Posted by AidanAK47 on 29 January 2018 with categories: Yearly Summaries

Another year and another tick down on the death counter but it certainly has been a pretty good year for anime. We had some stinkers, some major disappointments but there were certainly shows that will be remembered and even some that will be touted as being the best of the best.

The other writers and I have decided that the choices for this list will be based on majority vote between the five of us. You can complain that your own preferred show didn’t make the final list but there is a very good chance that it was nominated and slowly knocked out as we tallied the votes together. Also, do take note that we haven’t seen everything this year had to offer so there are anime that have slipped under the radar. It is only our opinion and thus is nothing ironclad nor is it contractually binding. You may like something that we hate and that is perfectly fine (provided it’s not Eromanga Sensei because bloody hell…).

Each writer has taken it upon himself to write a section about the winners but keep in mind that just because someone wrote it, does not mean they specifically nominated it. Down below, you will see each of the writer’s ballot for their own top ten choices. With that being said, let’s put Star Crossed Blog’s final stamp on the anime year of 2017.

The Worst

Worst Show

Hand Shakers

Mario: I’m not at all exaggerating when I consider that encountering a total wreck like Hand Shakers is as rare as running across any modern classic. For Hand Shakers to be a product that goes wrong in almost every department, with its rage-inducing visual mess with fisheye lens, random camera zoom, distracting CG that moves on different frame rate than the 2D models, incompetent writing filled with of illogical leaps, INCEST, terrible treatment to the female cast, the consistently one-dimensional outlandish characters, and softcore porno sounding OST. Given the main theme of the show is about meshing connections, it’s rather remarkable how the presentation is this constant battle between all the elements of the show trying to intertwine with each other. Hand Shakers is also a glaring example of how an anime studio pushed way too hard on showing off their “signature’ style without considering if it fits the material to the point where it becomes a gimmick (Shaft, beware!). The saddest thing is that its failure doesn’t come from a lack of care, as I can see real effort were put into it, but to make a show this terrible is no small feat. Hand Shakers redefines what we perceive as bad, and maybe THAT is how it will be remembered for years to come.

Runner-ups: Berserk (2017) – For poorly adapting of one of the most acclaimed manga.  Eromanga Sensei For the exact opposite reason of Berserk (2017), where there was solid production values for a show that represents everything that is wrong about modern anime, which makes it even more painful to watch than forgettable fluffs.

 

Biggest Disappointment

Seikaisuru Kado

Lenlo: It’s difficult to write this category, because for all of its faults, I still enjoyed Seikaisuru Kado. The problem is that it could have been so much more. For the first half of its run, Kado did a great job of setting up its characters and running with the theme of “alien contact changing our world”. The CGI, while not beautiful like Houseki no Kuni, was used inventively to simulate 3D shapes in creating interesting scenes. However, in a single episode, it plummeted from being an intriguing sci-fiction to an unmitigated disaster of a shounen. Plot threads got abandoned, dialogue was thrown out the window in favor of flashy combat and the philosophizing was pointless. Because of its fantastic start and subsequent disgusting end, Seikaisuru Kado is the most disappointing and soul-crushing anime of 2017. It only beats out Berserk (2017) because no one expected anything from that trainwreck in the first place.

Runner-up: Berserk (2017)

Worst First Episode

Hand Shakers

Aidan: The three episode guideline can be a decently fair way to judge what a viewer is getting into but Hand Shakers has one of those first episodes that just spells disaster from the get-go. You can tell there is at least passion in its production but sadly that passion is directed at something trying to hit all demographics and managing to alienate all of them. CGI chains so jarring that it’s like someones first college 3D modeling work pushed into a 2D environment. Visuals of rainbow vomit with terrible direction. A introductory story with uninteresting characters, creepy subtext and very little context to what it is even about coupled with truly insulting fanservice like gravity defying boobs of jello. It is a wonder upon creating this first episode that the production didn’t just fold the project then and there as when you end your first episode with a woman moaning while being constricted by chains, one would think you would reconsider your life choices. All I know is that I had to put this episode on mute for a time in fear that people may think I was watching a porno.

Runner-up: Dynamic Chord

 

Worst Character

Sieg (Fate/Apocrypha)

Aidan: Truth be told, Sieg by himself is not what many would consider to be a worst character. When one considers the worst character, they think of the annoying ones, the kind who make you forcible cringe and hate every moment spent watching them. Sieg is not one of those characters, but his crimes are far more serious. For Sieg has no personality, his character arc is predictable from beginning to end and he is made the main protagonist of Fate/Apocrypha by any means necessary. The plot bends over backwards for him and even goes as far to kill off more interesting and developed characters for the sole purpose of pushing him more into the spotlight. In a series with an interesting cast that just begs for development, Sieg steals screen time away by showing him going on dates and pondering just what the hell is his point in even being there. He is essentially like the director’s son whom the director wants to show off and everyone on the production team has to go along with it despite no one wanting him to be there. His very existence brings down the story as a whole and even every moment he’s on screen kills the small amount of entertainment that one can glean from this show. He is by very definition, proof of how a self-insert character can ruin a story in its entirety.

Runner-up: Shindo and Saraka (Seikaisuru Kado) – For betraying their own character arcs during the disastrous final act while being terrible at their jobs and being terrible people.

