Posted on 31 October 2018 with categories: Currently Watching:, Kaze ga Tsuyoku Fuiteiru

Hello and welcome to perhaps the most personal episode of Kaze Fui yet. This week we have the struggles of growing up, the reasons why we run and some great character details. Lets jump in!

Before I get into specifics, I want to talk about what Kaze Fui did this week that I simply loved. Kaze Fui is, quite successfully, spreading the love and attention of the characters. With such a large cast, it would be incredibly easy for some of them to fall by the wayside. For our characters to be nothing more than window dressing for our leads. But Kaze Fui manages to spend just enough time with them to make them all feel like their own people. It let’s them talk to each other, without our leads, giving them independence in the story. They resolve their own issue’s, like Shindo deciding he wants to run on his own. Kaze Fui even gives us consistent, if brief, glimpses into their private lives. Showing us their rooms or the different ways they sleep based on personality. Simply put, I love the characters portrayal.

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Posted on with categories: Currently Watching:, Irozuku Sekai no Ashita kara

This episode marks an official appearance of Kohaku, and she is indeed brightens the screen and quickly becomes my favorite character out of this series. She’s both an interesting character in her own right (I love how she’s in merge between eccentric and act like an responsible adult), and she fits into the surrounding very well. For a show that has always been slow, she’s a necessary dynamite to blow things up a bit and drives the narrative as the series goes on. For instance, this week, because of her courage, Hitomi finally reveals to her club-mates that she comes from the future. While it’s an opportunity for the show to go all out emotionally, I don’t mind the understated way it addresses at all. Even the cast members don’t seem to be very taken aback by the reveal, which can gives of a bit strange. I really enjoy Kohaku’s little magic shown in this episode, as it feels magical, and what comes afterward, that everything blows up and everyone keeps reminding her of “don’t do anything that involve apologize letter” certainly give a smiles on my face.

There’s also some romantic potential here, chief among them Shou and Hitomi, while the other girl shows sign of one-sided crush to Shou. I’m not sure if it’s a good lake to fish since we know for certain how Hitomi is going to response. It’s pretty confirmed about the pair of glassed girl Kurumi and her underclassman Chigusa, and it’s interesting to note that Yuito shows some feeling towards Hitomi as he’s too shy to call her by her first name. While it’s P.A Works’s template that romance is bound to happen – which I’m not totally keen of – I will reserve my comment until I see how well they develop the romances at hands.

Many have noted the fact that Irozuku lacks punch. Indeed, apart from the fantastic moment at the end of episode 1, there’s little to no big payoff moments. Even in the “big moments” of this episode, namely when she reveals to her club members that she’s from the future & the magic train in the sky, are equally downplayed and mundane. Everything seems slow and understated, and to be fair Irozuku isn’t the best production when it comes to portrays subtle nuances, but it still maintains its own confident step forward. The issue with Hitomi for now is that she doesn’t has enough confident, or finding the true brilliance, in her magic. For Kohaku, she uses magic to bring smiles to people, so what will be the drive for Hitomi to fully embrace her magic?

Posted on 30 October 2018 with categories: Finished Series: Comedy, Gaikotsu Shotenin Honda-San

Ah, another week another short relaxing dip into Honda-San. This week we have mandatory employee training, cults and a step in the right direction. Lets jump in!

So luckily, it looks like Honda-San took my advice and stepped back on the educational bits. This week it focused on taking a basic facet of a service position and magnified aspects of it. Most people in a service position have probably been through something like this. A mandatory, extremely awkward and boring, training seminar. Honda-San took this seminar this week and exaggerated all the worst, or weirdest parts. The teachers became cult leaders, with their masks. The apathetic employee’s forced to be there became humerus caricatures, and the tasks at hand were executed with gumption. Personally I thought it all worked quite well. Honda-San truly is at its best using grounded absurdist humor, instead of educational humor.

As far as the actual jokes, they still came at a slower pace than I would have liked, but largely worked. It setup my expectations with the first terrible smile, which I have seen at these kind of events. But then completely surprised me with the ridiculousness of the pretty ladies actions. The damn “oo ee oo ee” sound murdered me. It came from nowhere and was just unique. Honda-San also nailed some of the visual humor this week, with the “perfect” employee as seen in the image above. I do think it spent a bit to much time actually explaining the seminar though. This is something most people can grasp immediately I imagine, I don’t think the viewer needs to hear it spelled out. Hopefully Honda-San continues to move in this direction though.

So all in all, Honda-San was better this week. It was still just a bit to much on the educational side, and the 2nd Skit of the episode might as well not of been there it was so short. But for a 9 minute a week short comedy sketch, I still think Honda-San is worth your time. Watch it on the bus, or during lunch or something for a quick chuckle, and I would say its time well spent.

