Posted by psgels on 14 April 2017 with categories: Some Quick First Impressions

I think I’m only missing that Atom Show, but I’m leaving tomorrow for a long weekend to Luxembourg and otherwise I’ll never get this post done. Oh, and Goro Taniguchi seems to have a new series out but for the love of me I cannot find any translated version. Also I try to avoid sequels unless I don’t know they’re sequels, I’ve seen their original series or I feel like they’re more like spin-offs and having seen the original isn’t importan.t

So, Spring 2017. It is huge, there’s a lot going on here. Common themes are fantasy, but more importantly the biggest difference with the previous season is that Winter 2017 was all about stories: complex stories that make you think and puzzle about how things will end. Spring 2017 is much more about characters and experiences. These shows aim to take you on a ride, with complicated storylines and settings being less important.

How did it fare? Well, we’ve got the entire spectrum between completely amazing and utterly terrible, about evenly distributed. Here are the impressions they made on me. 8000 words holy crap this was a lot!

Shingeki no Kyoujin Season 2

Well, let’s start off with the big one. And before I say anything else I do want to note that this series has one of the most annoying fan-bases out there. I mean I liked the series and all, but the past three years I’ve watched this show become perverted, become the victims of hordes of terrible jokes, over and over again. I’m all for people enjoying series in their own way and all, but this was just too much, to the point where I feared being able to take this series seriously again.

Now as for this episode, things are different. It’s not the same series anymore when you look at the execution. Season one was very straight-forward. This one totally wasn’t. And it may just be me, but in the meantime the animators have improved their skills, and I’m also spotting a bigger budget here, signalling that the creators really are planning to go all out. What does that mean?

Well, this project is being helmed by that crazy mofo of a Tetsurou Araki. If all of the other episodes are going to be like this one, then this seems like he’s taken his chance to just go all out. That part has me very excited, because this episode definitely was not “let’s just carry on where we left off”. This was twist after twist after twist, they could not have planned that at the end of season one. I saw creative liberties everywhere here, and off the good kind. This will be glorious, and please let it also be weird enough to turn off the most annoying fans so we don’t have to suffer through them trying to turn this into a bad comedy!
OP: I’m gonna bring this one back: short comments about the opening and ending animations here. This one was a retread of the first OP, only more mellow, but it works.
ED: This is one of the things I meant by creative liberties: it is far from what you’d expect, and yet it fits. It’s a great song because of how the sound of the music contrasts to the overall theme of the series.

Gin no Guardian

With only 10-minute episodes, Gin no Guardian had its task cut out for it. The past Autumn season had two pretty good series like that, with To be Hero and Cheating Craft, however Gin no Guardian did not impress me. It like, tries so hard to look cool and serious, but the whole tension revolved around the main character slaying thousands of zombies with silly voices who all look exactly the same. Perhaps it’s an attempt to appeal to the gaming crowd, but it looked like the story that a fourteen year old would write, with all of the self-insertion that you’d expect. So, the plot is too stupid to take seriously, what about the characters? For that a “meh” would be sufficient. They’re there, but they’re all pretty flat and uninteresting, nothing to write home about. There is one thing in this series that impressed me though: for some reason this show has a pretty good soundtrack. I can at least just close my eyes during the fight scenes and listen to the pretty melodies here.
OP: You know, when you can summarize your plot in your OP, this usually is not a good sign. Plus, it’s everyone desperately trying to look cool again!

Alice to Zouroku

Alice to Zouroku is a show about cute girls with superpowers. This sounds bad, yet this is one of the better ones. A lot of reasons go to that, but the main one is its realism. The big mistake that series like this usually make is thinking “oh, we have superpowers, we can get away with larger than life characters, anything not epic is just going to be boring”. Not here: this episode was twice the normal length, and throughout it stressed that for these huge powers, the girls need energy, or food. You want to do a car chase? Are you crazy, just think of how many people get hurt! It tries to show what REALLY would happen if your average Joe were to run into a magical girl.

Speaking of average Joe: the male lead here is wonderful. Of course we have had a few more male characters of his age, but it still remains refreshing amongst all teenagers. But what I especially liked about him is his sense of responsibility: it just comes natural to him, and his occupation is hilarious, and I loved how he just put all of the kids in this show in their place. This episode toyed very neatly with your expectations, and yet the lead’s calmness is refreshing to watch.

What I didn’t like… the action scenes were boring. And also yes, the girls here ARE annoying. They get better once the episode goes on and you realize what’s going on, but there’s a big danger of a lot of them just remaining one-dimensional stereotypes at this rate. this show is going to have to try hard to balance out developing these kids, together with progressing the plot.
ED: Actually quite cute and fresh for an ED. Not bad.

Warau Salesman NEW

This one took me by surprise. I figured that I’d just give this one a few minutes, but that it’d be just one another one of those lazily produced shows. I mean, just look at the art style! This is so cheaply produced, it can’t be good.

What I was treated to was perhaps one of the most evil main character in an anime I have ever seen, in a show that offers a terrifyingly biting criticism of modern consumerism. Apparently this is a remake of a series that aired back in 1991, but even then the themes of this series are as relevant as ever, perhaps even more.

I mean holy crap, this show starts off innocently, with the titular laughing salesman claiming to offer filling the emptiness of people’s hearts. DO NOT BELIEVE ANY WORD HE’S SAYING. I mean Christ, this first episode proceeded to ruin the lives of two perfectly ordinary people. They were both my age, which made it all the more relatable and painful as they fell into the traps that I myself try to avoid at all times. They show how easy it is to make a misstep. How modern society makes it so easy to give in to temptation. Screw it, this might as well be called a horror!
OP: Catchy song, great visuals!
ED: Invoking the classics, looks very pretty. Also continues to kick you in the behind right when you thought it finished.

Sekai no Yami Zukan

I said I wouldn’t do any of the 5-minute episode shows anymore unless they were really out there. I think this show qualifies for that. It’s a picture book-type of animation, with just a voice over, with only a few cardboard cut-outs being moved and zoomed to qualify as “animation”. It starts off like a normal short horror-story about a couple being lost in the woods, until suddenly aliens arrive and abduct them. They get kidnapped, brainwashed and the episode ends. This episode was both really weird, but at the same time the narrator actually knew how to build tension. He was the only one by the way, the other voice actors were happily hamming it up, plus the aliens look incredibly silly. This context between good and bad intrigues me for now.
ED: Dreamy rock fair enough.

Frame Arms Girl

This list is in the order of when I watched it, so Frame Arms Girl is one of the first ones I watched this season. Still, I’m already willing to say that this is the worst one of the season. I will be very surprised if something worse comes along. The only thing that this show can boast is its slick production values, but in the context of it all that just makes it even worse.

There’s good, and there is bad fanservice. Good fanservice flows organically in your story: it’s there if the story calls for it, or if you’ve got a particularly good joke that depends on it. Bad fanservice is designing your character with a skirt that doesn’t even come close to covering her crotch! The characters in this series are just 100% pandering: they’re cute cashing in on the mechanical fighting girls hype, with silly armour and guns, overly stereotypical acting, but what makes it even worse is that everything in this show is an ad. It’s not a simple case of product placement, every single scene in this show is geared to wards selling this merchandise. Everything is about the product, trying to make it look cool, or introducing its concepts to the viewers. The entire story is even dedicated to this, this is an attempt where they creators even stopped trying to be subtle, in a show whose premise is that they’re testing out prototypes of the toys they’re planning to sell.

I’m all for people enjoying series in their own way and all. But let me just say that if this series ends up selling well I at least get to label these buyers as simple-minded, okay?
OP: Never, in any context or circumstance, is it okay to start your very first frame with a pantyshot!
ED: Incredibly generic copy paste from other EDs, both the music and the visuals.

Rokudenashi Majutsu Koushi to Akashic Records

Some series are just plain annoying to watch, but even there Rokudenashi stands out because the entire premise of this show seems to be as annoying as possible. And that’s not a good thing by far in this case!

Seriously what is this series trying to do? We have this fantasy setting, a gorgeous town, right in the mountains. There’s magic, the entire world is open for the creators to explore. And where do we focus on for the entire episode? A high school. The way in which the high school is at the smack centre of the town says enough about how we’re never going to move beyond this high school. This show focuses on a new substitute teacher who is an incredible self-centred asshole and spends the majority of this episode harassing the two main female leads. It’s in the guise of comedy, I guess. But if that was the case the creators need to learn a very urgent lesson that mentally torturing people is not funny. We all know that guy: he tries so desperately to be fun and liked, while also being a lazy bastard and just ends up throwing one insult after the other.

So this series seems to be hinting that by the end of the series we’re going to be feeling sorry for him, but it doesn’t work that way. Dude, you can’t be Great Teacher Onizuka that easily. Onizuka was a bit of a weird guy with lots of flaws, but whatever happened he had his heart at the right place and really tried to teach valuable lessons to his students. The only lesson this kid offers is “do not trust anyone, stop wasting your time with idiots”. A valuable lesson perhaps, but why would anyone want to watch this mess?

Tsugumomo

I think Sigmund Freud would like to have a talk with the male lead here, with the way this episode started and all. Waking up from a nightmare and your first instinct being to grab the boobs of the girl in front of you. That is some deep next-level trauma right there.

