Posted by psgels on 4 May 2017 with categories: Monthly Summaries

Busy weekend so I am late! As usual, this summary is about all episodes that aired in the month April, ranked from the ones I like the least to the best. If I kept adding I’d never get these posts done.

There’s lots of great stuff this month, and I managed to keep up with twelve shows till the end of this month. No short 5-minute episodes, so fitting them all in was a challenge. General themes this season seem to be fantasy and racism. Overall production seems very solid. I mean, the bad shows were really bad and all, but so far the good shows really seem to want to deliver something good, and seem to all more and less understand what they’re doing. I feel a lot of them are trying to take their viewers seriously. You cannot imagine how refreshing that feels after 2013…

Anyway: yarr there be spoilers! And obligatory these are just my own impressions and nothing else. 3500 words which doesn’t seem too bad this time. Let’s go!

#12: Sakura Quest (01-04)

I liked the first three episodes. They were chaotic and colourful, yet grounded. The lead female was naive, sure. But she was thrust into this new situation and just had to figure out how to deal with everything being thrown at her. I like that. After that though… I’m afraid that the creators have already hit a bit of a slump. Episode four was all over the place in terms of how much it wanted to be taken seriously.

The show spent so long try and get the female lead to accept her place as the queen. And then it just pulls the other four leads into the team like it’s nothing. Their motivations are all hazy at best, and now they’re suddenly all working together (getting paid, I think) like they don’t have anything else to do. And then there was that inventor. Like, there are more series that have a character that totally doesn’t fit amongst the rest, and it can work, but the difference is here that his inventions totally transform the context of this series from out of nowhere. This used to be a fairly grounded series: it was colourful, but it could have happened in real life. Not anymore. This is actually very important, because how are we going to have to relate to it now, if it can just pull stuff like this out of its ass?

And with this, this show has become a “5 girls doing cute stuff”-series, instead of the Hana-Saku Iroha-wannabe. Hana-Saku Iroha did some crazy stuff, sure. But its sharp drama was what made me return to it. Sakura Quest so far hasn’t been sharp. I’d sooner describe it as dull and forced, very in danger of being dropped.

#11: Atom – The Beginning (01-03)

This show frustrates me. Not because it’s bad, or I wouldn’t have kept up with it, but because I see potential that this show is trying to not draw attention to. Like at first sight this is a really childish robot show with annoying characters. And yet I cannot name something that it’s technically doing wrong. And then once in a while it delivers something surprisingly poignant.

Now, three episodes in, I understand that Atom – The Beginning is an homage to Tetsuwan Atom, the very first anime series ever made. That explains the characters: Osamu Tezuka’s characters always were out there and exaggerated. The creators are doing their best to re-create his charms, but they do miss something that the old master had. His stories were about absolutes, big plot twists, and teaching kids harsh lessons instead of sugar-coating everything. But who knows where this series plans to be going.

But I admit: it knows how to write its annoying characters. The whole point of annoying characters is that they serve to bring in energy, and if they’re rounded enough you as a viewer will warm up to them. This is actually very difficult to do, and most attempts fail and become excruciating to watch, because failure means that you have to spend an entire series with a character that you hate. Like this show is seriously doing something right, but then on the other hand it spends an entire episode on finding a lost robot dog.

#10: Zero kara Hajimeru Mahou no Sho (01-03)

The animators are really struggling with properly bringing life to these characters, but thankfully the rest of the show does a really good job at making up to it. The setting in this series feels alive. The characters visit a lot of different towns and cities in these first three episodes, all of them populated with different people who actually feel like they live there.

What makes this series stand out the most is the racist themes. A lot of the fantasy series this season deal with them, but this series does it best, because there is not one side who is morally right in everything. It presents three different parties, who all are against each other due to complicated reasons and misunderstandings that grow because of some overreactions. There are evil characters, but they are individuals who mess things up for everyone. It really stresses that things are complicated. I like that a lot.

In terms of the characters, I still really like the two main ones; their chemistry is as solid as ever and they’re a delight to watch. It’s not all well though, because episode 2 introduced a really annoying character who seems to be tagging along for the whole ride. And I can’t stand this kid. All he does is whine or make bad jokes. And that’s basically this series: there are some things that it does really well, and some things that it’s really bad at. What makes me want to continue is that it’s the core of this series that’s really good. I mean it’s really onto something with its racial themes!

#9: Uchoten Kazoku (01-04)

Uchoten Kazoku is really tough to measure, because of how different it is. On one hand it’s slice of life, but enough things happen, and yet it doesn’t really have a plot: just a sequence of events in the lives ot these characters it plays through. It’s chock full of culture, references both really obscure and popular. It lacks the dramatic bombast that every other series had, but in terms of world-building it’s pretty darn excellent: how these tanuki are living their lives, and all their customs and strifes.

I think this lack of dramatic flair is what got to me in the first season. I mean, I couldn’t call this bad at all… it’s just hard to find a structure here to follow. Like, certain points or scenes that stick out or stand out as memorable. You could say that this series’ flaw is that it’s too consistent. Sounds weird of course, but anime remains an art form, and art can be really weird in how it sticks to people.

But don’t get me wrong: the writing here is very good. It always has something to talk about, characters are well rounded with rich backstories, the writing is also excellent, and you can definitely see that the creators did their homework.

#8: Sagrada Reset (01-04)

Okay yes, that was one hell of a misleading opening episode. I can understand why some people were turned off by episode 02, and let me warn you: if you were turned off by that, stay FAR away from episode 04, because it’s going to get even worse. As for me though, I like what the creators are trying to do: they have got this world chock full of people with strange powers, and every episode they try their best to make an as complicated story with them as possible. They just keep throwing stuff at you as the episode progresses, and combine that with how characters are constantly trying to explain each other’s motivations, constantly seeking the truth amidst these bizarre rules.

