Posted on 3 January 2018 with categories: Anime Reviews, Houseki no Kuni

Make no mistake, Houseki no Kuni is the most ambitious anime project of the year. Not only because it’s an entirely CG project (and make a damn good use of it, mind you), or because of its narrative scope that at once strange, grand and beauty, but also in its very conception in their production phase. Unlike normal anime products, Orange studio approached the material as early as nearly 2 full years before its initial broadcasting, and the production went through many unusual phases that took much longer time for the studio to complete. This is to say it was a rough path that they decided taking on and the result showcases how much confidence they adapt the material. This season feels much more as an introduction to an epic story and at its core Houseki serves as an coming of age story to our protagonist Phos, while exploring the insecurities of those gems towards their own roles. As I compare the manga and the anime adaptation together, I still regard the manga as a more astonishing version, but by all mean it’s not a criticism against the anime. Houseki the anime approaches the source in the best way it possibly can, both highlights the unique appeal of its gems cast, striking visual metaphoring and dynamic fights sequence that make it one of the best adaptation in my eyes: both respect the core themes that make the manga stands out, at the same time is vibrant with its own personality.

Houseki is a show of pure beauty. Its world building is ethereally fresh and rich, at once strange and full of mysteries yet to explore. Houseki features the world where the three races: the Lunarians who live over the Moon, the Gems who live in land and the Admirabilis who live under the sea. Underneath that surface where we follow the Gems doing their daily patrol and fight off the invaders Lunarians, the three races are hinted to be the three basic components that form the human race: the Soul, the Bone and the Flesh, respectively. Houseki is the work that is dense with Buddhism symbols, images and philosophy. This is further underlined in the way the character designs are drawn: the Moon People are identical entities, the Gems have their lower bodies almost the same, only the Gems-reflected in their hairs are vastly different and the Snails have their own distinctive, over-designed body with clear sexual traits. Speaking of the ambiguous of gender issues, Houseki might be the only series I could give a plus (+) rating for its sensitive approach to the non-gender beings, something that is rare even in today’s standard and something that speaks further to the originality of Houseki.

In order to approach the strange beauty of the Gems and the stylish dynamic of their fights, Houseki decided to go full CG – a decision that freaked out the manga fans considering the bad track of full CG shows. The computer generated might get some time to get used to, but the more Houseki displays its visual the more it reaches its new height. The characters look gorgeous in their CG models, the CG allows Houseki to experiment with many unusual shot angles and long shot tracking that really hard to pull in a traditional hand-drawn production. The sequence where Dia runs away from Shiro, for example, stands out for all the right seasons. In addition, this CG style uses its shortcomings in computer production (its lightweight movements and somewhat awkward character actings) into an asset, making the Gems feel offbeat and whimsical – the very quality that make them charming and pleasing to watch. The physical comedy, as a result, hits the mark most of the time. But not only the CG takes all the credits here, I have to praise the 2D production as well since the characters have 2D facial features that allow many subtle facial expressions. Orange studio really makes the most out of what they have, capturing the feeling of the manga using the tools of a different medium, and they pull off beautifully.

But exploring this mysterious world and its grand cast is only one of Houseki’s many concerns. This season is all about the growth of our main character, Phos, as they breaking apart, metamorphosing, and changing themselves for better or for worse. They experient some of the sharpest character development I have seen in awhile, both physically and psychologically. The more they losing parts of their body, the more useful and mature they become, the less memory they have. At the end of the day, what’s left of the original Phos? Phos certainly carries their own magnificently with their own charm and witty remarks and a natural voice acting from the talented Tomoyo Kurosawa. Moreover, Houseki underscores the identity and the insecurity of the Gems towards the own roles. Many of the gems, from Phos, Cinnabar, Dia are all struggling with their position. Those vulnerables make them so relatable and real. All other Gems of the cast have their own quirks, but they never sell themselves short. They share great natural chemistry to each other and each of them is memorable, grounded and overall a total joy to watch.

Aside from the colorful yet memorable characters, Houseki benefits from the stunning background arts that not only stand out on its own, but they fit to the narrative seamlessly. Take note how the color of the background changes according to the Gems in spotlight – a beautiful trick that both convey the aura of said character, but also is very appropriate to show the sparkling ability of those Gems. The anime visual has a lot of symmetric shots that from what I know isn’t apparent in the manga, but it’s a welcome upgrade since the techniques reflects very well the theme of Houseki. The soundtrack is another highlight that really elevate many sequences to another level, especially during the fight scenes.

But still, Houseki is much more than beautiful visuals. What I impress the most about Houseki is how they manage the overall tones of the show. Sometimes we have silly, offbeat fluffy comedy, at times it goes full on devastating that showcase a very realistic portrayal of grief; in other minutes Houseki is thrilling with monster chase, crazy Gems and dynamic fights. Strangely, all of these moments above feel really Houseki-y. It’s the show that is full of identity. Rarely I see an anime show that feel so unlike any other shows I watch out there, and manage to be so passionate on what it does, that I can let all my complaint about the show down under the kitchen sink. Unique, strange, beautiful, devastating, ambiguous, and charming all at once, Houseki is an one-of-a-kind series, and I mean it in the best possible way.

Posted on 26 December 2017 with categories: Currently Watching:, Houseki no Kuni

And this phenomenal anime has come to an end, at least for now. This finale is pretty much a calm before the big arc coming up, and further solidify the extend Phos has been growing so far. Well, Houseki isn’t very subtle on this by showing the parallel between this finale and the first episode. Again, we have the meeting between Phos and Cinnabar as the emotional chord, now with Phos’s offering the new job to their Crimson friend. Again, mirroring the very first sequence of the show  we have other Gems calling out for Phos to meet Kongou-sensei. While in the first episode Phos was lying on the grass doing basically nothing, this time they’re standing at the edge of the cliff and clearly have a goal in mind. It comes to a full circle, which is kind of appropriate for a heavily-Buddhism theme like Houseki. Many viewers might consider this ending anticlimactic, but I really like the steady progression of how the story unfolds and particularly how Phos has matured slowly but firmly since the start of the season. Even Phos reflects on the change with sad sentiment, a loss of innocence that they will never go back to the way they were before. This is one of the most well-developed anime character arc I have seen in awhile. Well done Houseki.

But not only Phos, this episode also shines on bringing other Gems to light with many hints of their backstory, while further highlights their colorful personalities with surprisingly relatable traits. Take Padparadscha for example, the beautiful Swiss-cheese holes Gem just waking up, having a walk at the shore and then falling back to sleep all too soon, but they sure catch up well with the situation and leaves a lasting impact. They’re the one who give Phos a much-needed advice: keep their composure and be mindful with their actions. Adding to that wise advice is the way he wears the uniform: loose shirt, uneven pair of socks and cool demeanor make him a total winner to me. But even Alex (Lexi), Zircon and Yellow Diamond all give their own stories that rooted deep in their insecurities when it comes to their roles and the fear of losing their dear comrades. Phos, on that note, had experienced both those issues, but it becomes apparent this time that the other Gems also have experienced them in some degrees too. Alex determines to learn all about the Lunarians as a reminder that they took Chrysoberyl away (the way they love trivia and cosplay Kongou sensei, by the way, are awesome). Zircon, on the other hand, feels deeply nervous around Bort, and their insecurities of having Phos surpassed him despite being the same age.

