Posted on 31 March 2018 with categories: A Place Further than the Universe, Currently Watching:

And Universe wraps up the best way it can. This finale, in truth, feels more like a victory lap where the plot can be simply summarized as the girls enjoy their last days in Antarctica before heading back home. Almost all the cast makes an appearance in some ways, and the girls have a chance to reflect how much this trip mean to them, how much they mean to each other and how much they have grown since the start, and of course, many goodbyes along the way. The first half turns out to be the most cute girls do cute things moments out of this entire show, where our girls go through the routine, enjoy the thousand year old snowcone, and play baseball with the rest of the team. There isn’t much arc for the girls anymore, consider that they have all gone through some kind of conflicts and have grown ever since. But nearly the end of the journey, Mari voices her (unreasonable) request: should they stay over during the winter as well? Of course, she knows better and Hinata quickly points out why they need to return to their world: they still have their own lives back in Japan, but nevertheless, all of them don’t want this journey to end. So they make a promise. A promise to go back here again, and a promise that their lives will cross again when that time comes.

Shirase, after the tearful arc last week, really grows up this time. She’s both mature enough to give a heartfelt speech to the expedition team (that brings the cold Gin to tears), the speech about the place further than the Universe make people face-to-face with their own selves, the thing that she had indeed experienced. In addition, Shirase manages to loose herself a bit. She manages to smile. A bright and worry-free smile, unlike her creepy smile at the start of the series. Shirase has always been a bit broken character, but now she’s truly embraces it and let her Mommy issues finally to rest. She moves on to the next stage, stressed by the way she cuts her hair short. At the end on their way back home, Universe proves once again they still have some tricks left to play. The aurora view is truly mesmerizing and otherworldly, but the emotional bang comes from the unsent message her mother left, probably hours, or even minutes before she disappeared. The view of the Southern night sky come into display, and for that very moment, I bet Shirase’s Mom felt that it was all worth it. And now the girls all know that for sure. A bit too much of a coincidence, perhaps, but it’s still well earned.

As the girls head back home, like Yuzuki afraid they may not have the time to be together again. They will go back to their normal lives, with some new old worries and some plans to overcome. But now they depart each other with the understanding that they had shared something unique to each other, and that won’t never change. The last moment, Universe finishes with a nice, pleasant surprise: Mari’s friend Megumi is in the up North Arctic now, enjoying the aurora just like Mari did. Isn’t it nice to see a side character still grows and matures outside the scope of this narrative? As a whole, while Universe doesn’t really win me over, I don’t deny they are pretty good with building up and resolve their little arcs, and the trip along them to the end of the world is pretty rewarding. The full review will come up soon so stay still, folks, and thank you for join in with me for the ride.

Posted on 23 March 2018 with categories: A Place Further than the Universe, Currently Watching:

For a show that sells on the idea of turning your normal life upside down and enjoy the youth to the fullest, the second half of Universe instead delved a bit too much on the friendship side that don’t speak much to that central theme. In this episode, the theme comes back with a bang, results in arguably its most emotional effective episode yet. Appropriately, the title of the episode is the same as the series’: A place further than the universe. The last place of Shirase and the expedition’s team’s goal. The place where Shirase’s Mom disappeared 3 years ago. The final destination. It’s also appropriate that Shirase is the main focus of this, because she’s the main drive for this trip to happen after all, and I’m glad that Universe pulled it off. For Shirase, the moments she got call out of class and received the news of her Mom disappearing, it all happens like a dream. A long dream she couldn’t wake up. I can relate to that not only because I’ve gone through this before, but also because it marked a point of no return for Shirase. Nothing would ever be the same for Shirase after that and ever since then, she pushed herself hard so that she can come to the place where the spirits of her Mom is still around.

But there’s also this other fear in Shirase, the fear the she would feel nothing. The fear that once she reaches the goal, there won’t be anything special and there won’t be any thing left to reach. Like, what’s next after that? Chasing her Mom dream to Antarctica has always been her own goal, probably to escape the pain of losing her at such young age and being left alone. If she can’t find anything there, will she be in that dream forever? She admits that she doesn’t feel anything special or overly connected to Antarctica, it’s just… like in a picture book. I like the way Universe acknowledges this. The most alluring aspect of a trip to Antarctica is the idea of going to a place faraway, not necessary the place itself. If you aren’t prepared, you’d end up disappointing, and even if you are, like Shirase, there’s no guarantee that you’d end up enjoying the place. That said, Mari offers a valid counterpoint to Shirase’s crisis. It’s about the journey rather than the destination. It’s about going together and experience these things together that make this trip worth it. Admittedly, that message is nothing new, every other show does this but I prefer the way it presented here. Mari’s point isn’t meant to change the way Shirase feel, it’s only serves as one’s perspective. Just like the way Gin told Shirase that she wanted to come back to Antarctica is for herself, “But when we run around on the injustices of reality, they’re the only things that can break through, make the impossible possible, and allow us to proceed on.” Shirase ultimately is the one who has to overcome her doubts herself.

And the girls, plus Gin and that other girl go to the inland trip to build an observatory deck, the idea that was originally from Shirase’s mom. In there, the girls experience the weather condition that I would have expected when I hear about Antarctica: extremely cold, vast ice of nothingness, and blizzard that could easily claim one’s life and change many other’s lives, and godlike sun pillar. The closer to the place where her Mom disappeared, the more Shirase sees fragments of her Mom here and there. It’s just like these moments still linger there, stuck in times. Everyone would claim (and rightfully so) that the episode’s climax where Shirase opens her Mom’s laptop is the most effective moment, but for me, it was the sequence before that. It was when the other four girls rush out to find out something, anything that could tell them the past existence of Shirase’s Mom. Now it isn’t her own journey anymore, but her goal is aligned with other girls. Now it is when the friendship theme merges together flawlessly with “finding goal and achieve goal” theme. The moment from Shirase saw their own photo sticking in the laptop, to when she types correctly the password the second times (it’s her birthday) and her own emails keep flooding up the screen, together with that soft, tender song are such a great way to conclude in high notes. Those unread emails are the statement that her efforts in those 3 years are indeed, real, and now she has to face the fact that Tanako is truly gone, and its’s the more heartbreaking when you notice that the reason her Mom went back to the base and disappeared might be because of this laptop and those emails (one thing though that bugs me is that they have wifi there in the middle of nowhere?). Also appropriately for an episode that feel like a closure, we don’t have any OP or ED this week. Everything ends in such tender note, and… we still have one more episode left. Now, what’s next?

