Posted on 1 January 2018 with categories: Anime Reviews, Girls' Last Tour

Girls’ Last Tour falls within my favorite new trend that emerging the anime medium over the last decade: a dark moe anime. Set in a post-apocalyptic world where the human race has almost extinct, our two girls wandering around the world in their kettenkrad looking for food and shelter. If it sounds a bit bleak and minimalism, rest assured that Girls’ Last Tour is at its heart a slice-of-life show about those girls having relaxing time in that world. And did I mention that those girls are real moeblobs? Their faces can go rounder and squishy, but strangely they never feel out of sync with the more realistic industrial setting. The show could be entertaining and soothing enough with just those factors, but it has more tricks under its sleeves. More often than not, Girls’ Last Tour addresses some simple philosophical issues that provides another perspective since the girls have no idea how normal society works. Moreover, while I consider the source material an already solid manga, the anime adaptation enhances this show further with a consistent visual audio production and great attention to details. It’s a beautiful and solid production all around.

I always consider a certain show a great piece of art when they know how to fuse seamlessly between two seemingly contrasting or opposite factors, because then the show can produce some unique chemistry, while at the same time balancing these extremes out – just like how yin and yang work in general. Girls’ Last Tour certainly is amongst this group. Take how the cutey designs of the girls both contrast and complement to the vast wasteland on the verge of totally destroyed. Or how despite the low-key depression of hopelessness that linger to wherever the girls go, the main theme is about how our girls find their little joy and keep moving on. I also want to stress on the small number of the living beings in contrast to the huge remains of weapons and dysfunctional machines. This show is one of the most minimalistic cast I’ve seen in anime medium, with only our two girls Chi and Yuu command the screen most of the time, and the number of people and animals they encounter along the way can be counted in two hands. For other shows it’s a recipe for disaster but in Girls’ Last Tour the girls never stay out their welcome in spite of (and I could argue because of) the vast world of nothingness. The last episode when the stream of many people appear on screen before the destruction, as a result, bring a powerful, overwhelming emotion to the table. This mastery in controlling over the general tone makes this show so relatable, sharp and grounded, despite the show is at its core a moe girls show.

Chi and Yuu make a great pair with their contrasting (again!) personality. Their chemistry is natural and sometimes the show explores the different mindset between Chi-chan who is academic but timid and Yuu who just like eating but quick to adapt. In one sequence for an instance, when arguing about the signs that give them directions to the destination, Chi argues that who would ignore signs that would help them to the destination, in which Yuu responses that it’ll be boring that way. Their difference in the way they approach life complement each other and bring the best out of each of them. Their bond and fondness to each other, in addition, is highlight through the completely comfortable in their close physicality and in the last episode that bond is further developed into satisfying payoff.

The worldbuilding of this series is another highlight, too. We get a hint of how the world come into destruction several times before, but it never at once come into a forefront. The city is displayed as an industrial, vast with multiple layers that the higher the level, the more advance the technology. Ancient people in that world had an advance in technology that now become long lost. Our girls travel that world without a proper knowledge about the remaining technology, and to a greater degree have absolutely no knowledge about how society works and many several topics regarding society like religion, war, home and death. These philosophical questions often pop up randomly, but they all serve the purpose of seeking a bit deeper about our own existence, our purpose in life and even what lifeform is itself. Ultimately, the answer to these questions are just as simple: the best way to die is to keep on living and enjoy little happiness in life.

While comparing the manga to this anime adaptation, I noticed in the manga, the sense of hopelessness is more apparent, thus make it a fair bit darker than the anime version. That’s not a jab against the anime at all, as I consider the production of Girls’ Last Tour a nearly flawless work. The shots are greatly composed, they know when to use natural sounds and when to let the score kicks in. The background art is always appropriate and striking. The direction, the editing make the show as natural as possible, and believe me it’s a goddamn hard job to pull. Girls’ Last Tour is just down right cinematic most of its time. Moreover, the voice acting work for the two girls are exceptional. Bravo White Fox for this wonderful adaptation where I can feel their love and their passion run right through every minute of the run.

While Girls’ Last Tour might provide no definitive ending to the girls’ last tour and sometimes might feel like nothing is really at stakes, I am myself surprise the whole trip never feel boring or repetitive, and Chi and Yuu’s chemistry is strong enough to carry the show. Depressing and comforting at the same time, Girls’ Last Tour is a rare show that produce its unique charms and distinctive tones, while always maintain its feet firmly on the ground. It’s the best of its slice of life dark moe genre and I certainly miss those girls and their kettenrad.

Posted on 26 December 2017 with categories: Currently Watching:, Girls' Last Tour

I am glad that this little dark moe show that mostly flies under the radar in this Fall 2017 ended in a high note, and Girls’ Last Tour has been really consistently solid to begin with. This is a fitting ending for a slice of life show like this, further reconfirming many elements that make Girls’ Last Tour stand out in the first place: its intriguing world setting, the bond between our two girls Chi-chan and Yuu, and still manages to surprise us in many ways. The only element was missing in this last episode is, surprisingly, its laid-back slice of life theme. This finale takes a look back to the past where humanity was still dominant, then to the present with those no-leg white caterpillar turn mushroom creatures, while at the same time give those girls a push to realize the importance of each other in their lives.

This first half is easily my favorite chapter of Girls’ Last Tour. As the girls taking pictures of themselves, the camera’s automatically syncing with the big screens and all sort of pictures, and videos from the past come into play. The girls obviously don’t aware much about those old storages, so it’s a nice surprise for them to witness the old world, the traditions, the people that no longer exist in the world. It’s a whole world’s history that play in front of the them: a group of girls presenting their latest project, a newborn baby, a sport event, the ongoing war… and the toss and mix between the tones of those events that gather a grand and epic feeling to the girls, and to us the audiences as well. Here I must compliment the precise editing of Girls’ Last Tour. Those video segments from the past play out seemingly out of order, but they hold the emotions very well, even the music helps strengthen the feeling. Those videos play a nice contrast to this wasteland the girl’s living right now. Full of people, full of life with vibrant colors in contrast with this dull, grey world, but in essence the dull world is one part of the rainbow color that makes life so interesting and full of wonders.

The second part focuses on the new creatures that appear out of the blue, swallow whole Yuu. At that point of time Chi-chan has to experient the important of losing Yuu in her life. Those creatures turn out do not look for human flesh, but rather the energy left over after the human race destroyed itself. Their objective is to swallow and “clean up” all the remnants of warfare, and effectively put the world into an inactive state, and that will be the new state of the world (they need to destroy all the bads before resetting the world again), albeit at the cost of the human race, and our two girls in particular, who were deemed as the last human on Earth by their calculation.