But let’s get one thing very straight: this is NOT a high school show where characters happen to have powers. This is full on mystery. And the way this show looks at death and pain is really weird. It’s like: “oh by the way, Pete died”, right as the characters are casually talking about something else for example. And none of the characters show any sign of being put off. There is plenty of remorse, but that initial shock you get when something terrible happens: that doesn’t seem to exist in this universe. It’s really weird, but they’re very consistent at it, which leads to a number of really bizarre situations, culminating in that incredibly disturbing end of episode 04.

I still like it a lot though. This show dares to break with conventions, and it’s constantly trying to one-up itself. Some of the logic either flew past me or is not consistent with itself, but eh: not enough for me to find it bothersome. The characters still are very enjoyable, and their calculating chemistry still works quite well. Perhaps not as good as with episode one, but in the meantime they tried to put in enough to make this work for the long run and make this not a one trick pony.

#7: Warau Salesman (01-04)

You’d think that this would become a novelty. Yet I keep returning, every week, despite how similar each episode is. Is it some sort of Stockholm Syndrome or something? Like every single episode is a big kick in the balls, and yet I keep returning. Falling for the charming salespitch, being drawn into this show just as the characters are tempted by the titular character. Seriously this guy is one evil sunovabitch.

The strength of this series is that it shows how easy it is to fall for temptations. While everything here is exaggerated, the core truth that they want to portray rings everywhere: its criticism at these sales constructions that are set up in such a way that breaking them and ruining your life is wraught with temptations that are just too easy to break. The same temptations keep returning: lust and stress relief. And some stories are stronger than ever, but there are some particularly biting ones. The first one of episode 04, for example. Like holy crap!

Make no mistake, despite the cartoonish look, this is an incredibly dark show. Also look how the Laughing Salesman also manages to wiggle his way into innocence, by pointing out the faults of his clients. It’s now gotten as far that during episode 4, you could see the traps he laid out miles beforehand. And that’s what makes this such a good horror series: by making these traps so easy you’re constantly screaming “don’t do it!” at your screen, yet unlike your average dumb horror character, you can understand where they’re coming from.

#6: Alice to Zouroku (01-05)

A big theme of 2017 is pushing powers to a new level: have characters with powers that are more all-encompassing than before, that have less limits. And not in the way that they create bigger energy-beams, but with the way that they start tearing the whole fabric of reality. Alice to Zouroku puts this in thriller-form, with a lot of childish innocence.

Out of all the series with action this season, Alice to Zouroku is the most grounded in reality because of how it keeps stressing responsibility. The characters all have lives, and backgrounds, rich in detail. And yet, it doesn’t shy away from anything, that’s what makes it scary. Seriously that hands woman was one hell of an effective villain in how she just completely doesn’t mess about, but even then I didn’t expect her to actually shoot something resembling a child. But that’s the strength of this series: this incredible contrast of childlike innocence on one hand and just this businesslike harshness on the other.

In april, Alice to Zouroku got five episodes out. It was not the most entertaining series of the season, but still I have to say that at the end of episode five, when they closed off the arc, they did so in a really adorable way. And it was thanks to all of this careful build-up. But erm, show… you do realize that you’re 12 episodes long, don’t you? Everything seems resolved now… how are you going to be able to top this?

#5: Re-Creators (01-04)

Re-Creators may not have had the most exciting start, but it’s clearly and visibly growing: every episode has gotten more interesting so far. This series came with a really interesting premise: what if characters suddenly came to life? It shows how they’d react to this new find knowledge, and also how they view their creators: the ones who write their stories. Every character looks at the issue in a different way: that’s what you need! A look the matter from many different angles.

And on top of that it also just got the basics right. It knows how a story and characters are written: rounded, instead of simple stereotypes. It takes its time to establish the kind of world it’s in. Characters behave in believable and consistent manners, there are no weird leaps in logic, and the acting is powerful, yet nobody is overacting. Animation is overall consistent, and the soundtrack also keeps getting better. These guys are really trying to put down something solid, yet exciting, and the kicker: the dialogue is also really well written. Heck, the main focus of this show is on its dialogue: the action is just there as a vehicle, to create tension.

My only complaint is how average the male lead is: like nothing sets him apart. But ah well: you can see him as a jar of glue; he holds everything together. Because of him this really diverse cast of characters managed to gather together and interact. And what this show did really well is keep him in the background. It realizes that this is in no way his story, and instead keeps the main actors the main actors, without him trying to wiggle himself in the important positions. And thank god there’s no romance yet!

#4: Shingeki no Bahamut – Virgin Soul (01-04)

Okay, so Virgin Soul is the sequel. Unfortunately I cannot find the time to watch the original like what I did with Shouwa Rakugo, so I’ll just watch the second season. For now it seems to be quite accessible without any prior knowledge, unlike Berserk, which I really want to continue, but won’t, for the same reason why I haven’t continued Mushishi’s second season.

There is one thing in particular that Shingeki no Bahamut does better than any other show this season. Yeah okay, there are multiple. The fluidity of some of its action scenes is un-rivaled, even when put next to Shingeki no Kyojin, which makes for a great spectacle. But the reason why it’s so high on this list is because of how expressive it is. The characters are alive and vibrant with emotions, they just pop out of the screen. The female lead is the best example of this where she just continues to bubble all over the screen, but the other characters do this to. Some obvious, but others subtle. Because of that it has a very engaging villain. Just the way he’s posed and drawn: this guy got presence. He beams royal confidence. That, combined with the setting in which a bunch of humans are the assholes for once in a fantasy-show makes the plot simple, yet very effective.