Posted on 16 March 2018 with categories: A Place Further than the Universe, Currently Watching:

Another episode of Universe that delves into friendship issues. While I can see many hiccups along the way, I can still say the ride is worth it. Not that I think this episode stands out, rather that I don’t know exactly how I feel about this episode’s resolution. This episode features my favorite girl, a bullying/ lousy one of the group, Hinata, the most mature girl in the group, and at the same time, is up there as the most stubborn member. She had an issue with her track friends back in her middle school, an issue that (in her point of view, I must stress) was entirely her upperclassmen’s fault. At the end, you would expect she come to forgive her friends and you would expect a happy ending, right? Except it’s not. The climax is… refreshing to say the least. I respect the show for going another way other than happy route, where every fault can be forgiven and forgotten. This climax may sound mean-spirited, after all Hinata isn’t exactly a hero type and Shirase is always mean as hell; but Shirase can go to that level of meanie because she does care deeply for her friend.

I’m not sure what to feel about Hinata’s personal problem this time. Universe claims that she already moves on to the new adventures and now has many true friends, enjoying life that those girls couldn’t have experienced. The way I see it, however, the only person who is still stuck to that painful past is Hinata herself. She’s the one who refuses to talk to her ex-track team members, she’s the one who doesn’t want to deal with the issue head-on, she’s the one who is still in anger despite how many years had passed and she’s the one who still doesn’t forgive them in the end. That is fine, I guess, since it’s her decision and she make it clear every time that it’s her own issue. But it’s kinda problematic for me that the whole group, even Gin, support this. You don’t truly hear the story in the other girls’ point of view beside the email (and Hinata straight-up refused to talk to them), and they mean good so I don’t think they’re deserved to get dismissed like this. And when the adults not only don’t sort these things out, but also act like things going fine. It’s another kind of bullying, isn’t it?

But the tough case to crack is Shirase. In this episode, I am constantly reminded that Shirase is overstepping her role as a friend. I understand the intention: for someone who is headstrong and always act like nothing happened like Hinata, the stubbornness of Shirase is the only thing that can make Hinata opens up. They had a history back in Singapore; so they know a great deal about the other’s characteristics. I get it but reading others’ personal email is A NOT OKAY in any situation regardless if you are friends, partners, siblings or even married couples. A friend can be a shoulder for you to cry on, a friend is someone who has your back, correct, but Shirase has no right to act for Hinata regarding Hinata issues towards Hinata’s friends. She’s being stubborn, she said what Hinata feels, right, but who she is to judge other people “You can’t live your life in this half way state forever”?

But the point is, despite those issues above, I enjoyed this episode for start to finish. I feel the anger Hinata felt, I feel great when Shirase speaks up and the group members produce some rather unique chemistry together. Universe has spent a great deal of focus to the friendship dynamic. First with the surprising dark and sharp Mari – Megumi childhood friendship, to Hinata – Shirase the battle of stubbornness in Singapore, to Yuzuki friend complex and now the hidden past of Hinata. Each of this adds something more to the group’s chemistry, making them a total delight to watch. The girls, furthermore, have a chance to explore Antarctica so every place presented here is a treat by itself, whether it’s a stream so fresh that you can drink directly, a mountainous landscape that looks like a chocolate cake or the daylight sky that is bright and vast. The background designs are made-only-by Antarctica and it’s magnificent. Only 2 episodes left, while I do feel Universe losing a bit of its steam towards this final run, I still feel its foundation is strong enough to deliver what it promised.

Posted on 7 March 2018 with categories: A Place Further than the Universe, Currently Watching:

First, for those of you who awaited for my posts last week, my apology for the one-week hiatus where I just wanted nothing to do with writing or blogging. The fact that all the 3 shows I’m currently blogging were meh last week was a final nail in the coffin. For Universe in particular, can’t say I’m fond with all the forced drama these two episodes have been building up. Episode 9 explored the dynamic between Shirase and the captain Gin. There is some neat chemistry between the two of them, namely they all share the love of Antarctica and the mutual pain from the loss of Shirase’s mother. They also have an awkward relationship to each other, and I suspect it has more to do with them having the same personality. But instead of creating a conflict that naturally bring them together, Universe develops this plot thread by having the cast forcefully push them to confront each other. For me, the inconsistency lies in the way the show keeps selling that they can’t find a right way to communicate with each other, yet we’re given flashbacks dedicated to them spending time alone, flashback where the captain taught Shirase about the sky, and moments where they share their mutual interest over penguins and jumping rope.

The rest of episode 9 further underlines the length this Antarctica team could go to achieve their dreams. Last few episodes they highlighted the price those expedition members have to pay to come back to this trip again – all the broken dreams. This last week Universe stressed on the ship’s efforts to break the iceberg and move forward, quite literally against all odds. For Shirase, it’s a testament against friends who mocked her over her Antarctica dream. For the crew members, it’s a testament from Japan to the rest of the world for all the challenges they received – yet they do it and achieve it anyways. “In your face” thus sounds kinda mean-spirited to me, but yeah, the spirit is apparent there.

The forced emotional conflict continues with Yuzuki this week, who herself wonders if they somehow become friends over the course of their journey together; and forces the rest of the team members to sign a friendship contract as a proof of their friendship. If anything, it feels like Yuzuki just throwing an unnecessary tantrum here. She’s afraid that after this journey’s over, they will grow apart with new life and their closeness will be drifted away. You see, friendship is something intangible that it’s hard to put your finger on when and how much is enough. And it isn’t about those things either, since it means different things from different people. It’s more about knowing that your friends will have your back and stay behind you whenever you need them; about comfortably rely in each other whenever one’s needed.

We also get to see a day in a life in Antarctica throughout this episode 10. The team members get themselves acquainted with the new place and begin their routine of cleaning up and settling down to the place. I enjoyed the bits about finding the spot to defrost the chicken in the middle of this iceberg land and Hina’s note is priceless. The birthday cake at the end is a nice way to wrap up this little friendship’s drama on a good note, and with only 3 episodes left, let’s all see how life in a place further than the universe turns out to be.

Posted on 24 February 2018 with categories: A Place Further than the Universe, Currently Watching:

Aah seasickness. It sure brings back some memory. I remember once I got so sick on the boat that I still had that hangover feeling several days afterward where every food into my mouth tasted like cat food. But enough about me and let’s talk about this week’s Universe, where our girls experience the toughness of Mother nature for the first time, even before setting foot into Antarctica. This episode of Universe tackles two main ideas: the huge gap in physical and mental preparation between our girls and the rest of the crew; and those hardness the girls experiencing right now is relatively nothing compare to the South Pole. But what makes it tick is how Universe does it light-heartedly, all the while still serious enough to let the drama sinks in. The girls’ interaction remains a pleasure to watch, as those little silly moments still strengthen each of the girls’ personality. I’m still pretty much on board with this trip.

In the first half, we follow the girls adjusting to the life on board. Filming, doing a kitchen hand, following the crew’s daily routine (and it’s a harsh daily routine to boost, with all the timing and heavy workload). The girls find themselves out of their depth with all the running, weighting lift and only barely makes it there. And they were merely the preparation for the Antarctica trip to come. And things turn out even worse when the seasickness begins to kick in. Speaking of which, seasickness is a clear symbol to show how inexperience our girls are and serve as a great contrast between them first-timers to the rest of the team. Throwing up, unable to sleep, unable to eat, throwing up again. Les miserablés. And that’s not to mention the situation will eventually get harsher. The strong wind current and waves also cause the boat rocking, 50, 60 degree (That’s why we all need a hammock chair to prepare for these kind of situations). And all that was still relatively a child’s play compare to the extreme weather in Antarctica.