The biggest hint about the Lunarians comes from Phos’ attempt to isolate one of the Lunarian and try to talk to the figure. The Lunarian’s eyes come back into focus, or to put it better, they regain conscious. They even mutter something before got swept away by the toxic of Cinnabar. This makes me thinking what if the Lunarians are mind-controlled as well, just like the poor Admirabillis? All we know at the moment is the Admirabillis were captured and lose their consciousness in the Moon land, and the Gems are systematically controlled by Kongou-sensei, so it’s reasonable to assume the same fate with the Lunarians? Kongou-sensei obviously is the key to open the door full of secrets here, although Phos’ current decision to come over the Moon to see their side of story is a very logical move. After the Moon, the next target should be the Snails, right?

I still can’t put my finger on how much Phos still remembers Cinnabar and their promises, but it sure isn’t a good sign that Phos starting to lose their memories and Houseki suggests that as time goes on, when Phos loses more of their body parts, they will no longer have those important memories too. But their last encounter brings a lot of raw emotions to the forefront. Cinnabar still leans on what Phos promise, every single word of it, and the scene where they ran off Phos and showed their vulnerability speaks volume considering how they tend to avoid showing any emotions towards other Gems. It’s a hard job, and not necessary a rewarding one, where they team up with Phos to offer an opinion, or rather a contrasting opinion. I’m looking forward to see how the outcast duo will fare when they go up to the Moon for an enlightment.

Overall, what a ride! While I still bemoan for Houseki ending too soon and we have to wait for a certain amount of time for the sequel to come, if ever, I would definitely say that Orange studio had succeeded on their gambles of using fully computer generated to the entire show. The animation is dynamic and inventive, the visual is striking with symmetrical visual, moody color palette and the comedy is unexpectedly slapstick-y that somehow fit the tones of this little gem. Houseki is a treasure and I really hope they greenlit for the second season. This story is deserved to receive a full adaptation. The Gems must live on.

Posted on 19 December 2017 with categories: Currently Watching:, Houseki no Kuni

With “Secrets”, Phos’ now in the middle of “loss of innocence” personal crisis. Well, they did reach that stage when Phos’ suffering over Antarc’s loss (in which he still hallucinates about Antarc’s present even now. Good job, Houseki), but in this episode, it comes to full force. Phos starts to break their trust towards Kongou-sensei, their teacher plus father figure (“breaking” in both metaphorical sense and visual motif). Not without a good reason though as the formidable beast (turns into fluffy harmless puppies this week, but that’s for later paragraph), as soon as he meets Kongou-sensei, he comes and greets him like a dog meets his old master. Kongou-sensei even plays several tricks and calls him by his name, with a manner that even closer and sincerer than with the Gems himself. Only Phos overhears his conversation. And only Phos, and Cinnabar to an extend (great choice of costumes there as only Phos and Cinnabar still wear the same old uniform instead of the new Spring uniform like the rest of the Gems, signify that they are different than the rest of the Gems), have that real suspicion about their Sensei. For others, that suspicion is like a moral code they don’t dare to cross, but Phos’ willing to cross it as their next move is to willingly be taken to the Moon so that they can learn about the Moon’s side of the coin. A promising adventure that will become a central plot thread for the second season, if one ever comes at all.

For me, it all makes sense regarding how Kongou-sensei has established a long history with the Lunarians from way, way back. I have tackled this before but Kongou remains an exception of the rules about the Houseki’s world so far. He’s the closest to “Human” to that world, the combination of both Flesh (gender-specific), Bone (he can crush everything) and Soul (all the Gems and what-seem-like all the Lunarians worship him). He obviously has something in mind to run things the way it is now, and that might not for the benefits of the Gems. The way he withholds many information about the Lunarians and the way he knows almost everything all suggest that he’s the mastermind behind this world, and at this rate I suspect that he will be the last person standing when Phos continues to transform themselves and learn all the answers.

Leave aside all the seriousness, never in my wildest dream that I could anticipate Shiro, the scary beast last week, turns out to be so cute, kawaii and fluffy like this. Or even the Gems steal their scenes by comedically stay true/ break a bit of their characters. Tale Alex/Lexa for example, who would’ve thought as soon as they look at the Lunarians, they turn into a maniac killing machine? Or Bort who enjoyed fighting so much couldn’t dare to hit those puppies? Or the first reaction Dia has when they wake up was upset because they didn’t have a chance to play with those puppies? I tell ya, they will fall head over heel if they ever watch a moe anime. How Houseki fuse seamlessly between thrilling action from last week and screwball misadventure this week without losing a hair of their identity is beyond me. For all the comedic tone this episode establishes, most of them work very well. What doesn’t work well, however, is the unnecessary Rutile – Padparadscha story that feel way too abrupted and way too late in the game. I admit I mildly interested in Rutile’s obsession of bringing the old Gem back to life, and the visuals are striking, but for the character that we haven’t heard once before, at the second last episode of this cour, in addition with Phos’ ongoing conflict on top of it, that shift is a total whiplash. It might work better in the manga version since there will be a progression to this Papparadscha character, but as the one-cour anime I would look for a tighter story because simply we don’t have much time to tell everything. Houseki, learn to cut off some parts of your body and patch it up somewhere more useful.

Posted on 11 December 2017 with categories: Currently Watching:, Houseki no Kuni

This week proves to be the most action-packed episode Houseki has been offering so far and unconventionally, it’s Dia who takes the central stage at facing the most ridiculously overpowered Lunarian Titan to date. Well, I said “unconventionally”, but when the narration and the execution (the camera work, in particular) come together in such neat package I have no complain whatsoever. Viewers might point to the second half of this episode as Houseki’s most memorable moments, and they’re indeed correct, but for me the first half is just as equally impressive, despite… well, nothing really happens. Take the first segment for example, where Phos just sits in one place and other characters pop in and out of the picture, in sequence, it feels like we’re in a play. Indeed, that segment is constructed like a theatre play, with Phos sometimes sits in the middle of the “stage”, talks to one cast member at a time and then narrates themselves. Moreover, just by the way Phos interacts with different Gems we can learn immediately about Phos’ current role in this gems’ society: helping out Lexi about Lunarian’s types, taking a patrol job from Jade, still a topic of curiosity from Rutile, partnering up with Bort, and most importantly, we learn that Phos is still haunted by the loss of Antarc. All that and Houseki never betrays its quirky sense of humor. The moment those jellyfishes jump off their pots totally win me over. I didn’t even notice that the Gems use jellyfish as a light source before. That explains the light changes color depending on which Gems taking a spotlight was the jellyfishes deciding to change color, and obviously has nothing to do with Houseki’s artistic liberty.

Dia’s reaction towards receiving the news from Phos has to be Houseki’s most expressive reaction in the whole season, because it fits Dia’s character too well. Shock at first, but Dia quickly accepts that fact and even forces Phos to accept the personality of Bort. I know they’re Gems so they have different concept than us human when it comes to pairing/ partnering, but for me the Gems’ break up is just as hard as ending a relationship. Dia takes those sad feeling all to themselves – of course they’re never worthy enough to be paired with Bort. Of course now that Phos is stronger, it’s only natural for Bort to team up with Phos. The moment Dia just sits there picking flowers in complete loneliness, follow immediately by them looking at their old partner from afar is both sad and heartfelt. Houseki is really spot on at delivering those little character moments. Dia’s arc comes to a satisfying closure at the end of the episode, when Dia gets out of their own insecurity to face the beast head on, and later on when they see Bort again in their own shattered state, Dia fully lets all their burden go. “I’m glad we spilt up” and “From afar, I see just how much you mean to me”. Both are true, spoken from the bottom of their heart (if they ever have one).

