Posted by psgels on 1 April 2017 with categories: Monthly Summaries

Delayed by a day, because I wanted to include Classicaloid’s ending in this. Word currently says that this turned into an article of more than 4500 words, Jesus Christ what am I doing. At the very least I’ve got the passion to write back, but at the same time this format works best: write a huge amount once a month (or twice in the start of a season) and take a bit of a break the rest of the time. This works when balancing this blog with the rest of my life. There will be some weird months here and there, but eh, we’ll see when they come.

As usual: yarr there be spoilers. Really major ones this time because this month delivered some really good plot twists and endings, but I also really want to talk about them and all of their contexts. Again these are just my impressions of whatever aired the past month, the episode numbers are indicated next to the title, and these are ranked based upon the shows I liked least to best this month.

#10: Piace – Watashi no Italian (08-12)

This month, something happened to Piace: it stopped being funny. This is a pretty big deal for a comedy.

It’s classic what happened: as the show goes on the best jokes run out, and the creators hope that they can continue on, on the merits of the characters. The problem is that you need to have good characters for that, and it became painfully obvious that Piace only had its comedy to write home about. Without it, these characters are empty shells. Stereotypes and cardboard boxes who just depend on their own two quirks, rather than being actual characters.

Yeah, it’s pretty serious for a show of 12 episodes of only 20 minutes to run out of material. Like dude, it’s not that hard! It’s Italian food! I mean I finished this up because of how short it was, but this last month unfortunately was another strike against series like this: their creators are a bunch of lazy bastards. This was one of the few that actually had some effort going into it, which makes it all the more sad that they couldn’t even remain fired up for a measly 36 minutes.

I am a completionist, but next season I will stop giving every tiny show the same kind of attention. Only if they’re notable in some way, because this trend is getting too much out of control.

#9: Onihei (08-12)

So of course Onihei has to be the oddball here to have its final episode air on april 4th, while the new season is already well under its way. Ah screw it, unless the final episode does something really unusual this is going to be my final say on the series, I don’t want to wait that long.

Onihei always stood apart from the other series this season. It attempted to show samurai tales from a different perspective, and it didn’t shy away from the ugliness, while not going completely overboard like what Shigurui did. Every episode showed a different story, which tried to be thought-provoking in some way or another. Last month I complained about there way too many pure evil minor-characters who only existed for the story’s sake and had no depth to them whatsoever, and this month improved that. They were still there, but not as abundantly as before. The stories all were interesting, I saw no real big slips or overly stupid episodes.

However my problem with this series is that thinking back… I kindof have to say that I liked the first episode best here. And that’s not a good sign. The fist episode to me was the sharpest. Had the best ideas. And while the other ones aren’t bad by any means, you just keep hoping for something as good as the first impression, and that tends to sting more and more as the show goes on. Thankfully episode 12 came close to it, at the very least I consider it the best of the rest, but even then I can’t get rid of this slightly bad aftertaste for Onihei.

Also, I’d like to say a few things about the acting in this series: the show has this look that’s different from the other series this season, and the creators tried to put in a lot of details in the characters’ faces. But the problem is that it’s also really had to emote that, and what irked me through the entire series was that all facial expressions just look weird. The budget was very obviously limited, but the creators here need to learn the art of cutting corners. They did the basics of course, but strangely not in the area of facial expressions. I mean I can forgive bad animation of course, but the whole reason why I watch anime is watching characters being brought to life. And watching these weird expressions in this uncanny valley… it didn’t work as well as the creators hoped to.

#8: Hand Shakers (09-12)

Okay, that ending. First of all it was obvious sequel-bait, but even then this episode definitely also attempted to close things off in case the investors aren’t gonna bite, and with that in mind you’d expect some sort of closure. That happened, but as the final two episodes went on I found myself really scratching my head because the main villain really wasn’t making any sense.

We’re talking about a former partner, who broke off without saying anything, who went on to kidnap a young girl and drug her into fighting for him and keeping her from disappearing. I know the alternative was putting her to sleep, but even then this seems wrong on so many levels, especially seeing it develop into this weird Stockholm syndrome relationship. And when they revealed his reasoning behind everything things made even less sense. Holy crap what an anti-social dork!

Only when I really started to read inbetween the lines did I see the values of this ending. Handshakers isn’t just about a bunch of people fighting, it’s about deeply flawed people, connecting with each other through something as innocent as holding a hand. Even the two leads: one born doomed to be different, the other haunted by the death of his sister. And a big theme throughout this series is characters trying to pretend that nothing is wrong and things are perfectly normal. People being afraid to show their true colours, and being beaten allows them to fully open up and accept themselves. Within that context, this all makes sense, and it fits within the central theme of hand holding. But yeah, this really is one of those series where reading inbetween the lines is absolutely necessary, otherwise this was a horrible ending.

So yeah, I was preparing to write this whole rant about wasted potential, but in the end I just can’t. I appreciate this series, I really do. And I do not regret watching it. If anything, it tried a whole different way of storytelling, and just for that it deserves credit. Hand Shakers is nice. If has warmth. It’s cliched on the surface, but beyond it’s worth it. However the cliches on the surface remain. If there ever comes a second season, I’d love to see less typical stories. Don’t start with idols, thugs and incest, start with actual characters. Dare to stay away from the stereotypes.

#7: Kuzu no Honkai (08-12)

Again that final minute! What Kuzu no Honkai did in its final month was different: instead of focusing on unrequited love, it had two other focuses: moving on, and actual love. Moving on was the logical progression: everybody got their time to show their feelings come to a breaking point, and being able to move on from their desires, accepting that it never was gonna be something. The actual romance though… sorry but I just didn’t buy it. It was just way too cheesy for me to take seriously. This show was always good at the dark side of romance. The bright side: nope. Especially not so quickly after Fune wo Amu.