Apologies for the shortness of the post here this week, but there really isn’t much to talk about with a comedy skit like this. I would rather be succinct and to the point than waste your time with a 1000 word essay. Hope you enjoy, and see you next week!

Posted on with categories: Anime Reviews, Finished Series: Adventure/Fantasy/Science Fiction

According to much of the Western Anime community, this series wouldn’t be relevant for a site like this. Being made in the West by Americans, and English being its first language, many would disqualify it from the start. However I name them all fools for Castlevania, Directed by Sam Deats and Ryoichi Uchikoshi is clearly inspired by and modeled after Anime. Just like Avatar: The Last Airbender or the currently airing RWBY, let Castlevania stand as a testament that Anime can be produced beyond the borders of Japan. A damn good one at that.

Lets jump in, and beware of spoilers!

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Posted on 29 October 2018 with categories: Currently Watching:, SSSS.GRIDMAN

Before discussing this week’s episode, I feel the need to mention the weekly voice drama (thanks a bunch for bringing it to my attention, Animosh) of GRIDMAN that provides more context and dare I say, more personality to the cast. As much as I like the current style of GRIDMAN, its strength is purely on the adept direction by Akira Amemiya and its solid visual craft where the dialogues are hardly relevant. As a result, by making these characters having an actual communication, it adds up a whole lot and helps explaining many of the loose threads in the anime. For example, listening to the audio drama, we learn that Rikka and Yuuta definitely had something going before the amnesia, that “ball game rally before summer” sounds like a perfect setting for a date if you ask me. These voice drama, along with the content of this week 4, also marks a shift in GRIDMAN’s perspective and now I come to suspect that Rikka is a crucial character that hold the emotional core in this anime. I mean, the voice drama of episode 4 (4.4) raises a red flag about Rikka’s life threat and based from what happened this week, I have very goods reason to believe that would be the case.

The main key to that plot thread lies in the relationship between Akane and Rikka. Granted, the main reason why Rikka approaches our girl in this episode is purely to confirm whether Yuuta is Gridman or not (and she fails miserably on that, but boy, did she try); but there’s hints about their already gone established friendship, and slowly Rikka comes to the realization that all the incidents happen around her. That might just be her hormone’s actin’ up (that everything revolves around her), but I come to suspect the core reason for Akane becoming a psychopath has something to do with her and Rikka. Talking about the Queen of Cruelty Akane (opps, lame references to another show I’m blogging), this week she decides to kills the V-bloggers boys because they keep pestering her (could it be a warming message for all the Youtubers out there?), and the way GRIDMAN displays her, by extreme dutch-angle shot, by her still acting nice but can’t hold back anymore when she’s alone, tells you pretty how unstable her feeling is. She isn’t merely killing people for fun, she kills them in the manner of farmers cropping up weeds.

As for our battle this week, things get even more crowded with the appearance of a new insectoid kaiju. This Kaiju succeeded on killing 3 of the boys, and on the verge of defeat our Gridman… until Anti interferes given he wanted to be the one who defeat Gridman. It’s interesting to note that Anti pretty much acts according to his principle, so he’s no longer an Akane’s puppet (the way Akane constantly throws her phone is amusing, too). On the other side of the battle, the Neon Genesis members, and Gridman himself, are freeze as soon as all of them entering the Junk (it’s overloaded – speaking about old machine, huh?). Their solution? Unplug the machine and load it up again (this sure brings back memories, but it’s also the fastest way to destroy your computer’s memory). Rikka’s quick decision sure brings a smile to my face. The Neon Genesis squad so far is a delight, they don’t harbor too much deep but they bounce off each other well, especially Samurai Calibur whose deadpan delivery goes well with the show’s emphasis on visual. I’m still down to see the other two members’ real power in the next few episodes.

Episode 4 also spends a healthy amount of time developing the high school romantic saga that involves a group date, a stalking and many more. Most prominent of all is the pair Yuuta and Rikka, as the last few episodes we see more of their chemistry from Rikka’s point of view, so it comes as a bit abrupt that in this episode we see Yuuta already fallen head over heels over Rikka (well, abrupt to me anyways). Yuuta still remains the most boring character out of this cast, but it’s fun and a bit cute to see how both him and Rikka are too dense to make any progress. Like how Max points out, it’s painful to see them trying to talk to each other. The offbeat tone still works wonder here. I very much enjoy the snarky comment from Yukka’s friends Namiko and Hass “who speaks like that these days?”, or Akane’s squid train pass card, which might or might not be relevant in the future. There’s still a lot to admire about GRIDMAN, even to the non-fan of its TOkusatsu homage and Gridman franchise like myself.

Posted on 27 October 2018 with categories: Banana Fish, Finished Series: Slice of Life/Drama

Another week, another episode of Banana Fish. This time we have a quality escape, an expected murder and some odd comedy. Let’s dive in!