Finally, holy cow! The animation, the choreography and the camera work really something else altogether. I would expect that level of excellence in theatrical movie or a top-notch 3D game, not in a “budget” anime show. To put it simply, Houseki is a prime example of an anime that uses the CG right. The two fights are stunning with some of the best cinematography that play almost entirely in one single cut. Just watch the fight sequence of Dia and Shiro in full movements and the long take makes us feel like we were participating in the fight along with Dia. Or the sequence before that when we follow Dia hiding behind the box, we get to see they leaning forward and back in real time, then the camera just zooms out while Dia hides so we can feel in sync with the situation Dia is in. Also I have to note that the way Dia uses their own leg and their own sharpness as a weapon is a smart move, since diamond is weak under impact but extremely lethal when it comes to cutting. At long last, Shiro is cut in half… and split into two smaller Shiros. With only Bort fighting them, how can they pull it off? We have one of the best action-sequence of this whole year and for my money one of the best episode of this season. Houseki goes completely insane this week and ends up outdone themselves. The only issue remains… All these cliffhangers are really bad for my blood-pressure.

Posted on 4 December 2017 with categories: Currently Watching:, Houseki no Kuni

Houseki approaches summertime this episode and this week feels like a breather after the intensity from the last few weeks, by that I mean Phos didn’t get into any real trouble by the end of this week. Not to say this episode is anything less amazing compared to last several weeks. One of the factor that I still regarded Grimgar quite highly despite its shaky overall production is that they nailed the feeling of grief admirably, something that the anime medium usually glosses over too quickly. The loss of someone close/ dear to you usually leaves a lasting, permanent impact, so naturally I found myself tuning out whenever the main protagonist overcomes that loss just several episodes like nothing ever happen. Here in Houseki, the loss of Antarc still lingering over Phos, and although Phos doesn’t have any significant alteration in their physical body, this week marks a tremendous change in Phos’ personality. At the beginning of this episode, we see the more collected, no-nonsense Phos and they still mourn over the loss of Antarc, whom they feel their capture was entirely their fault. The nightmare/hallucination of Phos about Antarc, in particular, is a powerful and realistic moment about people gem who experienced post-traumatic stress disorder.

Back to spring, when all the gems wake up from hibernation with a new job, and new pairs of spring uniform. Phos receives unanimous popular for their new alloy arms, which can stretch, turn, attack and making a wall at will. The other gems, behave exactly like children who receive new toys, at first scare of Phos’ arms, but then the curiosity takes a better of them. With the old Phos, the sudden popularity and recognition from their peers are all they could ask for, but now that Phos actually has all the attention, they don’t know how to deal with it. “Not a single good thing has come from it”. This line nails perfectly how the current Phos feel. Phos is now strong at battle, can single-handed hold off the Lunarians’ attacks, just like what they wished right at the beginning of the series. But everything else is off. They still can’t fulfil what they promised to Cinnabar, they lost what they consider their best comrade. My favorite moment of this episode has to be when Phos cries their gold tears, in which Kongou sensei calmly responses “This is merely a defect found in ancient organism and nothing to fault yourself for”. Somehow this line really sums up Houseki’s eye-opening world flawlessly.

One thing I didn’t pick up on my last coverages is how the Lunarians have several different types attacking the Gems. I guess the different in types all depending on the Jewel materials they used to attack the Gems. My take is that the old, classic type is the type that has none of such material. Which comes to a fascinating scenario: Imagine how Phos would react when the Lunarians use Antarc’s fragments as their core materials. Granted, Antarc is fragile in nature so there is a low chance that would happen. One more interesting factor in this episode is how Phos slowly lost their memories as well. Not sure when they response to Rutile that they don’t remember Cinnabar is just a total scam or the truth, but with Phos slowly losing their memory (due to their loss of fragments), changing both in their personality and appearance, what’s left to the original Phos except their gorgeous Tomoko Kurosawa’s voice? Are they considered the same gem then? As this is the episode dedicated to the new personality of Phos, the background visual appropriately has more colourful setting with the yellow reflection from the sun. The visual motif changes as well, as previous episodes we often see Phos lying on the grass, this time though they’re standing on it, but still feel lost and directionless. The visual and the music is as dead on as ever. This might be a slow episode, but Houseki again successfully establishes Phos as a compelling protagonist, and I really hope in the last 3 episodes, we gonna have a powerful arc that close up this magnificent, unique anime in a satisfying manner.

Posted on 29 November 2017 with categories: Currently Watching:, Houseki no Kuni

Houseki’s just getting better and better huh? This episode is a knock-out, this series is truly a knock-out. It must be Houseki’s most devastating episode, leaving Phos, Antarc and Kongou-sensei the deep wound that won’t easily be healed. Let’s get to the main turn of event upfront: Antarc is taken away by the Moon people. This result, in a way, is a paid price for Phos getting their new arms. Just two episodes since their first appearance, Antarc has earned more than enough to become a reliable, yet surprisingly poignant and humane character and they’re undoubtedly one of my favorite characters in Houseki. Just two episodes since their first appearance, but the loss of Antarc feels profoundly impactful, not only with us viewers (since Antarc was the very first gem from our point of view to be taken by the Lunarians), but also with both Phos and Kongou-sensei, the only two beings who share a deep connection with Antarc. But boy, the Iced Gem does put up a good fight. In a way, it’s more like Antarc is unlucky when they encounter a string of bad luck all by their own: Phos’s in the situation where they can’t help (another instance where Phos being useless when it counts the most), the sky is unexpectedly clear, Kongou-sensei being hold up and most of all, the Lunarians attack them TWICE. They’re a persistent bunch, to put it very mildly.

But Antarc’s character strength shines through all over this episode with many, many great character moments. From the very early on, where we can clearly see their frustration towards Phos’ losing the forearms. Diving deep into the sea of ice, risking their own safety and nearly losing their hand, all we can hear was “they’re gone”. It’s more like the far cry from Antarc that they blame the loss of Phos’ forearms as their own lack of teamwork experience. Or their furious later on when they wanted to take their hand back because they don’t want to lose any memories with the sensei. Or even later when they literally breaking apart, they do their best to take care of Phos and tells Phos to take care of sensei and carry on the winter job in their place. Antarc sure will be missed; an unsung hero who exits the field almost too soon, leaves a big impact to those remaining players, especially Phos.

Like how we expected last week (and frankly this was the only plot development that comes as expected, the rest is fairly unpredictable), Phos’ getting a new pair of hands and they’re much stronger, albeit much harder to control, than Phos’ previous arms. This is a true “body-horror” element if you ask me, unfamiliar limbs attached to the host and then grow accustomed and spread all over the body and go out of control. At first, these golden arms take completely out of hands, building themselves up into the golden jelly, then golden solid cage which completely “swallow Phos whole”. However, with the devastating feeling of watching Antarc broken apart, then being taken away by the Lunarians, Phos goes pass their own limits to control those freak arms and manage to make them a useful, powerful weapon. This is the first time, however, that we witness the desperation in the eyes of Phos. The laid-back, why-so-serious character becomes angry, distraught, and later, deeply disappointed about themselves that they can’t do anything to bring their friend back. Big part of why Phos is still very likable despite their seemingly-annoying attitude lies in the dynamic voice acting work from Tomoyo Kurosawa, who did a marvellous job voicing Kumiko in Sound Eupho last year. In an interview, the staff comment that they build Phos’s body acting based mostly on the nuance of Miss Kurosawa’s voice (which is not a common practice by all mean since usually the voicing session comes much later in the production phase), and here we can see the easy dynamic from Phos that made them click like a stick.

