Posted on 9 July 2018 with categories: Anime Reviews, Hisone to Masotan

Coming off as one of my most anticipated anime out of this last Spring Season, based solely on staffs involved alone – after all, an original anime written by Mari Okada and produced by Bones (which I regarded as one of the best anime studio working right now) – I can’t help but feel let down towards how HisoMaso progresses and wraps up. It’s a show with many highlights, mind you, as I consider the production as one of the best of the year so far: simple yet expressive character designs, stunning backgrounds and crisp animation. All you could ask for really. It has some interesting ideas, but that precisely pains me even more that the world-building just doesn’t support the ideas HisoMaso has.

To begin with, let’s address my main issues regarding this production. Unlike other anime shows which bring themselves down by treading the same tired path, HisoMaso is a show with many fresh concepts. I would applaud anyone who can think of the idea of them inside the dragons and piloting (note: not riding) as a military fighter jet. It’s a wonderful and whimsical mix concept that fit into the easy-going tone and the simple character designs. In fact, the first few episodes still carry this concept forward due to the fact that it never takes itself seriously. That’s when the issue arises when we need something more substantial when the appeal wears out, and it becomes increasingly frustrated to see the plot progresses without any backup. As an example, the show introduces the whole “ritual” concerning the whole giant dragon which “wakes up” every 82 years. It opens a whole new can of worms regarding the whole village who dedicated themselves solely for this event and even the process of it all. Equally under-developed and underwhelmed is the anastomosis bit, which for me is the prime example of creating conflicts solely for the sake if conflicts. As it stands, HisoMaso often feels like a first draft on a novel, many wonderful ideas but all of them are half-baked because the creators just don’t spend enough time to think this through.

The half-baked approach spread into the characters themselves. These girls have many quirks that distinct them to the rest of the cast, but at the end of the day there simply isn’t much development for them, or the development feel calculated and forced. Take Kinutsugai and Hitomi, the D-pilots who appear at the poster and the ED, HisoMaso just doesn’t know what to do with them. Same thing regarding the dragons, which feel more like mascots. The main lead Hisone embraces what could be the worst tendency of HisoMaso’s attempt of developing characters. Like the show, she tends to tell us out loud what her issues are, and like the show she tends to make rather weird decisions. Many of her conflicts are raised and solved within an episode, as a result the development doesn’t feel earned.

Speaking about making weird decisions, I can’t still put my fingers on the central message of HisoMaso. In some ways, Mari Osada underlines the struggles of working women in Japanese society, as they have to choose between career and family. Having Hisone and Hoshino fall in love that could potentially cause negative impact on piloting the dragons is part of that strategy. But how do they deal with it? By having the entire army unit work on “make them fall in love then crush their love apart”. That’s mean-spirited to the point of stupidity. On that note, they didn’t resolve the love’s conflict thoroughly either. Second, HisoMaso marks the relationship between the dragons and their pilots, as we see in how Hoshino struggling as she considers herself “a pilot” – not dragon caretaker; and we see the theme reflected by the titular characters. But the problem with its is the way Hisone regards her dragon. She considers Masotan as someone who see the specialness in her, and piloting dragon is something that make her worthwhile, as a result in episode 3 we have something as obscure as her demanding Masotan to “take responsibility” because he picked her. That level of dependence repeats later on, when Hisone argues with another girl solely about a boy. This questionable treatment to women is unacceptable, especially with a show about adult women written by an adult woman. As a result, HisoMaso become the first show from 2018 that receive a minus (-) mark from me.

But what HisoMaso makes up for the under-cooked story is the sheer power of visual presentation. Everything looks great, the characters are on the simple design, but that’s exactly why the studio can go wild on their facial expressions and characters movement. What it’s lack from the character depth is replaced by their mannerism, in which each character moves differently and has different tones. The background designs are simply gorgeous with bright color palette, and the animation are crisp and a feast to an eye. If you don’t mind the lack of deeper layer, HisoMaso’s aesthetic alone would serve as a visual treat. Indeed, at top of my mind only the recent FLCL’s production is on the same level with this show for the first half of this 2018 calendar year.

So yeah, HisoMaso is a show with many highs and lows. Its visual strength is amongst the best of the industry right now, and it’s an easy watch all around with some emotional resonance. The lack of a well thought-out world, however, hurts the show since it’s crumble as it moves along. It’s still a show worth checking out, but don’t delve too deeply into it.

Posted on 4 July 2018 with categories: Currently Watching:, Hisone to Masotan

And we come to a close of this Dragon Pilot show and I’m still indifferent on how this anime wraps up. It’s not a bad ending per se, it has a good emotional payoff and it does somewhat wrap up the story. The more it gets into the conclusion, however,  the more I see inconsistencies in its world building that just throw me off even more. Hisone, as we suspected last week, after learning about the sacrifice, decides to defy the ritual and save the girl instead. She then, in her Hisone mood, sacrifices herself to put the dragon to sleep. But Masotan saves her at the end. It’s all fine and mighty, although I would be much more appreciate if HisoMaso explains me about the “stabbing” beforehand. It just feels as if they create that step to raise the conflict. Indeed a lot of “conflicts” in HisoMaso is designed that way. I know I’m mainly disappointed by the inconsistencies of its world building but it’s the first and foremost factor to sell me on the story as a whole. Failing that and it pampers my personal investment to the show and it makes me question the credibility of every plot’s progression.

At the end though, it saddens me to say that I don’t learn that much from the cast. Except for Hoshino and Sada who have a bit of development, all the side characters are under-written in general. The dragons are cute but again they are just that, cute. I do like the way they’re all confident that Hisone and Masotan will come back somehow in the end. The visual is still a wonder, which pains me even more that it can’t save the show from going downhill because of the weak writing.

Full review will come later but here’s some dot points of what get on my nerve in this finale:

-Grandma pilot Sada with her back story: if she feels that devastated how the hell she didn’t cause anastomosis to Masotan then?

-How comes all the back-and-forth exchanges between a girl who wants to save another girl is all about some other guy? It’s a under-representation of women role. Even with Bechdel test it fails fails fails miserably.

-Okonogi doesn’t fare any better. His childhood friend is on a verge of death and all he thinks of is Hisone

-At the end, even Natsume is more fleshed out than Kinutsugai and Hitomi, and I hardly regard her character as flesh out.