And it doesn’t need a complicated plot like what the other fantasy series have. This show is all about power plays. Taking what it has, and really trying to get everything as right as possible. That has lead to some impeccable animation: the poses, the stances, it’s all right. Notice how few still frames this show uses. When characters talk, it’s not just their lips that go up and down, no their chins move subtly as well. There’s more life in this series than any other show this season.

#3: Shingeki no Kyojin (26-30)

Ah, it’s just as I hoped: Shingeki no Kyojin decided to screw some conventions here. Not the ones I expected though, which makes it in a way even better. Five episodes aired this month, and in a move that very other series dare: it pretty much put the main cast on a bus in order to focus on some side-ones: all Eren&co did was travel, while the side cast got bombarded by all of the weird plot twists. And consider that this second season is only 12 episode makes this even more special: for this show to have the balls to really take its time, instead of doing the most obvious and put more focus on Mikasa, the most popular character of the series.

On the technical terms: yes. Great animation, soundtrack’s good, pacing’s terrific, storytelling had me on the edge of my seat. It pretty much did everything right. One thing in particular that stood out was the way in which this show does its horror. It combines it seamlessly with its mystery here: the characters were terrified, and it used that fear brilliantly while hinting for certain plot twists. It created such a paranoid atmosphere. Well done, Shingeki no Kyojin! Sometimes, not saying anything can do wonders.

Shingeki no Kyojin definitely aims to take the viewer on a ride. The most of any other show this season. It’s an emotional roller-coaster, but very different from the first season, which had a lot more bombast. And yet, when it hits, the second season does go much further. Like the gore? Much more detailed than what we saw in season one. These guys have gotten more interested in making something really special. Now keep challenging yourselves! Keep screwing more conventions!

#2: Seikaisuru Kado (00-04)

Shingeki no Bahamut and Shingeki no Kyoujin are behemoths. Their budget is huge and you see that in the animation, which is a feast for the eyes. And I like that a lot: one reason why I’m into animation is to see how well it can bring characters and settings to life, and big production-values are a great way to do this. My taste may be weird, but I love seeing a big group of people working together to animate a story, in all different meanings of the word. That this isn’t required or even necessary is proved by Seikaisuru Kado.

Nearly everything here is done in jarring CG. This is not a pretty looking series, and it was obviously done on a budget. But here’s the thing: Shingeki no Kyojin was bound to get a sequel, so you’re bound to invest in it. The other shows this season: here too you can see why investors were interested in their production: Bahamut is an epic fantasy series with dragons, based on a well received first season, Alice to Zouroku has cute girls, Warau Salesman is the next in line of classic shows to be revived. Even my number one pick for this month: it’s incredibly save. They all make sense. Seikaisuru Kado is the only one that doesn’t. I mean, how was this even pitched? “All-powerful aliens visit the earth and we need to negotiate with them”. Just, where did this come from? This is just so out of left field, it really takes balls to come with a series like this. I admire that a lot.

This show… over the course of five episodes it has done some really weird things. Note how every episode is significantly different with its focus, and yet every episode flows seamlessly into the other. Every episode is also incredibly thought-provoking. You may not agree with its statements, but that’s not the point: what IF an alien suddenly came with items that would solve the world energy crisis if used well? What would you do? What would happen? And it goes incredibly in-depth in its analysis and predictions. It’s bold, the way it’s doing this is going to piss off a lot of people, and in terms of global politics it is bringing more and more unspoken rules to the surface. A lot of shows this season have balls, but really: Seikaisuru Kado has by far the biggest ones. I was for a minute debating with myself about putting at at the top spot this month, but nah: that show reduced me to tears due to its sweetness. However, out of all new series to debate this year without a first season… yeah I can say that Seikaisuru Kado has the best and most interesting opening month of 2017.

#1: Natsume Yuujinchou (01-03)

I was about to go on about how this series really needs closure now, but then this new season came with its first three episodes, and even for this series’ standards they are excellent. Where the previous season felt perhaps like it was treading a bit of the same areas, these episode could only fit at this point in the story because of how well they’re making use of all of the build-up of the previous five seasons.

It all fits now: Season 1 was the introduction, Season 2 was Natsume getting to know more and more people. Season 3 was his growth. Season 4 was about his family. Season 5 was about his friends and the people around him. And now Season six is there to show how different he views the people around him now. He’s part of the family now, he has friends he trusts, and he’s opening up more and more to them: you see his resistance fade away more and more. Episode 02 stressed that he’s not alone anymore, and episode 03 did something really clever, in bringing back a character that used to annoy him, yet now manages to accept and see the good intentions. And vice versa.

And in the meantime he’s just completely adorable. Six seasons in and it still manages to tell these incredibly heart-warming stories. One month in and without a doubt this series is my favourite of the currently airing ones. It has this way of storytelling and pacing that makes the ending of every episode a delight, and at this rate, the other series have got an incredible job ahead if they want to be able to compete with this one. This is good! Be competitive! Strive to be the better one, this competition and wave of inspiration is what’s going to make the medium as an entirety better. The key is to learn from each other and inspire each other. Natsume Yuujinchou has nailed how to tell a story, and after nine years you can see its subtle influences all over. Holy crap the first season aired 9 years ago already! What happened to all that time!?

12 Responses

  1. AidanAK47 AidanAK47 says:

    Might as well get in here before anyone else points it out but Atom – The Beginning is a prequel. Not a Homage. And it’s nice you posted this now as my post are going to be weak this week. Things have been getting in the way of blogging lately as well as a lack of energy.

    • psgels psgels says:

      Ah, so it’s happened to you as well. No worries, the “lack of energy” hits every blogger at some point. I’m stil surprised it took so long before it managed to hit me.

      • AidanAK47 AidanAK47 says:

        Well truthfully it’s not a matter of getting tired of anime or anything. Lack of sleep may be a better way of putting it. Had a four day weekend and can’t seem to shake off vacation mode.
        I will admit to having some moments thinking “Why the hell am I even bothering to do this?”