But okay, fair enough. This is no series for me, but at least I get this one. It’s an innocent little romantic comedy with some fighting and drama, and they do seem to be competent about this: it’s not a complete rush-job and there were some jokes that made me laugh. The acting is decent and the two leads have good chemistry, and I have seen far worse. There was no awkward acting. The only thing is that that sister only needs to take one step closer for this series to burn in hell: she’s standing dangerously close to incest here!

But yeah, it’s a stupid little series that is surprisingly competent. With Rokudenashi I really cannot imagine the appeal, but at least here I can understand it. It’s not for me though: I miss something deeper here. This episode to me, was competent at best, but it didn’t challenge me in any way. At its core it’s just another magical girlfriend show, with no noteworthy music, visually it did nothing interesting, and in terms of themes, everything this episode did had already been done and better by Hand Shakers last season.
OP: Pretty generic, nothing really new.
ED: At the very least they tried to come up with an actual song here. Still dull, but better than the OP, and nice shading.

Busou Shoujo Machiavellianism

Fair enough. If you absolutely HAVE to set your series at a high school, you have two options: either have a ridiculously out there premise to work with, or be really good. Busou Shoujo picked the first one: it is set in a former all-girls school, where the student council forces every single guy to walk around in drag because some of them kept harassing the students. They enforce their rules with deadly assault weapons, like swords and a bear. I have to give credit here: they tried to make something out of such limitations.

One thing this show is very good at is building up. The first half was just busy hyping up everything, building atmosphere. As if there was some giant showdown about to happen, with epic build-up music, it being all intriguing, some very enjoyable chemistry between the different characters. It piqued my interest. And then the characters actually started fighting and the show quickly got boring. Yep, it’s all bark and no bite. This might just be for a set-up, but if you want to be ridiculous then you need to go all out. The most scandalous thing that the second half of this episode did was an accidental kiss. EVERY SERIES DOES THAT.
OP: A generic opening, but at the very least they added trumpets. It’s better than nothing okay.
ED: Also pretty generic.

Oushitsu Kyoushi Haine

This series is a classic lesson in bad acting. A lot of reverse harem suffer from this, but it’s exceptionally clear here. I mean when you look at it: the guys simply don’t feel like actual guys, but some kind of effeminate abomination. Of course very few characters in anime are actually realistic, but in these series, it’s exceptionally bad. Let’s once again run through why these characters are so insufferable.

There are many ways to act. A very easy beginner’s mistake to make is hamming it up: actually acting too much and putting on way too much of a performance. That is not how people act. Most people are usually simply mellow, whereas the characters here are in a constant state of giddiness. The main character did avoid this, the worst offenders were the palace guards. I mean come on dudes, look at the royal English guards and look at how they present themselves before putting these pussies there.

Now that of course is not the only way to present characters. The characters in Classicaloid for example were also really out there. But the thing about being a good writer is that every character should stand on its own, regardless of the other characters. If characters all have the same style of talking or same type of humour, then it’s the sign of an incompetent writer who is inserting him or herself into everything. And that’s what’s going on here. The characters, while all different stereotypes, all feel like they’re the same character here. They’re all on the same wavelength and it feels like a person with multiple personalities talking to himself. And this is not just in this show, by the way: when you take a look at other reverse harems, you seem the same character pop up over and over and over again. This is bad writing! Take some writing classes dammit!
ED: The same boyband sound you hear everywhere, random art deco here, and good, you gave them all sorts of facial expressions, you want a cookie now?

Boruto – Naruto Next Generations

I want you to imagine an old cow. Having worked hard before in her life, producing a ton of milk. Her udders have now shrivelled up, her time is gone. And then her farmer comes around and goes “ah, we can still squeeze some milk out of her”. That cow, is Naruto.

Okay, so Dragonball Z got away with it by making Gohan completely different from Goku, while still making clear that he was Goku’s son. It had its own plot, own direction. Boruto feels like these Disney sequels they kept making in the early 2000s, only with the right production values. They basically took the bad parts of Naruto, like almost one-on-one, and the new stuff they added… is really bad. I mean, Naruto was a brat, but at least you could argue that he was an outcast: that connected to hordes of people, making it one of the most popular anime ever. Boruto is the son of the equivalent of the mayor of the village, so he doesn’t have that. Making him a spoiled brat with really no reason to feel sorry for him.

Aside from that I really have issues how every child is like a carbon-copy of their parents. This is the sign of pandering. The whole premise of this episode also made no sense whatsoever, with the epitome being that runaway train. I mean what the hell was that?! I can understand spicing things up, and okay fair enough you want to get bullies back in an explosive way. But really, who found it a good idea to suddenly switch around and have Boruto crash the train into the ninja school opening ceremony? That’s not creativity, that’s just simply giving up.
OP: Pretty generic, although it at least tries to have some creative and colourful shots.

Sagrada Reset

Oh hell yeah! Do not get fooled by the generic character-designs or the school setting: this is not your average series. This series is the product of some writer, I have no idea who, being incredibly frustrated and needing something to dump his or her thoughts on. Those thoughts were put to a story, and that story is Sagrada Reset. It’s a show about high schoolers talking, but they’re actually talking about something!

And I have to give props to the creators of the anime for how they decided to handle the acting in this series. Everybody is so mellow. All tension comes from the music and the weight of the dialogue. That’s it, and in the meanwhile the characters are just droning on. And yet somehow this restrained way of storytelling works: I was glued to the screen. For a show that takes place entirely on a high school that’s saying something!

A good start is showing the main characters having hobbies, which have nothing to do with the series itself. The dude likes to play basketball. Okay, good for him. This is something most series don’t do: everything has to be relevant. Here though, it gives him a life beyond this series. The rest of the episode as well: the dialogue was really meant to get to know each other better, and it was really sharp about this. Characters are constantly analysing their actions, their characters. Everybody is assessing everybody here, trying to get through to their core. Sometimes they’re wrong, sometimes they’re spacing out, it’s all just prodding away. It’s fascinating.
ED: That singer at least tries his best to make something of the song. The mellowness of the visuals fits the show also perfectly. Wait a minute, is that HER, with her hair… oh you sneaky bastards.

Sakura Quest

So, it’s PA Works, trying for another Hana-Saku Iroha. But is it strong enough to stand on its own, or just gonna piggy-back off the success of former glory?

Yes, this is significantly different. Hana-Saku Iroha had its silly moments, but it was more grounded in reality than what we saw here. Sakura Quest is sillier, has more weird ideas, and it’s more flamboyant. Instead of a traditional inn, we’re talking about a Chupacabra-themepark bereft of its former glory. It all feels very weird, until you realize the context this series places its themes in: Sakura Quest is about entering the workforce. Being thrown in the deep by society and having to figure things out for yourself, and everything that just jumps at you that you just have to deal with. The big bad world finally getting real.

I’m very pleasantly surprised that the cast here is like 5 years older than in Hana-Saku Iroha, and it shows. They’re a weird bunch, but what this episode already did very well is make them seem genuine: they really care about that run-down silly place, and there already is some good chemistry between them and the main character. Part of storytelling is also using contrasts and opposites, and this show seems to realize that. On one hand it’s very silly, on the other hand it takes its characters seriously, and there’s this layer of realism in it. Characters on one hand do crazy things, on the other they behave exactly like you’d think in their situation.

The big challenge for this series will be finding a good and satisfying story-arc. It’s not just enough to show the shenanigans for an entire season until the group grows together, it needs to think of something more. Something to work to. That one year as a deadline is a good one for starters, but even that has to be used well.
OP: A simple genuine pop song that feels really weird if you don’t know anything about the series.

Saikaisuru Kado

For these previews, I watch just the first episode. Saikaisuru Kado started with an episode 00 and 01, I only watched 00 for this. Simply because if I want to be able to finish this post in a reasonable time-frame, and by the time the last series start the first ones already have their seconds out. I say this explicitly, because I have no bloody idea what this episode was trying to do. Like seriously, is this real?

It started off as a show about two businessmen off to buy land, of all things, but throughout the entire episode you just feel like “is this it? They’re just going to do this for the entire series?” Not that there’s anything wrong with it, it’s incredibly refreshing, but seriously? Businessmen as the lead for an anime series with such a weird opening? And then at the end of the episode that giant cube came along and like what? How? Why?

In any case: in the storytelling department it is very competent. You have to pay attention to all of the dialogue, but the characters, the premise of the episode. It was good, and came together quite nicely. I liked the characters going around and trying to get things done. In terms of the animation though… it is not very competent. There are lot of awkward faces and for some reason it switched entirely to ugly CG character models at the end of the episode. Please do not do that! I’d much rather have still frames than watch these awkward movements.
OP: Yeah, definitely the best opening of the season so far. Great visuals, great soundtrack.
ED: Also the best ending of the season so far. This song is even better!

Tsuki ga Kirei

Tsuki ga Kirei takes place in a middle school. It doesn’t have a special focus like Sagrada Reset; just middle school. I have a clear opinion on that, but I have to admit: the creators really want to try here to put forth the definitive middle school show. And for that, I appreciate this attempt: if it can either raise the quality of the other school shows that will follow it, or invalidate any more attempts then I’m all for it, because they definitely raised the bar here when it comes to pure execution.