The girls have it worse, but they’re even more frustrated to see other crew members seemingly don’t affect by these conditions at all. As Yuzuki puts it, they have “different kind of organism”. Yeah, the idea of high school girls going to the South Pole is kinda fantasy-filled and unrealistic to begin with, but Madhouse team understands it and makes that premise utterly believable and relatable. It’s never easy for mere high-school girls to participate such a life-changing event without learning the hardness of all this. The girls feel themselves hard to keep up with everything, let alone contributing to the expedition team. But as Mari says it firmly in the end. It’s not that they don’t have a choice, it’s more like they always have a choice but they chose to go through all this. It’s just a change in the way you look at it. I’m quite surprised myself that Universe takes a sweet time in between (after their Japan’s stage, before the South Pole destination) but it’s a journey story and I enjoyed the journey thoroughly so far. Now the icebergs are in sight. Welcome to Antarctica, the place of true South where the sun rises and sets only once a year; and no official time-zone occurs given all lines of longitude emerge there. In a way, that makes the place timeless, doesn’t it?

Posted on 15 February 2018 with categories: A Place Further than the Universe, Currently Watching:

“I boarded this ship to do catchy, witty, sensational reporting! I want to open the treasure chest of Antarctica that my mother wrote about with my own hands! Everyone, let’s go to Antarctica together!”

Although Universe is a show about the girls heading off to freaking Antarctica, the last couple episodes make it clear that this is more about the journey than the destination. At such, I don’t really mind the lack of “what will happen in Antarctica” plot thread, if anything beside being the place that “further than the universe”, the show need to tell us why it attracts people in the first place. Everyone has their own motivation to go to the South Pole, as we’ve already seen in the girls; and this episode again shines in how they bring the adults’ goals to the table. As a result, while this episode takes place in Australia, unlike Singapore last week we just have a little glimpse here and there about the place, given the central setting of this episode is the ship itself and the people who board on that ship. This expedition just barely makes it there: they lack the supply, the people, the funding. What keeps this ship staying afloat is the determination of the past members – broken people. The people who give up part of their lives, the people who have lost hair, have gotten divorce, have lost the jobs and might have nothing when they return, yet they’re here in pursuit for this trip.

The first half runs much lighter in tone as we see the girls snooping around spying, led by our formidable Yuzuki that lead to some hilarious situations (I love how Hinata couldn’t care less about all this, just look at her in the screenshot), and how Shirase just keeps getting worse doing her sensational report (she’s as stiff as the wood, man). In addition, at this point I enjoy the girls’ interactions greatly, all their stupid hijinks together have such natural chemistry (like how Mari and Hinata always in synch when it comes to prank, or just look at Shirase’s multiple expressions while she was holding a stuffed bear).

There’s a solid reason behind their spying though, up until this point the expedition has been received negatively by the media. They are lacking in everything, and even some of the crew doubt about their chance of accomplish anything. The more they investigate, the more they realize that it was Shirase’s mother determination that started it all and Gin and Kanae, and the group at large want to fulfill what she started but couldn’t finish. Universe makes us realize that sometimes, these ambitious quests come from a very personal dream. Shirase’s mother is the heart that keeps these people moving on, or to be more precise, keeps them from moving on, given parts of their soul remain in Antarctica forever. And if Shirase’s moving speech at the end is any indication, that spirits will continue to live on for generations.

Posted on 8 February 2018 with categories: A Place Further than the Universe, Currently Watching:

Are you serious girls? Durian ice cream is damn delicious. Durian is THE KING of fruit. Not kidding!

Now that our girls are heading out of their nest, and literally in the middle of their journey, it’s obvious that Universe need to create some kind of conflicts for the girls. But I say this, Universe knows how to pull a compelling little drama, mostly because those dramas still focus on developing the core members. While I’m not too fond with the end result where everything reverses back to status quo, the way Universe explores the relationship between my girl Hinata and Shirase through their contrasted stubborn view is so well-developed. The tale of this week is one of the most common situation first-time travellers find themselves in – lose their passport or their money. Actually, the show is pretty spot on in detailing many pitfalls new travellers always make: making noise in the airplane, buying too much souvenir stuffs, eating overpriced foods, storming into tourist spots… I have travelled a fair bit myself and I have been in Singapore a few times so I’m happy to see that Singapore’s many famous attractions are accurately portrayed and all the details (like the flights, the hotel) are depicted exactly like in real life. And yes, durian is a big thing here in SEA countries. Don’t judge.

The conflict arises when Hinata can’t find her passport (in one of the show’s great quirk about Yuzuki can see through her friends whenever they’re lying or hiding something – must be because she’s an expert of acting), which might lead to the delays on their next flight to Freemantle, which in turn could result in them not be able to get on the ship on time. Although there’s no denying that it’s a forced plot just for the purpose of creating some conflicts, what grab me into this little drama is the two girls act the way I WOULD ACT if I fall into either one of their shoes. Shirase tends to freak out when her plan doesn’t go the way she wants, and going to Antarctica has been her top priority. Hinata understands that and she doesn’t want to bring her friends, or her pride, down because of her own mistakes. Even me in real life I have the same kind of mentality like Hinata, where I feel uncomfortable knowing the others being considerate of me instead of what they really want because I can’t tell what they think anymore. It’s like a veil of friendship’s obligation that cover the honesty and then things just become more complicated than it should be. Of course it isn’t that strong a reason enough for me to quit school (Hinata has balls), but I can get behind her decision not want to be a burden to her friends.

But being said that, I totally feel for Shirase’s side as well. Obviously, setting foot into Anartica is important, and they’re so close to achieve that dream, goddamnit; but it’s not the only important things for Shirase. Going there together with friends worth so much more and what is a more meaningful way to spend a million yen over a friend’s bad deed (and yes, Shirase’s argument has more weight because she has a big stack of cash and a big stack of cash does solve everything). For me, the show comes up with the best option for her to use what she had been saving up for years in an anti-climactic yet wholly satisfied fashion. So imagine my disappointment when the money eventually got back to Shirase in the end. Never mind, while this episode is clearly just a stepping stone for a big journey coming, I’m still happy with what we have here. Seeing Singapore in anime is a huge delight and Universe never forgets to throw our girls into some kind of trouble, because simply overcoming those troubles will make them more mature, and what doesn’t kill them will make them stronger.