This show just disappoints me to no end.

Posted on 25 June 2018 with categories: Currently Watching:, Hisone to Masotan

What’s there to say about HisoMaso? I’ll be blunt but I see this whole final arc a missed opportunity. It builds from neat ideas, but the way the show creates and resolves its conflicts are hammy at best. Take the two main struggles this episode: Hisone decided to quit the job altogether and the grandma possible yuri relationship with the old miko. All of these are established and quickly resolved in about 15 minutes, and I can’t say I feel anything about their conflicts. For Hisone, I can ‘barely’ get the reasons for her quitting. She doesn’t want to hurt the people she love. But for me it’s just an easy way out, she’s running away because she can’t deal with it. Now, I realize that this is HisoMaso’s point all along, but consider this: why the show introduces this drama too late of a game? Is it creating conflicts for the sake of conflicts? This new development effectively kills little interest I have left for Hisone character.

And then we have a brand new conflict in the name of Sada and that opens up another can of worms. Sada formed a special “relationship” with the old miko, just so that she witnessed the death of that shrine maiden and still hanging on it. It’s a nice little drama in concept, as it questions the necessity of sacrifice someone. But in practice, we have HER piloting Masotan instead of Nao, which for me makes completely no sense. Isn’t it another case of creating conflicts for the sake of conflicts? And then all this plot is building up for HISONE JUMPING INSIDE MASOTAN. Have you ever heard of the expression “Jumping the shark”? Well, it’s the same here (Jumping the dragon!). And it comes up with some more issues. First, how the hell it’s okay now that there’s two pilots inside the dragon and second, it feels that all these developments feel utterly calculated, and I must say, cheap.

Regarding how this story gonna closes up, I’m guessing that Hisone will find a way to save Natsume and all them come back safely. Remember they are inside the great dragon, right? Couldn’t they pilot or do something the same like what they do with Masotan and other dragons? One more thing that struck me is that the old lady might not die yet. We see her shredded clothes but surprisingly not her body, and regrading it’s HisoMaso we’re talking about, it could go in any direction. I still feel a bit betrayed how Hisone gets off and comes back a bit too quickly and easy, and worse the worldbuilding just isn’t strong enough for me to completely suspend my disbelief. For me it’s just another case of creators don’t think about this world hard enough.

Posted on 19 June 2018 with categories: Currently Watching:, Hisone to Masotan

Pretty visual aside, I wonder how much fuel left for this aircraft before it runs out of ideas. HisoMaso has never been a show with detailed world building, or even thick plot to begin with, and as the usual case for me, nothing much happened in this episode. The biggest plot point of this week is that Hisone and Hoshino now have to choose between love and career because somehow fallen in love is like a toxic for your dragons. I guess Okada’s point is that she raises one of the most common issues normal working woman will have to face: family or career, but even putting this story in that light, I can’t help but think HisoMaso is sexist. Guys are free to flirt around, guys at the top twitch the noses of our girls, and our girls take all the fall. Not only Hisone and Hoshino, but now Natsume is officially a Binden – literally a sacrifice (even that poor girl can’t have the man she loves, damnit). So by having Hisone decides to quit the job at the end, it also mean she strays away from the restriction, the repression. Hopefully I read that right because to be frank, part of me still thinks that Okada’s just trolling us around.

We get to know more about this Natsume – Okonagi’s romance and I’m not in a bit surprised here. It goes to the most common trope of unconditional love from Natsume, while Okonagi part-oblivious, part-see her as his sister- bullshit. I don’t really appreciate the way he dodges the kiss, but the blowing air to the nose part itself is quite a lovely bit (guess that mean that Masotan will have a chance to blow her nose in the Ritual). Another detail is about the village dedicated to this Ritual, where they raise young boys and girls to be shrine maidens and… what? Priests? How many priests they need in the ceremony anyways? (the answer is one). And how long in between each ceremony (the answer is 74 years). You get that? The whole generations of shrine maidens and priests were wasted because the dragon won’t wake up. This tells me that they haven’t thought the world-building out well, because the more you think about how it works the more it falls apart.

But we still have some nice moments in this episode. Nao has a chance to shine. Being somewhat written out towards the latter half of this series (the reason is simple: she doesn’t have a dragon), it’s nice to see her piloting Masotan again, an evidence that she has finally came to terms with being who she is, and piloting Masotan also means she helps out Hisone and her dragon as well. She has some nice chemistry with the designer (but wait, doesn’t she have a crush on this guy? Why can she piloting then? Guess the saying remains true: each girl tastes differently, right Masotan? In short, this is a so-so episode in an underwhelming last arc so far.

Posted on 12 June 2018 with categories: Currently Watching:, Hisone to Masotan

After a pretty excellent episode last week, HisoMaso goes into the direction I’m afraid the most: exploring the romance aspect that by all means we don’t really need in the first place. And they frame it in a manner I cannot get behind. Lets see, due to these girls develop a certain feeling, they intoxicate their dragons and now the mission can potentially be halted? So now loving someone is a national crime now? Why do you need to put love in the middle of everything, certain writer? To put more salt to that wound, those romances aren’t that good  to begin with. On one side, we have a love triangle in which that love rival just basically stalks the girl. And then… Look, you don’t suddenly realize you have a feeling for someone like a lightning bolt like this (with all the screaming and stuff). On the other side, we have a crush between the two people who don’t even have normal conversation, and then that old cliche “falling down the stair and accidently kiss”? This trope is so old and tired that it might be older than myself. Seriously, it kills the little interest I have left for HisoMaso.

We also learn one crucial detail for this upcoming ritual, which is there’s going to be sacrifice, as they put it “the chosen one “ (and somehow the episode title sums up perfectly my feeling, eeeek!!), and if it isn’t quite clear right now that person would be Natsume, who has a crush on Okonogi. Consider how long we know this girl (ehhh, 20 minutes?), it’s hard to feel anything even if she ends up as a sacrifice, which I doubt. The question at hand, however, is how they treat the dragons out of their stomachache (okay, the technical term is anastomosis)  and how they discipline poor Hisone and Hoshino (aaaahhhh). I’m never fond with those love webs but now as they are in it, let’s just see how HisoMaso rolls. To be honest, I think the show would turn out better if they focus on the miko instead of these dragon pilots who experiencing their aching first love.