Houseki again drops another crucial setting: A Chord Shore where supposedly all the Gems are born in, and for my money, where it all begins. We get the see the brief part of an incomplete crystal who washed up, drop into the ground and become nothing. Only in rare occasions, the complete Gems are born, and they were taken immediately into the swings of Kongou-sensei, who teach them about the world and assign them to their jobs. All I’m getting at is that Kongou-sensei definitely controls their income of knowledge and he obviously hides something underneath the surface. Even Yellow Diamond, the oldest gem, admits that they already forget the reasons they fight the Lunarians. All other gems don’t know either the reasons they fight except that they were told to fight. I guess the main reason here has to do with Kongou-sensei, in the sense that those gems fight the Moon people to protect himself from the Lunarians. Just looking at the way the Lunarians “ambush” the Monk: for me their actions all hint towards to “worshipping” Kongou-sensei, and I suspect that they gather the Gems in order to make the best material to submit him. But what intrigue in the settings doesn’t lessen the fact that Houseki has delivered some of its most emotional-wrenching moments to date. I have a strong feeling that Houseki keeps building itself up to an epic drive, both in terms of emotion, as well as its narrative scope.

Posted on 22 November 2017 with categories: Currently Watching:, Houseki no Kuni

Ho boy, I know Houseki’s world-building is unique but the idea of gems’ hibernation in winter due to the lack of sunlight? What a creative idea it is. This winter landscape makes a nice contrast to the lively green field of grass we’ve encountered in previous episodes. The new world that feels both empty, vast and alien. Like how the color fillers in Houseki adjust depending on which Gems taking a spotlight, this white icy winter represents the new centre character this week: Antarctictite. A lone-wolf germ by design more than by choice, while the other gems fall asleep during winter, Antarc hardens their solid form and carries on the duty to protect the sleeping gems along with Kongou-sensei. Antarc might become one of my favorite Jewel people out of just this episode, the way they’re attentive to their duty, carry out many lines of job, from chopping down ice foes, clearing the icy paths, to more bizarre jobs like babysit and protect the other gems (putting the blanket onto them and they will fall back asleep, what a quirk!) and even Kongou-sensei himself. I also like the way Antarc behaves towards our Phos: wary at first, but once they hear the frustrating of Phos, Antarc assists Phos to all their ability.

The two prominent themes of Houseki so far has again developed greatly in this episode. First is the struggling for their own roles in the eyes of Phos and Cinnabar and second is the theme of transformation. Phos feels utterly frustrated because they couldn’t do anything to help their partners, yet receives almost no trouble from their peers, as if the other gems have no expectation whatsoever toward Phos. That moment and the one earlier when Phos just runs and meets Cinnabar in their night patrol, unable to talk to Cinnabar ring hollowly true. These might be gems, but they feel more humane than most characters I have encountered this season. Secondly, after having their legs repaired (and for the better), this episode suggests the idea of Phos need to repair their hands (and that might be for the better as well), the hands from supposedly the Lunarians to begin with. And that exactly what happened in the end. Phos’s stumbling into the icy pool; and lost both of their forearms. This leads to two interesting implications. First, it’s pretty much intended that this story is the journey of Phos who transform by replacing parts of their body to make them stronger. First the limbs, and I suspect the next one would be their body and their head and what I found the most interesting is the desire of Phos to cut off their limbs. If so, what happened to Phos’ own memory? When they lose their own gems their memory is fade away as well, will Phos remain as Phos as they attach the new materials into their body? Moreover, what happened if the remains of Phos’ fragments joined into the new whole body? Will that be Phos as well and carry the same personality with this current Phos? Man, this is going to be intriguing.

And of course I can’t pass this review without mentioning the most important new character in this episode: the ice floes. What exactly are they? They share the same appearance with the Lunarians, have a harrowing voice and sometimes whispers uncharacterised words, except that Phos clearly understands what they said. Kongou-sensei regards them as “sinners”, which sound eerily similar to the human race, but consider that it’s Christian, not necessary Buddhism, context that regards human as such, my guess is that the ice floes don’t represent the human race. More like they are an incomplete state of the Lunarians, which we all know is representing the “Soul”. The ice floes call out for Phos, but it might be that Phos’ current state of mind who do the talking, since they have a knowledge of Cinnabar, whose Phos’ desire the most to help out. Until next episode should we know more about Phos’ new forearms and what those ice floes really are, but this episode might be the best episode of Houseki so far: striking landscape with memorable new characters and the world-building that both deeper, more fascinating but strangely beautiful at the same time. Houseki is building up to be one of my favorite anime this year has to offer.

Posted on 14 November 2017 with categories: Currently Watching:, Houseki no Kuni

Houseki maintains its impressive streak this week, with Phos learning their new role patronizing, a job once again clearly isn’t suitable for our main character. While you could say Houseki follows the same formula from the very first week: first introduces a huge array of Gems’ cast, then leaves Phos out in some kind of trouble that needed saving, then reverts back to status quo with Phos learning something new; the world-building gets even deeper and more mysterious. And like how others described about Phos – a good-for-nothing, selfish, loud brat – it’s surprising to say that Phos has grown a lot on me. Through many transformations Phos still comes off and behaves exactly like themselves: excited for a chance to wield the sword and go for battle, but too weak to even hold the lightest blade (great touch of comedy here), extremely cautious about the Moon people to the point of straining themselves both physically and mentally. It’s interesting to note about Phos’ growing so far, since they are all the different aspects of changing: first as an emotional bond with Cinnabar, then as a speaking ability to the Admirabilis, the physical transformation of the new leg, could it be this time about their inner spiritual growth? The more I see, the more I come to learn that Phos’ transformation might be one of Houseki’s dominant theme. It makes sense in the long run since I suspect the central conflicts of Houseki will be about the three races and their transformation/ hybrid into a fully-formed human being as a final phase of transformation. Speaking of “human”, it’s the only term that the now-forgotten Phos mutters, and needless to say Kongo-sensei is furious about it. From the look of it Kongo-sensei seems to know exactly what Phos means, and he’s hiding that fact from other gems, for whatever intent (goodwill or ill-will) we have yet to know.

The new cast this week, consist of Yellow Diamond, Amethyst, Zircon and even Obsidian (who I assume as swords’ designer. How cool!) are already a delight. Despite having a relatively short screen time, they all have their own unique voice and personality that I can never get tired of without being too over the top. Not a small feat at all for a show that feature such an extensive cast (and the fact that Houseki keeps introducing handful of new characters every week), but so far every single one of them – except for the Lunarians, which for my money is intentional – is memorable, expressive and bounce off each other very well. Yellow Diamond, in particular, is a big brother of the Jewel people, but Yellow don’t feel they deserve the respect since their partners were all taken to the Moon. Not their fault, but they are the main catch from the Lunarians. Amethyst, moreover, is such fascinating character(s) and their laid-back attitude (even more laid-back than Phos, that says something) makes it fun just to follow them and Phos for their patronizing. When Amethyst eventually get captured, shattered apart by the Moon people, the terror isn’t come from the fact that we sympathize for the character (after all, we just know them for, like, 10 minutes), but come from the realization that those Gems are crushing apart and kidnapped to the Moon is a very real thing (Their last word “Run, Phos” echoed my remark last week. My my). Consider that Bort, and then Kong-sensei come to intercept just in time, Amethyst can count themselves lucky this time.

