the worst season in recent memory anime-wise)
    In any case, I do agree with Psgels that we need more ambition in the anime landscape as we had 10 years ago. I mean, as much as I love Rakugo, 91 days or Onihei they are nowhere near shows like Monster, Ghost Hound or Gankutsuou in my book… oh well, let’s hope that at least with the huge success of Yuri on Ice Mappa can get the funds to keep on making great series (they’ve been consistently one of the best studios since they started and 2017 looks set to be their year)

  7. Lord Nayrael says:

    Always glad to see you psgels! :D

    I know that the “love triangle” in the 4th episode of Masamune is making you worried, especially due to how other shows have dealt with this trope, but I suggest you to give it another episode or two even if you don’t like the development. I say this because her purpose here isn’t to be a harem tease, but… well, the writer uses the trope to accomplish something else.

Leave a Reply

CHANGE USERNAME
AidanAK47
@Amagi, Where you hear that stuff about the translator cause that is news to me. Being skepical about Sekai is fairly understandbale thpugh. I mean hell recently that PSVR VN they are shilling on kickstarter was about to fail but mysteriously got 23 backers put in large amounts which booted up the thing to the goal.
Kaiser-Eoghan
I wish I could enjoy some of the generic ones but I probably wouldn't.
Kaiser-Eoghan
When I was about 14 I found out what a visual novel, well, more date sim was due to an episode of Excel saga.
Amagi
@Kaiser: You mean World End Economia. It's a three part VN. Haven't read it yet though.
Amagi
@Aidan: The stuff I read about the translator for this and Sekai in general doesn't sound too good. Guy was kicked from Mangagamer ages ago for lying and bad translations and the project is still at 50% after years. Meanwhile they licence 30 new VNs.
Kaiser-Eoghan
The spice and wolf author wrote a visual novel I think. I also remember there was a visual novel, a scifi one set on a space station.
AidanAK47
@Amagi, We will eventually provided Sekai doesn't go under.
But yeah I wouldn't expect any time soon.
Amagi
Man we will never get that English Baldr release.
AidanAK47
@Amagi, that scene is one that you really need to see though the eyes of the protagonist. It is doubtful an anime could capture that moment. It was one moment you truly resonated with the protagonist.
AidanAK47
@Sash, Any VN you can find on Steam is All Ages(Meaning that sex scenes are cut out. Not that it's not graphic as All Ages Vans are certainly not for all ages.) I would recommend Sharin no Junior. There is sex scenes in it but you should only encounter one playing through the main route. The House in fata Morgana is also a good one.
Amagi
They'll never manage to make THAT scene as shocking as in the VN.
Amagi
The VN is great. It's linear story telling but one of those VNs I doubt anybody can adapt properly.
Kaiser-Eoghan
I want a muv-luv anime that isn't a spinoff.
Because I'm too lazy to read the VN.
Kaiser-Eoghan
I always get those funny looks when I say Saya is my favourite VN.
Kaiser-Eoghan
I must ashamedly say that I did read Sono Hanabira ni Kuchizuke o, if only just to read a VN that was all about the ecchi/H.
Kaiser-Eoghan
I've also played phenomeno.
Kaiser-Eoghan
@Anon: Been meaning to get into that.
Kaiser-Eoghan
I've played sharin, maou, saya, cartharga, fate/stay night, swan song, planeterium, narrcissu, Eden, both kara no shoujo games, some of fata morganna, some of comyu.
Kaiser-Eoghan
I don't know forest either.
Kaiser-Eoghan
I didn't like one thing I read by the ever 17 author, it kept annoying me to get any worthwhile end out of it. Even though I liked the premise.
Kaiser-Eoghan
@Sash: I enjoy the stories VNs offer, Aidn recommended me a share, but while I've liked them, the format I needed to get used to and yes the time commitment.
Kaiser-Eoghan
Not key, but Phenomono or narrcisu seems safer a bet, unless you hate horror then avoid phenemono.
Kaiser-Eoghan
I don't like any of the Jun Maeda Key melodrama anymore, but there are all ages versions of their visual novels.
Kaiser-Eoghan
I believe Aidan still needs to read kara no shoujo 2 . I don't know what Ignarock or sharnoth is . What is the name of the post(or was it pre) apocaypse shoujo-ai visual novel?
Kaiser-Eoghan
@Amagi: I played saya first because of story, atmosphere, short length.
Kaiser-Eoghan
Actually based on his reactions, recommend him the freeware stuff.
Kaiser-Eoghan
@Sash: I was also going to say I was worried about recommending any visual novel then. I said kira kira, sharin and g senjou because they seemed safer, but there is H scenes in them, but not tonnes.
Amagi
@Sash https://vndb.org might be useful. You can search with tags there, including technical aspects like "voiced", "moving mouths" and stuff like that.
Sash
Or rather, none hentai
Sash
I also tend to be open to most genres, but please keep it PG...
Amagi
lone = long
Amagi
Thinking back I am pretty sure Saya no Uta actually was my first VN. It was popular back then and rather short so it was kind of a good entry level VN (for me), same as with narcissu and Planetarian which I read right after that. Think my first lone VN was either Ever17 or Sharin no Kuni.
Sash
@AidanAK47: Yes, it such a huge time commitment! That's the sole reason I don't share your sentiment. As for what my taste is... I don't know since that was my first ever Visual Novel. For now I would like ones with voice actors in it.