 

General Categories

Best First Episode

Made in Abyss

Wooper: Given the frightening nature of this series’ titular abyss, its first order of business was to create a sense of mystery and wonder about its central chasm, and on this front, it succeeded completely. Between the show’s lush, verdant backgrounds, scary monster designs, and sunlit views of the city surrounding the rim of the abyss, this premiere was beautifully produced and directed. The script was packed with tantalizing bits of information about this new world with mentions of valuable relics and a ranking system, based on a series of brightly colored whistles, for cave delvers, really wet my appetite for future episodes. The burgeoning sense of camaraderie between Riko and Reg was a lot of fun to watch, and it foreshadowed a bond that would keep them moving on their journey, even through the depths of hell. Above all else, Kevin Penkin’s score elevated this first episode to masterful heights with two achingly beautiful insert songs that immediately sold me on the allure of the abyss. With all of these elements working in total harmony, Kinema Citrus created half an hour of TV that is rivaled by few other episodes this year, whether they be premieres, finales, or anything in between.

Runner-up: Little Witch Academia

 

Best Single Episode

Made in Abyss Episode 13

Spoilers ahead.

HelghastKillzone: Made in consultation with the original manga author, Made in Abyss takes the uncommon path of having a double-length finale and uses every single minute of it well. From the horrific backstory of Nanachi’s journey into the abyss, the sick experiments of Bondrewd, the destruction of Mitty and its final uplifting sequence, the entire episode was just filled to the brim with powerful emotional moments. The first season of Made in Abyss could have never told a complete story as it ends just before its defining arc in the fifth layer but the ending creatively-made recap set to Kevin Penkin’s “Tomorrow was the perfect way to conclude this remarkable show.

Runner-up: Rakugo Shinjuu Episode 11

 

Most Pleasant Surprise

Made in Abyss

Aidan: I will pull out my hipster glasses and say that in my preview that I indeed did predict that Made in Abyss would be something quite good. I will admit that I underestimated just how good it would be. What was a pretty good manga was elevated by gorgeous background art, magnificent direction and an otherworldly soundtrack composed by an Australian composer, which heightens every scene it plays in. I held off on reading the manga to freshly experience the anime is on a whole other level of entertainment. With a sequel on the way (whether it’s a new season, OVA or movie is still up for debate), I am more than excited to delve once again into the depths of the abyss and see what wonders and horrors lie within it’s expanse. I expected Made in Abyss to be a good show but it surprised me by being a great one.

Runner-up: Houseki no Kuni

 

Best Studio

Orange

Lenlo: This was a tough pick. Both studios did a fantastic job this year with MAPPA making Garo: The Vanishing Line, Inuyashiki, Kakegurui and Rage of Bahamut: Virgin Soul and would be considered a healthy list for any year. However, MAPPA has been here around since 2012 and even then, was created by Madhouse veterans. Orange, however, has long been a background studio where they did work on other people’s anime in mostly CGI graphics. This year marked their first solo-production in the name of Houseki no Kuni. A strong and beautiful first production, Orange managed to take CGI, a medium riddled with mediocre series like Berserk, Hand Shakers and arguably Kemono Friends, and give it a new face. They took a CGI anime and made it a strong contender for our anime of the year. As a first outing in solo productions, others and I here think that alone deserves some recognition. Well done Orange, you earned it.

Runner-up: Studio MAPPA

 

Best OP

Imawa no Shinigami (Rakugo Shinjuu Season 2)

Wooper: Consider the nervous, anguished expressions of Rakugo’s main players at the start of its second theme. As their faces flash across the screen, a clock ticks in time with Hayashibara Megumi’s lilting, elusive vocal melody, and finally, it falls silent as the show’s most looming presence turns and disappears into the flames of hell and that’s just the first twenty seconds. The song title for this OP literally means “The Reaper’s Dying Moments,” and its accompanying visuals are just as obsessed with mortality as you would expect. Here we have shots of the series’ chief character throwing himself from a cliff, submerging himself beneath the waves after refusing his apprentice’s hand, turning his back on his friends and acquaintances before they shatter into hundreds of black fragments, and finally, a candle’s flame being extinguished. The real killer, however, is the moment just before the candle scene, when Yakumo’s oldest friend pulls back his coat to reveal a hollow skeleton, and those same nervous faces from the start play in reverse. That’s when you realize that they were all looking directly at him, and witnessing the emptiness and self-destruction that would eventually lead to his tragic death.

Runner-up: The Other Side of the Wall (Princess Principal)

 

Best ED

Los! Los! Los! (Youjo Senki)

HelghastKillzone: For the sake of transparency, I personally went through every single anime ED that was released in 2017 and still chose “Los! Los! Los!” as my first choice. Despite only consisting of very pretty scrolling artwork from the light novel series, it is the song itself that propels itself above the competition. Sung by the voice actress of Tanya Degurechaff (Aoi Yuuki), it is extension of her utterly bloodthirsty character in musical form with lyrics that screams for war in all in horror and glory. With its rock instrumentality and frantic tempo, it fits perfectly with the tone of the show where the protagonist is very much the villain.

Runner-up: One More Night (Girls’ Last Tour)

 

Best Animation

Houseki no Kuni

Mario: Houseki no Kuni sure paints up an optimistic future of how to handle the CGI to its full effect. Not only the animation is consistently fluid, the fight sequences tune up its dynamic nature with smart shot angles and impressive choreography. There are many sequences (especially those involving Dia), where the camera tracks the character running across in seemingly one single continuous shot or how the alloy from Phos keeps shapeshifting into whatever weird things but never at once feel out of place with the tone of the show. Even the character movements are expressive with heaps of motions. I can’t even imagine how they could pull those off in traditional 2D hand-drawn animation so thumbs up for not only it rightfully deserves the top place in this category, it opens for more opportunity of how to use the CGI with style.

