Posted by psgels on 1 February 2017 with categories: Monthly Summaries

I know I missed Onihei, but it’s just impossible to find much about it. Perhaps in February I’ll give it some more coverage. Aside from that, this was a good month. I’d say that overall the winter season is more varied than the past autumn season, but at the same time the good series are not AS good. All of course according to my own impressions. Like always spoilers beware, and this list is on order of my own preferences, worst first best last, only about the episodes that aired in January, minus the first episodes that I already talked about. The number after each title signifies the relevant episodes.

#15: Granblue Fantasy The Animation (01)

This one aired a bit later than the other shows this season. It’s also a fantasy series, probably another kind of game adaptation like Chain Chronicle, but I liked that one a lot better though. That I’m not watching Chain Chronicle anymore should say enough for Granblue, but the gist of it that while Chain Chronicle was simply generic, with Granblue I got the feeling of gradually losing brain cells while watching. Granted, a bit reason for that is that incredibly annoying dragon that keeps floating everywhere, but what also ticks me off is that we’re given very little reason to care about any of the characters. The main character doesn’t really have a reason to go along on this life-threatening quest, he just happens to be at the place where a cute girl falls from the sky… and starts following his boner, I guess… Why am I supposed to root for these people? Do the bad guys have any other reason to attack besides being evil? I don’t expect answers to those questions in episode 01, but at least hints or some other kind of nuance. You just can’t think you can get away with this simplistic mess just because you’re a game adaptation, right?

#14: Spiritpact (02)

In the end… I just can’t. Snappy dialogue is one thing, but if everything else is just amateurish i’m not really sure what I’m gaining by watching this and I’ve got many better things to see and do. I can see where they’re coming from, but episode 2 didn’t really convince me to just keep watching. For one it wasn’t as fun as the first episode, but the first episode also just felt worse in hindsight. They introduced this new character who is the fiance of the white haired guy, and obviously she has her issues, but they all seemed to be trying so hard, and nothing really came out of it.

The animation is partly to blame for that. I watch anime because I also care for the “animation”-part of the whole deal. I want to see people bringing characters to life. If you have to use short-cuts then so be it: be clever with the jump-cuts, pull some visual tricks, use your music. It’s not an exact science at all and it’s an art form, however this series doesn’t seem to try any of this, with awkward jerky motions and no attempts to hide it. Japanese anime has the experience in these cheap tricks, but Korean animators still need to find their own way. Mind you, I am not suggesting them to follow anime’s example. Let them go their own way, as long as that way works of course.

#13: BanG Dream! (01-02)

This is another series that came out a bit late this season, about a bunch of middle school girls starting a band. I gave it two episodes because there is one thing it seems to understand: build-up: it’s not like “Wheee band!”, but instead it is carefully building up the different girls, why they’re going for it and how they end up meeting each other. Really, one of the most difficult things about being in a band is actually starting the band and finding the right people. By taking its time, the series makes also sure that the characters are well fleshed out in the process.

Still, I’m not going to continue with it. The teenaged girls are just too annoying, and I think a lot can be contributed to bad acting and voice acting: characters hamming it up a little too much. There is one shy girl and nearly all she does is breathe very loudly. That’s not how shyness works! The main character also feels a bit weird: they really tried to make her this enthusiastic girl whose energy pulls the entire band together, but in the end it just feels fake, like they try too hard. She too has this habit of just breathing very loudly, which after a while just gets distracting. These random squeaks and moans instead of just actual dialogue. This obviously isn’t the only show that does this but that doesn’t make it okay!

#12: elDLIVE (02-03)

elDLIVE could have had potential if they kept the momentum of the first episode going. A fun light-hearted show about alien hunting with quirky characters, but in the end it lost this quite quickly. Episode 02 and 03 pretty much repeated what episode 01 did, only less interesting, and quite witless to be honest. These episodes had a bit of high school hi-jinks, dull aliens, and nothing really interesting. It wasn’t fun, and at times they also got way too dramatic for their own good. You don’t want to be dramatic for a series that involves a bunch of kids busting aliens, that just serves to highlight how stupid the show is, unless you invest really heavily in suspense of disbelief. But ultimately this show lacks any sort of ambition or desire to be special. This one is dropped.

