Posted on 20 September 2017 with categories: Currently Watching:, Fate/Apocrypha

If Fate/Apocrypha can keep up this level of quality till the end, I may just change my overall opinion on it. I don’t think it would match the works of Fate/Zero or Unlimited Blade Works but it could beat out the 2006 Fate/Stay Night, Prisma Illya and Fate/Grand Order. It’s a decently respectable position in that regard. But of course this is mainly because the following series of episodes have been one extended action sequence and it will be a wonder as to how the show will move forward after this. So against the wishes of Vlad, Darnic forces him to use his Noble Phantasm, Legend of Dracula. Thereby turning Vlad into a bloodsucking vampire with all the benefits and negatives that come with the change. I can’t say I am fond of the forms design as I think the ears are too big and make him look silly. He gets a fairly massive power boost and has the ability to turn those whom he sucks blood from into his vampiric underlings. An ability quite dangerous for achilles in particular as his special in invulnerability would not stop him from being turned into a vampire.

Seeing the threat that Dracula poses to not only them but the entire world, everyone agrees to take him down together. Much like the bees in Fate/Zero, just having one vampire make it out of the garden could end up creating a apocalypse so it makes sense that heroes would put the protection of the world above the Holy Grail War. A part which always confused me a bit in the novel was Dranic somehow using a command seal to take over his servant. Command seals can indeed grant special boosts, hence why Ruler ordered everyone with a command seal despite everyone agreeing to fight Dracula. However I find the particulars of this command rather questionable in regards to the rules. Command spells can’t necessarily do the impossible and this command is similar enough to Rin’s command in the fifth holy grail war for Archer to have absolute obedience. When the command is rather vague it generally weakens its effects so I find this questionable. Though to preface it I believe Darnic has kept his young appearance by taking over other bodies so he may be using his own magecraft to take over Vlads.

I at least understand why Darnic did this despite it seeming a desperate and risky gamble for when you look at it, the Black faction where practically finished. Berserker and Saber are dead, Rider is injured, Assassin is rogue and the only servants left are a relatively weak caster, Archer and Lancer. Vlad was well on his way to being defeated after losing his territory bonus and there is no way the other two could beat the five servants on board the Gardens of Babylon along with the Saber on the ground. So this desperate move makes sense but it sadly it backfired on him. All the servants turned against him and he was killed by Shirou Kotomine, now officially revealed to be Amakusa Shirou Tokisada who was the Ruler servant from the third Holy Grail War. I swear, the more I hear about the third Holy Grail War, the more I want to see it. Sounds like one hell of a party. You likely don’t know who he is and the simple answer to that is that he is a Japanese Catholic claimed to have holy powers who lead a rebellion against the Shogunate in 1638.

Considering this Dracula was up against a catholic servant trained by an organisation packing black Keys made for the specific purpose of hunting down Dead Apostles.(Aka, Magically made Vampires) This is why in the Nasuverse matchups are decided not by those with the greatest stats but rather the one with the best compatibility. You can have the best servant in the world and still be outmatched by someone with the right abilities. Hence why you can argue till the end of the earth about who would win in a fight with Nasuverse characters. This fight went a bit differently in the novel as their Shirou smashed Dracula’s head into a wall while performing an exorcism but I think this restrained manner was more suitable. Next episode will be a recap episode so there will not be a post but with the Black Faction well on their way to defeat just how will the story go?

Posted on 13 September 2017 with categories: Currently Watching:, Fate/Apocrypha

We have a hat-trick as Apocrypha pulls out it’s third good episode but admittedly the reason for that is because we are still in the middle of a pretty massive action scene. Perhaps this is why earlier fights were so lacking as they needed to save the effort for an action set piece as big as this. Animation has most certainly improved as the fights are more dynamic than ever. But for the love of god can someone fire the sound director. I watched this episode with headphones and while the music is great, the sound effects are an abomination. I don’t know why but fight scenes are bombarded with reverb, compressed sound effects and far too loud explosions. These are servant battles so it’s natural that the clashes would be loud but here whenever a fight starts up it’s just a constant barrage of unpleasant noise. It’s just never lets up as when explosions stop you have uncomfortable reverb in between the sword clangs and thuds. It really goes to show how one small element can really ruin a scene.

This episode we had fight after fight after fight but I will admit to being disappointing when the Karna and Vlad fight was interrupted over some silly reason that Karna was ordered to retreat. I thought this was rather idiotic as literally a few minutes later Karna and Vlad resume the fight in the Hanging Gardens of Babylon. However upon seeing what was happening to Vlad I have to admit that it was a very smart move. Out of the black faction it is clear that Vlad is their strongest servant and that is mainly due to the stat boost he gets because Romania is his home ground. The Hanging Gardens however are not Romania so that means that within them Vlad’s power decreases immensely. By attempting to abduct the grail they gave reason for the black servants to infiltrate the Hanging Gardens and now their strongest servant has been put at a disadvantage. We also have another berserker taken out of the lineup as Spartacus explodes in a beam of energy after taking too much damage. Seeing Joan use her Noble Phantasm put a big smile on my face as I have been playing Grand Order quite a bit and during the hundred years war chapter I used that Noble Phantasm more than once.

The episode ends with Darnic about to force Vlad to use a Noble Phantasm that he despised with all his heart. I really dislike that A-1 decided to cover this information now with a flashback instead of bringing it up near the beginning of the series like it was supposed to be. Having it be mentioned mere seconds before it’s relevant just makes it feel like lazy writing. The episode keeps quiet about what exactly it is however with the clues in this episode I think people could figure it out considering the context given here. If not, let me ask you this. What fictional figure is constantly associated with Vlad the Impaler? Yes, you likely caught on now and honestly I think this is genius. Vlad Tepes joined the holy grail war in order to use his wish to erase the story of Dracula from existence. Marvelous, I adore that motivation because of course Vlad would be furious that his legacy is forever intwined with a bloodsucking monster. Even if his methods were questionable, he still defended his country from foreign invasion. He was a hero to his countrymen. Yet in the modern day people only tend to know his name because Dracula was based on him. Thus because of that association he has even gained a Noble Phantasm directly linked to Dracula. It really is a pity that Fran died as we could have very well have a Dracula vs Frankenstein’s monster matchup. Well regardless of reasoning I doubt Vlad will be very happy with being pushed to use that Noble Phantasm.

Posted on 8 September 2017 with categories: Currently Watching:, Fate/Apocrypha

This was an action focused episode as Mordred takes on pretty much everyone. It is rather nice to see a Saber than actually lives up to the claim of Sabers are the best class. Upon examining the main Fate series poster girls record as a servant I find her to be disappointing due to her low win record and a Noble Phantasm that just is too risky to make use of. Though she isn’t overpowering as it makes sense as to why she can put up a good fight in this scenario. Her opponents in the beginning are Astolfo who is weak from taking on the hanging Gardens and Fran who is just a bad matchup to begin with. In Fate combat the combat is usually a matter of suitability as what may be an unbeatable foe for one servant is a easy win for another. Berserker is sort of a wild card of the system as while you get an advantage by boosting their parameters with madness enchantment there is a disadvantage in that you cannot control them. All you can really do is set them on an enemy and hope they can overpower them with mindless attacks. So against an enemy that cannot be overpowered and can fight tactically, a Berserker is dead on arrival.

