Posted on 28 April 2017 with categories: Currently Watching:, Tsuki ga Kirei

I’m totally impressed with Tsuki ga Kirei thus far. This show has its own voice and after this episode I’m confident that we will have the constant quality in display for the rest of its run. Nothing can beat consistency, I assure you. This week, the kids go to another city for a school trip and it’s…wait a minute…Kyoto. Within the first few shots of the city I could easily recognize that favorite town of mine (if you ask me how much I love Kyoto, let just say it’s THE city that I wanna live in. And I might). I’m digging it how the show handles the aftermath of the confession last week: take it slow and give it some more thoughts. Her delayed response really is the most natural decision come from Akane and it might be her best decision, at that stage when she isn’t sure if she’s romantically interested to Kotarou (whether she has a crush on Kotarou, yes, but how many crushes you have back in school life? Once every few months right?). Remember that she doesn’t deny when her friends ask her if the boy she’s interested in was Takumi. Chinatsu, on the other hand, plays off her role as a romantic rivalry, though there was never any romance to begin with, and actively assists the duo. I love that behind her cheerful and out-there personality, she reads the situation so spot-on; and she handles the situation effortlessly. Minor issues that both Kotarou and Akane would find to awkwardly to address, she brushes it off with ease. Such a good characterization for a character who doesn’t have much screen-time. Bravo!

While the romance aspect is this episode’s main focus, the slice of life part really brings the calm, grounded and bright atmosphere to Tsuki ga Kirei. The school trip plays out exactly like any regular school trips, with great details to the settings, and to the small activities of the students. There’s this group of girls taking selfie, the other group playing cards, most of them would skip early bedtime for playing around and talking romantic stuffs. In this world, all the surrounding characters feels breathable (for the lack of better word) in the environments around them. Both Kotarou’s friends and Akane’s friends are highlighted not by their distinctive traits, nor by their development, but by their everyday interactions with the world around them and their own self-position towards that world. Hands up for Aira (one of Akane’s friend) for giving her some space that most of the kids that age ain’t sensitive enough to realize. Again, this show’s characterization is top-notch.

The episode also highlights the anxiety of our Kotarou and Akane towards their newfound relationship (or the lack thereof) and it’s as honest and awkward as it might get. They’re afraid to talk to each other, but always aware of other’s whereabouts (man, so true!). Kotarou’s nervousness of texting the girl and then has his phone taken by the teacher in the process are nicely played out before the climax. And when the climax kicks in, the tone, the pacing and the whole execution were incredible. He’s late to meet her, he doesn’t respond her phone, he shows up in poor, soaked state: all the conditions that could make any girl mad, although we’re in his shoes so we know he deserved better. I understand both the frustration of Akane and the helplessness of Kotarou. He even doesn’t try to justify himself, which make me hold him in higher regard. Akane’s response later perfectly leads the show into the right direction and closes the episode on a high note. She just wants to talk to him more. Usually other romantic anime speed up this process (and to be fair, even in real life), but unless she knows more about him, unless she spends some more time with him, she wouldn’t know if she really likes him.

I was initially considering about the combo of Tsuki ga Kirei – Scum’s Wish for portraying both spectrum of teenager’s romance, but now I’m leaning towards this one – Flowers of Evil double series for addressing contrasted sides of growing up. They’re both set in adolescent phase, when most of them are still unsure about themselves. While Flowers of Evil leans on its dark side that tackle on obsessions, youth-frustration and identity; Tsuki ga Kirei is pure white that focus on the brightest side of first crush and self-grown, and friendship. That not to say this one isn’t complex, far from it, because Tsuki ga Kirei tackles such seemingly simple premise with keen eye for details and a deep understanding of growing up process. It’s simple, true, but it’s the kind of “simple” that isn’t easily obtained.

Posted on 27 April 2017 with categories: Currently Watching:, Sakura Quest

Hmm, I don’t really like the direction Sakura Quest is going for. To be more precise, this episode brings up some questionable variables that I don’t think blended well with the show. The actual story for this week though, is still enjoyable and grounded enough to overcome those concerns. At least for now. This week the Queen and co take up a new approach of boosting tourism: promoting woodcarving industry that is indeed a traditional government-protected industry in Manoyama, albeit many earlier attempts of gaining tourist flows using woodcarving industry have been failed. This time brings the same unsuccessful outcomes, as expected, mainly because of the girl’s lack of knowledge to the town, and to the art of woodcarving itself. How can they expect to successfully draw people in if they don’t really know about what they’re promoting? The plot is going to get worse for Yoshino and her friends before they can learn from those mistakes and get better. So this episode is functional enough at its core, but it leaves a lot to be desired.

The first issue is its weird addition of modern technology in this otherwise mundane and down-to-earth world. The girls meet the oddball local mechanic who is your typical silly inventor-type that usually brings more trouble than success, or both at the same time (think about “Doc” in Back to the Future). In this episode, his inventions come a bit too handy that they would be right at home at Phineas and Ferb’s daily summer break: an iron box that transforms into a jukebox, the mechanic suits that help farmers carry their loads easier. I get the point of merging the traditional woodcarving and the modern technology (old and new) from the outsiders with the assistance from the locals (in and out); but if the show meant to be a grounded, realistic portrayal of tourism job in rural town then those weird robotic arms and suits throw that realism out of a window. It’s so out of place and weird that for once I’m not on board with their plan and agree to that grumpy woodcarver and Mama merchant instead (come on, Buddha vending machine is BLASPHEME!!!)

The second flaw of this current approach lies in the main cast themselves. Take their spiritual predecessor, Shirobako, for example. The main cast in Shirabako have different jobs within the anime industry and even in different stages of their careers; they each have to deal with their own problems because each of them have different issues in their lives. Sakura Quest groups them together too early, so that all of them now work for the same goals, share the same house, eat the same food and that don’t work well in their favor. I have fun following them for the first 3 weeks because each of them still has different interesting traits, but their personalities start to blur in this episode. Give me more drama, tear the group apart so they have to overcome their issues by themselves is for me a much more appropriate approach (but seeing that we have 20+ episodes in our hands here, I don’t worry much about not having enough time to develop them). This episode sadly doesn’t work well character-wise.

Furthermore, I have a mixed feeling towards hinting at the romance of Sanae and the new guy woodcarver. Romance isn’t bad by all means but Sakura Quest is about mature people and their tourism jobs, so I hope the romance will only serve as a character’s development for Sanae and not taking too much concentration. The new guy nails it when he mentioned about the insecurity of Sanae: running away to the small town because she feels replaceable, like her existence isn’t that important to the busy Tokyo life. I had that experience myself sometimes so this might cut a little too close for myself. Overall, this week is a slightly misstep episode as the core material is still running strong here, but this episode is bogged down by some unconvincing details. These issues won’t deal any permanent damage, but Sakura Quest needs to work harder than this to become a real sleeper hit.