So yeah, the entire final episode was hinting at that the two leads were gonna end up as a couple after not seeing each other fr a while. The hints were so obvious and cliched, you see them everywhere. And then… they don’t! They actually realized that they could return, yet they chose because they wanted real romance and went their own way! The only correct way for this show to have ended. Move on! There are more fish in the ocean! Any relationship between these two would have been doomed from the start.

I do think that this is the month I enjoyed the least of this series. It mostly had to do with how good it was at its unrequited love. This ending wrapped everything up perfectly fine and it left the cast as very well rounded, so it was definitely necessary, but it didn’t have that “wow”-factor that the first parts had. Although I still want to praise it a lot for that ending. And also one other thing: it’s Noitamina. Ideally, I would like to never again see a series to take place in a high school in this timeslot again. The timeslot was meant for adult series, and we have plenty of room for high school series in the other timeslots that don’t have this context.

#6: ChaoS;Child (09-12)

Okay, yeah. ChaoS;Child had a really juicy ending. It pervailed through the sheer force of its original material, and I’m not going to spoil anything more. It just has to be experienced. Instead of that, I’m going to talk about the context of it all.

Because aside from Steins;Gate, make no mistake that this was the best semi-colon series to come out. It took Chaos;Head’s potential and actually made it better, which is very rare for an unplanned sequel. It was less solid than Robotics;Notes, but instead of falling apart at the end it came together. And while the characters weren’t the best, they were miles above the annoying shells that I had to witness in that one episode of Occult;Nine. Steins;Gate remains miles above it though. I mean Chaos;Child’s problems are really big. But damn, this was some wasted potential overall. In the right hands this would have been one hell of a series.

I can really imagine the original visual novel being a really good one, and a great ride. That doesn’t have the horrible pacing and acting problems that this series had, and it’s something I’m going to recommend, especially for those who are familiar with Chaos;Head (because let;’s face it, you need to have seen that one before watching this). Will I end up playing the games at one point? Hell no.

Leaving aside that I already know what’s going to happen, the bigger issue is that I’m simply not going to touch games, or light novels, or even mangas for that matter. Even though their stories may be better than in anime, I’m not gonna. So there. Even in the case of Chaos Child, where it’s obvious that the story of the game is better than in the TV-series, I would still have picked the anime if I knew this beforehand.

“The original story is better” is something I have heard, almost since the start of this blog, and it always irked me, even though I couldn’t always explain exactly why. It confused me for a long while, and I did dabble into manga for a bit. And what I read there were indeed some awesome stories. But in the end, while I was in my two-year slump of not watching anything, I realized that I wanted to return to watching anime, while I couldn’t be bothered at all with the mangas I checked out. The reason in the end is simple: the reason why I’m so drawn to anime is the sum of its parts. The way everything comes together to make something bigger and better than what they individually could have done. This means that stories may be done better in novels, mangas and games with more time, there is better music in the medium that specializes to music. Pure art and movies will have better visuals. But it’s everything coming together that really is my passion. That’s also why ratings splitting ratings up into various sub-categories, like story, characters, animation, et cetera always felt weird and unnatural: they miss synergy!

And of course, your mileage may vary. Everyone enjoys entertainment in a different way. It’s useful to listen to others and give things a chance, but in the end the person you need to listen to the most is yourself. Your time on this planet is limited, so you’d better spend it on the things that pique your interests. Because of that, I’ll gladly take this collection of badly acted blobs here, because somehow, despite everything against it, this show came together and delivered something that should have been impossible.

#5: Youjo Senki (08-12)

The finale set up for a sequel, but to be honest, I’d be glad if it didn’t get one, as weird as it sounds. The open ending fits actually quite well with the themes that the final number of episodes were going for: fighting to stop fighting is a bloody stupid idea that’s only ever going to make more people mad at you.

What disappointed me though was that they did very little with Being X. There was lots of silence from it, and it’s much more that its presence loomed over the entire series. And yes, I never thought I’d ever say this, but God won, and was glorious. I quite liked how it pretty much passed over the baton to the new superpower to emerge.

It’s a simplistic depiction of war sure, but to me they quite got away with it. I had quite an enjoyable time while watching this series, and “Tanya” actually turned out to be an excellent example of an anti-hero. Clearly the protagonist, but obviously not on the moral side of rightness. The war here was presented as something that sucks for every side, even the winning one. The tactics used were simple, but not the reason to watch it. Surprisingly, it’s the human element. It did so in a really different way from Shuumatsu no Izetta, which while it had a better start, lost my interest after a while, while Youjo Senki remained strong. I think the reason was because it was about something: through the series it really drove home that everyone wanted the war to end, especially as the show went on. Izetta meanwhile got lost in its boob jokes and its main characters ended up being a bit too… perfect. And too morally one-sided now that I think back to it: the evil empire is evil and must be stopped, while the small country with lots of pretty girls in the center has to fight it off.

Seriously Youjo Senki I really commend you for not using any boob-, loli- or any other kind of fanservice pandering joke here! Well done!

#4: The Dragon Dentist (01-02)

Kazuya Tsurumaki comes along with his team of former Gainax employees at Studio Khara, and basically shows how it’s done. Dragon Dentist consists out of two 50-minute tv-specials, and they’re apparently continuing a project Khara did a year ago with a compilation of 35 different pilots and short films. Now there’s one movie that I’m really interested in checking out – I thought that the genre was dead!