Thus it isn’t a surprise that Fran couldn’t defeat Mordred but she certainly went out with style putting everything into taking her down. Backed up by a master properly using their command seals for once. Those things are more than a single use unbreakable order, with them you can give your servant a significant power boost when the need calls for it. Be it to power up an attack or boost your servants defense. I have to say I adored the scene of Berserker powering up her noble Phantasm, this show nailed that scene perfectly. Mordred did indeed almost die and if it wasn’t for Sisgou using a command spell she would have clocked out then and there. Sadly the second drop out of this holy Grail war is Fran. As for Rider, he’s at a disadvantage already seeing as he doesn’t have his mount. Thus enters Sieg with the powers of main character plot Armour to turn into Siegfried and put up a fight with Mordred. It’s a pity the kid couldn’t stay dead when Mordred stabbed him but on the other hand it’s nice to see Siegfried in more fights, even if he’s a possess homunculus or whatever nonsense they used to justify this. Well to be fair there is some logic behind it as this isn’t the first time a body transplant from a servant managed to grant someone power in the Fate mythos. However there are certain circumstances needs for that to be remotely feasible, ones that i am sure are getting hand waved away with the Homunculus argument.

We have pretty much reached the point foretold in the opening scene of the first episode with the exception of Joan of Arc fighting what is most likely Spartacus. Fight scenes went down rather well this episode and this makes it the second time this show has managed to pull off another genuinely good episode. That might be because we are getting what we signed up for, a battle to death between heroes of legend. Though I dislike that we had a recap on Siegfried’s past when it was already covered. We have plenty of underdeveloped servants and masters in the roster that could due with some fleshing out so devoting time to go over what we already know is a rather wasteful decision. One last thing I would like to note is that this series soundtrack remains fantastic. It was scored by a Masaru Yokoyama which is a name I need to look out for in the future as he did the music for Scums wish and Gundam Orphans. This man has some real talent. It is such a pity it’s covered up by the rather lacking sound effects, which sometimes can work but other times be far too overbearing, repeated and loud.

Posted on 30 August 2017 with categories: Currently Watching:, Fate/Apocrypha

Now this is the kind of quality this show should be delivering. Very good, fights have more weapon clashes and we are getting some great character moments here. The opening scene made me actually want another Fate Prequel to cover the third Holy Grail War because it seems like some great things went down there. I mean for one it looks like Darius summoned Fionn mac Cumhaill and I do love seeing more Irish representation in Anime. I wonder if we can get Urobuchi and Nasu on board for a Fate/Zero 2. But then again it would be rather nice so see Type Moon move away from Fate and make a new goddamn IP for once. Still this is one of the few episodes that really captured what I loved about the parts of the novel I read. The epic battles and the servant interactions. I love Shakespeare strolling in and just commenting on what’s going on and Mordred having an easygoing chat with Astolfo before the two get ready to battle. As well as Chiron and Achilles testing each other’s skills. Fight are going on all over the place so the improvements in the fight animation was much appreciated. Finally this is beginning to live up to my first expectations. The Sieg portions were still boring as hell but at least everything else worked so damn well. Now they just need to keep this quality going.

Definite highlight of the episode was Fran’s breakdown and backstory. It’s things like this that I love this franchise for, taking a historical figure and humanising them. As far as execution goes that scene was done perfectly, barring some rather janky animation. Showing Fran’s memories with an old time silent film filter fit the mythos and gave it so much style. So Frankenstein’s monster’s story is different in the Fate universe than it is in the Frankenstein movies. However oddly enough it is closer to that of Mary Shelly’s novel. The general beats follow that of the novel in that Frankstein creates a monster and then rejects it. however in the novel it was due to it being hideous whereas here it appears Frankenstein was more revolted by the creatures mentality. Frankenstein wished to recreate the perfect humans, Adam and Eve. Thus Fran was supposed to be Eve which is rather interesting because there is a servant in this war that wishes to recreate Adam. However it seems Fran’s infant mind and general lack of empathy caused the Doctor to see her as nothing more than a monster and dismantle her.

She rebuilt herself and proceeded to hunt down Frankenstein in order to get him to build another like her. However no matter what lengths she went to(Even going as far to kill those around him, including his fiancee), Frankenstein always refused her. Her journey ended at the north pole where Frankenstein dies after years of running away from her and in her despair she killed herself in a funeral pyre. There are details changed here and there but overall this is indeed the story of Frankenstein’s monster though tailored to be more sympathetic towards the monster. It’s this history that makes this scene have so much impact. For Shakespeare provided an illusion of the only thing she ever wanted and that drove her mad for in her heart she knew it wasn’t real. For once Fran isn’t some weird moe addition to the story but a genuine character in her own right. Now if only the other characters can get such treatment.

I also really like how they handled Astolfo and his dilemma that he couldn’t take down the Gardens of Babylon because he’s fighting with a handicap. He has some sort of noble Phantasm that packs serious power but seems to require a hefty amount of mana. Thus if he uses it then he would end up killing a large amount of Homunculi from power drain. Of course at this point Sieg has freed to the Homunculi so he couldn’t use it if he wanted to but it does show that Astolfo isn’t willing to compromise on his ideals for a easy win. Having him and Mordred take each other was great as these two talking is amusing particularly on how easygoing they are about this fight to the death. These two honestly feel like two friends having a playful fight up until Mordred starts mocking Seigfried for dying for a silly reason. Astolfo doesn’t even disagree with her but nonetheless doesn’t take kindly to her mocking him for it. The thing is and this is something which Apocrypha has been criticised for, neither of these two are evil or in the wrong. You can see where both are coming from and I rather like that moral grey aspect of the series. Some have said that this aspect makes it hard to know who to root for as neither side seems to have good intentions.

On surface level it seems like we should be rooting for the red squad as the Black squad are the whole reason for this war in the first place. However the leader of the red squad Shirou is a shifty individual you can’t quite trust. At the same time the leader of the black squad is a former Nazi and clearly isn’t someone you want to win either. Then within these teams you have genuine good people on both sides who are fighting for their own agendas. It’s nice to have shades of grey and not a clear cut hero and villain but likewise I do understand how people may have a hard time getting behind it as characters goals seem to be rather scattered. In Fate/Zero despite having a large roster of characters their end goals are more or less the same, win the Holy Grail War. Here we have an even larger character roster and to most winning the Grail War is a secondary Objective. In fact out of what we could consider our main characters, Seig is just looking for some meaning in his life, Joan is acting as referee by obligation, Sisigou is just doing his job and Astolfo does whatever he wants to. Perhaps as the servants drop out this story could become more focused and strengthen as a result.

