Posted by AidanAK47 on 24 December 2017 with categories: Seasonal Previews

We reach years’ end and looking over it we got a pretty good year of anime. Quite a lot that I actually need to catch up on and this winter season might give me a chance to do so. I don’t mean to say this upcoming season is bad, but rather it’s just looking to be a season full of shows that don’t appeal to me personally. There is a large portion of slice of life feel-good anime here which isn’t really to my tastes. Even without that, we just came off what I consider to be a pretty great season of anime so anything after that is going to be a step down no matter what you do.

Anyway let’s lay down the ground rules. Naturally I checked out all the source material I could so I can give you all an idea of what we are in for. Vote for as many shows you like in the poll below and the writers will use that as a guide for what shows to cover.

Which series should we cover for the 2018 Winter Season?
1635 votes · 0 answers
vote

Let the games begin.

The sequels/Shorts I don’t care about

25-sai no Joshikousei (short)

Ashita wa Doyoubi

Basilisk: Ouka Ninpou Chou

Dagashi Kashi 2nd Season

gdgd men’s party (short)

Gin no Guardian 2nd Season

Gintama. Gin no Tamashii-hen

Hataraku Onii-san!

Kaijuu Girls 2nd Season

Mameneko

Overlord 2nd Season

Pochitto Hatsumei: Pikachin-Kit

Saiki Kusuo no Ψ Nan

Takunomi. (short)

Yowamushi Pedal: Glory Line

Zoku Touken Ranbu: Hanamaru

Series I don’t care about

Dame x Prince Anime Caravan


Studio: Studio Flad
Director: Makoto Hoshino
Script/Series composer: Naruaki Kobayashi
Source: Video Game
The story of the game follows Ani, a princess from the minor nation of Inako. Ani is sent to the signing ceremony that will bring peace to the rival nations of Mildonia, a mighty military country, and Selenfaren, a powerful theocracy. Ani is supposed to help steer the signing ceremony along, but she runs into trouble when she encounters a handful of obstinate princes.

It’s an otome game adaption, therefore it’s terrible. Now I wouldn’t be judging a book on the cover here normally but frankly I have yet to see a good otome adaption. Maybe it’s a fault with the source material or something but these anime adaptions just end up pretty bad. This most certainly looks to be falling into the same pitfalls as its predecessors. Director of Uta no Prince-sama and Series composer did Nanoha Vivid. Sorry but I really don’t see this changing my opinion on Otome adaptations.

Death March kara Hajimaru Isekai Kyousoukyoku


Studio: Silver Link.
Director: Shin Oonuna
Script/Series composer: N/A
Source: Light Novel
29-year-old programmer Suzuki Ichirou finds himself transported into a fantasy RPG. Within the game, he’s a 15-year-old named Satou. At first he thinks he’s dreaming, but his experiences seem very real. Due to a powerful ability he possesses with limited use, he ends up wiping out an army of lizard men and becomes a high leveled adventurer. Satou decides to hide his level, and plans to live peacefully and meet new people. However, developments in the game’s story, such as the return of a demon king, may cause a nuisance to Satou’s plans.

And the Isekai quota for the season is filled. Yep, this is an Isekai anime alright. Everything you would expect from one. Protagonist is transported to another world, this time no real explanation as he falls asleep at the job and bam! Isekai-ed. WIthin minutes in the world he becomes a overpowered god. Enter harem and from there it’s the escapist fantasy adventures of everyone bowing before the protagonist’s glory. I read a bit far in this one but I certainly got bored fast. The big problem with this Isekai besides the usual stuff is that it lacks any sort of direction. It’s never really made clear what the protagonist’s objective is in this world, and as the story goes along it becomes clear that there wasn’t much thought put into what the protagonist should even do in the fantasy world. Also fair warning, if the slavery aspect of Magus Bride rubbed you the wrong way then this will most definitely condemn this series. For out of the harem of girls the protagonist acquires, five of them are his literal slaves. The story goes out to say he has no intent of sleeping with them but this aspect is rather sleazy nonetheless. We got the director of Baka no test, Prisma Illya, A sister’s all you need, Watamote and Ef. Certainly a divisive portfolio. Unless you happen to like Isekai no matter what I wouldn’t recommend this, and even then I am sure your Isekai fix is satisfied with Overlord 2.


IDOLiSH 7


Studio: Troyca
Director: Makoto Bessho
Script/Series composer: Ayumi Sekine
Source: Multi-Media
A group of aspiring idols gather at Takanashi Productions and are entrusted with the company’s future. The seven men who have just met represent a variety of totally different personalities. However, they each have their own charm and possess unknown potential as idols. Forming a group, they take their first step together as “IDOLiSH7.” Their brilliantly shining dancing forms onstage eventually begin captivating the hearts of the people.

Seven men who look identical besides hair colour and a variety of totally different personalities totally not robbed from the male idol show template will take their brilliantly shining dancing forms onstage to eventually begin captivating the wallets of the fangirls. Director did Shangri-la and the series composer did the Fate Grand Order OVA. So yep, throw another idol anime on to the forgotten pile and move on.

Killing Bites


Studio: LIDENFILMS
Director: Yasuto Nishikata
Script/Series composer: Aoi Akashiro
Source: Manga
People have been created that are human-animal hybrids, and powerful businesses bet on the outcome of their duels. College student Nomoto Yuuya’s casual acquaintances ask him to drive them around to pick up girls one day, which he soon finds out means by force. The girl they kidnap is an animal-human hybrid named Hitomi, who slaughters all of them except Yuuya. Hitomi is a honey badger, which has been called the most fearless of all animals. Now Hitomi is assigned to stay with Yuuya, for his protection!

A story that starts mediocre and goes downhill from there. I mainly read on just to see the little animal factoids that they use to explain away the characters’ superpowers. The male lead is pretty pathetic and overall the story is pretty generic battle manga. Director is new and the series composer did Fuuka and Classroom of the Elite. I say give this series a pass, it’s likely not worth your time.

Märchen Mädchen


Studio: Hoods Entertainment
Director: Hisashi Saitou/ Shigeru Ueda
Script/Series composer: N/A
Source: Light Novel
Hazuki Kagimura is a normal girl who is usually alone. With her relationship with her new family not going so well, she retreats every day to the world of stories and books. One day, after school, one of the library’s bookshelves sends her to another world with a magic school, where she meets Shizuka Tsuchimikado. She finds out that girls (called “mädchen”) who attend the school are selected by old fairy tales and folk stories to wield their magic and are taught how to wield it in the school. The school has girls who are chosen by such stories as Kaguya-hime no Monogatari, Issun-boushi, Der Freischütz, Shuten-douji, The Little Matchstick Girl, The Gigantic Turnip, Arthurian legends, and The Ramayana. Hazuki herself is chosen by the Cinderella story.

No translation of this one so I am in the dark. Though I can say the original creator of the series wrote Mayoi Neko Overrun and Girls Listen to Your Father, and did series composition for Queen’s Blade. Boy that is not a good resume and…oh…he died last year…that rather puts me in a bad position. I don’t want to speak ill of the dead but considering this author’s previous works I find myself skeptical of this story’s quality. I mean I suppose Girls Listen to Your Father was written fairly decently…creepy lolicon fanservice aside. Though Mayoi Neko Overrun’s anime was a pretty big trainwreck. Despite the death of the author it appears someone took over writing the series while still crediting the man as the author which is a rather nice sentiment. The directors of this one have nothing really worthwhile in their resume. I would honestly like to say this would be worthwhile considering the tragic circumstances and I will certainly be giving it a chance but to be blunt I doubt this will be worthwhile.

