Posted on 31 January 2018 with categories: Currently Watching:, Darling in the Franxx

Today on relationship symbolism with Darling in the Franxx, NTR. Well jokes aside this episode was easier to take seriously as there were less sex jokes and more drama. Not quite certain what to make of it as I still find the robots a bit too silly to take seriously and overall the plot is just fine if a bit predictable. For example, we knew exactly what was going to happen when Mitsuru decided to control the Franxx with Zero Two. It was obvious from the word go that this was to prove that Hiro was the only one who can handle her in a cockpit. Same with the newbie robot pilots going out on their first missions, obviously something was going to go wrong which would push for Hiro and Zero Two to be sent out. It’s understandable why they are taking the story this way but rather annoying when the reasons for doing so seem rather forced. For example, there is no reason whatsoever for command to be reluctant to send out Hiro wit Zero Two. Not even to fight but just for a test run would be good enough as he’s already proven that he can handle her and the only reason he’s getting shafted is due to him not being an official pilot. But it just seems so arbitrary when they are willing to send out a rookie with her despite Hiro having proven combat experience with her.

Point is that we all know that Hiro’s going to end out piloting with Zero Two and these events are just delaying the inevitable fact. Though this delay does give us some perspective from the other pilots in which it seems that Hiro was originally the golden boy who happened to give them all their names. But after Hiro ended up not being able to handle a robot he was tossed aside but still given special treatment despite his failures. So the other pilots, at least Zorome and Mitsuru appear to resent him for that. They place their hopes on him and he ended up disappointing. Though in Mitsuru’s case it appears he has a bit of an complex due to being stuck with Ikuno and his performance being shaky. The obvious factor is likely due to Ikuno feeling like the a weak link and the two not really having much of a connection. Very much like a couple that were pushed into an awkward relationship. It seems obvious that performance is based on how well the two pilots get along with each other and can be shaken when one loses trust in the other.

So Mitsuru’s performance is going to take a nosedive because of him openly revealing that he does believe that Ikuno is the reason behind their lacking performance and confirming her insecurities. If that’s the case there relationship could take a rather sour turn. On the upside Zorome seems to be growing more attached to Miku and easing up on the cocky little shit act which is promising. Though Ichigo looked to be having some backlash due to her failure with Hiro. I feel sorry for Goro in this situation as it looks like he’s the third wheel and is fully aware of it. I also wonder what is going on with this strange letterboxing in certain scenes. Is it to make it seem more cinematic or place extra emphasis on what is being said in this scene?

Posted on with categories: Currently Watching:, Junji Ito Collection

Today’s stories fell a bit flat for me as one of Ito’s tendencies to not explain his horrors actually somewhat backfired. In the first story we had a tale about a jade stone which cursed people with a disease that causes holes to open up on their body. The story itself was relatively simple but I can’t help but notice some logical inconsistencies. For one they state that the girl next door had been afflicted with this hole disease for all her life and yet when other people are infected they die within days. So what was this girl so special that she lived so long with the disease? The disease itself doesn’t make much sense either and while Ito does tend to stretch credibility to make his monsters come to life, here is another example where I feel he pushing things too far. This hole disease does create holes in the body as shown by the last victim who even had one of his eyeballs falling out of it’s socket due to a hole under his eye. Yet the victim can still somehow live which makes me wonder just how blood circulation works when the body is full of holes. Who was the doctor and why was he connected with the stone? Frankly I feel the horror of the story fails because we as the audience just know far too little of the situation to get what is even happening. At most we can speculate and even with that we have far too little information.

The Marionette Mansion story also has issues but at least there is more to work with when it comes to that story. Being about a brother that comes back to town and mysteriously his family are controlled by strings like puppets. The key factor her appears to be the puppet at the end who somehow must have been in control of all the strings. If i had to guess I would believe that the brother never actually came back to the town and the family which our protagonist was talking to was just puppets controlled by Jean-Pierre. The reason I believe was to somehow trick the protagonist and his sister into joining the house as it appears the older brother abandoned the puppet, he needs a human to be “complete” so to speak. Though in this puppets case he wanted the roles to be reversed. Again this story has it’s holes, namely that if the main protagonist found the house to be so suspicious then why did he keep coming back to it? He was clearly wary of the house and it’s puppet antics and yet he still let his sister stay there and kept coming back. Also why did the puppet freak out so much over the jealous girlfriend and attack the protag? How does the house ever work in regards to being controlled by strings all day? How do the puppeteers know what they want to do? The final reveal just kinda felt on the weak side as it was pretty obvious that was the case.