Posted on 23 August 2017 with categories: Currently Watching:, Fate/Apocrypha

One of the particular things I like about Apocrypha is that out of the Fate franchise, this is the only Holy Grail War that is deserving of the title of War. Other grail wars are certainly flashy but by definition they are more battle royales with every man for himself. This on the other hand has armies with two sides each with their own generals. This is a genuine war and not a war in name only. Though while I say that the real deciding factor in this war is the servants with the Homunculi and Dragon tooth warriors being just pure cannon fodder. Another thing I like is that they have pretty much thrown away the whole “keep the war secret” rule which has always been a rather inconsequential rule. It has only ever been relevant in two places in the entire Fate series. One was with Shirou Emiya being a witness to the battle between Archer and Lancer in Fate/Stay Night. Remarkably the only civilian within the Fate universe to ever do so despite the kind of things that the servants get away with. The second time was when Fate/Zero’s caster summoned a monster in the river and gave the masters a reason to all gang up on him. Other than that despite servants having ridiculously flashy battles in open view, no one ever sees them and the damage is written off as gas explosions and the like. There are those assigned to cover it up but it really is silly that no one in Fuyuki manages to see any of this going on. In Apocrypha this rule is just chucked out the window because why bother with it. We got a giant flying fortress with a small war going on so screw the rules, he who dares, wins.

This was an alright episode of the show as we have an action packed battles between the servants. I really do love the exchanges between Chiron and Achilles, as well as Vlad and Karna but the fights themselves do feel lacking. I attribute this to a general lack of fight choreography as far too little do we see servants exchange blows. To often do we have close ups and explosions obscure the action and very little do we see servants deflect blows or land blows. We either get an exchange of laser beams or see a servant wind up an attack only to cut to after he has unleashed it. This is basically the shaky cam style of fight scenes where in exchange of good fight choreography the director just makes a series of fast paced edits which does give the impression of a intense fight sequence but often is too face paced and frantic for the viewer to follow. For me these scenes are just filler which is why I am not particularly fond of the Bourne series of movies. No matter how flashy and epic these fights appear, they cannot hold a candle to the Saber vs Lancer fight of Fate/Zero. I would even say they are inferior to the Illya Archer fight of the first Prisma Illya season.

We have our matchups, Vlad is facing off against Karna and while he has a home field advantage Karna is someone who could fight on par with GIlgamesh so there bout isn’t favorable to him. We did get a bit of backstory on Vlad but once again I am disappointed that it didn’t go into Vlad’s reason for fighting in this war. Chiron is facing off against Achilles which is a matchup made more interesting by their former relationship as master and student. Astolfo is taking on Semiramis and the hanging Gardens of Babylon in the air. Our last fight appears to be Shirou Kotomine taking on Fran in the woods after having decided to leave the garden as a kind of test of conviction. Shirou seems to be under the impression that if he can come back from the battlefield alive then this would mean that god approves of his mission and he can move forward without doubt. At the moment i can’t really think anything of Shirou as much like Sieg he’s playing a bit of an expected role. I have heard he gets more interesting later but at the moment his chemistry with his servant is dull and his general interactions just seem to speak of him having some genius master plan that no one can guess. He’s better than Sieg who I swear just kills interest just by appearing on screen. Well Mordred has landed on the scene and it looks like we are getting closer to that opening sequence we saw at the beginning of the series.

Posted on 16 August 2017 with categories: Currently Watching:, Fate/Apocrypha

As a Fate fan I can state for certainty that this series does have a problem of having a bit too much anticlimax. Which is a problem that may affect all Chuuni style stories come to think of it. I love the series but I can say that I don’t think any of them truly capitalised on the holy grail war concept. Often at the start of the series there’s a build up and promises that the series more often than not doesn’t deliver on. This is also why I am conflicted when asked to decide whether Fate/Zero is better than Fate/Stay Night. For while in many aspects Fate/Zero comes across as the superior story, I still believe that Fate/Stay Night had better climaxes and did things that Fate/Zero didn’t do. But how is that relevant to this episode you may ask and well it’s just that a conflict was resolved with everyone just deciding to duke it out later which happens to be the third time this has happened. This is followed by a buildup to what could be the biggest fight of the series yet and I find myself with a wariness over whether it will be truly satisfying. At this point characters and general plot haven’t engaged me as much as I would have liked them to so the final vanguard is whether I can see some cool fights. A prospect which is looking less and less likely when the animation per episode is getting rougher.

Still it really is nice to see interpretations of historical figures and their history does enrich their position in this war. It’s logical that Shakespeare wouldn’t take a combat role considering his vocation and he staying by the sidelines just so he can chronicle the whole war as a new work is a great take. Though to make up for his lack of real combat power the Assassin of Red is playing a dual role. There has been some rewriting of the rules a bit and Semiramis possesses double summon which means shes effectively a Assassin and Caster rolled into one. Contrived indeed but hardly the first contrived exception to the rules. This episode marks the rise of her noble phantasm which is a giant floating fortress by the name of the “Hanging Gardens of Babylon”. Exposition time: Semiramis did not in fact make the Hanging Gardens of Babylon but their creation is often mistakenly associated with her. As a result she needs to jump through some hoops to actually summon it but it is an example of a servant gaining a power based on popular association, something which should come into play later. Servants powers are in general amplified based on popular belief. In reality Excalibur wasn’t really able to shoot laser beams nor was Alexander able to summon an army at will.

Once again Seig proves that any moment he’s on screen is a moment this series becomes boring. His talk with his caretaker reminded me a lot of the talk that Waver and his fake grandfather had in Fate/Zero and I get the feeling it was trying to emulate it. However it was missing the real heart of that conversation as well as Gen’s masterful hand at writing exposition. Seig’s dilemma and ultimate choice just come as expected. Even within the narrative it was already decided that he would be jumping back into the fray. So really this isn’t some much a character development moment for him but rather a reaffirmation of him being pushed into a stereotypical role. My hope is that his role isn’t too big in this story as when he’s off screen this does become a better show.

Posted on 1 August 2017 with categories: Currently Watching:, Fate/Apocrypha

Seeings as we are five episodes in and my joyous period of fanboyism has subsided I believe it is time to admit something. I don’t actually think this show is that good and I am questioning just why that is. I don’t believe my assessment of the source material was wrong as it was indeed a strong narrative there which had my full attention. However here, something is off. I can’t quite pin down what precisely it is but something is killing this story. My previous culprit to blame was the pacing but in this episode they thankfully slowed down. Perhaps the animation? No, while A-1 is far below the quality one could expect from a Ufotable production this isn’t a terrible looking show. Still not gone on the character designs but animation wise it’s fine. No, perhaps the fault lies in how it’s adapted as there are some questionable choices at work here. Take for example Lancer of Black, aka Vlad Tepes. I say most would be surprised to see his leniency in punishing Astolfo in this episode considering his legacy in the common eye as a bloodthirsty tyrant. But in the novel this wasn’t much of a surprise as it went into detail on just why Vlad has joined this battle and I personally though his motivation was a stroke of creative genius. I can’t really go into it at that point as it’s bound to be brought up sooner or later but I think this is the problem with rushing the beginnings of this story. In doing so a number of characters have been left with one dimensional characterisation. I wouldn’t blame a fan of fate animated works being disappointed in this as I too find it much more underwhelming than its book counterpart.