But I digress, The Dragon Dentist: basically had this been a 26-episode series, then it would have been the epic of the year. The mainstream show that got people talking, draw in people who aren’t usually interested in the medium, and that would still stand ten years after airing. Perhaps no Full Metal Alchemist Brotherhood, but bigger than Attack on Titan, it was that solid. And only something that could have been done in anime. I really liked the idea behind this series, of giant near-invincible dragons floating around, and the whole world built around it. Its own religions, customs and traditions. From what we saw of the world here, the creators were excellent at bringing life to it. Plus the action was amazing. The two episodes did it in completely different ways, but it had me glued to the screen, and this show getting really gorgeous in the second episode only helped this.

But yeah, we only got two episodes. This basically was a pilot, in the same way that Kyousogiga, and Little Witch Academy did their thing. Now all that’s left is waiting for an investing party to bite, to try and make a full fledged one. I mean it just felt weird that in episode one, everything just happened too fast. There was no way to really build up urgency or context before things started happening. This show really did what it could, but it really feels we just skimmed the surface of all that’s possible in this setting. Like the creators ran home with a clump of gold while being inches away from this gold mine.

Full Metal Alchemist, Attack On Titan… I don’t think that those shows are the best to compare this with. You know what this reminds me most of? Bounen no Xamdou! It’s got the same inspiration behind its setting, it too looked incredibly solid, while still daring to break barriers. Both toyed with their own religions and had very relatable characters. Now Bounen no Xamdou made the mistake of lingering on a bit too much near its ending. I really think that if this gets green-lit for real, then The Dragon Dentist will be able to avoid the same fate, because the way episode 2 ended was actually really, really good. It’s the type of thing why I watch anime: watching everything come together. The action was great, while in the meantime the setting got fleshed out, characters kicked ass, the plot thickened, the graphics got gorgeous, the music. It gets it! Everything just fit.

I remember how I disliked the Evangelion movies. Made by the same guys. I think what irked me the most there was watching a recap, and things didn’t really mesh well. And while I still need to watch the third Evangelion movie, I do think that they were on to something, and this really feels like they took what they learned there, and are experimenting further. At the very least, these are the guys that need to be influential. These are the guys that need to inspire the next generation that there is plenty of kick-ass material just waiting to be brought to life, and the best way to do it is to be bold and show some balls! Instead of being too safe.

#3: Classicaloid (21-25)

Wha? There’s gonna be a sequel? If you said that at the beginning of this season, this was going to be one of my last guesses for a continuation. It is all the more weird because this definitely is not the most popular series, and with an announcement this early this definitely was planned in advance… yet the final episode was pretty conclusive. I was about to praise this series for avoiding the dreaded comedy ending, but here’s another hurdle it’s going to have to face: the dreaded comedy sequel. Will it have enough material to keep fresh for 25 more episodes? I am writing this like immediately after that twist and it puts like everything in a different perspective. And don’t get me wrong: if the creators know what they’re doing then the result will be beautiful. This cast has that potential. However if this was a decision from the producers against the writers’ will: oh dear god the pain!

But anyway, to the ending. Classicaloid was completely different from all other shows on this list. Most of them, at least the best ones, were tasked in wrapping up their stories. Making everything come together in a clever way, with layered plot twists, themes and characters coming together (which they all did really well by the way). Classicaloid however never was based on logic. For Classicaloid, the point was to deliver a bang of an ending. Bring it to an emotional climax. And they went to heaven and beyond for that!

Five episodes. The first two were the standard episodic ones, but they rank among the funniest of the season, including the single greatest rap track ever to have appeared in an anime. The final three episodes delivered the finale, and you know these parabolic graphs? Well, it was like that. It started off quite standard, with a lot of exposition that made me fear that they were going for a completely serious ending. Then things got better with anti-climax. And then the aliens arrived!…!?!?

Like Deus ex Machina much?!? And yet in the context of the series it totally fit, and it allowed the creators to just keep surpassing themselves in atmosphere. They saved some of the best tracks for the finale, and especially the ending was just a visual orgasm of colours and shapes and musik, it was glorious and incredibly fun! Really if it wasn’t for the sequel announcement I might have placed this at the top of this list!

So yeah, for now I’ll spend the next half year without Classicaloid, and when they return, let’s hope it will be glorious. Please be even better! You can do this! You have half a year! Use this time to plan out the best possible course for this show! It deserves it!

#2: ACCA – 13-Ku Kansatsu-ka (-)

Thinking back, the season that set my writer’s block in motion was the Autumn of 2013. This is where I became disillusioned by the series that came out, and even though I tried to hold on, my interest became less and less, and the reason for that was the sheer amount of series that had very interesting premises, yet utterly failed at even the most basic elements of storytelling. The worst offenders were Galilei Donna, and Copellion, but also Nagi no Asukara, Yozakura Quartet and even Samurai Flamenco and Kill la Kill: they all were disappointing because of their lack of respect to the rules of basic storytelling, to the point where only Kyousogiga ended up as a success.

I feel that this season, we have the antithesis of that: lots of different series who actually KNOW what writing is. One of the best examples for that is ACCA, simply because of how much it had against it. I mean, now that the final episode has passed, I can confirm that they actually did it: they managed to squeeze this huge story and setting into one season, and they made everything fit. The pacing feels natural, there were no forced episodes. And despite all of these constraints, it was constantly building up to the final episodes, and never forgot what it was trying to do.

It’s a show that has many layers. The foundation is the 13 countries. All of them get visited throughout the series. Above that is Jean Otis and his colleagues and his sister. On top of that is the central government. In between them are the storylines around the coup that was to be attempted, interwoven with the background stories of all of the different characters, who due to the nature of this series all came from a different part of the world. The focus on food was fluff to flesh out the setting and characters. And even then the final episode delivered a twist that was lurking behind all of that in the shadows and tied everything together. This is the example of what happens when you put a lot of time into planning out your series’ structure, instead of rushing it or outsourcing it, to make sure that everything is just right.