Amagi
I should really read more stuff I haven't read any VN the last year for some reason.
Amagi
Speaking of VNs I wish one of this utsukushii series would get an anime adaption someday. Maybe Sharnoth or Inganock. I loved Forest as well which had a similar style and other stuff with Meteor involved (of courise including the Fate series).
Kaiser-Eoghan
Allow me to re-phrase in layman's English: "If he could handle something as explicit or dark as saya no uta we could suggest it if he thought he was up for it, he could read it at some point if he thought he could handle it, sash, do you think you can handle something messed up like that, if not, perhaps you should play sharin no kuni instead"
Kaiser-Eoghan
It isn't even annoyingly edgy to me. Just why even bother watching/reading it at all was my reaction.
Kaiser-Eoghan
I've seen bits of the ovas for euphoria, I stress bits of them. Not something I'd dwell on or bother to watch more fully, it went too far to where it just produced a numbing effect where I just don't react to it, to where it neither becomes shocking or laughable.
Kaiser-Eoghan
The reason I mentioned tolerance level was because I wanted him to respond to confirm if he cold handle those darker games because hell if I know what he's able for.
Kaiser-Eoghan
Also kirakira is another safe recommendation.
Kaiser-Eoghan
Thats why I stated sharin and maou were safer recommendations.
AidanAK47
Jesus Kaiser, why not chuck Subihibi and Euphoria on top of that if you are so determined to traumatise him. None of those should be first time recommendations.
Kaiser-Eoghan
Ideally we could recommend him saya no uta, kara no shoujo or Swan song, but we don't know his tolerance level. Based on that Sharin no kuni and G senjou maou might be the safest recommendations.
Kaiser-Eoghan
Though I'm wondering if he played a version without the H-scenes.
Kaiser-Eoghan
Aiyoku no Eustia and Comyu adaptation and full translation WHEN.
AidanAK47
@Sash, That's good to hear. Also fair play on playing it as it is a pretty huge time commitment. If you haven't I would recommend checking out other visual novels as you might find something that would be more for you. I can even throw out some recs if you are interested.
Kaiser-Eoghan
*allows us
I will probably watch shojo kageki dubbed.
Kaiser-Eoghan
I've fallen behind on shoujo kageki and sirius.
Kaiser-Eoghan
....was lovingly semi-oneric.
Kaiser-Eoghan
That kids backstory is so depressing in happy sugar life. Nail pulling scene messed me up. I also watched the new satsuriku no tenshi episode, this is definately going at a quicker place, they skipped a whole character and by doing so, also a flashback involving Cathy. Though I'm not too bothered by it as it also us to get to the big bad quicker and focus on Zack/Rachel. First bit of this episode
Anonymous2592902
This is Sash by the way, name keeps changing back to anonymous
Anonymous2592902
@Kaiser-Eoghan: yes... I meant that...
SuperMario
Talking about being born in a digital age huh?
Lenlo
@Kaiser, for my old roommate maybe. I dont think ive ever bought a magazine in my life
Kaiser-Eoghan
@Sash: Do you mean visual novel?
Kaiser-Eoghan
Admit it Lenlo, you would buy that magzine with Ash and Eiji on it.
Sash
@AidanAK47: i have recently read the light novel of Fate Stay Night and, though I don't share your sentiment, I do see why you love it so much
Kaiser-Eoghan
Sword art is one of those things that everywhere you look you'll see it hated, yet in rolls in the money.
Lenlo
Well, its hated by certain parts of the community. Usually western parts.
AidanAK47
@Mitsuko, yep we are well aware. But as an FYI, SAO is hated heavily in the anime community. So another season isn't exactly a cause for celebration but rather a dejected sigh.
Lenlo
Banana Fish, back on track. Also, this ED is my favorite of the season.
Mitsuko
@Lenlo i agree that was one of the best i cried in that part
Lenlo
Oh I know it is. Doesnt mean I have to acknowledge it. Mothers Rosario was the only SAO arc I actually liked, and Kirito had almost no involvement in it
Kaiser-Eoghan
@Mitsuko: Its gone on for too long.
Mitsuko
i dont know if anyone said this already or that you know but sword art online is coming out with a season 3 in october right
Adimar
i miss Shino god i hope there is another season were she gets out of her coma and haseo and Shino get together if that happens then god it will be amazing
Kaiser-Eoghan
Don't think I brought this up, but I've only seen one season of Bleach, random episodes of DBZ, few episodes of Naruto and two volumes of one piece, most I got was 32 episodes of hunter x hunter.
Kaiser-Eoghan
Another example is I can't get into most shounen because it isn't seinen. Too often I can't separate shounen jump stuff from each other in my head even if I know they are different.
Kaiser-Eoghan
I suppose I do experience exceptions , I could probably find one dark moe show that'd work for me like Happy sugar life, but in general I utterly despise mixing moe cute girl antics with horror.
@Anon: Its because often the time travel/reset thing is used in those stories as an extra lives/chances cheat.
Lenlo
I can agree that, largely, avoiding a genre or style you dont like is fine. It just means you will miss the occasional exception. Because there is always an exception that fits the mold, but is good enough you enjoy it anyways.