My current state of thinking could be just a temporary thought as this was a rather weak episode in comparison to the others. Mainly because the focus was on Ruler and the newly named Homunculus, Sieg. These two really do drag on and I think that instead of rushing the cool battles we were supposed to get last episode we could have rushed this instead. For this is remarkably dull watching these two utterly bland characters. Ruler I will give a pass as it more or less is her sticking to the character of Joan of Arc and the role of the holy maiden. Still it doesn’t make for great characterisation and at times I am missing the interpretation of Joan from Drifters. She’s isn’t completely boring as she has the standing above all the servants and is badass in her own right but I worry that the main reason this episode got more focus than the last is due to her being prime “waifu” material. But if there is something I just find dreadfully boring with no upside it’s this Sieg fellow. You can give Shirou a lot of grief over his survivor’s guilt and superhero complex but at least it made him interesting. Sieg on the other have is a dull emotionless empty character who basically needs to learn how to live and grow a personality. He’s self insert material and I dislike that he has a role in this at all. He’s dangerously close to becoming the usual light novel protagonist and I even see signs of girls falling for him for no reason and with Siegfried’s heart he’s bound to get free power ups to show how “cool” he is. This kid is a chekhov’s gun that’s just ready to kill any potential this story has.

We get a small glimpse of Assassin of black and her master this week and yet again we have another servant who has been shafted by the anime. Assassin of Black actually has a short story detailing her summoning and the main book did dedicate time to showing just what went down. At the moment they are basically the Ryou and Caster duo in being chaotic evil. Now as it’s revealed in this show our Assassin here is Jack the Ripper and out of all the strange servants on Apocrypha this one is the one I have the hardest time suspending my sense of disbelief with. Personality wise I actually find it interesting to interpret Jack the Ripper as a child demon born from discarded babies from the positives of London. Her relationship with her master is equally interesting as they have a mother daughter relationship instead of a master and servant one. It was made a point in the books that when Jack calls her master she simultaneously says Master in a way that can also be interpreted as mother. But despite this concept being very intriguing and one I can get on board I cannot for the life of me take her remotely seriously based on her design.

I mean, Jack the Ripper, represented by a Lolita in dominatrix gear. It’s just really really dumb. There is in fact another interpretation of Jack the Ripper in the Fate Universe and that comes from Fate/Strange Fake which was written by Narita Ryohgo of Baccano/Durarara fame. In there Jack was shown as a shapeless being who could assume many forms as the real Jack the Ripper was never caught so his legacy is that of an anonymous serial killer. In the particularly quirky style of character writing that Narita has this servant was summoned as a berserker but due to Jack the Ripper already being insane, placing mad enchantment on him only ended up turning him sane. Both interpretations have there great points but in Fate/Apocrypha case I wish that Jack’s design wasn’t so obviously geared towards fanservice. So with the final moments of this episode we have pretty much established that the Red masters won’t be playing much of a role in this war, if the opening and character designs of the them didn’t tip you off to that already.

Posted on 25 July 2017 with categories: Currently Watching:, Fate/Apocrypha

There are many things that can lead to one anime downfall but even with certain weaknesses in area a anime can shine through. Berserk 1997 showed that a strong story can make up for a powerpoint level of animation. Tatami Galaxy showed that even with lacking art a compelling story can be told.(I am sorry but despite it’s creativity I find Masaaki Yuasa’s artstyle to be ugly.) However I believe there is one thing which no amount of quality in animation, story and art can make up for. That thing is pacing and there are two shows this season which prove that. One being the Vatican Examiners anime and as of the last two episodes, Fate/Apocrypha. Yes, no amount of quilty could make a difference when you rush through the story like a speeding train. It kills emotional impact and makes it hard to truly connect with the events on screen. Fate/Apocrypha isn’t Shakespeare(Despite it well…featuring Shakespeare.) but this episode truly felt to me like actors soullessly reenacting the events of the novels. With the gravitas of reading a wikipedia article, the events of the novel are places on screen but without any of the significance that make them meaningful. It’s a true pity as from what I hear these novels start strong but grow weaker as they continue. So we are essentially fast fowarding what could be the best parts of the story.

Art and animation have certainly taken a hit with the berserker scenes featuring some truly cringeworthy examples of poor quality. Still frames and crude artwork really killed the scene along with a pacing that robbed it of it’s meaning. This episode should have been a big confrontation from the big players on the scene but it just felt so lackluster. For an example of missed connotation and am certain anime only watchers would be confused over just what Darica was so mad at Gordes for. To clarify this has to do with Siegfried’s legend where it is well known that he was bathed in dragon’s blood which provided him with a level of invincibility. The blood covered all of him except for one patch on his back which was covered by the leaf of a maple tree. What this means is that Siegfried has a massive weak point on his back which is why Grodes refused to reveal his name in the second episode. However in that battle Grodes was forcing Seigfried to use his noble Phantasm which would announce his identity to his enemies. In fact this makes the slip up last episode all the stranger when he announced himself to Karna and Gordes didn’t make a sound. Point is that informing an enemy that you have a critical weak point is generally a bad move. Hence why Achilles kept his identity to himself as his his very name has become synonymous with a metaphor for a fatal weakness.

Speaking of Achilles he certainly got shafted here along with Atalanta. Unless you know the history the significance of these events will likely puzzle the regular viewer. Thing is that Chiron is Achilles teacher and he taught quite a number of heroes. He also outranks Atalanta as a Archer as he is the basis of the star sign of Sagittarius and possibly one of the best heroic archers.(That well…are actually Archers) Might as well note that it’s nice to see some genuine archers in the Archer class for once. Both Zero and Stay nights archers only qualify as an Archer on a technicality. Though one thing that is odd is that the servants of this war all seem to have independent action which is a trait generally only given to the Archer class. Servants should have to stick close by their masters but because the Archer class is primarily a long range fighter they are given the ability to be able to last without a master and move a significant distance away from them. Here that rule seems to have been thrown out completely but somewhere in the massive bunch of tangled wires called Nasuverse lore there bound to be a technicality of sorts.

So we have the first casualty of the Great Holy Grail war and by Suicide of all things. As mentioned before it’s hard to truly feel for Siegfried’s sacrifice when we barely knew him and the pacing is so fast that all you can really feel is mild surprise. Even in the novel I didn’t quite care for him though his nature of acting as a hollow automaton which carries out people’s wishes is a similar demeanor of that of Shirou. He said he had no wish for the grail but it appears his real wish was simply to do something for himself rather than someone else. Such a shame that this act would be to save the life of what seems to be the most agreed upon weakest element of this story, the Homunculus character. I didn’t see a lot of him as I only read the first two volumes but I do remember the parts that featured him dragged horribly. I truly don’t look forward to seeing this fellow more in the future. Still there is something rather odd here, the opening of this series featured Siegfried facing Mordred and yet here shows he committed suicide before he could face her in battle. How very strange.