I haven’t touched much on the CGI and the visual motifs of Houseki so far, so lets me address them a fair bit in this last paragraph. I agree that the full CGI of Houseki can take some time to get used to, but now I’m digging this computer-generated style. The action sequences are stunning, dynamic, breathtaking and overall pleasing to the eyes. The scene where Yellow grabs Phos, for example, astonishes me. But I see another (probably unintentional) quality of the CGI: its physical comedy. The way the characters move (like how Phos’s stumble with their blade, or how the Gems run for their lives when Kongo-sensei’s furious) somehow adds a whimsical sense that normal, traditional art can’t match. Last week I mentioned about the image of Phos losing their legs and one eye to show how pathetic Phos’ current situation was, this time I will address the visual motifs about Phos that we’ve seen from the very beginning: the image of Phos’ lying on the grass field. That image was literally the very first thing we saw when Houseki introduced Phos, whenever they feeling down they would lie on the grass, fast-forward to this episode when the Lunarians attack and Phos remains there entirely during the fight. Another visual motif that I really like is the symmetrical visual, which you can see from Amethyst’s twin design; or whenever the Gems prepare to fight off the coming Moon people. I’m pleased with the overall package so far. Houseki is an exciting, inventive, sometimes emotional wrenching gem but always fascinating in every aspect. Sounds exactly like my kind of anime.

Posted on 6 November 2017 with categories: Currently Watching:, Houseki no Kuni

So… Phos got new pair of legs. Not only that, they make a Forest-Gump leap that not only they can walk properly with the new legs, they can run like a wind. Although we’re still at the introduction phase of Houseki, it becomes apparent that Phos’ starting to move away from an ordinary Gems, first learning the Admirabilis’s language, now literally fuse with their hard shell into Phos’ own body. One main underlying theme Houseki has explored so far is the role struggling of these Jewel people. Cinnabar sees themselves as a step child that no one wanted, even the enemy. Dia feels weak and useless amongst Diamond rank, and especially our protagonist Phos keeps finding themselves to one trouble to the next. Now, in this episode, Phos ends up as a bait for Ventri to trade her bother back from the Moon people, then nearly get kidnapped again before gets sent back ashore, with a barely functional body. Phos’s losing an eye and their legs speak volume how pathetic and weak Phos’ current situation is, and yet Phos can’t bring themselves to hate Ventri for betraying them.

This first half centres around Phos and Ventri in a dark cloud of the Lunarians. I have to admit that it was a sloppy job from the Moon people who want more than they agreed on, then breaking the deal, attacking Ventri, releasing Ventri’s brother Aculeatus, managing to break him free and getting themselves all killed. What? It makes no sense at all and it was a mess of writing if I ever see one. I agree with Phos that Acule’s admirabilis form is kawaii, even if he finds Phos is nothing but… delicious food. His humanoid form is a great contrast to his sister’s in term of design and somehow they really complement each other, but I can’t get behind his stupid pride. At the same time at land, all the Gems prepare themselves to go under the sea to find the trouble gem. As much as they don’t really care for the good-for-nothing gem, the extend they go in order to search for Phos, at the expense of their own exhausting bodies (it’s at night so they can’t absorb any light), and their willingness to help Phos to get used to the new legs, are something to behold.

Cinnabar again has a very solid development despite always lurking in the background. When you think about that, Cinnabar is a pretty miserable character, in a sense that they despite themselves to the point that a single promise from someone else could mean a lot to them; and Phos does take the promise seriously. I like the newfound chemistry between Dia and Cinnabar, arguably the only two gems who care deeply for Phos, in their own different ways. Cinnabar also has a great moment with Phos, when the latter washed ashore, felt beaten and lost all purposes. Phos apologizes to Cinnabar that once again they fail to find the new job for the Toxic Gem, even out at sea and experienced the backstab from their talking snail friend (but it was true, Phos went out the sea to look for Cinnabar’s new job). Another solid development is when Ventri decided to bring Phos back because she says she wanted to be different from the Lunarians, but in truth because she also comes to care to Phos.

While this episode is obviously in the early stage of Houseki, I’m glad that Houseki’s successful at  providing many well-grounded chemistries and developments from the cast, and I also have to give the attention to the gorgeous score of Houseki that fit the show like a glove. My only concern is the same with Mahoutsukai no Yume in that those shows nearly reach half of the cour and they’re still in an introduction stage. Mahoutsukai will have 24 episodes, so that’s not really its problem, but the same can’t be said to Houseki since they might never receive a second season, meaning that this intro chapter might be the only adaptation we’ll ever get, and honestly it would be a crying shame. For next week with the title of “the First Battle”, along with Phos’ newfound ability, let’s hope everything going alright for our protagonist this time. But whatever situation Phos find themselves into, just remember: “Run, Forest Gump Phos, run”.

Posted on 30 October 2017 with categories: Currently Watching:, Houseki no Kuni

It’s incredible how much of a problem-prone Phos is, since almost every episode ends with Phos find themselves in deep shit.  If I go with the logic in Monogatari series it’s because Phos themselves attracts the attention from all kinds of trouble. Nothing much happened this week… is what the plot leads us to think. Underneath its surface, however, there’s a lot going on here. In truth, this episode is incredible. With this episode, they explore what I believe the core concepts of Houseki, and if the first dream sequence hasn’t signalled you clear enough, Houseki is rooted very deeply in Buddhism symbols and ideas. It’s funny to raise comparison between two shows I’m blogging this season: Houseki no Kuni and Girls’ Last Tour, but while this week Girls’ Last Tour explores the idea of God and religion, those themes are far removed from Houseki’s context despite being influenced heavily from Buddhism’s concepts. You see, Houseki is more interested in the separation/ independence between body, mind, and flesh and for me they really take core ideas of Buddhism to heart without relying on religious angle. Pretty awe-inspiring is what I say.

Let’s talk about this week’s title, because it’s important. Flesh, bone and soul. Three elements to form a human being. As the old tale from Ventricosus’s planet suggests, the fifth moon where the human used to live (AKA us) was destroyed, resulting in them split apart into 3 separate kinds of being: Gems, Admirabilis and Lunarians. One important thing to note is that those species are created in their most basic forms: Gems as their most basic elements – the bone, Snail is the one of the most basic type of lifeform – the flesh, and with the soul – symbolized by the religious images. Now that the character designs make so much sense and I’m in awe with the creativeness that the mangaka Haruko Ichikawa has thought up (bravo!). Then the idea that The Lunarians purposely fight off and kidnap the Gems and Admirabilis in order to become human again is seriously blow my mind. This division of beings also brings up one intriguing question: what is Kongo-sensei then? He’s obviously no Gems and based on how the Lunarians bow to him in his dream meditation, he could only be a human. So why does he help the Gems to fight off Lunarians here? My take for now is that he doesn’t want those beings reverse back to human form. Last week I had undermined Phos’ new ability of talking to snail as a silly quirk, but after this episode it’s clear to me that Phos holds the keys to open the that exploration between the three races.