Like im not normally a fan of rom-coms or melodrama, but I enjoyed Toradora. Never would have watched it under normal circumstances either
Anonymous2585479
@Aidan, Well Evangelion was a bad example as I had read a bit of the manga version at one point.
A better example would have been Steins Gate which I avoid for the simple reason that time travel stories annoy me, especially if they involve changing the past.
Thing is though, I don't agree that this is any different from avoiding fanservice or "standard crap", even those can surprise rarely.
Lenlo
There were some I knew I wouldnt like and tried anyways, like Clannad, but some that pleasantly surprised me like Space Dandy.

@Aidan, yeah. I had to experience it. I just... there was so much wrong in the episode I am having a hard time writing it up without feeling like im just ragging on it non stop
AidanAK47
@Anon, I don't really argee with that mindset as I feel you don't really know if something is for you until you see it for yourself. Not saying you have to plough though it even if you hate it. But giving it at least one episode I think is needed. Well unless it's something like a fanservice show or standard crap.
AidanAK47
@Lenlo, I was thinking about warning you when I seen you got excited about that but decided it would just be better to see for yourself.
Anonymous2584737
Happens to me with plenty of things, for example I refuse to touch Evangelion since I know enough about it say that I have no interest.
Kaiser-Eoghan
There has to be a moment where you just accept somethings just not going to click for you.
Kaiser-Eoghan
For example I will never watch darling in the Franxx because of kill la kill.
Kaiser-Eoghan
Have you reached the point where you no longer care when you hate something popular or refuse to watch it out of sheer disinterest?
Kaiser-Eoghan
Do you all think there comes a time, where you get to where you know you don't need to even bother watching a certain show because you know yourself enough to know there is no hope it'll be your thing? To where you simply pass on it, not even watching the first episode.
Kaiser-Eoghan
@Mario: The Hanebado death stare is real, the eyes THE EYES man the eyes =O
Kaiser-Eoghan
Stupid steins; gate, why must it bully Lenlo. Although I've not watched the episode yet....am I right in saying things may be heading in the direction we feared?
Lenlo
*sigh* Steins;Gate physically hurt me this week. I am disappoint
Kaiser-Eoghan
In general I tend to turn my mind off to scientific inaccuracy in fiction and because honestly, I have a fairly poor memory for much of the facts.
Kaiser-Eoghan
I remember school biology classes, couldn't bring myself to cut an animal heart/frog/worm and tapped out of doing it. I remember being told, someone thinking it was all a laugh and they threw one of the hearts into a bush somewhere on the school grounds.
SuperMario
Then again, biology is amongst my least favorite subject :(
SuperMario
@Vonter: I'm still following Cells at Work but I have long since given up on making a real life connection. But let's see, i think your first statement was right but I'm not sure about the second one
Vonter
I've been watching Cells at Work! And I'm not sure if I get the analogy of an allergy. The allergens makes the body counter act with a chemical that in turn makes the body over release another chemical that irritates and produces sneezes. And an steroid counteracts the allergy by breaking down in a small degree that section of they body?
Lenlo
Honestly, im not sure if its intentional or not, because the rest of the english in the paper is actually pretty good.
Lenlo