This show uses its production values well. The school here feels alive: it’s not just a stage set for a few characters, no. Characters are constantly moving in the background, and the main characters feel much more part of the total picture, rather than the entire world revolving around them. That’s something that irked me about most other school shows: on top of them all having the exact same setting, they also weren’t very good at emulating school life. Tsuki ga Kirei did manage to bring a vibrant life to this setting. Of course the creators have set themselves quite a challenge: can they keep up this attention to detail for the entire rest of the series?

What this show also did quite well was adolescence. Especially the two leads were just fidgeting around, trying to navigate the world now that they’ve hit puberty, with all of the awkwardness that comes along with it. They act weirdly, but in a very believable way. Aside from that it’s a simple love story obviously, but if this show can finally just get that right, there won’t be any need for any other shows to attempt the same and I’m all for that!
OP: Not the worst type of copy-paste song, but unfortunately still a song that gets used everywhere. But okay, if you want to be the definitive middle school series then you can’t be too experimental.
ED: Cute feelgood ballad. Yeah, solid.

Love Kome – We Love Rice

Wait, did my complaining about 3-minute episode shows work? I mean, it’s not like they’re suddenly good or anything, but at the very least they seem to be trying. Here’s another one. Love Kome is so ridiculously stupid that it becomes funny. It glorifies cooked rice to the point where it just gets ridiculous, and the creators stuffed it full of cheesy rice-puns. I laughed, okay! This is better than those uninspired hack-jobs that we got bombarded with during the previous two seasons!
ED: Shameless plug spotted!

Kabukibu!

No. No no no no! Inspired by Shouwa Genroku Rakugo Shinjuu, they have a gander at Kabuki, but they don’t have the talent to back it up. The result is a silly high school kabuki club. You know how painful it is to see people who can’t act, trying to act? Well that was this entire episode. These twenty minutes were an endurance test. This was pure agony. These guys have no freaking clue how to properly emote characters, let alone properly portray the art of Kabuki! The only good thing this show did was show that a Kabuki series would be possible. Just come with some creators who actually know what they’re doing next time, please!
OP: Who the hell told this guy he could sing!? Make him stop!!
ED: Jesus Christ at least use actual singers here!

Shingeki no Bahamut – Virgin Soul

Holy crap, where did this come from?! I was already impressed by Tsuki ga Kirei’s production values, but THIS?! Crude yes, but this basically amounted to a visual orgasm, with how slick and creative all of the characters looked. Out of all series I watched the past seasons since returning, I have only seen one episode with better action, and that was Dragon Dentist: an OVA. Only Shingeki no Kyoujin could get close to how well this looked and felt, and that one had a giant marketing-machine behind it. For a show to just come out of nowhere and deliver such a solid opening episode astounds me. The action here looks great, the animation is incredibly smooth, they use humour to balance things, they don’t forget to put in confusion and emotion.

At times it is rather silly, I give it that. The whole whip thing was embarrassing. The title will turn people off. But these are the shows I like to see: the ones full of ambition. And if they slip up once in a while, eh who cares. I can definitely see that this show has the right intentions. Its setting also is a very interesting one. Standard fantasy at first, but the way in which humans have basically won, and how it shows how society developed because of that: it gives this show an interesting twist. And HOLY CRAP THE SOUNDTRACK IS A JOY!
ED: Yes! This is how you end such an episode!

Twin Angel BREAK

Let’s talk a bit about stereotypes. On one hand you want rounded characters, versatile ones. On the other you need to keep your story concise and want colourful characters for jokes. There isn’t a right answer how well rounded a character should be, or how much they should depend on their quirks. It’s all a matter of balance. But let’s agree here that having a character who dresses like a sheep and goes “baa baa baa”, is going too far, okay?

Yeah, Twin Angel Break is a standard shoujo, in the worst way. This episode had its fun moments, but all those moments were more due to incompetence than anything else. I liked the evil shamisen player, but beyond that there was nothing here I haven’t seen before, making it all very lacklustre. Also the shoujo series need to take a serious look at themselves and their mascot design. The fact that this show features a squeaky-voiced hedgehog with wings is a worrying sign that they’ve run out of ideas…
OP: At least it’s up-beat.

Renai Boukun

The production values looked solid enough, so at first I thought that at least this would end up as a moderately enjoyable romantic comedy for a few good laughs. It’s actually one of the worst.

Someone, please send these writers on a screenplay 101-course, this is getting embarrassing. There is such a thing as context: you establish it first before you can actually pull of jokes. You need to have a clear idea of who is who, and use that to let things spiral out of control. What this show does is that every minute it pulls something ridiculous out of its ass that completely bends the rules again. It’s a neat trick once, but this show just keeps doing it over and over, so there’s no real frame of reference for us as an audience to be able to get our feet on the ground. It’s like “why should we bother investing in these character if they’re going to change the rules again anyway?”

I’ve said many times that there are few things worse than watching an unfunny comedy. What makes Renai Boukun insufferable is that it aims to be one of those quick-fire comedies. Watching joke after joke fall flat for 20 minutes was a really tiring experience. and every character is guilty in his or her own way. The male lead is trying way too much to be a straight man, the female lead is being random for the sake of being random, the Yandere is being WAAAAY to yandere, and the yellow-haired girl has a way too ridiculous backstory to even be credible.
OP: The only good thing about this series. Creative and catchy.
ED: Badly sung and actually quite dull for what this series is trying to do.

Hinako Note

I was gonna have another “Graugh! Not another cute-girls-doing-cute-stuff again”-rant, but really: this show is fine. I’m not going to put this show down, because it’s clear that there’s a passionate team behind this that wants to put out something nice. What sets this show above its contemporaries is that it feels full of life. Its characters have multiple sides, together they have the energy to draw in their viewers, and on top of that it’s just really cute.

It helps that it treats its characters like actual characters: they have their quirks, but it’s not all to them. And they actually know how to behave normally. The creators know how to use detail, both in their outfits, their personalities and the background art. There were a few cute jokes here and there that made me laugh, and the end of the episode seems to hint that they’re going to do something with theatre, so at least they have something to work towards. This episode was also varied enough not to get boring. For slice of life you could get much worse.
OP: Weird, erratic, nonsensical. At least they try. More shows need to have OPs with this mentality instead of the usual generic stuff.
ED: Awkward animations but fair enough the creativity is here too.

Clockwork Planet

Nahw, Clockwork Planet. You’ve got such an interesting premise. Why did you have to waste it by being so generic? The whole premise of a planet entirely made of gears and clockworks, you can do neat things with that! And instead we’re stuck with a generic boy-meets-special-girl-plot that doesn’t make any sense. It doesn’t bother to explain stuff, and none of the characters really are that interesting to watch. Especially the male lead is a brat who has no business of being at the centre of the conflict. The episode starts off by beating up generic robots, and then it ends in beating generic thugs.

Also, symbolism. It can be subtle, it can be obvious. It’s up to you to balance things and make things interesting. However Clockwork Planet takes it way too far by putting gears EVERYWHERE. “This show is called Clockwork Planet” – “Hey, do you know we have clockworks here” – “Hey look, a gear” – “Oh look, another gear” – “Look, they move” – “Hey, a girl made entirely out of gears!” – We get it already! You like gears! The thing is also, that that’s the only thing this show can think of when it comes to symbolism. When you think a bit further, gears are there to connect, to turn, to be in synch, or in reverse. There’s nothing in this show about that. Or clockworks: there’s nothing about time here. It’s just “gears are cool”. Okay. Good for you.
OP: Generic opening WITH GEARS
ED: Ugly CG WITH GEARS.

Uchouten Kazoku

Next up in the category of “shows I never expected to get a second season”: Uchoten Kazoku, the story about a bunch of tanuki brothers. Now, I do have to make a slightly embarrassing confession: I have forgotten why I liked this show. I know it was good, and I still remember pars of the story, but why exactly it was good… eh? This episode didn’t offer many hints, beyond being good at world building. The show has many different characters, all in their own fractions. It’s quite a bit political between the ravens and the tanukis, the dialogue is well written as well. It just seems to miss something. Like, this episode was interesting, but it missed some kind of “oomph”. You know, the kind of thing that grabs you. That makes the experience better than the sum of its parts. At the very least the creators seem to have the inspiration for a second season: its setting is large enough for this to actually work, without being a rip-off of the first season. Really, the ingredients are there, I just need to refresh my memories again.
ED: Actually kind of an okay song. But you can hear that the vocalist can’t hit the highest notes.

Eromanga Sensei

Okay. After Frame Arms Girl I said that I already encountered the worst anime of the season. I was wrong. Eromanga-sensei. If this show just did what it said on the tin, featuring a quirky manga artist who draws hentai it still would have been bad, but not so mind-bogglingly awful as what this was. This just takes everything to another level: you have to actively try to be this incompetent. And try they did! Out of all romantic comedies, this one has to be one of the most far-fetched settings I’ve seen: a kid who happens to be a light novel author, lives together with his hikkikomori sister, who happens to be the illustrator of his novels, which he doesn’t know about. The sister is a young cute girl who draws porn-like pictures, using random screenshots of her own body for reference. They pull the “parents are dead”-shtick in order to garner sympathy. The main character overreacts way too much about things that don’t really matter. And don’t even get me started on the incest undertones here! I thought Frame Arms Girl was bad pandering, but holy crap everything here feels so crafted to be as pandering as possible. It’s so calculated. And that makes this worse than something simply misguided or incompetent as Renai Boukun or Clockwork Planet. People, well thinking people, spent EFFORT on this thing.
ED: And again the generic song structure returns, with slightly different instruments this time, but don’t get fooled!