Of course, this method is not perfect. The benefit of spontaneous writing is that it’s better at bringing out emotions, it’s more spontaneous. But that was solved by the very consistent mood this show had. It always was mellow. There was no drama whatsoever in this show, and instead it hinged on intrigue, and that made it work. I also loved how diplomatic everyone was. Sure people have their own agendas and stuff, but instead of the yelling and irrational fights, putting groups of people against each other, people just drop grudges, accept things and go on with their days. Obviously this show does present a very simplified form of politics: it assumes that everyone in a country has the same opinion. which of course in real life is a bit more complicated.

Of course, Natsume Ono, who previously wrote the original material of Sarai-ya Goyou and Ristorante Paradiso delivered some amazing story again, but that is no guarantee that it translates well to the anime format. But they did it, and let this be a lesson for future writers: this is how you write a series and make it interesting. It takes both itself and its audience seriously and simply wants to write a good story with the means that it has. Kudos to Madhouse&co!

#1: Shouwa Genroku Rakugo Shinjuu Season 2 (09-12)

And finally it’s Shouwa’s turn to end. The final four episodes of this series had a lot to live up to, after such a series. And all in all I have to say that this ending was totally rock-solid. The past four episodes all wrapped things up perfectly, really taking their time to make sure that everything got closed off in a satisfying way. All that this show had been building up to: the main characters, the side characters, but also all of the themes when you start reading between the lines.

This whole series was the story of death and rebirth. You see it everywhere, with the main one being Yakumo’s life, but the death of Sukeroku, and him surviving through the next generation if another really big one. How Rakugo almost died under the 8th Generation, but was revived by the 9th generation. How all the rakugo titles keep getting inherited whenever someone passes away. And not to mention the following: I cannot recall any other series that featured more generations than this one. Four generations, all changing as time goes on, growing and weakening.

The big challenge with endings like this is that they tend to just wrap everything up like a good schoolkid, while forgetting to actually tell a story, make it interesting, make sure everything is satisfying. What Shouwa did really well was that the final episodes all managed to keep the balls in the air, and they kept delivering new stuff. We worked towards Yakumo’s death, but even there it wasn’t a simple case of him dying, but he was really clinging to his last moments in live like a living paradox. Then the afterlife episode came, and we finally got to wrap up a lot of questions that the big death left us. I think that this would have worked even better for those who watched the first series as it came out, instead of me, catching up to it in January. Everyone got to accept death, and it felt good. Then the final episode showed yet another time-skip, but there was much more meat to it than usual, because it showed the rebirth of Rakugo, with new rules that could finally be implemented now that the eighth generation has moved on. It was essential to show this. Plus, it even came with an extra twist to boot, hinting that Yakumo may have had a descendant. They could have easily done without, but it made things even more interesting in hindsight, and while awkward, it fits strangely well.

This series is not perfect though. I was not convinced by the romance, and I don’t think that this show really understands it. It was definitely the most annoying part of the series. Also this is not the easiest show to watch. You need to pay attention, and this definitely isn’t a series that you can watch while relaxing. There are parts that while vital to the story, are a tad difficult to sit through. No, in terms of pacing, I don’t think that the creators could have done a better job here.

And yeah, this is the type of series to set a new standard for future shows to live up to. Last season this was Fune wo Amu, and together they create a very solid baseline to hold shows up with. These series show how you should tell a story, where Fune wo Amu shows how to bring characters to life, and Shouwa Genroku Rakugo Shinjuu shows how you should pace your series. And what’s also important about these two series: usually series as solid as them are the product of a big name director who has already proved him or herself. This is especially true of the past ten years, remember Sayo Yamamoto’s Yuri on Ice last season. But Fune wo Amu’s director? He had done Sukitte Ii Na Yo and a number of episodes here and there, but nothing as vibrant. Shouwa Genroku Rakugo Shinjuu was directed by Shinichi Omata, the director of Sankarea, Rozen Maiden Zuruckspielen. While good, they always lacked something, and here he really managed to make everything come together, and you can see a very tight control from beginning to end. This is the new generation waking up and coming up with their own styles, rather than just doing the same popular thing over and over again. This is a trend that needs to continue. They have demonstrated that they know how to tell a story. From here, it’s time to add more and more guts and balls. Dare to be exciting! Dare to challenge the status quo! You have the power!

3 Responses

  1. Konstantinos Travlos says:

    This was a good anime season for me. Perhaps one of the best in a long time. I followed Onihei, Youjo Senki, Acca 13, Little Witch Academia, Chain Chroincle(theTV series) and Gundam: Iron Blooded Orphans. It has been years since I followed so many different anime series in one season. And all of them did a good job.

    ACCA-13 was the best for me. A well told tight story, that was able to be interesting while easy going, but still be about politics. Very very good. The political scientists in me loved it. I also adored the soundtrack.

    I like Onihei exactly because it is diffrent as you pointed out. I liked the setting the characters and the story.

    Onihei and Acca-13 gave me the mature stories of this season.

    I got my action in droves from Gundam: Iron Blooded Orphans 2nd seasons and Youjo Senki. Iron Blooded Orpahs did some mistakes this season. For example it toned down the violence. Now I am not a sadist, but the violence in IB played for me an important role in taking this seriously. But beyond that it continued the good work of the 1st Season. I especially loved the new antagonists, who gave the “heroes” a run for their money. Depending on how the last episode goes, they may have defeated them. While it will not beat Turan A gundam as my favorite long-form Gundam series, it is a close second.