#11: Demi-chan wa Kataritai (02-04)

This one turned out to be not as good as what I hoped. On one hand, it managed to portray this world in which a small percentage of people is “demi”, or half human, half mythical creature like a vampire, dullahan, etc. It’s an interesting look at minorities, being slightly different and a bit of bullying here and there. Its characters are very vocal about their issues and that makes this a very honest series.

On the other hand I really don’t like how this show pulled a Sword Art Online and made every single one of these “demi-girls” fall for the main character. Granted, the verdict is still out on the snow girl, but it’s getting there, trust me! I find that cheap, and it’s also just pointless. This is supposed to be a series about teenaged issues, and the romance just feels shoehorned in. There is no reason why these girls can’t have boyfriends, or at the very least guys interested in them if they also want to handle things like sexualities. This is also in the main character’s favour because now we just end up with him getting demi-boners half of the time, which just turns him into this slime-ball rather than a scientist. It’s a real shame because I feel that there are two groups among the creators: one that really wants this to be a character study, and one that want this to be a romantic comedy. The result gets very awkward in a bad way.

#10: Piace – Watashi no Italian (02-03)

Piace is clever: it knew that if you want to be interesting, you need some kind of material to work with. Slice of life has been done to death and there is no way to make something out of it, and you have to be really funny for a pure plain comedy to succeed. However by basing its setting on an Italian restaurant it can interchange the jokes with Italian cooking. And it’s not like you really learn something about this, but the creators make a point of showing that the characters are making good food. When you combine this with the banter between the different characters, this becomes pretty decent for 4 minutes per episode, because let’s face it: the only jokes in this show are based on the characters’ banter; do not expect any food puns. The characters are also grounded and fun to watch: the voice acting here is good. The slightly-faster-than-usual pacing along with portraying the characters variedly, yet fairly wasn’t something I expected from a series like this.

#9: ChaoS;Child (02-03)

ChaoS;Child is chugging along nicely, along with its own issues. The thing with this series is that it’s all about its mystery. You can see that the story behind this series, the string of weird murders and the strange connection between them is the strongest point of this series. While no Higurashi by any means, I admit that after three episodes I’m curious to learn what is behind everything. Apart from that though… the gore is laughable, the animation is jerky, but my most important issue with it lies with the characters.

When telling a story with a clear main character, the audience needs a way to relate with him or her. A key part of that is the reason for his/her involvement in the story. And this doesn’t need to be complicated, as long as it’s something strong that can take the audience along for the ride. The lead character here is this sulky high school kid who keeps poking his nose in ridiculously dangerous murder cases. He knows this and still goes after them. Even after his loved ones get hurt he still tries to get more and more involved, even though there is no guarantee for the safety of his other friends, he gets told this plenty of times, and he realizes that he’s being incredibly reckless. How the heck are we supposed to relate to that?! I mean the lead of Chaos Head was a loser, but the creators used his panic very well to engage the audience. With him, it’s all so weak that I kept thinking “stop getting involved! Let the cops take care of it! You’re a high school kid, you can’t do anything!”

#8: Masamune-kun no Revenge (02-04)

Four episodes in, and Masamune has still retained its wit that we saw in its first episode. I didn’t think I’d be praising a romance between two high school kids, but it’s enjoyable enough to see just what an incredible dork the male lead can be. For once he’s actually balanced well: he’s flawed, but not a complete idiot, diligent but not perfect, his attempts of hitting on the lead girl are a refreshing combination between desperate and surprisingly effective. The tropes that have been done in other romances, it really tries to subvert them. It’s like a cat and mouse game between the two of them.

However, I’m very afraid that we just saw the best of this series. Episode 04 ended with something really questionable that has ruined many series that came before it. Up to that point, every twist, even though unexpected, sort-of made sense. You could see things happening that way if you put yourself in the characters’ shoes. Then completely randomly there’s this girl that offers herself to the lead’s feet as they’re about to have this serious moment. The episode ended right afterwards, but the creators are going to have to come up with something amazing to try and explain that one, because it also just does not fit the storyline at all, and I really doubt what this show can benefit from her. This was the “will they won’t they”-love-triangle I was afraid of when I first saw the OP and ED of this one, and there’s gonna be another girl! For now I enjoyed this show plenty, but unless episode 05 makes a very good case for itself I’m going to drop it then and there.

