Posted on 8 February 2016 with categories: Currently Watching:

When it rains it pours and Boku dake isn’t pulling any punches. Hinazuki is gone and the only hint of her we see is what looks to be her dead body in front of her parents, one of whom is panicking. With this we have two possibilities. Either they happened upon Hinazuka’s dead body or her mother went too far with a beating and accidentally killed her. Her later actions seem to point to the latter as she throws out the gloves Hinazuki was knitting for Satou with a dark sneer. It seems that Satou’s efforts in the past didn’t bear much fruit, though it did delay Hinazuka’s death. He looks to be taking hope in that fact while I personally am more pessimistic about it.

We have our long awaited return to the future and Satou is right back where he started. Satou has escaped the police for now and tried to hide out at his manager’s place. It was pretty obvious what was going on when the camera showed a painting of the last supper. Though we have Airi show up to save him after with her saying Hinazukis favorite phrase. Her reasons for helping Satou are strange to say the least. I understand Japanese culture is different in these matters but it’s really hard to take something seriously when a man loses his job, wife and livelihood all over a misunderstanding about shoplifting a chocolate bar. I mean it’s pretty clear he didn’t do it as he’s a grown adult with a job, the very notion that he would need to shoplift a chocolate bar is absolutely ludicrous. But the smart route to this problem would be to write it off as a mistake, buy the bar and be on their merry way.

I am sorry Airi, you are great but you dad had plenty of ways he could have handled that better without sacrificing his pride. I truly pity the Japanese if something so rudimentary is enough to ruin your life. Strange back story aside, it’s nice to see Airi stand on Satou’s side. It was especially satisfying to seeing her Punch out the manager for trying to rat Satou out to the police yet again. This manager really has it out for him, maybe because he happens to have a crush on Airi or maybe because he has a connection to the killer. We briefly see him talking to a man whom the camera is very reluctant to show us his face. All we really know about this man is that he’s clearly in a position of power and obviously connected with the murder and serial kidnappings. There’s a big chance that more than one person is to blame for these incidents and whoever they are I wish they would stop killing off all the best female characters of the series.

Posted on 3 February 2016 with categories: Currently Watching:

Well it seems like I have to eat my words as Yakumo is quite the ladies man. Which is odd when he clearly doesn’t have any interest in interacting with women. Yakumo has a fruitful love life despite his apathy towards love in general. Yakumo and Sukeroku’s relationship has certainly gotten more easygoing as the two work off each other like the odd couple. Yakumo is the more sensible of the two but it seems that his perfectionist tendencies are working against him. Rakugo is a fairly improvisational art and Yakumo performs it too perfectly. In what I can see, Yakumo’s Rakugo doesn’t feel natural, you can see his “acting” in it. Compared to how he will preform in the future, it’s a lot stiffer and too precise.

Ultimately Yakumo just needs to loosen up and find his way of Rakugo. Perhaps a stepping stone to that is this geisha girl whom has taken a large interest in Yakumo. This same girl looks to catch Sukeroku’s attention as well so the predictable outcome would be a love triangle. I believe that Shouwa Genroku is not the kind of show to take the easy route like that when it comes to storytelling and such a development would be rather futile when we could already guess as to who the victor is. I am fairly certain this woman is the mother of the girl from the first episode, and she clearly stated that she was Yotarous daughter. Of course perhaps this relationship is more complicated than one would think? Perhaps this girl was not actually Sukeroku daughter? Or to be truly outlandish, perhaps they were both her mother’s lovers?