If there is a big flaw with these stories though it would be the endings. I have noticed this so far with all the stories but they tend to end far too suddenly. There isn’t really a sense of finality to the conclusion, instead it feels like the story just stops suddenly and is rather unsatisfying as a result. Even if that is the stories ending in the manga it would be better to dwell on it a bit to let the ending sink in before cutting to the credits. Another issue is with the presentation which while fine is still far too similar to watching a slideshow of the manga. Their is very little animation or attempts to truly adapt these stories to screen. They are essentially the manga put into an animated format without any real adjustment. Which may be fine for purests but when the anime just ends up an inferior version of the manga then people might as well just read the manga instead.

Posted on 30 January 2018 with categories: Finished Series: Adventure/Fantasy/Science Fiction, Mahoutsukai no Yome

Welcome to another week of Mahoutsukai! This week we have an anime staple, the Christmas episode, with a dash of tragic backstory. Like always there are ups and downs this week, so lets jump right in.

As I said, this is our token Christmas episode. There are presents, shopping, misunderstandings and snow. Such pretty snow. There are some interesting bits though. The time spent prepping for Yule, with no dialogue just music and motion, was good. I enjoyed that not everything was explained, like the Centaur and his Lady, and how Elias hid from this. It reintroduces some mystery that Mahoutsukai had lost. The same goes for the Yule Twins. When it comes to the world and magic, sometimes a little whimsy goes a long way. The other half of the episode consists of a shopping trip, which is fun enough. There is more random danger for Chise, as she can’t seem to leave the house without something happening. However this time it served a purpose, allowing us to get Alice’s past. That story has its own issues, but the danger at least had purpose.

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Posted on with categories: Currently Watching:, Fate/Extra Last Encore

To newcomers of the series this first episode of Fate/Extra must have you thinking “Just what in the hell is going on?” but have no fear for as this sites resident Fate expect I can safely tell you that…yeah, I have no idea either. While this is Fate/Extra, it has been confirmed that Nasu is writing a brand new story for this one so while some beats of Extra may be followed, the story may end up being very different. An important thing to note is that despite familiar faces showing up here, this is indeed an entirely different world and therefore that means that even though Rin is here, she is not the same Rin who went through the events of any of the other Fate Adaptations. The same goes for Kirei though it seems that no matter what world he is in, Shinji is always Shinji. We have less animation this time around but I do admit that Shaft makes up for it with style though this episode was unfortunately dampened thanks to the dimming of action scenes due to epilepsy concerns. For a first episode this is a strong effort as while the characters are not particularly interesting yet, there is air of mystery and intrigue that keeps you sucked in. This anime appears to be building on Extra’s story and adding another layer to it as the opening starts off with the female protagonist getting decimated before changing to the male protagonist. I hope there is a greater effort to characterise him as the protagonist of Extra was very much a blank slate for the player to insert himself into and after Apocrypha I really don’t want another one of those.

However the protagonist isn’t the only one I am worried about here as this success of this series does depend on him and also on Nero, otherwise known as Red Saber. I don’t really think I need to hide her identity considering that it’s widely known and otherwise impossible to guess. But yes, the success of this series depends partly on her or to be more exact, which Nero is here. What do I mean? Well my friends let me tell you a tale of Nero from Extra. Nero was a cocky little narcissist who loved tooting her own horn and that was actually quite charming. She came across as what would happen if you injected some of Gilgamesh’s ego into Blue Saber and ended up a loveable dolt who had the kind of confidence you just wish you had. I mean the woman wears a see through dress because she thought it would be a shame to deprive the world the beauty of her thighs. What made her particular fun was when she spoke pure bullshit on her achievements and if you called her out on it she would get meek and sullen.