Posted on 2 February 2018 with categories: A Place Further than the Universe, Currently Watching:

When you embark on a new adventure, you leave behind all the things normally tie you down. It’s one of the central theme of Universe’s this week episode. Bravos to Universe who manages to scratch an itch that we don’t know we have. Not only Mari and her friends saying goodbye with their normal routines, they are breaking chains with all the established relationship at the same time. Not in a bad way since Mari was over-reliant to her friend Megumi up to that point. Honestly, I didn’t see the final confrontation between Mari and Megumi at all, but it was a welcome surprise. This conflict is emotionally charged and directly addresses many core themes of Universe. But before addressing that, I certainly relate all too well to Mari’s last scan through her room, then her house before going off to the new place. Granted it’s only three months in her case but the show nails that melancholic feeling. I moved not only interstates, but also overseas a number of times and every single time this was a moment that got to me personally: the feeling of saying goodbye to your “home”, and the knowledge that the next time you come back it won’t never be the same again. But I understand this is Universe’s main message: Breaking free and embrace new changes because when you’re out of your comfort zone, you’re forced to grow to adapt. And that’s is the joy in life, to experience life to the fullest.

Megumi and Mari’s friendship, I should note, had always been kind of unbalanced to begin with, way before we encounter them for the first time. Mari has always relied on her friend, and overtime Megumi just takes that for granted, feeling that she’s a big sis, although technically they are in the same age. So imagine how Megumi feel when that “little sis” won’t stay cute anymore and grows rapidly and begins to surpass her. I do have a feeling that final conflict comes a bit out of left field, but it’s because we don’t see that dark side much given we were entirely in Mari’s perspective. Megumi feels jealous with the sudden shifts of Mari, and wanted to make their life harder so that Mari would notice. All the hints are there (it did cross my mind last week how the hell her Mother/neighbor knew about this, so thumps-up to Universe for a proper foreshadowing), but the girls are too “moron” to even pick up the signal that Megumi was the one behind all that. Or it’s just like how my Hinata mentioned “Don’t fight mean with mean. Hold your head high”. That all those rumors are just so insignificant, that all Megumi’s effort isn’t even worth to unravel. Mari has apparently moved on so much.

But like our Mari, Universe is an optimistic show at heart. All these dark emotional outbursts are only a way to bring out the hopeful sentiments that the very act of admitting that one feels empty and worthless is a right step to change and improve oneself. It’s all about characters pushing others to be a better people. That’s why instead of resenting her friend for what she did, Mari embraces her with a powerful line “Breakup rejected”. This episode is another necessary step of their own journey, and I hope as the show goes further down under, it still remebers to develop our main girls. Shirase will have a chance to know more about her Mother, and from the worn-out shoes I hope there’s more in store for Hinata to develop, even Yuzuki I hope Universe gives more room for her character arc (I only know her through her wanted to be a normal girl and her wish to have friends – I need more). Next stop, Australia (or maybe Singapore? Why Singapore in the last credit?), bring it on and make life crazy, girls.

Posted on 26 January 2018 with categories: A Place Further than the Universe, Currently Watching:

Universe takes another firm step towards the Antarctica trip, this time more about the actual preparation: parents’ approval, training and the likes. We’re still far away from the final destination, and I suspect it’d take a few more episodes before the girls arrive to the South Pole. Not that I complain because these build-ups make this journey much more believable. It helps that the direction so far smartly conveys the tones it tries to bring across. Take the scene where Mari tries to get her Mom’s approval for example. The show knows how to play up the fear of Mari of being caught red-handed for arranging her trip without her Mom’s knowledge (Mari, it’d be wiser to ask your Dad instead). It constantly builds the atmosphere up, and then play out in a spooky playful nature (remember what did the little sister do when they realize their Mom knows? She shuts the door. I’m outta here. Case closed). Priceless. Or take the scene where the girls being underwhelmed inside the old van? Universe shows us not only their disappointments, but the condition of the car: the girls crammed up in small seats, stack of papers about funding, the small note sticking at the cassette telling them it’s broken, an expensive car passing it to put more salt to the wound… Those little details certainly help make this preparation phase more entertaining.

On to the 4-day training trip, I certainly feel related to how clueless the girls are when they have to do the actual field trip. Simple matters like which eye they should use, your left or my left, take note about altitude… the basic of mountain climbing, but there’s always first time for everyone. On that field trip, the girls meet their captain, Toudou Gin, whom sharing with Shirase the same pain: the loss of Shirase’s mother. It creates quite a tense tension between the two, so I expect we will learn more about her mother through their chemistry once they’re arriving to Antarctica. One potential conflict before they’re reaching the destination, though, is how Megumi (Mari’s best friend) feels a bit “uneasy” towards Mari’s plan. She has been the voice of reason for Mari to walk the fine line between “reaching your dream” and “taking realistic actions”, but her warming about feeling regret when you’re trying to hard but not achieving it sound off to me. It’s the opposite, and it’s not like her to say something like that. I guess we will have to wait until next week to see what Universe has in store for us regarding this plot thread.

One of my fear after the quartet is finally formed, is how then they will become less dominant and exist only as the group’s member with no real personality. Well, so far Universe hasn’t fall into that trap yet, given the cast still produces some neat chemistry together, and give both Mari and Shirase some more ground to develop. In Universe, Shirase has always been the one who drives the plot forward, and Mari is our emotional investment. This time again, when talking to Gin, she makes it clear that although Shirase was the invite them to the trip, it’s ultimately HER trip now – the place where she herself really wants to go and explore, along with all the friends she has made. Antarctica show is still looking strong at the moment.

Posted on 17 January 2018 with categories: A Place Further than the Universe, Currently Watching:

“I could just die right now”

That line, spoken by our new member, Yuzuki, bookends this week’s Universe. It marks the shift in the new girl’s character growth. Last week, the Expedition girls mentioned they have a plan to raise fund, right? Turns out it’s not the mother, but the young girl herself, is used as their TRUMP card (bad pun, I know). Tsuhiki Ararararag  Yuzuki is an idol/ child actress/celebrity, so naturally the Expedition Team wanted to use her image as a promotion for the Antarctica trip, in which she feels zero enthusiasm to go. First, I must note about the voice acting of these main girls. While they’re even louder this week (I swear those voice actresses had such a BLAST time recording this), they share a natural forth-and-back dynamic that feel so pleasant. It comes as no surprise, that three of them, Kana Hanazawa – voicing Shirase, the one that need no introduction anymore, Yuka Iguchi (voicing Hinata) and Saori Hayami (voicing Yuzuki) all worked together before in the Monogatari Series (dubbing Nadeko, Tsuhiki, Yotsugi respectively). The other voice actress, Inori Minase, is no slouch either. She played Meteora in Re:Creators (AKA that one character who had to spill all the expositions), Rem in Re:Zero (that captured thousands of boys’ hearts) and most impressively for me, Chito in Girls’ Last Tour last season. These voice actresses clearly have fun playing those characters and so far, the acting elevates the chemistry shared between these girls whenever they interacting to each other.