Posted on 26 April 2017 with categories: Currently Watching:, Little Witch Academia

One of the weaker episodes of the show but still enjoyable. This week sees us visiting Lottes parents and Akko unlocking another of the words of Arcturus after sloving a disease outbreak. Thus getting closer to the grand triskelion and now learned the meaning of pathence. Except she didn’t learn the meaning of pathence. This episode was strange in that it clearly was geared towards teaching Akko the meaning of pathence. Much of the episode showed off Akko’s lack of pathence causing trouble and I was waiting for the “Ah Ha!” moment of realisation where she would demonstrate her new understanding of the word. However that didn’t actually happen as when Akko had her “Ah Ha!” moment when stiring the potion and then proceeded to stir it slower till Shiny rod finished the job for her. It feels like Akko only learned the meaning of the word when the Shiny rod just said “Close enough” and gave her a freebie. Which makes me wonder if the activation of these words just means you have to guess the meaning of them and not nessarily grow or learn from them.

This makes me question Akko’s character growth thoughout the series as there have been times that it felt like she made massive leaps in her character arc only to regress back in the next episode. It’s hard to really cheer on a chearacter when they don’t learn from thier mistakes and Akko was certainly testing me this episode. The whole ordeal with the Yeti was humorous enough until you realise that Akko’s friends were quite literally dying the whole time she was critising the Yeti. Speaking of which, despite the stakes being high the atmosfere of the episode was really too light hearted to get accross the actual agency of the problem. The ridiclous conditions for the desease, the comedic gathering of ingredients and a general lack of concern from both Akko and Sucy made the entire situation just feel like another day at the office. I did like the moment with her begining to doubt herself when walking through the snow but it was a small moment that was quickly brushed aside.

As for Criox, who knows what she’s up to. She’s discovered that the emotion of anger can draw out the most energy from magic but to me that’s just asking for trouble. Much like in Doom 2016 they thought that the prefect solution to an energy crisis would be to draw energy from Hell. It’s just a matter of when everything goes to hell if the source of your power is based around dark matter. My big question is why is Ursula just letting Criox do as she pleases and not warned Akko about her? She clearly sees the threat she poses and yet isn’t really trying to do anything to get in her way. Theres also the matter of the governer who has yet to do anything despite foreshadowing shutting down the witch academy. Seems he was shoved off stage rather fast and the same can be said of Amanda and friends. Despite having a spot on the opening I am rather surpised how under utilised they are. I was under the impression that after the second OVA that the three would be a regular part of Akko’s entourage but that appears to not have happened. Shame as their presense could have really brightened up the interactions in this episode. Sucy and Lotte are good but both are too quiet to really bounce off Akko. Even having just Amanda there would have been good for drilling in the point that Akko needs patence as she could have been another example of lacking it. I have lots of complaints but that is out of a geniune love for this series and a wish for it to excel. I wonder if anyone on the trigger team happens to notice these kinds of complaints as the Yeti getting trolled online certainly seemed like a metaphore for just such a thing.

Posted on with categories: Currently Watching:, Re:Creators

This week wasn’t a particular exciting episode as it went further into how the mechanics between the Creator and Created might or might not work.

As speculated last week, Yuuya Mirokuji is a pretty fun character that takes his teleportation into the modern world in stride. His own fictional universe of the Tokyo underground isn’t all the different from the real world and it doesn’t come as a surprise that he sees this whole ordeal as a vacation with good food. It’s too bad that Alicetelia February entry into the show is only given a brief moment to extract Madoka Mamikia before Yuuya gets to steamroll her. Alicetelia’s description as a knight/lancer is within a fantasy setting is a little similar to Selesia’s own story but her noble upbringing is probably the difference that causes her to team up with the Military Uniform Princess.Hopefully, we’ll get to see more fights features multiple creations smashing each other’s faces at the same time.

The bulk of the episode is found in conducting the experiment on whether or not the creator could change their creation’s powers through their descriptions. Whereas most shows would have quickly covered this aspect in an scene or two, Re:Creators, with its extended runtime of twenty-two episodes, has the luxury of fleshing out its relationships and it does so with some humor. Finding out that Charon will eventually betrays Selesia and having her best friend die in the latest light novel is one way of achieving that while demonstrating the differences between the anime and light novel versions of herself. Perhaps the highlight of episode is when Selesia’s attempt at her new transformation that actually combine Sawano’s epic music for a comedic scene of hype and failure.

Posted on 25 April 2017 with categories: Currently Watching:, Uchoten Kazoku

Dear, how this show spoils me with its magnificent and whimsical magical realism Kyoto world. Last season, we were treated with many Eureka moments like Benten pulling a whale’s tail; tanuki drinking in a floating house to enjoy Gozan Fire Festival, or a fake train running around the shopping mall. Whatever the case, the way the show treats those moments with ease like they’re the most natural thing in the world just made my heart swell. This episode manages to raise up that bar by having Tenmaya reaches up the moon and GRABS IT. Of course, that doesn’t bode well for Benten, because she wanted that moon all by herself. So at the worst timing for Tenmaya ever, she backs to town (BENTEN’S BACK) and gives him a head-on-the-ground treatment. Benten has been the femme fatale for most of the time, charming not only to the human, but to the tanuki and tengu (but knowing that makes the last scene even more powerful). Here on a roof, owning the moon (Yasaburou’s moon) all by herself but is pleaded by Yasaburou to return the moon back because “it would be hard to live in darkness without the moonlight”, she pitches it back baseball-style and I know full well that this moment right there will be what I remember most about the Eccentric Family: whimsical, warmed and always be its own thing.

In the second sequence, we meet a new character (ANOTHER NEW CHARACTER? This show has such a huge cast) and she again is a fantastic addition to the show, although unlike Tenmaya and Nidaime I don’t think she will appear often for the rest of this series. That new character is Yasaburou’s grandma, a whitest white furball tanuki. I guess she’s more like a big grandma of that temple’s tanuki. Around her, it seems like time has ceased to progress, as she sits there, blind and sleeping most of the time, her memories is fading but she still sees many things that only the wisest livings see. For her, Tousen leaving for marriage was just yesterday (now, she’s already a widow with 4 grown up boys) but that warm conversations between them tell us how much they still care for each other. I also appreciate that she had a small talk with Yasaburou afterward, and never at once he mentioned that he is her grandchild because… they’d know it at heart. Tousen asks her Mom about Yajirou’s condition, further informs us how she still really cares for her kids, even when she still respects his decision to not go visit him in a well. I don’t particularly think grandma’s medicine will have a physical effect on Yajirou, it’d be more of psychological effect of resolving self-guilt from this shogi-addicted frog.

The last segment, which is a nice set up to the main personal conflict of this series, is all about Nidaime and his clash with Benten. I am just amazed how the show portraits Nidaime in this single episode. Moving home to the rooftop of the building by paying the twin tanuki- ironing his identical white shirts in a flick of time – giving his goggles to Yashirou and invites the tanuki to have afternoon tea with him (in which he always calls them furballs but never ever disrespects the tanuki) – then SEND BENTEN OFF HIS CHAISE AND PROCEEDS TO HAVE A NAP LIKE NOTHING HAPPENED. Benten of all people. Like I said, The Eccentric Family sets up the main conflict from way back by showing how opposite those two are: one is a tanuki who was exiled by his father and now living as a fine gentleman, the other is a human who was taken by that same person that disowned him to be a tengu. Both having a race-crisis and both have pride as high as Eiffel Tower, it only makes sense that they’re going to clash and they’re going to clash hard. This episode, without a doubt, is the best episode so far of this new season because it achieves everything I could hope for in The Eccentric Family in a solid package: the whimsical world that has a great sense of wonder, characters that are grounded and have a great, warm chemistry together and the plot that shaping up to be both personal and epic. Like the wise grandma tanuki said: makes sure to cause a lot of trouble, The Eccentric Family.