I actually quite liked her then but it seems I didn’t nearly like her as much as the writer Hikaru Sakurai does. The writer of Fate/Extella and the Septem section of Fate Go, Sakurai has proven that she quite likes Nero. In fact, she absolutely adores her but sadly this results in Nero undergoing a massive character shift when one plays Extella or Septem. For Fate/Extra’s Nero was a cocky loveable brat who always touted herself as the best thing since sliced bread but Fate/Extella’s Nero is not only being claimed to be just as great as she makes herself out to be but actually even underselling her godly essence. Sakurai’s Nero is a mary sue of the highest caliber and the plot does nothing but to constantly wax on about how great and magnificent Nero is that it turned my opinion on her from like to hate. With Nasu writing this instead of Sakurai I am hoping for a return of the Nero that I liked provided that Nasu isn’t getting Sakurai to ghostwrite for him.

So what exactly happened here in this episode? Well it appears to be some sort of elimination round before the holy grail war. They got a hefty amount of masters here so they are whittling them down to a certain number of masters to fight in the war. The process appears to be sticking them in some sort of school simulation and having them eliminate each other through tests? Seems like for a while that people were getting killed off and brought to the infirmary before being thrown into the incinerator. This has been going on for a while until Kirei pulls sudden death with the last masters being chosen based on whoever kills someone else first. The good news is that the school setting appears to be gone though I do believe that the series is really pushing sense of disbelief with the main characters durability. Guy was stabbed several times, fell down a hole, pierced through with an arrow and even after all that the man is still kicking.

Part of this is sort of justified by the digital looking nature of the world but still, with that level of damage the MC should have been long dead. As a last note, I really like that the stone servent that brought the main character near death before summoning a servant was Archer from Fate/Stay Night. As in Fate/Stay Night it was Cu who wounded Shirou before he summoned a Saber which is whom Archer was fighting when Shirou saw them. So it makes for a nice parallel to have Archer instead be the one to chase down the MC before he summons a Saber. Even the stone nature of the servant referring to his position as a counter guardian and that he was also a servant you could choose in Fate/Extra. Sadly like Tamamo and the alternative Female MC, he appears to have been Shafted.(Pun not intended)

Posted on 29 January 2018 with categories: Yearly Summaries

Another year and another tick down on the death counter but it certainly has been a pretty good year for anime. We had some stinkers, some major disappointments but there were certainly shows that will be remembered and even some that will be touted as being the best of the best.

The other writers and I have decided that the choices for this list will be based on majority vote between the five of us. You can complain that your own preferred show didn’t make the final list but there is a very good chance that it was nominated and slowly knocked out as we tallied the votes together. Also, do take note that we haven’t seen everything this year had to offer so there are anime that have slipped under the radar. It is only our opinion and thus is nothing ironclad nor is it contractually binding. You may like something that we hate and that is perfectly fine (provided it’s not Eromanga Sensei because bloody hell…).

Each writer has taken it upon himself to write a section about the winners but keep in mind that just because someone wrote it, does not mean they specifically nominated it. Down below, you will see each of the writer’s ballot for their own top ten choices. With that being said, let’s put Star Crossed Blog’s final stamp on the anime year of 2017.

The Worst

Worst Show

Hand Shakers

Mario: I’m not at all exaggerating when I consider that encountering a total wreck like Hand Shakers is as rare as running across any modern classic. For Hand Shakers to be a product that goes wrong in almost every department, with its rage-inducing visual mess with fisheye lens, random camera zoom, distracting CG that moves on different frame rate than the 2D models, incompetent writing filled with of illogical leaps, INCEST, terrible treatment to the female cast, the consistently one-dimensional outlandish characters, and softcore porno sounding OST. Given the main theme of the show is about meshing connections, it’s rather remarkable how the presentation is this constant battle between all the elements of the show trying to intertwine with each other. Hand Shakers is also a glaring example of how an anime studio pushed way too hard on showing off their “signature’ style without considering if it fits the material to the point where it becomes a gimmick (Shaft, beware!). The saddest thing is that its failure doesn’t come from a lack of care, as I can see real effort were put into it, but to make a show this terrible is no small feat. Hand Shakers redefines what we perceive as bad, and maybe THAT is how it will be remembered for years to come.