As an episode, things were a bit slow as a majority of the time was devoted to Sukeroku’s Rakugo. I really respect the shows insistence to rarely visually represent the story the characters are telling. They allow Rakugo to be show how it’s meant to be shown, with only the performer’s voice and mannerisms to go off. It must be quite the challenge for the voice actors and animators, having so much dependant on subtle movements and mannerisms. The rest of the episode was devoted to the geisha girl coming on to Yakumo. It’s debatable whether she is doing this out of her own interest or if the Rakugo master put her up to it in order to help Yakumo’s Rakugo grow. Regardless I believe there is some genuine attraction she has for him, mainly in seeing her blush and openly state how different he was from other men. It’s amusing in how the she likes him because he doesn’t look at her with desire but that in turn makes her desire him. This could be a matter of wanting what you can’t get or genuine love but whatever it is will likely throw a wrench into Yakumo and Sukeroku’s Rakugo.

Posted on with categories: Currently Watching:

This episode starts with a groan as we meet a new member of the cast, that being Theodor’s sister who on first sight hugs with with the ever so traditional “Onii-chan!” The sister does bring some good developments to the table, namely the machination the Stasi has in store for her, but I really wish the didn’t resort to an old caricature. We even have some back story for Theodor which pretty much only confirms that yes, Lise is Theodor’s step sister and non blood related so she’s perfectly fine for being pushed into the boy’s harem. I understand that harems are essentially series tradition for Muv Luv (The first entry of the series was a pure by the numbers harem after all) but Schwarzesmarken at least has kept that particular element at bay and I would like it to stay that way. The last thing a do or die setting like this needs is harem hijinks. As far as Lise’s standing as a spy she certainly is suspicious. She clearly seems to be feigning amnesia over the period she spent with the Stasi and doesn’t seem too pleased with Therdors approval of Irisdina. Her reaction is a bit too serious to write off as simple jealousy. There’s also that rather delayed response from her when Katia was about to get ambushed by BETA. I am willing to bet that she was weighing her option of letting Katia die to BETA assault. Whatever the Stasi has planned it seems to be working as Therdor looks reluctant to entertain the possibility of Lise being a spy. He may say otherwise to Katia but that felt like he was just putting her at ease.

So with a new member added to the cast this looks like a good time for the team to have some R&R and use the new character to flesh out the other members of the squad. At least that would be the wise move but sadly the plot disagrees and sends them out to a major offense against the BETA. It really seems like there could be plenty of things to expand upon before jumping into a major plot arc. Such as Katia’s awkward position of no longer acting as a replacement for Theodors sister. A large amount of Theodors dedication to protecting Katia was due to her resemblance to his sister and now that his actual sister has shown up it puts Katia in a more perilous state as when push comes to shove he will save his sister before saving her. Plus the whole complicated feelings humbug with dear Therdor senpai not noticing her anymore. However that is written off quickly and now we are in a big offensive quite literally straight out of nowhere. A combined effort by the UN and countries of the world to prevent BETA from crossing too far west from Europe. Our big issue here is when Gretel starts giving out unreasonable orders due to a desire to distinguish the east German task force in order to win political favor. However no one seems to hold them in high regard as artillery is fired without regarding them being in the line of fire and at episode’s end it looks like even the west Germans despise them. A little hypocritical considering that east Germany is the one thing keeping the BETA at bay but with the Stasi and whatnot, they are hardly beyond reproach. All of this has the potential to be quite interesting but the fatal flaw remains. We the audience lack emotional attachment to the characters. Why is Gretal looking for political favor? Why is anyone here fighting at all? Why did Irisdina tell a racist joke before going into battle? And most importantly of all, why should we even care if these people live or die?

Posted on with categories: Currently Watching:

There certainly is a layer of dread from this episodes beginning as we see happy events unfold. Things are looking up, history is changing, Kayo is finally getting out of an abusive relationship with her mother and finding happiness. But much like Satou is feeling, there is a unease at these developments. Things are going too perfectly, it’s all working out a little too well. But most importantly, Satou is getting the feeling that he may indeed be retreading his old steps. Despite Kayo not minding, Satou clings to her more often. Walking with her to school, practically dogging her every step. Because much like Satou, we feel the exact same uncertainty. The death flags are getting tripped and we are all waiting for the wham moment. Then just when you think it might be alright, Kayo disappears and never returns.