Nanatsu no Bitoku (short)


Studio: Bridge
Director: Shinji Ishihira
Script/Series composer: N/A
Source: Mixed-Media
The “Seven Mortal Sins,” demons from hell, have pressed forward and have started to spread their plague. Heaven is in chaos, and the angels of the “Seven Heavenly Virtues” are sent to Earth to search for a candidate to become the “true messiah.”

Well it’s a spinoff to Sin: Nanatsu no Taizai. Not to be confused with the shounen series Nanatsu no Taizai which is also getting a new season here. Nope, this was a series that took the seven deadly sins and turned them into fetish fap fuel. And now it looks like they are planning to do the same with the counterparts to the seven deadly sins. I have no shame in writing this off completely. If you want porn that’s not quite porn but nearly there then this is the show for you.

Ramen Daisuki Koizumi-san


Studio: Studio Gokumi
Director: Kenji Setou
Script/Series composer: Tatsuya Takahashi
Source: 4-koma Manga
The gourmet comedy follows the daily life of Koizumi, a high school girl who looks like a cool beauty at first glance, but actually has an unexpected side of her that loves ramen.

Girl is obsessed with ramen and others follow her as she goes to eat ramen. That’s the plot, that’s all you get here. It’s not really funny and the whole premise just seems to hinge on finding these girls cute as they make friends over ramen. But it’s just cute girls doing cute things with a different context and there’s not enough here for me to find interesting.

Ryuuou no Oshigoto!


Studio: Project No.9
Director: Shinsuke Yanagi
Script/Series composer: Fumihiko Shimo
Source: Light Novel
The story is about a teenage boy who happens to be a shogi master. One day, a nine-year-old girl turns up at his house, announcing that she will take him as her disciple. From there, all kinds of wacky hijinks ensue.

One danger to this one upon looking it up: I noticed it had the “Lolicon” tag and I am hoping that’s only there due to the young character being present and not…other reasons. I would much prefer not to have a Tenshi No 3P so soon please. No translation so once again blind here but it seems to be a comedy surrounding Shoji and from the way the jokes sound, not a very funny one. Director did Netoge no Yome wa Onnanoko ja Nai to Omotta (I swear to god these LN titles…) and…Tenshi no 3P. Oh god please don’t be another lolicon show. Series composer did Air, Clannad, Golden Time and Kokoro Connect. Series composer aside, I’ve got a bad feeling about this one so I think I am going to write it off.

Sanrio Danshi


Studio: Studio Pierrot
Director: Masashi Kudo
Script/Series composer: Takashi Aoshima
Source: Original
The project’s premise follows Kouta Hasegawa, a high school boy that loves the yellow Pom Pom Purin dog. By mere coincidence, he ends up attending the same school as Yuu Mizuno, a boy who likes the bunny My Melody. Yuu tells Kouta that there’s nothing to be ashamed of for liking Sanrio’s cute characters. Together, Kouta, Yuu, Shunsuke Yoshino, Ryou Nishimiya, and Seiichiro Minamoto learn to accept their love of the characters instead of feeling embarrassed.

Gah! Pierrot! Okay, I have gained somewhat of an apprehension of this studio due to them constantly messing up a number of series which by all accounts should have been good. So far I theorized that they are attempting to find their new Naruto now that the series has ended, and are attempting to turn anything into one. This however doesn’t appear to be a shounen series. In fact it almost looks like a cute girls series with the cute girls turned into boys. No real idea on what to expect with that, only that whatever it is likely isn’t aimed at my demographic.

Slow Start


Studio: A-1 Pictures
Director: Hiroyuki Hashimoto
Script/Series composer: Mio Inoue
Source: 4-koma Manga
Hana Ichinose is a normal 16-year-old high school student. However, there is something different about her: She enrolled in high school one year late! Her classmates are unaware of this, and Hana will have to work hard to catch up with everyone else.

So it’s cute girls doing cute things but one of them is a year older than she’s supposed to be. That is certainly an unremarkable premise and the PV just makes it look like every cute girls show you can think of. Wouldn’t be much of a problem usually but this season has a massive amount of slice of life and cute girls animes, all of which are at least significantly more interesting than this one. Director did Classroom of the Elite, Magical Girl Raising Project and Is the order a Rabbit. Series composer is a newbie. This will get highly overshadowed by its competitors but that’s truly expected.

Toji no Miko


Studio: Studio Gokumi
Director: Koudai Kakimoto
Script/Series composer: Tatsuya Takahashi
Source: Original
Since ancient times, shrine maidens who wield swords have been exorcising “aratama,” strange existences that threaten the human world. These young women who wear school uniforms and a sword are called “Toji,” and they serve as an official unit within the police force as a “special religious service police squad.” The government authorizes the Toji to wear swords and serve as government officials, and the government has set up five schools throughout the country for the girls to attend. The girls live ordinary school lives, while occasionally performing their duties, wielding their swords and using various powers to fight and protect the people.

That trailer showed less sword swinging and more cute girls being cute and I’ve got to say that going through this season, that’s becoming alarmingly common. So many slice of life shows – this isn’t going to be my season. Director of this one is doing his first work and series composer is working on Beatless this season. Personally looking at their resume I can’t say this project is looking good. Besides the series composer doing two shows and this being an original production, it also appears to be confirmed for two cours. Personally this feels too risk-free to be remarkable; it’s playing it too safe considering the obvious pandering. I don’t think this will end up being anything worthwhile.

Series I am middling on

Beatless


Studio: diomedea
Director: Seiji Mizushima
Script/Series composer: Tatsuya Takahashi
Source: Light Novel
With the introduction of an ultra-advanced AI that surpasses human intelligence, beings that mankind is yet to fully comprehend made from materials far too advanced for human technology begin coming into being. Lacia, an hIE equipped with a black coffin-shaped device, is one of these. In boy-meets-girl fashion, 17-year-old Arato Endo has a fateful encounter with the artificial Lacia. For what purpose were these artificial beings created? Amid questions regarding the coexistence of these artificial beings and humans, a 17-year-old boy makes a decision…

As a gasmasked villain of Mad Max would state, mediocre. The story starts out with a Chobits premise of some poor guy happening upon a super rare robot girl and taking her home. Then it slowly moves into a battle-centric story with the protag’s robot taking on other special robots in some big deathmatch. The problem with this story is that you have seen it before in some form or another. We got the director of UN-GO and Concrete Revolutio as well as a number of fairly notable titles. Series composer worked on Idolmaster Cinderella girls, Rewrite and…Eromanga-sensei. Well, Eromanga’s faults were more due to the source than the adaption so I will give benefit of the doubt. This story is nothing terrible, nor anything of note. Utterly forgettable.

Cardcaptor Sakura: Clear Card-hen


Studio: Madhouse
Director: Morio Asaka
Script/Series composer: Nanase Ohkawa
Source: Manga
Fourteen-year-old Sakura starts junior high school along her friends, including Syaoran, who had just returned to Tomoeda. After having a dream with a mysterious cloaked figure, all of Sakura’s cards turn blank and are rendered powerless, thus she starts her quest to find out what is wrong. In doing so, Sakura and her allies discover and capture new transparent cards using a new key.

This is one of those animes I started watching four score and several years ago and never got around to finishing. A sequel to the Cardcaptor manga and yes, a sequel to the manga, not the anime. Which means there are significant differences between this and the anime made quite a while ago, like there being only 19 clow cards instead of 52 and one of the original filler characters being removed completely. Not to mention a sequel movie to the anime series has now been deemed non-canon. I don’t really know how this one will turn out, as truth be told I don’t have enough experience with the original series to have a solid opinion. I mainly remember it as being standard magical girl fare except with that girl that loves to dress up Sakura in costumes. I believe I didn’t quite get far enough into it for the plot to really start, much like other magical girl shows. So for Cardcaptor fans this series is for you while I need to go back and finish the first season sometime in this century. (Hope it doesn’t go all weird like other Clamp works do.)