The King’s Avatar

Ooh China’s coming with another one. Aaaand unfortunately it’s still not good. The King’s avatar tells the story of a professional gamer, fallen from grace, but the whole episode was just… embarrassing? It falls in the same trap Sword Art Online fell in: it’s a game, and yet throughout this episode the characters take it SO seriously. People are simply clicking away and this gets accompanied by really dramatic music, they try to build up this whole tension as though something really important is going on. Like there are two countries going to war or something.

Also, the acting. Now, a disclaimer is that I know absolutely nothing about Chinese. But even then, this all sounded so… wooden and monotone. Incredibly unnatural. And this is nothing against Chinese: I’m Dutch and I’m the first to admit that Dutch is a horrible language for both drama and music (it is very good for deadpan humour and sarcasm though). But I’m interested to how Chinese speakers experienced the acting here: was it as wooden and dead as how it came over to me, or is there something more subtle going on?
ED: At the very least this song is giving a good attempt at rocking out.

Re-Creators

Here’s one aiming to become the mainstream series of the season. Don’t get me wrong, Shingeki no Kyoujin will be the most talked about series of the season, but it’s not something to appeal to a really wide audience. Re-Creators is: even though you aren’t familiar with anime, the idea of your favourite characters coming to life is a universal one, and this series makes sure to appeal to a wide audience, by having both action, a few hints of romance (but not too strong), and something grounded in the real world with relatable main characters. And it makes sure to put a ton of detail into it. Its attention to detail is to make sure that people will talk about it in a good way: to give as many people a reason to try it and keep up with it. It’s doing a very good job so far, and I like how it takes the concepts of the series of a decade or two ago (being transported to a different world was very popular back then), and giving it a modern coat. Details like freaking out over a mobile device blue screen as you’re about to use it? neat detail. The action meanwhile knows how to keep you entertained: it keeps changing frame and setting, and this episode used its intriguing premise very well: it takes us along with the lead female’s confusion as she attempts to grasp what the hell is going on. The music is good: tense and rememberable, while not being too weird. This one could get very big outside the community if they play their cards right.
ED: A well produced rock song. Notice how it’s completely different in structure from the other EDs this season? This is pop.

Zero Kara Hajimeru no Sho

Okay, so after all of the big budgets, we have here a fantasy series on a smaller budget with limited resources. Characters have these overly cute facial expressions, even when they’re supposed to be old kings or rugged warriors. I suspect that this is in order to cut some slack on the animators for not having to try too hard. While it does avoid distorted faces, the action scenes are simple, and it basically has no budget for immersion: making its setting feel alive. Something that’s pretty important for a fantasy series.

And yet the two main characters have a wonderful chemistry together. This show knew its limitations and decided to focus on being really good at one thing: just seeing these two together is fun. Complete opposites that complement each other. They both have this hint of sarcasm in their antics, and especially the big guy is really sympathetic. They’re well written, yet simple, so there’s always something to talk about. Heck, the dialogue in general is very good: to the point, no line is wasted and either adds something to the scene, characters or backstory. This could be the sleeper hit of the season.
ED: Ooh, someone who can sing.

Shuumatsu Nani Shitemasuka Isogashii Desuka Sukutte Moratte Ii Desuka

I’m detecting a slight racism theme in the fantasy series this season.

Shuumatsu Nani Shite… agh, I’m just going to call it Shuumashi for short, isn’t one of the better ones though. This is especially clear after Zero Kara Hajimeru no Sho, because the reasons lie in the execution. The premise is fine. A guy taking care of a house full of children with special powers: this can work. The world they’re creating has some neat ideas behind it. The male lead being the only human being left is cheesy, but ah well, they can overcome this. But take a look at the dialogue: where Zero’s dialogue is punchy and to the point, Shuumashi has this tendency of saying the same thing over and over again with some of its line, unnecessarily dragging on some scenes. Like get on with it! Padding is okay, but when it’s done so consequently it starts to become grating. And that leads to ultimately the big problem here: boring characters. It’s predictable and rather one-sided. There’s no spark in the romance, there’s no good chemistry, and all of the kids just look the same. It’s all very subtle, though. If the romance and the troll girl weren’t there, things would have been a lot better already and I might have actually given this a chance. But when it’s already this grating this early on, it’s not going to improve and just going to waste more time that I don’t feel like wasting.
OP: This song is actually very good and fits well as the opening for a fantasy series.
ED: A standard pop song, you can see that Satelight has its connections, though this unfortunately isn’t a very good one.

Fukemenkei Noise

Fukemenkei Noise is a musical shoujo melodrama. It has one goal: to take the viewer on an emotional ride. Making sense, good animation, acting… pretty much everything is put on the second place for that main goal. In this way, it can try out new stuff. Do things differently from usual without having to worry too much about everything coming together.

The result is really rough around the edges, with a number of insufferable characters, with flashes of brilliance intermixed. The budget for this one is small, yet they really tried to stay away from still frames: they only use one and use it deliberately. The result is that when someone is singing, it looks… unique and awkward at the same time. I get what they were going for: the lead character being this oddball who sings with the entire core of her being. On one hand it’s what makes this show great and terrible at the same time: the lead character is sharp, she’s all about bringing out the feelings we usually hide: unabashed. But yeah when she’s got a voice actress who can’t keep up with that idea… yeah. but I like her, I really do. She brought me on a ride. But her male love interests are annoying. They’re constantly making drama, leaving without saying anything, abandoning their responsibilities while also being as dramatic as possible. And don’t get me started on that other vocalist girl!

You see: letting out all of your feelings is not being the biggest drama queen in existence. Feelings are more complicated than that!
ED: Protip: if you’re doing a show about great passionate singers: bring a great and passionate singer along. Being able to voice act is less important: just do more takes and take more time and you can also get away with it!

Natsume Yuujinchou

Yeah, yeah. Like always this series is cheating by having already five seasons of build-up preceding it, so having the best first episode of the season was pretty much a given, but I’ll put it better: this was one of the best episode of Natsume Yuujinchou. Period. It was that good. This entire episode just melted my heart into little baby-hearts with how incredulously sweet it was.

Okay okay, recap for the people who are totally unfamiliar with what this series is like: Natsume Yuujinchou tells the story of a guy who can see youkai, in a world where very few people can, and he has been ostracised for it for his entire life, having lost his parents at quite a young age because of it. This series is not just that of a boy who can see spirits and his interactions because of it, but it’s also about how a boy with a terrible childhood manages to grow up and find a number of people that accept him, for the first time in his life. The past five seasons have all slightly built upon him changing, and accepting that finally, he’s not alone again.

Then this episode comes and highlights that character-development in a brilliant way. Without delving into big spoilers, it was wonderfully told, with a ton of attention to his subtle mannerisms: all very subtle and nuanced. The acting was wonderful in highlighting how a person changes over the years. It’s episodes like this that can still just reduce me to tears due to how completely adorable they are. Will this be a fluke or will the other episodes this season be as good as this one? Please do!
OP: More upbeat than usual.
ED: Very nice ballad to close off with.

Sin – Nanatsu no Taizai

Screw Nanatsu no Taizai.
ED: Ugh.

DanMachi Gaiden

Oh boy, this one had a really bad start. Set in a rip-off world of Druaga no Tou, without any of the backstory behind it. Why are they fighting? Eh, dungeon! Where do these monsters come from? Dungeon! What exactly is this world? Dungeon! And some vague story about Gods that doesn’t make any sense. This show also makes the mistake of having the characters talk in gaming jargon. For some reason characters have “levels”. The dungeon has “levels”. “Monsters” disappear in black smoke once they’re “beaten”. How exactly are they planning to immerse the viewers with this? Or is this show aimed at the shut-in teenagers who spend their entire lives gaming? It sure looks that way because the episode was also full of really bad boob jokes. But okay, I have to grant this show one thing: it is very good at “one for all, all for one”. Teamwork is a big theme in this show, and this episode explored it actually very well: how do you fit in a team? How do you keep the team together? And at the same time it also still has time to dedicate time to each team member individually. Okay, it’s not entirely bad, it does have some reasons to keep watching.
ED: Doesn’t really fit the show but ah well.