  2. noop_noob says:

    I don’t understand how episode 1 of Sakurada Reset was misleading, and how it’s going to get worse.

    (BTW, this is my pick for AOTS, and episode 2 was the best episode so far.)

    • psgels psgels says:

      Well, let me put it this way: episode 01 did not exactly allude to how Sagrada Reset would be the series with the most gore after Shingeki no Kyojin. Episode one also made it seem like most powers were useless and random, yet the subsequent episodes have brought out crazier and crazier powers.

      Based on episode one I was expecting something more along the lines of Hyouka.

      • noop_noob says:

        I’m pretty sure what turned people of wasn’t the gore, but was the unnatural monotone dialogue. If any episode was misleading, it was both episode 1 and 2.

  3. Axis says:

    Thanks! I really appreciate your good work.

    These lists (and the pre-season “potential %’s” are a lifesaver.
    I can’t watch every first episode myself. It’s not about the time… I tried it once and it honestly threatened my enjoyment of the medium as a whole.

    I like to skim the reviews as briefly as possible, then compare notes after I’ve seen the episodes.

  4. SuperMario SuperMario says:

    Basically in tune with you regarding how I feel about those shows, especially towards Sakura Quest and Zero, hopefully this week’s Sakura Quest going to get better.

    Natsume’s on top huh? Quite a safe choice tbh. I hope you’d give more chance to Tsuki ga Kirei, I know it’s not modern classic or anything but for what it does, it does very well.

    @Axis: Well, the main reason we’re trying to give first impressions for every show is for you guys to NOT having to watch everything. While at the end of the day I enjoyed what I had done, it’s a long winded, fatigued and sometimes rage-inducing ride that you don’t need to be a part of.

    • psgels psgels says:

      With Natsume it’s safe, I know. At the start of the season I did not want to put it on top, but these first three episodes really deserved it. I’ll be very strict for the rest of the season.

      And yeah, I find that I really enjoy giving everything a chance. It’s sometimes terrible to sit through, but I always find that it’s worth it. I’m weird like that though, and I very much understand that for most people it’s just too much, so I’m glad that these posts are useful.

  5. SunDog says:

    “Their motivations are all hazy at best”
    Well, yeah. That’s why the last episode ends up questioning one of the girl’s motivation. The other girls were born in the town, I don’t see how that’s hazy.

    “and now they’re suddenly all working together (getting paid, I think) like they don’t have anything else to do.”
    Getting paid? Yeah, why would they do that? But seriously, one was already working there, two still do their usual jobs and one was unemployed.

    It’s weird because these things would be understandable if you hadn’t watch ep4 already, but the review says you did.

  6. Puran says:

    BTW the “exoskeleton” that helps you lift things that they showed in Sakura Quest, is a real thing and has been for the last 5 years. So the inventor’s inventions were not *that* out there (although a lone inventor in a small rural town making them is pushing it).

    But it didn’t bother me that much.

    I also wasn’t bothered by how easily everyone came together. It sort of made sense to me. All the characters are a bit lost, kinda retreated in a small town where there isn’t much to do, they happened to do something fun together, so they decided to work together.

    The real problem of the series is the lack of drama. Or if not drama, some great characterization. Hanasaku Iroha was also silly at times, but its drama and characterizations were excellent when it wanted to.

    But maybe that was just Mari Okada at her best, so it’s quite possible this series won’t hit any highs as high as hanasaku. I do feel like it’s building up to something though. I guess we’ll see.

  7. Alt says:

    The lack of of a gantz character after the lack of a gantz remake makes me think no one actually read the gantz manga. Eaten is actually more worthy. But it is not a perfect world.

