Posted on 30 May 2018 with categories: Currently Watching:, Golden Kamuy

Wait, did we seriously just watch a guy who gets aroused with the idea of killing? I mean, what a way to explore his twisted desire and what a visual Golden Kamuy presents here. A glowing circle in his pant? Sure, why not? It’s weird, it’s whimsical in an awesome way. The idea is that this guy Henmi has a distinctive approach to killing (and be killed), and I’m pretty sure most of serial killers behave this way, whose killing patterns are influenced by traumatic events in the past. He reminds me a fair bit to Dr. Hannibal Lecter who become known as Hannibal the Cannibal because he witnessed his sister was cannibalized by a band of Nazi collaborators when he was young. The rest of the episode, however, can never top this. While on the topic, the appearance of this new tattooed character Henmi opens up too many issues. First, by focusing on his narrative in the episode’s last part, the show makes a tonal shift that is frankly quite jarring. We never know much about him except for his flashback, thus he just can’t carry the show compared to say, Sugimoto and Asirpa. Worse off, because this guy takes a central role in the last half, our duo behaves like walking sticks. I don’t see any personality in Sugimoto whatsoever.

In the big picture, with this episode I have a clearer idea of what kind of show Golden Kamuy is. I’m pretty sure now that Lt Tsurumi and the old man Hijikata are our final bosses, and to get there Sugimoto and Asirpa will have to face several smaller arcs involving particular prisoners with skinned tattoo. I’m not that fond with this approach to be frank. And now I don’t even consider on which side Sugimoto will destroy first. The way I see it, there’s going to be a three-way face off between the Good (Sugimoto), the Bad (Hijikata) and the Ugly (Lt Tsurumi. Note: purely subjective opinion here). These three forces are the only parties to know about the true size of the treasure to boost. At least in this episode the Bad and the Ugly have a brief encounter where Hijikata raids the bank in order to… retrieve his darling katana and earn some cash. Yeah, OBVIOUSLY it makes sense. What the Immortal and the Ainu girl need to concern, however, is their comrade Escape Artist gets himself caught by the prisoners. The gang, surprisingly, doesn’t treat him badly, at least not yet, in exchange for other skin tattoos. They underestimate Sugimoto at this point, mostly because they have never heard of him, so I suspect that this Henmi business will be when the prisoners take notice and see the threats in Sugimoto’s ability to survive.

Another change in plot direction and in the next villain also results in another change in Golden Kamuy’s setting, and this time, it’s a treat to watch. It might cost the show a bit of pacing issues (look, Sugimoto, let’s help us catch the whale first!), but the herring fish scene is a totally fresh air. We have boats floating on the sea as the fishermen try to catch the big whale, and much later when we see the red herring from fishes and Henmi briefly explains Sugimoto about all the works. I hope we get more of that, but the fact remains that Henmi is ready to throw himself to Sugimoto, quite literally, even at the cost of his own life. Although Sugimoto never seems thrilled to kill these kinds of nutcase, he only kills to defend his life.

Posted on 28 May 2018 with categories: Currently Watching:, Hisone to Masotan

Hmmm, I do feel like I’m watching some propaganda in HisoMaso this week, in which it tries to sell us the ideas that women’s low self-esteem and insecurity are the best way to “soulmate” their dragons, and worse, learning the whole conspiracy method of crushing these poor girls’ hearts to make sure they’ll ever love again, so they can devote all their hearts to pilot the dragons? WHAT? Okay, propaganda is a bit exaggerating, but I can’t help but feel the mean-spiritedness in this approach, especially virtually no one in the higher-ups question about it or that Ilboshi guy’s decision morally, instead they just roll with it. Haizz, they play those up for laugh, and I guess they set all this up so that the girls can overcome those, but still I feel a bit uneasy watching all these play out. Especially seeing the young mug Okonogi tries his damnest to slide between following his orders and just have fun with Hisone. I figure my uneasiness lies in the fact that these girls, our D-Pilots are the victims and clueless about all this. Ways to depreciate our women and their intelligence here, Mari Osada.