    Youjo Senki was a blast. The political scientist and war studies in me loved its look at the politics of war. The last episode dropped so many references to concepts from my studies and courses that it will become part of my future classes. I did miss Being X. But you know what. In many ways it was never away. The whole situation in which Tanya is, is thanks to Being X. If God it created the humans as it did. Creatures of what game theorists call bounded rationality. And the show did well to show it. And Tanya did turn out to be a great character. In the end the thing that worried me the most, her being a child, worked.

    Little Witch Academia is just a feel good anime done well. I have missed that so much, and they give it to me. That wonder, that if you will attitude of playful mystery.

    Chain Chronicle was surprisingly ok for me.Nothing to write home about, but a done competently enough that I loved it. Great soundtrack also.

    The new season is less exciting, and I am attached to fewer shows, so I will be catching up on Dragon Dentist (if it has Bounen no Xmadou vibes that is a very good thing in my book), as well as Zipang.

    All in all a good season. I cannot complain. It gave me a lot.

    • Konstantinos Travlos says:

      also if you combined ACCA 13 and Youjo Senki you have some sort of Legend of Galactic Heroes for me :p Dunno why, but both shows reminded it of me. That is a good thing.

  2. donhumberto says:

    Hellyeah you liked Dragon Dentist ! I knew you would so I’m really glad you checked it out. It’s truly one of the best pure fantasy shows I’ve watched in a long time (even though it was really a pity it wasn’t a fully fledged tv series).
    Overall, I’m pretty glad how this season turned out: Onihei, Acca, Rakugo and Dragon Dentist are all pretty damn excellent in my book so no complaints here.
    Spring does look much worse than Winter, though :(