Those creatures transform into a flying Mushroom is weird but pointed criticism towards the consequences of war (Mushroom smoke anyone?). They are, after all, the very product of the destruction the human race had left behind. Their companion Cut is gone way too soon too, and now, with nothing better to do except knowing full well that the world is going to be destroyed, the girls confirm their bond to each other and continue on with the journey to the highest level. I had never expected Girls’ Last Tour to be this consistently great so it was a nice surprise for me and I love every moment watching and blogging this under-the-radar show. Amidst the post-apocalyptic hopeless world, the girls prove once again that all you need to do to survive is enjoying the little things in life and keep moving on.

Posted on 19 December 2017 with categories: Currently Watching:, Girls' Last Tour

Despite its moeblob nature of our two girls, Girls’ Last Tour still keeps up its lowkey depression – such element that make this show so grounded in its world. In this episode, that stark, depressed nature of the world comes in full light with the focus on weapons and destruction. It starts small with a bullet and our weird animal friend “Cut” who can digest such bullet. Whimsical nature aside, it has its point on how that creature survives and evolves in this dead world. “Cut” is a product of this post-apocalyptic world, with shells of bullets and corpses of machine scattered all over the surface. In other to survive, what is the better source of meal than those bullets? (whether it’s nutritious is another story). Moreover, this episode we can see our animal friend having some basic communication with the girls (which is freaky when you think about it), and their hands can serve as a power supply and/or key to start up the systems. When it comes to the war stuffs, our adorable pet surprisingly knows its way around that it makes me feel it was their roles all along. Now, even Chi-chan notices the resemblances between the pet and the stone statue, which my guess for now is that they’re probably one. Despite its cute voice and its even cuter reactions, this pet is one of the freakiest animal that I’d be happy to stay away from.

Yeah, this week in Girls’ Last Tour starts small with a bullet, but then it progresses to something bigger, and much more destructive. The girls find themselves inside the machine that fire missiles. Yuu, in her normal curious state, presses another button, and the whole city is down in flame caused by the laser beam. That intensify of destruction is used fairly well in this episode, starts with some dysfunctional tanks, to the collapse of a machine, and then to the destruction of a whole city in mere seconds. That was a shock, and I imagine what happen if there were any life destroyed by that careless action. What if there were a person or a plant? Yuu quickly laughs it off because it’s fun, but then when the blame game begins she blames the machine first, then the old people who used that machine, then to herself. Sometimes mass destruction can be easily caused like this, powerful weapons in a hand of irresponsible people. Girls’ Last Tour goes even further though, as the girls’ next destination ends up being the forest of windmills (or are they antennas?) and the nuclear submarine that still functioning. It’s not a pretty sight at all: even when the world is destroyed, the weapon that could destroy the world all over again is still waiting for its chance to launch. That pretty much the reasons why Girls’ Last Tour is so balance. It blends smoothly between its moeblob, slice of life nature and its really dark, destructive settings. That balance makes the show still have its footing on the ground, while at the same time hopeful and light-hearted enough to remind us the beauty of keep on living and enjoy little moments of life. With only one episode left I really hope we have a finale that close this magnificent show in the most satisfying note.

Posted on 13 December 2017 with categories: Currently Watching:, Girls' Last Tour

Girls’ Last Tour examines the concept of time and space this week, as the girls riding on a lonely moving train. The train design fits right in with this world: a long metal box that functions all by itself and contains many now-dysfunctional robots – corpses of the machines. Since last week we learnt that they are capable of thinking on their owns and sharing the empathy with human, it’s a sad sight to witness that they are now basically a worthless junk. What even sadder is those that still remain: the train’s still functioning despite no one else need a ride, the clock’s still running despite it loses all its meaning. It’s a neat trick from Girls’ Last Tour to insert the robots’ perspective imaginary to remind us about its past lives, just like the graves the girls saw the other day. Yuu wonders if they actually go faster now that they’re on the moving train, in which Chi-chan snaps back that theoretically they don’t, since they are always on the moving Earth. Time goes pretty much the same way. Technically, they don’t go any faster, but since the concept of hours is long forgotten it doesn’t matter either way.

And then Girls’ Last Tour address something that transcend both time and space: the wavelengths, in the form of radio waves and in the form of light. Yuu picks up a noise in the radio that she took from the filing cabinets. That noise becomes clearer the more they get closer to the surface; and it turns out to be a melancholic tune. It feels like the memory of the old people still linger in there. Moreover, there is a reason why cinematography and photography regard sunset as the golden hour, as it produces a magical and dreamlike effect. Light is technically a wavelength, and for this particular moment, both the music from the radio and the red sunlight create something sad, something that still relevant and can’t be lost through thousands of years. That beautiful, quiet moment is also an acknowledgement to the transience of life – that the moment only last for a short period of time – it’s a true sense of Mono no Aware if I’ve ever seen one.

The last segment, however, ends this episode in a much lighter and opening note, as the girls encounter a strange creature, whose they thought was a cat. This mascot animal looks very similar to the stone statue. Long, thin, white and somehow can repeat the girls’ words through the radio. It’s nice to see the girls take something in for a change, instead of many one-offs they have encountered so far. Girls’ Last Tour still produces a pretty solid, albeit a bit lacking in weight this time. Now, the journey of two and a half girls, continues on.

Posted on 3 December 2017 with categories: Currently Watching:, Girls' Last Tour

Leave it to Girls’ Last Tour to not only address the meaning of life in their lifeless world, but also what does life itself even mean. “What is life?”, that question is asked several times during the episode, and the girls can only come up with the most direct, simplest answer to this grand question. We are the life form, robot sure isn’t. Even us, the viewers, in this age and day, don’t even consider robot as a lifeform, do we? Since life is organic, including the capacity for growth, reproduction, functional activity, something that a mere robot doesn’t have. Girls’ Last Tour challenges that notion, as the show follows our girls into the one of the remaining fishery. The place is still automated functioned by a giant robot, and further inside is another robot who takes care of the last remaining fish in this fishery (if you noticed we’ve seen a lot of “last” in this series: the last flying airplane, the last potato few episodes back). The girls argue robots don’t have consciousness, yet their coding POV pretty much suggests that they process a consciousness of their own. The girls argue they can’t think on their own, yet in this episode they manage to do just that: talking to the girls, managing to keep on going even though the human race is gone. The girls argue that they don’t have feeling, yet they share a level of empathy that eventually touch them. Don’t those make the robot, then, a fully animated being?