This week Banana Fish managed to, just barely straddle a very fine line. Being an escape attempt, Banana Fish had to make it both difficult, yet possible. I felt that Banana Fish straddled that line rather well. The security came off as competent, with good coverage, yet sabotaged from the inside by Dino. The fact that Ash and Co were routinely found and chased/captured really made the chase much more engaging than the guards also just barely missing them. Combine that with things like the infrared cameras giving Ash away and shutting down the elevator, and Banana Fish accomplished a good escape sequence. My only gripe is that, at parts, the felt out of place. I will get into more specifics on this later on, as quiet a few of the jokes worked and none were bad. It was just a matter of timing to me.

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Posted on with categories: Currently Watching:, Yarou wa Bunny Girl Senpai no Yume wo Minai

We are at the start of a new arc and thankfully Mai hasn’t been tossed aside like a used napkin with events from the previously arc leading to her and the main pretty much establishing a relationship. I say pretty much cause they agreed to go out twice so really it’s just a matter of our main making sure they arc ends with them officially going out. Sadly the topic of this arc being Laplace’s Demon, sadly the story has taken one of the most boring and routine routes of representing it. Ladies and gentlemen, it’s a time loop. What could have been a decently original premise is unfortunately ruined by the fact that time loops have become rather common in current anime with me being able to name about five anime with time loops off the top of my head. (Sunday without god, Steins;Gate, Re;Zero, Haruhi and that magical girl anime you all know about.) It’s sad that with all the inventive ways they could have used the concept that this just feels uninspired as well as just not that interesting. The subject this time is that the girl that got her ass kicked somehow resets the day any time this boy confesses to her due to some thing with her friend liking the same guy.

Funny enough the time loop is broken effortlessly much to Sakutos despair as the loop ended in the worst possible way for him so he was counting on redoing it. The bad news is that the girl is pushing Sakuto to pretend to be her boyfriend to fend off the other guy and Sakuto doesn’t really have a choice because otherwise they could get stuck in another time loop. It’s particularly aggravating to have something get in the way of Sakuto and Mai when both are making good progress and here’s this girl barging in trying to steal the main heroine role. The saving grace here is that the character interactions are really fun and I don’t know what changed but the banter works a lot better than the previous arc. I also like that one of the girls I previously thought would be a future harem member for Sakuto actually is in love with Sakuto’s best friend. So I say his friend should just dump the obnoxious girl from the first episode and get together with kinky science girl.

The plot arc is a weak one but i admit to really warming up to the characters with Sakuto proving to still be a pretty fantastic lead. But props to Mai as well when she had a typical misunderstanding moment with walking in on Sakuto at the worst possible moment yet at episodes end she walks straight to his house to get an explanation of the situation. I was thinking there was going to be a long painful stretch with Mai acting cold to him over that so I greatly appreciate the girl cutting though the rom com nonsense and just getting to the heart of the matter.

Posted on 26 October 2018 with categories: Planetes, Throwback Thursday

Hello one and all and welcome to another week of Throwback Thursday, with Planetes! This week I am trying something a bit new, running 2 episodes instead of 1, to try and cover more ground. Let me know what you think, and lets jump in!

So far, my favorite aspect of Planetes is its singular focus each week. Instead of marginally moving forward some greater plot every episode, Planetes has a singular theme each episode. The themes for these two weeks were clearly Mortality/Death and Privilege, financial privilege at least. Naturally, I am gonna talk about these episodes in order so don’t worry, we will get to both. Planetes also continues it’s trend fantastic visual representation of space. This time we got liquids! Little balls of soda floating in the air, waiting to be picked. I love fluid dynamics, it’s always visually interesting, and space just makes it more so. For an example of how good looking water can affect a series, just go watch Garden of Words. I swear Makoto Shinkai has a fetish for it. That done, onto specifics!

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Posted on 25 October 2018 with categories: Currently Watching:, Kaze ga Tsuyoku Fuiteiru

Welcome one and all to Week 4 of Kaze Fui! This week we get some backstory, loads of friendship, and hints to old problems. Lets jump in!

In general, I once again enjoyed Kaze Fui. It manages a nice balance between the high emotions of Kurahara’s struggles and the light hearted interactions of the other dorm mates. In fact, I am quite happy with how much attention Kaze Fui is putting on the rest of the dorm cast. Seeing Akane with his friends, acting sociable and not just as a shut in, or Yuki and Masa eating lunch together helps reinforce them as people with their own lives away from Kurahara. It also makes them feel more important as characters, so their presence and opinions actually matter overall, instead of just how they affect our lead. Really, every episode that goes by I fall more and more in love with this cast of goofy college students. And I have no idea how Kaze Fui is making that happen.