Its lucky that Satou happens to have a great mom. Sachiko may have just become a fan favourite with this episode as she happened to defuse Kayos mother with relative ease. She’s cool and caring in a motherly way which is a big turnaround from her first appearance, where you could easily mistake her for a deadbeat parent. But much like the cruelty of this episode we have the knowledge that in the future she is fated to be stabbed to death in Satou’s apartment. Why must we build an attachment to characters destined to die? The strength of this series rains but this episode may be the start of things feeling a little bit rushed. While not necessarily detrimental, this episode felt fast at points.

Yuki’s soundtrack also happens to be distracting me at some points as well as there are tracks which are a far too overpowering and melodramatic for the visuals. It was rather aggravating to hear a loud violin as Satou ran home after believing everything was set right. A moment like that calls for something more subdued, not an orchestral symphony like he defeated the demon king. But that aside the mystery deepens as Satou seems to have effected the day that Kayo was abducted, in other words something Satou did caused the murderer to change his mind. Or our murderer may have powers similar to that of Satou’s. On the night we have a montage of all the adult characters, Kayos mother in particular suspiciously not being at home. I am still hedging my bets on the teacher but this mystery may have more layers to it that I first thought.

Posted on 1 February 2016 with categories: Currently Watching:

From the looks of things this series will be focusing primarily on the past of Yakumo as the stylish opening seems to place emphasis on the characters of the flashback. Rakugo is surprisingly abset this week as World War II causes Yakumo to be left behind as his Teacher and Sukeroku go out to entertain soldiers. To Yakumo this is a repeat of his past as others leave him behind once again and his frustrating position of being able to do nothing about it. However in their absence it has caused a greater love for Rakugo to grow in Yakumo’s heart. In essence since being striped of his postion to perform Rakugo, it made Yakumo realize just how important it was to him once he no longer had to perform it. This is something I have found with an interest. When you are forced into something, chances are that you will not enjoy it. However if you pick it up by your own initiative then you come to love it. This is Yakumo’s true awakening into the art, when he comes into his own as a performer. And with Sukeroku hefty absence from the art, I believe he and Yakumo are on a much more even playing field this time around.

From what I can see, due to the authors previous experience being mainly related to boys love manga, people are insinuating that Yakumo’s and Sukeroku’s relationship could potentially move to become romantic. I personally am not a fan of this assessment, not out of aversion but rather because I feel it undermines the nature of Yakumo’s and Sukeroku’s rivalry. Their connection is one of trust and respect, something much deeper than simple sexual attraction. These two are brothers in a love for Rakugo and to insinuate that that love is dotted with hints of potential lust just feels disrespectful to the dedication of the characters. It would be akin to saying my love of anime is very slightly influenced by a desire for 2D female women and that’s just downright insulting. That said I do find that Yakumo is rather disinterested when it comes to his romantic encounters. Particularly when he reacted far more emotionally to his Teacher and Sukeroku’s leaving him behind than he did for his girlfriend tearfully breaking up with him. Should it turn out that Yakumo is homosexual, it could lead to some interesting story developments. However this is a story about Rakugo and I would prefer for it to not deviate too far from the premise.

Posted on 30 January 2016 with categories: Currently Watching:

Schwarzesmarken remains a strange specimen of an anime, while still not excelling it is clear it has the potential to. So why is it not a great anime? Well it’s beating the same point as my last post but I do think characterisation is key here. In this episode we had two characters introduced whose main purpose was to be disposed of. In practice this tactic is a very cheap one and only works as a cheap development device or a lazy emotional manipulation tactic. That said when I felt more for a disposable soldiers death than I did for the rest of the cast then something is amiss. Katia and Theodor have gone through important developments in this episodes which could help give the characters more likeable traits but the developments are far too sudden. Theodor has opened up and admired that he wants to protect Katia to make up for failing to save his sister but this has come well, pretty much straight out of nowhere. From our perspective Theodor has only known Katia for a few days and whatever time he did spend with her, she was aggravating him to no end. Katia’s revealation is equally sudden, though in her case a little more believable. It’s logical that one would lose optimism when seeing the threat first hand and it is something that she really needs as a character. Hippy logic won’t save anyone as even if east and west Germany did join hands to battle the threat of BETA, the situation would be equally as dire.