Posted on with categories: Currently Watching:, Seikaisuru Kado

I admit this show moves at a pace that is rather slow but he concept it sets up is truly brilliant. Normally in alien invasion stories the threat is clear as the aliens blow up the white house and attack humanity. Other versions usually paint humans as the antagonist force attacking something they don’t understand. However in Kado, the Alien and humans understand their positions. Logic and reason are prevalent in the discussions at work here and thus the threat of an Alien comes in a new force. The thing that makes zaShunina such a devastating factor is not his potential for warfare but rather his gifts to help humanity’s advancement. Wam’s are his first gift and being an infinite energy source that looks to require no maintenance as well as easy to transport and make, he has effectively devastated the energy market. All major energy production companies are rendered utterly moot in face of this device which results in companies shutting down and thousands losing their jobs. Assuming of course they plan to go down quietly. Make no mistake, they will try to find something wrong with these wam’s and discourage their use. Even I think that what is promised is rather too good to be true.

That is only one of the problems with an even bigger problem being that Japan is now the holder of the greatest energy device known to man and the only present manufacturer. The preview does hint at discontent over Japan’s monopoly over the devices. So the question is, just why is zaShunina presenting these wams to Japan? We get somewhat of an explanation over just why he chose Japan though admittedly it’s a little sigh inducing. Apparently Japan has more “heart” than the rest of the world and thus seem more likely to share the gifts zaShunina presents. This logic is fairly flimsy and zaShunina does mention that heart is only a word that represents half the mention of the quality used to judge. Personally I prefer to think of it that Japan had the prefect dimensional parameters for the manifestation of Kado. Really both of these are just a flimsy excuses to make Japan the center of the story, much like Kyubei’s explanation about emotional energy in Madoka was a flimsy excuse to justify magical girls over magical boys. What’s important here is that Japan now has the solution to the energy crisis and zaShunina has left the distribution, use and handling of these devices completely within the hands of the Japanese government. Painting a giant target on Japan because with a device like this, someone is going to want to try weaponising it. Thus having it that anyone can grab one of these things opens up the dangers of them being greatly misused. Whereas withholding such a device from the world makes you public enemy number one.

The first episode makes it clear where this series is planning to take itself as it’s most likely up to Shindo to find a way of reaping the benefits of this fantastic device while preventing it from sparking World War III. This being only the first of zaShunina’s gifts as I am certain he has more groundbreaking items at hand. He has already shown that he can duplicate food which could end world hunger and is most likely capable of teleportation as well. Both equally as devastating to earth economy. Something that I think could really carry the series is the interaction between zaShunina and Shindo as the two do sometimes devolve into amusing bickering from time to time. The negotiator on the side of the Japanese government briefly broke character upon witnessing it though previously she did state that she was wary of Shindo. These three character show good potential for growth and i hope they do and that things are kept as far away from the weird science girl as much as possible. Comic relief characters are all well and good but when a show has such a mature serious atmosphere, having some hyper teenager who looks like she jumped out of a light novel adaption just kills the mood. With the stakes laid out and the setup pretty much done I hope this is the point this show really takes off.

Posted on with categories: Currently Watching:, Shingeki no Kyojin(Attack on Titan)

Before I started this episode, I had it in mind to write in this post that the titan designs of this season were far less intimidating and more comical. After this episode however you can consider that though solely retracted. Personal favorite is the titan that appears when Reiner opened the stairway door. If I saw that in the middle of the night you would be certain I would be running as far as possible in the opposite direction. It’s good to have some action after the cool down period of the last episode. Monkey trouble is kicking up…trouble but I can’t help but wonder just what is his agenda here. Is this simply an act of killing humans or is there something else at work. Considering her recent focus, perhaps Krista is the one he wants dead and the others are just collateral. But then again Ymir is acting suspicious enough that she could very well have something to do with this. I really wish this series could hold back a bit presentation wise and show a little more subtly as Ymir had “Acting suspicious” plastered all over her face and the camera make a point to shout this all the more. The reveal at the end of the episode isn’t really that much of a surprise when you openly announce that she’s hiding things with dramatic emphasis. Honestly I had her number when she interrupted Connie just as he was coming to the realisation that the titans within the wall where his village’s inhabitants. Making her the second person to cut off the line of thought, with the first being Reiner. Though considering Reiners actions this episode and his brief flashback that seems to dismiss the idea of him being a titan.

The deaths of the scout corps leaders didn’t surprise me all that much. Upon introduction I had these people marked for dead so to see it happen was hardly surprising. Though even if it was expected I will say those death scenes were really good. I knew when I seen Krista pouring that alcohol over Reiners wound that it would come back later. It annoyed me so much to see her waste the entire bottle, not even pouring it over the full wound. Majority of it ended up on the floor. Poor Gerger, all he wanted before he died was a drink. This world couldn’t even give him that. I do find it rather amusing how Nanaba sacrificed herself in order to save him, only to give him a far crueler death. Though considering what happened to Nanaba afterwards, maybe not. At least he wasn’t conscious when the titans started eating him and Nanaba’s last words are utterly bone chilling. Fun fact for some, the last line that Nanaba said “Father. Please stop. I won’t do it again” was an anime only addition. I actually really like this change as it insinuates a lot about the character just right before she dies and to see a strong character get broken down to a sobbing child is a pretty horrifying sight. As to what we could inferred over her last words, perhaps it was a beating she got after doing something wrong or that her father was an abusive parent or potentially something significantly darker. What it is we shall never know now that she’s titan chow but what it does show is that the veterans of of the scouting corps are just as fragile as the rookies.

This episode does showcase the things which make attack on titan so well regarded but while I enjoyed this episode a lot I still have this nagging in the back of my mind. That being that this episode presented more questions and little answers. We are reaching the 30th episode of this series and we don’t know much of anything about the titans or anything in general. There are plenty of teases for answers down the line(The key to the basement, the priest talking to Krista) but whether we will get those answers in this cour is up in the air. Another thing is that I would really like to see humanity start winning. Every victory up until this point has come with a big however nailed to it. I may have mentioned this before but the key to tragedy is the balance between hope and despair. Muv Luv Alternative (Stated as the inspiration for Attack on Titan by the mangaka himself) managed this balance perfectly. It made you believe that humanity could win, that things were turning the tide before bringing in the BETA and everything going straight to hell. Attack on Titan piles tragedy upon tragedy and a constant tragedy isn’t interesting. We had a small moment where it looked like the survey corps would pull through but pretty much one minute later and things are right back to doomed. I think this would have had greater impact if the survey corps succeeded in defending the tower and then the viewer is like “Yes, these people can win!” and then just as they are about to leave the second wave of titans come in. Then the despair is real and more poignant because for one moment we believed things would work out. Well next episode has titan Ymir and if I am not mistaken, her titan form looks remarkably similar to the titan that killed Reiner’s brother in that flashback.