Yuzuki, our new addition, is as different from the other girls as it could get, especially compare to Hinata last week. While Hinata stops school because she doesn’t feel belong to the big group, it’s the acceptance of friendship and the thrust to live a normal life with her “friends” are what Yuzuki yearns for. So far, Universe has been successful on creating very relatable issues from those girls. Yuzuki’s personal struggle, for instance, is something I can feel attached to. She hates the idea of going to Antarctica, and for good reasons (well, except “cold”). The idea of being pushed around, doing whatever her Manager/ Mommy thinks are the best for her is just plain… frustrating (#Mamaknowsbest). I have a feeling Universe glosses over some serious Mommy issues here. Yuzuki wants to spend more time to study so that she can go to school properly AND make friends properly, since she doesn’t have any friend due to her constant touring. I like the way the shot composition makes sure Yuzuki always situated at either end of the frame, looking out in order to highlight her being trapped in her own situation. That moment where she confesses her struggle, following immediately by Mari hugging her is goddamn effective and touching, another case of simple but sweet. When she realizes that these girls are far from best friends, that they just barely know each other but all heading for the same destination, it hits her that having the same goals, and sharing these experiences along the way together, might be what makes friend “friend”. I’d prefer if “the dream sequence” were true instead, since I feel Universe copped out at the end. Making it a dream sequence has its merits, mind you, given that Yuzuki now realizes that she wants to spend more time with the girls as her buddy; but it would’ve given me much more personal impact if these girls climb up the stairs for real instead.

In term of the big picture, well, after their plan failed last week, I feel that the girls find another solution almost too convenient. Another high school girl will join the Expedition Team, right after they refused a high school girl who is more equipped and willing to go? And that said girl comes up to meet the group no less. I let that slide for now because the girls still have to work hard for the approval, and changing an idol’s mind sure isn’t easy. Apart from successfully introducing the last member of the quartet, what makes Universe clicks the most this week is the delightful interactions between our girls together. Shirase really goes wild this week, in a quirky adorable way. “I’m gradually starting to understand how this girls work” is probably my favorite line of the week. It’s character writing right there. Finally, Universe gives some time to flesh out the relationship between Shirase and Hinata (remember, before that there’s always Mari stands between them) and they spark off some nice chemistry with some thoughtful wise advice from Hinata over Shirase’s charging on to the Antarctica trip at all cost. Those girls so far are a total delight and the coming trip promised to be a whole lotta fun, and lots more obstacles as well. This trip to the place further than the universe is now in sight.