SO the plan is to figure out all the girls’ potential romantic interests, push it a bit and then squeeze that love like breaking an egg. Haizz. This plot gets thicken fast as Okonogi is granted a chance to go to a date with Hisone, watching some lame horror movie (wait, is it the same film with the one in After the Rain?). Meanwhile, Kinutsugai becomes an informant (because of Kingdom!) by that guy Ilboshi again. He now becomes a sore thumb here as beside babblings all those bullshits about white lovers, purity and what’s not, he acts equally stupid and manipulative too. To make things worse, this week our dragons get left out, in place for these stupid romantic threads (that include Hoshino and “the guy who ticks all the boxes” and Hitomi’s multiple interests).

The show’s writer is most infamously known for injecting unnecessary and drawn-out romances and it seems like she again hits the streak in this episode. It’s not enough to bring HisoMaso down, at least not yet, so I’ll reserve my final feeling when this all business about the ceremony is dealt with, but for now I’m not that keen on the direction it laid out. It should focus on the dragons – their pilots relationship, or even focus to develop our girls, not this. And HisoMaso still holds their cards too close regarding the real identity of the yogurt lady. Too much sniffing and licking without revealing won’t tease people anymore. I’m a bit concerned with HisoMaso now, it looks like it will head dive into the deep ocean full of sharks and I’m not sure if it ever going to recover from that.

Posted on with categories: Currently Watching:, Hinamatsuri

The core dynamic of Nitta and Hina again is put into test this week, this time with more pressing matters. There’s a woman from Hina’s world comes to bring her back home, except – you know – she’s also scared shitless about Hina’s power. That’s the first thing that makes this new addition, named Kei, different from someone in her role. Kei’s more than willing to take shortcuts to her duty, and poor Anzu has to keep her from running away many times. Kei has a checklist to track Hina’s development in which she expects Hina to trip anytime soon. That blue hair girl passes all the test with flying colors and I especially like the way Kei and Anzu tested her by buying the puppy and disguise it as a homeless dog. Hilarious as it always is, but when Hinamatsuri wants to, it can ring the emotion so true. It might be a bit obvious the way the show wants to show us how Hina has grown while living with Nitta, but it mostly gets away with it by framing that change from Kei’s astounded eyes.

When learning about her going back to her world, she not in the least refuses. Grown girl accepts the consequences after all. The more important thing is how to break it to Nitta. Hina tries, and fails, in various methods to get Nitta noticed (most notably her “byebye” T-shirt, and when she’s frustrated she rolls and float freely in the air, creating a nice and weird visual quirk. Nitta takes the news calmly, he takes her to eat her favorite ikura bowl for the last time and says it when it’s time for their separation, that while she’s a pain in the ass, he enjoyed the time they spent together. That might be why the last laugh doesn’t really win me over because it kinda destroys my goodwill towards Nitta. But to be fair, Nitta has always been an ass himself, so they pretty deserve each other’s company.

In between that crisis, we have a side story of a new Hina’s classmate, Mami, who walks the fine line between a complete fool and an adorable fool. What worse than showing your true power to the bad people? It’s showing your true power to the eight-grader syndrome kid who believe they’re the centre of the universe (in fact they’re closely to grade 8th here). Hilarity ensues when Mami decides to confront Hina upfront (and freaked out to the point of lying on the ground). Hinamatsuri is in total control of the tones here, building up her satisfaction and her desire to brag about her “superpower” just about right, while never overplays her humiliation. Having the crowd total in their straight faces works much better than them laughing and ridiculing the poor girl (especially love both Aizawa and Hitomi’s tense expressions there). There’s so much good laugh in this second part and never at once the show belittles Mami’s hijinks. Well, turn out the parts about those middle-schoolers are amongst my favorite parts of the show. With such a diverse cast with strong and funny characters who always found themselves in absurdist situations, Hinamatsuri retains its touch this week.

Posted on 26 May 2018 with categories: Finished Series: Mystery/Suspense, Steins;Gate 0

Oh boy, Steins;Gate 0 was definitely a thing this week, whatever that means. This time we have clashing styles, interesting plot twists and one hell of a cliffhanger. Lets jump in!