And in fact, the concept of life that the robot explains is far beyond the life-concept of human being. The living things, organic and non-organic being include, inside the world forms a wholly giant organism. That world used to be “alive”, but now all we see is the remains of this death world. One of the main takeaway from the girls about “life” at the end, is that “maybe “life” means something that has an end”. That takeaway again aligns so well with Girls’ Last Tour main theme’s and its outlook of life. Throughout this episode, Chi-chan experiences herself in a brink of death by nearly get drowned in the fish pool. The plot soon thickens as the big robot decides to demolish the building, meaning the little robot and the last living fish will be soon dying as well. As soon as the girls acknowledge that the robots have life, they have to end the life of the big robot in order to save other lives. Killing it so to speak. This sequence won’t be as affecting without the moment when the big robot looks back, right before the Chi-chan pulls the trigger. That moment is an acknowledgement about the life the big robot has, as well as the acceptance that eventually everything will have to die, so the best way to die is to live on and hang in there (to borrow the lines from Kino’s Journey few episodes back).

The sense of empathy is another theme Girls’ Last Tour successful raises this week. Just look at how Yuu changes her attitude towards the fish: at first, she just wanted to eat the goddamn fish, then she is allowed to feed the fish, later on when she knows the fish is in danger, she decides to step in to save it. Empathy also plays a significant role in small robot part, as it sounds and behaves the most humane out of anyone in the cast so far and to the big robot, as I can see the empathy level of the robot towards the girls: it knows Yuu tries to kill it yet it seems to understand the reason behind it and gives in. It’s when you are truly alive that you can feel empathy. Girls’ Last Tour, once again, says so much by showing so little, asks so much about the deeper meaning of life with its low-key yet sometimes ambiguous approach. Another real winner episode for me.

Posted on 26 November 2017 with categories: Currently Watching:, Girls' Last Tour

Girls’ Last Tour again addresses many things about the meaning of life through its very minimalist method. This week, the girls encounter massive filing cabinets that remind me a great deal to the terrific Terry Gilliam’s visual style. Most of them are secured, but in the only few that are opened, there are only useless items: a dysfunctional radio, a button, a piece of cloth, an empty shell. The girls have no idea what those objects even mean, until they encounter the stone statue that it hits them. These items serve as a remnant, a memory to those who passed away. Here, the idea of memories is discussed and admittedly the one that I am sometimes wondering myself: when we get to the end of our lives, isn’t our existence defined by the memories of people we meet in our lives, and those people will be soon gone as well? Memories can be easily fade away, with the faces and the even the names you no longer recall. Our mere existence is goddamn futile. In this episode, Yuu already has a difficult time remembering Kanazawa and Ishii, despite just met them few episodes ago (and in the world where they hardly meet another human being, it does strain some credulity here. But we’re talking about Yuu after all, so it could happen), but she does remember Kanazawa through his camera, an item he gave to the girls as a parting gift. As long as the camera is there, the girls will remember him, just like the various unusable objects in that filing cabinets.

Then our girls head their ways ascending to the upper level. The way the girls spiralling around and around is a great metaphor for their lives, and pretty much our lives, are structured in the same model. We keep doing our daily routines in circle, in an endless loop that finally lead up to the final destination – our death. Well, Girls’ Last Tour isn’t that kind of bleak, pessimistic show so we also have Chi-chan getting dizzy with her cute dizzying expression and they escape death by the touch of hair trying to get across the unstable track (and effectively destroyed their track as well, I feel sorry for the next guy who go upon this path). Once they reach the next level, the new ruined landscape looks more organized, and less tumbledown than previous lower levels, with the sight of full moon to boost. They discover a golden liquid named “Beeu”, drinking them and dancing under the moonlight. Drunken Chi-chan might be the best version of Chi-chan ever. Moreover, the girls always have that close physical relationship with each other, the way they feel utterly comfortable lingering beside each other, and that quality again shines brightly under the spell of the moonlight and alcohol. I love the way Chi-chan breaks her character, to be even more expressive and active than Yuu. Just look at the girls enjoying those little happy moments despite the vast emptiness of the world around, whatever the end of this last tour might be (I’m starting to think we might have a very sad, bleak ending here), I know that they won’t have much regrets whatsoever.

Posted on 19 November 2017 with categories: Currently Watching:, Girls' Last Tour

After one of the most plot-heavy episode last week, Girls’ Last Tour goes back to its minimalist root this time, with only the girls and two interior settings. This could be Girls’ Last Tour’s simplest episode, with the plot can be summed up as those girls go to the ration production facility, at first slightly get lost in the labyrinth of pipes until they find the clear path with arrow signs and once they reach the facility, they bake their own ration using the left ingredients from the place. That’s it. But by all mean, this is another solid episode of Girls’ Last Tour. This show truly can’t do no wrong in my eyes. This episode also furthers demonstrate the strengths of the voice acting of both Inori Minase (Chi-chan) and Yurika Kubo (Yuu) (they also sing the OP and ED, both gorgeous by the way). As it goes without saying they have to carry the show by their own voices – being the only voices in the show – and they do it magnificently. Chi-chan and Yuu have incredible chemistry together with their natural banters and well-timed comedy.

What also interesting is how different in the way they approach life that they somehow complement each other and bring out the best from each other. In this episode, Chi-chan feels comfortable with the idea of arrow signs “What kind of person would ignore signs that would help them get to their destination?”, but that very idea makes the trip boring in Yuu’s eyes. Or their banters about the need to eat food, Chi-chan feels it’d be much better if human doesn’t have to eat, in which Yuu responds that isn’t living at all. Once again, we see the ruthless Yuu who turns on the potato grinder machine while Chi-chan is still on the conveyor belt, TWICE (and whose idea was it that the red button is on, while the green one is off?? No wonder that world is extinct now). Look at Yuu’s face who has no sign of remorse at all, makes me really wonder how Chi-chan can survive living with Yuu for so long. All jokes aside, both the girls have grown a lot on me. And those happy moments in the end where the girls make their own ration from what they learnt baking bread before further display little joys those girls have in this ruined world.