Runner-up: Shingeki no Bahamut: Virgin Soul

 

Best Background Art

Made in Abyss

Mario: The intriguing world-building has always been Made in Abyss’s strongest point. Its world building is unique, full of life, and has a true feeling behind it. It is both beautifully inviting and scary at the same time. The background art wonderfully displays those qualities with the great attention details to the settings: the city above the abyss where the kids live, and the abyss itself. The mysterious settings always draw you in and make you want to investigate. The visual motif of verticality is there and when you notice it, it exists everywhere, just like how the abyss shapes its world (remember the Abyss’s curse?). Each layer of the Abyss has a personality of its own, and while at first glance they look exactly like Ghibli’s worlds in term of gorgeous backgrounds, there’s a sense of danger lingering everywhere. Mysterious, deadly and yet attractive that you can’t take your eyes off, it’s a true definition of femme fatale if I’ve ever seen one.

Runner-up: Mahoutsukai no Yome

 

Best Soundtrack

Made in Abyss

Wooper: Most anime series tend to recycle a handful of tracks throughout their run, using them in nearly every episode to stretch their limited music budgets. Made in Abyss isn’t exempt from this problem, but its soundtrack was so good that I couldn’t bring myself to care. I already dropped Kevin Penkin’s name in the “Best First Episode” section of this post, but his superb work on this show merits another mention. This soundtrack was alternately alluring and terrifying, which perfectly captured both the wonder and the fear of traveling deeper into the unknown. And the use of insert songs, especially “Underground River” (featuring Raj Ramayya, who previously recorded for Wolf’s Rain and the Cowboy Bebop movie) sent shivers down my spine. The disconnect between Abyss’s thematic harshness and its cute character designs required a perfectly balanced tone, and Penkin’s soundtrack was instrumental in achieving that.

Runner-up: Houseki no Kuni

 

Best Voice Acting

Rakugo Shinjuu Season 2

Aidan: Don’t pretend to be surprised. With a category like best voice acting, Rakugo has it won before anything else even aired. Rakugo is a show whose very concept depends on the skill of the voice actors as they must perform as a performer whose only performing with their voice. Other shows would have a character on the sidelines whose purpose is to say something to confirm the quality of the performance. Rakugo has you watch the performance and judge it for yourself. To that a voice actor must be both a Rakugo performer and the character while purposely botching the performance for dramatic effect or improving based on the level of training the characters have had. This is a show so dependant on the quality of its voice acting that it is literally undub-able. That the voice actors not only managed to pull this off but do it so incredibly well is a feat not many can claim. I honestly wish I knew Japanese so I could experience it as intended.

Runner-up: Houseki no Kuni

 

Best Character

Tanya von Degurechaff (Youjo Senki)

HelghastKillzone: Tanya is what defines Youjo Senki through its portrayal of villainy as it follows a nine year girl journey as she ascends the ranks of the Imperial Army though bloodshed and maneuvering within its bureaucracy. What makes her so interesting is that her rather mundane ambitions of getting a cushy position clashes with her ideology of meritocracy and lands her in scenarios that throws her into harm’s way. Furthermore, her atrocities are all done in accordance with the rules and regulations that have been handed down to her making whatever she does quite legal, even if it is morally bankrupt. Also, seeing a loli butcher the Allied Forces in a pre-Nazi World War one context while being in a grudge match against Being X  is something that never gets old. In my personal opinion, Tanya exhibits all traits of the ideal military officer where she pushes her men to the breaking point of their abilities, has an forward-looking view on the doctrine of warfare and leads from the front. It’s true that she doesn’t care about lives of her subordinates other than keeping them alive for her own career advancement but then again, I wouldn’t expect anything from an officer other than delivering complete victory.

Runner-up: Phosphophyllite (Houseki no Kuni)

 

Best Cast

The Night is Short, Walk on Girl

Wooper: This film is, for my money, the best anime of 2017, so its excellence isn’t limited to just one or two categories. Even so, its roster of eccentric characters shines as perhaps the brightest aspect of the production. Borrowing heavily from the cast of Tatami Galaxy, with which the film shares a director (Masaaki Yuasa), Night is Short depicts a whirlwind evening wherein its two heroes stumble across a variety of colorful personalities, all of whom are in pursuit of something fleeting. Be it love, alcohol, youth, law and order, or rare pornographic photos, each of the players in this grand spectacle are single-minded in their desire, which makes them easy to understand, yet endlessly entertaining. The way that Yuasa threads his protagonists through this maze of conflicting passions and crazy subplots is downright dizzying, but the journey is worth every minute. The only criticism I have of the movie is largely down to the style of Morimi Tomihiko’s source novel, which revolves around a nameless protagonist who represents young adulthood more than he embodies a particular set of characteristics. Everything else about the film is rollicking good time, though, so do yourself a favor and look it up if you haven’t already.