Leave a Reply

CHANGE USERNAME
KTravlos
@Aidan. Oh I did. Thank you for reminding me. I will write the review.
AidanAK47
@Travlos, Just in case you missed it, there is a reply to you earlier in the chatbox.
KTravlos
Kakeguiri also ended. In the end the anime original ending was not really an ending, but just a fan pleasing excursion. The integrity of the manga story remains. It was a good adaption, and I liked it as it brought to life the parts of the manga that make it interesting to me. Also a great Opening and Ending. Good show.
KTravlos
And to sum it up. I think this was a great series. All its episodes were good.
KTravlos
I actually am ok with the PP ending. The 12 episode series is self contained. Sure there are many future potential stories to pursue, but I felt there was enough closure to make the series a good series. This is because the next step of the narrative is really so long term as being more LOGH material than PP (the story of the ascension of Princesss to the throne, and then the story of her reforms)
Lenlo
Alright, I found the read more tag. Now my tendency to write more than I should will be contained.
AidanAK47
@Mario, Got to play catch-up but I am guessing it was very much a non ending?
SuperMario
Gosh, is that how Princess Principal end?
SuperMario
@KAiser: I really have a mixed feeling watching Assayas's films. I always find his works toe touch into pretentious area. Still have much more films from him I want to watch though so that opinion might change
SuperMario
@Kaiser: As Tears go By surprised me a little considering how straightforward it is. It's Wong's most by the book HK romance but it was one of his most commercial success. After this, the studio allowed him to do things he like and that was when he gone banana with his styles
SuperMario
not a fan. Can't even tell the difference between turtle and tortoise
Anonymous1420257
i like turtles
Kaiser-Eoghan
@Mario: I hadn't expected some of the dry/dark humour in sils Maria, I liked the themes/aging angst and its comments on hollywood in parts even if it needed to go a bit deeper. Stewart is a revelation in it. That X-men parody scene was fucking funny lol
Kaiser-Eoghan
@Mario: I actually kind of liked As tears go by. Mostly because of my experiences with hong-kong action flicks, much as I like John Woos films, the melodrama he tries to sell between the action never worked for me and left me just waiting around for the action to come round again. Wong was able to put genuine emotion into the hong-kong action film with this one.
Amagi
@Aidan: Somehow. The problem is rather Haruki anyway and it's canonically part of her character. Kei becomes more likeable IMO and the events get much more complicated and/or serious plus there are a bunch of characters getting added to the protag team which makes the whole thing more dynamic. The best comes when some other character joins around the middle though.
Anonymous1416115
Personally, I can digest the emotionless dialogue in the first place since I watch the series with the mindset that the main characters are innately "broken" in some ways.
Anonymous1416115
@Aidan Hmm...one might consider the emotion level increases in main characters' dialogues for Sakurada Reset as baby steps depending on how dramatic one expects a character to act in other animes. (The emotions increase do exist though) There are certainly emotional scenes and characters do develop in ways where one can't just say they're 100% robots.
AidanAK47
@Travlos, If you so wish then you can write a review for Bahamut virgin soul. Just let me know if you are up for it. If so I recommend writing it up on google docs, then when you have it done I can give your account contributer status and you can paste it into a post for us to look over and publish on the site. For screenshots our standard size is H240 X W138.
AidanAK47
Did they ever fix that emotionless dialgoue issue they had going on?
Anonymous1415748
You are not alone. The second half of Sakurada Reset made me so glad that I stuck with the series.
Amagi
Oh and I totally forogt Reset ended now too. Not sure if I am the only fan of that but the whole second half was one of the better things I've seen this year.
Amagi
Okay now thinking three others came into my mind, but that's still not much. A lot of series started interesting and turned out mediocre or cheap after a while.
Amagi
Considering that I love Made in Abyss, PrinPrin, Fate/Apo (so far) and 18if too guess this season was better than I've expected. 2016 was kind of a let down imo, animewise. Off the top of my head I only remember Rakugo, Fune wo Amu and Bokudake I think.
Amagi
I didn't expect to like Virgin Soul as much as I do. Especially the last ~5 episodes got me. The weird thing is that I was disappointed by S1 actually.
SuperMario
@Travlos: I don't mind if you do a guess review on Virgin Soul, but let's me check with other admins first.

On Virgin Soul, I'm not sure if I like the bew development. It suddenly does a 180 degree turn on King Charriot, which I don't feel rewarding.
KTravlos
Kakegurui will have an anime original ending. It might be better than the ongoing manga. We shall see. An enjoyable foray.

Virgin Soul is going for a nice explosive ending. If no one writes a review, I would be willing to write one.
Kaiser-Eoghan
*kind of
Kaiser-Eoghan
While its very much in the shadow of the first and the protaganist started out kind annoying, I kind of got caught up in the spectacle and sentimentality of gunbuster 2.
KTravlos
Urasawa is preparing a new manga
KTravlos
yes the episode where Julian watched the documentary was fun. The Caligula like character comes from one of the lesser episodes of the series, when Kircheis beats up some rebelling third rate noble in the Empire.
Kaiser-Eoghan