Posted on 18 July 2017 with categories: Fate/Apocrypha

So where do I begin? I am brain dead at the moment so forgive me if this gets a bit too much like rambling but I have to catch up with all this so here’s my best shot at being somewhat competent. WIth these two episodes we have the setup of this grail war established as well as the general master and servant pairings. There may be those wondering about the masters of the Red side but much like the opening suggests the only ones we really need to concern ourselves with is Kairi Sisigou who summoned Mordred and Shirou Kotomine. Now what is likely the question at the forefront of anyone’s mind if they are somewhat familiar with the Fateverse is likely “Is Shirou Kotomine and alternative version of Shirou Emiya?” and the answer to that question is no. These two have nothing connecting them and Shirou Kotomine is very much his own character. I admit that the idea of an alternative universe Shirou raised by Kirei Kotomine does sound really interesting but sadly this is not the case. So far Sisigou is proving to be the more likably of the two as Shirou is far too enigmatic to get a clear read on him. In fact Sisigou and his servant Mordred so far are proving themselves to be the most endearing characters of the cast so far though members of the Black faction are quite charming as well.

Mordred is indeed another Blue Saber clone but one of the things I find rather amusing is that Sabers clones often have far more interesting characterisation than Saber herself. I say the only exception to this would be Joan of Arc who is equally boring. I really like Mordred. Her brute force fighting style and brash attitude make for more interesting interactions between her and others. I also really like the correlation between her desire to attempt the selection of the king when Blue Sabers wish was to redo the selection of the King. Overall she just has far more depth to her rather than some self righteous purity. On the black side of things I feel A-1 pictures is starting to let me down. There definitely feels like favoritism going on here as interactions between the likes of Chiron and his master feel rushed whereas Moeserker and her master as well as Astolfo get far more attention. I really didn’t need to see two scenes of Astolfo’s master indulging herself with him as i am pretty sure there was only one in the novels and I think this is A-1 throwing in more fanservice. Though I do hear the writer of the novels is involved with the production. I do still laugh at how nonchalant Astolfo takes this molestation by his master though I should mention that his master is a real piece of work. Here’s the thing, she’s got a massive interest in torture and the only reason she isn’t torturing Astolfo is because none of her tools are effective enough to make a dent in him.

Gordes is getting the short end of the stick as well. I don’t like Gordes as a character though he’s not really supposed to be liked. However I don’t really like the anime skimping out on his characterisation. For you see Gordes was actually really looking forward to this whole Holy Grail War thing and sees it as a place to satisfy his ego. He treated the war seriously but ultimately he’s just a really petty. The fight between Siegfried and Karna is supposed to be a wake up call for him as it really hits home the point that a master has no place in a servants battle. He can play support but actually assisting is generally impossible. Well aside for special individuals. He tries to get some glory by baiting the master of Karna to show himself but as we know that master simply isn’t here. In this battle there’s no glory for Gordes and he is designated a support role, something which might come to urk him in later events.

As for animation I find A-1 is so far passable but I wish they would slow down and have some actual choreography. I find in fights that things often progress too fast or is obscured by explosions which doesn’t help as the sound design is rather weak with these explosions sounding too similar. What little choreography in the Karna and Siegfried fight was rough and choppy so it’s my hope that seeing as this series is rather battle heavy that A-1 is saving the budget for the bigger fights.

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Kaiser-Eoghan
I believe it works better in hellsing and drifters moreso to both being goofball action shows.
KTravlos
A point on the chibi in AMB. I was thinking about shows were the chibi did not bother me, and Hellsing Ultimate and Drifters (newest episodes coming out), both had deformed/chibi segments. For some reason they did not bother me. I think ABM directors have bad timing with them.
KTravlos
I have to say Ichirou Inuyashiki is very cool. Like he is really a cool character. Also I am saddened to say it but watching AMB together with Inuyashuki does not work well for AMB
Kaiser-Eoghan
@Silver: There are sad moments certainly but plenty of humour.
Anonymous1639132
Man, I sure hope Ichirou Inuyashiki and Hiro Shishigami make out, everything is just building up to that
silver
I actually have only watched one or two episodes of this season of 3-gatsu, but its rising scores and rave reviews are making me really excited! I've only put it off because it's somewhat emotionally tiring for me
SuperMario
@Kaiser: Well, after the first season of 3-gatsu ended, I did skim ahead to this bullying arc so I already know this is going to be powerful, yet the anime still wow me over and over
Anonymous1637770
Also it can be tricky selecting a season sequel since some old series had like 50 to 100 episodes, what counted as a season then?
Anonymous1637770
@Kaiser-Eoghan - It's more common in videogames (especially Capcom) than in other mediums. Megaman 2, RE 2, Street Fighter 2, Dino Crisis 2, Marvel vs. Capcom 2, etc.
Kaiser-Eoghan
Actually in a rarity, a sequel season is better than the first.
Kaiser-Eoghan
Which makes my enjoyment of sangatsu so strange.
Kaiser-Eoghan
And I generally do not like game/sports orientated shows.
Kaiser-Eoghan
That you slightlySuper-erMario and superwooper!
Kaiser-Eoghan
And my reaction to the show is such, that I enjoyed it enough to make such a huge pot about it.
Kaiser-Eoghan
Also I want Akari to be my mom and Hina is adorable without being annoyingly so and Kana Hanazawa is doing a good job voicing her.