Runner-ups: Berserk (2017) – For poorly adapting of one of the most acclaimed manga.  Eromanga Sensei For the exact opposite reason of Berserk (2017), where there was solid production values for a show that represents everything that is wrong about modern anime, which makes it even more painful to watch than forgettable fluffs.

 

Biggest Disappointment

Seikaisuru Kado

Lenlo: It’s difficult to write this category, because for all of its faults, I still enjoyed Seikaisuru Kado. The problem is that it could have been so much more. For the first half of its run, Kado did a great job of setting up its characters and running with the theme of “alien contact changing our world”. The CGI, while not beautiful like Houseki no Kuni, was used inventively to simulate 3D shapes in creating interesting scenes. However, in a single episode, it plummeted from being an intriguing sci-fiction to an unmitigated disaster of a shounen. Plot threads got abandoned, dialogue was thrown out the window in favor of flashy combat and the philosophizing was pointless. Because of its fantastic start and subsequent disgusting end, Seikaisuru Kado is the most disappointing and soul-crushing anime of 2017. It only beats out Berserk (2017) because no one expected anything from that trainwreck in the first place.

Runner-up: Berserk (2017)
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Posted on 28 January 2018 with categories: After the Rain, Currently Watching:

Gosh, the romance tension sure escalated quickly, which for my money is for the better. This week we have Tachibana in both her lowest and highest (AKA entirely in her unstable mood), the 45-year-old clueless victim who tries his best to brake the relationship from going too far, and a coming date of the two at the end. The last part stands to me as the only sour (last) note to this extraordinary episode. You see, that “date” is obviously a plot device so that the two of them can spend more time together, and it breaks the established mood although by that point I was already invested in the two of them and their romance to let it pass. The factor that I appreciate the most out of this episode is of course, Kondou’s reactions to Tachibana’s confessions. Ameagari skates the thin ice in this sensitive issue but the show manages to pull it off with even more sensitive approach. The guy not only act like a normal 45-year-old guy would do, but he convinces her with many sounding, sensible reasons and appropriate actions. Responding straight to Tachibana about her confession, for one thing. Giving her two main reasons to reconsider her options, one of them because of the huge age-gap (which she couldn’t care less), and the other because of his own empty self (an empty middle-aged boy with no dream or hope – so much honesty here). The second reason is important here, he feels himself unfit for someone like Tachibana, whose life is just at the beginning of her stage, and she’s attractive on top of that.

But it’s the emptiness that seemingly bring the two together. That brings me back to the first half of this episode, Tachibana meeting the track club members. After seeing them enjoy running and making progress, she’s deeply frustrated and left. A brief montage of the events led to her injury further demonstrate the fact that 1) now that her track career is gone, Tachibana feels empty, thinking that she has hit the thick wall ahead. And 2) she meets Kondou in the exact time when she was at her lowest point, the moment really gets into her that she finds the spark in the man. Many could say that it’s unrealistic, but I totally believe that’s how young people fall in love, especially the love at first sight. That frustration from seeing her being left behind by the wheel of present and the track field which once made her special lead her to pursuits the love to Kondou AGAIN, in the rain (it sure rains like hell in Ameagari). And when the message is out there’s no holding back there, for both of them.

This third episode makes it the first time we entirely see the events play out from Kondou’s point of view. After he tries his best to avoid the love message from Tachinaba in every possible way he can think of: first seeing it as a formal compliment from the girl, then taking it as a dream, then as a prank (there are nice little sequences play out in his head there); he deals with her the best way anyone could. What really sells me is the way Ameagari displays his perspective in an insightful and subtle manner: we could see his nervousness through his drinking the can that had cigarette ash in (he experiences the true bitterness of that love, as some might say), or through him searching for cigarettes but couldn’t find it. His thoughts as well, are so personal but well-placed and honest. Despite all the “you should reconsider this” stuffs, I can see how her confessions affect him in a good way. He feels flattered by the thought of someone attracted to him, he feels young again (with the smart visual of him in his teen self), he feels love and being loved again. And honestly, what is wrong with two people falling in love?