There’s one point that I notice while comparing the manga version with the anime last week, and again it’s more apparent during the first half of this episode, it is the feeling of hopelessness is more visible in the manga version. In the manga, that hopelessness feeling plays as a centre tone whenever the girls place themselves in this dead, vast world; whereas the anime adaptation use that feeling of hopelessness as a backdrop to produce a calming, healing experience. It comes as no wonder when I learn that many of the mangaka’s arts are quite depressing in nature, makes me really question how she going to finish this show off. As of now, one version doesn’t necessary better than the other. I enjoy both versions of Girls’ Last Tour to be honest and it’s one of the rare case where the anime production really understand about the strength of the source and strengthen many aspects that makes this show stand out in the first place. Girls’ Last Tour is as consistent as ever.

Posted on 13 November 2017 with categories: Currently Watching:, Girls' Last Tour

Some might say futility is an essence of life. That we spend our life wasted away for complete nothingness. And some might argue that what their life worth is based on how much they contribute to the society. Not here in Girls’ Last Tour, the world where the concept of society is long vanished, ultimately what do the surviving people all live for? That question is more relevant here this week with the introduction of another additional character to this minimalist cast. Unlike Yuu and Chi-chan who survive for the sake of being survival, both Kanazawa from episode 3 and Ishii this week have their own missions. For Ishii, she determines to build an airplane based on old records so that she can fly to another city. For the reason she builds it, unlike Kanazawa who regards making map as his purpose of life, she does it to escape the hopelessness of this dying city (“you’ll just end up dying along with this city”).

And if you still haven’t caught on with what I just described, hopelessness is the main theme of this episode. We see in the world of Girls’ Last Tour, where food, fuel and electricity are all scarce, the human left in this ruin barely survive the day. Wherever they go, they will likely end up with more, and more wasteland. The very act of making an airplane, as a result, is as nonsense and hopeless as it can get. It’s the plane that she self-designs based on the scattered blueprints within the base (which mean there’s a huge risk), it takes her a large amount of time to finish, and eventually the next city over might have been worse than the one she lives in right now. Yet she does it because she doesn’t lose hope. True hopelessness, after all, is not having anywhere to go. Ishii also wants the girls to serve as witnesses for the actual take-off (“If someone is watching, then I’m sure it will become a history”).

Although I love the inclusion of Ishii as she’s a wonderful inclusion for Girls’ Last Tour, I feel the pacing is too rushed at times. We don’t spend that much time watching them making the airplane, for example. With this episode, we also get a hint of the overall world-building of Girls’ Last Tour. Apparently, the girls only travel in one big abandoned industrial city with multiple levels as of now, the more they go to an upper level, the more food (hopefully) and electricity they can receive. Will they ever make it to the next city? It remains to be seen.

As staying true to the down-to-earth nature of Girls’ Last Tour, Ishii’s plane flights steady, and then crashes and burns. It was all pipe dream in the end. But Ishii feels relieved, and smiles to her heart’s content. It’s not the destination, but the ride that worth spending time for, and I’m quite sure that she will survive wherever she falls. And when you did your best and still failed, all you can do is just accept it.

Posted on 6 November 2017 with categories: Currently Watching:, Girls' Last Tour

Although Girls’ Last Tour can be described as a dark moe, there’s no denying that the show is the most comforting, healing anime of this season. What Girls’ Last Tour achieve flawlessly so far is its appreciation for small happiness in life, for little magical moments in an otherwise bleak and empty world. Episode 5, even more so than previous episodes, depicts those magical moments on screen, something that they haven’t done before. Case in points, remember last week, the girls crashed into one of the stone statue (they are the only vehicle left in the world, I must add)? That moment played mostly for slapstick humor, but this episode when Yuu hits Chi-chan in the head (to see if her head is empty, my my), there’s colorful sparkling symbols out of her head. Or when the two sitting comfortably in the chair and imagine the furniture they want to fit in the room or most noticeably during Chi-chan’s dream sequence; these moments are brightly, almost too cartoony, something that contrast with the natural, wash-out world Girls’ Last Tour has established so far. Yet, those moments somehow never feel out of place. I suspect they get away with those moments because they never intend to be real. Those are happy thoughts, quirky dreams that again speak to the “enjoy the little happiness” theme without betraying the bleakness of its world.

Again, Girls’ Last Tour is succeeded on addressing the most mundane everyday questions, but because they live in the world where those concepts have lost its meaning; their topics, therefore, are simple but straight to its core. This week, the girls find themselves a “house”, a cozy room where people used to live in. A room with a view, with sofas, functional water, and most importantly, with a door and a roof. They imagine themselves living in the place; and fill in whatever they want into the room. A bookcase for Chi-chan, a pantry for Yuu, a bunk bed for both. That moment really drives it home for me because it what “house” really is: a place to return to, a place to settle down, where they can sit down and relax. But in this vast place of nothingness, the only mean to survive is keep on going, and the girls know it. The last section, music, plays out equally impressive. Music is always considered as an expression of emotions. As the music grows more complex and layer, sometimes we forget that it can come from some something so natural and simple: the sound of rain, the sound of random noise from bottles. It’s not the arranged set of sound, but rather it’s the music for those who have keen ear for natural sound, and the music is the music of their hearts. I’m ashamed to say this consider how much I love dense, complex and progressive music, but the sounds the girls manage to capture right there is music in its purist form.

I have to say that the manga by itself is a pretty formidable beast. After all, asking many deep, philosophical theme in a casual manner like this is a hard string to pull, and yet Tsukumizu (not sure about the gender of the mangaka, anyone here has any idea?) manages to pull it off. But the direction of this anime not only keep the right spirit of the source, they also enrich the manga with the advantage of visual and sound. This episode, once again, speak to that strengths that make this anime even more impressive compare to the manga. I read the manga chapters where this episode adapted from, and one thing I noticed is that with the lack of visual flare (like in “Nap” chapter) or sound (in “the Sound of Rain” segment), the manga can’t come off as alive as in the anime. That ED song in the end, for example, is a great addition to the source and it really captures the magic and ends the chapter in a literally high note. The colorful, playful visual in first and second chapters, in addition, strengthen the magical feel of the show. Girls’ Last Tour has received a top-notch adaptation from White Fox, who obviously love every moment of making this show into something so comforting, yet consistently great. I really have no complain whatsoever with Girls’ Last Tour at this moment.