Posted on 22 April 2017 with categories: Currently Watching:, Tsuki ga Kirei

Tsuki ga Kirei sure understands about the life of 14-year-old kids would be like. I’m sure we all have different experience about that pre-teen stage of our life, but the life portrayed here is so vivid and true to life that it brings out our fond memories as well. Personally, while not much really happen between each episode, this show is weirdly the show that I’m eagerly anticipating the most each passing week. So far, the simple visual style and its focus on characters’ little exchanges make it an unusually appropriate and grounded production values. But in terms of plot where progression is the key, the show still manages to surprise me with its confession right at the end of this third episode. I guess the bookworm Kotarou has balls after all.

This episode follows Kotarou as he’s hoping for his first writing piece to get published, the anticipation occupied his mind that he couldn’t concentrate on his exams. I’m still a fan on the way this show focuses more on the anxiety of Kotarou than the outcomes. The same approach can be said with Akane and her track competition. We follow her as she engages in the competition (the bit where Chinatsu chanting her name is great), not the result of whether or not she suprasses her track record. We also have a fairly mundane dinner scene of Akane’s family and I’m quite amused that we have a dinner scene as it is, where parents have a presence (unlike other anime where they disappear in the background) in her life. Tsuki ga Kirei still excels of its show-don’t-tell approach, even later when Kitarou unfortunately falls into the usual trap of saying out loud what he thinks, I still give it a pass since he’s anxious about whether or not he should text the girl, and we can’t fault the lovestruck Romeo for being too excited. Many tidy details that the show doesn’t outright state but it’s golden once we pick up those details: we can see Kotarou is fond of boxing, not only box around his light chord in excitement, but the poster of Mohamed Ali is up there in his room. Or in Akane case we pick up that the sisters live in a same room, whereas more oftern than not the kids in other anime will have their own rooms doesn’t matter the finalcial situation of the parents. Or how we aren’t sure what his Sunday practice might be, but looking at it (the group and him practising various instruments in a local shrine), we have a good idea about the details.

I actually misses the shorts that came out last week (boy do I wish it regular features), but we do have a brief callback to one of those shorts, this time in Kotarou’s awkward point of views. LINE is the biggest winner here (I use it in real life too), being the communication platform for our two leads where they’re too shy and cautious to talk to each other in real life. The romance so far is understated but again so true to life and Akane returns his encouragement last week with another heartwarming response “You’re perfectly fine the way you are”. The two other casts don’t have much attention this time, Chinatsu being busy with her track competition but I love how effortless whenever she’s around Kotarou. Takumi, on the other hand, has a slight chance to confess his love for Akane, but decides to back down. I don’t really think Akane has a romantic feeling for him (more of respectation) but I would like to see him making a move to Akane. I also adore the way Kotarou really wanted to ask Akane how she been doing, but won’t be able to. The way his thoughts and his focus are entirely to the phone rather than the practice is something I’m sure we all been through; and for once dead phone actually gives a positive outcomes since Akane decides to go to the shrine to see him. As they’re sitting there and looking at the moon. She remarks the moon is beautiful, Kotarou takes this as a clue to ask her out (remember I said last week that “The moon is beautiful” is a poetic way to say “I love you” in Japan). Part of me want Akane to reject it, as first love is only pure and shine the brightest when we never reach it in full, unlike the moon itself.

Posted on with categories: Currently Watching:, Sakura Quest

“The one who can change the town is the young fool outsider”
Which kind of makes sense, since the outsider’s perspective will give a fresh take to improve the town. That makes our Queen Yoshino the perfect candidate, but as the interview goes on, she learns the truth: she hardly knows anything about the town, except from perhaps its scenery and expired manjus. So her first step as Manoyama’s Queen is to find what the locals like (to no result) and what makes the town unique. Here Yoshino learns the main conflict between Tourism board and the Merchants Group, the UMA boom resulted in Kadota-sensei switched from homemade carrot Kabura-kun to the silly Kabura-chupa mascots. As we knew last week, the Kabura-chupa has nothing to do with the Mexican mythical creatures and does seem to cause more mixed response from the local and neither attracting much tourist attention. After the hilarious runs from both our girls and the Tourism board to achieve the mascots’ heads, the final parade where Yoshino decides to ditch both the town’s previous mascots (making Kadota-sensei appear in a mix of Chupa with Carrot head, but that mainly for practical reason) and her promotion speech is a touching, if not a bit too honest for her own good (now I have an idea why she failed 32 interviews). She decides to spend her time as a Queen to pick a mascots that could stand the test of time. And now our real Quest finally begins.

One thing of note that I find particularly true to life is the way the villagers are indifferent about what they want to make the town better. They’re just a bunch of locals who born and live within the town to the point they don’t really question about the town’s condition anymore. Usually in other series that take place in a small rural area, they tend to feature many local custom (like welcoming the sunshine in Love Live Sunshine), and the local’s unabashed love for their town. Not here. The old people in the town don’t want anything to change; while the young ones pretty think it’s a dead town anyways, why bother trying. Manoyama feels really like some random small town we might come across. It’s not like they don’t love their town, but more of they are born here, taking a job that passed through generations and taking the town for granted. Whatever going to happen, they’d still live there, so why bother on the change at all? I’m kinda curious to see how the girls can fire up those people in coming events.

Finally, I’m glad that Sakura Quest is a more adult-oriented show that don’t feature high school settings with juvenile humor, because the humor in this show is deadpan and much more attuned to my own taste. Lines like “just the cold indifference of time’s unending march” both sound true, but with a more sarcasm tone. Also I really enjoy the various costumes that the main cast’s wearing. There is a great attention that focus on these costumes here as oppose to say, high school uniforms. As it announced, the show will be 26 episode long and so far Sakura Quest more than earned its spot in my watching list.

Posted on 20 April 2017 with categories: Anime Reviews

I remember back in the first impression of last Winter season, I regarded Demi-chan as a better Monster Girls slice of life subgenre over this one. But as the season progressed, while Demi-chan run out of its steam quickly, this one picked up its pace after an underwhelming first episode to become a much more worthy title of last season, to the point many critics (according to ANN critics) hailed it as one of the best show out of 2017 Winter season, behind only to the modern masterpiece Rakugo. Do I agree with that consensus? No, God, no. They obviously don’t watch ACCA, and I would argue Scum’s Wish or Tanya are better options. Dragon Maid is a warm little show that have some neat things to say about dysfunctional family and a high production values for its genre, but it never raises above exceptional level to me.

In fact, now looking back, the premiere episode of Dragon Maid was a bad representation of a whole show. The premise of a female dragon decides to live in a human house as a maid and devotes herself to that role, loves her host unconditionally is a wish-fulfilment and convenient one. That episode also played up the slapstick tone of dragon making a mess trying to fit in with human environment, which became less and less prominent as the show went on. They also played up the comedy which was a missed opportunity because while Dagon Maid is very solid at humor, they never meant to be in a forefront. The show improved dramatically from second episode with the introduction of Kanna and the show shifted the focus to slice-of-life approach, but the first episode already did the damage to discourage anime watchers into this show.