#7: Youjo Senki (02-04)

Okay. I did not expect that kind of back-story for the main character. It’s far-fetched, but.. fair enough it works. In fact, episodes 02 to 04 have all pain-stakingly spent time dealing with the issues I had with the first episode, setting everything up and actually doing a very good job at it. At this point I don’t see this as a dumb war-series anymore, but definitely something with its own qualities. Something totally different from what Shuumatsu no Izetta tried to be.

It’s ironic: Shuumatsu no Izetta made sure to portray soldiers as actual people, but in the end it was about the survival of the actual kingdom. Youjo Senki throws heaps of unnamed soldiers under the bus, but in the end its central theme is survival of the individual. Everyone in this series is thinking either about themselves, or their close families. The people next to them. The patriotism feels more like a formality here. In face, what I like is how it takes many serious issues of other war-series, and turns them into formalities. The whole goal of the main character isn’t to win, it’s to live a comfortable life and winning just happens to be very convenient for that goal. It’s a different look at war politics than usual. And the fact that she’s a child… fair enough. It works and they use it well.

#6: Hand Shakers (02-04)

There\s something really interesting going on with the music here. During the fights, notice how the soundtrack is completely different from what you’d usually suspect? It’s all dreamy, instead of the hard, dramatic and edgy sound that series usually go for. It’s very much on the foreground, rather than mostly lingering in the background. That is awesome! Back in the days lots of series had these incredibly complicated soundtracks with creative tunes, to scenes that totally didn’t match your expectations, even blasting over the dialogue and it was glorious! At a certain point this trend stopped though, only resurfacing very rarely. This needs to be brought back! Obviously not in every series, but let’s revive the spirit of Bee-Train! Hand Shakers is obviously no El Cazador, but obviously a step in the right direction.

Aside from that, this show has me pretty baffled. On all accounts, on paper I should hate this show. A boy meets a girl and they use powers to fight others. And yet this show is just so incredibly genuine. I find the lead couple so adorable for some really weird reason. The rest of the cast: I just like them. Everything here is just enjoyable to watch. Like I said, there’s something inherently cute about a show that’s about hand holding, something most romance shows don’t even seem to realize exists.

I am not a fan though of how passive the female lead has been so far: the male lead pretty much did all of the work here. You could replace her with a pet dog and pretty much the only thing that will change is the sexual tension. Don’t think too much behind that comparison…

#5: Little Witch Academia (02-04)

What makes this series special is that the creators really seem to have made this with an international audience in mind. This show is a weird amalgamation between east and west, but some parts really feel like Trigger putting a global audience first, rather than what most shows do: just produce your series for Japan and afterwards just release it internationally because hey, why not? Or make your show so generic that it doesn’t matter what country it’s from. I mean, otherwise no sane writer would include a reference to Hanna Barbara so randomly there. Episode four was also was about fandom, and it felt uch more like we were watching western fandom than Eastern.

Also in this world, everything is exaggerated. Everything. That makes the plot pretty random and stupid, but the energy. Good lord, the energy of this show! This show always manages to conjure up something creative for the magical hi-jinks that the characters find themselves into and especially the main trio just bubbles with personality, and yet they’re grounded and varied. This is what makes characters who usually would have been really annoying, it makes them actually fun to watch. I mean we all know about the blond girl who is good at everything and incredibly posh, but in this show she works. Her henchmen are annoying at first, but we see them do different stuff besides fangirl about how amazing their sempai is.

And beyond that this does just about all of the basic stuff right. These four episodes were random hi-jinks, but they were perfect in fleshing out the characters and making the audience familiar with them. This light-hearted note is something I missed from Kill la Kill for example. Trigger still hasn’t forgotten to do action either, so bring on the rest of this series!

#4: ACCA – 13-ku Karusatsu-ka (02-04)

Okay ACCA, let’s talk for a minute about immersion. Consider the Twelve Kingdoms, a series that also focuses on a world with about a dozen different countries inside it. One thing it did a lot, especially in the beginning, is show a map of the world, including a pointer where the story was about to focus at. This happened a lot, and while tedious at the time, because of this you always knew where the story was in relation to the rest of the setting. It made you feel part of the world. ACCA has a map, but we only see it very occasionally, and only brief, so we as a viewer are constantly having to guess where the heck we are, especially since every episode deals with a different country. What if the beginning of each episode could show for a small bit where on the map we are? You could incorporate it in the OP if time is the issue. It’s a very simple detail, but I feel like it would add a lot to this series.