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CHANGE USERNAME
Kaiser-Eoghan
Also quite naturalistic in how it uses/animates movements/body language.
Kaiser-Eoghan
I do wish that it went further than baiting the audience though.
Kaiser-Eoghan
*is in
Kaiser-Eoghan
I watched liz and the bluebird, the storybook segements give the film a certain magical feel to it, even if they feel obvious and on the nose, what this film achieves if in its silent, quiet and visual exposition rather than spoken words, its also more sensitive and low key than Euphonium.
Kaiser-Eoghan
Gah, one of the gutting things about being into historical stuff or stuff about things that happened decades ago, is that I'll never be a direct witness to it as it happened. It'll never hit me as someone who lived through it. I having all the fun second hand.
SuperMario
Thanks, Amagi. They look pretty cool
Amagi
Why would I waste my time watching other people shopping or working. Not to mention that the scripted part turns everything worse than it usually is by shoving in terrible cringy moments everywhere to.. don't know. Entertain(?) the audience or something.
Amagi
I mean unless you want info dumps you watch fiction and you watch that because it makes you indirectly experience adventures you can't have in real life. Even when fiction is down to earth it's usually about special situations like the MC becoming a professional runner like in Kaze ga or something.
Amagi
@Kaiser: Me neither, especially because it seems to be the exact opposite of the reason why people consume media, and therefore fiction, in the first place.
Amagi
They probably used these in Irozuko because they look like're part of some J-RPG town.
Kaiser-Eoghan
@Amagi: I never really understood why reality television ever became a thing or how someone could give it any form of attention.
Amagi
Seems like they even have a wikipedia entry https://en.wikipedia.org/wiki/Trullo
Amagi
@SuperMario: It's some specific type of house that only exist in Apulia. https://cdn.getyourguide.com/img/tour_img-437617-146.jpg - the whole historic disctrict looks like that
Amagi
I shouldn't use so many brackets.
SuperMario
Trulli? What does that mean?
SuperMario
We have all kinds of international film festivals here. I watched Roma in the Latin Film Festival. Yeah that aspect I mus say that I feel lucky
Amagi
There are Trulli in one scene of this week's Irozuko (after they entered that painting), how funny. I just visited this city (Alberobello) last month.
Kaiser-Eoghan
@Mario: You are lucky, Roma gets a one day limited release here for one time.
Kaiser-Eoghan
@Aidan: Just imagine going to the west of Ireland and asking them about the internet.
Kaiser-Eoghan
Yes there are people turning up to the one art cinema we actually have. But Ireland is not a good place to be in general if you are a film/anime/gaming fan.
Kaiser-Eoghan
lol this country is incapable of giving a proper wide/long cinema release to anything that might even be considered slight non-mainstream.
SuperMario
*week-long
SuperMario
Well, we have a week-log screening here and I already lament how undeserving these films have. Guess I should be more appreciate now I know that other countries have 1-day screening only
Kaiser-Eoghan
I wonder if anyone started out in the light novel industry as a stepping stone before moving on to real book writing. I also wonder how easy it is to get published.
Anonymous3183156
Progressive is good from what I heard since he went back to his older material from a more mature outlook. Ordinal Scale is decent too coming from the same matured Kawahara.
Kaiser-Eoghan
Sometimes there are re-showings, some cinemas will play Akira for the billionth time for example.
Kaiser-Eoghan
I imagine seeing scenes like that being recorded in the recording booth would look quite strange.
Anonymous3183156
Apparently, he even apologized to the voice actress for being subjected to voice a rape scene, so I guess even he has deep regrets about it. The LN doesn't have any more moments like this so I guess he matured a lot.
Amagi
@Anon: The problem is that he was still a teen when he wrote Alicization, he just edited it a bit later. But I also wish he would have cut this scene, it's always so forced and feels so stupid.
Amagi
Pancreas has no subs yet AFAIK
Anonymous3183156
Ugh, ep10 of Alicinization reminded me why I disliked SAO so much years ago. I assume Kawahara still had some nasty tendencies in him when writing Alicinization despite being past his edgy teenage phase.
Amagi
@Kaiser: It's the same here too. One day screenings and that's it. I also believe that anime are made for everyone it's just that the West (save for France and Italy maybe) doesn't give anime a chance. They are sure people would never care so they rather die or air the same awful scripted reality show for the 5th time rather than try showing anime that could appeal to adults like Monster.
Kaiser-Eoghan
The anon might want to watch that though, a torrent of it recently got uploaded.
Kaiser-Eoghan
Also Let me eat your pancreas wasn't shown here. But it was shown in Australia.
Kaiser-Eoghan
Although there are some films that America gets that we don't, the Heavens feel, the Madoka movies and Nanoha reflection showed in America but not here.
Amagi
@SuperMario: That would be great.
Kaiser-Eoghan
Anime films seem to appeal to normies aswell.
Kaiser-Eoghan
I saw an older woman in my screening of Maquia and talked to her after it and she liked it.
Kaiser-Eoghan
Again, I don't know about elsewhere, but what surprised me was the amount of people who are seeing these in the audience who don't actually come off as anime fans and probably aren't.
Kaiser-Eoghan
But I'm genuinely surprised that my country would actually even go that far to even show them.
Kaiser-Eoghan
I don't know about all the other countries that get showings for these anime films, but here its a one day only thing each time one comes out.
SuperMario
Reviewig anime movies/ making posts about them might be something I can do in the future
SuperMario
@amagi: anime movies are somethingn I wanna raise more awareness as well. Normally each year there are 4,5 solid anime films out there, but like you said they’re hardly discussed
Kaiser-Eoghan
I've never heard of UFO no natsu.
Kaiser-Eoghan
I felt bad for the little girl in grave of the fireflies, the boy was already caught up though in "muhfascistempire is goat tier" for me to care about him as much as her.
Kaiser-Eoghan
The Air movie was more focused, better paced and visually directed with more panache than the show.
Kaiser-Eoghan
@Amagi: I have gone to almost every anime screening since the early 2000s and continue to.
Amagi
And many have barely any sort of advertising so I only notice them coincidentally by seeing a thread on /a/ or because I see some screenshot somewhere.
Amagi
Speaking of it there are so many great anime movies every year but nobody ever talks about them because the fans are split between those who see the screenings (that happen randomly depending on the country) and those who watch it a year later on their PC.
Amagi
I also found Hotori sad but it's ages old and I never met anyone who cared about it besides myself. Also, Hanbun no Tsuki and UFO no natsu although these were 6 part ova. Colourful probably too and the Key movies. I actually like all these movies like Air or Clannad but I didn't like the series that much.
Kaiser-Eoghan
I think ultimately its the patience some of these sad films are made with that allows then to eventually land their effect.
SuperWooper
It takes a while to get to that point, though.
SuperWooper
"The Wind Rises" is pretty damn sad.
SuperMario
Well, Grave of Fireflies hands down. or Your Lie in April if you don't mind TV show
Amagi
Then basically everything from Shinkai for example.
Kaiser-Eoghan
@Anon: You may need to let us now what type of drama you're into, are you okay with highly melodramatic stories?