Runner-up: The Eccentric Family Season 2

 

Genres

Best Comedy

The Night is Short, Walk on Girl

Mario: For the record, comedy had quite a quiet showing last year as I could only name a handful of shows that managed to tickle my belly (Romance anime, on the other hand, outperformed last year). But to say that, in any other year, I can still hand this award to this gem. It’s a feverish (pun intended!) non-stop crazy events after another in a span of a single night. The movie has tons of whimsical details (I’ll forever remember her Mom’s teaching of Friendship Punch), many absurd moments (the dance of the Sophists, anyone??), and many outright silly sequences (Johnnies!!) but the charms are always there. The guerilla theatre part is easily one of the most enjoyable moments of the year and the whirlwind of quirky set of characters keep popping in and out of picture make the whole experience sparkle with fun, laugh and joy. It’s certainly one hell of a night to remember.

Runner-up: Gamers! (for excellent build-up of misunderstanding comedy (x5 times) into a web of hilariously confusingly situations).

 

Best Action

Youjo Senki

Aidan: Shounen fans, I hope you’re satisfied with a runner up for My Hero Academia Season Two as many would deem that the more worthy nomination for best action. Alas, the votes tallied out like this and I will ask your forgiveness for those of us who couldn’t really find enough interesting about Hero Academia to continue into its second season (Myself a prime example). Take pride in that if this was a category for best fight animation that Hero Academia would take the gold easily. But this is best action and while Hero Academia is a fine Shounen, I must hand the award to Youjo Senki. With the various war scenes of ariel magic dogfighting to the intriguing mind battle between God and the main character with the alternative history of World War One. Youjo Senki just proved to be the far more stimulating show to watch. I personally would take watching a nihilist turn slowly into a dictator than a upstart transforming into a paragon of virtue. Even if Youjo Senki is a Isekai anime, it does at least show what can be done with the concept of Isekai when it isn’t used to as a delusional childish power fantasy.

Runner-up: My Hero Academia Season 2

 

Best Drama

Rakugo Shinjuu Season 2

Lenlo: It should be obvious that, considering how no one here really shuts up about it, we all love Rakugo Shinjuu. It’s a very rare kind of anime after all. There’s no world ending conflict, no magical powers or shounen tropes. It doesn’t take place in highschool, none of the main characters are children and there’s no one dimensional “I like you but can’t say it” plots. Rakugo Shinjuu is simple the life story of one old man, from childhood to death, and his love for an art form. It is, in one of the purest forms, a character drama. Most everything that occurs does so as a result of our characters decisions. However the best part of Rakugo Shinjuu of all, for me, are the stories. The art form this anime is centered around. Every time Yakumo or Yotaro take the stage, we are treated to some of the best voice acting I have ever heard. Each story is not only a joy to listen to, but relates directly with the plot in some way. Each was clearly chosen with care. Really I could spend all day exalting Rakugo for even with some issues at the end, sadly nothing is perfect, it stands head and shoulders above every other Drama this year.

Runner-up: Kuzu no Honkai

 

Best Shorts

Tsurezure Children

Aidan: I will be the first to admit that I don’t watch most short styled anime but even I make a few exceptions when something truly special comes along. Tsurezure Children is one of those few exceptions because it did something in the fifteen minutes of it’s first episode that romance series take an entire season to accomplish. This show is a series about relationships, not love triangle that go nowhere. This short series deals with points of romance that most don’t even dare to thread and does so with a great sense of humor and the satisfying fluff of seeing couples learning to enjoy each other’s company. My only complaint is that is too short, and needs a season 2 and a season 3 please.

Runner-up: Blade Runner: Black Out 2022

 

Best Movie

The Night is Short, Walk on Girl

Mario: This one is a no brainer. I watched more shows than I have ever watched before in this year and I watched many good to great anime movies this year, but when it comes down to the best, Night is Short easily takes that slot. I even go so far to say that I consider it one of the best anime films of this decade so far. Everything that I come to love about pushing what anime medium can achieve: the wild but expressive visual style of Yuasa, the wild, messy writing style of Tomihiko that somehow come together neay in the end and the ultimate love for its magical-realism Kyoto settings (which I found to be my favorite city ever), everything from this screams “creative” and resonates to me on personal level. I can feel the love brimming through every second of the film, through every character and through every line they speak. Night is Short is another worthy addition to an already impressive body of works of legendary director Masaaki Yuasa.

Runner-up: Kimi no Na wa. (Your Name.)

 

Best OVA

Castlevania

Lenlo: Without a doubt, this is a contentious nomination. Made and directed by a Western studio and based on a Japanese IP, some wouldn’t even call Castlevania an anime. Well, they can stuff it. Castlevania manages to take the almost non-existent story of Konami’s game series and create a great narrative in just 4 episodes. The animation is stunning from Dracula’s fire to Belmonts fights. The voice-work of Richard Armitage as Belmont and Graham McTavish as Dracula grab me every time. There is even beauty in the brutality of Castlevania’s monsters, as they annihilate a town. Everything about the series was made with love and passion. It’s noticeable in every frame. So regardless of whether or not you think it to be anime, if you like the medium, I cannot help but recommend Castlevania to you. With Season 2 on the way with another 8 episodes coming out this summer, now is the perfect time to catch up.