On looking at these developments I can see how these characters could come to these conclusions but it feels as though we are missing a huge part of the process and given just the beginning and conclusion. I have a beef with how it was shown as well, with both Katia and Theodor both speaking of their feelings as if they were speaking to an invisible psychiatrist. It’s a problem not only here but even present in the original trilogy of visual novels as Shirogane Takeru(The protagonist of Muv Luv) was also fond of spelling out his new found revealations to people. Though in that case they managed to find a way of it helping with character development by making one of the characters Takeru’s “Noble Confidant”. Speaking of which, the Visual Novels made it a point to introduce and flesh out the characters first long before the plot even started. It was a tactic that is both a strength and weakness of the series as a whole. That may sound contradictory but let me pit it this way, it added a heavy layer of tedium for anyone beginning the series in exchange for a deeper emotional connection later down the line. That may be an aspect that can’t quite translate to anime which makes me question whether a animated adaption would be a good idea. After all so far both Muv Luv adaptions have been rather lacklustre and the reason for that could be an element you can’t experience outside of a visual novel format. That said its more likely due to poor adaption in those cases as I do hear that the anime isn’t doing the Schwarzesmarken light novels justice so far.

Posted on 27 January 2016 with categories: Currently Watching:

When it comes to matters of time travel, it’s always a wonder to consider just what rules it follows. Time travel, much like alternate realities is one of the biggest can of worms to open when writing a story. Mainly because it demands the viewer keeps in mind a series of characters,settings and event which may not even take place in order in a timeline. The level of complexity jumps as you attempt to define time travel so in many ways it can be best to never try to explain it. Plenty of stories have used time travel and washed over the rules of it with ease. Groundhog day and Dr who both tend to use Time travel as a plot device rather than a focus and Boku dake ga Inai Machi looks to do the same. Time travel is not the focus of this story. The focus is the mystery regarding Satou’s childhood. But this episode brings up an interesting dilemma, namely the level influence Satou has over the past. As Satoru unintentionally repeats the past by letting someone else win the ice skating race it brings up the potential possibly that we are operating under Twelve Monkeys rules. Namely that you can attempt to change the past but in turn cause things to turn out exactly the same. In other words no matter how Satoru effects the past, it will not affect the outcome. A sad thought as he’s currently making a fairly miserable girl in a bad situation quite happy and it could be possible that she’s doomed to be killed.

This episode was a fairly emotional one with a fairly dark reveal of the level of abuse Kayo receives from her mother. I would like to call her mother’s character unrealistic and a exaggeration…I would, but frankly it’s likely there are these types of people in the world. I generally dislike characters who seem one dimensionally evil for the sake of tragedy but in this case I can’t deny her being effective. The difference between this and the likes of tragic family situation portrayed in Divine Gate is that Kayo mother is fairly believable. Kayo isn’t in the best situation and this episode does get you on her side. When she’s accused of stealing lunch money by a classmate, I am certain all of us would have reacted just like Satoru. Seeing him shout was still quite satisfying. But it wasn’t just sad feelings this episode as Satou takes her to see a “Christmas tree” and well to see her genuinely smile truly can warm even the coldest of hearts. That scene was directed marvellously and if this anime can keep this up then it truly could become something special. So on the matter of the murderer, all signs so far point to Satou’s teacher. The teacher is certainly suspicious and the end scene highlights this though I am hoping he’s a red herring as he’s a bit too obvious. It’s the look in his eyes that really tip me off, those eyes certainly hold something sinister. He holds a little too much interest in helping Satou and I wonder why he waited so long before interfering with that girl’s attempt to frame Kayo. However what really interests me is his connection to Satoru’s friend, Kenya. Whose also rather on the strange side of being unusually helpful to Satoru. Admittedly I am just shooting blind here as the series has not quite given us a large range of suspects and I hope that it doesn’t make the same mistake as Subete and make the villain too obvious for the start.