Now, ACCA is an incredibly ambitious series, and it’s obvious that it can’t fit everything it wants into episodes of 20 minutes, so it has to compromise. The option it went for is to try and get as much information as possible into just one episode. The big difficulty with this approach is keeping thins personal, and I have to say that when taking this into consideration, it’s a very good attempt. Obviously the huge focus on consumables helps. Characters have this “tell, rather than show”-approach to their characters, but this is fixed by the creators using subtle non-verbal clues to flesh out their characters.

The big sacrifice though is continuity. This series both doesn’t have the time to deal with the aftermaths of everything that it does (lots of minor issues are just explicitly assumed to just get resolved), plus the way it leads one thing into the other… just happens. Coincidences pile up and there is no quiet time. It’s impossible to add those and still get everything within 20 minutes. Because what it is doing is powerful stuff. Makes you think, it’s interesting. Not to mention here that the potential for this show is virtually unlimited.

#3: Kuzu no Honkai (02-03)

Okay, so they’re not brother and sister. They just grew up together, with different parents so he always was the person she looked up to. Fair enough, that takes away my big complaint of episode one, but this series is not entirely in the clear. After all the “they’re not really siblings”-schtick was very often used back in the day to give the illusion of incest, while allowing for a back door for the creators to say “what do you mean? It’s not incest! They’re not related!” – we all knew what they were alluding to and it was disgusting. If this show ends up bringing back that trend I will punch it.

So, now that that’s out of the way: this show has been pretty incredible here; it does so many things right here. Episode 02 and 03 showed that it’s really trying to balance like six characters together, all intertwined in a web of crushes and all having their own issues, and we keep hopping back and forth between different perspectives, although the lead girl does seem to be the main character here. The lesbian girl was particularly surprising: for once they took a honest look at what it means to be attracted to the same gender. It doesn’t have the squee-material of the likes of Yuri on Ice, and while there is nudity, it doesn’t feel like fanservice like most other series of the past five years. This is how it should be done: treating them as actual people.

This series really isn’t glorifying anything, and that’s what makes it so great because it’s a side we very rarely get to see because of how wishy-washy romance is in anime. Fune wo Amu showed how you should do romance from the light side, this one flips things around and shows how to do romance correctly from the dark side. This show is ugly, even though it looks so pretty, but the amount of detail they managed to put in here. Mugi’s wet dream: they actually had the guts to do that. Or how the teacher wore the same outfit twice. They don’t explicitly say it, but it’s obvious, and when it hits it’s glorious!

Also can I get a thumbs up for the soundtrack here? It doesn’t just sound dreamy and sad, but it’s also used really well here. Every single note here fits, and there are a lot of tracks here! Someone really put some thoughts into how to place the music, otherwise it wouldn’t fit this well!

#2: Showa Genroku Rakugo Shinju Season 2 (01-04)

I managed to marathon the first season during the past month (though for the sake of this ranking I only consider the first four episode, otherwise it’s impossible to compare). And oh yeah, this is the real deal! I can’t believe they actually made an anime about Rakugo, a performance art where so much is dependent on acting, tonal changes and gestures, and they pretty much got away with it. I still consider Fune wo Amu my favourite series of 2016, but that was because that series managed to breathe life into its characters in a way that I had very rarely seen before. Shouwa Genroku Rakugo Shunjuu has its own list of things it does incredibly well.

The best being the character-development. Like seriously, there are very few series that can boast the level of detail that this series can put in it. Usually series have one flashback, or a number here and there for each character if they’re lucky, but most of the story takes place in one time frame. This series is the examination of the life of one guy, and every single episode it jumps forth a few years. And we don’t just see him change, a huge emphasis is also put on the side characters: they too change realistically and believably. The voice acting here is also wonderful in changing along with the cast. Top notch! Characters rise and fall, we get to see both their heights and lows right through each other. Every episode manages to change something.

What also makes this series really rare is that it managed to teach me something. And I don’t just praise this because I had no knowledge of Rakugo prior to starting this series, it not only gave an overview of how it evolved, it was an in-depth look at it, through the characters it analyzes, praises and criticizes the format. And it also encouraged me to look up the parts that they assumed the audience already knew. I like that: assume that your audience knows the meaning of Google. You don’t need to hold people by their hand. Inspire; and dare to go deep!