The humor of the show is on the risqué and bawdy side and I really do prefer this type of humor than over the top silliness, but I also agree that sometimes they got too carried away. The yuri love at the centre between Tohru and Kobayashi-san is well grounded; but the same can’t be said for the running gags of yuri undertone between two primary schoolers of Kanna and Riko (sometimes Kanna is a perpetrator for example, in which she “innocently” staying too close to Riko). More cringe-worthy, Lucoa and Shouta running gags of gigantic bouncing boob gave a huge backlash to more serious anime watchers as it appears the older (dragon) woman sexually assaulted the young shy boy. Well, for the love of God I’m not that serious about the issue but bouncy boob jokes do get old fast.

But at its core, Dragon Maid is a sensitive portrayal of a dysfunctional family and what it means to share happy moments with the person you love. Kobayashi-san, a thirty something workwoman who prefer to be left alone than having any real relationship is a perfect protagonist for this tale about family. Sometimes she remarks that it’s her who unsure how to express her feeling. Most of the time she doesn’t contact her real family not because they are having a tense relationship, it’s just her who feels detached from the family. There’s a real, honest look at the heart of modern day lifestyle, when individual starts drifting away from any real connection and this series is all about establishing that real connection.

The second theme Dragon Maid of underlined is the very definition of “family” and “where we belong”, as Tohru, who born a dragon, comes to live together with a human. The show addressed many times that the human world isn’t Tohru’s place, and because human’s and dragon’s lifespans are vastly dissimilar, what will happen to Tohru once Kobayashi reaches her end? Does lingering on the life that clearly don’t belong to you worth taking at all? As this series says, yes, because feeling is true. The other theme about family this show also addresses is the parental relationship, especially those from Kobayashi-san and Kanna. There are many touching moments where Kanna looks up to the protagonist as her mother figure (as a dragon she was exiled from her family) and Kobayashi-san tries her best to fit in that role. Secretly buying the stationary that she loves, tries to finish work early in order to aatend her play. Those intimate moments come from a very real place that doesn’t matter if the premise is phony (dragon appears as maid girl, duh), as long as your heart is in the right place you still hit jackpot.

True to its “sharing the moments together” theme, many of the show’s best sequences lie in the slice-of-life activities the characters have with each other, be it as bizarre as dragon’s fights, anime convention (where real monsters appear as themselves), or as mundane as spending a christmas holiday in kotatsu, preparing dinner or having a sport festival (there must be one in every slice of life high school show huh?) or performing a play together. The cast is mostly likable, especially Kanna who takes the anime world by storms. I also find the different length in each segment to be effective. Sometimes it plays for entire episode, sometimes it chops off and we have 4-koma like format, which actually adds to the final punch and the laid-back atmosphere of the show.

As KyoAni is the studio behind this show, it goes without saying that the show have a great treatment in productions values. The characters facial expressions are varied and spot on, the animation- where it needs to be, especially during dragon’s battles, is energetic and exciting. From what I gathered the studio actually modified a bit in its last 2 episodes from the manga source, which for me enhanced the main emotional core and successfully ended the show by overcoming its biggest external and internal threats.
All in all, Dragon Maid is an enjoyable anime. The show has relaxed atmosphere, engaging chemistry between its main cast, great animation and have some deeper and more intimate moments than its usual slice of life fare. Still compare to KyoAni canon I can’t help but think this is an inferior one with questionable fanservice. It’s heartwarming but lack certain quality to raise above the rest of a pack.

CHANGE USERNAME
Kaiser-Eoghan
*those
Kaiser-Eoghan
Hearing these , I find myself much more tolerant of anime voice acting even if the dub might only be okay.
Kaiser-Eoghan
Its actually less of a sync issue, as I'm talking about 60s dubs , alot of people think the voices in old anime English dubs from the 90s are dated, but the old sixties kungfu and western dubs are shocking, far worse.
Kaiser-Eoghan
I don't mind sometimes satirical dubbing like on tiger lily , dialectics break bricks and kung pow however.
Kaiser-Eoghan
And those can be difficult to acquire sometimes in Italian or Chinese.
Kaiser-Eoghan
@Anon: Live action films, this is especially annoying sometimes because I love Spaghetti westerns and Chinese martial arts films and old Italian cop thrillers.
Anonymous2137430
@Kaiser-Eoghan Are you referring to foreign animated films of foreign live action films because dubbing live action is a different beast as I'm sure you're aware. The idiosyncratic nature of watching moves and facial expressions not properly match voices really pulls the viewer out of the experience
SuperWooper
LoGH is airing a special next week because of scheduling delays, so that's one less thing to do.
AidanAK47
Well to those whom it might concern, expect my posts to be later than usual this week. Work is hell at the moment.
Kaiser-Eoghan
I have to say, this is probably a bit hypocritical, but while I enjoy dubs of anime I really really can't stand dubs of foreign films.
Lenlo
Simo Hayha would make a pretty crazy Archer.
Kaiser-Eoghan
I imagine a fate strange fake adaptation will materialize eventually.
Kaiser-Eoghan
But everyone seems to want that Finnish sniper as a Fate servant .
Kaiser-Eoghan
Still no Mao, still mad.
Kaiser-Eoghan
....I have lost track of the historical characters in the fate lineup.
AidanAK47
@Lenlo, to expand on that point the following historical figures are now female: Nero Claudius, Leonardo da Vinci, Frankenstein's Monster, Xuanzang, Jing Ke, Quetzalcoatl, Minamoto no Yoshitsune, Miyamoto Musashi, Okita Souji and many more to come.
AidanAK47
@Anon, I find it's an enjoyable watch though flawed. If you can get past some odd fanservice around the first ten episodes then I say it's worth watching.
Anonymous2133468
So i was thinking if i start watching, darling in the franxx, is worth it? or is just another 6/10 anime?
Lenlo
God damnit. Why Nasu. Just why.
AidanAK47
@Kaiser, that ain't even Lewd.
Kaiser-Eoghan
In all seriousness its ridiculous, the Japanese will make a cute/moe girl out of anything.
AidanAK47
....Should I also mention that Francis Drake is a big boobed pirate queen?
Kaiser-Eoghan
@Aidan: Posting lewd images on a respectable chatbox.
AidanAK47
@Lenlo, But none of these characters are in the anime adaptions. Well besides Jack and Saber.
Lenlo
Aidan, all this conversation did was prove that my decision to only ever watch the Ufotable adaptions was the correct decision.
AidanAK47
@Lenlo, you can blame Extella for the Attlia the Hun thing. I wasn't too fond of it myself. Also should mention Attila is female as well.
https://pm1.narvii.com/6414/528599445b739909c02993cfdbfc9f277d088cf2_hq.jpg
AidanAK47
Also Masky I will be the first to admit to the ridiculous aspects of the Fate Franchise but do take note that you are commenting on something you know literally nothing about. Which is the very definition of ignorance and is quite annoying. Fate/Zero nails the themes it's going for. So go watch Fate/Zero, come back and apologize.
AidanAK47
@Masky, Give it time. Genghis is getting in there eventually with Grand Order. We just had Anastasia and Salieri introduced after all. And it's not as if this story introduces Servants willy nilly, they need actual story purpose. Genghis Khan wouldn't have fit the Narrative that Fate/Zero was going for.
Lenlo
Wait Attila is an Alien and Edison is a Lion? God damnit Fate. Why are you doing this to me. I was already annoyed at your treatment of Musashi
Masky
(aliens existing in the show is good example of that missing on themes part xP)
Masky
*most successful conqueror
Masky
Honestly was just amused most conqueror of all time not being featured in the show :D But wait, whats this about aliens?
AidanAK47
Anyway the important thing to take into account is that in the Fate universe, King Arthur is a woman, Attila the Hun is an Alien, Thomas Edison is a lion and Jack the Ripper is a little girl in a dominatrix outfit. Any questions?
AidanAK47
And while you don't need to watch something to be given divine right to comment on ideas or themes, it does leave you ignorant of how that show handles those ideas and themes.
AidanAK47
As for the Historical Alexander, he wasn't given the title of King of Couquerors. Fate/Zeros interpretation of him was. As generally accurate Fates interpretation of Servents history can be, they can make changes to suit the narrative.
AidanAK47
In that Regard Alexander was doing the conquest thing before Ghengus did. Ghengus likely has some other title. Hell he may only have the title because public consciousness was is more familiar with Alexander than Ghengus.
AidanAK47
Yeah, looking it up seems the King Title lost quite a lot of meaning in the Nasuverse. Though the King Title is rather flimsy. I mean Arthur is the King of Knights cause of the Knights of the round table. Gil is king of heroes because his tale was the first Heroic myth.
Lenlo
I think Alexander was just the first one they thought of, and they couldnt retroactively give it to someone else.