Posted on 22 January 2016 with categories: Currently Watching:

So we enter a flashback on how the master became the man he is as well as how he met Hatsuda. It’s interesting to see the man who always seemed to be in control be a person of much more vulnerable status. As a child we see the aspects that he will ebody in the future but he’s also a lot more unguarded with his emotions. In a way it’s like he’s trying to be the man he is in the future but isn’t quite mature enough to succeed. It’s interesting to see the stone pillar of Rakugo was once a man with insecurities much like his current apprentice as well as the man that likely spurred him to take an apprentice in the future. The camaraderie between the two is palatable, in their rivalry that shows no real malice as Hatsuda wishes for Yakumo to succeed as much as he does. One is committed to the art of Rakugo and the other is doing it merely out of necessity. It many ways these two are polar opposites but see eye to eye when it comes to Rakugo. They don’t laugh at each other’s failures or glare at the others success. It just pushes them to do better.

The episodes shining moment was in showing just how bad Rakugo can go, all the more surprising when it was performed by the professional we know from last episode. This really shows just why Yakumo got so angry at Yotarou for falling asleep during his Rakugo as in the past his Rakugo was criticised for being boring. It’s possible that in that moment Yotarou reminded him of one of the worst performances of his career and that certainly would make one furious enough to abandon a apprentice. The Rakugo itself was a rather painful watch as you could see the desperation in Yakumo’s movements and voice, committed to telling a joke that no one was finding funny. As it continued you could really feel him rushing just so he could leave the stage. Then Hatsuda came in and blew away the atmosphere with pure enthusiasm. In Rakugo it seems that the way you tell the story is often more important than the story itself as it requires the teller to infuse a part of his personality into it.

Speaking of personality, the soundtrack certainly has it. I heard a mix of somber pieces and some catchy jazz style pieces at comedy moments. It’s a soundtrack that can be rather emotional yet still can pick itself pick to be silly and stylish. I say the jazz styled pieces are more to my liking as tugging the heartstrings with piano or violin melodies is an easy accomplishment and often used as the standard. But trumpets and spanish guitars are a sweet sound to the ears and are giving flashbacks to Baccanos Hard Bop/funky jazz ost. Despite the cultural relevance not really matching, Rakugo and jazz just seems like a good match as both do have a very loose style in their respective fields. After all Rakugo is very much like a comedian telling a story but seems a lot more personal and improvisational. So in a way it is natural that a music style like Jazz could fit it.

Posted on 20 January 2016 with categories: Currently Watching:

Two episodes in and I certainly can feel that Schwarzesmarken is missing something to truly make it work. The setting has no problems and what’s presented is interesting but for some reason this isn’t as engaging as it should be. One could blame the art which had some spotty parts during this episode or the pacing which is rather haphazard. Though what’s likely the issue is the lack of likable characters. Theodor has the problem of constantly looking and acting like someone spat in his soup. Tragic past or not, it’s a little hard to sympathise when most of the time he’s clicking his tongue in irritation. Katia is hopelessly optimistic and has the situational awareness of a bear cub in a snake pit. Call me sadistic if you will but there’s a certain satisfaction to be had in seeing Katia get a good beating after spouting that drivel about humanity working together for the greater good. The ideal is admirable but unrealistic, even Alan Moore’s Watchmen made the assumption that if provided with a common enemy Humanity would band together. One of the particular things I like about this series is that it tosses that idea to the dogs. For while it is undeniably stupid, if mankind was faced with an undefeatable enemy ready to burn the world to the ground, you can bet that people behind the scenes would be working to lay claim over the ashes.