Heavy themes and ideas aside, this week I’m quite surprised myself that the show’s humors hit the marks very well. Those moments like Phos purposely mistranslates or the snail being all bibbidi-doo over Kongo-sensei, or Red Beryl as a costume designer? What a cool job she has. Talking about Ventricosus, just look at the amount of transformation she done this week. From being a giant snail who basically brainwashed, to a little snail with soul (funny how we can see the souls of those gems and snails but those who suppose to be “the Soul” – the Lunarians, are portrayed as soulless) and then transforms into a beautiful being who look not unlike the Gems with big boobs (sorry but it’s kinda important in Houseki). I suspect transformation (or even hybridisation) will serve as another main theme of Houseki going forward. The idea of transformation, again, is rooted in Buddhism’s concept as transformation centers around the concept of death (welp, I think I’m still doing alright here despite being a non-religion myself). With this episode alone, Houseki opens to more thematical deep, and I’m already impressed how original and symbolic Houseki continues to be. Turn out last week I was trying too hard to sell Houseki’s appeal because with this episode 4 I can confidently say that Houseki will become something special. Mark my words.

CHANGE USERNAME
Amagi
Also being immortal would meant that I finally had enough time to finish all the games and series I am interested in.
Amagi
@Kaiser: the hate against immortality is overrated, I would totally be okay with observing history for centuries.
SuperMario
@Kaiser: yeah, it’s supposed to be the final one that closes the whole franchise
Kaiser-Eoghan
Theres going to be another euphonium movie next year.
Kaiser-Eoghan
I say sit back and just let it wash over you if you get on board with its slow rhythm.
Kaiser-Eoghan
The soundtrack is pretty understated aswell.
Kaiser-Eoghan
Also quite naturalistic in how it uses/animates movements/body language.
Kaiser-Eoghan
I do wish that it went further than baiting the audience though.
Kaiser-Eoghan
*is in
Kaiser-Eoghan
I watched liz and the bluebird, the storybook segements give the film a certain magical feel to it, even if they feel obvious and on the nose, what this film achieves if in its silent, quiet and visual exposition rather than spoken words, its also more sensitive and low key than Euphonium.
Kaiser-Eoghan
Gah, one of the gutting things about being into historical stuff or stuff about things that happened decades ago, is that I'll never be a direct witness to it as it happened. It'll never hit me as someone who lived through it. I having all the fun second hand.
SuperMario
Thanks, Amagi. They look pretty cool
Amagi
Why would I waste my time watching other people shopping or working. Not to mention that the scripted part turns everything worse than it usually is by shoving in terrible cringy moments everywhere to.. don't know. Entertain(?) the audience or something.
Amagi
I mean unless you want info dumps you watch fiction and you watch that because it makes you indirectly experience adventures you can't have in real life. Even when fiction is down to earth it's usually about special situations like the MC becoming a professional runner like in Kaze ga or something.
Amagi
@Kaiser: Me neither, especially because it seems to be the exact opposite of the reason why people consume media, and therefore fiction, in the first place.
Amagi
They probably used these in Irozuko because they look like're part of some J-RPG town.
Kaiser-Eoghan
@Amagi: I never really understood why reality television ever became a thing or how someone could give it any form of attention.
Amagi
Seems like they even have a wikipedia entry https://en.wikipedia.org/wiki/Trullo
Amagi
@SuperMario: It's some specific type of house that only exist in Apulia. https://cdn.getyourguide.com/img/tour_img-437617-146.jpg - the whole historic disctrict looks like that
Amagi
I shouldn't use so many brackets.
SuperMario
Trulli? What does that mean?
SuperMario
We have all kinds of international film festivals here. I watched Roma in the Latin Film Festival. Yeah that aspect I mus say that I feel lucky
Amagi
There are Trulli in one scene of this week's Irozuko (after they entered that painting), how funny. I just visited this city (Alberobello) last month.
Kaiser-Eoghan
@Mario: You are lucky, Roma gets a one day limited release here for one time.
Kaiser-Eoghan
@Aidan: Just imagine going to the west of Ireland and asking them about the internet.
Kaiser-Eoghan
Yes there are people turning up to the one art cinema we actually have. But Ireland is not a good place to be in general if you are a film/anime/gaming fan.
Kaiser-Eoghan
lol this country is incapable of giving a proper wide/long cinema release to anything that might even be considered slight non-mainstream.
SuperMario
*week-long
SuperMario
Well, we have a week-log screening here and I already lament how undeserving these films have. Guess I should be more appreciate now I know that other countries have 1-day screening only
Kaiser-Eoghan
I wonder if anyone started out in the light novel industry as a stepping stone before moving on to real book writing. I also wonder how easy it is to get published.
Anonymous3183156
Progressive is good from what I heard since he went back to his older material from a more mature outlook. Ordinal Scale is decent too coming from the same matured Kawahara.
Kaiser-Eoghan
Sometimes there are re-showings, some cinemas will play Akira for the billionth time for example.
Kaiser-Eoghan
I imagine seeing scenes like that being recorded in the recording booth would look quite strange.
Anonymous3183156
Apparently, he even apologized to the voice actress for being subjected to voice a rape scene, so I guess even he has deep regrets about it. The LN doesn't have any more moments like this so I guess he matured a lot.
Amagi
@Anon: The problem is that he was still a teen when he wrote Alicization, he just edited it a bit later. But I also wish he would have cut this scene, it's always so forced and feels so stupid.
Amagi
Pancreas has no subs yet AFAIK
Anonymous3183156
Ugh, ep10 of Alicinization reminded me why I disliked SAO so much years ago. I assume Kawahara still had some nasty tendencies in him when writing Alicinization despite being past his edgy teenage phase.
Amagi
@Kaiser: It's the same here too. One day screenings and that's it. I also believe that anime are made for everyone it's just that the West (save for France and Italy maybe) doesn't give anime a chance. They are sure people would never care so they rather die or air the same awful scripted reality show for the 5th time rather than try showing anime that could appeal to adults like Monster.
Kaiser-Eoghan
The anon might want to watch that though, a torrent of it recently got uploaded.
Kaiser-Eoghan
Also Let me eat your pancreas wasn't shown here. But it was shown in Australia.
Kaiser-Eoghan
Although there are some films that America gets that we don't, the Heavens feel, the Madoka movies and Nanoha reflection showed in America but not here.
Amagi
@SuperMario: That would be great.
Kaiser-Eoghan
Anime films seem to appeal to normies aswell.
Kaiser-Eoghan
I saw an older woman in my screening of Maquia and talked to her after it and she liked it.
Kaiser-Eoghan
Again, I don't know about elsewhere, but what surprised me was the amount of people who are seeing these in the audience who don't actually come off as anime fans and probably aren't.
Kaiser-Eoghan
But I'm genuinely surprised that my country would actually even go that far to even show them.
Kaiser-Eoghan
I don't know about all the other countries that get showings for these anime films, but here its a one day only thing each time one comes out.
SuperMario
Reviewig anime movies/ making posts about them might be something I can do in the future
SuperMario
@amagi: anime movies are somethingn I wanna raise more awareness as well. Normally each year there are 4,5 solid anime films out there, but like you said they’re hardly discussed
Kaiser-Eoghan
I've never heard of UFO no natsu.
Kaiser-Eoghan