That said, Broskander deserves it <3
Masky
(And no, you don't need to watch something to be given divine right to comment on ideas or themes of it.)
Masky
(just to note in case I need to note, I do tend to do at least cursory research when I make comments on stuff I don't watch)
Masky
That first part is semantics as Fate gives title "King" to historical figures who weren't kings already :D Also, you can make that argument about historical Alexander the Great? Since that seriously sounds like kind of weak reason.
AidanAK47
Also sees Rider as deserving of title of "King of Conquerors" because that which he strives to conquer most is not lands or material wealth, but the hearts of people, the toughest conquest that can be undertaken by anyone.
AidanAK47
@Masky, Ghengis Khan wasn't a king. He was a Khan.
Lenlo
Ghengis is always a Rider in my mind.
Kaiser-Eoghan
But in all seriousness, Ghengis would be an appropriate beserker servant.
Kaiser-Eoghan
@Masky: I know, it feels so wrong I'm still mad I can't summon Karl Marx or Stalin.
Masky
So wait, Fate series is about historical figures with super powers, but "King of Conquerors" title isn't given to Ghengis Khan? :D Seriously? Thats just so wrong
Kaiser-Eoghan
I don't feel any point in finishing it, it feels like something that I'd just randomly drop , not because its a bad show, but because I got my fill of it.
AidanAK47
I am actually going to drop blogging it.
AidanAK47
@Sash, indeed. I have been watching it but not blogging it for the last few episodes because it just hasn't givne me anything to say. I don't think it's a bad show but I have pointed out the flaws and strengths of it already so there is truly nothing more to say on it.
Sash
I think wotakoi is starting to feel repetitive..
Kaiser-Eoghan
You are now aware Shana and Batman Ninja Harelequinn are both voiced by Rie kugimiya.
Lenlo
I did. It was... It was a thing.
Kaiser-Eoghan
@Lenlo: Did you end up watching Batman ninja by the way?
Lenlo
Music is great, yeah. When the music is on point, everything goes up. Everytime the sync the fight/punches to the music I just get hyped. Like the rotating shot with Aragaki or the first fight in episode 1.
Lenlo
Ill do my best to be clearer in the future on that front. Yeah, I dont mind twists like this. Makes the inevitable Mikio fight, narratively, even better.
Kaiser-Eoghan
I feel the music does alot of the lifting.
Kaiser-Eoghan
Oh, so that was it.
Lenlo
Sorry if I never made that clear.
Lenlo
I would rather have fewer, amazing, fights than a lot of low-quality fights. This is a one cour show, the more meaning/impact they can give each fight the better.