Goddammit, fail, it just changed the colour of the login name...
Kaiser-Eoghan
I declare in the red truth that the next anime I shall watch is Diebuster.
Kaiser-Eoghan
From what little I saw, I remember a Caligula like character in one episode.
Anonymous1409409
I remember there's an episode where Julian just goes on Space Netflix and just watches a documentary. I actually liked that lol
KTravlos
yup, a LOGH that run like the Altair anime would be bad. It needs to show the sweep of history
AidanAK47
@Anon, I actually liked that aspect. It made the history of the world feel real.
Anonymous1409027
It's compressible, as there are many episodes of buildup, but that's where so many of the interesting details and depth of planning become evident. Some of those episodes read like a history textbook though, so we'll see how the new adaptation handles them,
Anonymous1409027
*pleasantly
KTravlos
Tytania was ok.
Kaiser-Eoghan
On the Amakusa Shiro reference in the fate review, I've seen a film about him from the 50s , theres also an old josei manga where the protagonist ends up becoming essentially regarded as him.
KTravlos
Hi Kaiser. Supposedly this is a re-imagining of the original story. Thus independent of the OVAs (old serieis). What exactly re-imagining means is something I and you do not know. We shall see. But it does mean that you do not need to watch the old series to enjoy this one. The OVA was definetly more expansive than the novels. So my guess is they will stick to the novels.
Kaiser-Eoghan
There's another anime, called Tytania based on his novels but I haven't seen that series.
Kaiser-Eoghan
As in condensable in the way nothing much is lost? I assume there are fillers in the original?
Kaiser-Eoghan
I'm indifferent to the aesthetics of the new version. What I'm hoping for is that it will be accessible to newcomers and that I'll be able to jump on to the old series where the new one leaves off. I've seen very little of the original and it was a long time ago, is there any way the story is condensable?
KTravlos
The fact that they stayed away from the disgusting new manga is great. I am not too keen on the CGI ships, but they also did not rankle. It looks like it will honor the spirit of the old series, and I cannot ask for more. I am a massive LOGH fan. And the new video out gives me hope of revisiting one of the greatest sci-fi/historical settings out there. I am happy.
AidanAK47
I hope they are using the old anime as a base and not the new Manga adaption. As that Manga adaption is seriously lacking.
AidanAK47
@Anon, I like that they blinged up the space battles which is good because those things could get tiresome. But I really hate the design of Yang Wenli. They made him look so much younger and bishi. I don't think i could take this guy seriously if he started one of Wenli's signature hypothesis.
Anonymous1408919
Thoughts on that new LOGH PV? My expectations were low, so I'm presently surprised. Obviously they made everybody pretty boys, and Mamoro Miyano is voicing Reinhard I believe. But art and animation actually looks pretty decent overall. It's a PV, and LOGH's best quality is it's story and characters, so we'll have to see if they remain faithful or not. But it's nice to see it get a visual overhaul.
AidanAK47
By the way this site has the first chapters but check the other versions to find them.
http://mangapark.me/manga/tsurezure-children-wakabayashi-toshiya
AidanAK47
@Mario, Indeed. It's also a pity that over half the couples in the manga were not featured. We only got a small taste of Patricia.
SuperMario
Or maybe I'll try to read the manga. The last time I checked it online, the site doesn't have its first few chapters
SuperMario
@Aidan: man, Tsurezure Children sure is sweet. Really sad to see it ends
AidanAK47
So that's the end of Tsurezure Children.
....I'm gonna need a second season. Now.
....NOW GODDAMNIT! NOW!
KTravlos
As I said I understand the criticisms to RE:Creator, but ultimately I enjoyed most of the show. It could had been better, and it is a missed chance. But I have seen worse.
Kaiser-Eoghan
I gave up halfway through, there weren't even enough action scenes and those that were didn't justify waiting around for.
AidanAK47
Could have at least delivered on the action but that was rendered pointless due to the majority of the cast turning good and Altair being a complete cheat character.
AidanAK47
It would have been really fun to see characters discuss their stories with their creators or indulge in what our world has to offer but they really glossed over that part.
AidanAK47
It really should have gone deeper into the whole meta aspect introducing anime characters to the real world. Like they did with Mamika's powers being ridiculously destructive when outside a kid friendly setting.
AidanAK47
@Puran, I at least like the message of the final episode. But as for the show itself it was just missed potential on a lot of levels. I wanted Anime Genre battle royale and instead got a secondhand Shirobako with a crap shounen anime attached.
Kaiser-Eoghan
I have been forgiving of Anno as I've gotten older.
Kaiser-Eoghan
I also just re-watched gunbuster, I'd previously dismissed the ova after a few episodes when I was a teenager, I'd found it too slow, didn't have that issue with the 90 minute version I just finished. I've never see the sequels.
Lenlo
Ill have to finish Creators... at some point
Kaiser-Eoghan
I've been dipping back into the Lupin franchise, Gold of babylon was particularly screwball, kind of ridiculous comedy caper/adventure thing you just have to run with....turns out it was directed by a live action filmaker I especially like who made bizzare noir films in the 60s.
Puran
So that explains why Meteora had so much air time in Re:Creators. It's her story....