CHANGE USERNAME
Anonymous2037529
LWA academia is probably the only trigger project i've truly cared about. I haven't watched KlK to completion or luluco for that matter(i got to get around to that) but ive seen everything else and i just don't give a damn about any of em
Amagi
But to say something positive - I liked the second episode of Kamuy way better than the first one. Budget seems to be really bad but the rest makes up for it it seems.
Amagi
I think Luluco was the only one I enjoyed after KlK which already had a bunch of problems - but overall it was far too entertaining for me to seriously care about those.
Amagi
Guess the last 1/3 might be more interesting when they start with the actual world building for once, although they could probably slam the love stuff even more in our faces but who knows. Not fond of any of the latest Trigger anime to be honest.
Amagi
Also they're really overdoing it with all that obvious message stuff and the "love superpower" trope I always hated anyway. Still watching I mean at least it has a plot and tries.
Amagi
I still can't care about anyone or anything in this series I think it's really not made for me. I might have liked Goro but he's too unimportant and the sauros revelation was kind of a letdown since it's the most common twist for these kinds of things.
AidanAK47
Alright Franxx, you are forgiven for episode 14.
Kaiser-Eoghan
@Mario: Do you ever go to those surprise horror/thriller preview screenings? Where they don't tell you what film it is until it starts?
Kaiser-Eoghan
*worrying about
Kaiser-Eoghan
@Mario: Its saying something, when I haven't seen eternal sunshine since it came out, but even by re-watching the trailer, the feelings, the whole film comes back. At that point I'd grown out of Jim Carey's comedy, so seeing him play against type was refreshing.
Kaiser-Eoghan
@Mario: Ah, I'm more forgiving then, I'm likely to give higher points for sheer imagination that I'm not as bothered by worry about the story.
Kaiser-Eoghan
@Mario: Any negative argument against mood indigo by him can be countered by the fact it has Audrey Tatou in it.
Anonymous2035464
jhonrhean
SuperMario
and I just watched A Quiet Place. A solid indie horror one. It builds on atmosphere and it does the family chemistry right
SuperMario
I don't like The Science of Sleep to be honest. Tons of interesting ideas and visually creativeness but the story itself is a mess
Kaiser-Eoghan
@Mario: Gondry needs to avoid making any more commercial comedies, he also needs to start working with Kaufman again, they brought out the best in each other, although on his own, he can be playful and inventive with his films, such as mood indigo and science of sleep.
SuperMario
But check out his other movie Eternal sunshine of Spotless Mind. It has an inventive mind control/ mind altering concept in there
SuperMario
Jim Carrey is kind of mind controller himself. I couldn't take my eyes off him
SuperMario
@anon2028818: it was indeed season 5. SORRY FOR MY IGNORANCE :)
Vonter
The Jim Carrey movies.
Vonter
Dorei-ku seems like a Kakegurui. You see one episode you've seen all. It'll be better if it was crazier like Mirai Nikki. Mind control IMO could be a very creepy setup if it's watched through the perspective of the victim rather than the perpetrator. Losing notion or reality and control. Could liar liar and Yes man be considered mind controlled stories?
Vonter
Ore Mahou Shoujo, baffles me, since I had to skip another long musical off key number, which makes me wonder where the budget cut starts and where the trolling begins. Also makes me sad, there aren't a lot of female to male transformations since it'll be interesting watching that perspective. Maybe a love triangle from both genders could apply since females are more accepted to be bi, in media.
Vonter
Megalobox could be something really special, but I hope like with Ashita no Joe, the anime isn't solely boxing. Joe, had social commentary, had a personal struggle do to the protagonist origin, attitude and view of life, since he started very immature and rebellious.
Amagi
Megalo Box, Tiramisu (I find this genuinely funny), S;0, GGO which is so much better than SAO, Wotaku, Hinamatsuri, Cutie Honey, LotGH, Hisone to Masotan and so on
Amagi
I really love this season as well.
Lenlo
Also personally I am enjoying this current season a alot. But I also know/like a good bit of the reboots/sequels
Lenlo
Oh man... 2015 winter was good. Forgot thats when those came out
Anonymous2028818
@SuperMario: Wasn't that Natsume season 5?, pretty sure season 4 was several years earlier.
SuperMario
Another strong anime season for me was 2015 Winter, where we had YuriKuma Arashi, Maria the Virgin Witch, Death Parade, Durarara whatever season, second cour of Shirobako, Parasyte and Your Lie in April
SuperMario
Even so, with this season I'm still willing to give some shows another chance, like Caligula or Cutie Honey Universe(!)
SuperMario
For me, the best season in recent years was Fall 2016 when we had Flip Flappers, Sound Eupho 2, Yuri on Ice, Natsume 4, Fune wo Amu, Drifters and 3-gatsu no Lion. But I know that Aidan would disagree with me on this
SuperMario
@anon2028201: it's me who said this season is a mixed bag. It's like you said, this season is too heavily on sequels/ reboots and only some new anime stand out, the rest of the pack is just meh.
Anonymous2028201
To me this seems like a pretty good seasons, but judging some of the impressions, it's a bit more of a mixed bag for most. Just curious, what were the best seasons for recent anime? This one seems good to me, but to early to tell right now
Anonymous2028201
Lovin this season so far: a lot of reboots/reimaginings and sequels, but I'm enjoying them all. MHA S3, LOGH DNT, S;G 0, Megalobox, Golden Kamuy are what I'm watching right now. I hear Full Metal Panic is good as well, but I haven't gotten around to watching the original series.
Anonymous2028258
so i just recently rewatched fullmetal panic fumoffu and i gotta say that this is easily one of Kyo ani's best works. It's such a surprise that this was their first anime; it's a damn good romance comedy
Kaiser-Eoghan
@Anon: Lol I love B-movie type stuff, because the rules are off.
Kaiser-Eoghan
I was the only person who watched Mazinkaiser skl and shin mazinger and skullman.
Anonymous2026379
@Kaiser Takeshi Koike really wanted to really sell it as a grindhouse feature and I ate that shit up; I really dug the tone he was going for.
Kaiser-Eoghan
@Anon: It was strange seeing that Goemon short, much as I enjoyed it, thats the goriest I seen lupin get.
Anonymous2026379
Megalo box is pure retro while lupin is a mix of old and new...and you're right; people just think they can't jump right into it. But that's why more people should be talking about it; to let the masses know that you don't need a starting point to get into the Lupin franchise
Kaiser-Eoghan
I'm a massive fan of the devilman manga and I thought devilman crybaby was better than it.
Anonymous2026379
90's-esque throwback feeling shows like lupin and megalo box have been giving me
Anonymous2026379
Luoin part 5 is definitely mixing the best of new and old. Honestly, I've been having a blast with it as well as this generally 90
Kaiser-Eoghan
I think the problem is, people see lupin as this long thing they can't get into, when really its so episodic/standalone mostly you can pick up and watch.
Kaiser-Eoghan
And of course getting the best bits out of old and new.
Kaiser-Eoghan
*visual style
Kaiser-Eoghan
I'm a fan of this hybrid old and new style, megalobox does it too, mine fujiko aswell and casshern sins.
Kaiser-Eoghan
I was surprised by how well the Fujiko mine show came together in the end.
Kaiser-Eoghan
I'll be interested in picking up more facts about thrm.
Kaiser-Eoghan
Come think of it, Akira Kurosawa did some old western (eastern?) in Russian, that had an Ainu in it.
Anonymous2026379
Asirpa is sooooo adorable.....almost feels patronizing to say that about her due to how badass she is
Anonymous2026379
What makes Fujiko work so well as this sexy icon is that she isn't just sexy: she's smart as shit and uses that sexiness to dominate and control her opponents (similar to bayonetta) rather than be chained by the objectification of her opponents (and the viewers for that matter)
Anonymous2026379
I wonder what other obscure cameos we may get this season. And yea you're right about some of Lupin's potentially sexist traits being assuaged by his level of cool and the genuine respect he shows a good deal of the women he has encountered throughout the series
Kaiser-Eoghan
@Anon: Yet still a fun film at the same time.
Anonymous2026379
@Kaiser Yea, mamo was a pretty dark element introduced to the lupin franchise; and considering the tone of the gravestone of Jigen, it makes sense he would cameo there
Kaiser-Eoghan
@Mario: Help I want to kidnap Asirpa =<
Kaiser-Eoghan
@Anon: I'm probably as surprised as you, at finding someone to talk to about Lupin on here.
Kaiser-Eoghan
@Anon: And through comparing/contrasting the jigen grave stone and Fujiko mine, with some of the sillier older ones, it shows the Lupin characters are flexible enough to work both in a darker AND sillier context.
Kaiser-Eoghan
*character
Kaiser-Eoghan
@Anon: Fujiko is precisely how a fanservicey character should work and how built in/essential it is to her haracter, without becoming an irritant.
Kaiser-Eoghan
@Anon: By all means Lupin himself shouldn't be a character we like, much like Bond, but like Bond theres a coolness to the character that allows us to love him.
Kaiser-Eoghan
@Anon: Another great thing about Lupin is how it uses its 60s cool to get away with what would normally probably be considered fairly sexist.
Kaiser-Eoghan
@Anon: I had a big smile on my face when Mamo made a cameo appearance at the end of one of the recent ones and thats because I remember the Lupin Mamo movie was one of those first anime that I watched about 20 years aago.
Anonymous2026379
not to mention that its one of the few anime this season that actually knows how to utilize dialogue to explore flesh out its characters rather than exposition or contrivance: looking at you darling in the franxx
Anonymous2026379
@Kaiser-Eoghan Nice fun facts; but yea Lupin III is a series that has always had an amazing sense of pacing and adventure, traits that are definitely on display this season
Kaiser-Eoghan
@Anon: Its a huge franchise too so I'm often never sure where to go next.
Kaiser-Eoghan
@Anon: You may or may not know this, but the voice actor for solid snake voiced Lupin in one of the dubs.
Kaiser-Eoghan
@Anon: I watched a few episodes of the Italy set lupin show too .
Its a fun franchise due to its cast but its something I have to follow irregularly, lest it get repetitive.
Kaiser-Eoghan
@Anon: Fun fact, guy who directed the gold of babylon film was a famous B-movie noir director in the 60s.
Lenlo
Dont trust anything written by the original SAO author. Everything is his fault. Kirito is not in this series.
Lenlo
Even the original SAO author has little to do with it, which is why its actually good
Lenlo
So SAO Alt is basically completely removed from the rest of SAO
Kaiser-Eoghan
@Anon: Lupin is one of those things I dip in and out of, whatever part of the franchise it is. I've seen birdcage kingdom, Mamo, cagliostro, nostradamus, Jigens grave stone, mine fujiko and the recent Goemon centred special.
Anonymous2026379
it's a damn shame not a lot of ppl are talkig about/watching lupin the third this season
Kaiser-Eoghan
But for all I know with that team behind it, its an improvement, but theres probably not much point in me watching as I dropped the first season after less than 10 episodes.
Kaiser-Eoghan
See how he attempts to seduce me into watching something related to sword art.
Lenlo
Huh... I didnt know the writer for SAO Alt was written by the Kino's Journey creator and produced by the Flip Flappers people. Explains a lot
Lenlo
I wish I knew what you meant by shaman girls, and I cant wait
AidanAK47
@Lenlo, Oh I know Leskinen. May he find his Japanese Shaman girls one day. But seeing as I know the story I wanna experience it differently.
Kaiser-Eoghan
@Mario: Its even set in hokkaido, Korean/Japanese director, Japanese cast, Ken Watanabe is in it: https://letterboxd.com/film/unforgiven-2013/
Lenlo
Also, I love the ED. Really, 2 episodes in, I love S;G all over again.
SuperMario
@Kaiser: really? They remade Unforgiven in Japanese?
Lenlo
its*
Lenlo
Like... is good.
Lenlo
But your missing out on the cult of Leskinen. The engrish is actually one of my favorite parts
AidanAK47
@Lenlo, Meanwhile I am happily waiting for the dub.
Lenlo
Dangit... I have to wait another week for Steins;Gate 0 now. I cant do this.
Kaiser-Eoghan
@Mario: The Japanese remake of unforgiven had ainu people in it.
Anonymous2025797
Also I wonder if budget is distributed according to the director, some animes will spend more in the first episode. Some will spend more in the last ones. It's subjective, but if it's like all business it is looking for the better result at the minimum expense. Hence why I believe Berserk was made the way it did.
Anonymous2025797
@Kaiser-Eoghan - Ideally a story should be as long as it needs. But reality seems that a number of episodes is decided before production. And so you either have to stretch or cut material. Kinda like that 300 page manga of Les Miserables, is simply unfeasible translating that book into that few pages.
KTravlos
Oberstein was a great character.
KTravlos
I actually feel Aidan can do a good job on it. Sometimes been too exposed to the material may lead to clouded eyes.
Kaiser-Eoghan
Though I'm surprised by how I unexpectedly laughed at wotaku, I do wonder if later on it will include any slight drama elements to sustain interest.
Kaiser-Eoghan
OMO; OBERsteins; Gate =P
Kaiser-Eoghan
From watching episode 2 of golden kamuy, yeah, the source material definitely is lifting this.
Kaiser-Eoghan
I'm going to have to wait and see on steins; gate 0, it is encouraging to here this might be darker , at the same time I remember having to sit through too much goofy humour in the first one.
Kaiser-Eoghan
I was actually surprised, that, while rare, there were some moments of humour, that lightened it for me.
AidanAK47
Throughout the entire series I expected Oberstein to pull some inevitable double cross. And was shocked when he never did.
Amagi
@Kaiser: Agree with Oberstein. I think antagonists are es important as the mains in fiction and I loved this guy, he's perfect for series like these.
Kaiser-Eoghan
Galactic heroes was an example of where when watching it, when big death scenes occured, I would make noooooo and shouting noises at the screen while clenching my fist.
Kaiser-Eoghan
I love characters like Oberstein, shrewd, clever, but done right to where I can believe it, not characters like, say Lelouch .
Kaiser-Eoghan
I'd be concerned if the new galactic heroes series skimps on the violence, that kind of thing needs to be in there, in most shows/films and shown to be explicit, consequences need to be shown.
Amagi
*about, not with
Amagi
Sadly, most original 2+ cours series I know feel dragged whereas many 1 cours originals could have needed ~3 more episodes. Talking with series that have an actual plot of course.
Amagi
I really like the 13 episodes thingy for originals but I wish there would be more 26 episodes series, especially for adaptions.
Amagi
@Kaiser: I agree. Nothing kills my interest faster than formularic episodes and repetition.
Kaiser-Eoghan
In general I think 50 episodes would be the most I'd watch for an anime, 39 seems ideal.
Amagi
Or worse and the romance drama is the main plot and it's Kiznaiver all over again, while the rest is just flavor to make the romances more forced since they're the MCs are only teens and such. Dunno but I can never bring myself to care about this kind of stuff.
Kaiser-Eoghan
Though better 110 episodes of galactic heroes than a long shounen that just repeats itself.
Amagi
Speaking of recent episodes, I unironically thing that FranXX's world (building) is pretty interesting (although I hope those klaxxosaurusses will be more than just random cannon fodder) but I doubt the series will ever get to the main plot again the next time.
Amagi
Same here. It was really the only time I did this. I am usually exhausted by just thinking about marathoning long series. It's the reason why I won't get into FMP for the new series either. LotGH was an exception since I found it easily to watch for some reason.
SuperMario
Man, just image burning through 110 episodes of it and my spirit fades away
Amagi
Watched that whole series ages ago.
Amagi
Just watched the first three Neue These episodes and I surprinsingly liked it. Thought I would hate it due to being an OVA fan, and I still prefer the old designs by far but overall it's pretty good. I think I might even prefer this version of the first battle, but I have to rewatch the old one I guess.
Kaiser-Eoghan
Also while I can't remember which episode, Yang picks up a book with the author of the series' name on it.
Kaiser-Eoghan
Arslan feels so lightweight by contrast/comparison.
Kaiser-Eoghan
And I think, given your knowledge KTtravlos, that a series review of the new galactic heroes season would probably benefit from you writing it.
Kaiser-Eoghan
I bring up the music in my earlier comment, because I can understand your reservations regarding the music choice in the remake.
Kaiser-Eoghan
And certainly one of those shows, that going back to the first episode after finishing, gives a strong perspective just on how evolving the series was.
Kaiser-Eoghan
*despite me not
Kaiser-Eoghan
Despite not being monarchist , because the characters were human moreso than cartoon characters I couldn't hate on Reinhard.
Kaiser-Eoghan
@Travlos: I suppose by the time it got to Julian's arc, I was surprised they were still bothering to fight but the fact that they were essentially the last bastion of their beliefs made it special.
Kaiser-Eoghan
@Travlos: Sometimes when I just finish a show, its a case where I HAVE to jump online immediately after and excitedly ramble out an essay on it.
niello
ugh democracy
KTravlos
@Kaiser ultimately LOGH for me was a decisive point in my political life, as I think it made the best defense of democracy in any form I have seen. And it worked partly because the opponent was presented in the best possible incarnation (Rienhard). Yang's continued adherence to democracy, despite recongising its flaws, helped me avoid a personal descent into authoritarian politics.
KTravlos
@Kaiser. I am happy you had a good experience. I watched the prequels a while after the main show and I was happy because it was great getting back to those characters. The prequels were also great in fleshing the setting and the characters. So yes, take your time and a break. That way the prequels will be like visiting a place you liked again after a while.
Kaiser-Eoghan
@KTtravlos: I have some other stuff to get through before watching the galactic heroes prequel though =<
Kaiser-Eoghan
YES according to discord poster I'm not a millenial!
Kaiser-Eoghan
Sorry for overposting. I have always always being an incredibly verbose person.
Kaiser-Eoghan
@Vonter; Not that I oppose captilistically made for a buck cinema, it can be entertaining yes, but I set a standard.
Kaiser-Eoghan
@Vonter: As open as I am to trash cinema, I consider the resident evil films, like the superhero ones, anti-art.
Kaiser-Eoghan
I can understand why people don't like Villier, but he did I think work as a device to add extra tension.
Kaiser-Eoghan
I feel some release at finishing but at the same time sadness at saying goodbye to the show and its characters.
Kaiser-Eoghan
, showing its age.
But for something of this length, it kept itself up far better than most long shows and I feel the length its somewhat justified.