Like Aragaki, narratively, was great. Loved it. Its just in animation/choreography that it falls flat.
Lenlo
Im disappointed with the animation of the fights. Narratively, I think they are quite good.
Kaiser-Eoghan
*disappointed with the fights in past episodes
Kaiser-Eoghan
@Lenlo: Pretty much what I said I thought of the episode. Although I was surprised how took the episodes ending, I expected you to see it as a slap in the face after being disappointed with the fights.
Lenlo
Also, @Kaiser, I thought Megalo Box did something unique this episode. I wasn't expecting Joe to *not* fight. And the Mikio/Yukiko proxy war is an interesting character motivation. Im betting Yukiko will get Joe a full citizenship, effectively getting her on his side.
Lenlo
I wish I was physically capable of watching Megalo Box without thinking of Hajime no Ippo. I really do. But everytime I watch it, it makes me want to watch Ippo again to.
Anonymous2120908
I watched some more of the Chimera family chinese anime. (Wasn't aware it was monthly released). And geez, I like the concept, the background art is very pretty and contrasts with settings that have become tired in other anime. Yet sadly the animation and script are WEAK. I haven't grasped the quality of what's expected of these types of production but I want to believe, they're trying.
Kaiser-Eoghan
Not much in the way of action in megalobox this week, but I did like the focus on Yukkiko getting a small character moment and then the big moment at episodes end .
AidanAK47
@Anon, That's some lazy ass trolling buddy. Should have stopped before the hashtags.
Kaiser-Eoghan
I'm even sort of looking forward to supposedly less respectable stuff like Goblin slayer and happy sugar life.
Vonter
Also E3 is almost here. And I can't wait. I think Nintendo will have a good show considering they're revealing the new Smash with a tournament. There's rumors of the new game by Retro Studios (Metroid Prime and Donkey Kong) and maybe they'll reveal something about how Pokemon will be on the Switch.
Vonter
Also there's always the chance of something new being discovered. Not everything needs expectations behind. Sometimes great things come out of nowhere.
Kaiser-Eoghan
So yes, there are some at least decent shows coming out.
Kaiser-Eoghan
@Anon: Muh Baki, Muh Bananna fish, muh made in abyss season 2, muh Vinland.
Anonymous2119906
The rest of this year looks like shit for anime and 2019 doesn't look great either #fuckmoe #makeanimegreatagain
Anonymous2119214
@Kaiser yeah it happened in half the amount of eps this time around for steins gate 0; which i expected considering there's a lot of ground to cover
Anonymous2119106
@Supermario Something like Fate or the LOTR films are a different case. I get where you're coming from about your preference, but I'm arguing that if a large story is going to be split into 3 films, it helps that the 3 films feel cleanly cut. Infinity war, even though we know there's a second part to the story, feels like it has that cohesive narrative structure with a beginning, middle, and end
Anonymous2119106
@Super Mario yea but the marvel movies are a different situation so i don't think the comparison is as appropriate. Marvel movies are "episodic" in nature rather than a continuous narrative. The films are largely isolated stories that are happening in a similar universe that only happen to "congeal" narratively because of a few overarching details shared between films.
Kaiser-Eoghan
@Lenlo: I remember when the original series suddenly shifted and got going and it was a really depressing episode.
Lenlo
Oh baby. The storm has finally come in Steins;Gate. Let the true suffering commence
SuperMario
@anon2118276: that's why I don't like LoTR trilogy. It's still a whole body chopped up in 3 parts, despite how clean the cut is. Whereas for me it works better if it was like a branch in a tree. The Marvel movies (despite my disinterest on those) are a good example of this.
Kaiser-Eoghan
While I did feel some of this weeks steins gate felt fillery, I do like see these characters interact and given the episodes conclusion, this episode acted as a calm before the storm.
Lenlo
Ill agree with you on King Kong. As for the Ralph Bakshi LotR, I have. I am still to this day impressed by the overlay of 2D art onto real/overexposed footage. It makes for shockingly fluid animation in places and has its own distinct style
Anonymous2118208
@Lenlo - Have you watched the old Ralph Bakshi adaptation of the first two books? It's uneven, but it's interesting comparing and contrasting certain decisions. As good as Peter Jackson is, I feel he makes very longwinded films, I like his version of King Kong a lot, but it is too long.
Anonymous2118276
@supermario i disagree; the point is that even though the LOTH films have cliffhanger endings, they still feel like fils. they have a defined first second and third act with well paced tension and release throughout them. They follow a storytelling macrostructure necessary for films to feel like cohesive narratives even if they are to end on a cliffhanger
Lenlo
I quite liked the individual LOTR movie just fyi
Vonter
Marvel surprisingly has kept their movies simple enough, that while you might miss details nowadays, you can tell what's happening.
Vonter
Another bad case is like with Assassin's Creed, which like Lost, just tried to tease a lot of things, then it grew tired of trying to piece them together and let the last games work more standalone, with little hints of a larger lore.
Vonter
Metroid does both, it has a standalone story and a hint to what a sequel might bring. Though that hint rarely matters by the time the new game is released.
Vonter
@SuperMario - Some videogames trilogies also do that. Gears of War and God of War had good standalone beginnings but by the second game they put cliffhanging endings. Kingdom Hearts does that and I expect 3 to also do it. Megaman Legends and Half Life had incomplete stories, which might be the worse case in regards to trying to make a continuous story.
SuperMario
It ruins the appetite
SuperMario
I actually think Lord of the Rings' trilogy is a bad example to follow. These films are meant to be viewed as a whole, so each film doesn't hold much as an individual story. I just can't digest films that have "to be continued" sign at the end. Imagine having a first course meal and then have to wait for few days for second course
Kaiser-Eoghan
On the current topic, I would be well for the production of a long running, ambitious ova series.
Anonymous2116425
then again, i don't take too much issue with these films feeling like movie-sized eps...the wait just sucks is all
Anonymous2116425
clearly the films need each other to tell the whole story, yet they can be taken for what they are in isolation as well
Anonymous2116425
I don't mind the trilogy trend at all; like Aidan said, when everything is said and done, all the films will be available to watch. I just think a stronger attempt should be made to make them feel like complete films. Something like the lord of the rings trilogy is a great example of how to do this
Kaiser-Eoghan
I am in full confidence that neither I nor Miura will survive to the end of berserk.
Kaiser-Eoghan
Of course maybe they won't have a future , think about it that way, then they'd never see it, life has that weird way of being unpredictable like that =P
Kaiser-Eoghan
You can always rewatch them just before watching the one after.
AidanAK47
Of course not. But that's the thing. The wait is only a temporary problem. Anyone in the future will have all movies ready to view.
SuperMario
So it's best to wait for another 2 years to watch Heaven's Feel? Hell NOT
AidanAK47
When all the movies come out though you can basically barrel through it like a TV series.
SuperMario
Dangit, it's me Mario
Anonymous2115918
I still don't know if I like this trilogy trend. We've had a fair bun h of those in recent years (Berserk Golden Age, Madoka, even Kizumonogatari). I guess doing it that way, they'd make much more profits, and we have higher production values, but the wait is way too long and I don't think it works as movie-format
Kaiser-Eoghan
One of the very rare times where self-awareness works.
Kaiser-Eoghan
I can be nice and say of course Ryan Reynolds+ violence, comic was funnier.
Kaiser-Eoghan
@Aidan: But I'm sure if you think it over, the first deadpool was trapped in origin story mode, as an advantage, the sequel, is probably free of that.
Kaiser-Eoghan
@Aidan: Deadpool 2 had John Wicks director, which at the least means something in terms of action direction.
Kaiser-Eoghan
@Aidan: There was a whole run of deadpool issues called Cable and deadpool, which I suppose that pairing together gets the best out of the character.
AidanAK47
Seen Deadpool 2 tonight and I have difficultly deciding if it's better or worse than Deadpool 1. Still it's quite fun and I enjoyed it.
AidanAK47
@Anon, I feel somewhat similar in regards to Franxx. When this series finishes I won't be singing high praises for it. Yet I do feel that it's worth watching.
AidanAK47
@Lenlo, Now I get ya. Yeah I understand that. I might even feel the same if I didn't already know the story from the VN.
AidanAK47
@Amagi, The second film seems to be in cinema this year but we won't get it until it hits blu-ray.
Kaiser-Eoghan
@Travlos: As I expected, I am disappointed that they have held back . And you might just be right about Castrollop/Caligula/Nero, when I originally attempted to watch the show years ago, that was the episode I stopped on.
KTravlos
Yang really is stealing the show this time. But I wanted the "Alcohol is mankind's oldest friend" rant. I need it.
KTravlos
my expectation is that they will take this to the Battle of Armistar, and then the films will cover the dual civil wars etc.
KTravlos
...CASTROP REBELLION! Why the hell sacrifice an episode to the most useless and bad part of the original! I hated that episode. Well let us see if they can give it a better twist this time around.
KTravlos
The Iserlohn arc at LGOGH:NT was ok. I liked how they presented the preparations. I like the new Murai face. The music was quite good. But they did tone the violence. I expected Walter to stab the imperial officer in the neck. They have toned down the violence a lot. And I missed Seeckts "Long live the Empire" death. That said it was not bad, and I think in general it was good adaption. But....
Anonymous2115268
for example, I think Darling in the franxx is pretty average, but that's not because i think it doesn't have cool shit in it or things that make it appealing; I just find that what the show tries to achieve is not that stupendous or worth lauding with praise. As a result, the flaws stick out that much more to me
Anonymous2115268
@Lenlo and that's pretty much how i felt. Everything is subject to criticism; hell i criticize my most favorite things in the world because i know they're not perfect. I evaluate art and media on whether what it achieves overshadows the flaws and to what degree. Which i think is the best way to approach criticism
Lenlo
I want to repeat though, Heavens Feel wasn't bad. I know some people take any criticism to mean I hated it, but I actually quite enjoyed it. I just think ill appreciate/enjoy it more once the other 2 movies are also out.
Lenlo
@Anon, you nailed it. I couldnt describe it, but what you said /feels/ right.