Runner-up: Space Battleship Yamato 2202

 

 

Top 10 anime of the year

 

Here’s a link to our individual ballots, so you can see how we settled on these shows in this particular order. Let’s kick things off with a tie at 10th place:

  1. Kuzu no Honkai (Tie)

HelghastKillzone: High school romance anime tends to to the follow the trajectory of a couple’s journey that culminates into the all-encompassing kiss, but for Kuzu no Honkai, that is just the starting point. Packed to the brim with its spider web of relationships, sex, temptations, and adult drama, Kuzu no Honkai is the exact result what would happen if an anime romance got the HBO treatment. None of the characters are innocent as they all have aspects being scrummy in their quest of fulfilling their own selfish desires but there are some really interesting layers once the audience gets past their surface descriptions. With the exception of one certain individual, the entire cast felt as they were real people translated into animated form and then given a base plotline of  two teenagers using each other as a substitute for the one that they truly love. Studio Lerche does a excellent job of animating it by incorporating manga-style paneling and watercolor backgrounds in bringing the source material to life.

 

  1. Inuyashiki (Tie)

Lenlo: Inuyashiki was one of the more interesting beasts this year. Not set in high school, not a shounen or a moe, but a psychological drama about what it means to be human. It had its issues, plenty of bumps along the way, from questionable CGI to an out of left field ending. Yet in spite of these I can’t help but think on it fondly. The main characters, Inuyashiki and Hiro, play off of each other well. An old man with a new lease on life and a young man coming of age, struggling with his place in the world. One becoming a Hero, the other one of the most sympathetic and well written yet monstrous villains I have seen in a long time. When an anime manages a character that is simultaneously terrifying yet pitiable, you have to acknowledge it. The craft of these characters, sometimes at the expense of the rest of the cast, was phenomenal. So much so that even with a questionable ending I still left Inuyashiki satisfied. And it is because of this quality, pulled up in large part due to these characters, that Inuyashiki managed to squeak onto our top 10 list.

 

  1. Eccentric Family 2

Mario:  For a year that had too many sequels from popular anime for their own good, I’m glad that our final top 10 (well, top 11) has only 2 continuous shows, and I’m more than happy to see that Eccentric Family 2 was among them. Appeared in only two ballots (a trend that you will see more of as we go down the list), it had some passionate votes in order to stand tall here at number 9. The second season maintains the spirits of the first, expanding a bit on the new setpieces, and on many addition cast. The new characters fit in with the old cast like a glove and many of them even steal the spotlight from the old cast. What surprises me the most about this second season, however, is how the show successfully develop its romance relationships, something that sorely lacked in the first season. For the cast this huge, it’s rather surprising that each of them has their own voice and their own significant to the story, and by the end, I have fond memories to almost all of them (except the twin, of course) – not a small feat to pull off at all. This is one of those shows that I’d be happy to watch anytime, I can never get tired of this colorful magical-realism Kyoto city and their adorable tanukis.

 

  1. Girls’ Last Tour

Aidan: So the world’s gone to hell, all man’s greatest achievements have been reduced to a vague memory and everyone’s gonna die but hey, that doesn’t mean you have to be so grim about it. Cute girls doing cute things has always been a genre that I found a hard time getting the appeal as it is almost a celebration in the mundanity of life. So for one such as I, who seeks escapism, such a thing is equal to drinking a glass of water when craving a soft drink. Girls Last Tour, however, takes the antics of the cute girls genre and places it in the bleakest setting it can manage. The result is two girls appreciating life and having fun when by all accounts they should be lamenting the really shitty hand that the world has given them. However, there is something rather thoughtful about these girls running around the ruins of a dead civilization, talking about the nature of life and troubles of the old world as though all the grand reasons people thought up for justifying life and killing each other are really just silly meaningless things. Life is just about enjoying life which these girls take every day to do. In that, I think it’s a lesson that no matter how terrible your circumstances, it’s good to learn to appreciate the simple joys of life.

 

  1. 3-gatsu no Lion

Wooper: Since our rule of thumb is “everything that aired in 2017 is fair game,” 3-gatsu’s nod here is for the conclusion of its first season, as well as the beginning of its second. That means a lot of really excellent character work from 2016 was excluded from consideration, but even during last year’s shogi-heavy stretches, this show nearly always found time to deepen its considerable cast of characters. 3-gatsu’s secret lies in its mix of drama and comedy, allowing it to explore themes of depression, family, and societal acceptance, all while remaining light enough to look forward to each week. Some viewers have mistaken its style as a clash of tones, but in truth, this series is more interested in depicting life as it truly is – blissful in one moment, and in the next, crushingly sad. Hinata’s bullying arc from season 2 was among the most emotionally punishing stories in anime this year, but while 3-gatsu goes dark every so often, the show is built on the belief that there’s good in everyone, even if it’s buried under physical or emotional pain. All it takes is for someone to reach out their hand, it argues, and another person’s sorrow can be lifted.

 

  1. Little Witch Academia

Mario: While the show itself never top the sparks from its first two OVAs,  Little Witch Academia the series still provides a lot of fun hijinks and some good character development from Akko and the cast. The overarching arc of Akko activating the magic words to turn back magic ties up well all the loose ends and gives a satisfying emotional closure, albeit at the expense of Croix and some hiccups in plot progression. I am admittedly not a fan of episodic character-focused approach, but for what it worth, LWA still provides heaps of fun times with some solid character growth, some tweaks on pop-culture references and a cartoonist exaggeration styles. Studio Trigger sure aims this show for its Western fanbase in this regard. This show also has a bouncy and expressive animation with lots of energy and some truly stand-out sequences, production-wise. Ultimately, Little Witch Academia is a beautifully-crafted show that brings magic to a level that’s larger than life with its imaginative world, a diverse cast of characters and a simple, yet heartfelt central message and a passionate treatment from Studio Trigger – A believing heart is truly your magic.