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Posted on 24 October 2018 with categories: Currently Watching:, Thunderbolt Fantasy

I’m glad to say that Thunderbolt Fantasy slowly goes back to its own charms, namely the witty banters between all the cast where they bounce off each other to reach a sort of agreement. This episode has two such cases. First, the villain side decides to team up together since they have the same goals: destroy Shang Bu Huan. Second, the allied side decides to cooperate because they also have the same objectives: to save Shang Bu Huan’s ass. The injured Shang Bu Huan is in the middle of all this and lurking behind the scene is the monk Di Kong and whatever his goal is. My suspect last week is proved wrong as Di Kong and the Princess of Cruelty don’t know each other, but there are two other takeaways from their meeting. First, Di Kong is far superior in terms of combating than the female assassin. He just decides not to. Second, what the hell happen to the Seven Blasphemous Deaths? I mean, is it still there? What if Di Kong is in possession of it? It’d be cool to see a guy who is adept of channeling toxic handles the ultimate toxicity sword. The more I think about it the more I feel he’s the only person who can control that evil sword.

My biggest enjoyment from this episode comes from the interaction between Xiao Kuang Juan and Cruelty-Hime. It’s the moment where their true personality is clearly presented. And in this case you can see how corrupted and how much of a bastard Xiao Kuang Juan is. Basically, his idea is that he wants to Sword Index returns to his hometown so that he can enjoy the luxury life he has. So teaming up with Cruelty-hime, they could potentially kill Shang Bu Huan and have a full control of the Sword Index. Regarding this ally, I’d say thay the assassin girl gets the shorter straw here. This guy is wise and I’m sure the moment Xie Yingluo has her hand on the Index, he’d double cross her to have it all by himself.

The not-as-bad side (Note: there’s no such thing as good side in thunderbolt Fantasy), on the other hand, is formed through the ever-curious Gui Niao and the reluctant Lang Wu Yao. I pretty enjoy the bits where he test the toxic (such refreshing method, mind you) and the way he comes up with the solution feels as effortless for him as walking on water (I love his train of logic here). So in order to get the antidote back to Shang Bu Huan, they need to retrieve the horn of the dragon, whom they happen to cross in the Wasteland of Spirits. It’s also hilarious to learn that the said dragon’s wing was chopped by Shang Bu Huan in a manner of us catching a fly. Gui Niao, being surprisingly honest in his intent, says that the reason he’s in is because he’s curious about Shang Bu Huan. He also tries to test the Lang Wu Yao, which the latter in turns test him back. Such bombastic energy and the newly formed allyship that you aren’t quite sure if you can trust the others are what essentially make Thunderbolt Fantasy such a fantastic show to watch. Thunderbolt Fantasy is officially back, in full force!!