And whoever said it is right, the op/ed songs are worth listening to, for once I’m not skipping them.
Kaiser-Eoghan
At this point it feels as if by the end of the series I’ll come off it thinking that I don’t want to say goodbye to these characters.
I don’t think as of just yet it complete lives up to honey and clovers legacy though.
Kaiser-Eoghan
I never cared about Harunobu initially, but recent episodes have changed this.
Dull parts of the manga are easier to get through for me in the anime due to Shaft elevating the material with one of the better uses of their visual gimmicks.
Giving the series another chance, even though I won’t fully embrace the humour, it does now and then manage to make me laugh a little.
Kaiser-Eoghan
The bullying arc centering on Hina and the shows treatment of it is better than most anime bullying stories and has provided the most emotionally rewarding aspect of the show.
Characters that are assholes like Kyouko’s boyfriend, Kyouko herself I’m finding somewhat more sympathetic and want to see more to their personal drama.
Kaiser-Eoghan
However I do genuinely think that the series does a good job of allowing dramatic moments to creep up on the viewer, that early scene of Hina crying over her mother, Rei’s family flashbacks, Akari’s concerns about Hina/the stuff with her dad, all the scenes with Kyouko do carry an effective and solid dramatic weight to them.
Kaiser-Eoghan
I feel it starts very strong, making a great first impression, then kind of has these dull moments that make it sort of a slog at times to get through, unfortunately I have no interest in chess/shougi and no knowledge the show tries to give me is going to stick or allow me to embrace that.
Kaiser-Eoghan
Through jumping back and forth between the anime and manga, I can say I have no caught up to where I will now watch March comes like a lion on a weekly basis.
Anonymous1636224
The blood of the innocent will flow without end, mmmmmm this is why I love Inuyashiki
Anonymous1636224
Mmmmmm the suffering of all those innocent people feeding his God boner, this is why I love Inuyashiki
Lenlo
Oh yeah, thats not a knock against it. Just noting they dont *need* much animation
SuperMario
Well, the nature of Mahoutsukai is slow-burned, so it makes sense they focus more on static, quiet moments
Lenlo
Was that blade 2022 thing supposed to be an example? Because I wasnt a fan. It was stylish sure, but difficult to follow.
Lenlo
Maho is a good looking show, I wouldnt call it a great animated show.
Lenlo
The issue for me is, theres just not alot being animated most of the time. Usually its a pretty slow moving anime, so most of its time is talking and still shots. It doesnt need alot of animation, so it doesnt have it.
Lenlo
@Niel, I think Mahoutsukai can have good animation when it wants to. Like the water viel in episode 10 looked good (Though im not sure how much of that was after effects)
Anonymous1635607
uhhh creepy
Anonymous1635589
the blood of the innocent will flow without end, mmmm this is why I love Inuyashiki so much
Amagi
I think the security is the same as here, it's just that Japanese people are less likely to rip stuff (correct me if I am wrong). It seems like ripped anime, manga and so on are basically always uploaded by Americans, Chinese people or someone else.
Kaiser-Eoghan
I was surprised heavens feel was camripped I thought security in japanese theatres was stronger.
Amagi
Yeah it's also screening in Germany, I will watch it in February, together with Heaven's Feel, Mutafukaz, Kimikoe and a few others.
Kaiser-Eoghan
*on Europa cinema
Kaiser-Eoghan
Nanoha new film to screen next February in the US, come in Europa license it for over here dammit....
Kaiser-Eoghan
Did have some down moments though.
Kaiser-Eoghan
And I guess contrasting Luke with his old self goes some way.
Kaiser-Eoghan
Saw the preview screening of the new star wars, still feel the new trilogy stands inbetween the originals and prequels, fufills its duty as a *** star blockbuster , some genuinely hilarious high camp moments, awful tokenism, Snoke is a shit villain, but two scenes with Luke actually have a pathos to them and I liked the chase/action scenes when they happened. Nobody cares about the acting/dialogue
AidanAK47
But there are times when it goes way too far and you can barely make out what is even supposed to be happening. Or characters go so off model that they are unrecognizable. It can be immersion breaking. Much like uncanny CGI.
AidanAK47
@Niel, I do agree that it's annoying to see people complain about animation when they clearly have no idea what they are talking about. Like those inbetween frame screenshot people. But I will say I appreciate on model characters more so than chaotic movement. When the off model stuff suits the tone of the scene like that blade runner part, then it's fine.
niel
I also don't want to see someone imply visual=animation for the hundredth time. Are people really that ignorant of the technical/artistic aspect of the media they consumed?
niel
It just depends on what works best in given scene and the aesthetic they want to go for. People can complain all they want about off-model stuff, but if they really only want that the they won't be getting nearly as much of those impactful scenes as there are now. So many of the ways people complain about it is really irking to me.
niel
normal/low action scenes is different from being on-model during the action sequences and just the ones that need some extra impact in general. https://youtu.be/rrZk9sSgRyQ?t=6m45s
niel
But that depends on the situation though. And I'd argue that being consistent and on-model during
Kaiser-Eoghan
@Vonter/Niello/Mario: Ideally I want it both ways, fluid animation AND consistent model visuals, all the while never sacrificing choreography.
SuperMario
But really, who am I to say. I'm the dude who prefer beautiful shot composition myself
SuperMario
The same can be said with Shinkai's movies since he always prefers static, beautiful shot that people tend to overlook that his animation is quite poorly handled
Vonter
You're right, but art direction does alleviate limited animation, I mean the old Berserk anime, kinda has a lot of slideshow moments. MahoYome has nice backgrounds, and despite the samey faces, at the very least doesn't come from the same mold as other series. Still cutting corners with chibi segments is was a mistake.
SuperWooper
Is it any wonder that people prefer things to be static/on-model? They want to see characters who look consistent and familiar so they can relate to them.
Nie
MahoYome being the biggest offender of people getting triggered to any kind of statement about the show's animation not being good. And it's absurd because the show's animation really isn't great at all. It's good with distracting people with pretty pictures, but animation-wise it's still mediocre.
Nie
@SuperMario: Not much. Just stuff like "Art is part of the animation weather it's beautiful backgrounds or just amazing looking characters. It's not all about how they move. If it was, CG would be considered great animation" multiple times. I've just been finding myself being replied with these kinds of comment non-stop since the start of the season.
SuperMario
@Niello: What happened exactly, if you don't me asking?
Nielllo
If I hear someone says AMB has good animation one more tie I might actually lose it. It's amazing how people who apparently know nothing about it try to defend this and other people who don't know anything are actually supporting the guy.
Niello
So with Fate Apocrypha episode 22 out, I'm just now learning that people think webgen style is horrible and they prefer static scenes with pretty visual over actual quality animation. WTF. I can't comprehend this. Are casual people who watch animation in general really that oblivious to the art they have been watching?
Lenlo
Berserks Dynasty Warriors style game looked better. Also, Mahoutsukai should be up tonight/tomorrow. Turns out, Christmas is a busy time of year at this job.
Amagi
*worse
Amagi
Especially when you consider how good CGI can be by now, look at Houseki or Kado. But Berserk was the worst thing I saw in years, many scenes felt worst than sequences of PSX games
Amagi
@SuperMario: Same. I love Kon and also consider Paprika's OST as the best. @Lenlo: Me too. I honestly even enjoyed the movies but the new series was atrocious
Lenlo
HIRASAWAAAA! HAAAAAI YOOOOO.
I miss the 90s Berserk.
Kaiser-Eoghan
I was also quite fond of his soundtracks for Berserk. AIIIIIYE FORCES : https://www.youtube.com/watch?v=NkYYYew8CUI
SuperMario
@Amagi: I'm a big fan of Kon so I've watched everything from his. Even bought a book about his works. About the soundtrack, I listened to them as well but not regularly, compare to pprika OST which I downloaded and listen to a lot
Kaiser-Eoghan
Although not completely a manga, Usagi yojimbo also has an anthro character.
Kaiser-Eoghan
Millennium actress is partially inspired by the actress Setsuko Hara.
Amagi
@Kaiser-Eoghan: The anthro-animal manga is even a topseller as far as I know. Haven't looked into it yet, though. Maybe I will do so.
Amagi
Speaking of it, I am still hoping Dream Machine will happen some day. Kon died believing it would happen
Amagi
@SuperMario: Have you tried the other Kon movies like Millennium Actress once? Thought they were really good and Hirasawa is responsible for the OST there too. Or Paranoia Agent which was (IMO) very good as well https://www.youtube.com/watch?v=0nttSKBJ38k (OP)
Niello
Eoghan: Enjoy... ;)
Kaiser-Eoghan
While I haven't read this, its very strange to see a manga about full anthro animal characters: http://kissmanga.com/Manga/Beastars
Kaiser-Eoghan
@Vonter: So based on that I will try devil lady. Thanks.
Kaiser-Eoghan
@Vonter: That'd be me who made that post. I thought dororon enma-kun was wonderfully ridiculous and Devilman gorishly entertaining, Shin Mazinger Z was probably some of the most fun I had with an anime, but violence jack took it way too far though so I guess I'm aquainted with nagai's work
Vonter
I don't remember who was looking for something noir in anime. I was looking among several series from Go Nagai. And watched some Devil Lady. I don't remember if noir is exclusively detective stories, but this anime, has those high contrast shadows, eerie music and is shot like some japanese horror movies I've seen. I don't know if it changes along the road but so far it's very suspenseful.
SuperMario
I only know him through his works in Berserk and Paprika but his music never fails to amaze me
Anonymous1626471
@Amagi: Ghost Bridge is my favourite. I just find it very calming. https://www.youtube.com/watch?v=aeh5aJsxlbw
Amagi
Susumu Hirasawa is one of my favorite musicians/composers. I don't even know what kind of subgenre this is. There aren't any other music groups I know who do similar stuff
Nielllo
@Mario, Already saw that video before.
SuperMario
Check this out... I don't even know what the freaking instrument he's playing, but it's spellbound https://www.youtube.com/watch?v=PjalQjAomH0