Anonymous3180985
if so anybody have any good sad anime movies?
Anonymous3180985
anybody here?
Amagi
The more we approach xmas time the more it rains in my city. Like every year.
Amagi
Didn't know that guess I try this someday I love this setting.
Kaiser-Eoghan
The most recent thing I've watched dealing with a created/artificial/virtual world was an old German mini series called World on a wire by Rainer Fassbinder.
Amagi
Wonder about the consequences these last scenes in Gridman will have.
Kaiser-Eoghan
@Mario: I finally got around to Aki Kaurasamaki's films, watched I hired a contract killer, I like dry, sad bastard black humour like that and even when it wasn't being amusing I enjoyed the whole quirky tone throughout it.
Kaiser-Eoghan
I decided to watch season 2 of sound euphonium before getting to liz and the bluebird. I would like to see more of this. I guess I liked Asuka's arc.
Kaiser-Eoghan
I think bloom into you has stood out in how its dealt with Nanami's insecurities and backstory, found myself liking that one side character Sayaka more. There will be an arc where they do some kind of play which compliments/links in well with nanami's character.
Animosh
But yeah, I agree the series has great character writing. In hindsight, it's kind of a shame you picked Irozuku over Bloom into You. It had a great premiere and some stunning scenes, but the characters are so incredibly droll that there's just not much to write about. They're both slow burns, but Bloom into You gives you much more to think about.
Animosh
So I think the crossing the line thing is ambiguous between your interpretation and Yuu's subconscious fear that if she initiates things, displays her affection towards Nanami (and a passionate kiss that Yuu initiates certainly seems to qualify), then that will be the end of things. Actually, it's probably a bit of both.
Animosh
@SuperMario: I think Yuu is also aware that Nanami does not want Yuu to fall in love with her (I mean, it's hard not to after that death stare). And as a result she can never initiate things, because showing affection would undermine the whole reason Nanami fell in love with her. And Yuu obviously does not want this relationship to end.
Anonymous3177625
Did uh that really happen in BF? Probably not, but dang if that really was the case then stuff got real
SuperMario
@Animosh: the thing is Yuu takes the special attraction from Nanami for granted, and her mode is that she “doesn’t hate” it. She doesn’t hate it when she spends time alone with Nanami, she doesn’t hate it when they kiss. So for Yuu, when Nanami askes her to actively do it, it’a the first time Yuu feels like she’s crossing the line. Some really great character writing there
Anonymous3175137
It boils down to a female-targeted version of those moe shows that I don't care about all that much. Just replace the cute girls with hot boys.
Anonymous3175137
Compared to Katsugeki, where it tried to sell the series as something more than just a mobile adaptation and tried to court non-fans, here I got exactly what I expected; something safe and predictable, and catering exclusively to fans. So I got nothing out of it.
Anonymous3175137
Is there some sort of moe equivalent for male characters? Because this show probably counts as one. otoh, my feelings towards it are like most CGDCT anime: indifference.
Anonymous3175137
I think the oddest thing I did regarding anime this year was how I sat through both season of Touken Ranbu Hanamaru (including the one that aired earlier this winter), and didn't claw my eyes out when it's basically an unfortunate mix of a mobile game adaptation and a CBDCT show mixed in with some action segments to show that it's not just a pure estrogen-fest.
Animosh
I should also note that I don't relate to her in every way. I understand her difficulties with falling in love, but for me the problem is more that my view on love is too negative, and as a result I'm hesitant about taking the "leap of faith" that any relationship requires. Love is messy, and may well get you hurt, so it's easier to observe things from a distance, like Maki for example.
Animosh
Oh Yuu is definitely frustrating to watch. Her idealized conception of love prevents her from seeing what is obvious to everyone watching: that she's slowly developing feelings for Touko. And when those feelings evidently turn into love, instead of seeing them for what they are, she's in denial and insists that her feelings aren't special enough to be called "love". It's frustrating.
SuperMario
Then again, I can't really say why Bloom into You works for me now, but kept me in a distance in their first few episodes. It's slow-burn, and when you think back to it, not a lot has been happening. But I feel they haven't made any wrong step yet
SuperMario
Can't say I relate to Yuu thou. She's the kind of character that in real life I would find really frustrated, and I know many of my friends behave that way. That just to further demonstrates how real these characters can be. Even the side characters, Sayaka and the lesbian adult couple work well for me.
SuperMario
@Aminosh: it took awhile for me to fully embrace Bloom into You (I say about episode 5,6) but I agree it's getting very solid now. it reminds me of Scums Wish as well, mainly because how twisted romance can be
Animosh
I'm also worried it won't end in a satisfying way, since the manga is still ongoing. But otherwise I quite like it. It has its problems, but if you go into it with the right expectations (slow pacing, complex and flawed characters that make for an unusual love story, with more focus on the characters' psychological issues than their sexuality) there's a lot to enjoy.
Animosh
My only major complaint is that its characters can feel rather artificial sometimes. Touko in particular is a victim of this. She's such a weird bundle of complexes that she can be hard to relate to. Maybe it'll be better explained later on, but the whole idea of falling in love with another person because you think she'll be incapable of reciprocating it ... it's weird.
Animosh
I particularly like Yuu. I can empathize with her difficulties with falling in love, and I like her arc of slowly "blooming into" liking another person. It feels natural and earned. And like in SSSS.Gridman, the direction is surprisingly strong, and as a result it mostly nails its key moments (the river confrontation, the shed starting shot, etc).
Animosh
I finally caught up with Bloom into You, and it really surpassed my expectations. It kind of reminds me of Scum's Wish, with how flawed its characters are, and how selfish and unreasonable they can be. But like in Scum's Wish, instead of condemning the characters for their flaws, we're given the background to understand them, and they're not used for forced melodrama but sympathetically explored.
Kaiser-Eoghan
@Amagi: Are the Tezuka Buddha movies really that bad? I'll probably try the manga soon.
Kaiser-Eoghan
Also, it'd be cool if we could get long ova adaptations again.
Kaiser-Eoghan
I'd be happy to get more anime set outside of Japan. I also wouldn't mind seeing some anime based off western material.
Lenlo
Gotta say, I wasnt expecting that from Banana Fish this week. I hope its not a fake out, because if it isnt this ending could be great. I love sad endings
Kaiser-Eoghan
Bunny-girl made me watch a horrible idol segment. Then I forgave it because the end of the episode was well executed melodrama.
Sash
I just recently watched Made in Abyss.... and i cried real hard. I was worried that this story was going down the loli route at first... but how this show frightened me... and how it pulled at my heartstrings at the end.
Sash
I just recently watched Made in Abyss.... and i cried real hard. I was worried that this story was going down the loli route at first... but how this show frightened me... and how it pulled at my heartstrings at the end.