On another note….as corny as the third ending theme is, I got the feels listening to it.
Kaiser-Eoghan
But while the first 50 odd episodes were an easy job for me aswell as all of the 4th season and some of the late 3rd season made it difficult for me to pull myself away from it, the dialogue even though often well observed did become difficult to follow at times and somewhere in the middle theres a stretch of episodes, bar some moments that feel a bit of an endurance test and the animation is at
Kaiser-Eoghan
Its attention to detail I felt was at its strongest in the documentary and the series dedication to filling the view in on its world building/fictional history.
Kaiser-Eoghan
I admired the scope, ambition of this series and the battles eventually grew on me and I was surprised by just how visceral the melee combat got which suited me perfectly. At the same time for all the strategy and action, I found myself more in it for the story, characters and intrigue/politicking. Those battles, due in part to their music choices, had an epic feel to them
Kaiser-Eoghan
In the end the characters stood out for me the best were Reinhard, Oberstein (for being essentially the amazing man with the plan), Reuntal, Kircheis and Rubinsky, I warmed up to Julian, Yang and Schenkop. When important deaths occurred, they felt highly dramatic, in four cases emotionally effecting for me .
Kaiser-Eoghan
Also, KTtravlos, thank you for pushing me toward watching the original legend of the galactic heroes, my opinion on the series is largely a mixed one, but by the end I felt I’d watched something rewarding and I’m happy its crossed off my list and I should have gotten round to it sooner.
Kaiser-Eoghan
I'm probably the oldest here, being 32. Which apparently makes me around Yang-wenli's age, which according to someone means I'm middle aged .
Kaiser-Eoghan
To the discord guy who brought it up, its difficult not for me to be political, my father was an activist and is a Marxist , I ended up becoming a contradiction a semi-agnostic, but spiritually inclined/tolerant socialist with internationalist ideology.
Kaiser-Eoghan
@Aidan: Ends in very cliffhanger/abrupt indy way though and the things weakness/how to kill thems too easy.
Kaiser-Eoghan
@Aidan: I liked how it explains nothing also and the creature design and how it visual communicates to the audience.
Kaiser-Eoghan
@Aidan: While I won't say anything, a character death is handled in what I considered a schmaltzy manner. There is a particularly headscratching decision the characters make that you'll either rationalize or hate, but it leads to one of the tenser set pieces later on.
Kaiser-Eoghan
@Aidan: Quiet place has a good idea at its backbone, that they use sign language in the film to communicate and occassional whispers adds to it, it and the silence allows for a mood to be effectively communicated. It does have jump scares, I wasn't annoyed by them, but I never felt the film required them.
Kaiser-Eoghan
@Aidan: I read the discord, if you ever need to ask a question relating to film, come to me about it, I will without fail be able to answer 9 times out of 10.
Kaiser-Eoghan
I was adequately amused by the first episode of wotaku, but found the male lead funnier, which I'm attributing to him be more deadpan.
Lenlo
We found a convient weekend for everyone
Kaiser-Eoghan
*watching
Kaiser-Eoghan
I would also float the idea of recommendation podcasts every now and then.
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Welcome to the Spring 2018 anime season! I am proud to present to you the Ashita no Joe 50th Anniversary project, Megalo Box. Easily the most stylish anime of the season. Lets jump in! With just 2 episodes, Megalo Box has become my favorite for the season. Everything about it feels like it comes from […]