Posted on 4 June 2018 with categories: Currently Watching:, Hisone to Masotan

Readers who read my previous coverages on HisoMaso would know that I wasn’t very happy with the direction this show took. There’s a mean-spirited tone, and just downright nonsensical with the plot to make our girls fallen in love and then crush their hearts to pieces. But with this episode, I’m happy to say that HisoMaso finds a much stronger shape and it justifies most of the events happened before. So, the main plot going forward gonna focus about the ritual, which actually to move the giant big legendary sleeping dragon to its new bed, and that process can take up to 3 whole days without stop. The real challenge with this is the girls have to fight not to sleep for the whole 72 hours, otherwise that gigantic dragon would go off track. That actually sounds refreshing, for once the overarching plot isn’t going to be “saving the world and destroy bad guys” like I afraid, and there’s still some actual stake in there. Moreover, this ritual speaks well to this strange yet whimsical world.

We also know the true identity of the yogurt old lady (it’s about goddamn time). Turns out she was a OTF pilot back in the last time they carried the mission, and she proves to be a good addition to this cast. Her wise advice regarding how they fight with the lack of sleep, for example, is to sleep, on the ground that they have to be in sync with the dragons in order to ride them normally even when they’re asleep. After a brief argument with Hisone (in which I find her reason a bunch of rubbish. Man, her reasons never make sense to me), the old wise woman proceeds to do just that: let them relax and just listen to the sound of their dragons. This goes well in the end and for me, the episode brings me back to the show after a somewhat disappointing middle part.

So we’ll have a celebration (in which HisoMaso phrases it as “Ritual” huh? Will there be any sacrifice here?), we have the torii gate, the dragons and their pilots as the main players, and naturally we need to have shire maidens too. Which comes to the aspect I’m not confident about HisoMaso: the romances. While I personally enjoy the growing chemistry of Hisone and Okonogi, I can’t say the same with Hosino and the captain whatever-his-name-is. It feels hamfisted at best that they need to show us that these girls have some romantic feeling beside piloting dragon. Furthermore, the reveal in the end, the Okonogi is an important figure of “Divinity department” and his apparent love-interest put Okonomi-Hisone relationship into another light and I’m not sure if I’m on boat with this twist. Now that relationship becomes a three-way love which… is how anime plot tends to do, which is too say it’s repetitive and tiresome. I’m growing fond with Okonogi, however, and I especially like the part where Hisone tells him about the “original shitty horror movie which just released in Bluray” part, so yeah at least for now it’s not a deal-breaker. This episode does a pretty admiring job of pulling this show back from their weak and misfired last couple of episodes, at least for now I’m looking forward to see how HisoMaso going to wrap itself up.

Posted on 28 May 2018 with categories: Currently Watching:, Hisone to Masotan

Hmmm, I do feel like I’m watching some propaganda in HisoMaso this week, in which it tries to sell us the ideas that women’s low self-esteem and insecurity are the best way to “soulmate” their dragons, and worse, learning the whole conspiracy method of crushing these poor girls’ hearts to make sure they’ll ever love again, so they can devote all their hearts to pilot the dragons? WHAT? Okay, propaganda is a bit exaggerating, but I can’t help but feel the mean-spiritedness in this approach, especially virtually no one in the higher-ups question about it or that Ilboshi guy’s decision morally, instead they just roll with it. Haizz, they play those up for laugh, and I guess they set all this up so that the girls can overcome those, but still I feel a bit uneasy watching all these play out. Especially seeing the young mug Okonogi tries his damnest to slide between following his orders and just have fun with Hisone. I figure my uneasiness lies in the fact that these girls, our D-Pilots are the victims and clueless about all this. Ways to depreciate our women and their intelligence here, Mari Osada.

SO the plan is to figure out all the girls’ potential romantic interests, push it a bit and then squeeze that love like breaking an egg. Haizz. This plot gets thicken fast as Okonogi is granted a chance to go to a date with Hisone, watching some lame horror movie (wait, is it the same film with the one in After the Rain?). Meanwhile, Kinutsugai becomes an informant (because of Kingdom!) by that guy Ilboshi again. He now becomes a sore thumb here as beside babblings all those bullshits about white lovers, purity and what’s not, he acts equally stupid and manipulative too. To make things worse, this week our dragons get left out, in place for these stupid romantic threads (that include Hoshino and “the guy who ticks all the boxes” and Hitomi’s multiple interests).

The show’s writer is most infamously known for injecting unnecessary and drawn-out romances and it seems like she again hits the streak in this episode. It’s not enough to bring HisoMaso down, at least not yet, so I’ll reserve my final feeling when this all business about the ceremony is dealt with, but for now I’m not that keen on the direction it laid out. It should focus on the dragons – their pilots relationship, or even focus to develop our girls, not this. And HisoMaso still holds their cards too close regarding the real identity of the yogurt lady. Too much sniffing and licking without revealing won’t tease people anymore. I’m a bit concerned with HisoMaso now, it looks like it will head dive into the deep ocean full of sharks and I’m not sure if it ever going to recover from that.

Posted on 23 May 2018 with categories: Currently Watching:, Hisone to Masotan

At one point during this episode I almost felt that Hoshino was just too overboard. Being stubborn is one thing, but when you’re too stubborn you outright hurt others’ feeling without backing down, it’s irritating to watch. The issue with Hoshino, as we come to learn during the flashback, is that piloting an F2 has been her lifelong dream. And she tries, amongst the male-dominated world, to reach that dream. Then this dragon picks her and she determines to push forward to make her dragon a F2 plane. The dragon understands that so he tries to stay in Foxtrot form all the time. It’s a classic abusive relationship if I’ve ever seen one. The main thing is, for Yoshino it’s her desire to fly, not piloting a F2, that hooked her in the first place and their flight together in the end further reminds her of that.

Meanwhile, the other three manage to survive for few days and initially forgets all about their training objective. No big deal, when the dragons are happy they can just take wings and fly off (And eventually they did). These girls encounter the shrine inside the cave with Masotan and other dragons’ symbol in there, so I reckon that this island is a spiritual place where the dragon pilots – white lovers, shrine maidens, whatever exchange some form of mutual relationship with the dragons. They all have the same dream that night of a lady riding a dragon, which I guess for now is either the yogurt old lady or Nao’s mom. Well, we have all the elements in place now: the maidens, the shrine, the dragons, the last thing left is the ceremony itself so let’s see how HisoMaso eventually get into that part.