My bottom line: this is the best episode not only for Ameagari, but I consider it the best of episode I’ve seen so far this Winter season. I’ve heard someone compare this to Wong Kar Wai’s romance films. While at first I thought this’s too early a game to make any concrete statement, with this episode I do feel a resemblance here, especially the way they develop well-grounded characters we care for and their mature love relationship.

Posted on 27 January 2018 with categories: Other:, Uncategorized

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It has been quite a while since the last time we had this, right? Now, game on for some new match-ups. This time I pick 2 shows from recent years, both dealing with the death of a childhood friend(s), and arguably both of them received commercial and critical success in their run (as of this writing they receive a very close rating over MAL). Both deal with grief, confusion, and the allusion of fixing one’s mistake. Both have a diverse cast with their own emotional growth, strength and weakness. Both produced some of the most heart-breaking, tear-jerking and emotionally roller-coaster we have witnessed for the last few years. Both are made by A-1 Pictures. One is a drama, the other is a thriller, but ultimately they’re both character-driven shows. Without further ado, please welcome on stage, ERASED and AnoHana

Boku dake ga Inai Machi (ERASED)


Studio: A-1 Pictures

Season: Winter 2016

Episodes: 12

Source: Manga

MAL Rating: 8.57

When tragedy is about to strike, Satoru Fujinuma finds himself sent back several minutes before the accident occurs. The detached, 29-year-old manga artist has taken advantage of this powerful yet mysterious phenomenon, which he calls “Revival,” to save many lives.

However, when he is wrongfully accused of murdering someone close to him, Satoru is sent back to the past once again, but this time to 1988, 18 years in the past. Soon, he realizes that the murder may be connected to the abduction and killing of one of his classmates, the solitary and mysterious Kayo Hinazuki, that took place when he was a child. This is his chance to make things right.

Boku dake ga Inai Machi follows Satoru in his mission to uncover what truly transpired 18 years ago and prevent the death of his classmate while protecting those he cares about in the present.. (from MAL)

Excerpt from our site’s original review:

“This series has some great presentation and direction though it does make it somewhat predictable in how it highlights what’s to come. Predictable does not mean boring though and this tale has a lot of heart. There are a number of great scenes that can play with your emotions and each episode does leave a feeling of dread for a tragedy to come. Though those episode cliffhangers do build up expectations which the ending fails to deliver.The female cast is ridiculously strong with Satorus mother being one of the best parenting figures one could have.

Ultimately what decides your enjoyment of this show is your level attachment to the characters. The focus is clearly character driven and if you find yourself not caring for them, I am afraid the plot will not hold anything to compensate. But if you find yourself getting drawn into these characters then I believe your experience with this show will be a positive one but remember to walk into it with the right expectations.”

Versus

 

Ano Hi Mita Hana no Namae wo Bokutachi wa Mada Shiranai.


Studio: A-1 Pictures

Season: Spring 2011

Episodes: 11

Source: Original

MAL Rating: 8.56

Jinta Yadomi is peacefully living as a recluse, spending his days away from school and playing video games at home instead. One hot summer day, his childhood friend, Meiko “Menma” Honma, appears and pesters him to grant a forgotten wish. He pays her no mind, which annoys her, but he doesn’t really care. After all, Menma already died years ago.

At first, Jinta thinks that he is merely hallucinating due to the summer heat, but he is later on convinced that what he sees truly is the ghost of Menma. Jinta and his group of childhood friends grew apart after her untimely death, but they are drawn together once more as they try to lay Menma’s spirit to rest. Re-living their pain and guilt, will they be able to find the strength to help not only Menma move on—but themselves as well? (from MAL)

Psgels’ original review:

“Ever heard of the phrase “short but sweet”? This is the key to the best Noitamina-series out there: most of them can only be eleven or twelve episodes long, so they really need to know how to use their time, and this series is a brilliant example of how this timeslot should be used. It leaves no moment wasted, it never drags, and it’s always developing its characters, delivering heavy drama, and moving back and forth between showing new things about its characters and fleshing them out.

If you are looking for an emotional roller coaster however: watch this. Few series can boast to be this well laid out, especially when so small. Everything fits just perfectly. I’m not a fan of moe, but this show is so good that it immediately won me over.”