Citrus


Studio: Passione
Director: Takeo Takahashi
Script/Series composer: Naoki Hayashi
Source: Manga
Fashionable Yuzu imagined the first day at her new school she transferred to after her mother’s remarriage a bit differently; she didn’t know it’d be an ultra-strict and conservative girls’ school. So instead of a sweet high-school romance, she butts heads with the stern student council president Mei—who turns out to be her new step sister. And she has to learn that hate and attraction are often not that far apart.

So lesbians. Thankfully a story done more tastefully than the last yuri anime we got, which was Netsuzou Trap. Reading the story I can say this is done pretty decently and if you’re into romances then this could be up your alley. My main problem with it is that aside from the yuri angle, this is pretty much your standard shoujo romance. Will they? Won’t they? Oh now she’s gunning for her but she isn’t up for it. Oh now she’s decided to be friends but the other girl suddenly wants it now. Oh here comes the third wheel to add in unnecessary conflict and drag out the inevitable conclusion. I enjoyed the beginning but there comes a point when I just feel like the story should just stop beating around the bush and just get to the point. Hoping they don’t amp up the fanservice but considering the director worked on Yosuga no Sora and Aki Sora that’s a distinct possibility. Series composer is an absolute newbie. If you happened to like Koi to Uso or are in the mood for much more mild Scum’s Wish then this is the show for you.

DARLING in the FRANXX


Studio: Trigger/ A-1 Pictures
Director: Atsushi Nishigori
Script/Series composer: Atsushi Nishigori
Source: Original
The story is set in the distant future. The land is ruined, and humanity establishes the mobile fort city Plantation. Pilots produced inside Plantation live in Mistilteinn, also know as the “birdcage.” Children live there knowing nothing of the outside world or the freedom of the sky. Their lives consist of battling to carry out missions. Their enemies are mysterious giant lifeforms known as Kyōryū, and the children pilot robots called Franxx to face off against them. For the children, riding the Franxx proves their existence.
A boy named Hiro is called Code:016, and he was once known as a prodigy. However, he has fallen behind, and his existence seems unnecessary. Not piloting a Franxx is the same as ceasing to exist. One day, a mysterious girl known as “Zero Two” appears before him. Two horns grow out of her head.

Normally a Trigger work would automatically go in my good books even though the likes of Kiznaiver and that light novel adaption were fairly weak works. But this happens to be the most generic looking thing I have seen out of Trigger and there’s a reason for that. Namely that this is a collaborative project between Trigger and A-1 Pictures. A friend of mine once said jokingly that A-1 are making all anime look the same and despite the heavy exaggeration there is a small bit of truth to that. Their character designs in particular do look interchangeable all across their works. The setup for this one just feels so uninspired. We have a highschool, we have teenagers, they polit mechs, boy meets girl… Trigger do have a tendency to take the old and make it feel new again but when watching the promo I can’t really sense their hand in this. It lacks the energy and fun that their works are known for. Director appears to have worked on a lot of Gainax projects so that’s reassuring, but his only previous work as a director is doing the Idolmaster anime. Scriptwriter worked on Plastic Memories and nothing else of worth. I would like to be proven wrong on this one but I feel this will be a rather unremarkable entry in the season.

Devilman Crybaby


Studio: Science SARU
Director: Masaaki Yuasa
Script/Series composer: Ichiro Okouchi
Source: Manga
The protagonist Akira Fudou learns from his best friend, Ryou Asuka, that an ancient race of demons has returned to take back the world from humans. Ryou tells Akira that the only way to defeat the demons is to incorporate their supernatural powers, and suggests that he unite with a demon himself. Akira succeeds in transforming into Devilman, who possesses both the powers of a demon and the soul of a human. The battle of Devilman and Akira Fudou begins.

Well we have the first of our Netflix funded anime. (Or has Cannon Busters aired yet?) Not sure how much this will have to do with the original Devilman but my gut feeling is this is a start from scratch. Not to say the old series had a grand epic of a story, as I only recall it being about Devilman ripping apart demons. Didn’t think I would have much to say on this until I watched the trailer and I recognised that animation and art style right away. And there he was in the staff page, Masaaki Yuasa. Tatami Galaxy, Ping Pong, Kaiba, Kemonozume, Mind Game, Kick-Heart…his style is unmistakable. Unfortunately it’s not to my taste but I am sure fans of his work will be quite pumped for seeing his animation. But before you get too excited I have some bad news. The writer of this series is Ichiro Okouchi. Creator of Code Geass and a large amount of modern anime trainwrecks. Guilty Crown, Kabaneri, Valvrave… To be fair his latest work Princess Principal didn’t end up a trainwreck like I felt it would, but it was still far from perfect. With some moderation this guy could make a fun mindless action show but only if he can stop himself from getting too stupid. This series is going to be a tightrope act with Ichiro’s dodgy writing and Yuasa’s unique animation style. I for one am hoping that the first Netflix funded series doesn’t end up a trainwreck.

Fate/Extra Last Encore


Studio: Shaft
Director: Akiyuki Shinbou/ Yukihiro Miyamoto
Script/Series composer: Kinoko Nasu
Source: Video Game
Waking up in a strange virtual world with no recollection of the past, Hakuno finds himself forced to fight for survival in a war he does not understand for a prize beyond value; the opportunity to have one’s wish granted. With only an enigmatic “Servant” by his side, Hakuno Kishinami will have to face both friends and foes in battles to the death in order to not only gain possession of a mysterious object known as the “Holy Grail,” but also to find the answer to the most important question of all: “Who am I?”

This may come as a shock to those of you who happen to know of my particular obsession with this series. I have been addicted to the Fate Grand Order mobile app and every Fate related series has always managed to make it into the “Series I am looking forward to” category. Alas I am not looking forward to this entry as I have played the game and found it just alright at best. My enjoyment of it though did not come from the story but instead from being able to learn about servants and a rather unique gameplay system. The story of Fate/extra, what little of it there is, is not good. Really it’s just a repetitive routine of running around a dungeon for a week and fighting a servant at the end of it. Rinse and repeat till final boss. Story doesn’t defy expectations in the slightest. Characters are not much to speak of and unless you’re a big fan of Red Saber, aka Nero, there’s not much to be gotten out of this. Shaft might find a way of making it interesting however, as I have heard tale of two separate broadcasts which may be evidence to show they are doing both a male and female avatar version of the series. We got Shinbo in the director’s seat so that means head tilts and his odd directing style is a given, through he shares it with Yukihiro who directed Madoka Magica so maybe he can stop Shinbo’s style from going out of control. And of all people we have the writer of Fate/Stay night himself in the series compositor position and I wonder what the hell you are doing here Nasu?! Run off and finish the Tsukihime remake or write a new IP for god’s sake! Well Nasu’s more recent work hasn’t been too impressive but maybe he can turn it into something more worthwhile than the original story. If you are a Fate fan or a Shinbo fan this might be for you but otherwise it likely won’t be too impressive. Still it’s a Fate anime, which means yours truly will cover it, as is tradition.

Gakuen Babysitters


Studio: Brain’s Base
Director: N/A
Script/Series composer: Yuuko Kakihara
Source: Manga
After their parents are killed in a plane crash, Ryuuichi and his younger brother Kotarou are taken in by the chairman, who they never met before, of an elite academy. Ryuuichi becomes the school daycare’s new babysitter.