Niello
Just when I thought Houseki no Kuni took the prize for best animation I was treated with Apocrypha. This week is amazing.
Niello
Big name animators all over. They really threw everything they've got here.
Niello
Woooooah! OMG Apocrypha ep 22 animation is sick! So that's why the animation in the first half of the show is so lackluster and basically just darn awful.
Kaiser-Eoghan
Its not entirely odd to bring up Heydrich in relation to the occult either, apparently he was said to be part of some whackjob order.
Kaiser-Eoghan
Hmmm, that girl from Dies irae, Anna Schwegln is aptly named, also shares her name with the last executed person for witchcraft, who was Bavarian German, which i'm told by an Austrian friend were particular right-est leaning politically.
Kaiser-Eoghan
Of course unfortunately its often the opposite that happens, nothing is worse than an ending that ruins everything.
Kaiser-Eoghan
Ah, how I love being surprised by something. That feeling where you''re watching something shakily held together, simply okay or good, then suddenly in the second half or last stretch your score of it goes massively up.
Kaiser-Eoghan
I can kind of understand the wanting to go home and watch something easy mentality instead of challenging but even though I'm guilty of escapism, I'm tired somewhat of "sillier" stuff, its often enjoyable but its get overly reptitive and I wish I could find more philosophical/political/imaginative things.
Amagi
Yeah the show is great because of its theme, the setting and chemistry girls have as well as their (lack of) knowledge about basic human things. Each episode thematizes this in a different way but there isn't much you can talk or say about it when you already explained the topic in detail.
SuperMario
On the other hand, I don't have much to talk about Girls' Last Tour this week. It's still good, but with this episode I feel that I'm running out of concrete thig to say about the show
SuperMario
Haha both Houseki and 3-gatsu have a good showing this week. I have a lot of things to talk about Houseki in particular
Amagi
This week's Houseki is jurassic park
Amagi
*-ati - I think Netflix and so are at least giving a few new impulses which isn't too bad. I don't think the typical anime series will disappear because of that.
Amagi
At least in comparisation
Amagi
I think it's just sad how often I see wonderful series selling 500 BD/DVD or maybe even less. Most series don't sell more than 1500 or so and the rest is usually at ~3000-5000 which is still pretty low.
Amagi
Yeah, it's one of my pro-Netflix arguments as well. Another problem is that anime (not counting manga) only make money through dvd/bd sales since they air at night, whereas Netflix or daytime tv series don't depend on the latter so much and since anime BDs are so expensive the only ones who buy them are the more extreme fans.
AidanAK47
Might be in part due to the workaholic nature of their society that makes escapist fantasy and empty entertainment more appealing than usual. Ultimately these are the people anime is made for so opening up the markets gives more deserving shows a fighting chance.
Though that isn't to say that western taste is perfect either.
AidanAK47
@Amagi, That's part of the reason I think some westernation might be a good thing as from what I seen the Japanese have truly terrible taste in anime. Sales charts from Japan just make me shake my head.
Amagi
God, the preorder anime lists are atricious. The only one that seems to sell acceptable (around 6k) is Mahoyome. Series like Inuyashiki have 80 pre-orders so far, Shuumatsu Shoujo 977. Idol shows sell good of course, including that male/bishounen Idolmaster
AidanAK47
@Anon, I read it but kinda fell out due to it's releases being slow.
Kaiser-Eoghan
@Anon: Actually if you check the manga recommendations section, you'll see there is a post about it here.
Kaiser-Eoghan
@Anon: Yes, it was interesting to follow a story that dealt with a characters homosexuallity that was outside of the yaoi/yuri mould.
Anonymous1620968
Out of curiosity, has anyone on here read Shimanami Tasogare?
Niello
Where are we up to with Inuyashiki?
Lenlo
Well alright then. Episode 9 out of 11 and that happens. Was not expecting that
Lenlo
Ooo something happen this week? Im about to watch it
Kaiser-Eoghan
It feels just as rushed and awkward in the manga.
Amagi
I noticed this too
AidanAK47
Inuyashiki has balls of steel to pull that in this particular episode number.
Nielllo
Finally got around to reading Helck, and it looks like it's going to go into that pile of good-shounen-that-won't-ever-get-animated right alongside Psyren.
Kaiser-Eoghan
@Aidan: Imagine trying to buy the dvds of the show in public.
Kaiser-Eoghan
@Aidan: Gentle remind that the prism ilya movie is out and subbed.
AidanAK47
Still surprised the second and third seasons got dubbed.
AidanAK47
@Angel, I replied to one of your comments before but the rundown is no official word yet but maybe next year.
Angel
Or no? Someone please tell me!!
Angel
Going to happen?
Angel
Is fate/kaleid liner prisma☆illya 3rei dub
Amagi
I dislike it when manga bait me into reading due to the first chapter and end up being some very generic stuff afterwards. Nobody stays for B if he started something for A, authours should expect that.
Lenlo
Really, Juuni should stick with the 3D. That fight in ep 9 looked pretty good. 3D is clearly what they are good at
AidanAK47
@Niello, It's not Chatango. It's a plugin for wordpress called Wisechat.
SuperMario
@Niello: yeah, Juuni caught me off guard this week. The production of Juuni is unfortunately shaky, but well, strong writing can save the day
Niello
Btw is this chat still Chatango?
Niello
This week episode of Juini is surprisingly good compared to how the show usually is with its backstory. Although the part where Ox tries to explain to Tiger could definitely use some visual buff.
SuperWooper
in the future*
SuperWooper
Pretty cool that Juuni Taisen had that kind of emotional heft this week, though. Might be one of the 2017 shows I sample the in the future.
SuperWooper
I think the occasional comments with an episode title and nothing more come from people who mistake the shoutbox for a search bar.
SuperMario
@Anon1614688: juuni taisen... made me tearing up this week. Honestly didn't expect that. Damn you, Tiger
Anonymous1614688
juuni taisen
Amagi
Had some complaints regarding Children of Whales but the latest two episodes were pretty good.
Amagi
@Anon: You explained it better than me.
Anonymous1614307
Kaiser: I actually have the exact same opinion of Natsume and Mushishi. Both are excellent, but Natsume just does a great job with a small core cast and a very simple premise
Anonymous1614456
who likes naruto
Kaiser-Eoghan
Mushishi does have good stories, but it was always a manga I'd dip in and out of, on and off for years, never marathoning it, wheras Natsume was easier to read several chapters of in one go.
Kaiser-Eoghan
I think its because Natsume has more pathos.
Kaiser-Eoghan
*more than
Natsume weirdly ended up becoming this comfort manga for me with a higher consistency rate .
Kaiser-Eoghan
I will state that I hold the terrible opinion that I like Natsume Yujinchou than Mushishi but at the same time completely recognize that Mushishi is probably the more ambitious, better show.
Niello
So it becomes a cycle of "this is an interesting set up" (except that the new Kino isn't even good at that) and then they fucked up or Kino/Shizu fucked them up even more, then move on. Without the emphasis on philosophical nature of the set up they present like in the original Kino, there really isn't that much point to it.
Niello
With the new Kino it's more about messing people up, occassionally observing and hardly ever improving. The anwsers or solutions to the problem they present is never really talked about in a rational way.
SuperMario
@Anon1614318: maybe you should give the old Kino a try. What I don't like most about the new version of Kino is that both Kino and the new guy are sketched as hero. The old Kino manages the tone right as well. There were some really dark tales and most of them thought-provoking. Can't say the same for say...Country of Cooking
Anonymous1614318
I don't know, it might be interesting to actually dig deep into the differences between episodic series with this kind of style to see what works and what doesn't.
Anonymous1614318
I guess it's a matter of the chapter they chose to adapt were not really the better ones but the ones where the protagonist is more of an active role. Not totally against that, but it feels like the protagonist is just OP all the time. At least with Mushishi Ginko isn't able to save everyone all the time.
Anonymous1614318
I guess it's supposed to be more allegorical, but most of the time the allegory is not really meaningful enough. I thought it would be more along the lines of Mushishi, which is kind of similar in setup, but better in most other ways.
Anonymous1614318
What keeps me sticking around are some of the nice background arts and generally pleasant use of color, but admittedly most of the episodes aren't really engaging in a meaningful way. Most of the time its just Kino/Shizu show up, find out town's gimmick, then save the day. I prefer the episodes where the townspeople are more than just flat background characters.
Anonymous1614318
It's interesting to see how this new Kino season is being received from folks who've already watched the original. This is my first real exposure to Kino, and I kind of like it, but even without watching the original, I share many of the same complaints Aidan and most of the others have.
Amagi
I am also kinda sad he's just some 2* servant in fgo, but his power is special and he's physically weak, so it's understandable.
Amagi
And again, Shakespeare is just great but the character is, sadly, kinda wasted here considering how much screentime he has.
Amagi
@Aidan: Yes. Plus, maybe more characterization or background for some servants. The anime would have that time without Sieg and his romance sub plot.
AidanAK47
@Amagi, Those being remove Sieg and more Shakespeare?
Amagi
And man Apocrypha is pretty good but it would be twice as good if it had those two changes Aidan always mentions in the reviews..
Amagi
@Kaiser: I think the male in Kino was a mistake. Having two PoV sounds good, but he's basically just a male Kino, he even looks like her. Someone vastly different would have been way more interesting.
Kaiser-Eoghan
I'd guarantee that sangatsu no lion would be high up, but FINALLY this weekend I'll be catching up.
Niello
@Kaiser, Ugh my phone gitched. What I meant to say was that background was unexpected. Now I see why you're enjoying CotW though.
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Another remake of a story from the old series and while this one is adapted quite well, maybe even arguably better than the old version, it unfortunately lacks the same impact. The main problem comes back to the thing which ultimately holds back this season as a whole, story choice. For you see in the […]