Which team do you pick this time?
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HAPPY VOTING GUYS!

Posted on 26 January 2018 with categories: Currently Watching:, Violet Evergarden

Well, we have another original anime-material this week and I consider this episode slightly stronger than last week, although its main shortcomings still remain. The biggest improvement in terms of narrative, is how Violet Evergarden shifts their perspective to another secondary character. I still have issues with Violet the character, so it’s a nice change (and more bearable) to see her issues through someone else’s lenses. This week, our Violet attends the Auto Memories Doll class and we have a pretty much Violet’s routine here: her salute, her precise at receiving orders and her mechanical arms. And like all of us could have predicted, she excels on typing and grammar, but totally fail on transferring emotions to the letter. Only three episodes in and I’m already tired with all those same beats. It doesn’t even make sense to me how Violet ghost-writes Luculia in such a dry report-like, given her personality she could just write exactly what the girl says. The thing is, Violet not only has difficulty of expressing her own, or other’s emotions, she has a hard time understanding the feeling others have. She hardly expresses any emotions at all except when it comes to Major whathisname. As a result, her letter in the end, and her graduation because of it, don’t feel earned to me. They feel too quick, too compressed for such a change from Violet.

Thankfully, aside from our little Violeta’s development, we also have the story of Luculia and her own struggles with her brother. In a way an indirect victim of the war (the War settings are put into good use here), her brother is tormented for the dead of their parents, whom he feels that he failed to protect. That lead to his own destruction: drinking, fighting, being useless. Luculia feels unable to communicate with him, as all the raw emotions are botched up inside that it becomes impossible to be normal again. Communication, or to be more precise, the ability to communicate, is by far and large the central theme of Violet Evergarden and Luculia story succeed of deepen that theme with some emotional affecting moment and the strong visual flair that brings out the emotions just by the way they tone down the melodramatic moments. Most of my complaints about the show so far come from its script, namely its obvious and predictable narrative beat and its boring titular character. In fact, Luculia herself sometimes feels like a vehicle to unlock Violet’s emotion, thus she doesn’t really flesh out as a true character. We never know her own reason for becoming a Doll, for example, or why she becomes invested to Violet – the driest girl on Earth. Even the Auto Memories Doll workshop itself seems too rushed for its own good.

It’s the masterful visual storytelling so far that raised the bar to this material. The settings are beautiful and gorgeous. When Violet and Luculia get into the top of the tower and see the city from up high, the city looks attractive and impressive, yet somehow bring the strong feeling to the forefront. The visual focuses more on the character’s little gestures and their eyes than any big emotional overacting, which for me fare much better in terms of emotional impact. The first “letter” that Violet is decidedly simple; but express all the feeling that Luculia want to transfer across to her brother. I suspect this is the format we will get as the show moves on from its prelude phase, Violet encounters different people with different stories, and ghost-write and learn about their emotions in the process. I’m fine with that, as long as the show doesn’t get repetitive and gives a reasonable development to Violet to get her out of this robot shell.

Posted on with categories: A Place Further than the Universe, Currently Watching:

Universe takes another firm step towards the Antarctica trip, this time more about the actual preparation: parents’ approval, training and the likes. We’re still far away from the final destination, and I suspect it’d take a few more episodes before the girls arrive to the South Pole. Not that I complain because these build-ups make this journey much more believable. It helps that the direction so far smartly conveys the tones it tries to bring across. Take the scene where Mari tries to get her Mom’s approval for example. The show knows how to play up the fear of Mari of being caught red-handed for arranging her trip without her Mom’s knowledge (Mari, it’d be wiser to ask your Dad instead). It constantly builds the atmosphere up, and then play out in a spooky playful nature (remember what did the little sister do when they realize their Mom knows? She shuts the door. I’m outta here. Case closed). Priceless. Or take the scene where the girls being underwhelmed inside the old van? Universe shows us not only their disappointments, but the condition of the car: the girls crammed up in small seats, stack of papers about funding, the small note sticking at the cassette telling them it’s broken, an expensive car passing it to put more salt to the wound… Those little details certainly help make this preparation phase more entertaining.