Definitely reminds me of that show we had a few seasons back about the father cooking for his daughter. Very much the same appeal here, lighthearted and about a kid taking care of his much younger brother. Nothing spectacular but could be lost under the number of slice of life feel good shows we got this season. I was worried that the series might try to put the caretakers up as some kind of male fanservice but that isn’t the case. I say if you like slice of life then give it a try to see if it’s for you.

Grancrest Senki


Studio: A-1 Pictures
Director: Shinichi Omata
Script/Series composer: Ryou Mizuno
Source: Light Novel
The story takes place on a continent ruled by chaos. The chaos breeds disaster, but the Lords of the continent have the power of “Crest” (a Mark of the Saint) that can calm the chaos and protect the people. However, one day the rulers throw away their creed of protecting the people, and instead start to fight each other with their powers to gain dominion over each other. The novels center on Silka, an isolated mage who scorns the Lords for abandoning their creed, and a wandering knight named Theo, who is on a journey to train to one day liberate his hometown, which is under tyrannical rule. Silka and Theo make an everlasting oath to each other as master and servant, and work together to reform this continent dominated by wars and chaos.

I originally wrote this off as another Isekai anime but it actually turned out to be a straight fantasy, and oddly enough it’s not that bad either. Actually the story is pretty enjoyable, as it mainly centers on the two leads taking over a country and reforming it. It’s not groundbreaking but I found myself enjoying the story despite it not being too original. Director did Sankarea and Shouwa Genroku Rakugo Shinjuu so he’s in my good books. Series composer is new to this. It’s not going to be the hit of the season but it could be fun to watch if you have the time.

Hakata Tonkotsu Ramens


Studio: Satelight
Director: Kenji Yasuda
Script/Series composer: Shogo Yasukawa
Source: Light Novel
At first glance, the city of Fukuoka seems like a peaceful one, but under the surface, crime is running rampant. The city’s Hakata ward is home to the professionals of the underworld: professional killers, detectives, informants, professional revenge seekers, those skilled in torture, and more. And according to urban legend, a “killer of professional killers” has shown up in the city.

No translation of the source from my knowledge but I get the feeling this is like Durarara from how it looks. The PV seems to reaffirm that with a degree of zany fun to its presentation and a fairly big cast of characters. So far it looks decent and could prove to be interesting, provided it can provide the same entertainment as Durarara while avoiding the pitfalls that series ran into. We got the director of Boogiepop Phantom, Aquarion Evol and Ikoku Meiro no Croisee so it should be decently directed. Series composer is hit and miss here with Terra Formars, Planetarian, Shokugeki no Souma, and Chivalry of a Failed Knight. It’s up in the air how this one could go but it’s worth checking out to see.

Hakumei to Mikochi


Studio: Lerche
Director: Masaomi Ando
Script/Series composer: Reiko Yoshida
Source: Manga
Nine centimeters (3.5 inches) tall, the tiny girls Hakumei and Mikochi live in the forest. Living in a tiny house in a tree, riding insects and birds, and making umbrellas out of leaves, these tiny girls live a tiny life. Follow their tiny but lovely lives as they live their day to day in a fantastic world of tiny people and gods.

I am certain the first thing people will connect this series with will be Made in Abyss, and while this show does do its own share of world building, it is not nearly as dark. This is more slice of life fantasy with these girls just dealing with normal problems in a world much like the Arrietty Ghibli Film. We got the director of Scums Wish and School Live so this is in pretty capable hands. Series composer is also working on Violet Evergarden this season so hopefully she has effort to spare for this. I personally don’t find this story all that interesting but I think there are those into this genre who will find it rather charming.

Hakyuu Hoshin Engi


Studio: C-Station
Director: Masahiro Aizawa
Script/Series composer: Natsuko Takahashi
Source: Manga
Thousands of years ago, it was a time of witchcraft and dark magic. An evil sorceress has bewitched the emperor of the mighty dynasty and he has become a mindless puppet. The country is in shambles and evil spirits lurk everywhere. The human world is on the verge of utter destruction. A bold mission is planned by the Confederation of the Immortal Masters. They send a young master wizard to hung down the villains and evil warlocks in the devastated lands.

A reboot of a series from the nineties? It seems we are hitting a common trend of digging up old shows for anime adaptations. Not that I am complaining, just wish it could be shows I had more of a fondness for. This is a pretty traditional shounen which takes inspiration from chinese legends and as such it’s all the old school shounen tropes you can expect. Once upon a time I would find this endearing but after having a number of shows in recent days like this I am afraid this will be a bit too dated to truly stand out. The main character also falls on the side of being quite annoying and the plot is a little too episodic to be interesting. This is both the directors and scriptwriters first time being fully in charge. It’s fine if you are looking for something to scratch an old school shounen inch but even then there are better options.

Karakai Jouzu no Takagi-san


Studio: Shin-Ei Animation
Director: Hiroaki Akagi
Script/Series composer: Michiko Yokote
Source: Manga
“If you blush, you lose.”
Living by this principle, the middle schooler Nishikata gets constantly made fun of by his seat neighbor Takagi-san. With his pride shattered to pieces, he vows to turn the tables and get back at her some day. And so, he attempts to tease her day after day, only to find himself victim to Takagi-san’s ridicule again sooner than later. Will he be able to make Takagi-san blush from embarrassment even once in the end?

Well it’s a decent time waster. It suffers from the usual problem these romantic gag shows suffer from, mainly a complete lack of progression to the romance. This is no exception and I feel like there were other, better contenders to fill this spot rather than this one. I still can’t believe “Kaguya wants to be confessed to” still doesn’t have an anime in the works. Even “Sheriff Evans’ Lies” makes for better comedy. First time director and series composer has a lot of experience, so there are positives and negatives. If you are looking for something light and bit of fun then this should sort your fix.

Koi wa Ameagari no You ni


Studio: Wit Studio
Director: Ayumu Watanabe
Script/Series composer: N/A
Source: Manga
Akira Tachibana is a soft-spoken high school student who used to be a part of the track and field club but, due to an injury, she is no longer able to run as fast as she once could. Working part-time at a family restaurant as a recourse, she finds herself inexplicably falling love with her manager, a divorced 45-year-old man with a young son.

Thankfully the creepy context of a relationship between a young girl and a man old enough to be her father is handled rather tactfully, and the end result is more or less a sweet romance story. Very much like My Love Story but a little more serious. Don’t expect this to deal with heavy issues as it’s more or less light hearted. Still, unlike most romantic comedies the story does go somewhere with its premise, and it could prove to be an enjoyable watch for romance fans provided you get past the age gap. We have the director of Space Brothers and Mysterious Girlfriend X at the helm so I say the manga will be adapted pretty well. Simple and sweet about sums this one up.

Miira no Kaikata


Studio: 8-bit
Director: N/A
Script/Series composer: Hitomi Mieno
Source: Manga
When high school student Sora Kashiwagi finds himself staring down a mysterious oversized package sent to him by his self-proclaimed “adventurer” father, the last thing he expects is for it to be opened from the inside… by a little mummy so small it can fit in the palm of his hand!

This is a series that depends on you finding the little mummy character adorable. It more or less all focuses on that. You want to see a tiny mummy that acts like a toddler? Well here you are. Nothing particularly bad about it but I just find it rather unremarkable.

Mitsuboshi Colors


Studio: Silver Link.
Director: Tomoyuki Kawamura
Script/Series composer: Shogo Yasukawa
Source: Manga
The “Colors” are three cute little girls who hang out together and say they’re protecting the peace of their city. They have lots of fun together, doing stuff like playing games, solving puzzles, and going to the zoo. This series follows their largely happy daily life.