Darling in the Franxx – 13[The Beast and the Prince]

That was the best episode of Darling in the Franxx to date. Truly I am impressed with this though it may be perhaps because the fanservice aspects of the show were not present at all during this episode. Todays episode was spent entirely on the past of Hiro and Zero Two. When this episode is […]

Fate/Extra Last Encore – 08-10[No Second Strike ― Dead End ― /Golden Theater of the Deranged ― Aestus Domus Aurea ― /Unlimited――― ― Unlimited/ Raise・Dead ―]

It hard to have an opinion on the last three episodes of Fate/Extra when the content has been quite similar to the previous episodes of the cour. For now the series has ended with the remaining episodes coming as a special later. Still unknown if that was the actual special broadcast that was originally considered […]

Latest Reviews

Kokkoku – 42.5/100

There are lots of bad anime out there, for one reason or another. Whether it be stilted animation, terrible writing or bad direction, a good portion of each season is simply not worth it. Kokkoku is not a bad anime. It is something much worse. Kokkoku is a mediocre anime. Bad ones get talked about, […]

Junji Ito Collection Anime Review – 40/100

In the realm of manga there is a man whose name is inescapable when the genre of horror is brought up. That man is Junji Ito and his work is considered legendary for its artistic detail, mastery of manga paneling and it’s outlandish imaginative concepts. Up till now his work has yet to have an […]

Yuru Camp (Winter 2018) Review – 74/100

I admit that I underestimated Yuru Camp back in its first few episodes. I took it as a standard, run-on-the-mill slice of life show and I fully expected to give it 3 episodes at max before throwing it into the deep sea of forgotten anime. But as time pass, I can certainly see many good […]

Neo Yokio – 96/100

This may be half a year overdue but I simply can’t accept that none of the writing staff of Star Crossed Anime have cover the the biggest development in anime where Netflix took a hand in producing anime in the form of Neo Yokio. Taking place in the metropolis of Neo Yokio, a mashup between […]

Devilman Crybaby – 83/100

It’s an exciting time to be an anime fan where new business models and players are making big waves within the animation industry. After debuting with the original and excellently-produced Neo Yokio, the juggernaut streaming service of Netflix has decided to revive the classic series of Devilman and gives it the full adaption treatment. By […]

Mahoutsukai no Yome – 69/100

Fantasy is a rather prolific genre in anime, with a vast majority of Isekai and Shounen fitting snugly into it. Most take place in their own unique setting, either Amestris of Full Metal Alchemist or the made of world of the latest Isekai trash. Few however try to set themselves in our world. To peel […]

Mary and the Witch’s Flower – 73/100 (Joint Review)

Wooper: Mary and the Witch’s Flower is the first feature film from Studio Ponoc, which spun off from Studio Ghibli in early 2015. Given Ghibli’s towering reputation, the bar was high for this inaugural flick, which recently made its way to U.S. theaters, giving Lenlo and I a chance to see it on the big […]

In This Corner of the World (2016) Movie Review – 90/100

In this Corner of the World (for the purpose of this review, I’ll refer it as “Corner”), is the truest slice of life drama if you ever encounter one, in that it’s a slice into an ordinary life of an ordinary girl during the War period. That speaks into the very first strength of Corner, […]

Houseki no Kuni (Fall 2017) Review – 92/100

Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production […]