While I feel the drama and the overall serious tone are just passable, it’s the comedy that fares much better this time. In particular, the comedy duo Hisone and Nao’s puppet head provides some nice gags, including one of the most tragic faux “death” in recent history (Hisone’s face is priceless). The voice acting also work wonderfully well, especially the licking gags of Hisone – just to show you how weird our main protagonist is. Nao and Iboshi’s current crave for kiwi doesn’t really work for me, but it ties its thread well with the final revelation. As of now, I feel HisoMaso just doesn’t have enough of a central plot to make a proper impact, and it relies instead on the gorgeous visuals and quirky character expressions. It’s a nice show to watch and enjoy, but when it’s all done you realize the story doesn’t progress much, and sometimes it feels like the plot just stands still and doesn’t go anywhere at all.

Posted on 16 May 2018 with categories: Currently Watching:, Hisone to Masotan

There’s one thing you can count on original shows, you can never know for sure what the plot is going next. Sometimes, it surprises you with its sheer originality and sometimes, it could go to weird places. HisoMaso falls into the latter this week, literally where it’s taking us to an uninhabited island for the survival test. It’s this week that the show goes for more serious tone, and I’m not quite sure if this seriousness works for the show’s benefit. First, I don’t buy any talk from Administrative Vice-Minister Iiboshi at all. He seems to be the one who knows the most about the connection between OTFs and their pilots, but all his “white maiden” metaphors scream all pretentious with no real substance for me. I mean, the show’s pretty obvious with their visual motifs in support for this white-maiden tale: the traditional festive in the beginning, the torii gate and the rice cakes but now all seem vague and contrived to me.

Second, the way Iiboshi (and the show) frames that the main reason the dragons choose the pilots is because of the girls’ self-loathed. Now THAT I have issues with. Hisone puts it better than anyone: Without Masotan, she’ll be just a social awkward girl who talks to herself too much and is unfit for society. The girls themselves admit later on that they regard their dragons as a way to close themselves off to the people around them. Now thinking back, this has always been Hisone’s perspective towards Masotan since they first met. She said to her dragon the same thing before that she was flattered by the dragon’s choice because she feels special; and her speech to Masotan to “take his responsibility” for choosing her. It’s a flawed way of regarding your partner (and definitely not better than Eri who regards the dragon as the tool) but things might change for the better once the girls have more confident in themselves.

The gist of this episode is, however, to show us how dysfunctional those girls are. It feels to me that these girls are the protagonists of their own story, and then awkwardly assemble them altogether. As such they belong to their own story and have absolutely no chemistry put together. It’s a compliment actually since this episode works its way up to improve the girls’ dynamic together (and also, their relationship with the dragons). In terms of set-up, this is as classy as possible: throw the girls into a deserted island with their (somehow useless) dragons, and force them to interact for the same goals. Matters got worse when Hitomi’s dragon eats all the food supply. Everyone has their own way to deal with it, mostly sleeping and wander aimlessly, and working together remains their last option. Disappointed Hisone soon finds out that despite their team work is close to non-existent, each of the girl can still offers something useful, and together they can manage to survive… for few more days.

Their objective for now is to let the dragons have fun until they get hungry, they’ll fly again. But isn’t it better to figure out why the dragons can’t fly there? That brings us to Eri. While the point of this mission might be improving the team work, it also works as a way to improve yourself and understand your dragons better and Eri needs that now. She’s determined to abandon the dragon to accomplish the mission, but as HisoMaso hints us she opened her heart to the dragon once, so now is the good time to revisit the very moment her dragon picks her in the first place. HisoMaso so far gets away with a lot of its stupid ideas because of its incredible ability to not take itself seriously, so I hope when they finally get serious they have to find a way to hold everything up together, because eye-candy visual alone can only go so far.

Side note: I’m not a fan at all of this overlong, LN-inspired title. Remind me in a bad way of the episode titles in Kiznaiv… wait, that anime was written by Mari Okada too? Never mind then.

Posted on 9 May 2018 with categories: Currently Watching:, Hisone to Masotan

With this episode the main plot thread of HisoMaso starts to emerge. Not only we have a new character this week, but all three of the remaining cast joined in in spectacular fashion. And befitting with the oddball personalities of both Hisone and Nao, they are a bunch of eccentric characters whose characteristics are all over the place. We have Ririko (codename Jimmy) – a shy and introvert girl, Hitomi (TAC name Morris) – a kind-hearted soft spoken big (and lazy) girl and Eri (TAC name Penguin) – a self-serious and overachiever. Looking at this cast, one has to wonder how unfit those girls are in military context. I mean, army is supposed to be uniform, consistent and those girls are as faraway from those as possible. But maybe that’s the point, that driving (AKA massaging the inside of) dragon is a job that only oddballs can do (And to think that Nao now is the one being left out – 4 dragons and 5 girls, seriously?). I’m still not very convinced about the characters of Hitomi and Ririko so far, given most of the time HisoMaso play their weirdness mostly for laugh.

It’s Eri who takes the main stage in this episode and she’s responsible for HisoMaso’s first real thematic depth: whether to regard themselves as pilot or dragon caretaker, thus regard the dragon as their friend/pet or as the airplane. With a show that been dancing around its theme so lightly so far you’d know what their solution is. Eri’s point has her merits, she wants to be the first big female pilot in the military force and she’s determined to make the boys recognizing her talents, or in the broader sense to make military women more than just an object/ a weakness, but by doing so she’s objectifying her dragon as something no more than a tool. The fact the dragon is too tense that he remains in aircraft mode even after the flight is sad as hell. As a result, he goes over his limits and transforms into the dragon form when Eli pushes him harder.

Again, Hisone nearly ruins the mood of her new comrades by saying mean things as they are, but in some way there’s always a charm in her meanie thought-out-loud. There’s no chemistry between her and the rest of the cast whatsoever, but that’s precisely the joy to see this band of misfits doing missions together, arguing over the most meaningless things while inside the stomach of dragons. The girls’ facial expressions remain as expressive as ever and the visual is certainly top-notch and gorgeous. I’m not too sold with the new cast so far, mostly because it’s Eri-centric episode but I reckon I’ll warm up with the other two as time goes by.