So our two main characters are polar opposites, one being a nihilistic blowhard with anger management issues and the other a tone clashing overall happy girl with little idea of the state of her surroundings. They create some interesting dilemmas but lack likeable traits. The rest of the cast is unfortunately too underdeveloped but captain Irisdina holds potential. Though I doubt she truly shot her brother in cold blood to clear her name. The most likely outcome was that her brother gave his life willingly to help clear hers. A pity as I would like it if her loyal and proper demeanor was the result of her trying to redeem herself after committing such a Heinous act. Besides the BETA  for an antagonist we also have the Stasi, a branch of the military playing the role of thought police. Normally I am against such a one dimensional villain but the Stasi do a damn good job of being completely hateable. Beatrix and Axmann look to use the war with BETA as a means of setting up a 1984 level of Totalitarian control and they certainly are making things difficult.

From promising reinforcements only to sit in the hanger drinking tea while the people they left died on the battlefield to sending two units on a suicide mission just to kill off someone they see as a potential spy. The Stasi are basically the greatest threat to our main characters, mainly because unlike BETA they hold a position that allows them to kill our characters any time they wish and make sure they can’t do anything about it. Still I don’t find them quite as hateable as I probably should, maybe because the Stasi aren’t making any excuses to what they are doing. They know full well what they are doing and anyone who gets in the way must be removed. So strangely I don’t dislike them, though part of that might be because I find Beatrix to be quite attractive. She does seem like a woman who would give you a damn good time or kill you in the process. I am hoping that we get some likeable characters on the field as that would improve this show immensely. After all it would be a shame to waste such a magnificent setting as this. One so detailed that two east Germans on YouTube have made it a point to list the details and historical relevance. Sadly though it’s taken down due to a copyright strike at the moment. If it gets reuploaded and you are interested try looking for “How German is it? – Schwarzesmarken”

Posted on 19 January 2016 with categories: Currently Watching:

While this adaption isn’t quite staying true to the source, it’s still managing to present a compelling tale. In that regard I am glad as I would like to see this tale be given the treatment it deserves. Presentation remains great and I rather like how events in the past are show in a widescreen format with black bars on the top and bottom. It gives a feeling like Satou is likely experiencing, that we are seeing these events but we aren’t quite there. We are like the opening shows, a person in a cinema, a observer. Though considering that Satou has control over his previous self it might be more accurate to consider him a person with a game controller. But there are points when he and his younger self sync together as shown by certain lines which his older and younger voice actors say simultaneously. This episode mainly dealt with Satou getting closer to a troubled girl with a abusive mother as she seems to be the next victim to be targeted by the serial killer who will eventually kill his mother. Things are moving slow for now but I like the small details such as Satou attempting to recall the details of the past. What’s more is that one of Satou’s clever friends seems to know something’s up and looks to be trying to off offhandedly help Satou in his goal. The big question to consider is that someone in this flashback is the killer Satou is searching for so who can it be. Our killer in the future has red eyes, glasses and is male so if someone in the past is responsible it would likely be an adult.

If there was something that I truly have a problem with, it would be the soundtrack. It doesn’t take long to notice that our music composer here is Yuki Kajura and my issues with her remain. If you haven’t read anything I wrote about her before then let me give you the cliffs notes. I believe Yuki is a very talented music composer that unfortunately chains herself by sticking to one style and one style alone. When putting her on a anime soundtrack the question becomes whether the anime can adapt to Yuki’s style as opposed to Yuki adapting to the style best for the anime. That’s just not a good way to go about making soundtracks. There are people who claim all of Yuki’s music sounds the same and there is some small weight to that claim. I wouldn’t blame anyone for getting huge reminders of Fate/Zero’s soundtrack with the final minutes of the episode. In fact I even suspect that Yuki has lifted melody lines from that soundtrack for this, and this wouldn’t be the first time she’s done that. At the moment I feel she’s doing an adequate job but if she starts shoving dramatic choirs into this then I don’t think the glove will fit. Regardless I hope they continue to make this work as well as it’s going and hopefully don’t run into pacing issues.