Posted on 29 October 2017 with categories: Currently Watching:, Girls' Last Tour

We have another solid entry of Girls’ Last Tour as this weeks the show focuses back to the dynamic duo with some light philosophical touch. In Girls’ Last Tour, they run around the idea that civilization is a foreign concept. Those girls are stripped away the existing knowledge of the past era, our girls can only rely on Chi-chan’s limited knowledge to figure out the world around them, and at large the very core of our civilization’s sophistication loses its meaning. Usually, Girls’ Last Tour addresses the meaning of high-concept terms (like “war”, “God” this week) through the eyes of our main duo. Due to the fact that those girls have little to no understanding about the concept of tradition, society and civilization, they explain those concepts based on their practical and logical reasons. “War” for example, is just a glorified term of “Conflict”. “Gods” that were once worshiped, likewise, are nothing more than stone statues and in that sense, “What is Cheese” is equal to “What is God” since those girls don’t understand the context of it.

Yuu struggles to comprehend why people put so much efforts for a fake paradise, in which Chi-chan argues, Pascal’s Wager style, that the belief is based not on an appeal to evidence that God exists, but rather that it is in their interests to believe in God and it is therefore rational for them to do so. Like the way Yuu freaks out when she is left alone in the dark. When she has no one else she can rely on, she holds on to her gun (such good metaphors here) and realizes the importance of Chi-chan’s company. The same can be said with the worshipers. For the unknown and terrified afterlife, believing in God they will receive a good reward in the other side of the world. A heaven paradise.

This episode also features the stone statues quite prominently. I guess that the higher the level Chi-chan and Yuu explore, the more modern and complex civilization they encounter. In this level, religion was keep popping as they go along since those stone statues represent worshiped gods. If you haven’t noticed, all the stone statues’ look to the left, only the one “God” who looks to the opposite side. I love such tiny bit of details like that. Also another tiny detail that blink and you miss is that the camera that Kanazawa gave them last week signifies the year they might live in:  year 3230. Talking about the camera, the first half we have the girls playing with their new toy: taking pictures as they move along. The girls then make a pointed comparison about the food will be all used up one day, but the pictures are there forever. When the world breaks down and there will be no more living person left, those pictures are still there, preserved by the moment it was taken. Chi-chan then has an idea to preserve that very moment: the two of them together. The moment they move slowly closer to each other is pretty intimate. The girls still have a rock-solid chemistry together. To answer all the philosophical, deep questions these girls find themselves into, Yuu nails it the most:

“What is Cheese – food”

“What is God – not food”

“Why do people live – food”