I hated the ending and I disliked the anime overall.
Kaiser-Eoghan
@Mario: It was a genuine surprise to see that Assayas decided to make a film framed around hentai =P
Kaiser-Eoghan
@Mario: I loved how incoherent demonlover was.
Kaiser-Eoghan
@Mario: The criticisms I'll give wind river, is a slight inconsistent performance from Renner and that very awkwardly inserted flashback scene.
SuperMario
@Kaiser: on Wind River, I agree it's a well-executed case of the week drama, although there are some plot pregressions that I don't get (how did they find out about the man's corspe again?). About Demonlover, man, the film gives me a chill down my spine. Heartless. And a bit misogynist.
SuperMario
@Kaiser: as much as I loved Wong (yeah I too prefer him over Malick), sometimes I do think Western cinema give him too much praise that sadly overshadow other Asian directors.
Kaiser-Eoghan
@Mario: Wong is important to me as a hong-kong filmaker, he offers something entirely different from the whole Woo/Lam Hong komg movies.
Kaiser-Eoghan
@Mario: On a more positive note Maggie Cheung did mention that she felt her early work with Wong was when she first truly became a proper actress.
Kaiser-Eoghan
@Mario: ....I had no idea he had such a sad background.
Kaiser-Eoghan
*investigation drama
SuperMario
@Kaiser: that film also marked/ signified a rather sad period of Hongkong showbiz. Leslie Cheung badically lived the live of the protagonist and commited suicide in 1997. His girlfriend on screen, during the filming, was kidnaped, raped and taken topless picture. The damnest thing is that everyone knowed the culprit but did nothing, and in the press it was just deemed as "kipnapped and assaulted"
Kaiser-Eoghan
@Mario: Wind river was a big surprise for me, just goes to show that with the right execution an ordinary police drama movie can be elevated higher.
Kaiser-Eoghan
@Mario: Thats the interesting thing, tracking a directors career.
Kaiser-Eoghan
Just binge watched the new dominion tank police ovas , admittedly these are kind of reptitive and extremely silly but its hard to hate on something so shamelessly fun that made me feel like a child again.
SuperMario
@Kaiser: you said it there. DoBW is rather raw and unpolished but that's one of the reason why I am drawn to it more compare to his other works.
AidanAK47
In all honesty, it would be nice to finally see a continuation after fusion as all games after that have just been adding chapters in-between.
Vonter
Finally I wonder, if Metroid Prime 4 will definitely branch out of the main Metroid's continuity. It's curious how an interquel subseries is still going to add things in between the first and the second entries in the main franchise.
Vonter
AidanAK47 - I think is nice we can see both takes. Especially since neither one despite a few qualms are still very solid entries for this franchise. I just hope Metroid moves forward, as IMO this is the only game that really needed a facelift do to the heavy limitations of the gameboy. And I hope the secret gallery at the end is teasing how the producer plans to move the plot forward.
AidanAK47
I thought it might be like that but it's good to know they are at least on a close level. I didn't really want Samus Returns to replace AM2R as the "Definitive" version of Metroid 2. Mostly because a lot of love was put into AM2R andit came at a point when it felt Nintendo didn't give a crap about Metroid.
Vonter
Like Zero Mission there's something added to Samus Returns but I'll just leave it at that.
Vonter
I think both have strong points. Samus Returns have better boss battles, gameplay mechanics and more intense action pieces. AM2R IMO has more atmosphere, takes advantage of elements Nintendo don't even try like the Federation subplot, and the ending portion narratively has more heart in AM2R, while in Samus Returns it feels mostly like "the final level".
Vonter
I also did got lost a couple of times in Samus Returns and aside from the big water section in AM2R, the latter is more linear game.
Vonter
I think the controls in Samus Returns bring more to the table though. The 360 aiming makes for better ways to shoot enemies and some of the bosses take advantage of that. If it weren't for the 3DS giving hand cramps because you're holding L and R at several points it'll be completely the most ideal way to play.
Vonter
AidanAK47 - AM2R is very good, I think it has the advantage that because it uses sprites IMO backgrounds and enemies are more vibrant and easier to appreciate. The Federation soldiers are better executed in AM2R and that secret section with the ship is very eery.
AidanAK47
@Vonter, How does it stack up to AM2R? I bought it and am still waiting on it to be delivered but I have the feeling that AM2R would be the better game when comparing.
Vonter
I took me 12 hours to 100% and I've heard the best ending is beating it in less than 4 hours. I think unlike Zero Mission item percentage don't matter, it's mainly to unlock an art gallery.
Vonter
My main criticism is this being a 3DS game. Small enemies can be hard to see or appreciate. And I think the 3DS wasn't made for heavy action packed games like this or Smash Bros. I got the rubber from the circle pad come off in two occasions. Also unless there was something big in the background, several areas felt lacking in detail. Still Samus and the bosses look good.
Vonter
In terms of difficulty, the game has the enemies packing more damage than in other 2D Metroids. Is difficult in the sense than you can't tank damage as in other iterations, you have to be aware of enemy behavior and bosses mainly get easier do to familiarizing with their patterns, since I did die a lot each time I faced a new boss. And got used to kill them faster as I went along.
Vonter
Ok, so I beat Samus Returns. It's quite good. Unlike Fusion that had dialogue at midst the gameplay. Samus Returns only has a prologue of exposition and any cutscenes mainly accentuate the reactions of Samus confronting a new enemy. The level design is dense, despite having isolated areas like in Fusion and the original Samus Returns, each area is very mazelike.
Kaiser-Eoghan
@Mario: =< Awww I kind of like demonlover actually despite all its flaws, it had great sound design and had this cold, clinical, un-nerving mood to it.
Kaiser-Eoghan
@Mario: Days of being wild does feel a bit un-realized/un-polished/rough compared to his other work definitely but its probably the rawest I've seen from him and that has its appeal.
Kaiser-Eoghan
@Mario: Haven't seen farewell my concubine come to think of it. Regarding the scifi element I felt I embraced it more further into the film when it started to intermingle more.
While I am more forgiving toward Malick's recent films than most, that decline in quality means I have to pick Wong.
KTravlos
by the way in RE:Creators we probably will be getting a future series focusing on the hunt for Magane :p Meteora probably playing the role of detective. I also bet her novel will be wordy and heavy in exposition :p
KTravlos
i.e his end game might had been a cross-species revolution against him anyway. We will see
KTravlos
In Bahamut Chris proves to not be totally evil, but he is totally crazy. That said I am seeing one of my hunches getting supported, the hunch was that his cruelty towards daemons was with the purpose of bringing them down enough that they would be willing to work with humans as euals (As they are in Jean's army) and thus via that create a more unified world. I
KTravlos
RE: Creators has come to its end. I know the problems everyone has with it, and while it failed to raise to the level of exceptional show, I loved it. As I said, it had been years since a show kept me so excited episode after episode. They blew it at some point, but ultimately for me this is an en-joyful show, and one I would happily binge watch in the future again.
SuperMario
@Kaiser: question for you though, between these two directors, which one do you prefer: Wong Kar-Wai or Terrance Malick?
SuperMario
@Kaiser: if you enjoyed both 2046 and In the Mood for Love, by all mean check out Days of Being Wild. The trio forms a loose trilogy and Days of Being Wild was the first film that Wong began his unique unconventional style. It's one of my personal favorite of Wong and it's a chance for you to watch the late Leslie Cheung acted (you might watch him already in Farewell My Concubine)