And Aidan, I loved Lindsay Ellis's videos on the whole Hobbit debacle. A shame, cause the original Lord of the Rings is a landmark in film for me.
Amagi
@Aidan: Do we know if the next HF movie will be finished this year?
Amagi
I love how and how often they say "Fujimi no Sugimoto" in Golden Kamuy. It's pretty hype for some reason, especially when it's said by his enemies.
Anonymous2114206
yea. heaven's feel is nothing like the situation with peter jackson's hobbit; this story needs this many movies and that large runtime. The thing with these heavens feel films that is probably bothering lenlo is that they feel like very long episodes and that particularly the first film felt like a giant prologue rather than a film with a beginning, middle, and end
AidanAK47
And just to make it clear, Heavens Feel needs at least three movies to cover the entire story. It's too big for one movie.
AidanAK47
@Lenlo, I ain't unhappy about it though. Sucks that I need to wait so long for each movie but there is higher production values as a result. Though in regards to the Hobbit I recommend watching Lindseys Eillis videos on it. As it not only talks about how it screwed the Hobbit but also how the movies screwed New Zealand.
Kaiser-Eoghan
I could never immerse myself in Tolkienistic world building.
Kaiser-Eoghan
Man, the hobbit, lord of the rings and that shit king kong film, he sold out so much , this was the man who gave me Heavenly creatures , Braindead and Feebles.
Lenlo
It is very beautiful indeed. And Aidan, that Hobbit metaphor made me weep for you. I hated what happened to the Hobbit
Anonymous2112805
other than that; HF is a very beautiful looking film; ufotable has improved with their digital compositions...holy crap
Anonymous2112805
heaven's feel seems to be embracing its more horrific elements. Aside from that, watching this film made me realize how much i prefer rin over the rest of the girls; kinda wish we got to spend a bit more time understanding Sakura's psyche in the film
Kaiser-Eoghan
@Mario: This was part of some film fest thing, ended up missing big fish Begonia though, that Chinese animated thing =<
Kaiser-Eoghan
@Mario: they'd invited him to introduce the flick.
Kaiser-Eoghan
@Mario: Had this really unexpected run in, in my nearest arthouse cinema, seeing some film about the Soviet space program , I bump into this eastern European guy, assume he's an audience member, awkwardly say something in Russian to him, turns out he's the Russian federation ambassador to Ireland.
AidanAK47
It's sort of the hobbit situation where they chopped one book into three. Expect here we aren't getting extra fluff to pad things out. Well there are extra scenes but they are actually relevant.
Point is that in it's orignal form there are no stopping points here were you need to wait a year to continue. It was a straight story from start to finish.
AidanAK47
Well Fate is essentially the tutorial section that introduces most of the concepts and whatnot. But even then some of the things here are explained later in Heaven's Feel. Cause yeah, not only is the Fate/Stay Night VN not supposed to be split up into three seperate things, the routes aren't supposed to be split into movies either.
Lenlo
Im only familiar with the UBW route, cause Ufotable
Lenlo
I see.
AidanAK47
@Lenlo, In a way there is. Heaven's Feel was originally meant to be experience after the Fate and UBW routes of the VN. That the thing Fate/Stay Night has struggled with. It's not meant to be split up into three like this. It's originally supposed to be three parts of a whole. Each route complementing another.
Nayrael
And so am I
Kaiser-Eoghan
@Lenlo: Its like....sometimes I actually want to be able to like something I end up not liking, knowing I am the problem and not the show.
Anonymous2110797
Spoiler alaert: anime is trash
Lenlo
I can understand that. I cant stand Clannad, so everytime I ask for a decent romance and it gets recommended I die alittle inside.
Kaiser-Eoghan
While thats very true that not everyone agreeing does make things more interesting, at the same time theres some sense of feeling left out when not understanding the appeal of something extremely well loved.
Lenlo
Also @Maskey +1. If everyone agreed with each other, it would be boring. I love hearing what other people think on stuff.
Lenlo
Also, @Kaiser, give Ippo a try. It is one of the longest running and best sports anime/manga ever made. I sincerely believe this. That said, Megalo Box isnt bad. I still enjoy it. Ive just seen boxing done better.
Lenlo
It wasnt a bad movie. It just felt like it had a lot going on. Like Gil had a 30 sec clip, I don't really understand what the ribbon monster is but I suspect its the grail, and the new Assassin pulling an Alien, while cool, came out of left field. Like, once I just accepted it and moved on it was a fun movie. It just felt like there was a base of knowledge I needed but didnt have.
Masky
Eh, its okay to not like something that someone else likes. I disagree rather often with blog writers' opinions here but I still enjoy reading their opinions
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At this halfway mark, I want point out that the comedy of Hinamatsuri isn’t as sharp as the first few episodes (except for the segment including Hitomi’s classmates). There’s still absurdist sense of humor, sure, but it doesn’t make me laugh out lout or even make me chuckle. That is to say I come to […]

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The majority of this episode was detailing the plan and execution of Yangs takeover of Iserlohn which does seem rather simplistic when you think about it. This is a point where LOGH shows its age a bit and while they tried to bump it up by throwing in a body scanner, there is still the […]

Steins;Gate 0 – 6 [Eclipse of Orbital Ordering -The Orbital Eclipse-]

Ladies and Gentleman, Boys and Girls, Steins;Gate 0 has stomped the throttle and cut the breaks. Lets skip the intro and just get right to it. Early on I thought this episode was going to be slow, we were going to focus on our characters and relax a bit. I thought it would be drama […]

Golden Kamuy – 06 [Hunter’s Soul]

Well, (animal) shit. Golden Kamuy starts slow this week and ends with a bang. This episode presents many of Golden Kamuy’s ups and downs so it’s best to dissect them one by one. For the negative part, the pacing is still off. This episode spends too much time on Sugimoto and Asirpa hunting that poor […]

Hisone no Masotan – 05 [Do You Really Think That There’s Anybody Who Likes Being Disliked?]

There’s one thing you can count on original shows, you can never know for sure what the plot is going next. Sometimes, it surprises you with its sheer originality and sometimes, it could go to weird places. HisoMaso falls into the latter this week, literally where it’s taking us to an uninhabited island for the […]

Darling in the Franxx – 17[Eden]

Indeed Franxx appears to be doubling down on a darker more serious tone though I still am wondering if it will truly follow through on this or dismiss it fast and go full on happy ending. Personally I always feel cheated when a series foreshadows dark things to come only to turn tail when it’s […]

Megalo Box – 6 [Until the Last Dog Dies]

Alright, Megalo Box was a series of highs and lows this week and I don’t want to waste time with a preamble. So this week, lets speed things up and just jump in! To start off, the big showpiece of this week is the Aragaki vs Joe fight. We will get to its place in […]

Hinamatsuri – 06 [Nitta-san Has a Dandy Dad]

This week in Anzumatsuri Hinamatsuri, the show proves once again that it does have something up its sleeves. Rarely a show does the drama effectively to the point of winning me some (manly) tears, let alone a comedy show in nature like this, but Hinamatsuri more than earned it with a nice emotional story for […]

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