On to the 4-day training trip, I certainly feel related to how clueless the girls are when they have to do the actual field trip. Simple matters like which eye they should use, your left or my left, take note about altitude… the basic of mountain climbing, but there’s always first time for everyone. On that field trip, the girls meet their captain, Toudou Gin, whom sharing with Shirase the same pain: the loss of Shirase’s mother. It creates quite a tense tension between the two, so I expect we will learn more about her mother through their chemistry once they’re arriving to Antarctica. One potential conflict before they’re reaching the destination, though, is how Megumi (Mari’s best friend) feels a bit “uneasy” towards Mari’s plan. She has been the voice of reason for Mari to walk the fine line between “reaching your dream” and “taking realistic actions”, but her warming about feeling regret when you’re trying to hard but not achieving it sound off to me. It’s the opposite, and it’s not like her to say something like that. I guess we will have to wait until next week to see what Universe has in store for us regarding this plot thread.

One of my fear after the quartet is finally formed, is how then they will become less dominant and exist only as the group’s member with no real personality. Well, so far Universe hasn’t fall into that trap yet, given the cast still produces some neat chemistry together, and give both Mari and Shirase some more ground to develop. In Universe, Shirase has always been the one who drives the plot forward, and Mari is our emotional investment. This time again, when talking to Gin, she makes it clear that although Shirase was the invite them to the trip, it’s ultimately HER trip now – the place where she herself really wants to go and explore, along with all the friends she has made. Antarctica show is still looking strong at the moment.

Posted on with categories: Kokkoku

Welcome to another episode of Kokkoku, the premier time based anime of the season. This week we have growing mysteries and intelligent villains. Lets jump in.

To start off, I want to talk about our main cast and the mystery surrounding them, as that seems to be the core of Kokkoku. Blood and family ties have come up often, both in regards to our heroes and the villains. Blood is what is used to activate the Stasis Stones, though we don’t yet know if it matters whose blood is used. It also appears that each member of our leading family has some sort of ability. The Grandfather is able to teleport short distances while Juri is able to expel people from Stasis. So far neither has been able to use the others abilities, though it is possible they might learn them in the future. If blood does matter however, I am curious what abilities the villains will develop, as they also have a stone and can enter the Stasis. Next up is the mysterious spirits.

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This week in Kanata no Astra happens almost entirely inside the spaceship, and with that we come to learn more about some characters, the “conspiracy theory” and how once again they need to work together to save their asses. Put frankly, I found the way the discussion turns into a suspect game just based on […]

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We finally get to the end of the Mars Brightest contest and the beginning of the new arc (with shining new OP and ED to boost), but narratively it’s not much of a big gap between these three episodes. While we can see how it wraps up from miles away, episode 12 wraps up the […]

Kimetsu no Yaiba – 16 [Letting Someone Else Go First]

Welcome one and all to one of the more tragic episodes of Kimetsu no Yaiba. This week a Demon falls, Inosuke becomes a dating sim and Tanjiro makes googly eyes at someones mom. Let’s dive in! Right off the bat, this week makes up for last in terms of production. Not even talking about the […]

Mix – 14-15 [We’re Losing/I Wanted to See That Expression]

I’ve got to lead with a gripe: Mix’s new OP is worse than the first. I haven’t got anything against Porno Graffiti as a band, but Akihito Okano’s vocal performance is too deliberate and modern for a show this committed to naturalism. What’s ironic is that Sumika, who provided “Equal” for the first opening, have […]

Dr.STONE – 3 [Weapons of Science]

Hello everyone, time for another day at the anime blogging grindstone. This week Tsukasa’s conflict comes to the fore, Yuzuriha wakes up and our team goes for a hike. Let’s get to it! This week, Dr.STONE continued to make good use of Boichi’s original art. However we are starting to see some of the limitations […]

O Maidens in Your Savage Season – 03 [Willy’s Real Rear Wheel]

I hate stereotypes. Mostly because they’re just the viewpoints of people lazy enough to not make the effort to know better. And from personal experience, I can safely say that women bear the burden of facing this almost all the time. Unjustified and stupid as it may be. If you’re a blonde, you must be […]

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