CHANGE USERNAME
Lenlo
That was an interesting comparison. Cool to see how far anime has come.
Lenlo
I cant wait to watch Kaze Fui tonight to answer those questions Kazier!
Kaiser-Eoghan
@Lenlo: Someone has done a comparison video for Dororo for a scene in the new one, comparing it with the old one: https://www.youtube.com/watch?v=j38anJY3BtA
Kaiser-Eoghan
Maybe some people found the flashback scenes too dramatic, but I didn't mind, they worked for me.
Kaiser-Eoghan
@Lenlo:One thing that has come to mind, how would it go if he encountered the coach again, but in the present?
Kaiser-Eoghan
@Lenlo:I also liked how the flashback was done in a grainy looking style.
If I found someone who was finding it hard to get into this show, I think that this episode would win them over and it’s the episode I found myself feeling the most.
Kaiser-Eoghan
@Lenlo: Episode 13 of Kaze ga tsuyoku is the fitting and perfect culmination of what has come before it and all is now essentially out on the table dramatically and all the better for it because of how well this series has built itself up.
Animosh
In essence it is still a battle shounen though: even if the fights always have narrative weight (it's not just fighting for the sake of fighting), the characters are to a significant extent developed through fights. So if that's not your thing it might be a hard sell even with its amazing animation and sympathetic cast.
Animosh
@Lenlo/Kaiser: the problem with Mob though is that its first two episodes are by far the worst of the series. So if you give it a try you should watch at least until the third episode, and possibly even episode 4/5 (since it's the first really good arc of the series imo).
Animosh
Yeah, it must be tough to blog three shows in the span of two days, especially with how long your posts tend to be. I find it hard enough already just to keep up with everything!
Lenlo
Ugh. Didnt get to Kaze Fui tonight. A shame. This whole Dororo/MobPsycho then Kaze Fui air schedule is gonna be a pain. You can expect Kaze Fui's maybe... Thurs? Not sure yet. Busy night
Kaiser-Eoghan
*newer not old
Kaiser-Eoghan
Some additional things I always notice in certain things, sometimes in these old medieval films or shows, in the American ones the characters occassionally don't look earthy enough.
Kaiser-Eoghan
Koyomi from clannad i mean
Kaiser-Eoghan
Somewhere in my head Koyomi is this weird anime take on an autist.
Amagi
All she did what stupid, but everyone was saying that she was a genius that would probably soon develope the theory of eversthing so it must be real even if she's only ever smart when the plots needs her to do some sudden computer hack or something.
Amagi
Smart characters can only be written by smart writers. So sometimes writers just tell that the characters are smart but you don't actually witness it. It's either shown by using such wise one liners or just because someone else is telling the audience they're smart. Reminds me of that one Kyoani genius girl.
Kaiser-Eoghan
Can't do the walk, don't do the talk.
Kaiser-Eoghan
I can buy it more for a tough old dude.
Kaiser-Eoghan
On more thought, alot of it has to do with who is saying them. Men who look like children with no charisma.
Amagi
I absolutely hate these one liners too. Especially when you can already hear them in the trailer.
Kaiser-Eoghan
I hate it when scripts coverup for awful characters by spamming quips at you.
Amagi
It's why I dislike so much stuff that gets released today. All these run-of-the-mills, copies, clones, alternative universes, sequels and so on.
Kaiser-Eoghan
But, beyond cgi, its the modern take wise-ass stuff that drives me nuts.
Amagi
Even if you're just drawing a landscape you need creativity. Where are the shadows, the lighting, what atmosphere should it trigger and so on. Maybe even a hidden motif.
Kaiser-Eoghan
ANARCHY KINO-MACHE!
Amagi
Yeah creativity is, well, should be among the most important things out there. I mean movies, anime, etc are actual art, art is meaningless without creativity. At least the narrating type of art.
Amagi
Kinda miss these anime. They're rare to begin with but I can't imagine anyone creating such a thing nowadays. Like Blame/Ergo/Texhno, even Lain. They never sold though, so I can even kind of understand it.
Kaiser-Eoghan
Ergo worked for me up until the ending.
Kaiser-Eoghan
I think clever is too often a miused word by people when they describe things. They reduce it to being "Just a smart storyline", when really it is more suited a word to something in tune with its creative side.
Amagi
Ergo Proxy even had a dense/heavy plot that was developing while you're busy figuring the setting out. And many things were shown indirectly. It was one of the rare anime I had to watch twice to get it. Texhnolyze is also such a thing but more bizarre in my opinion, less logical than Ergo, but still great.
Kaiser-Eoghan
@Amagi: Its really really nice knowing that I can talk to someone like you about this on my level .
Amagi
It's why I love series with strong settings so much. See Blame for example. Even Made in Abyss. You never know what kind of landscape you will see next and in Blame everything is fucked to behin with.
Amagi
Yeah. Well we do watch movies to feel excitement, and you can't really feel that if you can guess what happens next.
Kaiser-Eoghan
Now obviously these types of things can end up a coin toss of it either works or it doesn't, but I appreciate the risk taken.
Amagi