 

  1. Tsuki ga Kirei

Wooper: Only two of our five writers watched this little gem, but we both felt so strongly about it that it managed to land in the top 5. Tsuki ga Kirei is just that kind of show: quiet, understated, and if you’re on the same wavelength as its characters, shockingly powerful. Detailing the initiation and slow progression of an awkward first love, this series is a straightforward teenage romance with no supernatural gimmicks or outlandish personalities. What makes it special is its sense of authenticity where both romantic leads are anxious and self-conscious, and they struggle not only to be open with each other, but also to excel in their other responsibilities. Akane runs track, while Kotaro is a traditional dancer and aspiring novelist, and these parts of their lives bleed into their relationship in convincing ways, giving the show a lived-in sensation. Studio Feel reached for the stars with this series, and though its visual presentation is spotty, the story had me captivated from episode two and onward. I’m no industry expert, but if I had to guess, I’d say there won’t be another romance anime on this level for a long time.

 

  1. Youjo Senki

Aidan: As the Isekai genre creeps more and more into the anime sphere to show us bland nobodies who get transported to another world and shows everyone just how awesome they are, Youjo Senki is one of those shows that stops one from dismissing the entire genre altogether. Featuring an alternative history World War One featuring a business manager turned into little girl tyrant on a mission to spit in the face of god, this show is a truly entertaining ride from start to finish. Watching Tanya’s quest to find a safe stable job while being thwarted by god’s intervention or her own horrid miscalculations is always fun and coupled with the well down aerial dogfighting and sense of humor makes this a show I made sure to never miss an episode on. It does have the issue of being merely a start to a ongoing story, one I hope the film coming will remedy a bit, but for twelve episode Tanya’s exploits made for some damn fine entertainment.

 

  1. Houseki no Kuni

Aidan: I was late to getting to Houseki no Kuni and I fully admit to only completing the show recently but boy, what a ride it was. This was another of those manga that didn’t catch me but its anime adaption pulled me in hard. Displayed is the finest CGI to grace the animated medium in decades and hereby proves that good looking CGI anime can indeed exist. Topped with a setting and world that is fairly unique despite being distinctly alien, a large cast of characters, which none feel undeveloped nor uninteresting, it has a story that balances mystery, action, fantasy and comedy in a manner that is seamless. Phos makes for the perfect explorer of this land while undergoing her own compelling character arc. Truly, this is one of the few shows which I finish and find that I cannot think of any way to make it better as its only true flaw is that the story ended before the story could truly conclude or even get started. If you haven’t watched this show for one reason or another then I would highly recommend finding the time to run though it. You will be rewarded.

 

  1. Rakugo Shinjuu Season 2

Lenlo: I and others have already gushed about Shouwa Genroku Rakugo Shinju: Descending Stories plenty during these awards. You saw it earn best OP, for the hauntingly beautiful “Imawa no Shinigami”. You’ve read about the accomplished voice work of its cast, with Akira Ishida as Yakumo beating every other anime VA for the past two years. Finally, you saw it earn our vote for Best Drama, with Season 1 having a similar place last year. With all of these accolades, it would be strange for Rakugo to not appear near the top of this list. The characters are nuanced, the story is phenomenal and the camera work/direction conveys more than any side exposition character ever could. All of this and more has already been said about Rakugo, so at this point if you haven’t seen it, take the hint and watch it. You will not regret it.

 

  1. Made in Abyss

HelghastKillzone: When a majority of the writers on this site, in spite of our different tastes and watching habits, have voted this show as their second or best show of the year, it’s not hard to see what makes Made in Abyss so universally acclaimed. Whether it is the captivating landscapes, its impeccable world-building, the eldritch horrors found within its depths, or the God-tier soundtrack from Kevin Penkin, Studio Kinema Citrus does everything right in ascending the already-strong manga source material into being a classic anime. For beneath its veneer of impressive production values, its core journey to the bottom of the abyss is both deeply unsettling and gratifying by ratcheting up the tension and releasing it in the most visceral way possible. In an age where the trend of fantasy shows are little more than self-insert fanfiction, it is so refreshing to have an adventure story that stands alone on the merits of its own lore, atmosphere and story. For a show to leave its audience only wanting to venture deeper into hauntingly beautiful and terrifying mysteries of the abyss, it has earned its spot as the top anime of 2017.

14 Responses

  1. Hogart says:

    Having watched HeroAca 2, I’d easily say Houseki no Kuni is far more deserving of “Best Action”. I’ll have to watch Tanya to compare the two, but I daresay it would take a lot to top Kuni’s excellent production and direction of its action sequences. Many of them were also emotionally riveting to the point of being memorable, rather than just being sheer spectacle. By contrast I can barely recall any of the action from HeroAca2 aside from one sequence that had little actual action in it, just a lot of tension in an alley. Far less inventive and engaging than the stuff in Kuni.

    And while I’m on my Kuni love-a-thon, I’m also surprised at how few people take mention of how stellar Kuni’s soundtrack work is. The soundtrack flows just like the editing from scene to scene, with some marvelous cueing. I think it’s very underrated in that regard, right down to the inspired choice of hand-picking Phos’s VA so their pre-recorded lines would give them extra inspiration for how to visually render Phos. Hell of a passion project.