To start off, lets get the obvious out of the way. Steins;Gate 0 is not an action series and it shows. The opening “combat” scenes of this episode were… weak, to be kind. Animation was stunted and in general it just wasn’t great. This isn’t unexpected though. Steins;Gate’s design/style doesn’t lend itself well to smooth, fluid fights. It has always been a series focused on its characters, not the action. That said, the actual narrative portion of the “combat” was pretty interesting. We have no idea who the leather-clad women is, though I have suspicions, and Mr.Braun’s entrance was both unexpected and exciting. I have always wanted to see more of his character, get a deeper look into our landlord ever since Steins;Gate, and we finally have the chance. And boy did this week spend a lot of time with him.

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Posted on 25 May 2018 with categories: Currently Watching:, Golden Kamuy

This week ties up one plot thread that is Nihei and Tanigaki and their quest for hunting down the wise wolf and overall it does a decent job at that. Continuing from where the last episode left of, this final confrontation works for me because everyone has a moment to shine. Sugimoto proves that he does have some strategy beside his strong survival skills by using the Escape Artist to… escape. Tanigaki is wise and underhanded enough to use Asirpa as a hostage, and Asirpa also more than serves her role well when she saves Tanigaki’s live by cutting his poisoned flesh. But the main stars in this arc lie in the final showdown between Nihei and Retar – the man and the force of nature itself – with a welcome twist. Nihei has it under control until he realizes he lets his guard down, that Retar never intents to face the man down upfront, but he only serves as a distraction for his mate to attack him from behind. The wilderness again outwits the man, through the power of family bond, something that all the men in Golden Kamuy seemingly leave behind to pursuit their own goals.

What happen right aftermath this fight furthers highlights many of Golden Kamuy’s stronger moments. Tanigaki, barely walking, comes up to the death Nihei and says his chant. That’s the respect. Asirpa refuses to let anyone die in her ability by bringing Tanigaki and the Ainu dog back to her village. Golden Kamuy might not have the excellent production by their side: all the action scenes are only just functional, and their violence is somewhat extreme, but the violence never serves as glamorized action (unlike Tarantino’s films for example – except for certain skewer sequences), it’s gruesome, and it fits with the world these characters inhibit in: gruesome, bleak, macho. But the ones who survive so far, as we further see after this Retar’s arc, are the ones who have companions and it’s the desire to keep their companion safe that push them farer than those who simple have nothing to lose. Seeing it on that light, it’s a good sign for both Asirpa and Sugimoto.

This episode also gives us Lt. Tsurumi’s emotional motive for pursuing the gold and really, it’s not in the least surprises me. Feeling betrayed by the Government after literally putting their lives on the line, the 7th Hokkaido unit aims to stage a coup to basically regain “what was rightfully theirs”; and give more job opportunities for their family members by opening the weapon factory (!). What’s the catch, then? That the amount of gold is in really far bigger than the assumed amount (about 1,000 times bigger). That is to say those soldier bastards won’t leave the game anytime soon, and Sugimoto and the gang come upon another issue of whether or not to trust Tanigaki at all. With this kind of story, don’t expect anyone a friend even when they’re on your side, and the same could apply for our escape artist.

But if there’s another special skill that our escape artist inhabits, it’s his ability to run into trouble in every corner. He bumps into Ushiyama and they engage in the hilarious chase, in which Ushiyama jjust sweeps off all the barriers with inhuman skills (that involves taking a damn HORSE down Mongo-style takedown). Seems like it’s time for our group to finally meet the prisoners, although with only 1-cour confirmed I am not sure how Golden Kamuy can bring this story to a satisfy conclusion, given that all the events happened so far feel like they just finish its introduction phase and now moving on to the second arc.

Posted on 23 May 2018 with categories: Currently Watching:, Hisone to Masotan

At one point during this episode I almost felt that Hoshino was just too overboard. Being stubborn is one thing, but when you’re too stubborn you outright hurt others’ feeling without backing down, it’s irritating to watch. The issue with Hoshino, as we come to learn during the flashback, is that piloting an F2 has been her lifelong dream. And she tries, amongst the male-dominated world, to reach that dream. Then this dragon picks her and she determines to push forward to make her dragon a F2 plane. The dragon understands that so he tries to stay in Foxtrot form all the time. It’s a classic abusive relationship if I’ve ever seen one. The main thing is, for Yoshino it’s her desire to fly, not piloting a F2, that hooked her in the first place and their flight together in the end further reminds her of that.