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  • oldyang
    (Wednesday, Feb 10. 2016 06:36 PM)
    Ajin is interesting, but the character design is weird. Everyone looks lifeless and angry.
  • wicked
    (Wednesday, Feb 10. 2016 08:55 AM)
    it’d actually be a shame for them to make it into I Wanna Be the Strongest in the World, or worst
  • wicked
    (Wednesday, Feb 10. 2016 08:54 AM)
    @Aidan, Yeah that guy tries really hard to make it more than just fanservice though. I have a weird respect for people that can play ridiculous concepts straight.
  • AidanAK47
    (Tuesday, Feb 9. 2016 08:31 PM)
    Alright, if I can just catch up with Gundam orphans then I can finally post this summery.
    Also RWBY has gotten quite good lately.
  • AidanAK47
    (Tuesday, Feb 9. 2016 01:34 PM)
    @wicked, that’s the surprising thing. I still think the reason its getting a anime adaption is simply because of the premise and I bet the anime is going to play up the fanservice. It is pretty standard sports manga despite how utterly ridiculous the sport is.I mean that exam which featured girls swinging their asses in figure 8s…and not one person pointed out how strange it was.
  • wicked
    (Tuesday, Feb 9. 2016 06:31 AM)
    @Aidan Gotta hand it to Keijo though, it takes that fighting with tits and ass thing crazy serious.
    It’s straight up a friendship, effort, victory shounen fighting manga otherwise
  • AidanAK47
    (Monday, Feb 8. 2016 01:45 PM)
    Keijo is getting an anime adaption huh…well its a manga about girls pushing each other off floating platforms using just their ass and boobs. Of course it’s getting an anime adaption.
  • AidanAK47
    (Monday, Feb 8. 2016 01:41 PM)
    @CloudedAnime, Normally I am not too keen on others using this Shoutbox to push their blogs but I will allow it this time. (Pretty certain that compliment was insincere and being pasted everywhere else you are pushing that blog. The joys of self promotion…)
    Just ease off on the exclamation marks there and keep at it.
  • CloudedAnime
    (Sunday, Feb 7. 2016 06:54 AM)
    Love this place! Come check out my blog too at Clouded Anime! Follow me on Twitter too for updates! https://cloudedanime.wordpress.com/
  • wicked
    (Sunday, Feb 7. 2016 05:49 AM)
    @kaiser though those were published in japanese magazine, they were full on mangas

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Featured Posts

Boku dake ga Inai Machi – 05

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Shouwa Genroku Rakugo Shinjuu – 04

Well it seems like I have to eat my words as Yakumo is quite the ladies man. Which is odd when he clearly doesn’t have any interest in interacting with women. Yakumo has a fruitful love life despite his apathy towards love in general. Yakumo and Sukeroku’s relationship has certainly gotten more easygoing as the […]

Schwarzesmarken – 04

This episode starts with a groan as we meet a new member of the cast, that being Theodor’s sister who on first sight hugs with with the ever so traditional “Onii-chan!” The sister does bring some good developments to the table, namely the machination the Stasi has in store for her, but I really wish […]

Boku dake ga Inai Machi – 04

There certainly is a layer of dread from this episodes beginning as we see happy events unfold. Things are looking up, history is changing, Kayo is finally getting out of an abusive relationship with her mother and finding happiness. But much like Satou is feeling, there is a unease at these developments. Things are going […]

Shouwa Genroku Rakugo Shinjuu – 03

From the looks of things this series will be focusing primarily on the past of Yakumo as the stylish opening seems to place emphasis on the characters of the flashback. Rakugo is surprisingly abset this week as World War II causes Yakumo to be left behind as his Teacher and Sukeroku go out to entertain […]