I tolerate it for games because whereas I still don't like it there, at least the game as an additional value which is the gameplay. So even with weak atmosphere I am still enjoying it for being a good game. But when I watch a movie I want get sucked in to some degree instead of being aware that I am just the audience (or the player).
Kaiser-Eoghan
I like that feeling of I don't know whats going to happen next.
Kaiser-Eoghan
I like the idea of a madman getting to do a movie and running with his imagination.
Amagi
It's like dreaming and suddently hearing your real life cat meowing and realising that it's just a dream, you're in the bed and about to wake up. And yes this is exactly why I dislike CGI
Kaiser-Eoghan
But sometimes people cry pretentious wrongly, when there wasn't really any intended thing to get.
Amagi
It's why I am so easily angered over little errors or writing problems. Because they destroy the atmosphere more than anything else.
Kaiser-Eoghan
I mean, I do like themes, characters etc, but my favourite experience is nightmare/dreamscapes.
Amagi
If the atmosphere is missing it doesn't matter what story you are telling, everything feels kinda hollow. Doesn't mean that show with weak atmo and great plot is bad, but it would be ten times better with the proper atmosphere.
Kaiser-Eoghan
I hate this modern idea of "It HAS to be coherent or mean something or follow some kind of linear or logical thing or some kind of rules"
Amagi
@Kaiser: Yeah it's why I often say that atmosphere is the most important part of a story, actually.
Kaiser-Eoghan
With cgi I am constantly reminded I am watching a film.
Amagi
Don't know all of the titles you mentioned, will probably look into a few of those I don't know.
Kaiser-Eoghan
What I love about these old slavic art films, is no longer being aware of the world around me when I watch them. They use actual crafted cinematography so they can still feel like you're living it, despite being so unreal.
Amagi
Technobabylon and Gemini Rue are my favorites. These games capture this fucked up feeling of noir-punk and dark cyberpunk perfectly and have a bunch of great twists and character arcs.
Amagi
I like this type of darkness somehow, as well as trash punk and noir stuff. I do enjoy the Wadjet Eyes games for that reason.
Kaiser-Eoghan
Naturally I loved both
Kaiser-Eoghan
Hard to be God and On the silver globe are insane, there's this sense of what the utter hell am I watching? But you feel like you've been transported someone else entirely.
Amagi
"We" (Мы) is also a Russian dystopia novel, it shared a bunch of similarities with 1984 but was written long before Orwell had had even started with 1984.
Amagi
STALKER has also made me check out a bunch of Russian/Ukrainian novels. I love their ideas. Their dystopias and everything.
Amagi
Slavs are doing good games right now. Looking forward playing this Russia Fallout clone.
Kaiser-Eoghan
I can't remember the name of the Soviet animation with the robot that keeps on working after everyone's dead.
Kaiser-Eoghan
But crappy puns aside. Dead mans letters, letters never sent, Ivan's child hood, Andreii Rublev, Cranes are flying and I am Cuba have amazing cinematography.
Kaiser-Eoghan
I wanna b a Potemkin master....
....like no-one ever was =P
Kaiser-Eoghan
Dead mans letters is up there with Threads as being one of the best apocalypse films.
Kaiser-Eoghan
*evangelion
Kaiser-Eoghan
Or would that be Nyguen genesis Evagelion =)
Kaiser-Eoghan
@Mario: You'll always be my ho chi main man minh Mario =)
SuperMario
I love Soviet cinema. Yeah the Mirror has that monochrome part. And they aren’t that big as they used to be but Soviet animation has great history
Kaiser-Eoghan
Stalker is an excellent science fiction film and not neccesarily because of need to anaylze it, but because it works of a visual-psychic level.
Kaiser-Eoghan
@Amagi: Zerkalo/mirror is a great example of this, just a stream of the directors thoughts, all visual impressionism, there might be a scene where I couldn't tell you the why or the what, but it'd make me feel something.
Kaiser-Eoghan
@Amagi: Basically where to understand, is simply to feel.
Kaiser-Eoghan
@Amagi: Its always fascinating that some filmakers have the ability to just let the film wash over you and move you with intricately crafted arthouse visuals. That they can do that, without character arcs/intellectual message/monologues.
Amagi
Speaking of soviet stuff I kinda want another movie or maybe even a cartoon like some of these old soviet movies that were partly monochrome and partly colored during important scenes. Didn't solaris have that too? - I know the monochrome parts were done to save money, but it was kinda impressive seeing colorless movies turning colorful ones during emotional scenes.
Kaiser-Eoghan
@Lenlo: Definately something that would appeal to me in terms of alternate style of animation. I'm actually quite a fan of different, out there animation styles.
Lenlo
Heres the ED
Lenlo
Yup, paint on glass. The entire ED for the first season was done in that style. Mob loves to use obscure or generally unusual art styles to sell the other worldlyness of its spirits.
Kaiser-Eoghan
That sounds pretty cool.
Kaiser-Eoghan
Excuse me....paint on glass effects in Mob? There was a Soviet animator that used that style.
Kaiser-Eoghan
*earlier
Kaiser-Eoghan
@Amagi: Again you psychically read my mind =P I was just thinking that about Farnese arlier.
Kaiser-Eoghan
@Amagi: I think I've accepted there are some manga I need to wait until they're finished before go back to them either due to slow scans or because they've gone on so long or go on hiatus.
Amagi