Exactly what it says on the tin, cute girls running around being all cute and funny and stuff. It’s alright, does what it needs to and I am sure some might get a kick out of it if you happen to like these kinds of shows. There’s more effort and creativity put into it than your usual cute girls show, that’s for sure.

Pop Team Epic


Studio: Kamikaze Douga
Director: Jun Aoki/ Aoi Umeki
Script/Series composer: Jun Aoki
Source: Manga
The surreal four-panel manga centers around two 14-year-old girls, the short Popuko and the tall Pipimi. The story summary on the anime’s website quotes William Shakespeare’s Tweflth Night play, “There is no darkness but ignorance.”

This is madness. There is no real story to this one…nor logic…nor much sense. Random humor is the draw here and it’s very hit or miss. Such examples include one of the girls throwing open a window suddenly on a stormy night to tell the thunder to shut up because it’s only a supporting character. I don’t know how an anime adaption will be handled considering the manga’s panels don’t have any real connection between each other. Execution is going to be everything for this show because if they get the humor even slightly off the entire show will fall flat. Even if they do get the humor on point this show is very much mindless entertainment.

Uchuu yorimo Toui Basho


Studio: Madhouse
Director: Atsuko Ishizuka
Script/Series composer: Jukki Hanada
Source: Original
The anime’s story centers on high school girls going to the South Pole, “a place further than the universe.” They struggle and grow together as they cope with extreme conditions.

A very odd choice for studio Madhouse, but from what I hear they don’t really have the staff they used to. Points for an original premise but I fear it’s just going to end up slice of life or cute girls doing cute things, a genre which we have far too much of this season. I predict this to be one of the better thought-out ones though. Director of No Game No Life and Sakurasou. Series composer worked on Chuunibyou demo Koi ga Shitai, Hibike Euphonium, Kyoukai no Kanata, Level E, both seasons of Love Live, Nichijou, No Game No Life, Steins;Gate, and that’s just naming a few so he’s got quite a good bit of experience and a fairly good resume. My biggest fault with this series is that it’s another slice of life in a season full of it but I figure this is going to be one of the ones people are going to keep an eye on. I say check this one out.

Yuru Camp△


Studio: C-Station
Director: Yoshiaki Kyougoku
Script/Series composer: Jin Tanaka
Source: Manga
Rin likes to go camping by herself along the lakes that provide a scenic view of Mt. Fuji. Nadeshiko loves to take cycling trips by herself to places where she can see Mt. Fuji. After they meet, Rin and Nadeshiko take camping trips, eat cup ramen together, and enjoy the scenery.

“Cute girls go camping” about sums this one up. Mildly entertaining but rather empty content wise besides some camping tips. Better than the cute girls ramen show up there but more or less around the same level of Colors with an older cast.

Series I do look forward to

Junji Itou Collection


Studio: Studio DEEN
Director: Shinobu Tagashira
Script/Series composer: Kaoru Sawada
Source: Manga
Stories from both the 11-volume Ito Junji Kessaku-shuu series and the Fragments of Horror book will be adapted.

This marks the second time a Junji Ito work has been adapted into an anime and for those who don’t know who that is, he’s considered a legendary horror mangaka. Still, his work has not really transferred well to screen, be it live action or animated. This is mainly because the power of Ito’s work lies in his fantastic artwork and I am curious as to just how Studio Deen will bring that to life. Deen has worked with unconventional art styles before and they could very well bring out a hit with this anime. Junti Ito stories have always been more about the execution and creativity rather than the story so I truly am curious as to how this turns out. Sadly though it looks like Deen is not bringing their A game for this as the director has one series he directed and that was Diabolik Lovers. And this is the series composer’s first work. I am afraid this won’t turn out well but the PV for this series does look rather promising.

Kokkoku


Studio: Geno Studio
Director: Yoshimitsu Ohashi
Script/Series composer: Noboru Kimura
Source: Manga
Juri Yukawa lives with her NEET father and brother, her retired grandfather, her sister (a single mother) and her young nephew. One day, her nephew and brother are kidnapped for ransom. Having only 30 minutes to meet the demands of the kidnappers, Juri, who realizes there is not enough time to prepare the money, decides to head for their rescue by herself with knife in hand when her grandfather uses a mysterious stone passed on in the Yukawa family to stop time. In a world where everyone and everything are inert, Juri and her father and grandfather run to rescue the two. But at the kidnappers’ hideout, they soon realize they are not the only ones who can move about in this still world…

This is one ridiculously bizarre and original premise. I walked into this story completely blind and constantly found my expectations completely thrown off. The story starts off rather mundane but as it goes along it just gets more and more insane. Truth be told I have a hard time deciding whether it’s a good manga or not as I often just find myself so thrown off by how the story continues. An anime might change my perception of it but I won’t really know until I see it for myself. I do say this is one to keep an eye on however as in our days of Idol and Isekai anime, this is undoubtably a rare and creative story. Both the director and series composer don’t have much to their name but hopefully they can take this story and make it a highlight of the winter season.

Violet Evergarden


Studio: Kyoto Animation
Director: Taichi Ishidate
Script/Series composer: Reiko Yoshida
Source: Light Novel
Long ago the “Auto Memories Doll” was born. Professor Orland, an influential figure in the printing industry, invented a new type of printing machine for his wife Molly, so that she could write novels after she had lost her eyesight. The machine was given the appearance of a petite lovely doll.

So it’s KyoAni’s new work and I look forward to seeing the painstaking efforts of animators go into making girls looks a moe as possible. Alright I will admit this isn’t quite their usual output though it’s not that far off the mark. I generally find that KyoAni anime these days falls under two categories. Either it’s cute girls doing comedy or an emulation of Key works, and this most definitely falls into the latter category. It’s up for debate on how much KyoAni will take from the novel, as from what I read it was mainly a series of stories about this robot girl coming to a house and helping people with their emotional traumas or hardships while playing the role of a writing machine. It certainly is aiming to be a tearjerker and sadly the novel failed to get me to feel much but I do think it might get some of you sobbing. We have the director of Kyoukai no Kanata who also has worked on pretty much almost every KyoAni animation you can think of as something other than director. Series composer has got a hefty portfolio though her most recent works are A Silent Voice, Bakuman and Aokana. I am fairly certain this will end up being one people will be talking about this season and likely will end up a hit just by KyoAni’s animation alone. Sadly, it’s not quite to my tastes but I will check it out regardless.

11 Responses

  1. elior1 says:

    @aisank47 is this mean you will try the new cardcaptor sakura or not since it in the series you middling on?

  2. SuperWooper says:

    I’ll use the comments to plug Saiki Kusuo season 2. The original was one of my favorite anime comedies of 2016, though not every episode was a laugh riot. Hopefully the sequel can match the first season and buck the trend of gag comedies that quickly drive themselves off cliffs.

  3. MrPB says:

    The original basilisk was a no holds barred murder fest. The sequel hopefully builds on it. It might be the surprise anime of the year.

  4. Heir Apparent says:

    The Extra/Last Encore anime is likely not an adaptation of OG Extra. The dudes on Beast’s Lair seem to think that it’s Extella Zero(the Extra route that would lead into Extella) or some other new story.

    Regardless, I at the very least hope this paves the way for an Extra CCC adaptation since it’s supposed to be among Nasu’s best work.

    • AidanAK47 AidanAK47 says:

      God I hope not. I recently finished Extella and it was god awful. Though I actually think that the majority of Extella wasn’t Nasu’s handwork. Based on the level of worship for Nero in it, I say Hikaru Sakurai wrote most of it. Though the third route had some of Nasu’s hand.

      • Heir Apparent says:

        Fairly certain only the last and/or Altera’s wrote had Nasu’s writing but I could be wrong.