One thing I did not like, or rather one thing I found annoying is a better way to put it, is the romance. I know why things happened the way they did, the creators definitely make a good case for themselves and all, and they really try to make it complex and interesting, and yet I found that the most boring parts of the series. Perhaps it’s because episode 1 already told what was going to happen in the end, you could see them building up to it and the actual moment of the “big death” felt rather… forced. It probably worked well in manga-form but in the anime it just looked silly. And building up the romance… it took some patience to sit through even before it happened.

However the new season the romance is thankfully refreshingly down to earth, if you can call it romance anyway. It’s almost politics, and it knows its place much better. The characters in return are a bit less interesting, but they’re really starting to grow now, which was probably the intentions of the creators: how the heck are these newbies going to fill the shadows of the old masters? Yes, a lot of thought was put into this. More series like this please!

#1: Classicaloid (13-16)

Yeah, yeah. I know that the above series have more substance than this one. I know the characters are complete idiots. I know that the past four episodes of Classicaloid have been completely stupid and have established absolutely nothing. And yet… and yet… I can’t. I can’t label my favourite show of the month as anything other than Classicaloid. It just had me completely in stitches, all four episodes even though they all were completely different. This show just makes me happy whenever I watch it that no other show this season manages to do.

So let’s get things clear: in these four episodes we have people turn into fishes, become idols, make horrible music, and hunt for a merleopon. All of them focused on a different character and were mostly used to flesh them out. All of them were hilarious, but my favourite was the fish episode. There was something magical of following a mute fish around for 20 minutes and looking into the despair that ensued. It also becomes more and more apparent that this show has the second director of Gintama. This is a compliment by the way.

This series takes me back to the good old days. Back when series still understood how to properly fill in a 26-episode series. The first half being a build-up, and the second then using it as a board to jump off of. In this case the first half has made sure that these characters are so much fun, that I just smile whenever they’re on stage. This is what I consider terrific characters. The ones that just make you happy, no matter what they’re doing. When manga and light novel adaptations got more and more the norm, and more and more series only turned to 13 episodes max, this was a format that I unfortunately missed deeply. I don’t want to be that guy who goes “gahw things were so much better in my days, you kids with your stupid trends and stuff” – I used to get very annoyed by these people – but in some areas I really have to give in: we are not living in the glory days of anime anymore. I do have hope though, I want to see anime evolve again. Try to see what it will turn into next. For that we need a constant flow of new talent, because at this point the old guys have mostly all left, while the ones who remain are the only ones still bringing in interesting and fresh stuff. The new talents need to get the confidence and the connections in order to be able to do their own things. They need to step up and realize that the future of anime lies in pushing the medium forward. They have the misfortune that the focus today lies much more on consistency: having clean frames, and a higher resolution makes anime more expensive, and it makes it harder to have experimental series, and therefore it makes it harder for the real geniuses to get noticed. The likes of Satoshi Kon, Mamoru Oshii, Masaaki Yuasa, they would have had much more difficulties breaking through in today’s atmosphere. Classicaloid is our hope: the director is relatively new, and I remember when he first took over Gintama I disliked the changes he brought forth. Over the past ten years though, Classicaloid showed that he did learn a lot. He’s using his influence clearly, while at the same time keeping the viewer’s attention. Entire episodes are devoted to one really weird idea, yet he knows how to make it tick now. I’m in no way saying that he is among the greats, but what I am saying is that he’s on the right path there, though unfortunately it’s not entirely there yet. Classicaloid is amazing, yet the great series of 9-15 years ago and the volume with which they came really was special.

I really believe that anime is due to improve. We just need to wait for the people who grew up in the golden age of anime go work themselves up to the top. I do not know how many years this will take. 10 years? 20 years? No clue. However I am interested in sticking along as long as fun series like Classicaloid keep getting made, and I also honestly believe that the worst is already behind us.