I felt bad for the little girl in grave of the fireflies, the boy was already caught up though in "muhfascistempire is goat tier" for me to care about him as much as her.
Kaiser-Eoghan
The Air movie was more focused, better paced and visually directed with more panache than the show.
Kaiser-Eoghan
@Amagi: I have gone to almost every anime screening since the early 2000s and continue to.
Amagi
And many have barely any sort of advertising so I only notice them coincidentally by seeing a thread on /a/ or because I see some screenshot somewhere.
Amagi
Speaking of it there are so many great anime movies every year but nobody ever talks about them because the fans are split between those who see the screenings (that happen randomly depending on the country) and those who watch it a year later on their PC.
Amagi
I also found Hotori sad but it's ages old and I never met anyone who cared about it besides myself. Also, Hanbun no Tsuki and UFO no natsu although these were 6 part ova. Colourful probably too and the Key movies. I actually like all these movies like Air or Clannad but I didn't like the series that much.
Kaiser-Eoghan
I think ultimately its the patience some of these sad films are made with that allows then to eventually land their effect.
SuperWooper
It takes a while to get to that point, though.
SuperWooper
"The Wind Rises" is pretty damn sad.
SuperMario
Well, Grave of Fireflies hands down. or Your Lie in April if you don't mind TV show
Amagi
Then basically everything from Shinkai for example.
Kaiser-Eoghan
@Anon: You may need to let us now what type of drama you're into, are you okay with highly melodramatic stories?
Anonymous3180985
if so anybody have any good sad anime movies?
Anonymous3180985
anybody here?
Amagi
The more we approach xmas time the more it rains in my city. Like every year.
Amagi
Didn't know that guess I try this someday I love this setting.
Kaiser-Eoghan
The most recent thing I've watched dealing with a created/artificial/virtual world was an old German mini series called World on a wire by Rainer Fassbinder.
Amagi
Wonder about the consequences these last scenes in Gridman will have.
Kaiser-Eoghan
@Mario: I finally got around to Aki Kaurasamaki's films, watched I hired a contract killer, I like dry, sad bastard black humour like that and even when it wasn't being amusing I enjoyed the whole quirky tone throughout it.
Kaiser-Eoghan
I decided to watch season 2 of sound euphonium before getting to liz and the bluebird. I would like to see more of this. I guess I liked Asuka's arc.
Kaiser-Eoghan
I think bloom into you has stood out in how its dealt with Nanami's insecurities and backstory, found myself liking that one side character Sayaka more. There will be an arc where they do some kind of play which compliments/links in well with nanami's character.
Animosh
But yeah, I agree the series has great character writing. In hindsight, it's kind of a shame you picked Irozuku over Bloom into You. It had a great premiere and some stunning scenes, but the characters are so incredibly droll that there's just not much to write about. They're both slow burns, but Bloom into You gives you much more to think about.
Animosh
So I think the crossing the line thing is ambiguous between your interpretation and Yuu's subconscious fear that if she initiates things, displays her affection towards Nanami (and a passionate kiss that Yuu initiates certainly seems to qualify), then that will be the end of things. Actually, it's probably a bit of both.
Animosh
@SuperMario: I think Yuu is also aware that Nanami does not want Yuu to fall in love with her (I mean, it's hard not to after that death stare). And as a result she can never initiate things, because showing affection would undermine the whole reason Nanami fell in love with her. And Yuu obviously does not want this relationship to end.
Anonymous3177625
Did uh that really happen in BF? Probably not, but dang if that really was the case then stuff got real
SuperMario
@Animosh: the thing is Yuu takes the special attraction from Nanami for granted, and her mode is that she “doesn’t hate” it. She doesn’t hate it when she spends time alone with Nanami, she doesn’t hate it when they kiss. So for Yuu, when Nanami askes her to actively do it, it’a the first time Yuu feels like she’s crossing the line. Some really great character writing there
Anonymous3175137
It boils down to a female-targeted version of those moe shows that I don't care about all that much. Just replace the cute girls with hot boys.
Anonymous3175137
Compared to Katsugeki, where it tried to sell the series as something more than just a mobile adaptation and tried to court non-fans, here I got exactly what I expected; something safe and predictable, and catering exclusively to fans. So I got nothing out of it.
Anonymous3175137
Is there some sort of moe equivalent for male characters? Because this show probably counts as one. otoh, my feelings towards it are like most CGDCT anime: indifference.
Anonymous3175137
I think the oddest thing I did regarding anime this year was how I sat through both season of Touken Ranbu Hanamaru (including the one that aired earlier this winter), and didn't claw my eyes out when it's basically an unfortunate mix of a mobile game adaptation and a CBDCT show mixed in with some action segments to show that it's not just a pure estrogen-fest.
Animosh
I should also note that I don't relate to her in every way. I understand her difficulties with falling in love, but for me the problem is more that my view on love is too negative, and as a result I'm hesitant about taking the "leap of faith" that any relationship requires. Love is messy, and may well get you hurt, so it's easier to observe things from a distance, like Maki for example.
Animosh
Oh Yuu is definitely frustrating to watch. Her idealized conception of love prevents her from seeing what is obvious to everyone watching: that she's slowly developing feelings for Touko. And when those feelings evidently turn into love, instead of seeing them for what they are, she's in denial and insists that her feelings aren't special enough to be called "love". It's frustrating.
SuperMario
Then again, I can't really say why Bloom into You works for me now, but kept me in a distance in their first few episodes. It's slow-burn, and when you think back to it, not a lot has been happening. But I feel they haven't made any wrong step yet
SuperMario
Can't say I relate to Yuu thou. She's the kind of character that in real life I would find really frustrated, and I know many of my friends behave that way. That just to further demonstrates how real these characters can be. Even the side characters, Sayaka and the lesbian adult couple work well for me.
SuperMario
@Aminosh: it took awhile for me to fully embrace Bloom into You (I say about episode 5,6) but I agree it's getting very solid now. it reminds me of Scums Wish as well, mainly because how twisted romance can be
Animosh
I'm also worried it won't end in a satisfying way, since the manga is still ongoing. But otherwise I quite like it. It has its problems, but if you go into it with the right expectations (slow pacing, complex and flawed characters that make for an unusual love story, with more focus on the characters' psychological issues than their sexuality) there's a lot to enjoy.
Animosh
My only major complaint is that its characters can feel rather artificial sometimes. Touko in particular is a victim of this. She's such a weird bundle of complexes that she can be hard to relate to. Maybe it'll be better explained later on, but the whole idea of falling in love with another person because you think she'll be incapable of reciprocating it ... it's weird.
Animosh
I particularly like Yuu. I can empathize with her difficulties with falling in love, and I like her arc of slowly "blooming into" liking another person. It feels natural and earned. And like in SSSS.Gridman, the direction is surprisingly strong, and as a result it mostly nails its key moments (the river confrontation, the shed starting shot, etc).
Animosh
I finally caught up with Bloom into You, and it really surpassed my expectations. It kind of reminds me of Scum's Wish, with how flawed its characters are, and how selfish and unreasonable they can be. But like in Scum's Wish, instead of condemning the characters for their flaws, we're given the background to understand them, and they're not used for forced melodrama but sympathetically explored.