    • SuperMario SuperMario says:

      To be honest, somehow I never considered Houseki as an action show (it’s genre-blending that it becomes its own genre). I’m totally with you regarding Houseki’s soundtrack (which I enjoyed more than MiA’s) and I fought hard to make it appear as a runner up (against Re:Creators), ditto on Phos’ voice as well ^^

      To HeroAca2 credits though, the fight between Bakugo and Uraraka and the fight between the kids and Hero Killer are both stellar. That show is not for me much but I understand why people regard it as the best action show last year (Well, not this site, it seems).

    • Lenlo says:

      As with Mario, I never really considered Houseki an “action” anime. It had scenes of it sure, but that was never its appeal to me.

      My rational atleast behind Hero Aca was that action is its sole purpose. It has no other real reason to exist, and with Yutaka Nakamura on staff, it did that purpose well.

      You say it had little action, yet there was an entire tournament arc in the first half. Not stellar story I agree, yet the action worked quite well.

    • Lenlo says:

      That said, Phos’s VA was in contention for best VA I believe. However Akira Ishida as Yakumo ‘Bon’ Yuurakutie simply can’t be topped. The entire anime hinged on his performance and he knocked it out of the park.

  2. KTravlos says:

    I think in general this was a good summary. (I do have soft spot for the shows I reviewed (Altair, Shingeki no Bahamut, but they were C shows)

  3. Badesh says:

    Heh, i was absent from anime for a really long time (7 years?) and for me Shingeki No Bahamut is an anime that pulled out my love for that genre again.

    A great cast with classic characters (the likable bad-boy, the righteous knight, the evil king) – a very likable lead character (one of my personal favorite)

    It got a sensible and good take on teenage love that matured in the course of the show to a strong statement of what love can be & it had a good setting, not too convoluted so that it does what the medium anime does best: setting some key aspects of life in contrast by highlighting them and then tell a good story.

    It had good action, was funny & surprising. And it tackled the good old question what is right and what is evil in a way that is approachable. That was my anime of the year :)

    (the first season did absolutely nothing for me, i gave it a chance after the 2nd but it just seemed boring) – and i have to add i only houseki pulled me in so i probably have a specific taste and i’m not a connoisseur if i can call you guys this way ;)

    thank you for blogging this year guys!

  4. Niello says:

    Great year for anime which are an outstanding adaptation to their respective source materials.
    – Scum’s Wish
    – ACCA
    – Houseki no Kuni
    – Made in Abyss
    – Rakugou
    – Net-juu no Susume
    – Girl Last Tour

    • Niello says:

      …I am of course not acknowledging Altair and Berserk existence.

      • Lenlo says:

        A good choice. When writing the Kado blurb, I spent a good deal of time figuring out how to take a shot at Berserk. I sadly couldnt get it as biggest disappointment or worst show, so it didnt get its own blurb. But suffice to say if it had, I would have ripped into it.

        I am 99% sure I am the biggest Berserk fanboy on this site/staff and my was crushed by the anime.

        • Bokusen says:

          I feel you! I’m a huge fan of the Kino no Tabi novels & the first anime series, but the new series’ adaptation was so disappointing to me that I think I’ll never watch a Lerche series again, because just thinking about it fills me with rage & sadness now. Not that I’ve ever watched many to completion, now that I think about it, but still…
          It’s annoying when a long awaited sequel series doesn’t live up to your hopes, isn’t it? :(

  5. Ellen_R says:

    Hand Shakers is an amazing show.
    In the first five minutes, it has broadened my views of the genre. I never thought it was possible to mess up to this degree.

  6. mezzoguitar says:

    Made in Abyss over Rakugo Shinjuu? The latter had me amazed with every episode and eager to watch the next one every week. The former started off great and had some highlights near the end but a good half of the show starting with Ozen’s arc was so horribly slow-paced that it made me want to fall asleep. Felt like MiA could have worked better if it was 10 episodes long with the same content.

    • AidanAK47 AidanAK47 says:

      Completely disagree with Made in Abyss. I will give you that the middle part was on the weaker side but the best parts where in it’s second half.

      Funny enough I think your comment about MIA could have applied much more to Rakugo as it’s last episodes really were one overly long drawn out epilogue.

    • SuperWooper says:

      I agree that the middle of Abyss was a drag, with the Ozen episodes being my least favorite. Everywhere you look, though, we seem to be in the minority.