        It supposedly being a whole new story written by Nasu is what gives me hope for it, regardless of how bad what it maybe followed up by.

  5. donhumberto says:

    Pretty excited about this season. Actually my 3 most anticipated series are the same as yours: Kokkoku (which is not only my most anticipated Winter title, but my most anticipated 2018 title, period), Violet Evergarden and Junji Itou collection. I would add the 2 netflix titles (Devilman Crybaby and B: the beginning, both of which look really awesome but might fly under people’s radar due to the whole Netflix/weird schedule thing. I mean, B, the beginning is not airing until March, so no wonder not many people are even considering it a Winter title)
    Other than that, I also have high mildly high expectations for Basilisk (the original title remains one of the best Battle Royale anime series ever, hope this one is just as good) and the noitamina show, which looks classy as hell

  6. Jedman says:

    Great more Anime that i’m not going to get round to watching.

Leave a Reply

CHANGE USERNAME
Kaiser-Eoghan
Oh wait...Uchi no Musume isn't an isekai...the genre has become so big that almost any time I take a glance at a fantasy tag I jump to the assumption its isekai.
Kaiser-Eoghan
@Aidan: I know you played YU-NO and I'm aware of your problems with it, is it actually possible for any adaptation of it to work, to be salvageable?
Kaiser-Eoghan
That is the officiaal English translated volume that currently goes beyond the currently available English scans.
Kaiser-Eoghan
Actually I was wrrong totsukunai's 6th volume is actually out now .
Kaiser-Eoghan
*series with the daughter isekai
Kaiser-Eoghan
Ah, isekai genre, attempting to trick me into watching the genre with the daughter isekai thing, I won't fall for your scheme...
Kaiser-Eoghan
@Mario: Interesting typo there, spelling Beastars as Bearstars, the typo still makes it sound animal related.
Kaiser-Eoghan
@Amagi: I want my Gunka no Balthazar anime and I want it now.
Kaiser-Eoghan
@Amagi: Reminder that the new volume of totsukuni is out in April. So far its an ova adaptation we're getting but Magus bride also started out getting an ova and thats from the same magazine.
AidanAK47
Re:Zero season 2 baby. It's about goddamn time.
Amagi
Without thinking much Shiori Experience, Dedededestruction and Atelier of Witch Hat are the only running manga series I really like without annoucement. There are more, but not that many.
Amagi
I can barely think of manga I like and read that didn't get announcements yet. Years ago people still had these lists of fake anime annoucements of manga everybody wanted to see animated, now it's reality.
SuperMario
and Bearstars announced for this Fall 2019. Cool
Amagi
@Kaiser: Man I hadn't heard about the Totsukunai no Shoujo adaption yet that's awesome. Really love Mori too, these series could be fantastical if they get a good ost.
Animosh
And Cells at Work is getting a second season too apparently. So many announcements in the last few days.
Animosh
Oh, nice! It has its problems, but it's definitely one of the better isekai out there. Glad it's getting a second season.
Kaiser-Eoghan
I'm more interested in somali to mori getting an adaptation aswell as totsukunai no shoujo though.
Kaiser-Eoghan
For those who happened to enjoy it Re: zero is getting more ovas and a second season.
Kaiser-Eoghan
I know often young male characters get female voice actors in Japanese, but i tend to veer more toward male voice actors for male characters.
Kaiser-Eoghan
Although I'd say going back the old adv dub was probably very dated. Though Spencer really got the patheticness of Shinji right.
Kaiser-Eoghan
@Anon: MUH Windee Lee MUH Spike Spencer, MUH old dub.
Anonymous3576667
So Evangelion (probably Netflix's biggest anime this year) is rolling out June 21. New English dub, all 26 episodes and the films (sans the Rebirth ones) all at once.
Amagi
From time to time there are Index-verse antagonists I am kinda interested in but in the end I am never willing to watch 50+ episodes or so to get to the point where said interesting characters may appear. I just don't care about the protags of these series.
Vonter
@Kaiser-Eoghan - Some things never die. Sonic, Fast and Furious, James Bond, Godzilla, Mario, Pokemon, etc. The only way these things truly die, is lost of interest, less sales, eventual ceasement of talking about these things.
Kaiser-Eoghan
Yet another Index anime announced, this franchise refuses to go away.
Vonter
In regards to Shield Hero, I still find it enjoyable, but like with the Slime Isekai, my issue is how it becomes a one-man show. I do wonder if they'll delve into Raphtalia's backstory in this season.
Vonter
That's the issue with genres, sometimes a story can turn into a comedy, a harem, an action shounen, a mystery thriller, a surreal fantasy, or a slice of life. It has to shift to keep some degree of uniqueness. Most series stick to a trope in the end.
Vonter
@Amagi - Most anime and manga fall after the premise alone, especially the gender bender genre (yeah it's a thing (*^.^*)). The thing is that after that point you either stick to an established formula or you have to turn your story into something else, the adventure, the romance, the wacky comedy, because that's what will stick.
Animosh
True that. Maybe Re:Zero is an exception, since Subaru seems to keep his supporting role (as the weakling with infinite lives)? Although it has plenty of tired tropes of its own, of course.
Amagi
@Animosh: That's the problem with almost all isekai. They usually try baiting people with some new premise, be it MC being a slime, weakling, support role, old or whatever only to ignore it a few episodes or arcs later and turn into the same run-of-the-mill like the other isekai.
Animosh
It's a shame Shield Hero seems to have largely abandoned its premise of making the shield hero a purely defense-oriented hero who can only play a "supporting" role. If he can single-handedly take down (mini-)bosses, in spite of his low level and the fact that he can't use any weapons, simply because he's, you know, angry, then ... he's really no different from the other heroes, just more broken.
Animosh
Thunderbolt Fantasy will get a new movie / OVA / whatever centered on Lang (the bard) and his past. It'll take place in Shang's old country (Xi-You), so we should see what it's like for the first time. Anyway, if it's as good as the one focusing on the Screaming Phoenix Killer it should be fun.
Kaiser-Eoghan
I remember the idea of dlc was something that annoyed me.
Kaiser-Eoghan
I do remember getting a kick out of playing old N64 multiplayers, lol bunch of then 13 year olds not knowing how to play goldeneye multiplayer properly or stealthily , so it basically turns into a Hong kong style shootout.
Kaiser-Eoghan
"We're in the middle of a battle! You have to stay logged in"
"GODDAMMIT I need to eat I can't stay!, Godammit nature calls"