Saenai Heroine no Sodatekata Flat

Wait. Wait, wait wait. THIS is this season’s Noitamina? A high school doujinshi club!? Have viewer rates gone that bad for them to stoop so low or something, holy crap this was one of the worst Noitamina opening episodes I’ve ever seen! And it’s not just because it’s badly made, although that counts a lot: from a camera that constantly focuses on either ass or boobs, to dialogue that just keeps going on and on without getting anywhere, characters having motivations and reactions that make no sense whatsoever, on top of everything being incredibly contrived. The bigger problem is that this isn’t just incompetence, this is a completely redundant show, taking up the valuable Noitamina-slot that could have been saved for an actually challenging series. How redundant is this series you ask? It’s basically Eromanga Sensei without the incest! Like the similarity is uncanny! Two high schoolers, one a light novelist, another a hentai illustrator. The male who is this straight man trying way too hard. They don’t know about each other until it comes out. And of course, it’s not exactly the same, but that brings me to the doujinshi: that has been done plenty of times before guys, and better! You want to focus on dialogue? Uh hello, you’re trying to compete with Sagrada Reset? I see what you’re doing, you’re also having a ton of dialogue, intermixed with assumptions about the other. But really you have no chance of standing next to it when your dialogue is boring and assumptions are either nonsensical or contrived. Saenai Heroine, you are the Peter Pettigrew of this season! Pointless, annoying and ruining it for the others in the name of the Dark Lord!
OP: Nice visuals at least.
ED: Fanservice, silly romance, god Noitamina used to be famous because of its artistic OPs and EDs.

17 Responses

  1. meow says:

    WB Psgels! o/

    About Bahamut, I just wanted to make sure you knew this is a sequel. You might want to catch the prequel because I saw at least 4 returning characters. The setting here appears to be an aftermath of what happened in the prequel. Similar, perhaps even better production values, which, like you, I was very startled by. Then again, this show is based on a very popular japanese smartphone TCG. I remember an old urban legend from years ago about a beat cop who tried to extort money from someone using his badge to feed his Rage of Bahamut addiction. Free to play smartphone games are scary. They deserve a place in Warau Salesman.

    About Rokudenashi, I’m actually keeping an eye on this because the lead character seems written to be everything he can to be the opposite of what you’d expect from a teacher or MC. From the starting episode, he’s embarrassingly useless, shameless, incompetent, etc. He picks a fight with one of his students, loses an honor duel and refuses to honor the terms of the agreement. He’s the polar opposite of a Gary Stu. Where could they go with this? I compare this to Irregular at Magic High School, where the protagonist seems to be the equivalent of a disabled person at magic but shows some incredible competency and turns out possibly to be the strongest mage in the country.

    About Sakura Quest, did you happen to see Shirobako too? I don’t think this show will go in the same direction as Hanasaku Iroha but I’m keeping a strong eye on this one.

    About Zero kara hajimeru, why is the title so similar to Re: Zero? Coincidence?

    About Uchoten Kazoku, well, there is this classic storytelling form the anime takes. The singsong-like narrative of the protagonist, like he’s speaking in rhyme. Or this melancholy of how kids can refer to their honored father as: “Our father, who became a stew.” Or a boy who can fall for a woman who caused the death of his own father, and that somehow working out. Somehow. I’m not sure if that storyline was completely resolved. Or maybe I don’t remember either. I thought this was Noitamina, by the way.

    About Danmachi Gaiden, it’s a sequel btw. Same story told in the perspective of a different character. High production values but I have a feeling you’ll hate it. Just a heads up. The original was a harem, with another meek underpowered newbie turned overpowered gary stu favored by a tiny twin-tailed goddess with a massive rack. I can hear you gagging from here. XD

    About Saenai, also a sequel. Very high production values. IMHO, it might be the definitive harem romcom specimen of the time. I actually like this show a lot because of the writing and jokes. I’m into the doujinshi Comiket scene so this piques my interest.

    About Re Creators, strong debut that totally pushes all my buttons but I’m not sure where they’ll go from here. The ED sounds way too similar to the music from owari no seraph (Same song artists) so there’s this sense of foreboding. If this story turns into a bloody massacre, I’ll probably be turned off. I’m already feeling some sympathy for the villain though, if her connection to the girl from the prologue is what I think it is.

    • psgels psgels says:

      Bahamut: I indeed suspected it was some kind of sequel, yet it didn’t feel as one strangely enough.

      I have not seen Shirobako

      And indeed, Uchoten Kazoku had some very interesting ideas, and yet it never was a Noitamina. Ah we’ll see if the upcoming seasoon will be worth it.

      Also thanks for the warning on Danmachi Gaiden: I did not know it was a sequel, and what you said makes me fear what it’ll turn into. It does explain all of the boob jokes.

      • meow says:

        About Shirobako, you shouldn’t miss it. I lacks the rustic charm and whole package epic life story feel of Hanasaku Iroha but is a masterpiece in it’s own right, IMHO, which got me excited if they’re aiming for something like that with Sakura Quest. If you’ve ever loved the anime industry and wondered what it might be like to be a part of it, this somewhat fairytaley version is for you. I remember there was a pretty good review of this here somewhere in the End of Season reviews.

        About Danmachi Gaiden, I’m honestly not sure this time because the main character here is female who is a potential relationship candidate of the MC from Danmachi. So think of it as something like what Railgun was to Index. I found Danmachi not bad personally but I admit I’m fine with fanservice. This story kind of fleshes out what an RPG roguelike game world might be like to live in. OP RPG MC wish fulfillment and all that.

  2. dene323 says:

    Sorry if I’m stating the obvious here, but you do realize that Saenai Heroine “flat” is a sequel right? Just checking. All the crticism about this show somehow not worthy of the Noitamina slot have been raised many times by numerous cultured reivewers back in 2015, yet somehow it found decent commercial success to justify a second season, I’m sure it has nothing do with the high production value and author’s writing, whose only other notable work was called White Album 2.

    By the way, ED is a recap / teaser of last week’s pilot, a purely fanservice, BD only extra episode not released on TV. Actual ED is probably delayed and still in the works.

    • psgels psgels says:

      Ah, I did not know about it being a sequel. I honestly know absolutely nothing about anything that aired in 2015, which makes it getting a sequel even weirder.

      • DmonHiro says:

        Also, Saekanos first season did the exact same thing: put all the fanservice in episode 00 to get it out of the way.

    • meow says:

      Btw, is it flat or “b flat”?

      Anyway, it’s all a matter of taste. There was someone who disliked Re: Creators too, calling it pure wish fulfillment. Which is true. And for me, one of it’s strong points. What fantasy/sci-fi geek or anime fan hasn’t fantasized in their heads about living in this or that fictional world, or having their favorite character just pop into the real world somehow. I praise Saikano for having some interesting, quirky heroines and a lot of subversive jokes, which the harem master MC is often the butt of. There’s also something of a slice of the otaku lifestyle in different perspectives. But yeah, a lot of fanservice, and the usual harem romcom tropes which will turn people not into that off.

  3. SuperMario SuperMario says:

    Nice write-up there psgels. Gosh, you even write more than us I believe.

    Basically agree with all your impressions, except for Sagrada Reset, as I believe the dialogues are unnatural and terrible. Also,the show’s insensitive to its characters to the point after the second episode, I felt a little dead inside.

    As for Saenai Heroine, I’m following it up-to-date and I found it more or less enjoyable. The writing does subvert/ deepen many of common anime tropes here. But I never really like the meta-comment because whenever the show addresses the tropes, it takes away all the realness from the story. Episode 0 reminds me all the things that I don’t like about this show. Still the story has some pretty neat moments

    Kado, you should watch episode 1 as it’s where the main story kicks in. Episode 0 just fleshed out the lead character so the pacing and the tone are completely different.

    Bahamut is a sequel. I remembered K-Off reviewed the original awhile back nut never get to watch it until recently.

    A bit sad that you don’t remember much about Uchouten Kazoku. Well, I’ll make sure to remind people about the greatness of this little gem

  4. noman says:

    To be honest Noitamina had enough flops in recent years, so it’s a tad of a moot point that they always throw good shows in this timeslot nowadays.
    As already being pointed out in comments Bahamut’s a sequel to a quite successful one cour show, which some people described as “Pirates of the Carribean meets Diablo”. The thing however had some pacing and story/characters-wise troubles which downplayed it’s animation and feeling-adventurous excellencies, quite unfortunately. This time they (presumably) got an even bigger budget and 24 eps or something, so i hope it will deliver a better and more coherent story. Oh and some new characters to boot, including the main girl. Which is both a shame – Favaro was a wonderful if a tad narrow character – and a good thing since i feel that his story’s kinda already mostly told and he might get a little stale if they aren’t gonna somehow change his character, which is a dangerous undertaking since it may break believability completely here.
    About Re: Creators – it’s done by some quite competent guys, like the director of Fate/Zero and author of Black Lagoon manga for example, they had their own flops but i am quite hopeful. Also Sawano Hiroyuki’s doing the music here, and his work ranges from good to truly damn awesome, which fits the actiony feel of the series nicely.
    @meow – about Zero Karas, it’s a coincidence, they are completely unrelated series afaik.

    • meow says:

      Thx. About Favaro, I’m pretty sure he hasn’t showed up yet, if at all. The bandaged bandit is probably Azazel.

    • psgels psgels says:

      Yeah, I think what got to me the most is not that I didn’t like Saenai as a series. It’s that, and that it’s a high school show, taking up Noitamina’s spot. Like it’s not supposed to be there. Because it indeed is far from the worst thing this season. Being a bad Noitamina show is one thing, but being bad and derivative, that’s what got to me.

  5. Konstantinos Travlos says:

    Between Shingkeki no Bahamut and Shingeki no Bajamut:Virigin Souls were two mini-episodes that were very very good in fleshing out Kaiser and Favoro, but have never been translated. A foolish move.