Meanwhile, the other three manage to survive for few days and initially forgets all about their training objective. No big deal, when the dragons are happy they can just take wings and fly off (And eventually they did). These girls encounter the shrine inside the cave with Masotan and other dragons’ symbol in there, so I reckon that this island is a spiritual place where the dragon pilots – white lovers, shrine maidens, whatever exchange some form of mutual relationship with the dragons. They all have the same dream that night of a lady riding a dragon, which I guess for now is either the yogurt old lady or Nao’s mom. Well, we have all the elements in place now: the maidens, the shrine, the dragons, the last thing left is the ceremony itself so let’s see how HisoMaso eventually get into that part.

While I feel the drama and the overall serious tone are just passable, it’s the comedy that fares much better this time. In particular, the comedy duo Hisone and Nao’s puppet head provides some nice gags, including one of the most tragic faux “death” in recent history (Hisone’s face is priceless). The voice acting also work wonderfully well, especially the licking gags of Hisone – just to show you how weird our main protagonist is. Nao and Iboshi’s current crave for kiwi doesn’t really work for me, but it ties its thread well with the final revelation. As of now, I feel HisoMaso just doesn’t have enough of a central plot to make a proper impact, and it relies instead on the gorgeous visuals and quirky character expressions. It’s a nice show to watch and enjoy, but when it’s all done you realize the story doesn’t progress much, and sometimes it feels like the plot just stands still and doesn’t go anywhere at all.

Posted on 21 May 2018 with categories: Finished Series: Action, Megalo Box

Hello everyone, and welcome to the most surprising episode of Megalo Box yet. This week we have family drama, Joe’s declining health and a shocker of an ending. Lets jump in!

So starting from the top, lets talk about this ending. I never thought Megalo Box would pull something like this, with its limited number of episodes. I assumed there would be a basic, linear progression of fights. With this however we now have 2 strong antagonists, or perhaps 2 protagonists. Its difficult to decide where Yuri fits into this, though Mikio’s place is clear. Regardless I am very impressed through brought Joe’s legal citizenship back into question. Mikio was already an interesting opponent, the rich boy with something to prove, but this blackmail really sells his “Anything to win” attitude. I am slightly disappointed that we didn’t get a fight, and might not get one next week, but based on the quality of previous fights, its not that big a loss. Fewer, higher quality fights with intense narrative weight like the inevitable Mikio fight will beat out Samejima any day.

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Posted on with categories: Currently Watching:, Hinamatsuri

At this halfway mark, I want point out that the comedy of Hinamatsuri isn’t as sharp as the first few episodes (except for the segment including Hitomi’s classmates). There’s still absurdist sense of humor, sure, but it doesn’t make me laugh out lout or even make me chuckle. That is to say I come to enjoy the show’s drama much greater. This first short segment about Anzu, for example, hits all the right notes that you just can’t help but want to hug her. Anzu’s first day of work is… full of hearts and wonders, for the lack of better world. Here’s a girl who started from the very bottom of the society, now that her living condition is better (her own room, her own bed), she still appreciates what she had learnt from Yassan and the homeless people. The way she’s still used to her old habits (stunned over the cash till, taking a cold shower, cleaning up the used chopsticks) play mostly for gag, but it hides a sense of sadness under it. One thing for sure is that her first day in the restaurant is a whole lotta fun, and her life is going up from now on.

At least I’m glad that Hina becomes much more active this week. In the second segment, triggered by Nitta’s remark “find a way to make it fun”, she nominates herself to run for student council president, which only two things in mind: improve the lunch meal and more time to nap. Then somehow the lawyer of the big yakuza organization involved and what I find the most “genius” is the way he connects Hina’s two dot-points draft into a sensible and logical argument. Of course after a good meal, everyone would want to sleep, right? Hitomi’s reactions speak volume here, so does Hina’s clueless speech that include stage directions to her speech like they’re the most natural things in the world. This segment is where the static Hina works best for me, her stoned face and mono-tone need to contrast with something as bombastic and out of left field as this. Otherwise, our poster girl can only be suited for mascot.