CHANGE USERNAME
Animosh
@Kaiser & Amagi: I also had lots of political discussions with my father. Didn't know that was such a common occurrence. Boys will be boys I guess? And he's actually a former Marxist too, having grown up in the 60's-70's and all. Now he's just a boring socialist though. ;)
Animosh
RErideD seemed really promising in theory: an original time travel anime written (at least in part) by Abe, with the director of Steins;Gate in charge? Count me in. But unfortunately the reviews so far seem to be uniformly negative. So I'll probably avoid it for now.
Kaiser-Eoghan
Four episodes of RErideD: Tokigoe no Derrida got uploaded at the same time earlier.
Kaiser-Eoghan
@Lenlo: Yes, although probably just for the Saturday, usually the best day to do so because thats when the sellers are there, usually everythings gone by Sunday. Friday is generally anime pub quiz.
Lenlo
Its just a saturday, so busy. And Kaiser, nice. Gonna go to the con at all?
Lenlo
As a writer for it, I dont believe so?
Anonymous2818178
is this site dead?
Kaiser-Eoghan
There is an animecon here in two weeks. That eyepatchwolf youtuber will be there.
Kaiser-Eoghan
I still have old single issues of fushigi yugi, inuyasha, Ah my Goddess, narutaru laid around.
Kaiser-Eoghan
They used to realease them like single American comic book issues in the west.
Kaiser-Eoghan
I'm not talking bound volumes but actual 20-30 pages chapters and these would be expensive.
Kaiser-Eoghan
Who remembers RENTING anime dvds and RENTING videogames? Does anyone else remember buying each individual manga chapter as they came out when the official English translations rolled around?
Kaiser-Eoghan
Anyone willing to post their desktop? https://ibb.co/buc4Zz
Kaiser-Eoghan
Or things like Mischief makers .
Kaiser-Eoghan
I know vonter mentioned Mystical ninja 64. But I remember after I'd moved on from the snes to the N64 when I was younger, growing up with that obscure castlevania game on it, or stuff like those 3D bomberman games no-one cared about. Or obscure stuff like body harvest, jet force gemini, blast corps , turok, quest 64 and shadowman.
Kaiser-Eoghan
I love coming across those online lists of literally WHOtier, WHOcares , games literally only YOU liked and heard of/played. Makes me feel less alone.
Amagi
I was also always discussing about politics with my father. Whenever we started with this my mother just said "porca putana" and went into another room to watch tv in peace.
Kaiser-Eoghan
@Animemosh: lol I have daily political discussion with my Marxist-Leninist father just like that =)
Kaiser-Eoghan
Oh I should state, even though I'm not as bothered by the modern setting, I actually do prefer the cold war narrative.
Kaiser-Eoghan
@Animosh: The documentries name was Battle of Chile by Patricio Guzman.
Amagi
Especially since I don't think that the typical BF audience is of a kind that would lose interest because a series is taking place in the past. It was just written for the 80s, people can't just change that without changing the story itself to some degree.
Kaiser-Eoghan
@Animosh: I thought the anime did such a good job with Shio's backstory , that I didn't miss what was omitted. The anime is now up to date with the scans. I do agree that Satou's obsession with Shio is non-pedophilic but I think the scene itself is kind of going to give the wrong message.
Amagi
@Animosh: one of the many reasons why I would have prefered Banana Fish's original setting.
Animosh
By the way, apparently the backstory of Shio's mother - which supposedly is really tragic - was largely skipped. Guess I'll have to read the manga.
Animosh
I get what they're going for, recreating the ritual and all, but I also thought the Shio-Satou moment was a bit forced. I still think their relationship is platonic though. Satou has never been shown to lust after Shio: she just fills her with warmth and happiness. They're more like messed up siblings than (romantic) lovers.
Animosh
@Kaiser: sounds interesting! Chile is an excellent example of the kind of Cold War intervention that I really don't see happening today. Although you never know with an impulsive narcissist in the White House.
Animosh
End of monologue. Sorry about this. :p
Animosh
Long story short: I think the Banana Fish conspiracies fail to adequately represent the current situation. At the very least, it fits the Cold War world order much better.
Animosh
That includes the US (backing the Kurds and the rebels), but also Turkey and the Arab states (Sunni rebels), Russia and Iran (Assad), and so on and so forth. You can't act like this is the fault of one party. Hell, I'd say Russia and Assad are more responsible for failing to a peaceful resolution when they had the chance.
Animosh
As for Syria, it's a mess, but the US is only one of many parties responsible. And oil isn't particularly important in this conflict. It's a civil war that's been made much worse by the influx of money and weapons from many different parties vying for regional influence.
Animosh
So what does it do? It gives military and financial backing to militias with shared interests (which is much less than Russia does, by the way), orders drone strikes, and perhaps the occasional tactical strike. But overthrowing countries and setting up puppet regimes? I don't see it happening. That's basically declaring war on the other big powers.
Animosh
And even when it does intervene militarily, it rarely goes all out. The US has learned from Iraq and Afghanistan. It doesn't want to be dragged into another endless conflict, or see its efforts end in another brutal civil war that destabilizes the region.
Animosh
So although the US occasionally still intervenes militarily in other countries' affairs, other means of pressure are now more popular. The sanctions against Iran and North Korea are a good example of this.
Animosh
The current landscape is much more complex. America is still powerful, of course, but relatively speaking it is in decline, and that means it can get away with much less. Today's world is closer to a multipolar world, with many sides fighting for influence. And because the ideological conflict is much less pronounced, the US is much less willing to go against its purported values.
Kaiser-Eoghan
@Animosh: Coincidentally I recently watched a series of Chilean documentaries regarding the murder of Salvador Allende and the installation of the Pinochet Junta.
Animosh
And that meant both that America was far more powerful than it is now, and that much more intervention was considered acceptable - including shamelessly backing dictators that oppressed and exploited their people. After all, a defeat meant evil would prevail.
Animosh
Obviously the US still interferes in other countries. Quite a lot, actually. But there's a big difference between its current policy and that during the Cold War. Back then the geopolitical landscape was very different. It was bipolar, with two big Isms (capitalism and communism) fighting it out.
Animosh
@anon: not sure if this is the right place for a political discussion, but whatever. I like politics, so here we go.
Kaiser-Eoghan
*was no exception
Kaiser-Eoghan
@Animosh: If, out of the many moments in happy sugar life that I'd consider unsettling, it would be the one's with the aunt and this weeks episode was an exception. That last part of the episode will be interpreted as shoujo-ai bait by people though.
Kaiser-Eoghan
Looking forward to Angels of death next week, I think we're getting answers, glad to get answers on bad guy even if he is a simple villain.
Kaiser-Eoghan
Now this is an interesting coincidence as last night I just got done watching a documentary about cyberwarfare against Iran.
Kaiser-Eoghan
Thats alot more detailed than what I was going to say. I was just going to say that it reflects current foreign policy.
Anonymous2808488
however the current stalemate in Syria is a reflection of the intransigence of the monied elite to not let go of ill-gotten gains, constantly provoking conflict with Russia/Assad/Iran
Anonymous2808488
Its a documented fact the US/EU promoted the Arab Spring/ISIS rebellions and it was stopped by patriots with a conscience
Anonymous2808488
replace with the mexican cartels/Hezbollah, and oil money promised to Cheney-connected Genie enerrgy
Anonymous2808488
its a pretty accurate description of the current reality minus a couple silly things like the mafia and mind control drugs
Anonymous2808488
You guys realize this plot is unfolding in Syria just replace drugs with oil money
Lenlo
Its hokey in the now, but in the original context the series was written, the Cold War, I think it could fit really well.
Animosh
@Kaiser: what felt awkward to you? I thought the pumpkin stuff in particular was pretty hilarious. Eiji is an evil guy. :p
Animosh
Yeah, the conspiracy stuff feels a bit wacky in the present. But in the context of the Cold War, it makes perfect sense. The USA supported plenty of bloody coups after all, especially in Latin America. Hell, they even backed the Taliban in their war against Russia.
Kaiser-Eoghan
In the future I want to make a bigger effort to follow MORE of whats being covered on here seasonally.
Kaiser-Eoghan
http://kissmanga.com/Manga/Red
https://manganelo.com/manga/red_naoki_yamamoto Two history manga, wonder if they'll be fully translated.
Kaiser-Eoghan
I imagine most will probably agree with you anon though. I have alien taste/opinions. I also love conspiracy stuff =P
Kaiser-Eoghan
@Anon: Originally, in the manga version of that part, it was attacking communism in south America.
Anonymous2805624
I don't know; I kinda find the whole Middle East stuff a bit hokey; maybe that's just me.
Lenlo
Im about to watch it. Looking forward to it
Kaiser-Eoghan
I know its only one line, but that they still mention skip and shorter, even its just their names, at least the show keeps them in mind.
Kaiser-Eoghan
With episode 12, Banana fish has successfully contemporized its political/cospiracy aspect for me . Eiji is semi-uselful. Humour in this episode for the first time feels awkward, fast pace kind of means that the quieter slower scenes , though I still enjoy them, feel slotted in.
Lenlo
Most of my emotions this week came because of the original and my love of it, not this one
Lenlo
I agree, Steins;Gate 0 had all the potential, and there are some specific episodes that realized it. Like this episode had a lot of touching scenes cause it slowed down to play up Okabe's relationship with Amadeus. But most of the time, it fails to reach that potential. So as a whole it just feels... lacking
Kaiser-Eoghan
Plebs, not combining both into a single dessert.
Anonymous2802297
I'm talking about that sweet saccharine Chocolate Mousse, the Ganache, or the Chocolate Gâteau. Your puny muffin stands no chance. Mwahaha!
Anonymous2802297
Blasphemy. As a proud American, I can't stand for anything less than pure unadulterated diabetes-inducing sugar in chocolatey cake form. Anything less is an insult to my great nation. /s
SuperMario
@anon2801739: that's a nice analogy but I can't say I agree as I prefer chocolate muffin much more than chocolate cake :)))
Anonymous2801739
Steins;gate 0 is all potential but generally it's wasted. Whenever it actually seems promising they manage to jump plot points to boring nonsensical melodrama for a century. It was supposed to be a chocolate cake. Instead what we got was a muffin with tiny chocolate chips buried few and far between. Yeah it's still sweet at some points, but most of the time you're chewing through pointless fluff.
Lenlo
Like I said in my last post on it I think, the pacing is fucked
Animosh
I did like that the lab members finally acted like scientists again, methodically thinking through their options and all, and there were some pretty touching individual moments and nicely tied up ends. But mostly I'm just annoyed by all the unfulfilled potential of this show.