    I loved the first series. I will love the second series as long as it moves forward fast. I do believe from the two mini-episodes that we will be seeing Favoro again, and Jean. I am looking forward to the second Bahamur series. The only turn-off in the first episode was the arena scene. For some reason such scenes, or people or creatures forced to fight to the death, make me physically ill. I hope the show moves on fast from that point.

    Anyway, if you have not seen the first Shingeki no Bahamut, I would suggest, you see it. If you know Japanese, then see the two mini-episodes. Then move to the new series.

    RE:Creators looks great, but one of the posters above is right. If it becomes a massacre series it will be a let-down.

    • meow says:

      For some reason such scenes, or people or creatures forced to fight to the death, make me physically ill. I hope the show moves on fast from that point.

      IMHO, it’s intentional. Puts the faction of Man squarely in the antagonist seat this season.

  6. noop_noob says:

    Finally, someone who likes Sakurada Reset. Everyone else has been saying how bad a show it is.

  7. Amagi says:

    This is why I personally love your reviews: I totally agree with you again!
    Considering this, I don’t really know what to say. You said everything I thought about the series.
    And nice that you’re also enjoying Reset!

  8. donhumberto says:

    Count me in as another Sakurada Reset fan. Honestly, I’d rather watch a series that at least tries to do something different (even if that means alienating most anime fans)than some run of the mill crap we have already seen 1000 times. Somehow it reminds me of Aku no Hana or The perfect Insider in the sense that it doesn’t give a fuck about its audience… and I couldn’t be happier for it. Oh, and the soundtrack is outstanding.

    My faves at the momment are Kado (although I really hope they tone down that annoying scientist), S. Reset and, of course, the second season of Bahamut.

  9. Huh says:

    Yeah, on Shingeki no Kyojin, isn’t Masashi Koizuka directing the second season?

    I’ve already noticed that the show is considerably less hammy and while the animation is more consistent it heads for a more subtle character-focused approach rather than the over-the-top action segments of the first season, from what we can gather of the first three episodes.