CHANGE USERNAME
Amagi
I love the ED song for Tonegawa
Lenlo
I recommend it. Its the best gambling anime out there
Kaiser-Eoghan
I will watch Kaiji someday...someday...just keep forgetting to get around to it.
Anonymous2419710
@Kaiser-Eoghan He's working on a new anime film, not sure when it's coming out
Anonymous2419539
Gyakkyou Burai Kaiji
Anonymous2417730
Can't say that I'm interested in a Jin-Roh remake with the plot transplanted to a near future Korea instead of the 1950s alternate history setting of the original.
Kaiser-Eoghan
I still need to see his patlabor show and the first Patlabor film he did.
Kaiser-Eoghan
@Mario: Need to rewatch the original. I recently did a rewatch of Oshii's works. They benefit from second viewings...and sometimes it better to just to run with some of them/let them wash over you largely because he isn't a particularly accessible director, wish he would return to making animated films though.
SuperMario
So Netflixe acquires a korean reanke of Jinroh huh? I guess it's just a matter of time
Kaiser-Eoghan
Dvd of the new, 6th Gundam origin ova came out last Friday but I can't find it on nya =<
Amagi
It's ongoing, two volumes out in Japan. Mangadex seems to be pretty fast with scanlations.
Masky
Ye have any idea whether its already finished one that hasn't been translated or on going series? Like I said, it seems macabre in fun way so would be disappointing to know it didn't do well
Amagi
@Masky: I found this Marry Grave manga coincidentally while browsing a board. It's really oldschoolish but in an entertaining way. It seems to be weekly or biweekly, but not sure.
Amagi
The idea of how this story is told is completely fresh and unused although I don't wanna spoil anything for people who don't know anything about it. And as if the whole mainstory wasn't nice enough there was a little hint at the end of the game that was a quite shocking reveal. Some people even missed this since the hint was pretty inconspicuous and not directly related to the main plot/character.
Amagi
It's real. Wow. This could easily become the best drama anime of the year if done right. The game was (IMO) fantastic despite being a pixelish RPG maker style game.
Amagi
@Kaiser: Holy shit really? To the Moon?
Amagi
Speaking of Urasawa there was announcement of a Pluto adaption last year, I guess they're still working on it. A good choice IMO, Pluto was not only my favorite Urasawa aside from 20thCB so far, it's one of the few that might be easier to adapt and it isn't too long.
Amagi
@Kaiser: Haven't read Chicago yet, maybe I will look into it. Kinda curious what series this mangaka will do next, same with Urasawa.
Masky
Huh? Found weird manga named Marry Grave. It feels like older manga but I'm not sure what its release date is.. Has rather interesting art and premise though first chapter is bit clunky on exposition
Kaiser-Eoghan
slightly disappointed to see happy sugar life not being covered =<
Lenlo
Oh man, 57? Franxx must have really gone down hill, because you seemed pretty into halfway through or so Aidan
Kaiser-Eoghan
<Crazy aunt in happy sugar life will have Belldandy's voice actress
<Terror the terror OMO
Kaiser-Eoghan
How do I save Chi no Wadachi's protagonist =< Manga giving me post traumatic stress ;M ;
Kaiser-Eoghan
@Aidan: And that game, to the moon is getting an adaptation. I haven't played it nor know anything about it though.
Kaiser-Eoghan
@Aidan: It seems you were onto something when you said in your satsuriku no tenshi impressions/posts that other freeware games might see a chance at an adaptation. I recall you talking about a game called To the moon on here a few years back.
Vonter
I did like how they decided to use a Halo aesthetic for the lack of a better term. Bases and alien ships have this Halo like design and color schemes to them. Also when I though a harem could only be depicted in one way, this series proves me wrong.
Vonter
But after season 2. Oh boy, the series becomes a really intriguing and exciting sci fantasy journey, with lots of motivations, hillturns and mystery.
Vonter
I catch up to the Voltron series in Netflix and man. It might the best anime-like series I've watched all year. I was having doubt after season one because while not awful at the start, it's very typical Voltron good versus evil and the like.
Kaiser-Eoghan
@Amagi: Chicago was one of the first Manga I read when I was 11, by the same author as 7 seeds.
Kaiser-Eoghan
@Amagi: A 7 seeds adaptation would be preferable, its the more mature of the two. My favourite parts of that manga is everything relating to Hana and also the flashbacks to Ango's team's past, also that flashback side arc which was set in that shelter centered on that guy who had nothing to do with the cast.
AidanAK47
For Mahou, I just wanna see the first VN translated.
Amagi
We will never see the Mahou sequel VN either
Amagi
Theoretically ufotable but I think they'd prefer to wait for the updated story of the new VN sooo never ever
AidanAK47
Op was pretty good for an anime that didn't exist. Honestly wonder what would come first. The remake of the VN or an anime adaption by Ufotable.
Amagi
Just as the Tsukihime anime doesn't exist (liked the OP of that nonexisting anime though)
Kaiser-Eoghan
@Lenlo: The original Basara anime doesn't exist, only the manga does.
Amagi
@Lenlo: I really loved it and as far as I know most people who didn't read it refused it due to its drawing style not the content. The style could get an improvement as anime and I think the story is something most people would enjoy. The side characters were all awesome and pretty diverse too, which is kinda worthy of mention because the series had a ton of them.
Amagi
Arisa might get a decent fanbase as well considering it's some sort of mystery-thriller shoujo despite it's appearance.
Lenlo
Oooh Basara would be one I would want to see
Amagi
@Kaiser: I wish we'd get an actual Basara or 7 Seeds adaption some day. But guess it's impossible in the age of 12-episode series.
Lenlo
Yeah, the Marvin reveal was done in as tasteful a way as I could see it being done. It was just creepy enough without being voyeur
Kaiser-Eoghan
**Done
Kaiser-Eoghan
*superficially
Kaiser-Eoghan
While I have never read this, LetDai is sometimes compared superficial to banana fish.
Kaiser-Eoghan
More fantasy/horror shoujo/josei manga, old ones, not otomeshit or school lifeshit could be adapted.
Kaiser-Eoghan
And wasn't the reveal regarding Marvin down in a tasteful/restrained enough way while still getting the point across?
Kaiser-Eoghan