Animosh
I also hated the backtracking in the beginning. Don't make such a big deal of The Return if you're going to throw it out of the window in the next episode.
Animosh
I really don't understand Steins;Gate's pacing. It slows down to a trickle in the largely irrelevant middle part, and now that things are finally getting somewhat interesting again it just speeds through everything without building things up properly? I don't get it. And how on Earth are they going to resolve everything satisfactorily in one episode?
KTravlos
Reinhard (old series). Ash is interesting and depicted well, but not close to Reinhard. There is something noble in Reinhard, something beyond charisma.
Anonymous2797046
In a charisma battle between our two favorite Blond Boys (doing what blond boys do), who'd win: Reinhard or Ash?
Kaiser-Eoghan
Kind of felt this is what prelude penultimate episode/calm before the storm episode should be and I liked quite liked the ginko and souya scene, but I'm still eh, I shrug at this.
Vonter
After watching some more Star vs. the forces of evil. I'm getting Jitsu wa Watashi wa vibes. The Sailor Moon-like character episode was cute.
Kaiser-Eoghan
The bullying arc in sangatsu made me want to shootup the school.
Lenlo
I will admit, the family life stuff is less engaging than the crippling depression, but I dont think that would hit as hard with out the relaxing bits in between. Dont want to overload the audience.
Anonymous2791561
3-gatsu no Lion has its ups and downs; its ups are the intense emotional drama or shogi matches, while it's downs are the more relaxed slice of life food porn stuff. When I say up and down, I don't necessarily mean good and bad, just more about the intensity. I personally found that I could enjoy both styles, but sometimes I'd find the slice of life stuff dragging on.
SuperMario
Well, I regard 3-gatsu as one of the best character-writing in this medium in recent years. As for shaft, I'm their fan but even me was worried when I learnt Shaft adapting this. They did a nice job thankfully
Kaiser-Eoghan
Though I was glad that the comedy becomes more reigned in later on.
Kaiser-Eoghan
I got used to the tonally discordant humour eventually, accepting that the show essentially exists in two plains.
Kaiser-Eoghan
In tsukiyomi moon phase Shinbo made some of the shots look like photos, which was cool given the protaganists profession. Their weird style also was a good fit for an oddball show like Zetsubou-sensei.
Lenlo
I just finished the 4th episode, and so far I am torn on Akari. Im still not sure what to make of some of these relationships. I love the permeated depression theme in every episode though.
Kaiser-Eoghan
I wonder if it will get a third season.
Kaiser-Eoghan
I want Akari to be my mom.
Kaiser-Eoghan
Hmmm only 9 out of 13 volumes adapted, which means the anime hasn't adapted the best bit.
Kaiser-Eoghan
Unfortunate that the sangatsu manga doesn't update often.
Kaiser-Eoghan
While I haven't seen it, I heard that vocaloid thing shaft adapted was very poorly suited to their style.
Lenlo
If a drama can actually make me feel something, actual emotions, then its a success. But it takes a pretty good, well made drama to do that.
Lenlo
I am very particular about my Drama'
Lenlo
Im planning on burning through the whole thing in the next few days. Maybe then ill try the manga, since there is probably more
Kaiser-Eoghan
@Lenlo: I didn't think your lie in April or sangatsu would actually be your thing. They're very drama-ey.
Lenlo
Basically im with Kaiser on this one. As for Shaft, I am very show by show with them. I couldnt stand Nisekoi, yet Sangatsu's color palette and way of drawing faces really has me
Lenlo
See, so far it has a very Mushishi/Fune wo Amu/Your Lie in April feel to me. I love these kinds of things animated, because I feel the music and color-choices really help set things in the mood.
Kaiser-Eoghan
@Mario@Lenlo: We can be Kanabros for life all three of us ;)
Kaiser-Eoghan
But in general I do think shafts style lends itself at its best to more comedic work.
Kaiser-Eoghan
I actually felt that shafts style elevated their adaptation of Sangatsu. I find it easier to watch these slow paced shows than reading them. Also Kana Hanazawa.
SuperMario
Shaft's style can be a hit or miss with the audience, however. While I don't mind that, I still would recommend you try the manga instead
SuperMario
Oh, so you still have, like, 40 episodes left
Lenlo
Huh. Finally got around to March Comes in Like a Lion, gotta say. 3 episodes in, its pretty good
Kaiser-Eoghan
Speaking of it though, I wish they'd get that proposed new Vampire hunter D anime off the ground.
Kaiser-Eoghan
Though my memory on this is extremely fuzy.
Kaiser-Eoghan
Y'know, I saw an article there on anime news network referring to the second vampire hunter D film, I know I watched it years and years ago, loved it, but I forget the plot, thinking about it now, how was the dude D was after supposed to survive without blood after buggering off to space alone with the girl?
Anonymous2786239
Amen to that
Anonymous2785164
I read blogs to see opinions on anime, not to read about how blog writer is much better than some youtuber I probably have never heard of :D
Anonymous2785164
Anyway, don't any of you guys let that get up to your head :p I'm also annoyed whenever media producers start mocking each other and setting themselves up as better.
Anonymous2785164
Nothing is more annoying to me than nerd doing the stereotypical nerd voice to mock people
Anonymous2785164
Either way, I kinda dislike majority geek youtubers because I find them all to be hypocrites. Like for example, complaining about commentors correcting them or nitpicking them when all of them are nitpickers themselves :P
Anonymous2785164
That said, he has habit of commenting on things way too early only to later on to be proven wrong by end of the anime :P
Anonymous2785164
That said, I don't remember Mother's Basement being that bad besides that he for most parts really sucks when talking about video games despite apparently having studied game development
Anonymous2785164
@AidanAK47: I don't actually like any of anime youtubers. They all seems to be pervs to me and I'm actually rather prude person :p
Anonymous2785164
Hmm this chat is being buggy again and I can't change username from anonymous right now :P ANnoying~
SuperMario
@Lenlo: Readers will enjoy us more if we can throw some meme references... proof that we're still not out of touch with current trends ^^
Kaiser-Eoghan
@Lenlo: I mean the opposite, the posts here are good because they don't use quips. They aren't fanboyish either.
Lenlo
Are you telling me I need to insert more quips. jokes and one-lines into my posts? Cause I can do that
Kaiser-Eoghan
@Aidan: Drop grand blue if its taking up too much time, I know you are busy.
Kaiser-Eoghan
Thats why I enjoy reading blog articles like on here. I feel the writers on here never sound like awful fanboys or quiplords.
Kaiser-Eoghan
*I have
Kaiser-Eoghan
I think its down to an idea have about vloggers/youtubers, that the videos will be full of unfunny quips and unrestrained fanboyism due to the guy doing the video can't keep himself in check.
Lenlo
Digibro isnt worth listening to imo
Kaiser-Eoghan
Never even really pursued listening to digibro. Although I probably should listen to eyepatchwolf apparently.
Kaiser-Eoghan
I should say the anime youtubers I've actually watched pertain to: Gigguk, one video by blackanimecritic, a few countdowns by Mistychronoxia and Animeman . I think I've watched maybe two of glass reflections reviews.
Anonymous2781300
I don't know, r/anime probably is also not the best sources; Youtube and Reddit are just the places I generally go to for large-scale anime discussion
Anonymous2781300
Oh my previous comment didn't post; basically I was saying that Anitube isn't super representative of audience popularity, at least as a whole, but it might offer some insight to at least a portion of it.
Anonymous2781300
*audience you're looking at: there's the Japanese audience and Western audience, but I feel like there's also like, another half of the world that most be people don't consider.
Anonymous2781300
It kind of depends which audience you
Kaiser-Eoghan
I don't even watch gigguks videos anymore.
Kaiser-Eoghan
I've never really cared enough to overexplore any of those anime youtube critics for the most part.
Kaiser-Eoghan
If someone keeps talking about something, eventually it'll sometimes work out and get through, then I'll at least have to see some of it.
Kaiser-Eoghan
@Aidan: I watched it because you kept saying not enough people were watching it.
AidanAK47
@Masky, cause Mothers basement did a video on it? Well hopefully it gets it some attention. Don't really like MB though. I mean "Gurren Meets Earthbound"? Jesus Christ.
Masky
Hmm, seems like Planet With is slowly getting more attention to it
Lenlo
I know im Shonen trash, but Hero Aca continues to be fantastic.
Animosh
You know, one person ends up broken through no fault of her own, and then ends up hurting herself and/or others to protect the only happiness she knows. And so the cycle continues.
Animosh
I thought Shio's backstory was really sad too. But yeah, although the show (and many of its characters) can be silly a lot of the time, there's a beating heart behind all of the craziness. Its main characters all have believable - if misguided - motivations, and the show portrays the cyclical nature of trauma very well.
Kaiser-Eoghan
@Animosh: I think the scene with satou breaking down near episodes end were the standout. I often laugh at this show for its overthetopness, then makes me feel like a jerk by pulling something depressing.
Kaiser-Eoghan
@Amagi: Escaflowne ended too soon and abruptly. I haven't seen rayearth but I have read the manga, so I don't know if the anime original content is as good.
Kaiser-Eoghan
I've noticed that the voice acting tends to be worse in reverse harems then regular harems.
Kaiser-Eoghan
@Amagi: Regarding otome, one of the worst cases though had to be hakuouki though, just a bag of complete wasted potential.
Kaiser-Eoghan
@Amagi: While I didn't dislike Red river, I have the unpopular opinion of preferring Basara because I found the central relationship more interesting.
Kaiser-Eoghan
@Amagi: Yes that was babylonia no shishi.
Amagi
I wish we could get isekai like Rayearth, Now and Then or Escaflown again.
Amagi
Sadly these series usually fail elsewhere, with the typical problems shoujo and otome series tend to have
Amagi
@SuperMario: strangely enough this is somewhat typical for shoujo whereas generic isekai can't get off that fake-rpg spleen. There is also a shoujo in which feMC gets transported into some old turkish setting and one with babylonia (think the latter was done by that mangaka that also did Cantarella).
Kaiser-Eoghan
Theres also a shoujo manga called babylonia no shishi.
SuperMario
maybe it's one of the earliest example of isekai if you don't regard isekai setting as strictly fantasy world.
SuperMario
" Or even something egyptian, babylonic, or mayan." -> actually they did just that. One of the old classic shoujo, Crest of the Royal Family, is about a girl transported into Egyptian royal family. https://myanimelist.net/manga/5284/Ouke_no_Monshou?q=Crest of the Royal Family
Kaiser-Eoghan
I think the success is, if a series can distract you and still make you feel something, even if there should have been more to the characters.
Kaiser-Eoghan
@Animosh: Beyond Arthur and Dino, who always came off to me as "the bad guys to be defeated", I think I might have been so into Ash that I didn't really pay as much attention to his character development as you and Mario did.
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Featured Posts