The dynamic between Nitta and Hina come back in full force in the last section, and I actually quite like the way the direction it went this time. Nitta, for the first time, shares something personal to Hina. Hina and Hitomi take that hint and want to talk Utako into having a date with Nitta. Of course, Hina will have to screw it up in front of Utako since she has absolutely no sense to “taking the hint”, but somehow the date still happens with some unexpected twists. First, Hina breaks her ankle because Nitta’s swinging (Hinamatsuri comes close to screwball comedy here), and second, Utako rejects Nitta out right. It should be a punchline here, but for me this one the punch doesn’t land well, because it drags so much with all the montages of their date with an obvious result. It could work much better if the show includes their conversations instead of this. At least now that Nitta truly regards Hina as his family, so Mother or not, hand puppet or otherwise, it’s all good for now.

Posted on 20 May 2018 with categories: Currently Watching:, Legend of the Galactic Heroes Die Neue These

The majority of this episode was detailing the plan and execution of Yangs takeover of Iserlohn which does seem rather simplistic when you think about it. This is a point where LOGH shows its age a bit and while they tried to bump it up by throwing in a body scanner, there is still the rather grievous oversight of the control room not being monitored at all from the outside. For such a key part of the fortress it sure is light of security but you can forgive this a bit and they still managed to make it somewhat feasible. One thing I miss from the OVA was Yang moving his ships around to put pressure on the captain to let the Rozenlitter through security checks. Mainly because it shows that Yang at least had some part in the plan where as here it seems to all come down to the Rozenlitter getting through security and holding the commander hostage. Sure Yang had some part in leading the other commander away but the plan sure seems simple when you have an overview of it.

The aftermath of Yangs victory was certainly somber though as the other commander returns to launch a suicidal assault against the captured Iserlohn. In another show his warriors pride would be considered admirable but here it really shows the utter arrogance of it. This man was dooming millions to die over his pride and even as Yang fired shots to convince him to flee, he still kept pressing onward. I am reminded of the Kiritsugu way of thought where he talking of dressing up killing and war with glory and chilivery. Indeed Yang took Iserlohn without losing any of his own men. But there were men of those ships Yag shot down with Thor’s hammer. And that was no small number of men. So it’s to see that Yang doesn’t take pride in his victory and to him he did his job and nothing more than that. Walking away regretting he was force to kill in order to do it.

We also see the introduction of a third natural party to the conflict, the planet Fezzan who are definatly going to play a role in future events. So now can Yang retire to a peaceful life of drinking bourbon in a teacup….oh Yang. It is always rather amusing that Yang seems to underestimate his own worth and that is likely the factor that causes him to overlook his inherent value to the FPA. Sorry Yang, you ain’t retiring early anytime soon. So bloody hell Julian let him have his alcohol, he’s earned it.

Posted on 19 May 2018 with categories: Finished Series: Mystery/Suspense, Steins;Gate 0

Ladies and Gentleman, Boys and Girls, Steins;Gate 0 has stomped the throttle and cut the breaks. Lets skip the intro and just get right to it. Early on I thought this episode was going to be slow, we were going to focus on our characters and relax a bit. I thought it would be drama free. Apparently however this was just the calm before the storm. Far earlier than I predicted, I was assuming ~episode 12, the shoe drops and our plot begins in earnest. I am so happy. This means, hopefully, that there are no more additional characters and that no more additional world building is necessary. For this shoe to drop, it means all of our relevant actors are in play. Now onto drama and theorizing!

First off, triggers. In the original Steins;Gate, as seen by the flashback, Mayurii’s watch stopping was the signal that she was about to die. However we know in this timeline that Mayurii lives. So the question becomes, who dies next episode? My money is on Maho. Shes gotten a lot of screen time, everyone loves her, and she clearly likes Okabe. Add to that the fact that Amadeus’ server gets shut off, and I think we have a new death-flag/dead friend combo. Maho also already had the foreshadowed stalkers/Dr.Reyes “mugging” incident, so the signs are already there. The only real hole to this I see is there is no D-Mail, so no easy time travel, at the moment. Killing off anyone here is a big commitment, taking them out of the series for awhile most likely. I legitimately cannot wait to see how this shakes out.

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CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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