SuperMario
@Kaiser: 2046 is indeed a passionate film, and one of his best looking film. He tried something different in 2046 too, experimented with scifi (one of the best part in the film for me)
SuperMario
@Kaiser: it's stritcly Wong Kar Wai's romance we're talking about, since I don't find the rest of Chinese take on romance that interesting. Romance or melodrama is one of his main theme throughout his career
Kaiser-Eoghan
@Mario: It was slightly overly long however.
I've also seen chungking express, in the mood for love and fallen angels. I think this Chinese take on romance is really clicking with me.
Kaiser-Eoghan
@Mario: I also thought it was a very passionette film and I love how Kar-wong-wai uses the music in it. I also think its one of his best looking films.
Kaiser-Eoghan
@Mario: I had a look at that Chinese film 2046, very effectively melancholic take on fleeting relationships while also successfully being quite sensual while staying classy and without ever showing too much. Tony Leung and Maggie Cheung are two beautiful people =P
SuperMario
for those who still want to catch up with 18if, episode 11 has a huge recap, while wrapping up the show with a new overarching plot. Hopefully they don't pull another Matrix here
SuperWooper
It's shounen-y for sure. The competitions have been my least favorite parts of the show so far. If you're still watching, you might appreciate it more once the Tenpei Cup is over.
Anonymous1399692
Damn Ballroom looks so good. But I really can't enjoy it despite that I want to. It has too many of these typical shounen moments and plot points I can't stand.
Anonymous1399684
Omae wa mou shindeiru
Lenlo
Mononoke is actually what made me find Ayakashi. Also a good show.
SuperMario
Regarding Ayakashi, I only watched the Mononoke segment
SuperMario
"It was a long, long trip, and we're coming finally to the end of the journey. Thank you, Manoyama and Chupacabra. And thank you, 5 EURO" - Sandal-san.
Lenlo
Ayakashi was great for me Kaiser. I enjoyed my time with it
Vonter212
@AidanAK47 - The hard aspect has been commented in several reviews with bosses being able to easily kill you. (Although in my experience it might be just getting a pattern). In terms of length most 2D games can be beaten under 3 hours. This one seems to clock at at least 6 to 15 if you want to collect everything. Then again, we'll see in subsequent playthroughs.
AidanAK47
`@Vonter. It's out now but I don't remember seeing anyone claim it's the longest hardest entry 2D wise.
Kaiser-Eoghan
Going to watch new dominion tank police next and read violence action and Oddman 11.
Kaiser-Eoghan
It took me years to get round to it, but I finally watched Ayakashi and as expected like most anthologies, again its mixed, the first is a solid ghost story that improves after a weak start, but that third one with the cat spirit was great, really liked how experimental that looked.
Vonter
Soo a new Metroid comes out this week. It is said, it's the longest, hardest entry in regards to the 2D iterations. Still not as great as Super, and depending on your fanaticism it might or not be as good as Zero Mission.
SuperMario
But they didn't pull that scene off too well. It's just... unmemorable. In fact the whole show is very unremarkable. Now only 1 episode left I might as well finish it but I won't give it a full review
SuperMario
Koi to Uso has been disappointing so far. Episode 10 featured the sequence that i was looking forward the most in the manga: the former classmate tells the one sided crush of the main girl from her POV. For a romance that contrived and manipulated like this one, hearing this from the third person's perspective prove to be more powerful
Vonter
@HelghastKillzone - Good luck with that. I almost had my car's engine damaged since it has been raining heavily where I live. Had to ask for help the next day to pull it out of mud. Still not as bad as the other three cars that did get stuck in the water.
HelghastKillzone
Dealing with work and the total loss of my car really sucks at the moment so I'm quite tied up for this week.
KTravlos
I do agree to a point, but to be frank all the episodes of Princess Principal to date have been so solid I have a hard time deciding. Episode 5 though was still the best from a holistic point (action, direction, music etc) was the one introducing Chise
SuperMario
Agree. Dorothy has the biggest heart out of all the spy girls. Also "help" that her episodes are all melodramatic.
Amagi
This episode of PrinPrin showed again that Dorothy is the best character by far. Not just herself but her episodes as well are better written than the rest if you ask me.
KTravlos
It just hit me. The characters in Princess Principal may be very well working for IngSoc :p
AidanAK47
@Kaiser, in the seven chapters it's only really two of them that contain dark shocking content. Chapter three being the biggest one in that regard.
Kaiser-Eoghan
@Aidan: I read a comment where someone said subahibi shocked them more than saya no uta. While I haven't played it yet, I have seen some of a letsplay...it lleft me thinking....how many hours until this actually gets good/truly unhinged .
AidanAK47
After Reading SubaHibi, Made in Abyss's dark turn didn't shock me too much. Maybe I just got desensitised. I will have a review of SubaHibi hopefully up in a week though to clarify my feelings on it after just finishing it, It was interesting but disappointing.
KTravlos
well, well. Both Made in the Abyss and Virgin Soul do not hold back. Grim! RE:Creators is warping up. Comparing with these other shows I can fully appreciate the problems people have with it. But still I am glad I am sticking to the end. Altair's voice actor by the way did great.
AidanAK47
@Helghast, And Kings Field was the Demon Souls before Demon Souls came out.
KTravlos
having binge watched several of this season's shows I would say Princess Principal is the most rounded. Made in Abyss is good. Kakegurui and The Reflection as SuperMario said will depend on your tastes. There is also Shouko no Altair. You will like it if you liked Tanya Saga of Evil, or Legend of Galactic Heroes, or Arslan Senki or manga like Vinland Saga, Gunka no Baltzar, and especially Historie
Anonymous1385641
Jesus...me watching this weeks Made in Abyss https://www.youtube.com/watch?v=0ogzsWhZcmM
HelghastKillzone
So... Demon Souls was the Dark Souls before Dark Souls came out.
SuperMario
@anon1385426: the safest bets aside from Made in Abyss are Welcome to the Ballroom and Princess Principal. Kakegurui and the Refection are for more acqurired taste
Anonymous1385426
Aside from Made in Abyss, what's the best anime this season?
Lenlo
@KT, the pacing and the framerate early on are my two biggest issues. Later on the story starts to get abit more engaging, and they start doin things I didnt expect, but the pacing is still there. Some akward pauses.
Lenlo
Look, Berserk and Dark Souls are both amazing. But I only have 3 Dark Souls games, and 38 Berserk volumes. Im clearly biased
KTravlos
I sat down and watched the first 4 episodes of The Reflection. It is an interesting attempt, and I can see the people making it having fun doing so. But I did notice a pacing issue. For some reason the episodes felt like they dragged a bit too long.
AidanAK47
Dark Souls is the Berserk of Video Games.
Amagi
Dark Souls really went all Berserk if you ask me
AidanAK47
I am not one for putting down law but can we never ever compare anything to Dark Souls ever again? Cause it's actually become really tiresome how everything is the dark souls of something.
Lenlo
No other sentence has made me want to watch Made in Abyss more
HelghastKillzone
I guess we're finally at the point where Made in Abyss goes all Dark Souls/Bloodborne.
Amagi
Apo's Jack the Ripper had at least a nice idea behind it, it's just the clothes that are a bad choice. But there are just too many lolis for the sake of fanservice in that game. I accept it if there is at least a reason for this but it's usually just random.
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