Akimi Yoshida is actually quite diverse, aside from banana fish, she also wrote Our little sister.
Kaiser-Eoghan
"and NOT with naked muscular men. That’d be depressing!" Thank fuck we still have the slender ones then lol
Kaiser-Eoghan
By the looks of it Sugar life's only getting 12 episodes, which means it'll stop just before it really gets going.
Kaiser-Eoghan
@Lenlo: I think 2 volumes of the manga have been covered so far.
Kaiser-Eoghan
@Lenlo: "However its spelt" and there I am, realizing how rubbish I am with names and remembering/spelling them.
Lenlo
Oh man, Banana Fish is 24 episodes? Oh awesome. All the time in the world
Kaiser-Eoghan
@Lenlo: In small doese, small doses he would be tolerable.
Kaiser-Eoghan
An anime about all of us would be fucking magnificent and I will hear nothing to the contrary of this fact.
Lenlo
However that name is spelt
Lenlo
Hmm, Steins;Gate 0 Okabe, or what? Cause Hyoin Kyoma would drive me up a wall.
Lenlo
Oh Grand Blue has some great reaction faces.
Kaiser-Eoghan
Not slice of life, but outside of all the dark stuff, I'd probably think Okabe Rintaro would be a fun guy to be around.
Kaiser-Eoghan
Actually that brings up something, in all of the slice of life dramas/comedies out there, a good measure for how worthwhile some of them are could be "Which ones would I actually like to hang out with the characters in"
Kaiser-Eoghan
I remember when Free! aired, joking with another guy on here who would be who.
Kaiser-Eoghan
You could probably get great reaction faces of the manga/show.
Kaiser-Eoghan
I don't think I could keep up with the drunkening though.
Lenlo
Wait, ive been psychic robbed? When? How?
Lenlo
Ive known people like them before, though less cartoonishly dude-bro. They are fun in bursts. Made for some good experiences. Luckily the ones I knew, also knew when I was at my socializing limit.
Kaiser-Eoghan
Jokingly we'd all be blond otaku-t-shirt guy though =P
Kaiser-Eoghan
@Lenlo: I have committed un-intentional psychic theft of your thoughts.
Kaiser-Eoghan
Mario has to be the skinny dark haired Asian guy because it fits.
Kaiser-Eoghan
As funny as these characters are, I probably wouldn't hang out with then if they were real, I'd probably be iritated by them.
Kaiser-Eoghan
I actually hadn't thought it as far as the personalities .
AidanAK47
For I am the one that trolls
AidanAK47
@Kaiser/Lenlo, Wait then whose who in that screenshot. Cause looks wise I would likely be Iori but personality wise I would be closer to the burly dudes.
Lenlo
As for the updated setting, I think it will work out. Keeps it sorta relevant for modern audiences. I'm curious if the changes will be obvious or not, but the story should still work
Lenlo
As for Banana Fish, after this episode, Im not to worried about the fetishizing of homosexual relationships. Unlike alot of Shoujo/Yaoi-lite/bait stuff, it actually seems to condemn some aspects of the trope in manga.
Lenlo
@Kaiser, I had the exact same thought for that screenshot and the writers.
Kaiser-Eoghan
@Mario: lol Now imagine each of the characters in the screenshot representing a writer on this blog =P
SuperMario
Fixed
SuperMario
@Kaiser: I posted using my phone so that was the best I could do
Kaiser-Eoghan
I want to state, regarding banana fish, for those avoiding it because of shounen-ai vibes or because its aimed at women, even though its listed as shoujo, its really the female equivalent to a seinen manga, it also created, even in Japan a massive crossover audience that also included heterosexual males.
Kaiser-Eoghan
Whew lad, might want to center/neat-en up the screenshot on the latest post =<
Kaiser-Eoghan
See lenlo, while I love the adaptation, I'm still worried about the updated setting.
Kaiser-Eoghan
The manga had something about American foreign policy and the Mafia boss having to do with anti-communism, I wonder will the anime commit to that.
Lenlo
So far, Banana Fish is ony of my favorites. Im gonna make it very clear why tomorrow when I post on it, but boy I wasnt expecting it to commit so fully.
Kaiser-Eoghan
Okay, my ranking so far of the premieres: -Angels of death
-Happy sugar life
-Banana fish
-Grand blue
Shichisei and planet with are dropped, will only watch sirius until I get bored. Don't like shounen action so I'm not continuing Angolmeh.
SuperMario
I know he's a good writer, hence I was looking forward to Dog eat dog. That film made me think he passed his prime
Kaiser-Eoghan
@Mario: Raging bull and mishima also he wrote those.
Kaiser-Eoghan
@Mario: Nicholas Cage is awful and so was Dog eat dog I can agree to that.
Kaiser-Eoghan
@Mario: Its alot better than that I can tell you. Also he wrote the affliction, taxi driver and hardcore, all great films.
SuperMario
@Kaiser: you mean First Reformed? I watched Schraders' previous work Dog Eat Dog and absolutely hated it. Hated it with a passion
SuperMario
@Kaiser: I don't even know that until you pointed out
Kaiser-Eoghan
*movie blog
Kaiser-Eoghan
@Mario: How amusing, you uses "red blood moon" on your movie blood as a section for bad anime, and have the AKA abbreviation right next to it and that has the same spelling as the Japanese word for Red.
Kaiser-Eoghan
@Mario: I've got a feeling you might be a fan of Paul Schraders new film, its a mashup of Ordet, Winter light, diary of a country priest and Taxi driver. It is speechy, but it has alot to say and Ethan Hawke is great in it.
Kaiser-Eoghan
I don't think i'd be able to stop myself pulling an animal ears girl's ears if they were real. I'd have to know.
Kaiser-Eoghan
@Mario: I think I needed to watch it, just so I could have the feeling of getting away from the world while not needing to think.
SuperMario
@Kaiser: that's basically the appeal of Cgdct shows. They're hardy deep or even have that much conflict, but they're adorable and fluffy. Good enough for me ^^
Kaiser-Eoghan
The filter/visual style angolmis was going for initially completely took my concentration away from the show.
SuperWooper
(which includes a review of the inevitable AOTS) :^)
SuperWooper
Only one more First Impressions post to go.
Kaiser-Eoghan
Grand blue is funny but like with wotaku I'm not sure there'll be an incentive to watch every episode.
Kaiser-Eoghan
@Mario: Maybe every season or so I will try to fit in a cute girls doing cute things show. I watched Konohana Kitan yesterday and while hardly essential, it was actually sort of adorable.
Amagi
A bit new info about the next When they Cry. Guess the release date will be the winter comiket. Really wonder how it will be, I have to admit I enjoyed the endless arguments in the Umineko VN a lot. Also it seems it will get the same music composers again.