Leave a Reply

CHANGE USERNAME
Vonter
I watched some episodes of KonoSuba yesterday, reminds me of Those Who Hunt Elves. And I suppose it might be an easy recommendation because it mainly comes down to; do you find it funny? or fun? If not, skip.
Kaiser-Eoghan
While yes its true of watching those slice of life shows week by week is better, I felt that when reading the manga for Aria it was easier to marathon by reading it rather than watching.
SuperMario
Flying witch have the same atmosphere, but it's a purely slice of life anime. I love Aria too and I agree that watching it 1 episode a time is the best way to enjoy it. Can't think of other serious anime that have those calming elements for now
Anonymous1042537
Yeah, I noticed they all have pretty different structures from one another (ACCA's political, Mushishi's naturalistic, Monster is a thriller, Rakugo's about a specific art form, 3-gatsu is ostensibly about Shogi, etc.) but I found that I found some similar calming elements in them (to different degrees of course).
Anonymous1042537
Thanks, I'll definitely check Aria out!
AidanAK47
One of the hardest shows to marathon besides Bakemonogatari. Though Bakomono gave me a headache after a few episodes whereas Aria just had me so mellow that I could drift into sleep at any second.
AidanAK47
Don't know if you could call it a sub genre as the examples you listed are all really different from each other.
Though in the vein of calming shows I think you can add the Aria series to the list. That show is so relaxing that you find yourself nodding off to it. Not out of boredom but it just has that effect on you.
Anonymous1042537
Do you guys know if there's a specific subgenre like this, or am I making it up? And are there other anime with that kind of feel. Not exactly slice of life, but in the general vicinity of it.
Anonymous1042537
The Great Passage was another great example. It delved into the seemingly boring subject matter of dictionary-making, but it was a surprisingly charming show. 3-Gatsu no Lion also looks promising, I enjoyed a lot of the first season (but wasn't a fan of the forced comedy sometimes).
Anonymous1042537
Like the episode where Tenma first meets Grimmer on the train to Prague and they have a picnic on the mountain was so dang good. I really need to rewatch that.
Anonymous1042537
There are some elements of that style in other shows too, but to a lesser extent. Like some parts of Rakguo (mainly season 1) was very soothing. Naoki Urasawa's Monster had some fantastic, almost melancholic episodes like this.
Anonymous1042537
It seems that most anime w/ that kind of style usually also have another genre mixed in. Mushishi was also very naturalistic, ACCA had a political underpinning.
Anonymous1042537
It's sort of in the vein of a "Mushishi" style show. I suspect it's an emerging subgenre of slice of life that's meant to be very calming, relaxing, atmospheric which I really am digging.
Anonymous1042537
I really hope there are more shows like it; not that it was perfect, but it was certainly unique and hit a lot more than it missed. I really like those cool, quiet shows you can enjoy with a nice cup of tea before you go to sleep.
Anonymous1042537
Ironically though, I would say that the first half of ACCA (up until the big flashback) is better enjoyed week by week, or at least that's what I found.
Kaiser-Eoghan
@Mario: It felt good marathoning a show again rather than waiting week by week and next weekend I'll probably marathon house of five leaves.
Kaiser-Eoghan
@Mario: Forgot to mention...there were certainly a share of moments in Acca that feel fanservish to the female audience =P
SuperMario
@Aidan: haven't noticed that. Will fix it soon.
AidanAK47
@Mario, Only problem I can see is that the posts have no spaces in between paragraphs.
SuperMario
... to be near my laptop for an entire week. First time that I had to blog entirely through my phone. Seemed to work out fine but I had to borrow screenshots from other source (I thank you that other source) ^^
SuperMario
*unless* rather than *as long as*. This has been a crazy week for me as I didn't have a chance
SuperMario
@anon1039488: I find the idea of limiting excess to exclusively stream an aime is a dumb idea; because as long as people have a chance to expose to the anime they won't really care to check it out. So I detest owning the legal streaming account, but I always pay back by buying DVDs/Blurays that I liked
SuperMario
I watched House of Five Leaves by the same mangaka and I really enjoyed it. Nataume Ono is a pretty excelent storyteller (a bit mixed on her art-style thou)
SuperMario
@Kaiser: I agree that the first dew episodes of ACCA were not that engaging but the endingg neatly tied up all loose ends. I still feel Grossular's act is kind of messy (why was he under such control from Lilium? He's not that kind to be in such passive role to be honest) but other than those I don't have any real complaints.
Anonymous1039488
Competition is good, but it makes it cost so much to legally watch everything. That's why a lot of people pirate I feel.
Anonymous1039488
You have Crunchryoll and Funi, fine. Then there's Daisuki which is kinda random. Then Amazon, Netflix, and Hulu all have some random anime, though it seems that mainly Amazon has current series
Anonymous1039488
I don't have Amazon Strike, which is like their new venture into anime I guess. There's too many streaming services to keep up with tbh
Kaiser-Eoghan
To be honest I'm pretty crap when it comes to supporting things, I don't pay for almost all the things I watch/read/play, I don't have a crunchy or amazon account, I still pirate legal streams.
Kaiser-Eoghan
@Anon: Is it a case that your country is blocked? Maybe go for a vpn? If you absolutely have to you could pirate the show...
Anonymous1039488
I wanna watch Re:Creators but don't have Amazon... :( alas
Kaiser-Eoghan
I feel like I need to wait and see approach with sekaisuru Kado...this prologue phase is...long...
Kaiser-Eoghan
I wish it had been 24 episodes long though to better organize itself.
Kaiser-Eoghan
Favourite characters were Jean, Groslur and Nino.
Can’t say I cared for the goofy interactions between Jean’s workfriends though.
Kaiser-Eoghan
Yet for whatever I could say about the pacing, when the twists happen they creep up on you and the show mostly lands every one of them, even if I’m not exactly pleased that sometimes the series does the “I pulled it out of the hat/ass” approach.
I’m relatively indifferent on the art/animation.
Kaiser-Eoghan
I did feel it picks up, improves by the mid-mark and to an extent the wait is worth it and things do come together even if I wasn’t always totally confidant with how it was getting there.
Kaiser-Eoghan
Having the protagonist go from district to district to flesh out the settings a decent enough idea and the main characters a fairly chill, cool guy.
Though the dialogue does create suspicion, intrigue, it does also plod/pad in equal measure at times.
Kaiser-Eoghan
Finally decided to sit down and watch Acca.
This show had its lovers/haters I’m sure, having watched it my feelings are mixed.
It is a slight breath of fresh air I’ll give it that and makes me want to maybe re-assess of adaptations of the author’s work.
Kaiser-Eoghan
@Mario: The only assayas film I've encountered so far that I disliked was Irma Vep, even though the lead actress was great, the surrounding performances, especially by Jean-Pierre-Lenaud were awful. Sils Maria I was initially evasive of because I'd heard that the relationship between Binoche and Stewarts characters was under-unexplored.
SuperMario
@Kaiser: Weersathakul's films are something else entirely...Otherworldly yet still cinematic. I feel a bit underwhelmed after watching the Unknown girl. The identity of the culprit, for example, feel forced for me that take me out our their naturalistic style. I'mmin between Clouds of sils maria too, know it's a good movie but it feels pretentous at times, like the movie Youth
Kaiser-Eoghan
@Mario: I also got round to watching Unknown girl by Dardenne, it carries enough moments of their brilliance but I felt they didn’t have as much mastery over their usual pacing style this time round, for the first time it felt like a thriller that played out like a drama, rather than a drama that has a pseudo thriller feel to it.
Going to watch Clouds of sils Maria next.
Kaiser-Eoghan
@Mario: The entire second half, which I’d have watched an entire film about is very atmospheric and dreamy/esoteric nearing just exactly the kind of thing I like.
The way he uses/shoots Thailands geography along with his cinematography is impressive, particularly in that second half.
Kaiser-Eoghan
@Mario: He shoots something simple like a chopping scene in a strangely engaging way, the scene with the old woman going into the cave is also very impressively shot and that one driving scenes with that pop song in the background has an airy feel to it.
In some ways I agree that there’s a bit of sensuality to it.
Kaiser-Eoghan
@Mario: It’s the kind of film that feeling tired/relaxed when watching it isn’t a condemnation of it(although a share of moments in the first half could be patience testing), it’s the sort of film where you aren’t really aware of anything outside of watching the film when you watch it.
Kaiser-Eoghan
@Mario: I finally looked into a Weersathakul film, Tropical Malady. I don’t even know how to give a star rating for this film.
SuperMario
I'm still on the fence with Alice & Zouroku. Like the title suggests, the warm chemistry between those two are its strongest point, but those moments are far and few in between as the story progresses and I don't care one bit about the Red Queen storyline. I might drop this one if the story doesn't improve
SuperMario
@Lenlo: 3 episodes anf Berserk still hasn't grabbed me as much. Yep facial expressions are really off-putting
Lenlo
Man... the facial expression in Berserk for the 3D models are, ever so slowly, killing me.
AidanAK47
Alright. Tommarrow I will get out all those posts I am late on seeing as the impressions are all finished.
AidanAK47
SukaSuka still has me mixed. On one hand there really are some great ideas and some well executed moments. But some of the dialogue is a bit typical of a light novel and the fanservice is really shameless. The massage at the end of the episode was something the show could really do without.
Konstantinos Travlos
I am in love with RE:Creators. I have no idea if they will keep it as good, but these two first episodes did all the right things.
AidanAK47
Alright, Easter made me lazy so it's time to play catch up.
Kaiser-Eoghan
@Puran: Or even Georgiou Nikolaidis while I'm at it, morning patrol is a great mood piece. Not familiar with the other guy.
Puran
@Kaiser: No Grammatikos recommendation? :)
SuperMario
I still enjoy Zero pretty much. I like the contrast between the beastfallen and Zero. The hilarious lines sound more like accidental to me, not the best product but I enjoy the ride so far
SuperMario
@Kaiser: agree with everything you said. Apparently Haneke put Flashmob on hold because the main actress was conflicting in her schedule, so he decided to do Happy End instead
Kaiser-Eoghan
@Aidan: Does the old man represent gritty anime of old? I don't know honestly I'm just throwing it out there.
Kaiser-Eoghan
@Mario: In case you hadn't heard, Haneke dropped the Flashmob movie and is now doing one about the refugee crisis.
Kaiser-Eoghan
@Mario: To whoever will be playing Godard in that biopic, I'd wonder if they could capture how incredibly douchey he sounds irl lol
Kaiser-Eoghan
@Mario: There is such a big divide between 50s/60s Bresson and 70s/80s Bresson.
Kaiser-Eoghan
@Mario: Lathimos and Avaranas remind me in an odd way of Tarr in that they're the only Greek filmakers people seem to talk about , Check out Koundorous and Theodorous Angelopolous' works if you can.
Kaiser-Eoghan
@Mario: Meh, I don't like that sort of overly on the nose social commentary some American films and tv shows do in recent years.
Kaiser-Eoghan
@Mario: Godards extremely hit or miss with me. Hazanavicius did the artist I think, but I'd sooner recommend Biancnieves as a stronger example of a modern take on silent cinema or maybe a Guy Maddin film.
Kaiser-Eoghan
@Mario: Lotznitza directed a gentle creature not Zvyagintsev, though the latter is a fantastic director, Leviathan's ending hit me very very hard, its gut punching and I appreciated that the return never went into too much detail regarding the father.
SuperMario
@Kaiser: off topic, I didn't realize Get Out having such buzz reception. It's coming here next week so I will get to watch it
SuperMario
@Kaiser: Michel Hazanavicius makes a biopic about Jean-Luc Godard and Anne Wiazemsky (the actress in Au Hasard Balthazard), which I think will be interesting. I considered The Lobster one of the best film out of that year so I anticipate his next movie a hell lot. Yep, I watched few movies from Andrey Zvyagintsev and he certainly is in my radar. Bleak, social commentary, technical impressive
AidanAK47
Oh, it's confirmed that was what was actually said in Japanese. Well...that's rather cringe worthy.
AidanAK47
@Anon, Can't say I am too fond of it myself. Though that arrow to the knee reference definitely sounds like something the translator added in.
Anonymous1026829
Holy shit Zero is hilarious. "I used to be a mercenary like you once. But then I took an arrow to the knee." "My magic is super weak so I need a powerful offering. Can you loan me your head please?" The comedy is so pointed and understated.
Vonter
I do like how contrasting Zelda is to Nier in the sense that. Zelda cares more about how the game plays and making the player have fun constantly but doesn't care about telling something. Nier Automata doesn't care what it throws to the player but cares a lot about it tells the things that happen to player.
Vonter
I think this is a hard game to score. Mainly because IMO the combat has wear out a bit do to the repetition and the sidequests have been a mixed bag with some being relevant to the plot or themes and some being just fodder to level up. On the other hand the game has a lot of implications, subtext and symbolism that so far has been enriching to reflect upon.
AidanAK47
@Vonter, Actually wrote up 4/5s of a review on Nier Automata but with the new season I haven't had time to finish writing the review. Though my thoughts on it are similar to yours.
Vonter
Nier Automata has a 10+ hour prologue. So far the game feels like it's more interested in delivering strong emotions than a compelling narrative, not that script is poor but seems disjointed in a way, circling around the themes of existentialism, purpose and truth without overexpositing about these things. It also some moments remind me of Fragile Dreams. Like the despair.
AidanAK47
The old man is the one I can't pin down. Been thinking he might represent the kind of anime that's critically lauded but sadly unpopular. Makes sense as he's one of the few on the opening that doesn't stand near ads for his anime. Or else he's a live action drama representative.
AidanAK47
Been wondering about the Re:Creators characters. We got the obvious representatives from Magical girl, Mecha, Light novel and video game. The knight girl looks like clear homage to Saber from Fate so a Visual novel representive? The psycho girl looks to be a chunni anime representative. And the guy who appeared at the end of ep 2 is clearly Shounen.
Kaiser-Eoghan
@Mario: The Ramsay one sticks out as the most interesting to me as does the lathimos one. I'm curious about that Russian one about the woman looking for her imprisoned husband as I'd like to watch more contempory Russian films.
Kaiser-Eoghan
@Mario: If you can get passed the accents Ramsay did a strong piece of social realism in the 90s called Ratcatcher.
Kaiser-Eoghan
@Mario: I think the only Baumbach film I've seen is Frances Ha and I liked the new wavey feel it had. With The lobster and re-watching dogtooth I was able to get into Lathimos' pitch black humour alot more. I've never actually seen a hong-sang so film.
AidanAK47
@Amagi, I still really enjoy it but I do get what you mean. Looking at the series overall so far it does feel like there was lost potential.
Amagi
I honestly still don't know what to think of LWA. I wasn't a fan of the formularic first half but the second half doesn't really catch me either. I loved the first OVA though.
AidanAK47
Well I will be damned. That G Koh commenter managed to predict the inclusion of Yggdrasil in Little Witch Academia. Nicely done.
SuperMario
@Kaiser: sadly i won't make it this year. I wanna try the Toronto International Film Fest next time whenever I have a chance
SuperMario
@Kaiser:you heard about this year's Cannes selection?Overall it's solid, not many that scream "masterpiece" for me.Overall I'm exciting for Hong Sang Soo's new movies (he has 2 movies screening at Cannes and 1 already aired at Berlin.What the hell),and The Killing of the Scared Deer(Yorgos Lnthimos), You were never really here (Lynne Ramsay),Okja(Bong Joon Ho) and Meyerowitz Stories(Noah Baubach)
Kaiser-Eoghan
Hmmm...just found out That Blame! 2017 is being done by a the Ajin director, not sure how I felt about that.
AidanAK47
Think this is the best time to end the series too as the difficultly was getting to be a bit too cheap.
AidanAK47
Lore wise it's pretty disappointing. Ending the game with an enemy that doesn't really have that much relevance. But Gameplay wise it was excellent. The final area was just beautiful.
Lenlo
Ringed City was a great piece of DLC and a good way to end the series imo.
AidanAK47
Dark souls sure can give you workout. Finally got around to finishing the ringed city DLC. Funny thing is that people were raving about how hard Midir was when I didn't have that much trouble with him. Gaol gave me some trouble but I managed it. Hardest was the demon prince and god I hate multi stage boss fights. Such a goddamn pain.
SuperMario
Atom still waiting for suitable subs. I swear to God, for a completist like myself the wait is unbearable, especially it should've been available already
HelghastKillzone
Yes it is.
Anonymous1020539
I mean...
Anonymous1020539
Re:producers is really great
Kaiser-Eoghan
@Aidan: I can see myself chancing more of it, I kind of caught into its rhythm a bit.
AidanAK47
Novels are actually really short. About 90 pages long per volume. They really could cover this in a single cour.
AidanAK47
@Kaiser, SukaSuka? From what I could tell it covered the first two chapters of the light novel. Each novel has 5 chapters. Though the first and last chapter are more of a prologue and epilogue respectively.
Kaiser-Eoghan
Actually if shuumatsu's first episode is going faster than the novel, roughly how much so? Its still obviously a slow burn in animated format but how much was covered in episode 1?
AidanAK47
Could have done without the huge infodump but otherwise still loving Re:Creators. Seeing a magical girl shocked over her own level of destructive power was great.
Kaiser-Eoghan
Eh, I liked the use of music early on in shuumatsu and theres a good mood set up early on along with a good opening scene but the later parts of the episode except maybe for the after credits bit get a shrug from me.
Kaiser-Eoghan
@Mario: Kado has made its hook, now it needs not to keep holding its cards and get going.
SuperMario
hmmm, don't know what to think about Kado ep2. Still good but I expected more
SuperMario
But really my mentality is that this site comes first. Getting more traffic and improve the site are my top priorities, then "what I wanna do for myself" comes later
SuperMario
@Travlos: guess you won't have to read me this season :). Haven't checked out the last episode of Kado yet but based from the first 2 episodes I think you'd enjoy that show.
Don’t worry. It’s something Aidan and me both agree on. We pretty much write for ourselves, otherwise we couldn’t have stayed this long. I get a chance to go off track once in a while to write something I wanna write.
Konstantinos Travlos
@SuperMario. I am definitely watching Shingeki no Koyjin 2, Shingeki no Bahamut 2, Re:Creators, Little Witch Academia, and probably Kado and Zero Kara. I may also do Zipang this season.
On the reaction reaction. What you say is ok. But remember, a hobby is something you do for yourself. There is a limit to how much you should care about the views of others. :)
Kaiser-Eoghan
@Lenlo: Or if I can use a quote from Chang from Black lagoon : "A fragranced shit will forever still retain the smell of shit"
Lenlo
As most likely the biggest Berserk fan in this chatbox, its better but that doesnt make it good. Spraying fabreeze on crap doesnt make it any more appealing. Yet I will watch it anyways.
Anonymous1018231
You don't even know
Anonymous1018231
Lies Aidan it is soooo much better
Anonymous1017807
Tbh I'm enjoying Alice to Zouroku so much simply because I identify with the old guy's no-nonsense attitude. It's fun to see the annoying loli get put in her place. X.D
AidanAK47
Anyway Bam is supposed to be covering it. Seeing as he covered the first season.
AidanAK47
@Anon, I watched the first episode of the second season. Better? Yes, but only slightly.. It has all the same problems as the first season.
Anonymous1017501
and nobody's covering it lol
Anonymous1017501
Like dramatically
Anonymous1017501
It really is much better
Anonymous1017501
You know guys its not too late to start watching Berserk Season 2...
AidanAK47
I just get annoyed when interaction is like "HUMAN, YOUR EMOTION RESPONSE IS DIFFERENT. I THEORIZE THIS IS THE REASON YOUR EMOTIONAL RESPONSE IS DIFFERENT."
Their is a definite layer of pretentiousness in how it's written, seeing how nobody gets annoyed when every character tries to psychological profile them.
AidanAK47
@Mario, I have heard word that these two episodes were a prologue story and the real story is going to kick into gear next episode. But if the characters keep talking like this then it's not going to matter what happens. It will just be terrible.
AidanAK47
@Anon, Jojo part 5 died for this. That makes it all the sadder. Plus it's two cour so this show is gonna be on for half a year.
SuperMario
Being said all that I will follow it for 1 more episode
SuperMario
And then that girl who passed away because of the reset. I feel my emotions drying up at that point. Tasteless. Heartless
SuperMario
Wanna say the same thing regarding Sagrada Reset as well. I have the feeling the show tries to sound smart that ultimately if I hear someone talks like this in real life, I would go punch his face. Manipulating the social worker by slitting your own wrist? WHAT? Asking a girl about her rules, then whenever she answers you give your own warped opinions on it to sound like you know it all? WHAT
Anonymous1016169
@Aidan: Lol, Sagrada reminds me of how I used to write. Pretentious, overly complex dialogue that nobody would use in real life unless they were trying too hard. It grits on my ears so much that I don't think I can keep watching it, especially because this is probably how it's going to be for the whole series.
Anonymous1016169
@Amagi: I feel your pain. I used to enjoy those types of shows, but I've found more and more since getting out of high school that they just make me want to take a nap. It doesn't help that they're everywhere. X.D
AidanAK47
God Sagrada Reset is frustrating. So many good ideas, all absolutely ruined by the dialogue and characters. If you just changed the dialogue a bit and made the characters emote more then this would be so very interesting. But they manage to drain the life out of the story.
AidanAK47
@Amagi, in most cases you can easily write off the ones not worth your time based on the summery. Occasional those kinds of show can turn out to be worth watching but it just doesn't happen often enough.
Amagi
Nothing against those types of anime in general, but it's just not aimed at me I guess. - I also should specify: school (semi)harem, not school alone. I enjoy Tsuki ga Kirei.
Amagi
I really love this season but I should stop testing the school- and shoujo stuff. It's almost never worth the time and it always bores me so much that I have to stop watching anime for a few hours.
Anonymous1016169
@Travlos: Why does a hobbyist artist care when someone critiques their art or a fanfic writer care about reader feedback? When you do something you enjoy, it's normal to want to improve and other people's opinions are important for that.
SuperMario
@Travlos: because 1) We still need to listen to what readers say to improve and 2) we're debating more about rating system, which I also feel the need of upgrading. btw, any shows that catch your interests so far this season?
Konstantinos Travlos
Why do you guys care about what someone thinks about your reviews? You are doing a good enough thing as is, and t is a hobby. Do your thing and do not lose time on this.
Anonymous1015915
I think I'm just gonna follow sukasuka and re:creators this season. Seem to of shown the most potential universally.
Anonymous1015442
Soy and almond milk are also available as alternatives for the lactose intolerant.
Anonymous1015442
From the manga it seems like it would translate well into an anime with the right production values so I think I'm going to try it. I was mostly concerned that they'd push the melodrama even more through the roof, haha. I did see some of the reviews on it here and they made me hopeful that it was fairly well-executed.And of course the milk can be chocolate. Just not vanilla, vanilla milk is yuck i
Lenlo
Its certainly making me happy I waited until the end of the season to binge it.
SuperMario
I'd have the milk as well... Need more milk to my life.
SuperMario
Hope Scum's Wish entertains you, Lenlo. ^^
Lenlo
I will say the sound design has been great for Scums Wish though I have not read the manga to see how it matches up
Lenlo
I dont think "enjoyed" is the right word for this kind of show, but I do know im going to finish it.