The Dairy Cod? Oh yes
Kaiser-Eoghan
Did you happen to notice the L/R error/ no differentiation in the top left screenshot in your banana fish post? Sayss Dairy Cape cod instead of daily cape cod.
Kaiser-Eoghan
*these
Kaiser-Eoghan
I keep listing to those mixtape and vaporwave things on youtube very frequently.
Kaiser-Eoghan
Oh so that was the name of that show where I saw Urasawa and Itou being interviewed.
Lenlo
Look up Manben on youtube. Its basically where they do an hour long episode on a Mangaka, film their process, and talk about their philosophies while making it
Lenlo
If your interested in the manga process
Kaiser-Eoghan
Now that I remember, there was a part where they were praying for the idols. Someone said it has become like a pseudo-religion.
Kaiser-Eoghan
I'd love to see some documentaries about anime/manga and more about Japan .
Kaiser-Eoghan
Adding to what I said though, as bad as Japans idol thing is, the music industry everywhere has its awfully sleazy side.
Kaiser-Eoghan
In a way, I sort of feel like I can't fully judge the guy who paid for 100s of idol concerts....when admittedly I've spent my fair share over the years on hentai.
Kaiser-Eoghan
I saw that documentary I talked about a few comments ago, because the post would have been 500 words long, I put it on pastebin: https://pastebin.com/D7CuaA4F
Lenlo
I dunno, I quite enjoy the characters. Endeavor had an arc recently that was particularly good.
Kaiser-Eoghan
Actually I want to specify on that comment, I'm not looking down on hero academia, more suggesting the broadness of its appeal.
Kaiser-Eoghan
In terms of planet with, I've only seen the first episode of it.
Kaiser-Eoghan
I have found though that Academia, much like titan, is partially an anime for people who don't watch anime.
Kaiser-Eoghan
On Hero academia, on my end it would probably be more accurate to say that its not a case of hating it, moreso not my thing.
AidanAK47
I don't hate Hero Aca. My problem is that it really isn't doing anything new. Every beat traced from shounen legacy. It's executed well no doubt and I am sure animation wise it trumps old shounen. And if it can avoid the trap of every long running shounen of going past it's due then it could end up the most polished. But it's still a new dog doing old tricks.
Kaiser-Eoghan
But in all seriousness. Regarding Planet with, sometimes you have to care for whats been subverted before you can get anything out of the subversion.
Kaiser-Eoghan
@Aidan: If you don't like my one-liners, you should sea my ocean liners, they're practically to drown for.
AidanAK47
On Fate GO, yeah I really think that some banners are more generous than others. Hoping the Prisma banner is generous because I need to get together the Emiya family.
Lenlo
Really? I quite like Hero Aca, its probably my favorite current shounen, granted this current arc isnt the best. Granted I also keep up with the manga so know how it all plays out.
AidanAK47
And subversion in a good way. Not like Fate Extra over here which subverts expectations by having the endboss leave the show offscreen but instead subverting to keep you on your toes while keeping the satisfaction of a well conculded fight. That moment when he pulled out the clog for a finisher was unexpected, hilarious and amazing.
AidanAK47
@Amagi, Yep. To me Boku hero is how to use tropes and settings wrong, essentially recycling them wholesale. Planet With uses them but uses them to subvert your expectations when you think things will go according to the trope but NOPE.
AidanAK47
UGH.
I am close to banning you for that pun.
Kaiser-Eoghan
Everyone is watching planet with....
......