Leave a Reply

CHANGE USERNAME
SuperMario
For me I don't mind if I have to pay to watch the series/ films, but damn it don't restrict me to access it. Entertainment medium is meant to be an exposure (for the lack of better terms), it's supposed to be available to the mass and nobody care for a series that isn't available for streaming. We have way too many other options out there
SuperMario
"Piracy is almost always a service problem and not a pricing problem". Someone said that and I couldn't say it better
SuperMario
@Amagi: which part of Firework that you stopped? It's the movie that make less and less sense as the story goes on so I feel you on that
Amagi
I really wonder what's up with this guy. Considering the hype and VN screens he gets he seems to be more than just random side-protagonist. Looking forward to the rest of this series.
Anonymous2039704
One of my favorite OPs this season
Amagi
Now I textwalled again and feel bad.
Amagi
In short: be it indie-products or official series or papers, just upload everything on a virtual plattform and you'll get a bigger audience, many of them even willing to pay as long as they get what they want in high quality.
Amagi
Something might only become popular 4 weeks later but it doesn't matter because it's still there and people can watch it whenever they want and the other series don't matter since it isn't a classical rivalry as we know it from tv.
Amagi
"Less people watched the first episode than the 1000th iteration of [insert some "classic" movie old people watch for the sake if it]. With streaming plattforms like Netflix and others series just get dumped and are always accesible.
Amagi
Another reason for why I prefer streams and stuff: TV and quotes are a horror. They often cancelled series after one or two episodes because the quotes didn't live up to what they wanted. Instead of giving a new series some time. It needs time to get a fanbase and people often need weeks to even know about a new series, but nope.
Amagi
In the end such things are usually screened in ~3 places around the country for a day or two. So if you aren't living nearby or have work to do on that day: good luck.
Amagi
Sometimes it isn't their fault though, like when there is an anime or some indie guy from my country is making a movie - and nobody wants to show them.
Amagi
Same here. I really want to give small companies or indie/artists a chance, but it's not always easy.
Kaiser-Eoghan
What baffled me was the British film institute blocking Irish users using their legal streams.
Kaiser-Eoghan
Believe it or not I actually WANT to support.
Kaiser-Eoghan
While I do pirate alot, in cases where an obscure film actually gets a cinema release I make sure to pay to see it at the cinema, I support all the rare anime screenings too.
Amagi
There is so much stuff I had to pirate or I would have had to relinquish it completely. Even with non-fiction books for my university studies.
Amagi
lmao. But I 100% agree. Maybe you're lucky if you live in the US but otherwise you are often enough f*ed. Bad marketing.
Kaiser-Eoghan
Point I was trying to make is that, region blocking is only encouraging piracy more.
Amagi
narf~ couldn't manage to finish that Firework movie, do I miss much? It seems like something that might have a bunch of good ideas for the later part but the first half just bored me and I couldn't get into it for some reason.
Kaiser-Eoghan
Release your damn indie project on a reputable site or at least offer a paypal option and if its something off-colour in content, send the bloody thing digitally and not as a dvd.
Kaiser-Eoghan
Oh look, funimation releases eng dub trailer...think I'll...wat....oh wait this video is not available in your region"
Kaiser-Eoghan
"This video cannot be streamed outside of"
"Sorry we do not deliver to Ireland"
"Sorry this film from less than a decade is out of print"
Yeah, fuck legal streaming, just for that I'm pirating you.
Kaiser-Eoghan
@Mario: Truly you have become the most super of Marios.
SuperMario
Finally pulling those reviews out. Guys, if you're expecting for Hinamatsuri and Masotan posts, the former will be done tomorrow and if I have more time I will do the second one too. Enjoy for now
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
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Featured Posts

Wotaku ni Koi wa Muzukashii – 02[Are We Now Dating?]

After a strong first episode I come back to this show and find a rather middling second episode. There is some good content here, namely the Evangelion references, one of which was butchered by the crunchyroll translators.(Narumi and Hanako were arguing over who was best girl in Evangelion with notes over their head about whose […]

Steins;Gate 0 – 2 [Epigraph of the Closed Curve -Closed Epigraph-]

7 years. It has been almost 7 years since the original season of Steins;Gate. Since Okabe overcame received a mysterious video message, which prompted him to finally save the day. Back then it was a rather clever, if thin, plot device to get a happy ending. Steins;Gate 0 is the story of this video message. […]

Legend of the Galactic Heroes Die Neue These – 2/3[The Battle of Astarte/An Indomitable Prodigy]

If I was to judge this adaption based solely on the first three episodes I would declare it a resounding success. For while I do really like the old series, it does have a rather slow start. I say i only truly got invested in it around episode 3 or 4 when the more political […]

Golden Kamuy – 02 [Nopperabo]

Leave it to Japanese cartoon that done the Western genre better than the Westerners, at least from what we have seen so far (note: despite my pun, Western the genre doesn’t refer to the Western culture, but to the American Old West). Granted, Japanese cinema and literature has a strong tradition of samurai genre, which […]

Hinamatsuri – 02 [This Is How You Have a ESP Battle!]

Welcome to THE comedy gold of the season. Before I get into anything specific, let’s me discuss about what make this little show about a psychic girl and a yakuza hilarious in the first place. The main source of humor in Hinamatsuri largely comes from situation-based weirdness. Putting these characters out of their comfort zones […]

Darling in the Franxx – 14[Punishment and Confession]

Last time Darling and the Franxx had it’s best episode yet which raised my opinion of the series and gave me hopes for greater things moving forward. So it’s sad that they follow this up with the worst episode of the series to date. This episode was pure frustration to watch because you knew exactly […]

Megalo Box – 2 [The Man Only Dies Once]

Welcome to the Spring 2018 anime season! I am proud to present to you the Ashita no Joe 50th Anniversary project, Megalo Box. Easily the most stylish anime of the season. Lets jump in! With just 2 episodes, Megalo Box has become my favorite for the season. Everything about it feels like it comes from […]

Darling in the Franxx – 13[The Beast and the Prince]

That was the best episode of Darling in the Franxx to date. Truly I am impressed with this though it may be perhaps because the fanservice aspects of the show were not present at all during this episode. Todays episode was spent entirely on the past of Hiro and Zero Two. When this episode is […]

Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered […]

Latest Reviews

Violet Evergarden (2018 Winter) Review – 76/100

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter […]

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep […]

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

Mahoutsukai no Yome – 69/100

Fantasy is a rather prolific genre in anime, with a vast majority of Isekai and Shounen fitting snugly into it. Most take place in their own unique setting, either Amestris of Full Metal Alchemist or the made of world of the latest Isekai trash. Few however try to set themselves in our world. To peel […]