Kaiser-Eoghan
When my friends got into MMOs and online shooters, I simply didn't have the time commitment or patience for the prior in particular.
Amagi
A person will only play one or two of such endless games, people won't start new ones just because they pop up everywhere, but nobody seems to get this.
Amagi
The problem is that everyone is only looking at how much money the few big ones make and think they can imitate it when the whole thing is actually just a bubble, just as with gacha games.
Amagi
@Kaiser: I actually enjoyed classical coops but yeah, MMO not really. Especially not when it feels like a game was created for single player and they shoved the MMO stuff in or when a game gets less story heavy and less content to make room for the lootershooter/pvp/whatever MMO stuff.
Amagi
I am doing this too right now. Will probably marathon a few shows I skipped so far in case that they're good till the end. More into playing right now
Kaiser-Eoghan
You might say I was keen on the idea of being in the same room as someone after I defeated them in a fighting game =P
Kaiser-Eoghan
*going on
Kaiser-Eoghan
Its far more easy to remember whats going in that way.
Kaiser-Eoghan
*the habit
Kaiser-Eoghan
@Amagi: I've gotten into he habit of only watching a few shows each season, then later on catching up with others.
Kaiser-Eoghan
@Amagi: Back in my gaming days my idea of a multiplayer was with a group of friends in a room, but it all shifted into massive online multiplayer mmos and fps games.
Amagi
Sadly, the OPM PV looks weak, I will miss the great animations of MP100.
Amagi
@Kaiser: Have to admit that I like Mob more than I feared, it's the show I enjoy the most right now. Otherwise I'd go with your ranking, maybe with an added Neverland.
Amagi
Man I hate how every game has to become more and more multiplayer'ish just let me play games as loner again.
Amagi
I already dropped it during episode 1. Considering that the manga has ~120+ chapters I guess it's another eternal status quo thing too.
Kaiser-Eoghan
@Wooper: I read a couple of volumes of the manga, its hit or miss and eventually gets repetitive, it could be often funny in certain parts but I'm bored of it now. I saw some bits of the anime and didn't laugh.
SuperWooper
>not watching Kaguya-sama
I seriously hope you guys don't do this.
Kaiser-Eoghan
I suppose now that its near the end of this season I should rank what I've been watching: 1. Run with the wind 2. Boogiepop 3. dororo 4. go-toubon.
Kaiser-Eoghan
@Vonter: And there thats the other thing, out of it so long there's a massive buildup of games , increasingly difficult to catch up and get back into.
Vonter
At the moment I'm playing Guacamelee 2. Which I had my doubts since the first game got a bit frustrating do to the backtracking. This one gives me a Super Paper Mario vibe in the villains departament.
Vonter
@AidanAK47 I'm not even mad anymore, but still disappointed Western Games can't give closure to their over 10 million dollar games. I think you can have a self contained story and maybe tease the story is open to more adventures or something.
Vonter
I suppose if I'm curious for the story I'll watch an edited Let's Play.
Vonter
Yeah, I agree, it does feel like indie developers and Nintendo make the games I like. I don't know maybe I'm just getting old to catch up with the recent trends most ambitious projects tend to follow. Also how most of these games take a lot of time to get going and I don't have that much free time to spare waiting for the game to let me play it.
Kaiser-Eoghan
@Vonter: I got into watching letsplays for a while some years back, it was a decent way to re-live an old game without playing it.
Kaiser-Eoghan
Whoring out sequels is pretty much the bane of most things, just continually dilutes the original and in some cases can even ruin the original for you.
Kaiser-Eoghan
But I can still remember that very moment when I first played a 3D game and how unreal that felt .
Kaiser-Eoghan
And there isn't time to give to absolutely every medium.
Kaiser-Eoghan
Unfortunately I think I've been so long out of the habit of gaming that I've gotten used to and familiar with not being part of that scene , to where I kind of simply just don't pick up a controller anymore.
AidanAK47
Not to mention that they are gonna milk it to death. They already got about 5 sequels planned and put in a thing showing how they could milk it. To me GOW 2018 is an incomplete game, a part 1 of a needlessly long franchise. Whereas the old games had stories which felt complete.
AidanAK47
@Vonter, I would say it's more that despite the fantastical settings both Hoizon and GOW 2018 make use of tired sandbox game mechanics. GOW especially annoyed me as I feel they stripped out everything that made those games there own things and replaced them with game mechanics stolen from other games. GOW lost it's very essence.
Kaiser-Eoghan
*Futaro
Kaiser-Eoghan
Fuataro is best girl.
Kaiser-Eoghan
@Vonter: I just read that the new Orphan anime is a prequel.
Kaiser-Eoghan
@Vonter: Back when I played/watched people play videogames, it was moreso Jrpgs and old Nintendo and sega genesis games.
Vonter
IMO making something more complicated than it should ends making something less enjoyable to play.
Vonter
Why not just watch a Let's Play. I suppose is an overreaction, but I felt very mixed how God of War 2018 was a good Father and Son story, but really annoying to play. Constant walking and climbing sequences, combat that I think it's less involved than the ones from the other games, and constant looting that lost it's charm by the 30th chest.
Vonter
I don't know why but I've been feeling that I'm enjoying more playing on the Switch than the PS4. While I enjoyed RE2 and will likely replay it, other high tech games like God of War, Horizon and the like don't do much for me. Most of this realistic games have very slow starts, make the playstation fans sound like it's struggling, and if the best part of these games is the dialogue and cinematics.
Kaiser-Eoghan
Genuinely a very good sign when a 20 minute episode feels much shorter than it is and its rewarding to see an anime series possess such a degree of confidence in its direction.
Lenlo
Just finished it. Seriously, Kaze Fui has nailed this segment of episodes. Just homerun after homerun. Its ridiculous. I love it. Kurahara tapping into the freakin speed force
Animosh
Now only Haiji is left. When there were five episodes remaining I was wondering whether there'd be enough content to fill them all, now I'm wondering how the show is going resolve everything in one episode. But the show has barely made any missteps so far, so I'm sure it'll nail the ending too.
Animosh
Kurahara's segment was also good. He's fallen in love with running, and now that he's pursuing running for its own sake he runs faster than ever. It also helps that he's crazy talented, of course.
Lenlo
I want to be excited for OPM 2... but JC Staff