Also, can the milk be chocolate?
Anonymous1015350
@Lenlo: That's true, but I also feel like everyone here needs some milk. And I've been reading the Scum's Wish manga and can't decide if it'll be worth it to watch the anime.
Lenlo
Scums Wish, 4 episodes in, has been the perfect little dose of depression I crave from each anime season.
Lenlo
I have to say, its a pretty fun break from super srs anime discussion sometimes
Anonymous1014938
There's so much sass in this chatbox sometimes I can't even. :.D
AidanAK47
Also please note that if data gathering results do not support your hypothesis that there will be no refunds
AidanAK47
I will have you know my data gathering services are quite expensive and I don't operate until paid.
Anonymous1014125
Aidan is providing the data for us.
Lenlo
You do know that for the scientific method, you make a hypothesis and then you run experiments to produce data to prove or disprove said hypothesis. It cant just sit in limbo and then you go "I was right". You have to provide data at some point. At this point, you have yet to provide any data to support what you say.
Sir Robin
You seem to have never heard of the scientific method then Aidan. You don't need proof before you formulate an hypothesis. Fortunately this most recent development of you being wrong supports it.
AidanAK47
I am sure Sir Robin would be delighted to hear this but I think I was wrong in my assessment of SukaSuka(Shūmatsu Nani Shitemasu ka? Isogashii Desu ka? Sukutte Moratte Ii Desu ka?) That insert song at the begining of the episode was masterful and a number of things have changed my mind about it. It may be more interesting than I first expected. First novel was still pretty boring though.
AidanAK47
Should have another impressions post up today. As for what I am covering that's Little Witch Academia, Attack on Titan and Sekaisuru Kado.
AidanAK47
At least we never have to fight tooth and nail to cover something as what we want to cover never clashes.
SuperMario
Which mean 2 PA Works, 2 original shows and 3 slice-of-life shows. Well done Mario for being predictable and consistently boring as ever
Total users: 26

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