Banana Fish – 12 [To Have and Have Not]

Welcome to the halfway point for Banana Fish. This week Ash prepares for his final showdown with Arthur, he has some moral quandaries, and gets terrified by pumpkin pie. Lets dive in! So, general stuff first, Banana Fish’s pacing this week felt a bit fast to me. Banana Fish covered a lot of ground, from […]

Steins;Gate 0 – 22 [Rinascimento of Projection -Project Amadeus-]

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Hanebado! – 11 [Because I Love Badminton]

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Planet With – 10/11[Karellen and Rashaverak/Azrabarakura]

Forgive me for not covering this last week but believe me when I say it wasn’t due to lack of interest. Planet With still remains a show that just tops itself with every episode. Though I don’t have much to say about episode ten other than it being another episode which could have acted as […]

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Chio-chan no Tsuugakuro – 11 [Chio in the Middle of the Night/ Apocri!]

Well, no surprises here. Chio-chan flips back to its usual self. Chio-chan has always been a minimalist-set show, with mundane set up in which only a handful of characters carry the gag. It rings especially true this week, as Chio’s antic makes up the first half and Manana’s wild imagination drives the second. As per […]

Banana Fish – 11 [The Beautiful and Damned]

Welcome to another week of Banana Fish. This week it slows down, gives us some heartwarming character scenes and the beginnings of a gang war. Lets jump in! So, starting off, the general stuff. Overall I enjoyed Banana Fish this week, but we have started to see issues with the breakneck pace it’s had until […]

Steins;Gate 0 – 21 [Rinascimento of Image Formation -Return of Phoenix-]

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Shoujo☆Kageki Revue Starlight – 09 [On the Night of the Star Festival]

The last three episodes when Revue Starlight focuses on Banana’s arc brush off my own reservation for the show. This episode, for me, is almost perfect in its storytelling department. First, it builds up Banana’s conflict and then resolves them in an insightful manner. It puts Karen back again as the main protagonist (and the […]

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Mirai (2018) Movie Review – 81/100

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