I think the later half as well as the hiatus killed it for me. Can't deal with that two chapters per year policy.
Lenlo
I, however, am still a rabid Berserk fanboy. :D
Amagi
I am also never a fan of characters completely changing personalities once they're redeemed. Farnese was an interesting villain and while I agree that she needed to overcome her trauma the current Farnese is just some soulless helpful big sister type. She only exists to care for Cjaskar and at some point even Cjaskar's eternal problem was starting to get on my nerves.
Amagi
@Kaiser: Same opinion on Berserk again. The arc before that with the inquisition tower was one of the highpoints of the manga, everything went downhill once Schierke had joined which is kinda sad since it was one of my favorite series before that.
Lenlo
Mob is much more character focused than OPM. OPM riffs on Shounen, while Mob is a much more character driven drama kinda series, with shounen elements. I would give it a shot for an episode or two.
Kaiser-Eoghan
@Amagi: Berserk started losing me when he started travelling around with those kids.
@Amagi/Animosh: Do you believe that Mob has better choreography than onepunch?
Kaiser-Eoghan
@Amagi:I will give exceptions to magical elements if a show can produce an adventure narrative worthwhile or if it’s a magical girl show.
If magic is featured in an occult horror fashion or in an exploitative way, I will also lean toward allowing it.
Kaiser-Eoghan
@Amagi: While I very much doubt Mob would be my thing, given how I generally felt indifferent to onepunch man and bias against shounen action, yes the art for Mob, when elevated by an anime adaptation lends itself to something unique looking and I can praise that.
Lenlo
I think ONE's style fits Mob better, and Murata's style fits OPM better. So yeah, Bones chose well on that front
Amagi
Not only are overdesigned characters really bad for movement which is actually needed to make a series and their characters feel alive but they also often look really bad in my opinion and there is a limit on how overdesigned a character can be until I stop taking them seriously at all.
Amagi
Yeah. I also honestly think that many anime are suffering from overdesigning.
Animosh
And I like Mob's artstyle a lot as well. It gives the series a unique look, and it gives the animators all the freedom they could wish for to play around with the characters (and basically everything else) as they see fit. Add Bones to the mix, and you have one of the best-looking series out there.
Animosh
I prefer the full ONE experience too. It's part of the reason why I slightly prefer Mob Psycho. OPM looks great and all, but there's way too much meaningless fighting going on in the manga lately. I prefer the tighter and more consistently subversive storytelling of the webcomic, although I still enjoy the manga a lot as well (and the story climaxes in particular tend to look freaking amazing).
Amagi
Different example since this is actual fantasy but I also prefered the early Berserk series over the later parts. When the supernatural horror stuff was more of a hidden thing appearing around Guts and otherwise just on special occasions, while most people didn't even believe such things exist. I prefer that over the high (dark) fantasy we have now although I get what Miura is aiming at.
Amagi
I guess I just have a thing for this secret-club mentality. I prefer it over worlds with blatan magical powers everyone uses and knows about.
Amagi
It's weird but I almost always hate anime with and about magic, the more fantasy it is the less I like it (usually, not always), but then again occult stuff is always totally my thing.
Amagi
I am quite happy they stick with the original Mob Psycho designs from ONE for this series. The OPM manga is probably one of the best looking things out there but ONE's artstyle has a lot of charme and makes characters more unique, especially if looks as polished as in the anime adaption.
Lenlo
Mmm cant wait to watch it. Kaze Fui, still great
Anonymous3309336
I really like how Kurahana admitted that he let his emotions get to him when he threw that punch at the coach back then. Now he feels remorseful about that day and how he made enemies from his former teammates.
Anonymous3309336
Meanwhile, looks like the next episode will focus on Prince again and his attempts to further improve his time.
Anonymous3309336
Meanwhile, his new teammates understand the pain he's been going through and want him to move on from that. Definitely as some of the best writing of this season.
Anonymous3309336
That punch he threw at the coach was certainly well-deserved, but I can see why the other teammates including Sakaki would come to despise him.
Anonymous3309336
This episode of Kaze ga... was great as always, as we see more of Kurahana's past and how his awful coach made Sakaki and the rest of his former team turn on him.
Kaiser-Eoghan
I wouldn't have minded reading several volumes of seeing Satou on the run.
Animosh
Thanks! That's good to know. An alternate ending could have been fun, but I suppose the ending of the anime was fitting, and if it ain't broke don't fix it.
Amagi
Looks like it's going to end. I guess it ends the same but we can't say for sure yet.
Animosh
For those of you still reading Happy Sugar Life: is the manga continuing past the anime? Or does it look like it's going to end in the same way? If it takes a different path it might be worth checking it out.
Anonymous3307077
children of the whales
Lenlo
Holy crap. Mob Psycho 100 is the best thing since sliced bread. BONES thank you.