Houseki no Kuni – 10 [Shiro]

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat […]

Fate/Apocrypha – 22[Reunion and Farewell]

Breaking my usual routine today just to give an opinion on this episode but this episode made me feel compelled to get out my opinion. We have another action packed episode with three contestants out of the war and boy did they go out with a bang. Many will notice that the animation for this […]

Inuyashiki – 9 [Shihjuku People]

Welcome to another week of Inuyashiki! This week we have incredible sequences of terror, fearless Directors and death flags! Lets jump in. Obviously, the first thing we need to talk about this week is Hiro. A lot has happened in the few hours since Hiro attacked the Station. Interestingly, yet weirdly, Hiro has garnered a […]

Fate/Apocrypha – 21[Antares Snipe]

When Apocrypha slows down, it’s story shows it’s cracks. But when it’s an action showcase it actually becomes quite entertaining. The characters don’t have the time to be developed but they shine in combat when they clash, sometimes showing parts of themselves the series otherwise doesn’t allow for. Astolfo for one was actually useful for […]

Latest Reviews

The Reflection Review – 45/100

The superhero genre has been undergoing a surge in popularity in recent years. From the Marvel movies in the West to anime series like My Hero Academia in the East, super heroes are everywhere.  As such, for good or ill, it was inevitable that we would get a merging of the two. The Reflection is […]

Made in Abyss Review – 91/100

There are few series which can capture the mystery and wonder of a fantasy world as well as Made in Abyss. Their world is dangerous, brutal and unforgiving but beautiful, wondrous and exciting in it’s presentation. The story is of a ordinary girl called Riko and a mysterious cyborg boy called Regu traveling down the […]

Classroom of the Elite (Summer 2017) Review – 54/100

Here’s a perfect example of a Light Novel adaptation schlock that has some interesting concept but terrible presentation. Youkoso usually starts the episode with a thought-provoking philosophical quote, and then (in one episode in particular) they followed up with a boob shot. It sums up exactly how I feel about this show. In service for […]

18if (Summer 2017) Review – 68/100

Allow me to skip over the last episode coverage for this full review of 18if, since I was too underwhelmed by the finale to have anything concrete except pointing out how messy the ending was. The first thing you need to know about 18if is that it’s a multimedia project (along with a mobile game […]

Princess Principal (Summer 2017) Review – 82/100

Princess Principal has emerged as a true sleeper hit for this admittedly sloppy Summer Season. A joint project from indie studios that bring us my favorite anime of last year Flip Flappers (3Hz) and “better than it has any right to be” Girls und Panzer (Actas), Princess Principal records the missions of five cute spy […]

Shingeki no Bahamut: Virgin Soul Review 80/100

“Dance!” I have been a  reader of this blog for a long time. Indeed it would not be wrong to say that psgels and the current crop of writers have helped maintain my interest in anime for the last decade. So now here is my chance to give something back to this excellent blog. Shingeki […]

Katsugeki Touken Ranbu Review – 63/100

Every Anime season we the viewers are shown a number of adaptations, often made after Light or Visual Novels. It’s an already written story with an established base, a smart business decision. In recent years studios have also begun pulling from the Video Game market for their shows. Pieces like the Idolmaster series, Kantai Collection […]

Kakegurui Review – 61/100

This show is one that makes conventional reviewing difficult as your enjoyment of your series will likely determine on highly subjective factors. For if I was to put this under scrutiny on matters of f-plot, setting and characters then it will end up lacking in all categories. The plot is just watching Yumeko face members […]

Re:Creators – 22 [Re:CREATORS] – 75/100

There was never going to be a epic fight with every creation squaring off against the overpowered and invincible Altair. That possibility died when the creators threw the copycat of Blank at her only to have that plan backfire horribly. Besides, it wouldn’t have been a satisfying conclusion to Altair’s story to have her be […]