....WITH each other
Masky
I'm watching Planet With!
Amagi
We all know the cliffhanger fight between Takashi and * +revelation of you know what wouldn't have happend before episode 10 in any other anime. This show manages the time perfectly and it doesn't feel rushed.
Amagi
It's exactly how I want a show: you are allowed to use tropes and generic settings but be creative, switch the roles, turn stereotypes upside down and make every episode unique and non-repetitive. It's what this show is doing and it's doing this perfectly.
Amagi
@Aidan: I love it too. I am pretty surprised how few people are watching this considering that it is still shounen'ish and how hyped Bisquithammer is.
Amagi
Ehhh-? Now got summer Marie with 3 quartz in FGO and Martha with 12 a few days ago Aidan was right about the second summer rate up banner.
AidanAK47
Such a shame that nobody seems to be watching Planet With.
AidanAK47
Damn, Planet with pretty much concluded and there is still six episodes left. This episode was damn satisfying and it seems the training wheels are off here..
Anonymous2563449
How do you expect men and women to act when they reach the end of economic growth
Anonymous2563449
The idol industry is just a reflection of the broken social contract/financial repression
K-Off
It'd be interesting if the documentary talks about the effect on men as well, that kind of obsession driven culture can't be healthy.
K-Off
Still remember that idol (was it akb48?) who filmed herself crying on film with a shaved head because she was caught with a boyfriend
Kaiser-Eoghan
Also planning on picking up A drifting life soon, biographical manga about the 60s gekiga manga period.
Kaiser-Eoghan
Going to watch some Japanese documentary tomorrow that goes into wide detail about how terrible their idol industry is and the effect it has on women.
Lenlo
The only thing I really liked out of Ahin was the villain. That dude was quite intimidating, running around shooting himself every time he got tranqed.
AidanAK47
And though I didn't mention it in the review it is rather annoying how the series shafted both Tamamo and Hakunon.
AidanAK47
@K-Off, It was a series that had good ideas, I give it that. But it was a mighty dull watch. Some better protagonist could have helped a bit at least.
K-Off
Speaking of which, I picked up an Astolfo plushie at anime expo and this alone is making me want to play FGO
K-Off
Yea Ajin flows really strangely and there's really no overarching story, plus nobody has much motivation to do anything. But that's also its appeal, for people interested in an insane antagonist who wants nothing but chaos
K-Off
Ah Fate Extra sounds disappointing, I STILL haven't watched any of the series and was hoping it'd be a good entry
Kaiser-Eoghan
Ajin is one of those things I just ended up completely forgetting about, although for pretty much no reason.
K-Off
Also: Ajin is getting pretty freaking crazy with the recent chapters, I love how Sato is so Joker-like and he's actually succeeding at every thing he's doing
K-Off
The manga is fantastic, feels pretty quaint as comedy manga go nowadays. Also the chapters flow really well with its comedic timing, love the pacing
Kaiser-Eoghan
I'm actually intending to move on to the manga sometime, as I was using the anime as an introduction/taster for it.
AidanAK47
Yeah I find Grand Blue just isn't working for me like the manga did. I feel like it needed better animation and a better director. I thought the Gintama director would do good but didn't take into account that with such a long running series he's likely accustomed to doing comedy within a small budget.
K-Off
Feels like manga with great comedic timing don't translate very well animated, or maybe it's because I've already read the same joke before the adaptation
K-Off
Woops forgot i wasn't logged in on mobile
Anonymous2559865
So far in the season pretty sad to see Grand Blue not living up to the manga
K-Off
(i also updated my email on my profile, if you need me for anything let me know there)
K-Off
Ahaha nah, its the real McCoy, last time we talked was about the backend server iirc
AidanAK47
...hmmm is this a fake Psgels situation I wonder.
K-Off
Ive been too hooked on Azur Lane lately
K-Off
Hello everyone, feels like its been a while!
Kaiser-Eoghan
Budget really shows in grand blue now, I wasn't really into the first half of this episode, but by the second half it got me laughing again.
Kaiser-Eoghan
@Lenlo: Including shots AT Mayuri =)
Kaiser-Eoghan
And yet, somehow I will find a way to someway forgive the show as hard as I can be on it I can never be 100% mad at the series.
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Featured Posts

Satsuriku no Tenshi – 05-07[Don’t let me kill you just yet./Zack is the only one who can kill me./Who are you?]