And thanks Kaiser!
Amagi
well we have a döner kebab ship at least.
Amagi
I am from Frankfurt, another one of the biggest German cities but there isn't much to see here aside from skyscrapers and banks.
Kaiser-Eoghan
*had **taught
Kaiser-Eoghan
I hah had some notion that the Japanese didn't really know English or it wasn't well thought over there?
Kaiser-Eoghan
Lenlo's taste continues to be impeccably based.
Kaiser-Eoghan
lol I thought coolass47 was covering Kaguya.
Kaiser-Eoghan
Germany, both Koln and Berlin, especially Koln felt like a home to me and felt the less alienating/foreign.
Kaiser-Eoghan
.....probably embarassing but, I think I'd be put off sleeping on the floor in a futon or using one of those weird Japanese toilets.
Kaiser-Eoghan
Truly I am the Kaiser Eoghan.
Kaiser-Eoghan
Beyond that I've been to Belgium, Spain, France, Italy, Northern Ireland and Wales.
Kaiser-Eoghan
I've never been outside of Europe. I didn't have problems getting around Germany though when I went because my then girlfriend was from there and I knew enough to cope on a Holiday.
Amagi
also no matter which country I visited till now people were always friendly
Amagi
Yeah, now thinking about it, I could even find everything in Iran so I guess Japan should work too. Most people knew enough random English or German words to somehow lead you to the place and you want to visit unless it's some really weird relief or a small town that's difficult to reach but tourists usually stick with the big stuff.
SuperMario
... years ago and Japan is pretty safe and the signs are easy to follow in general. Even the locals who don’t speak English they are pretty friendly and help you the best they can. You don’t need to be worry on that front
SuperMario
I did it alone few
Amagi
Not sure how he did it (he went completely alone too) but it seems to be possible somehow. Not sure if I would make it though.
Amagi
Someone I know managed it alone and he isn't even that good in English.
Lenlo
I think I can manage. Lots of English signage in places like the rail systems and such. That plus the small amount I am learning in preparation and how much english they teach them over there, I should be ok
Kaiser-Eoghan
@Lenlo: Do you feel you'd be able to get by in Japan? As far as I know you don't speak any Japanese.
Animosh
Mob was great again too. The adaptation is really knocking it out of the park. And looks like we'll be getting one of my favorite side stories next week.
Animosh
I love how upbeat Slime continues to be. If only all wars were resolved like this. And then he goes on to improve everyone's lives by building homes, infrastructure, and coalitions based on common interests? Rimuru for president!
Anonymous3303364
I retired from the force in middle school enjoying my retirement, I still see the faces of the comrades we lost when we defeated the big bad and saved the world, I haven't seen my cute marketable mascot in 3 years, but I like this new life I'm living, I thought I found peace but the battlefield always calls out to me, why? Because war never changes.
Anonymous3303364
I love this comment since it's more well put on what this dark magical girls show really is:
Vonter
Perhaps in ten years when the next trope comes. I wonder if some will look back to the tropes from now with different eyes. Like they say, you don't know what you have until you lose it.
Vonter
Yeah, maybe I could watch some of that schlock. In a way some of it has become more endearing over time. Since times have changed.
Kaiser-Eoghan
Vampire wars was fantastic though, used shitfuck as a word from what I remember.
Kaiser-Eoghan
Yes! Finally they're saying it.
Kaiser-Eoghan
Watching a compiliation of dub cursings for angel cop, not enough F-bombs yet.
Kaiser-Eoghan
I always wish some of these old ovas got to go on for longer, especially AD police and bubblegum crisis. I'd have loved a full gunsmith cats or riding bean show.
Kaiser-Eoghan
I have to watch Angel cop some day I really do.
Kaiser-Eoghan
And I think vonter, if magical girl ops can't achieve the exploi angle then it has failed all the further. We'll have to see.
Kaiser-Eoghan
@Vonter: I was disappointed when I saw the more modern anime! Because it didn't have the art I liked in the ovas.
Vonter
I do remember now. Did you watched the Birdy The Mighty OVA (not the series, the OVA). That one I remember liking because it was cheesy, visceral, had IMO better designs for the aliens than the ones in the TV series and I digged the dynamic of the two leads. However it was cut short. Perhaps it was too derivative for the time.
Kaiser-Eoghan
Sometimes I can actually take ridiculousness much better when its a live action exploitation thing if it happens to fail in animated form. That Jeanne d'arc anime and maybe magical girl spec ops would have made hilarious 60s/70s Eurotrash films.
Kaiser-Eoghan
One of the only modern anime to do the exploitation angle right was Freezing.
Vonter
I want to believe there's something like that already out. But I'm blocked. I can only mention that I now want to rewatch some of Devilman Lady. It does have a female lead battling monsters with an 80s sci fi horror vibe, I don't know it reminds me for some reason to movies like Godzilla 1985 or King Kong Lives.
Kaiser-Eoghan
@Vonter: Or go mental.
Kaiser-Eoghan
@Vonter: Thats one I still need to get around to. If I have to have a darker magical thing, it either has to be camp and goofy enough while taking itself dead seriously or keep some of the fun .
Vonter
@Kaiser-Eoghan - If you haven't check a couple of episodes of Lady Devilman. Despite being formulaic, the monsters on that anime are really well made and feel creative, morbid and creepy.
Kaiser-Eoghan
@Vonter: lol Damn, now I want to see Go Nagai's take of Magical girl ops.
Kaiser-Eoghan
And I love how some old ovas would sometimes take place in America, but in this IDEA of it, getting it wrong.
Kaiser-Eoghan
@Vonter: I love how they added in those stupid curse words every few minutes aswell, wonderfully incompotent.
Kaiser-Eoghan
@Vonter: Mad bull 34 was lovingly perverse , like a Japanese equivalent to those wonderful Italian police things.
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