AidanAK47
@Anon, That airs on July 22.
Anonymous2394727
were is attack on titan 3???
SuperMario
I'll still write a post once the first impressions' over, along with my general thoughts on this season.
SuperMario
Meanwhile, we already decided which shows to blog for this season. The coverage is as follows:
Aidan: Grand Blue, Planet With, Satsuriku no Tenshi
Mario: Chio-chan, Shoujo Kageki, Hanebado
Lenlo: Steins;Gate 0, Banana Fish
SuperMario
Just an update to you, dear readers. We're working on finishing these 1st impressions posts and try to finish it in few days time (3 more posts).
Kaiser-Eoghan
*Harry not Eddie
**Gundam F91
Kaiser-Eoghan
Have the blurays of 08th ms team downloading now to re-watch. Never seen Gundam F91 one . Really looking forward to the final origin ova and whenever more of Thunderbolt is coming out.
Kaiser-Eoghan
Eddie was a bit crap though, especially when you stand him up against other Char-esque characters and some of the other characters aren't quite as compelling. Loved the old American style setting though, crazypants main baddy was fun.
Kaiser-Eoghan
I finally finished/rewatched Turn A Gundam lately. It delivers strongly on its spectacle Heim and Soleil were great and my favourite gundam girls , the artstyle grows on you and because of that art style, it gets away with being one of the weirder phase gundamns, where G Gundam wasn't so lucky in that regard.
Amagi
Highscore Girl is way more annoying than I exptected it to be.
Amagi
Haven't played it (yet) but AFAIK they stay there and only move from floor to floor, I guess it's why they shortly mentioned these murders on the different floors.
Kaiser-Eoghan
Does the entirety of satsuriku no tenshi stay in the building? I could seen the sense of claustropohbia for the audience disappearing if they left it.
Kaiser-Eoghan
Looking back on that comment, I should say, I have not read grand blues manga, so its entirely possible why the animes presentation made me laugh a bit because I've no comparison.
Kaiser-Eoghan
Also, that blonde muscular guy in Grand blue made me laugh.
Kaiser-Eoghan
I like how we have very little idea of the buildings layout in satsuriku no tenshi.
Amagi
Not really looking forward to Gridman as I see the typical warning signs I noticed for Kiznaiver and Franxx as well here. The only positive thing is that the series seems to have an actual villain for once. The lack of that was one of the problems that bothered me with Franxx (not counting literal faceless aliens as "actual villain").
Amagi
I hope next actual Imaishi anime will be a good Trigger again. Honestly didn't really like any of their series done by other directors, Promare would be the first series done by the TTGL team again after KlK and Luluco. My only fear is that it might be a TTGL clone but it's too early to for that.
AidanAK47
I am gunning for Kyohime Lancer and Mordred Rider. Thankfully I don't really care about the five starts so my odds are not quite as bad.
Amagi
@Aidan: Yes I am happy I got her with just one ticket since I am saving for the upcoming rate ups as well, especially Summer. Hell I need Martha.
AidanAK47
@Amagi, Had a few moments like that which were not related to Fate go. Anyhoo I didn't bother rolling Da Vinchi as I got no real interest in him/her(Hard to decide when their reason for genderbending has more to do with beauty rather than gender.) Instead saving my Quartz for either the summer servants for the Knights of the round.
Amagi
Not lying but I had I dream yesterday about getting FGO's Da Vinci with one ticket, woke up, spent one ticket and got her (Yes. "Her"). I am so far into that anime stuff guess I am now developing esp powers just for that.
Amagi
Finally new Sirius subs I hope they are tolerable.
Amagi
Chio-chan is relatable
SuperMario
She's one of the actress I'm really fond of. But of course given how big a status she is
Kaiser-Eoghan
@Mario: If voices could be married I'd marry hers =P
SuperMario
Other 2 shows are Cells at Work and Phantom in the Twilight
SuperMario
Kana Hanazawa's extremely busy this season. She's also voicing for 2 other shows. Give me a minute so I can check up these other shows
Kaiser-Eoghan
The most recent I've heard Kana Hanazawa's voice was in 3-gatsu no lion where she voiced Hina, hearing her voice psychochick from happy sugar life makes it all the eerier =P Also watching this feels like less of a slog than reading the early chapters.
Kaiser-Eoghan
Scanners/photocopier machines however are the greater satan.
Amagi
What kind of cosmic rule forbids printers to ever work properly?
Kaiser-Eoghan
I've heard that satsuriku no tenshi's manga adaptation apparently is paced better and more effective at immersing the reader.
Kaiser-Eoghan
I think my time with shichisei subaru stops here, the cliffhangers just feel liked bad bait and while I hate jumping to buzzwords, this was just really generic and hamfisted. Its like I'm watching a crap adaptation of a bad moe datesim visual novel.
Kaiser-Eoghan
Yeah this is also a pretty stilted translation.
Kaiser-Eoghan
I ended up watching it with mediocre subtitles also.
Amagi
Wait is Sirius subbed? Nonmeme subs I mean.
Kaiser-Eoghan
Banana fish succeeds in making itself work as an action series all the more stronger, because it allows itself to have a good emotional backing. I'd forgotten how much of prick that one cop was in that scene in the manga.
Kaiser-Eoghan
If you want a reasonably quick boredom killer thats gorier than some modern anime allows you could probably do worse than Sirius.
Kaiser-Eoghan
Okay, regarding Happy sugar lifes manga, Late volume 6-volume 8, we're kind of getting somewhere, especially with one particular flashback relating to Shio.
Kaiser-Eoghan
I too am not even impervious to cute and huggable things.
Kaiser-Eoghan
*mikocchi
Kaiser-Eoghan
@Mario: I do plan on watch sorayori, konohana kitan and hakumei no mocchi someday.
SuperMario
*Asobi Asobase
SuperMario
So far, I enjoy Asobi Asobasa and Chio-chan so much that I watched them twice. Guess I do have a thing for cute girls comedy shows after all
Kaiser-Eoghan
Hataraku Saibou, wouldn't be the first edutainment thing in anime , kemono souja and Moyashimon aswell.
Lenlo
Nope, not this week. One week hold since we are sorta between/starting a new season
Kaiser-Eoghan
No steins gate episode this week?
Masky
Hue hue, seems like around time of first impressions I don't need to do my usual isekai complaining because it gets done by someone else instead :D
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Featured Posts