Schwarzesmarken – 03

Schwarzesmarken remains a strange specimen of an anime, while still not excelling it is clear it has the potential to. So why is it not a great anime? Well it’s beating the same point as my last post but I do think characterisation is key here. In this episode we had two characters introduced whose […]

Boku dake ga Inai Machi – 03

When it comes to matters of time travel, it’s always a wonder to consider just what rules it follows. Time travel, much like alternate realities is one of the biggest can of worms to open when writing a story. Mainly because it demands the viewer keeps in mind a series of characters,settings and event which […]

Shouwa Genroku Rakugo Shinjuu – 02

So we enter a flashback on how the master became the man he is as well as how he met Hatsuda. It’s interesting to see the man who always seemed to be in control be a person of much more vulnerable status. As a child we see the aspects that he will ebody in the […]

Schwarzesmarken – 02

Two episodes in and I certainly can feel that Schwarzesmarken is missing something to truly make it work. The setting has no problems and what’s presented is interesting but for some reason this isn’t as engaging as it should be. One could blame the art which had some spotty parts during this episode or the […]

Latest Reviews

Gangsta. – 58/100

Gangsta is an anime with a lot of things going for it. A mature cast, gritty themes, a interesting setting and a trio of main characters who can carry the show. However due to a number of factors it never quite reached its potential. The main trio of characters are unconventional and quite interesting with […]

Gakkou Gurashi! – 80/100

Gakkou is one with a good facade as promotional material would have you believe it was some dime a dozen moe slice of life. I was one who wasn’t fooled by the cute cuddly exterior but I was truly surprised with just how good this anime ended up being. Gakkou is one of those rare […]

Little Witch Academia The Enchanted Parade – 81/100

I wonder when it was that a film being childish became a flaw. As a medium grows it takes steps to aim to mature itself and seek a more intellectual level of presenting entertainment. Animation did it as Anime aimed to explore terrontry that cartoons refuse to explore and video games only recently broke away […]

Fate/Stay Night Unlimited Bladeworks Review – 85/100

For a long time now this adaption has been the dreams of many a Fate fan with many believing it would never come to pass, but now that it is here is it everything that we dreamed? Short answer to this is no, long answer is nearly. I feel this show will have many divided […]

Shirobako Review – 80/100

When you see a harem anime and sigh as the breasts of the female lead jiggle with every step and wind that can flip a skirt it’s easy to forget that somewhere in Japan a group of people worked hard to get that jiggle right and draw each frame of animation. The hardships of the […]

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Nerawareta Gakuen Review – 84/100

Let me talk a bit about Ryousuke Nakamura. For a long time, this guy was my hero. He started off as an assistant director to Monster, in my opinion a big reason why that series got such a ridiculously solid adaptation, and then in 2008 he came with the groundbreaking Mouryou no Hako. No TV-series […]

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Kick Heart

Okay, so I didn’t want to exit 2013 without having seen Masaaki Yuasa’s Kick Heart. It’s only twelve minutes anyway, and I consider him to be one of the best anime directors out there. The story here is pretty silly and mostly serves as a backdrop, so I mostly want to talk about the nature […]

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Kyousogiga Review – 90/100

Everyone’s taste is different, and that’s a wonderful thing because that allows us to have so many different forms of media that all aim toward their own niche. My blog is obviously written from the perspective of my own taste, and even when a show doesn’t cater to it (which is nearly always), I love […]

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Ore no Nounai Sentakushi ga, Gakuen Lovecome o Zenryoku de Jama Shiteiru Review – 80/100

Noucome! You do not want to know how long I have been waiting for a series like this. More than half a decade, at the very least. Finally a series comes along and puts the incredibly overused harem genre in its place. And it actually does it well. Thank you! So to elaborate: the harem […]