These two episodes felt like Zacks time to get a little development as we get a bit of a look at his childhood. I will admit that this series has a particular problem with showing it’s villains as any villain shown so far has been quite one dimensional. Now I hear that later episodes will […]

Planet With – 07[Sirius]

With that conclusive finale last episode, many of us were left wondering just where things go from here. As it turns out, our main protagonist Souya thought the same. The answer as it turns out is that with the palidains taken down, the sealing faction has risen up to become the new antagonist of the […]

Shoujo☆Kageki Revue Starlight – 06 [Their Path of Triumph]

With this episode, it becomes clear that Revue Starlight is less about Karen and more about the development of the entire cast. This week we get into the insights of Kaoruko and Futaba through the former perspective. Although spoiled, bratty and not-at-all serious about the Revue audition, I very much welcome her as a person […]

Chio-chan no Tsuugakuro – 07 [Convenience Store Chio-chan – Chio-chan and the Duel – Remnants of That Day]

This episode of Chio-chan sure brings back my memory. I was one of those stupid boys who played that zapping butt game (among other stupid games, like stick a pen where my friends would sit) and let me tell ya, it hurts like hell. To the point whenever I listen to this song I would […]

Banana Fish – 7 [The Rich Boy]

This is it, this is what I needed this week. Banana Fish has become my weekly dose of great drama. This week we meet up with Max’s family, Shorter learns just how terrible gangs are, and we meet a new villain. Lets jump in! Starting off with the general stuff, what blew me away the […]

Steins;Gate 0 – 18 [Altair of Translational Symmetry -Translational Symmetry-]

This must be what a disappointed father feels like. You want to believe the best, but they just keep letting you down. This week, Steins;Gate 0 has let me down. Hard. Lets jump in. So, where to begin. First off, once again, Steins;Gate 0 proves its not an action series. So many still shots and […]

Planet With – 05/06[Paladin Break 1/Paladin Break 2]

Well that’s the end of Planet With and what a satisfying ending it was. I mean that final fight was something that would do Gurren Lagann proud and while there are some loose ends the majority of things were tied up quite nice…what do you mean this is only episode six? Hold on, there are […]

Hanebado! – 07 [I’ll Mop the Floor With Her]

I was wrong. I don’t enjoy this dead-eye expression of Ayano at all. It feels as though we’re watching a completely different Ayano characters compared to the first few episodes. That just means in no way I’m identified with this anti-hero version of Ayano. Again, I understand the intention. Ayano has that unhealthy obsession of […]

Shoujo☆Kageki Revue Starlight – 05 [Is Sparkle Even Possible]

Revue Starlight is back to business this week with its bizarrely entertaining duel. In a way, this duel is a long way coming as this is one of the development I expected to happen sooner or later. What I didn’t expect, however, is the overall light-hearted tone with cartoonish paper cut-out design and Mahiru -Karen […]

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Fate/Extra Last Encore Anime Review – 40/100

To many the Fate series is daunting with its numerous incarnations and spinoffs and here in the year of many a Fate adaption we get another one by Studio Shaft which was first thought to adapt the story of the PSP game Fate/Extra. Fate/Extra could basically be considered Fate with a sci-fi twist as this […]

Darling in the Franxx Anime Review – 57/100

In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and […]

Hisone to Masotan (2018 Spring) Review – 73/100

Coming off as one of my most anticipated anime out of this last Spring Season, based solely on staffs involved alone – after all, an original anime written by Mari Okada and produced by Bones (which I regarded as one of the best anime studio working right now) – I can’t help but feel let […]

Megalo Box – 86/100

Ah boxing, the quintessential manly man sport of beating each other unconscious. In anime, the sport was first forged in the fires of Ashita no Joe, and some would say later perfected by Hajime no Ippo. Both fantastic series in their own right. Both filled to the brim with epic clashes of wills, phenomenal characters and […]

Legends of the Galactic Heroes Die Neue These Anime Review – 80/100

This is a remake of a series made way back when which is one of the most highly acclaimed anime in the medium. It is of legendary status but you would be hard pressed to recommend it as to many the barrier of entry is too high to consider. A 110 episode OVA with dated […]

Hinamatsuri (2018 Spring) Review – 79/100

Comedy anime doesn’t always yell out confidence, so imagine our hype when there’s one that been on everyone’s lips since the manga come out, Hinamatsuri. The show starts with simple premise: a girl with supernatural power unexpectedly drops into the house of a yakuza, hilarity ensues. This concept sums up very well the source humors […]

Fate/Stay Night Heaven’s Feel – I Prestige Flower Anime Review – 90/100

We have seen an influx of Fate adaptations over the last year and sadly each has proven to be disappointing except for a cooking slice of life short series which is weirdly better than it has any right to be. This movie was the last of the Fate adaptations that I needed to see but […]

Violet Evergarden (2018 Winter) Review – 76/100

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter […]

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]