Also I cant wait to watch Kaze Fui when I get off work. Sounds like it was good
Animosh
Yeah, King's segment was better than expected. Pretty relatable. His issues did come a bit out of nowhere though. His segment could have been even better if there had been some hints that he has been struggling with this earlier. It's also a bit strange that there wasn't any development with his job hunt, since that what basically his defining trait throughout the series.
Anonymous3563660
The developments from the first cour are absolutely paying off big time and it's amazing to see how far this cast has come since the first episode. And now it's time for Haiji's segment next episode. I can't take waiting another week for this!
Anonymous3563660
Well. Bravo Kaze ga. That was an amazing display that Kakeru showed. I loved his segment. King's backstory really hit me close to home as someone who recently graduated.
Kaiser-Eoghan
Now on Boogiepop phantom episode 16....a discount Godzilla!
Kaiser-Eoghan
@Anon: I liked Densetsu no yusha even though no one did and Record of Lodoss war, always wished there had been more of both.
Animosh
Yeah, that trailer ... does not look promising.
Anonymous3563292
Just as MP100 s2 takes its bow, there's going to be a lot of people expecting OPM to be as amazing as that or s1. Oh boy.
Anonymous3563292
A reminder to temper your expectations for OPM s2.
Anonymous3563001
After a messy start, that Prince of Smiles show has largely settled for okay. Not terrible, not amazing, but largely above-average and rather forgettable. I'd compare it to that Record of Grancrest War show from last year.
Anonymous3563001
This apparently isn't like that other Doga Kobo show where the pedo bait was persistent throughout.
Anonymous3563001
So uh, has anyone tried to go back to Wataten and see if the pedo bait has subsided since the first episode? Because it seems like it has for the time being.
Animosh
@Anon: no, I mean a continuation of the main story. I read about it on the anime subreddit: https://www.reddit.com/r/anime/comments/b26yj1/shaft_producer_mitsutoshi_kubota_confirming_that/
Lenlo
@Anon, I love Mob Psycho, but the series does have some iffy stills. Thats not an issue though, because this is an animated medium. Its meant to be viewed in motion and holy shit, does it look good in motion
AidanAK47
However my main issue at the moment is the feeling of them dragging things out for the sake of having that be the finale. Right now episodes just don't have much content and I feel it's too dragged out for it's own good.
AidanAK47
@Anon, Nervous isn't really the word I would use. As far as adaption is concerned I feel the series has done quite well for the most part with the only big misstep being the shows reluctance to have any inner monologue whatsoever which has lead to questionable choices to alternatively present information that was usually spoken in mind. I say the end of the arc will be done well.
Anonymous3560732
@Aidan As a manga reader, are you nervous about how they'll adapt the end of the arc in Neverland?
Anonymous3560839
mob psycho was amazeballs this week. It's the show that just keeps on giving. On a side note, I've seen some comments floating around about how the show has terrible still shots and I'm going to dispel that erroneous assessment in this week's discussion
SuperWooper
Search bar is in the upper right hand corner, in case you're still searching.
Anonymous3560732
@Animosh You referring to that Madoka mobile game tie-in?
Anonymous3560739
That’s not the search bar
Anonymous3560739
Mob psycho
Kaiser-Eoghan
They decided to adapt mushoku tensei apparently. I might aswell see what all the fuss about it is as being one of the "better" isekai.
Kaiser-Eoghan
I can't imagine how the polar bear isekai or vending machine one would handle the harem aspect.
Animosh
As for Slime getting another season, I personally don't mind. It's obviously not a masterpiece, but I don't watch isekai for enlightenment. If they can offer me some relaxation after a day's work, that's enough for me.
Animosh
Some nice announcements in the past few days: Oregairu is getting a third (and final) season, and Madoka is rumored to get a sequel too (maybe focusing on Sayaka?).
Anonymous3560293
Cross Ange is not trash tho, way better than those others
Kaiser-Eoghan
I'm wiser nowto certain types of story telling, making an overly long show that keeps throwing endless gotchas at you, eventually you get tired of the show trying to play with you instead of actually moving things forward.
Kaiser-Eoghan
@Anon: I've enjoyed many a trashy show/film in my time, but guilty crown, cross ange and Valvrave I couldn't finish, there are certain cases where the brain begins hurting/aching.
Anonymous3560221
While different in settings and genres, they obviously have Okouchi's writing full of shock value and swerves.
Anonymous3560221
Guilty Crown and Valvrave are like his most explicit attempts to recreate Geass, and look how those two fared. Kabaneri also falls into the same traps as those too.
Anonymous3560221
But even he ends up letting his worst tendencies slip in with examples like Princess Principal, particularly the last episode.
Anonymous3560221
Which ironic that the best shows that he's written are the ones that are not trying to recreate those Geass days like Lupin the 3rd Part V or that Devilman Netflix show.
Anonymous3560221
It's amusing to see that Okouchi's worst enemy is essentially himself. Trying to recreate that Code Geass magic with ass pulls, shocking swerves, and shock value without realizing that it's never as shocking the second time around. And that has basically ruined almost every work he's attached to.
Amagi
I always find it funny how almost everyone agrees that it was Biba who ruined Kabaneri. I liked that show so much before he appeared, damn. Will watch the movie but my hype is killed and I fear the movie will just be about another random human antagonist instead of the actual Kabaneri problem.
Anonymous3558784
mongatari
Kaiser-Eoghan
@Lenlo@Wooper: At least we have the Tanya movie to look forward to.
Kaiser-Eoghan
*Even though I know its going for something fun.
Kaiser-Eoghan
Oh COME on Japan, just give me by communist isekai mecha show so we can be lovers again.
Kaiser-Eoghan
@Anon: Biba fucker ruined the show and it stopped allowing me to enjoy Kabeneri as a shitty ova throwback.
Kaiser-Eoghan
@Aidan: Couldn't even make good on a stupid re-incarnation premise on the ones you mentioned.
Kaiser-Eoghan
Or better yet, find some old proto-isekai and adapt it.
Kaiser-Eoghan
"Could be worse" I suppose I win by default by bringing up Parallel paradise and ruining everyones fun by reminding them of its existence.
Kaiser-Eoghan
I think my brother in laws reason for liking trashy isekai is because he sees them as an anime equivalent to exploitation films, I should just tell him to watch old ovas.
Kaiser-Eoghan
If we're doing the re-incarnation thing, just give me a full please save my earth adaptation or bokura no kiseki or that other re-incarnation thing done by Spirals artist.
Kaiser-Eoghan
Not an isekai, but a LN adaptation, Index keeps popping up again every so often, I fell out of the series a long time ago and got exhausted with it.
Kaiser-Eoghan
I feel the same way about konosuba, I wish I found it funny but I don't because I know it is going for that "fun" thing.
Kaiser-Eoghan
I think, especially with a second season, I'd eventually get fed up with it aswell and that it would get repetitive.
Kaiser-Eoghan
My brother (and probably my brother in law too) seem to enjoy Reincarnated as a slime as a casuals show and find it funny. I saw clips of the dub, the voice actors sounded like they were having fun and I think some people found the slime/dragon interactions at the start amusing. I'm just left thinking that the show is something my younger self might have gone for but I'm indifferent to it now.
AidanAK47
Or the vending machine isekai
AidanAK47
Or the polar bear isekai
AidanAK47
It could be the hot spring isekai
AidanAK47
Well guys it could be worse.
Lenlo
I sense a disturbance in the medium. I fear for the future.
SuperWooper
That's fantastic news, as series set in the real world give me diarrhea. I assume that the majority of Japanese otaku suffer from the same issue, given the number of isekai manga and LNs that are slowly polluting my favorite art form. :^)
Anonymous3556601
As expected, that Slime isekai show has been renewed for a second season.
SuperWooper
@Anon3540676: Hey!
Anonymous3542644
And despite all of these recent announcements lately, IG still hasn't announced a release date and release model for DNT s2 yet beyond theatrical screenings. =(
Anonymous3542320
https://youtu.be/cxjXEIDbBxAInterestingly, seems like Banana Fish (technically not BL) did well enough for Noitamina to consider having an adaptation an actual BL manga on their block.
Anonymous3542320
I would really love to see that Kabaneri film get things back on track after the second half nearly derailed it (pun intended).
Anonymous3542320
Huh, well that didn't take too long for a release date regarding Psycho-Pass 3. It's slated for October.
Meanwhile, Beastars is going to be Netflix-exclusive, and interestingly, the Kabaneri film is going to air simultaneously on Netflix and Amazon alongside a limited theatrical release.
Kaiser-Eoghan
@Amagi: Did you ever read beast complex? I haven't done so yet, it seems like like the beastars authors prototype for it.
Kaiser-Eoghan
@Amagi: Hadn't known that, thanks. Also, I read the most recent 20 or so chapters Amatsuki, all has finally been revealed.
Amagi
Q's (Dorohedoro) new series started, Dai Dark. It's basically Dorohedoro in space (therefore, I am completely fine with it).
Lenlo
This adaptation of Dororo is adding a lot of new content to its story in its adaptation. It's taking what was a much more one-dimensional story in my opinion, and giving it layers.

And yeah, Run with the Wind was great. Sure Kurahara has been the most emotional, he is the lead, but I think everyone in the cast has done a decent job
Kaiser-Eoghan
Although while I did enjoy last week, I didn't think it captured the impact the manga had.
Kaiser-Eoghan
Dororo upped the ante this week to its benefit. This episode also showed how the series can succeed even with the protagonist having a minimized screentime. I don't remember Taromaro going up against a demon in the manga, this is an advantage of this adaptation adding stuff.
Kaiser-Eoghan
...because there will be that sense of saying goodbye.
Kaiser-Eoghan
@Lenlo: And thinking it over, I've been beginning to get the feeling that this will be one of those took me on a journey shows, one of those shows where I felt I really spent alot of time with everyone in it and after it ends/in the last episode, it'll get me feeling something...
Kaiser-Eoghan
@Lenlo: While so far in the series I thi7nk the stuff around Kakeru has been the most emotionally rewarding, the middle of this episode crept up on me , the tension of the race itself was never interrupted by the flashbacks and they were well stitched into the narrative.
Lenlo
Just watched it. I love this show so much. How is a show about running so damn good
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Featured Posts

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