Animosh
But regardless of how things turn out, it was definitely a powerful moment, and I'm really happy things are finally heating up again. Looks like the demon/leopard/whatever will be unleashed next episode.
Animosh
Welp, I guess something really did happen this week in Banana Fish. I kind of expect it to be a fake-out though. Chii mentioned there will be an epilogue, and it'd be strange to do so without our main couple intact. We haven't really gotten a confirmation of how Ash and Eiji see their relationship either. So I don't think the ship (or rather, one of its passengers) has sunk just yet.
Kaiser-Eoghan
Well, one of them is essentially the first two episodes of the show as one long episode. So i would say that makes sense.
Anonymous3169068
After all, I don't think they know anything about the series until I show them these. They already know that I bought the novels though.
Anonymous3169068
Meanwhile, I'm planning on showing my family, the two LoGH films, My Conquest is a Sea of Stars and Overture to a New War during our Christmas vacation. Is this a good jumping on point?
Kaiser-Eoghan
Come on torrent, 90% done, then you decide to slow down. This is conspiracy I say.
Amagi
Same here
SuperMario
Thanks, will download it when I get home.
Kaiser-Eoghan
@Mario: Early sub for 720p version of liz and bluebird is on nyaatorrents, they say they are doing a 1080p version tomorrow.
SuperMario
It’s Christmas season soon so I hope I can watch some older gems during that period
SuperMario
I, on the other hand, decide to get off my movie marathon for now to spend time WATCHING MORE ANIME.
Kaiser-Eoghan
I've had that issue on other blogs, getting the moderation awaiting message, I got it here in the past too.
SuperMario
Woah, I will read that story soon when I have free time. Thanks
SuperMario
Lemme fix this, Amagi
Amagi
I have given up on a bunch of anime now I rather enjoy the few I really like to the fullest and use the rest of my free time to play games and read VNs.
Amagi
"Your comment is awaiting moderation" guess I posted too many links, he. Well thinking about it I could have just posted this in the shoutbox, it's no spoiler or anything.
Lenlo
I quite liked it. I like that it wasnt a one off thing either, but it showed them working at it. I enjoy how when Kurahara chooses to do something, he commits 100% to it. Its fitting for his character
Kaiser-Eoghan
A lesser series would have drawn out the drama with Haiji. The scenes with kakeru reading manga with Prince also further support what the anon was saying about him warming up to Prince.
Lenlo
I cant wait to watch it.
Anonymous3164706
And yeah, the cliffhanger from last wasn't a big deal since Haiji fainted from overworking himself and needs to rest.
Anonymous3164706
That part where he chose to slow down in order to cheer on Prince and Ouji was a great scene in particular. He's starting to care about others now.
Anonymous3164706
Man, Prince has come a long way from his slow, awkward running at the start. And it looks like Kakeru is improving in terms of building his relationships with his teammates.
SuperMario
awesome! Under the Silver Lake is out as well in case you want to watch it, Kaiser
Kaiser-Eoghan
Yo AwesomeMario , the bluray for Liz and the bluebird (the sound euphonium spinoff thing) is out, will probably be subtitled someday soon.
Kaiser-Eoghan
Compartively dogs DESPISE me.
Kaiser-Eoghan
Y'know...yeah, old kids stuff was kinda messed up and animal deaths were a big thing, Mufasa, bambi's mother aswell.
Amagi
Cats are weird
Amagi
We have two cats for two certain metro stations in my city. They belong to people living nearby but love the station so damn much you almost always see them sitting on the benches made for humans waiting for the subway/train. Two days ago I returned in the middle of the night and that one cat was still sitting there enjoying life. The other cat belongs to the station in front of my house.
Kaiser-Eoghan
Depressingly we also have that Lion king remake too.
Kaiser-Eoghan
Though I think plague dogs film adaptation stopped just before the full ending of the book?
Kaiser-Eoghan
Lol there are actually people out there who believe that only straight men have aspergers syndrome.
Kaiser-Eoghan
I can't actually leave a cat alone when I see it, actually snuck up on one to pick it up. Couldn't help myself.
Kaiser-Eoghan
Oh, heh, hey didn't know it shared the same author, makes alot of sense though.
Amagi
Yeah Plague Dogs is by the same author that did Watership. It was great. It's interesting to see how quickly series can become edgy and therefore bad on the one hand and how many grim dark movies or series exist that are damn good on the other hand. A wrong turn and your serious drama or thriller can turn into trash.
Amagi
Funny because I was also always a rabbit owner and now have a shitty cat (and yes I am actually autistic though although I guess I write pretty normal nowadays)
Kaiser-Eoghan
Oh Jesus...there was another old one wasn't there, the one about the dogs? Plague dogs, another example of a famliy/kids animation that pulled no punches.
Kaiser-Eoghan
I enjoy alternate history/dystopia stuff, There was It happened here, a British film about a what if situation where Hitler won.
Kaiser-Eoghan
I don't think I was able to get away with missing the subtext of watership down though when I was younger, my parents made sure I understood it at that young age.
Kaiser-Eoghan
I also liked how watership never really came off as being edgy in an detrimental way.
Kaiser-Eoghan
I'm convinced there is some connection between cats and rabbits in relation to autistic people, both creatures appear to love me.
Kaiser-Eoghan
@Amagi: And thats something I'm extremely picky on, mixing cuteness and darkness together but Waterships art got that right.
Anonymous3163410
Although it does try to go into darker material later on. It just tries to do what it can with a TV-Y7 rating and manages to succeed despite not being as violent or scary as the film.
Amagi
I like how Watership Down was basically the first popular cartoon with that dark moe trope if you count the rabbits as cute for being actual fluffy rabbits
Amagi
da,,it the cat won't leave the keyboard
Amagi
love 1984 too. genrally all of these political dystopias or however youcalltheseä#+
Anonymous3163410
It could be worse. It could be the sanitized kids version that aired in the late 90s.
Kaiser-Eoghan
And because the rabbits look organic in the 70s one, its more scary.
Kaiser-Eoghan
Watership was particularly harrowing though because it was rabbits and I was young and I was predisposed to rabbits=fluffy cute things.
Kaiser-Eoghan
*Ahem* kind of commied out there for a second. I'm actually more of an Allende-ist.
Kaiser-Eoghan
1984is still a good story too.
Kaiser-Eoghan
But he agreed that animal farm was good, despite being written by a trotsykite.
Kaiser-Eoghan
My father hated him despite my dad being a Marxist.
Kaiser-Eoghan
Actually that was more of a stab toward Orwell I was making.
Kaiser-Eoghan
As it stands, I don't dislike animal farm despite being a Marxist .
Kaiser-Eoghan
I also remember a cartoon called animals of farthing wood also being very bleak for a kids show.
Amagi
I mean there are positive aspects of remakes and 2h movies. They could add more stuff from the book for once. But on the other hand there are these fears and I must say that I am not fond of this CG. The drawn rabbits were just way more expressive than those of the new trailer.
Amagi
Taking away these aspects will turn such movies to useless teen entertainment.
Amagi
I hope they won't water down the political part of Watership too. All these allusions to Hitler and the NS regime were things I could only appreciate years later when I actually had some lowkey knowledge of history. Same thing with Stalinism and Animal Farm.
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