I know the above two paragraphs are really weird ramblings, poorly formulated and not that connected, but these are thoughts that I’ve been having a long time. I hope that I’ll be able to put more structure to them in the near future…

9 Responses

  1. SuperMario SuperMario says:

    I was actually expecting this post from you to see what you have been following this season. Nice post psgels. Hooray that you finally got around to Rakugo, that one is such a gem. I’m still pretty much digging Demi-chan, and Hand Shakers still fascinates me.
    About your thoughts on the current state of anime, I don’t have any deep comment to add, except that I do think anime is evolving even now, not necessary all in positive ways though. Like you pointed out that the industry cares more for short-cour anime and CGI and whatnot than back in the old days, but it just means that the industry is adapting new trends instead of staying the same. Sometimes it works, most of the time it doesn’t but that is always the same in any eras.
    Even I think that mainstream anime with terrible trends (like incest-love comedy, harem light novel shows, most recently idol industry shows) have its merit because without it the more art-house projects cannot survive. After all, those mainstreams anime sells well and brings the money into the industry, so that the art-house sections have resources to do their passion projects (like Little Witch Academia or Yuri on Ice); or create more niche anime like Rakugo or Fune wo Amu that aim at different types of audience. So even the worst kind of shows still support the anime industry in some bizarre ways, right?

    • psgels psgels says:

      Yep, and I do believe that we’re behind the worst parts. We had such a period as well around the year 2000, where just hardly anything good would come out at all, and I think that we’re not going to get any worse than the period around 2013-2014. I haven’t watched anything of 2015, but it also looks like it lacked the positive force forward that 2016 had, and 2017 seems to be continuing that trend. At the very least the really bad writing seems to be much less of a problem now.

      And yes, passion projects are the ways to go forward, I also believe that. Somehow in the glory days of anime, we saw tons of those passion projects or huge gambles air at the same time, and somehow they got away with it, and they were probably part of the reason anime blew up so much as it did back then, with a backing of the big shounen to serve as a backbone.

  2. Spencer says:

    Looks like I need to pick up ClassicaLoid now. Can’t say I’m a Gintama fan, or even a fan of anime comedies in general, but I’m always down to watch a show that makes people happy.

    Glad you went back and watched Rakugo, as that show needs all the love it can get. To me, it was the best series to come out during the two year break you took from the blog, but there were a few other gems during that time. Hopefully you’ll be able to discover them at your leisure.

  3. AidanAK47 AidanAK47 says:

    Not this again. There has never been a golden age of anime. Ever. That’s just good old selective memory playing tricks on people. There were annoying trends back then just as there are now. Only difference is that there is so much more anime coming out now than ever before. Yes that does mean more bad anime comes out but it also means more chances for great anime to come out. We got better animation, more studios and plenty of perfectly legal ways to watch anime. Way I see it, things are already up, perhaps in the future people will refer to this era as the golden age of anime.

    • Vonter says:

      I think certain vibes change. Like how people embrace the cheesiness of old stuff. How people want their entertainment to be dignified or how the limitations of yesteryears made for a particular tone or mood. (Berserk, DBZ and Rurouni Kenshin come to mind).

  4. Mentar says:

    I’ve got to admit that it made me smile to see that you didn’t drop Kuzu no Honkai in the end, but kept with it, and that you enjoy it as much as I do. Because in my opinion this is a little gem which I once never thought it could be animated for public TV at all, and it’s still a mostly-unrecognized horse in the anime community.

    Those who watch it seem to really enjoy it to a high degree, but it’s nice to see when high-profile anime sites list it and recommend it. Because I love it to pieces and think it deserves more prominence, because it is done SO well.

    About objectionable content: I’m curious what you will think about the show after episode 4 :->

  5. Zoop says:

    I am so happy you are back, you have no idea. Your taste is as unique as always! I look forward to some quality criticism, even if it’s just once a month :)

  6. donhumberto says:

    Thanks a lot for your post Psgels. As usual, it’s a real pleasure reading your thoughts on the series.
    Overall, I think this season is turning out pretty good, what with 3 top tier shows on the schedule (Rakugo, Acca and Onihei- by the way, please, try to watch Onihei, it’s really awesome and the kind of mature themed anime you’d like), apart from a bunch of other enjoyable ones (Scum, Tanja and Yami Shinbai for me). Obviously this is not the best season ever but it’s waaay better than Winter 2013 (by far the worst season in recent memory anime-wise)
    In any case, I do agree with Psgels that we need more ambition in the anime landscape as we had 10 years ago. I mean, as much as I love Rakugo, 91 days or Onihei they are nowhere near shows like Monster, Ghost Hound or Gankutsuou in my book… oh well, let’s hope that at least with the huge success of Yuri on Ice Mappa can get the funds to keep on making great series (they’ve been consistently one of the best studios since they started and 2017 looks set to be their year)

  7. Lord Nayrael says:

    Always glad to see you psgels! :D

    I know that the “love triangle” in the 4th episode of Masamune is making you worried, especially due to how other shows have dealt with this trope, but I suggest you to give it another episode or two even if you don’t like the development. I say this because her purpose here isn’t to be a harem tease, but… well, the writer uses the trope to accomplish something else.