Hanebado! – 02/03 [Meat’s the Best After a Workout!/ She Was Perfect]

When people thinks about Hanebado, they tend to regard the excellent animation as its strongest point. While I partly agree on that, for me it’s the small character acting that makes this show sticks out for me. I do have a KyoAni vibe watching those relationships play out, especially in second episode with the recurring […]

Chio-chan no Tsuugakuro – 02 [Bloody Butterfly Effect / Manana and Ootoro and I / Bump of Slave]

The misadventures of Chio-chan on her way to school continues with some extra flavour. As of now, Chio-chan splits its segments neatly in two halves, the first deals with Chio encounters the absurd events on her way to school, and the latter details her relationship with her friends. One highlights the adventure spirits of this […]

Planet With – 02[Nebula Soldiers]

“So they managed to defeat Torai huh. Well he was the weakest of us.” “Actually he was the strongest.” “Wait! Huh?” Now that’s part of why I love you Satoshi, you lay out a shounen cliche and subvert the hell out of it. Even having Torai in the room about to leave the group only […]

Banana Fish – 2 [In Another Country]

This? Banana Fish? This right here? This is what 91 Days could have been. An intriguing crime drama, with interesting characters all around and the willingness to go all-in on its story. Lets jump in! Banana Fish did a much better job of holding my attention compared to last week. With all the characters established, […]

Satsuriku no Tenshi – 02[Your grave is not here]

This is a very strange show. I may regret choosing to blog this but with the second episode I still find it quite fascinating and I really want to see just where this leads. I will however say that it isn’t because of excellence that this show has caught my attention for at the moment […]

Darling in the Franxx – 24[Never Let Me Go]

And it’s time for Darling in the sorry I just can’t bring myself to care anymore Franxx. Well once again my previous assertions of what this episode was to be turned out half true and half false. For one they actually did show the final confrontation against VIRM and it was just as disappointing as […]

Hisone to Masotan – 12 [We Are Unstoppable]

And we come to a close of this Dragon Pilot show and I’m still indifferent on how this anime wraps up. It’s not a bad ending per se, it has a good emotional payoff and it does somewhat wrap up the story. The more it gets into the conclusion, however,  the more I see inconsistencies […]

Darling in the Franxx – 23[DARLING in the FRANXX]

The longer this series goes on, the faster my goodwill disappears as this episode was terrible on many fronts. At this point I think we can admit that this series has been on a downward spiral since episode 19 and has only worsened with each subsequent episode. Part of the problem was 19 spilling all […]

Full Metal Panic Invisible Victory – 10[Onward, Onward]

Oh no. Well I suppose this was coming with all the news of this series troubles but it is disheartening to see it come to worst case scenario with the quality of this episode. This is the episode that announces without a doubt that this team is at the breaking point. Characters go off model […]

Latest Reviews

Darling in the Franxx Anime Review – 57/100

In following anime seasons it can be quite an experience to follow a show as it airs as the hype and rollercoaster of reactions can be entertainment in its own right. In that regard Darling in the Franxx was a hell of a ride as week by week peoples feelings for it ran hot and […]

Hisone to Masotan (2018 Spring) Review – 73/100

Coming off as one of my most anticipated anime out of this last Spring Season, based solely on staffs involved alone – after all, an original anime written by Mari Okada and produced by Bones (which I regarded as one of the best anime studio working right now) – I can’t help but feel let […]

Megalo Box – 86/100

Ah boxing, the quintessential manly man sport of beating each other unconscious. In anime, the sport was first forged in the fires of Ashita no Joe, and some would say later perfected by Hajime no Ippo. Both fantastic series in their own right. Both filled to the brim with epic clashes of wills, phenomenal characters and […]

Legends of the Galactic Heroes Die Neue These Anime Review – 80/100

This is a remake of a series made way back when which is one of the most highly acclaimed anime in the medium. It is of legendary status but you would be hard pressed to recommend it as to many the barrier of entry is too high to consider. A 110 episode OVA with dated […]

Hinamatsuri (2018 Spring) Review – 79/100

Comedy anime doesn’t always yell out confidence, so imagine our hype when there’s one that been on everyone’s lips since the manga come out, Hinamatsuri. The show starts with simple premise: a girl with supernatural power unexpectedly drops into the house of a yakuza, hilarity ensues. This concept sums up very well the source humors […]

Fate/Stay Night Heaven’s Feel – I Prestige Flower Anime Review – 90/100

We have seen an influx of Fate adaptations over the last year and sadly each has proven to be disappointing except for a cooking slice of life short series which is weirdly better than it has any right to be. This movie was the last of the Fate adaptations that I needed to see but […]

Violet Evergarden (2018 Winter) Review – 76/100

Violet Evergarden’s existence has surely been a public one. Acclaimed before everyone lick a taste of it (it was awarded for grand prize in the fifth Kyoto Animation Award’s novel category in 2014 – read, KyoAni awards), it goes without saying that Violet Evergarden is one of the most anticipated show of the sparse Winter […]

A Place Further than the Universe (Winter 2018) Review – 77/100

Cute girls doing cute things is a genre that been done to death at this point. Even within this Winter 2018 we had been overloaded with big eyes fluffy face girls doing a lot of different things of interest. It takes a standout concept or a deeper narrative to make one stand out from this […]

After the Rain (2018 Winter) Review – 89/100

I suppose that most of us, even the perministic ones, enter After the Rain (Ameagari) with some reservations. After all, the premise about a crush from an 18-year-old girl to the store manager who is nearly 30 years senior raises a lot of red flags here. Yet the show handles this tricky premise with deep […]