Kaiser-Eoghan
@Amagi: Are the Tezuka Buddha movies really that bad? I'll probably try the manga soon.
Kaiser-Eoghan
Also, it'd be cool if we could get long ova adaptations again.
Kaiser-Eoghan
I'd be happy to get more anime set outside of Japan. I also wouldn't mind seeing some anime based off western material.
Lenlo
Gotta say, I wasnt expecting that from Banana Fish this week. I hope its not a fake out, because if it isnt this ending could be great. I love sad endings
Kaiser-Eoghan
Bunny-girl made me watch a horrible idol segment. Then I forgave it because the end of the episode was well executed melodrama.
Sash
I just recently watched Made in Abyss.... and i cried real hard. I was worried that this story was going down the loli route at first... but how this show frightened me... and how it pulled at my heartstrings at the end.
Sash
I just recently watched Made in Abyss.... and i cried real hard. I was worried that this story was going down the loli route at first... but how this show frightened me... and how it pulled at my heartstrings at the end.
Animosh
But regardless of how things turn out, it was definitely a powerful moment, and I'm really happy things are finally heating up again. Looks like the demon/leopard/whatever will be unleashed next episode.
Animosh
Welp, I guess something really did happen this week in Banana Fish. I kind of expect it to be a fake-out though. Chii mentioned there will be an epilogue, and it'd be strange to do so without our main couple intact. We haven't really gotten a confirmation of how Ash and Eiji see their relationship either. So I don't think the ship (or rather, one of its passengers) has sunk just yet.
Kaiser-Eoghan
Well, one of them is essentially the first two episodes of the show as one long episode. So i would say that makes sense.
Anonymous3169068
After all, I don't think they know anything about the series until I show them these. They already know that I bought the novels though.
Anonymous3169068
Meanwhile, I'm planning on showing my family, the two LoGH films, My Conquest is a Sea of Stars and Overture to a New War during our Christmas vacation. Is this a good jumping on point?
Kaiser-Eoghan
Come on torrent, 90% done, then you decide to slow down. This is conspiracy I say.
Amagi
Same here
SuperMario
Thanks, will download it when I get home.
Kaiser-Eoghan
@Mario: Early sub for 720p version of liz and bluebird is on nyaatorrents, they say they are doing a 1080p version tomorrow.
SuperMario
It’s Christmas season soon so I hope I can watch some older gems during that period
SuperMario
I, on the other hand, decide to get off my movie marathon for now to spend time WATCHING MORE ANIME.
Kaiser-Eoghan
I've had that issue on other blogs, getting the moderation awaiting message, I got it here in the past too.
SuperMario
Woah, I will read that story soon when I have free time. Thanks
SuperMario
Lemme fix this, Amagi
Amagi
I have given up on a bunch of anime now I rather enjoy the few I really like to the fullest and use the rest of my free time to play games and read VNs.
Amagi
"Your comment is awaiting moderation" guess I posted too many links, he. Well thinking about it I could have just posted this in the shoutbox, it's no spoiler or anything.
Lenlo
I quite liked it. I like that it wasnt a one off thing either, but it showed them working at it. I enjoy how when Kurahara chooses to do something, he commits 100% to it. Its fitting for his character
Kaiser-Eoghan
A lesser series would have drawn out the drama with Haiji. The scenes with kakeru reading manga with Prince also further support what the anon was saying about him warming up to Prince.
Lenlo
I cant wait to watch it.
Anonymous3164706
And yeah, the cliffhanger from last wasn't a big deal since Haiji fainted from overworking himself and needs to rest.
Anonymous3164706
That part where he chose to slow down in order to cheer on Prince and Ouji was a great scene in particular. He's starting to care about others now.
Anonymous3164706
Man, Prince has come a long way from his slow, awkward running at the start. And it looks like Kakeru is improving in terms of building his relationships with his teammates.
SuperMario
awesome! Under the Silver Lake is out as well in case you want to watch it, Kaiser
Kaiser-Eoghan
Yo AwesomeMario , the bluray for Liz and the bluebird (the sound euphonium spinoff thing) is out, will probably be subtitled someday soon.
Kaiser-Eoghan
Compartively dogs DESPISE me.
Kaiser-Eoghan
Y'know...yeah, old kids stuff was kinda messed up and animal deaths were a big thing, Mufasa, bambi's mother aswell.
Amagi
Cats are weird
Amagi
We have two cats for two certain metro stations in my city. They belong to people living nearby but love the station so damn much you almost always see them sitting on the benches made for humans waiting for the subway/train. Two days ago I returned in the middle of the night and that one cat was still sitting there enjoying life. The other cat belongs to the station in front of my house.
Kaiser-Eoghan
Depressingly we also have that Lion king remake too.
Kaiser-Eoghan
Though I think plague dogs film adaptation stopped just before the full ending of the book?
Kaiser-Eoghan
Lol there are actually people out there who believe that only straight men have aspergers syndrome.
Kaiser-Eoghan
I can't actually leave a cat alone when I see it, actually snuck up on one to pick it up. Couldn't help myself.
Kaiser-Eoghan
Oh, heh, hey didn't know it shared the same author, makes alot of sense though.
Amagi
Yeah Plague Dogs is by the same author that did Watership. It was great. It's interesting to see how quickly series can become edgy and therefore bad on the one hand and how many grim dark movies or series exist that are damn good on the other hand. A wrong turn and your serious drama or thriller can turn into trash.
Amagi
Funny because I was also always a rabbit owner and now have a shitty cat (and yes I am actually autistic though although I guess I write pretty normal nowadays)
Kaiser-Eoghan
Oh Jesus...there was another old one wasn't there, the one about the dogs? Plague dogs, another example of a famliy/kids animation that pulled no punches.
Kaiser-Eoghan
I enjoy alternate history/dystopia stuff, There was It happened here, a British film about a what if situation where Hitler won.
Kaiser-Eoghan
I don't think I was able to get away with missing the subtext of watership down though when I was younger, my parents made sure I understood it at that young age.
Kaiser-Eoghan
I also liked how watership never really came off as being edgy in an detrimental way.
Kaiser-Eoghan
I'm convinced there is some connection between cats and rabbits in relation to autistic people, both creatures appear to love me.
Kaiser-Eoghan
@Amagi: And thats something I'm extremely picky on, mixing cuteness and darkness together but Waterships art got that right.
Anonymous3163410
Although it does try to go into darker material later on. It just tries to do what it can with a TV-Y7 rating and manages to succeed despite not being as violent or scary as the film.
Amagi
I like how Watership Down was basically the first popular cartoon with that dark moe trope if you count the rabbits as cute for being actual fluffy rabbits
Amagi
da,,it the cat won't leave the keyboard
Amagi
love 1984 too. genrally all of these political dystopias or however youcalltheseä#+
Anonymous3163410
It could be worse. It could be the sanitized kids version that aired in the late 90s.
Kaiser-Eoghan
And because the rabbits look organic in the 70s one, its more scary.
Kaiser-Eoghan
Watership was particularly harrowing though because it was rabbits and I was young and I was predisposed to rabbits=fluffy cute things.
Kaiser-Eoghan
*Ahem* kind of commied out there for a second. I'm actually more of an Allende-ist.
Kaiser-Eoghan
1984is still a good story too.
Kaiser-Eoghan
But he agreed that animal farm was good, despite being written by a trotsykite.
Kaiser-Eoghan
My father hated him despite my dad being a Marxist.
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