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CHANGE USERNAME
KTravlos
And to sum it up. I think this was a great series. All its episodes were good.
KTravlos
I actually am ok with the PP ending. The 12 episode series is self contained. Sure there are many future potential stories to pursue, but I felt there was enough closure to make the series a good series. This is because the next step of the narrative is really so long term as being more LOGH material than PP (the story of the ascension of Princesss to the throne, and then the story of her reforms)
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
Amagi
@Aidan: Same here. I was never a fan of genderbendings and turning historical people into lolis. The first one I can accept with people like Arthuria because it added a lot to her character, but most of them are just plain and generic. I just see no reason why pirates, grown up men or Blavatsky would ever appear as little girls. Especially since popular beliefs should influence their appearance.
SuperMario
On Altair, one commenter did an excellent job of poiting out the appeal of that show; and frankly the show is wearing on me now.
SuperMario
@Travlos: I'm glad you enjoy Princess Principal. I'm quite surprised myself that in the latter half the show slowed its pace down which mean the focus is switched from action to more characters interactions; which I greatly enjoy
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Conceived as a third installment in a loose P.A Works trilogy about young adult girls in working environment, Sakura Quest both knows its target audience well, and has some big shoes to fill. After all, many have considered Shirobako an install classic for good reasons. As it turns out, Sakura Quest is more on the […]

Castlevania Season 1 Review – 70/100

Upon hearing that Castlevania would be getting an animated TV series my first reaction was that of unpleasant surprise. Part of the reason was because of the video games infamous history with adapting their stories to other mediums but my main reason was that being familiar with the Castlevania games, I knew the story was […]

Tsuki ga Kirei (Spring 2017) Review – 88/100

It’s hard for me not to go overboard on Tsuki ga Kirei: out of all the show I’ve followed this season, I resonated the most to this one; but even when I’m judging this show objectively, Tsuki ga Kirei is one of the most perfect one, in a way that it achieved exactly what it […]

Seikaisuru Kado Review 51/100

Seikaisuru Kado was a title which caught my attention for a number of reasons. For one it’s visuals showed not a single teenager in sight and a cast mainly consisting of working adults. Another is that it deals with a premise not often tackled in anime, Philosophical Science Fiction. The story features an alien being […]

ID-0 (Spring 2017) Review – 81/100

Here comes one of the most under-appreciated anime of this Spring season. ID-0 has many hassles that keeps viewers away from watching it: Netflix exclusive, full CG animation and a plot that just plain weird and a bit incomprehensive at first view. I originally took it as nothing more than fun spooky little-seen show until […]

Grimoire of Zero (Spring 2017) Review – 77/100

I remember, back in our first impression of this series, Aidan remarked that Grimoire of Zero isn’t your typical LN-adaptations, but he didn’t know what to make of it. To be honest, after watching an entire cour, I’m still unsure what to make of it myself. This show has some serious flaws, yet despite all […]

Uchoten Kazoku Review – 94/100

(Note: Since psgels didn’t give his final review to the first season, this review is for the entirety of Eccentric Family. If I had to grade the second season alone, it’s 90/100). Doesn’t matter how you look at it, the Eccentric Family is a unique show, in a way it feels and tastes like no […]

Little Witch Academia TV Review – 80/100

The Little Witch Academia series has been something that’s a long time coming. Ever since Studio Trigger made the original Anime OVA back in 2013 I have been hotly anticipating the time when it would be fleshed out into it’s own anime series. I love both the original OVA and the enchanted Parade so this […]

Window Horses (2016) Movie Review – 87/100

In Window Horses, or its full name Window Horses – The Poetic Persian Epiphany of Rosie Ming, many characters keep asking the main protagonist, a Stick Girl in an otherwise fully formed character designs, why is she wearing a chador, in which she’s unable to reply. It’s her first trip to go overseas, so she […]